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Southern Slang Guide
If you're trying to write a character from the Southern USA, look no further! We're from Alabama, and yes, we all talk like this.
General Phrases
Y'all â you all. The apostrophe goes after the Y, not the A.
Like to've â almost. As in "That car like to've hit me!"
(Damn) near (a)bout â almost. As in "It damn near 'bout killed me when he told my mama that!"
Fixin' to â about to. As in "I'm fixin' to make some tea if anybody wants some."
Over yonder â this could be literally anywhere. It is the least helpful answer to "Where is [thing/person/place]?" you could possibly receive. You will hear it a lot.
Ever lovin' â replacement for "damn" and its variants, usually. As in "Have you lost your ever lovin' mindâ˝"
Sweatin' like a sinner in church â If it's hot out, you can take this one literally. But if something "has you sweatin' like a sinner in church," it makes you nervous.
Hotter'n Satan's [body part (most often ballsack)] â it's extremely hot outside. Southerners have a pretty high heat tolerance, so this usually doesn't come out until 90°F/32°C or higher.
Colder'n a witch's titty in a brass bra â it's extremely cold outside (this is my favorite phrase ever). Southerners have a pretty low tolerance for cold, so this one comes out around 55°F/13°C or lower.
Talk proper â If you talk like a northerner/use formal English/etc., you're said to "talk proper."
Heavens to Betsy (& all her sisters & brothers) â mostly used by older people, just a general exclamation of dissatisfaction akin to "oh my god." Add the bit in parentheses if whatever your character is upset about is a real clusterfuck.
What in the Sam Hill â another exclamation of dissatisfaction, this one more akin to "what the fuck." Most often used as "What in the Sam Hill is going on here?" Who is Sam Hill? The Devil, probably. It's usually the Devil.
Knockin' on/at the Devil's door(step) â asking for trouble.
Grown folks' business â anything the adults don't want the kids asking them about.
Pitch a fit â throw a tantrum.
Fit to be tied â incredibly angry. As in "He was fit to be tied after his dog tore up the couch."
All tore up â messed up/hurting. As in "My stomach's all tore up after eatin' that fish."
Like a bat outta Hell â really fast. As in "She took off down that highway like a bat outta Hell."
Having a come to Jesus meeting â you are in SO MUCH TROUBLE. If someone says you're about to have a come to Jesus meeting, YOU FUCKED UP.
I reckon â I guess/I believe. As in "I reckon we might go on over to Mamaw & Papaw's house later."
Wore slap out â you're tired. As in "She was wore slap out after dealin' with them young'ns all day."
Knee high to a grasshopper â referring to when someone was a little kid. As in "Last I saw you, you was knee high to a grasshopper!"
Piddlin' around â wasting time/dillydallying.
Hug [someone's] neck â give a big hug. The bane of my existence as an autistic child in the South was being told "You go up there & hug their neck!" at family gatherings.
Makes you wanna slap your mama â it's damn good food. There's actually a Slap Ya Mama seasoning blend now, but the phrase came well before that.
Insults/Being Rude
Bless your heart â It's just a condescending phrase we use. No one ever says it because they like you.
Ain't got the sense [you/he/she/they] was born with â You're stupid or you lack common sense. Works either way. Regardless of the pronoun used, it's always "was," never "were."
Ain't got a lick of sense â another way to say someone's stupid or lacks common sense.
The porch light's on, but no one's home â we got a lotta ways to call you an idiot, okay.
Fell off the ugly tree and hit every branch on the way down â you're UGLY ugly.
Too big for [your/his/her/their] britches â you're too self-important/think you're better than everyone else.
I can't see through shit/muddy water â move, you're blocking my view.
Your daddy ain't a glass maker â same as previous.
Misc. Terms
Young'n â a child
Meemaw/Mamaw â your grandmother
Peepaw/Papaw â your grandfather
Your parents are almost always "mama" & "daddy," even after you're a grown adult.
Chitlins â this is a food nobody actually likes. Literally, everyone talks about that one family member who makes them, and nobody can stand the smell, much less actually want to eat them. If you want to know more about the food itself, look up "chitterlings."
Cattywampus â messy/askew. A stack of books at odd angles could be referred to as "all cattywampus."
Extra Notes
Yes, we really do leave off syllables and ending G. That's why I have so many words with apostrophes here lol. We do just talk like that.
"Sir" and "ma'am" are not optional when talking to people old enough to be your parents. They WILL pitch a fit if you don't use it.
We say "ain't" a lot, even where it isn't grammatically correct in standard English.
If you're ever speaking out loud (say for a podfic or audiobook), you don't say "have." It's more of an "uh" sound. Should've = shoulda. Would've = woulda. This is why so many people from the South write "would of" instead of "would have;" it's based on how we actually pronounce things.
Likewise, Southerners rarely say "I have." It's usually "I got."
We're big fans of running words together. "Lemme" (let me), "gimme" (give me), "wanna" (want to), "gonna" (going to), etc.
Related to above, sometimes we just say "I'ma" instead of any variant of "I'm going to." Especially if you're threatening someone, as in "I'ma slap that look right off your face."
We rarely say we're going to drive somewhere. Usually, it's "ride on over."
This is by no means exhaustive; I just tried to go with what's most commonly used! Any other Southerners are welcome to add stuff I missed!
ăsera/ală
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Amatakka: A Learning Guide!
For anyone interested in learning Amatakka (or just about the language & culture) but finds the various spreadsheets either intimidating or incomprehensible, Learning Amatakka: Berim Takkarie is a written guide designed for learners! It includes recordings of spoken Amatakka, notes on Amavikka culture, neat charts, and more.
From the Preface:
"Learning Amatakka is a guide designed for a learner of Amatakka to be exposed to the depth and breadth of Amatakka vocabulary and grammar, and with a little luck, become somewhat conversational."
"Berim Takkarie means Song Dialect [referring to the dialect endemic to much of Tatooine], for the language of hearth and home, which recalls the musical stories of the very eldest grandmothers, and an endless search for water."
Chapter 1 is currently posted, and it focuses on learning to introduce oneself, and a whole bunch of notes on gender. Many more chapters are in the works, and the guide is open to comments and questions!
A guide to @looseleafteeaves dialect of Amatakka is linked within this one.
Many thanks to @emotionalsupportjedi, who accidentally inspired this entire project by asking 'teeaves if they could recommend a place to start learning Amatakka! Please enjoy this ongoing textbook. And even moreso thanks to 'teeaves and @whywouldiknow-that for their contributions so far.
#star wars#conlang#constructed language#fialleril's tatooine slave culture#amavikka#amatakka#fialleril#double agent anakin#biting his own tale#Cheliik'ta chats#Amatakka Learning Guides#Berim Dialect
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TIPP
Use this skill when you are overwhelmed by intense emotions or are feeling the urge to self-injure.
*If youâre in crisis and are having suicidal thoughts please call a Crisis Hotline! (Call 988 in the US)
T - Temperature: To relax fast or distract your mind with sensation, hold an ice pack to your cheeks or eyes or dunk your face in a bowl of ice water for at least 30 seconds to activate your Diver Reflex*.
*If you have high blood pressure, talk to your doctor before trying.
I - Intense Exercise: Doing a few minutes of vigorous exercise will release Endorphins. Try a few minutes of Jumping Jacks or running in place (or around the block). Play your favorite fast paced song and dance it out.
P - Paced Breathing: Breathe deeply into your belly, expanding your lungs as much as you can. Pace your inhales and exhales to 5-6 per minute. Then make your exhales longer than your inhales (5 seconds in, 7 seconds out).
*Try a 60 bpm Metronome track from your music streaming app or YouTube for pacing.
P - Paired Muscle Relaxation: Breathing deeply, tense your muscles (not so much that you cramp up) section by section, move your focus from your feet up your body. Tense up with every inhale, relaxing and melting with every exhale.
*More DBT guides here*
#dbt#dbt guide#dbt skill#dbt skills#dialectical behavior therapy#therapy#resource#resources#bpd thoughts#actually bpd#bpd#borderline pd#borderline personality#bpd life#bpd problems#bpd shit#bpd stuff#crisis plan#crisis management#distress#tolerance#distress tolerance#TIPP#tipp skill
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canât believe iâve never made it to this part in the hitchhikerâs guide to the galaxy series until now:
(image description/transcription in ALT)
#btw. the martin freeman audiobooks for the last four in the series?#brilliant. VERY fun. idk WHAT kind of dialect he's got going on for Zaphod Beeblebrox#it's like some kind of new york boston jersey abomination that works quite well considering ZB is from none of those places lmao#the hitchhiker's guide to the galaxy#douglas adams
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as someone who had to learn phonetics and ipa during acting class i LOVE whenever phil talks about his education
#educate the masses about where sounds are placed!!#tell the girls about fricatives and plosives!!#teach about diphthongs and triphthongs#petition for phil to talk about his education more bc iâm so intrigued#me learning to write my name in the phonetic alphabet#if ur curious i had to learn how to speak without any regional indicators and then learn three dialects using ipa as a guide#we learned american southern and standard english and irish#i sucked at irish btw#sorry to my ancestors#dan and phil#phil lester
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If other please feel free to comment :-)
#Aedion#Aedion Ashryver#TOG#Throne of Glass#Throne of Glass series#SJM#Maasverse#Sarah J. Maas#Throne of Glass universe#audiobooks#book pronunciation#pronunciation guide#fandom poll#fangirl problems#Queen of Shadows#QoS#why is it always spelled so confusinglyđ
đ#is it just me#whereâs Rowan with the dialect#how do you say
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Morbid curiosity poll -- This time concerning pronunciation of muse names that I have heard a wide variety of variations on. No wrong answers, I just want to know how people read/say their names.
#no wrong answers for ex: some are derived from no longer extant dialects of modern languages so we can only guess.#anne herself changed up one muse's name in interviews and seemingly at will.#one series has no pronunciation guide even if the audiobooks choose to say it one way.#and etc.#out of stories
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funniest australianism that nobody really talks about is when u refer to some dickhead u dont really know as 'old mate'
#straya#this is probs a bri'ish hangover tho but anyway#me with my degree in sociolinguistics foaming over my own dialects politeness strategies#like the different types of shit with different meanings in English (general)#there should be a guide for different mates in ausE
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Oh boy!! A chance for me to yap about gender at length?!?!!?!? DON'T MIND IF I DO!!!!!!!!!!!!!!!!!!! [See tags for details. But be warned... I Popped the Fuck OFF writing this one, it's a doozy!]
Sorry if this is rude, but how do you identify? I looked around a bit and couldn't find anything, my apologies
Not rude! Honestly, I don't know these days! Lots of thoughts swirling around in my head. Maybe this is too much, but also maybe saying something instead of keeping it inside will be helpful... I'll put my gender thoughts under the cut... maybe someone can relate and offer some thoughts lol:
Recently, I came to the conclusion that I'm really not attracted to men at all, and maybe, I never have been. Looking back, I can kind of clearly see that any crush on a guy I thought I had was more like "wow, this person is COOL as HELL. I hope we can be really good friends." And then I noticed, that any crush I had on a girl felt... different. The feeling was totally different, and it still is. Have you noticed how most of the men I draw are quite feminine? I also have no idea what's going on with my gender. I know I'm me, a Yugo, I also can't comfortably say what exactly I am. Though by technicality, I am nonbinary, the word doesn't feel QUITE right to use for me. Maybe genderqueer is better. I've never identified as a man, but I have identified as transmasc and taken T. I really do like the results I've gotten from that. But at the same time, I don't really feel close to "manhood" at all, but something about having a mustache sometimes, like I tend to do, feels right to me still. I also like to wear lipstick and stuff. I don't know. I'm also not a "woman" I don't think, but I identify with more... I don't know, masculine expressions of womanhood if that makes sense? I am very androgynous in expression, in short. So basically I don't know what the hell is going on. All I know is I love women LOL. Can anyone relate to any of this? Any ideas?? I will not be offended by any assumptions you might have lol. Maybe I should just make a comic about this.
#gotta say that I MASSIVELY resonate with this post#I've been finding value in taking steps back and looking at gender from the bottom-up (rather than top-down)#seeing what bits and bobs of presentation I like and what I dont. vs picking a sort of ''gender north'' and trying to guide myself to that#(like. yknow. magnetic north. I mightve phrased that oddly)#admittedly it's a bit of a slog! turns out you can't just think your gender into existence!! who knew!!!#so far the gender I'm running with is ''Roger Rabbit rules'': whatever's funniest! (with a hefty sprinkling of dykey-futch. for flavor.)#the way I see it; gender is a dialectic construct--it only exists in-between people. only in the third person!#after all! if it's just yourself in a void there's no need for pronouns or even names!#and even with a second person in the equation the most you'd need is ''me/my'' ''you/your'' or ''us/ours''#so when ya think about gender as a *tool* rather than a *role* things start to go topsy-turvy (in the useful way) and limits become options#all that's left is to ask what kinda tool fits which kinds of job!#for me that's led to my gender-tool becoming some manner of a joke; I want my tool to help me do sillyness and bring people joy!!#(and maybe sometimes it's a dirty joke. or a gallows joke. or a teasing joke. or an outright mean joke. or plain ol' slapstick!)#so when I find someone who seems like they have a good joke (or at least a good sense of humor) I take some notes to help improve my routine#and maybe it's not always time for wacky. sometimes ya just need to play the straight man (sometimes too literally...)#but I definitely need to watch my ESRB rating around kids. and usually old grouches too.#and for some reason people get mad when I bring up The Twin Towers or The Alamo!! *pats chest-bits and hip-bit in rhythm while saying that*#eyyy hahahaaa badabing!!! >;3#and finally; it's important to keep in mind how closely linked comedy and romance/sexuality/etc are. very close but still distinct concepts.#the most frequent question I ask myself when interacting with a cutie is; ''do I like their comedy or the comedian?''#either/both of which is a good answer! and often it's hard to separate the two!#I hope this helps whoever reads it. or was amusing at least.#I had fun writing all this! It's something I frequently think about and always delight in talking about#if it means anything to anyone then that's an absolute bonus! but otherwise I'm happy to get it out in writing.#anyways. I'm going back to doing studies of Inspekta! one of VERY few men to strike me genderously. he's so shapes :3#(though fuck knows that the whole damn GROVE is full of some absolutely *choice* GenderFood)
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also oh my god kikiriki is not meant for a preschool audienceđ
#cherry.xcf#im serious mi seĂąal colombia doesnt just play pre-k shows#according to this one guide they made its for audiences aged 8-12. Okay now i sound pathetic since ive been binge watching the show all day#BUT ITS GOOD I PROMISE maybe its because im colombian and i get a lot of the dialects + references#this is about someone elses tags on a post sorry
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Taco Tuesday ; Gambit x reader!
summary: You live across the hall from Wade Wilson, and one Tuesday, he invites you over for tacos. đŽ And thatâs where you meet him. The Gambit. Post-Void, everyone got out alive and everything is fine. [PART TWO HERE]
word count & w a r n i n g s: 5.4K | smut with very little plot, alcohol mention, slightly drunk (but very consenting) reader, French and typing out accents/dialects, pet names (cher, mon ami, mon coeur, etc.), dirty talk (cos he is a dirty talker, don't argue with me on this), fingering, unprotected sex, p in v, no use of y/n.
a/n: this is based 100% on Deadpool and Wolverine Gambit / Channing's version of Gambit!! sorry for the lack of plot here, he deserves better than this filth, but I am down ASTRONOMICALLY and I needed to get it out. I spent so much time trying to get his accent right, I hope it comes off the way I wanted it to... anyway! i'm not certain if anyone will read this, but if you do - thank you a million times over! as always, requests are open! - banner by @/strangergraphics, and Remy gif by @scintie!
â full fic under cut! â / ao3 link here! / I donât have a taglist anymore, but please turn on post notifications if youâd like to be notified of future fics!
Heâs handsome. Like really handsome.Â
Your stomach does a flip as he smiles at you, reaching for the bottle of Jack between your legs â wait. Pause. Rewind. Howâd we get here?
Living in the same apartment complex as Wade Wilson was a trip. Even more of a trip was living across the hall from him. The things you heard coming from that apartment... nobody would believe you. So, you never told anyone.Â
Heâs kind. Albeit, zany but kind. Your interactions have been cordial and nauseatingly neighbourly. But on one regular ol' Tuesday afternoon, Wade invited you inside. He said something about having a party later that night, making tacos and being neighborly. He assured you that it wasn't a sex party... which to be honest, you weren't worried about until he'd mentioned it. Against your better judgement though, you'd agreed, and said you'd bring some liquor.
So, that evening, you opened your door, one bottle of Jack tucked under your arm, and another in your left hand. You shut the door to your apartment and walked straight across to your neighbourâs door. Your fist had rapped against the wood only twice before the door swung open, revealing Wade, and a very⌠strange and very bald looking dog in his arms.Â
"Oh, what the fuck?" You asked, looking down at the creature. "I didn't know you had a dog�"
Wadeâs voice rose an octave or two, in a cutesy tone. "She's a new addition, yes she is!"Â
"I brought... well, this. Sorry, it was all I had in my cabinets and to be perfectly honest, I wasn't about to go out and spend money on this. I like⌠barely know you."
"HA! Brutal honesty. We love to hear it."Â
Wade took hold of your shoulder and yanked you inside, harsh enough that you made a small sound as he did. He shut the door with his foot, and towed you towards the table, where everyone was gathered. And that was when you first saw him. He wore all black, save for a tan trench coat with a high collar. He lounged casually on one of the dining chairs, playing with a deck of cards. They fluttered from hand to hand effortlessly, and for a moment, you were stuck, mesmerized by the dexterous way he handled them. You weren't sure what was pulling you towards him harder, your heart or your cunt, but you felt an undeniable draw to the man.
Wade's arm wound itself around your shoulders, guiding you around the room to meet each of his friends. At that point, living next to him, mutants were a forced transition. You were used to the concept of them, so meeting a giant silver man, for example, wasn't unexpected. Vanessa was the most normal - you were pretty sure she was human.
Finally, he got to the one you really wanted to meet. The one that your eyes had been darting back and forth to the entire time, the one that when he briefly met your gaze, your heart thudded in your chest.Â
"And this... handsome slice of man, is the Gambit. Good luck understanding him, he's a real mouthful."
Iâll bet he is, you thought.Â
He pocketed the cards in a quick motion and stood up from his chair. With a syrup-smooth chuckle, the man laughed and said: "You can call me Remy." He did in fact have a thick Cajun accent and spoke quickly â almost too quickly. You blinked once, focusing hard on his words.
"Remy," you repeated finally, before saying your own name and extending your hand. He took it gently and as he shook it, your palm tingled with what felt like electricity.
"EnchantĂŠ." (Enchanted)
Your cheeks burned, and you knew they were flushing. You couldnât control it. "De mĂŞme..." (Likewise.)
His brows lifted, surprised. "You speak French, mon ami?" (my friend)Â
"Heh, uhh... comme un enfant." (Like a child) You chuckled low, averting your eyes for a millisecond. "I took a few years of it in high school and again in college. Iâm by no means an expert."
Wade's eyes were wide, flicking back and forth between the two of you. There was obvious chemistry there, and a knowing smirk drew itself across his lips. Abruptly, he yanked one of the bottles of Jack Daniels from beneath your arm, before leaning against the nearby wall.
"Oh, fuck me. You understand Gumbo here? Thatâs cute. No idea what either of you are saying though, someone forgot to turn the subtitles on. I'll leave you two to get acquainted." Whatever that meant. You scoffed, but turned your attention back to Gambit, looking at him.
âSit a while, cher.âÂ
You happily took the chair that he pulled out, not caring that it was facing away from the others, and plopped down onto it, situating the other bottle of Jack between your legs. You gripped the neck of the bottle tightly, and looked at him with a timid, but a come hither sort of smile. After a moment, you twisted the cap off, and flicked it off somewhere to your right. Wade would find it later, or he wouldnât. You didnât really care.Â
You two talked for hours, most of which consisted of him telling you about the Void, and how hard it had been, while you pretended to comprehend it. Between words, you passed the bottle back and forth, taking mouthfuls, and inadvertently swapping spit as you did. The thought occurred to you about halfway through the conversation, and your stomach tightened. You shook your head lightly and clenched your thighs together, trying to stave off the arousal that was bubbling in your core.Â
There we go. Thatâs better.
Heâs handsome. Like really handsome.Â
Your stomach does a flip as he smiles at you, reaching for the bottle, which was still situated between your legs. His fingertips just graze the side of your thigh and his eyes flit to yours. He holds his smile, waiting for you to either protest or move the moment forward, and all you can do is gawk, because your cunt starts throbbing.Â
As the evening wears on, though cautious, itâs obvious that Remy feels the same pull that you do. He remains cool on the outside, but internally, he was battling the magnetic tugging he felt from you. He couldn't shake it. Heâd compliment you, youâd compliment him. At one point, in between sips, you casually drop that you think his accent is hot and he whispers something underneath his breath, something you donât understand. Before either of you realized it, you had started to lean closer to each other, your faces inches apart, and you felt the warm rush of his breath over your cheeks.
It was as if you both realized it simultaneously. You rear back, an embarrassed expression plastered on your face. Remy clears his throat. His attraction to you was stifling; something that he rarely felt. He was powerless in his want for you, the draw you had was irresistible.
"Maybe we should... uh..." You murmur, looking deep into his eyes. In a room full of people that were starting to fade away the closer you two got to each other, you were thankful you were still sober enough to suggest a different setting. Any longer and you surely wouldâve just straddled him and gone to town.Â
Remy moves first.Â
"We gon' take a walk." He announces to the others, getting to his feet.Â
The conversation stops abruptly, silence hanging heavy. You straighten up, trying your best to avert your gaze, but you still see everyoneâs reaction. Someone clears their throat and your heart sinks, feeling like you might die on the spot. The one that had been introduced as Logan, gruff looking dude, raises a single brow at you. In true Wade-character, he ugly cackles, shattering the moment. Your shoulders sink, embarrassed, as you head towards the door, doing the proverbial walk of shame.Â
Remy meets you at the door and pulls it open, holding it for you. You duck underneath his arm, looking sheepish and as you exit into the hallway, you think you heard Wade mutter something about a fanfiction but Remy yanks the door shut before you can react.Â
âYou want to⌠get some air? Or um⌠I have⌠well, no I had liquor, but I brought it to Wadeâs.âÂ
He smiles, and looks down at the floor, before lifting his eyes back to you. âWe can do whatever you want, chère. You ainât gonâ catch me complaininâ eithaâ way.â
You chew on the inside of your cheek, considering the options. Your heart was hammering in your chest at the prospect of just being near him without the others around. You two had been close to kissing in Wadeâs living room, and now, you had the opportunity to continue that⌠or take a walk. The latter seemed less appealing.Â
âYâknow what, why donât we⌠justâŚâ You take a few steps backwards, jerking your head towards your front door. Concerningly, you had forgotten to lock your door. However, it allows you to open it quickly, and walk backwards into the apartment. Gambit follows you in, his attention never leaving you.Â
"You sure 'bout dis, mon ami? I can walk away righ' now." His words land heavy, a promise behind them. He was a gentleman at heart, you could tell. Fortunately for him, you were very sure, and wanted every inch of him.
Mon ami - something that in the few hours you'd spent with him, he'd called you often. Among other things. Mon ami meant my friend, but you knew you two weren't just friends. You saw how he acted with others, and the comments he made. Sure, he had a quick wit and a mouth on him, but the flirting... god, the flirting.
He stands in the doorway, his shoulders filling the frame. Silently, you nod and take another step back, giving him some room to enter. He takes one wide step towards you, leaving the door open behind him. He reaches for your hip, and you immediately take to playing with his large hands. Delicately, you pay attention to each long digit, trailing your middle finger along the knuckles, and up and down the length of them. You dip into the spaces between, your fingers barely ghosting over the webbing.Â
Was that a shiver? Your eyes flit to his, searching them for a hint.
"You sure do know how to make a man feel good."Â
Your heart flutters at his words. With his accent, even the simplest of things sounded charming. At least to you. You felt that he could ask if you wanted coffee or how the weather was and you'd be twirling your hair around your finger like a desperate schoolgirl. Embarrassing.Â
Youâre about to respond and defend yourself by saying that all you had done was play with his hands, which was hardly considered foreplay, but his fingers come up underneath your chin, gently closing your mouth with a dull click of your teeth. He tilts it upwards to an angle where he could easily kiss you. And kiss you, he does.Â
It was the kind of kiss that makes your knees buckle, sends a violent shudder from the nape of your neck down to the base of your spine. Itâs the kind of kiss that needs to come with a warning; Danger: Will Result In Sex. As his lips move against yours, you feel the urgency of his need, of his want, and hum into his lips. Remy takes that as a green light and deepens the kiss, moving his body so that itâs pressing flush against yours. The action leaves you immediately breathless and in response, you break the kiss, tucking your chin to your chest. Your hand finds his torso, pressing hard against the muscles underneath the shirt. Â
"Ah, don't you be actin' shy now. You been teasin' me for hours."
âI have not!â
âYou think I didnât notice all âdem touches anâ looks you were givinâ me? I may âave been born at night, but I wasnât born last night.âÂ
He had you there. You couldnât deny that, at all. Even if youâd wanted to. Which, part of you did. Part of you was very nervous, standing before this very handsome man, with the taste of his mouth still lingering on your lips but another part of you, the louder one, was delighted that heâd noticed. Furthermore, that heâd enjoyed them enough to come to your room.
You lift your hand behind him, pushing the door shut with a harsh shove. With a twist of your fingers, you activate the locking mechanism, sliding the deadbolt into place. Gambit chuckles, grinning down at you. Your heart leaps into your throat, but you press on bravely, lacing your arms around his neck. They trail down the front of his body, feeling the muscles as they twitch with each ragged breath.Â
He quirks a brow as if to ask, 'Oh, really?' You simply smirk back at him. The contact is electric, and you find yourself resisting the urge to grind against him immediately. Instead, you focus on his hands again, bringing one of them up to your lips. You press a delicate kiss on the pads, before slipping one into your mouth and sucking gently. Remy makes a deep, husky sound in his throat, and brings his other hand to your hip, where he pulls you roughly against him.
For a man that uses his hands often, the sensations are high. The way your mouth envelops his finger, your tongue writhing around the digit had his jaw clenching, muscles fluttering on the side of his face. When you draw his finger into the confines of your throat, deep-throating it, his eyes roll back in pleasure. He pulls his hand back, shaking it off as if the inside of your mouth was hot to the touch.
"Woo, you nasty, huh? Nevahâ woulda' guessed... you been actin' like a good little girl 'uhround me."Â
After that, it all happened very quickly. Gambit takes a step and connects his lips with yours again, pushing them into you in an act of desperation. Without breaking the kiss, he shrugs out of his jacket, tossing it onto a nearby surface. You push against him until his back hits the door with a heavy thud, definitely loud enough for any innocent bystanders to hear. Your fingers undo the button of your jeans, breaking the kiss for only a second to slide them down your legs.Â
Once you return to his waiting mouth, the kiss deepens and the coil in your stomach winds tighter, claiming your body in a deep, fiery arousal. His big arms wrap around you, enveloping you in a heated embrace. Just for a moment, itâs tender â but shortly after, his hands drop to your ass, fingers slipping underneath the band of fabric to take greedy fistfuls of each cheek.Â
Your hands find their way to his shoulders, gripping the roundness of them to use as leverage. Letting out a little hum, you sweep your hips across his groin, pressing tightly against him. His eyes drift shut, head bumping against the door as he leaned it back, a low growl coming from his throat. Keeping at it, you grind your hips against him, feeling the outline of his length as it hardens.
âYou be drivinâ Remy crazy, grindinâ on me like âdat.â
âThatâs the intentionâŚ.â You stand on your tiptoes to pepper kisses on his lips, your warm breath fanning over his face, smelling faintly of Jack Daniels. Remy trails his hand carefully up your rib cage until he gets to the side of your breast, where he quickly slips around to the front, his large hand cupping the fullness of it outside of your shirt. Your reaction is visceral; your breath hisses through your teeth at the sensitivity.Â
Remy laughs again and with his free hand, pulls your hips back to his. Swiftly, he spins you around, pinning you between his body and the hard surface of the door. He presses himself tightly against you, shifting slightly so that his thigh was between your legs. The sensation of something that close to your core is dangerous and brings a weak, mewling whimper from your mouth.
âWe gonâ have ourselves some fun.â His voice is low, tinged with a new sort of lustful tone that you hadn't heard before. Your mind is spinning, growing dizzy with lust. The alcohol had certainly helped your nerves, you were never usually this brazen. Your core burns with desire at his words, silently begging for everything he was about to give you. His lips hover just over yours; you can feel his breath on your skin and the heat that radiates off his body as it presses into yours.
"Oh my god," you whisper into his mouth. "Fuck..."
His teeth nip at your bottom lip before he captures your mouth in a heated, passionate kiss again. His tongue explores the inside, swirling along your own wet muscle. With every passing second, your heart beats faster and his hands grip your hips tighter, thumbs massaging the flesh above your jeans.
âWrap âdem legs around me, mon coeur.â (My heart) Remyâs voice is husky with want; amongst his playful, lilted tone, a possessiveness lingered, and the thought sends a chill down your spine. He nods once, encouraging you into his waiting arms. You jump up, and he catches you effortlessly, gripping your thighs tight and hoisting you up into his grasp. Feeling secure, you wrap both legs around his waist and encircle his neck with your arms. Your gaze meets his and you can see the wanton need mirrored in his own eyes, darkened with desire.
Remy's smirk is dripping with confidence. Your body's response to him was causing his ego to swell within his chest, and his cock to swell within his pants. He leans in close, his lips against your ear, nipping at the lobe softly before pulling back slightly. In one fluid movement, his hips buck up against your center, teasing you over the layers of clothing. You let out a moan, throwing your head back against the door.
He thrusts up into you again, chuckling low against your ear. The hard line of his cock grinds against you, making you stutter out expletives as it presses against you with a needy demand.Â
"You like 'dat, cher? Talk t' me..."
You nod, swallowing and wetting your throat. "Y-yeah, fuck... I do... need you â it â so bad."
âWhaddyaâ need?â
âN-need you⌠so bad.âÂ
âYou can do bettaâ. Tell Remy what you need...âÂ
He presses you harder against the door, your back sliding against the wood as he kisses a trail down from your mouth to your shoulder, sucking and biting with all the right intensities. As his hips grind against yours, you feel the damp fabric slide across your cunt, alerting you to just how wet heâd made you. Fuck.Â
âNeed⌠need you to fuck me. Hard. Need to feel you everywhere.â Â
A few hours ago, youâd agreed to Taco Tuesday at Wadeâs. Now, you were getting dry humped by a really hot Cajun guy and moaning into the curve between his neck and his shoulder. You were positive that if someone opened their door, theyâd hear you. Somewhere in your brain, the thought should have been moderately embarrassing, but you were far too invested in Remy to care.Â
Without warning, Gambit lifts you away from the door and carries you to the nearby couch. He never breaks the kiss, still feverishly claiming your mouth as he moves. Your back hits the cushions and before you can process it, his body weight is on top of you. He slots himself in between your legs, and his hard-on bumps into your stomach as his hips rut against you, finding some relief in the friction. But not enough.Â
Remyâs hand finds the hem of your shirt, lifting it just enough to allow his fingers underneath the fabric. You bite down on the pillow of your bottom lip and push your hips up into his. Thick, strong digits sweep across your skin, leaving a burning trail of fire in their wake. Every touch brings your temperature up, and it isnât long before your entire body is consumed in flames. You sigh contentedly, arching up into his touch.Â
Abruptly, Remy straightens up, crosses his arms over his torso and pulls his shirt over his head, revealing his tan skin and bulky muscles. His stocky stature makes your tummy clench with anticipation. He was fit, as you assumed, but that didnât stop your jaw from falling open at the sight.Â
âWow,â you finally choke.
Remy grins. âYou like what you see?âÂ
You nod furiously, hands snapping to his toned abdomen. Heâs warm and his skin is soft, begging to be touched. The muscles flex underneath your fingers as you trace a long stripe from his belly button to his collarbone. Your hands claw at his shoulder, attempting to pull him back down on you, but he resists.Â
He spoke with a playfulness, almost a sort of pleading. His thumbs flicks at the hem of your shirt. âAh, câmon, âdat ainât fair. Enlève-tout toi, huh?â (Take it all off.)
You thought you understood, but if you didnât, it didnât matter. Remy was quick to translate his words, busy undressing you, pulling your worn t-shirt over your head, and reaching around your back to unclasp your bra. Most men wouldâve fumbled with the clasp, but not him. His adept fingers make quick work of it, allowing your breasts to fall free. He throws your bra somewhere behind him.Â
âHooo, cherâŚ!â His eyes light up at the visual and you feel heat blooming on your cheeks again, half expecting him to make a lewd comment. Instead, his hands cup your tits, kneading the soft plumpness like dough, thumbs grazing the nipples. He exhales through his mouth, jerking his head to the side.Â
Finally, he kisses you again. Itâs wet and sloppy and his mouth is consuming you, tasting you hungrily. His hips are still moving, sweeping into yours with a calculated precision. You try to spread your legs but the back of the couch thwarts your attempt. He notices this, watching as you struggle with the space.Â
âYou got a bed?â He asked in between smearing kisses along your neck and collarbone.Â
âYeah-yeahâŚ. Down the hall.âÂ
âRemy be needinâ more room for what he wannaâ do tâyou.â
His weight is suddenly gone from you, an unwelcome sensation, even though you know heâs about to carry you wedding-style down the hallway. He bends down, one arm sliding underneath your neck, the other in the crook behind your knees. For the second time that night, he lifts you into his arms.
You rest your cheek against his warm pectoral muscle, rocking back and forth, as he walks you both down the dark hallway. The only light in the room comes from the window, the city outside alive and humming. Carefully, Remy sets you down on the bed, unmade from this morning, your dark gray sheets cool to the touch.Â
In nothing but your underwear, which at this point, are damp to the touch, youâre left feeling very exposed. But you canât muster up any shame, not when heâs looking at you with such hunger, such want. Your tummy feels tight, and the feeling gets worse when Remyâs hands drop to his waist, unzipping and unbuttoning his pants. They fall loose at the waist, and he shucks them down the rest of the way, leaving him in nothing but a pair of deep purple boxers. Your eyes swing heavy to the outline thatâs now presented to you.Â
Oh my god.Â
Your breath hitches in your throat. It shouldnât have come as a surprise; Remy was a big guy, and that proved true downstairs, too. You can barely pull your eyes away from it, but you begrudgingly rip them away, to look up into his gaze.Â
âPlease,â you beg. âYouâre too far awayâŚâ Your cunt is aching and nothing but him, his hands, his dick, will sate her.Â
He leans forward, flattening both hands on the mattress and walks them back until his face is in front of yours. He sweeps you into another kiss and your heart races. His hands are perfectly positioned on either side of your hips, you feel them graze the flesh. His finger hooks around the elastic of your panties, twisting it around his pointer finger and gradually, he tugs them down over the curve of your hip.
You nod lazily against his mouth, as you feel the warmth of his hand near your core. Your legs drop apart, knees touching the mattress as you allow him access. One hand sweeps across your inner thighs, stroking them, while the other palms your soft mound. His other hand comes to pause at your knee, and pushes his weight into it softly, forcing you to stay spread-eagle for him. No way you couldâve done this on the sofa.Â
Thereâs no hesitation in the way he fingers you; sweeping up through your slick folds, smearing your arousal around until sheâs coated in it, splaying your pretty, wet cunt apart with his fingers, looking upon it hungrily. He knows what heâs doing, and how to do it right. You briefly wonder if thatâs another mutant power he has⌠though being an expert at fingering someone seems outlandish. But heâs just so good at it. His middle finger barely touches you, circling the bundle of nerves delicately. Your back arches up towards him, a desperate groan vibrating your vocal chords. Delighted by your reaction, his finger flicks upwards at your swollen, sensitive clit, making your body literally quiver.Â
âUhugh â godâŚ. Shit, oh my god.âÂ
He continues like this for several minutes, until your cunt is blazing hot and clenching with every moan you give.Â
By the time he presses one finger inside, youâre teetering on the edge of an orgasm and your voice fills the room with needy, desperate sounds. You let out a shrill whine, and he slips in another finger, feeling the stretch of muscle as he does. His heart is pounding in his chest, overcome with lust. The way you sound, the way your body is moving and writhing on the bed, he canât wait to sink himself into you.Â
Amidst a laugh, he says: ��People gonâ think we up in here watchinâ porn.â
Did he just insinuate that you sounded like a pornstar? You lifted your head, wearily, to look at him. Your chest heaves with each breath as you try to formulate a snarky remark to no avail. He looked so good â well, always â but he looked particularly good on top of you, his bright eyes lust blown and hungry.Â
âWeâre⌠weâre⌠porn⌠itâsâŚÂ oh god.âÂ
He shushes you. âYou just lay back and keep moaninâ.âÂ
Defeated, you huff and your head hits the sheets again, but not before you catch a glimpse of the way the muscles in his forearm ripple as it pumps back and forth into your cunt. You canât help but moan at the sight, feeling a shockwave rupture your core. Your hips meet his fingers, rutting and writhing against the mattress in a needy rhythm.
Your first orgasm claims your body before you can stop it. Youâre clenching around his fingers as they move, crooking upwards into your sensitive spots. Your slick coats his fingers and when Gambit pulls his hand back, thick, clear strands string from between them. He smiles down at you.Â
Remy raises himself to his knees. âTurn âroundâŚâÂ
You flip over and back yourself towards him, thinking that heâs going to go at it doggy-style, but to your surprise, he pulls you upright, pressing your back against his chest. His dick is hot between your legs, and when he reaches down to line it up, you let your head loll back against his shoulder. Gambitâs mouth finds the side of your neck, streaking it with wet, suckling kisses. He was taking his time with you, savouring you and you hum happily through closed lips, reaching behind you to thread your fingers through his hair.
âFuck, you feel so goodâŚâ Instinctively, your hips undulate and his cock slips between your folds. Remyâs hips buck once, letting out a groan that comes from somewhere deep.Â
âYou ready, cher?â He asks, sweeping your hair away from your neck. You nod furiously. Youâve been ready â you were ready the moment you laid eyes on him.
Remy reaches down to sweep his fingers along your entrance briefly, before gripping himself and guiding the head of his cock into the slit. You keen at the feeling of his velvet-soft head pressing into your entrance, warm pre-cum leaking from the slit. He murmurs words of encouragement into your ear as you feel his hips press against your ass, urging his thick, veiny shaft inside your cunt. He does it gently, allowing you time to adjust to the girth, but the sting still makes you cry out. âFffuck!â
He begins to thrust his hips shallowly, your cunt stretching around his cock. The feeling is all-consuming, and your body feels heavy in his grasp. One hand is gripping your waist tightly, the other, fingers splayed out on your stomach just above your cunt. Thereâs a pressure building in your cunt, and each thrust magnifies it. The sting of his cock fades to an ache, then to a dull throbbing that makes you want more and you lean forward slightly and press your ass into the curves of his hips, meeting his thrusts.Â
âMm, âdatâs it, cherâŚâ His voice is hot on your skin.Â
His thrusts get deeper, but thereâs a lingering tension in his body that makes you feel like heâs not getting what he wants. Youâre right; all at once, Remy pulls his cock from you and switches positions.Â
Youâre suddenly on your back, looking up at him as he looms over you, all muscle. His cockhead nudges your entrance again, but doesnât penetrate.Â
âSay my name, cher⌠I needaâ hear it leave âdat pretty mouth.âÂ
âWhich one? Gambit? Or Remy?â You ask, breathlessly.
The way his eyes rolled back at the second option told you everything you needed to know. A smirk twisted your lips cruelly and you lifted your body slightly, just enough for your mouth to reach his ear. You moan his name over and over again, knowing full well the effect itâs having on the mutant man.
âRemy, Remy, RemyâŚ.â Your tone is high-pitched and whiny, but he seems to enjoy the lewdness of it all. He bucks his hips hard into you, and the fullness reaches an all-time high as he bottoms out, his pelvis hitting yours with a slap.
âHuhhhâ!â You gasp, breathing ragged. âFuck!â
âGonnaâ make you cum so hard you ainât gonâ walk right for days.â His voice is low and filthy and leaves a stain on your mind. Your cunt clenches around him possessively, pulling him somehow deeper inside of you.Â
As your head bangs into your headboard, the tip of his cock bumps your cervix over and over again, and your jaw goes slack, literally fucked silent. Remy hears the thudding of your skull and puts a hand between it and the wood, but he doesnât stop his relentless, deep thrusting.Â
The pleasure reaches a peak and your nails dig into his back, leaving crescent moon shaped indentations on his golden skin. Remyâs groaning loud into your ear as he cums, muttering in an almost incoherent melange of French and English. His accent is somehow heavier, and you can barely make out the words as heâs saying them into your skin. It doesnât matter though, because you feel how full you are, and Remyâs hot, white completion is leaking out the sides and staining your sheets.Â
He stays like that for a moment, hovering on top of you. His cock softens inside, completely spent and eventually, he slips it out, rolling over onto your bed.
âAh, joi de vivre, huh.â (the joy of life), he says drowsily.
You laugh, and nestle underneath his arm, in the space heâs left for you.Â
If you had your way, youâd do it all over again.Â
Though he doesnât say it, so would he.Â
#Gambit#Remy Lebeau#channing tatum#Deadpool and Wolverine Gambit#channing tatum gambit#Gambit x reader#gambit x you#remy lebeau x reader#remy lebeau x you#female reader#Deadpool and Wolverine#Deadpool 3#x reader fics#myfics
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It's so stupid when revisionists go "this isn't what Marx wrote about" as an instant gotcha to criticise the policies of actually existing socialist regime. Like he wasn't a fucking prophet. Marx established an incredibly useful methodology of analysing politics and society in a scientific way, which to this day forms the basis of the world's most successful and enduring revolutionary movements, and many of his specific analyses and predictions remain true and useful. But at the end of the day he was only a scientist and a philosopher, not a messenger of the gods, and his writings are not sum total of everything socialism could ever be. He got stuff wrong, and stuff that was right for one particular set of material conditions are gonna be wrong when applied to another. Marx's writings are much more useful and meaningful as a toolkit then as a comprehensive guide; you can apply his methodology in a range of circumstances but it's stupid to dogmatically stick to his specific conclusions. And ironically, by treating this limited set of writings as absolute truths that can never be contradicted, the Liberal Idealist approach that these Revisionists take is far more contradictory to the spirit of Marx than the Dialectical Materialist thinking employed by actual successful Communists.
Same goes for Lenin or Mao or whichever communist theoretician you think established the perfect ideal of communism from which all deviations lead to disaster. It's like communism 101 to evaluate actions from their material bases and effects rather than whatever idealistic value they hold in a vacuum, yet so many ostensible "communists" will condemn socialist policies for their deviation from the holy texts rather than their actual implications for the international working class. Marxism isn't a religion and you're doing it wrong if you treat it like one. "This isn't as Lenin wrote it down" is just the red painted cousin of "None of these words are in the Bible"; meaningless phrases spouted by the most obnoxious of dogmatists
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My DBT skill graphics organized by moduleđŠˇ
Please feel free to save them, share, print and submit requests if thereâs any skills youâd like sooner than others (as I make more, Iâll add them to this post for easy access).
Mindfulness: FLAME
Emotion Regulation: ABC PLEASE
Interpersonal Effectiveness: GIVE, FAST, DEAR MAN
Distress Tolerance: STOP, TIPP, ACCEPTS, ACCEPTS Worksheet
Misc: Wise Mind, Box Breathing
#bpd thoughts#actually bpd#bpd#dbt#dialectical behavior therapy#dbt skill#dbt skills#skills#skill guide#skills guide#guide#interpersonal effectiveness#distress tolerance#mindfulness#emotion regulation#emotional resilience#skills graphicsâs#resources#resource#mental health#therapy#mental health resources#accepts skill#accepts#stop#tipp#wise mind#box breathing#flame#fast
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A Comprehensive Guide to Writing Gina Dialogue!!!
Do YOU like writing tgaa fics, but find yourself struggling to understand the speech habits of Gina Lestrade? Well, fortunately for you, I love linguistics and accents almost as much as I love Gina - so I've compiled a breakdown of every quirk in her speech!
(Full analysis under the break!)
Most of Gina's speech patterns can be broken down by three fundamental facts:
She speaks with a thick Cockney accent
She's uneducated, which leads to various grammar troubles
She uses a lot of informal cockney terms/slang
Let's get into it section-by-section!
(Note: Formatting looks a lot better on mobile!)
Section 1: Cockney Accent
So Iâm an theater kid, and I've done dialect training for Cockney accents before - it's one of my best ones imo - so that certainly helped me write this section! Even without that, though, it's pretty easy to identify how her accent appears in her speech. Let's break it down!
Drop h's
Example: Here becomes 'ere
Drop gâs at the end of words
Example: Going becomes goin'
A few other word ends that get dropped:
Of becomes o'
And becomes an'
Th changes depending on the word - Thank you to annoyingloudmicrowavecultist for properly explaining how this works in the tags!
Voiced th becomes v
Example: With becomes wiv
Unvoiced th becomes f
Example: Nothing becomes nuffin'
For writing purposes, if a word would become unrecognizable with this change, it's left the same (but in actual speech, it would be pronounced differently)
Example: Father remains as father (but would be pronounced like fovva)
Th always remains intact at the start of words
Example: Thing remains as thing (but would be pronounced like fing)
Miscellaneous word changes
Something becomes summat (but other times is just somefin' - she's not consistent with either)
What becomes wot, whatever becomes wotever
Tomorrow becomes tomorra
Because is often shortened to 'cause, which becomes cos
Isn't almost always becomes ain't
Thank you / no thank you becomes ta / no ta
Some words spill together or are slurred
With that becomes wivvat, with it becomes wivvit (This one isn't actually used in-game, so you don't have to use it either, but it reflects how she'd actually be pronouncing it)
Isn't it becomes innit
Doesn't it becomes dunnit
Suppose becomes s'pose
Don't know becomes dunno
Probably becomes prob'ly
You might change - Another loose/inconsistent rule. Can depend on how the sentence would be pronounced out loud, but mostly is just a vibe
You becomes ya
Your/you're becomes yer
Yourself becomes yerself
Section 2: Grammatical Errors
Gina is an uneducated East End orphan, so it should come as no surprise that she makes mistakes here and there. Here are her consistent ones! Some of these are confusing/hard to explain, so I included specific examples.
Will say me instead of my, and meself instead of myself
Example: "I dunno much about guns meself."
Incorrect tense usage of was/were in negatives - Instead of I/it wasnât, sheâll say I/it werenât
Example: "I was up in a balloon, weren't I?"
Incorrect tense usage of does/do in negatives - Instead of he doesnât, sheâll say he donât
Example: "Somefin' wot 'e don't want people readin'."
Double negatives
Ever becomes never in negative statements
Example: "I swear on my life, I ain't never laid eyes on that dandy before."
Never + anything becomes never + nothing
Example: "I never done nuffin' o' the sort!"
Never + anyone becomes never + no one
Example: "All me life, growin' up in the slums, I've never trusted no one."
Haven't you ever becomes ain't you never
Example: "Ain't you lot never gone over an 'ouse lookin' for dough when the owners are out o' town?"
The word that or who in the context of ascribing a feature to a subject is replaced by the word what
Example: "She's always goin' on about all them cases wot Sholmes is lookin' into."
Other example: "I think I wouldn't fancy me chances wiv a lawyer wot lives in a place like this."
Will say them instead of those
"All them skylights open, dead easy."
Will say no more instead of anymore
"Ya dropped it, so it ain't yours no more."
Sheâll sometimes mess up bigger, unfamiliar words. This one's entirely in your discretion what words she might mess up. Some canon examples:
âSuppermentâ instead of supplement
âMantlescriptâ instead of manuscript
On a similar note, she'll sometimes confidently get sayings wrong and think she sounds smart
âToby's...'ow did they put it...? ...Oh, yeah! A 'bone-fide' detective!â
Section 3: Cockney Terms/Slang
In addition to her thick dialect, growing up in the East End means Gina has also adopted a plethora of unique words and phrases. This'll be more like a vocab section!
Cockney rhyming slang - Some words are replaced with phrases that rhyme with them. She uses a few in canon:
Instead of believe, sheâll say Adam anâ Eve
âWould you Adam an' Eve it, eh?! Wot a mug!â
Instead of face, sheâll say chevy chase
âYeah, I can see it written all over yer chevy chase!â
Interjections/Exclamations
Blimey - Express surprise or shock
"Blimey, yer right! That streak o' light in the photo looks just like an arrow, dunnit?"
Cor - A general interjection, kind of a euphemism for god
"Cor, listen to you! Ya stumble across a bit o' balloon an' suddenly yer the best investigator in the world!"
Oi - I doubt I need to define this one, but it's basically the equivalent of "hey"
"Oi! That's off limits up there!"
Words for people
Cove, bloke - A boy or man. Gina tends to use cove more often than bloke.
"That's where the cove ended up after 'is 'instant kinesis' or wotever they call it."
"When I lifted the last bloke's purse, 'e got wise to me."
Dandy - A conceited, fashionable upperclass man. Can be used as a noun or adjective.
In reference to Ashley Graydon: "I swear on my life, I ain't never laid eyes on that dandy before."
Dee - Thank you to uzukirie for figuring this out in the replies of this post - dee is short for detective!
To Sholmes: "I don't need no 'elp from some stuck-up dee!"
About Gregson: "Yeah, the dee let me keep it. After I looked daggers at 'im for long enough."
Swell - A wealthy or elegant person. In canon, Gina uses this exclusively in reference to McGilded.
"It's because o' that, this swell found me. âŚ'E did 'elp me get away, mind."
Miscellaneous vocab
Dodgy - Suspicious
"It was amazin' when you showed that dodgy professor's dodgy experiment was a total fix!"
Rum - Odd or strange
"I mean, wot's the point of spendin' a joey to make a few bob, eh? That's a rum idea, innit?"
Coppers - Cops
"If you do wot the grown-ups tell ya, it'll get yer mates dragged off by the coppers. Or worse."
Scarper - Flee/run away/leave in a hurry. Also comes from rhyming slang - Scarper = Scapa Flow = Go
"If I did that, 'e said 'e'd let me scarper before the coppers showed up."
Have a butcher's - Take a look. Also comes from rhyming slang - "butcher's hook" = look
"Most days I push the cushion up wiv me 'ead an' look out the crack. Then I can 'ave a butcher's at who I'm gonna fiddle."
Rude words/phrases :)
Gordon Bennett - Expresses surprise or contempt - kind of a euphemism for goddammit.
"Gordon Bennett! You lot!"
Flamin', bleedin', - General emphasis. Pretty much just gentler ways of saying fucking.
Note!! You might be tempted to make Gina say "bloody", since that's well-known British slang, but she never says that. She says bleedin' in its place.
"Don't be so flamin' rude, 'Oddo!"
"It's lies every bleedin' place ya look in this world, innit?"
Bleedinâ Nora - A variation of "Bloody Norah", a surprised/irritated interjection.
"Wot the bleedin' Nora, 'Oddo?! Wot 'ave you gone an' done?!"
Bogtrotter - A derogatory term for an Irish person. She uses this to refer to McGilded.
"Look at the mess it's got you into, believin' in that bogtrotter!"
Mug - An idiot.
"You can't do it from inside, you mug."
Blue blazes - An alliterative exaggeration of "blazes". A euphemism for hell.
"Where the blue blazes 'ave you been, eh?"
Cobblers - Rubbish/nonsense. Literally, it means testicles - derived from Cockney rhyming slang, where "cobbler's awls" = balls.
"All this nonsense about the boss plannin' to kill people⌠It's cobblers!"
And 1.2k words later, that's pretty much it! Now you can write Gina dialogue spot on <3
Feel free to suggest anything I'm missing/got wrong - I come back and edit this for accuracy's sake every time I notice something I left out, or when people in the replies/tags point things out!
#tgaa#dgs#ace attorney#the great ace attorney#gina lestrade#dai gyakuten saiban#gaac#tgaac#the great ace attorney chronicles
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The Big Guide to Humans: Language
Most humans use their lungs, mouths, and larynx (a small organ between them colloquially called the "voice box") to produce audible language. There are also "signed" languages, in which the positions and motions of fingers, hands, and arms are used in place of audible language, primarily for communication with those lacking a sense of hearing or ability to use their mouths or larynx, but also in places where silence is required. There are also languages of whistling, a high-pitched noise made with the lips (the mobile edges of their mouths). Terra has thousands of languages, many of them incredibly complex and precise. Despite this, humans rarely use translation docks with each other, preferring to find a language they have in common. Most humans can use at least two Terran languages. They are likely to speak (or sign or whistle) a native language and are expected to speak or sign one or more Terran-Common languages (see human history for how Terran-Common languages spread). They may also be able to use languages of other regions as needed for trade, diplomacy, or curiosity. Human languages additionally have features called "accents" and "dialects." What makes something an accent, a dialect, or a separate language is ostensibly a spectrum of how different they are... but in practice some accents are not mutually intelligible* with each other while some languages are, and what is a "dialect" as opposed to one or the other may be political rather than practical: We asked human language-experts about this and the answer given by several of them** was "A language is a dialect with an army and a navy" (two types of human military). As a matter of practicality, translation docks allow for translation into and out of most dialects if the dialect (or accent) is, functionally, a separate language. This sometimes caused problems in comparatively early human space-history for those political reasons, but Terran politics has become more cooperative over time. Most human languages, particularly spoken ones, also have a written form. There are far fewer writing styles than languages. For example, many languages, including multiple Terran-Common languages, use what is known as the "Roman alphabet," named for a distantly historical military (see human history, again). In an alphabet, sounds are represented by marks or combinations of marks, and by knowing the sounds one knows what the line of marks would read if spoken. There are also syllabaries, in which the marks represent sets of sounds, and logographic systems, in which complex marks represent ideas. Some languages use combinations thereof. While humans generally cannot write as fast as they speak, many can read far faster than a human can speak, allowing for the rapid absorption of information.
Most humans are innately "good at" language, even if they do not believe they are. (This is especially true with human children.) If your language is adequately perceptible to humans, expect that over time they will learn at least a little bit of it. If your language is audible to them (or signed in a way that can be approximated), expect that they will find a way to produce it and use your own language to speak with you. They feel this is polite and friendly, although they understand that most non-Terrans are unlikely to learn and use their languages in return. * Many human languages share a "root" language, and the languages have spread and separated in ways akin to evolution. Similarly to how closely-related species can sometimes hybridize, a speaker of one language may be able to understand, with some difficulty, a speaker of a closely-related language. **see human hive mind debate
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Since my big Languages and Linguistics MEGA folder post is approaching 200k notes (wow) I am celebrating with some highlights from my collection:
Africa: over 90 languages so far. The Swahili and Amharic resources are pretty decent so far and I'm constantly on the lookout for more languages and more resources.
The Americas: over 100 languages of North America and over 80 languages of Central and South America and the Caribbean. Check out the different varieties for Quechua and my Navajo followers are invited to check out the selection of Navajo books, some of which are apparently rare to come by in print.
Ancient and Medieval Languages: "only" 18 languages so far but I'm pretty pleased with the selection of Latin and Old/Middle English books.
Asia: over 130 languages and I want to highlight the diversity of 16 Arabic dialects covered.
Australia: over 40 languages so far.
Constructed Languages: over a dozen languages, including Hamlet in the original Klingon.
Creoles: two dozen languages and some materials on creole linguistics.
Europe: over 60 languages. I want to highlight the generous donations I have received, including but not limited to Aragonese, Catalan, Occitan and 6 SĂĄmi languages. I also want to highlight the Spanish literature section and a growing collection of World Englishes.
Eurasia: over 25 languages that were classified as Eurasian to avoid discussions whether they belong in Europe or Asia. If you can't find a language in either folder it might be there.
History, Culture, Science etc: Everything not language related but interesting, including a collection of "very short introductions", a growing collection of queer and gender studies books, a lot on horror and monsters, a varied history section (with a hidden compartment of the Aubreyad books ssshhhh), and small collections from everything like ethnobotany to travel guides.
Jewish Languages: 8 languages, a pretty extensive selection of Yiddish textbooks, grammars, dictionaries and literature, as well as several books on Jewish religion, culture and history.
Linguistics: 15 folders and a little bit of everything, including pop linguistics for people who want to get started. You can also find a lot of the books I used during my linguistics degree in several folders, especially the sociolinguistics one.
Literature: I have a collection of classic and modern classic literature, poetry and short stories, with a focus on the over 140 poetry collections from around the world so far.
Polynesia, Micronesia, Melanesia: over 40 languages and I want to highlight the collection for MÄori, Cook Islands MÄori and Moriori.
Programming Languages: Not often included in these lists but I got some for you (roughly 5)
Sign Languages: over 30 languages and books on sign language histories and Deaf cultures. I want to highlight especially the book on Martha's Vineyard Sign Language and the biography of Laura Redden Searing.
Translation Studies: Everything a translation student needs with a growing audiovisual translation collection
And the best news: the folders are still being updated regularly!
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