#depends on when you read

[biasomnia]

The reason I got dragged back into Haikyuu were these bits hitting me back to back in the Dumpster Battle movie. They reminded me of exactly what I loved about this, and added on new reasons to love it now that I’m even just a bit older, maybe even a bit wiser.

A personal note, when I first watched Haikyuu, I really related to Kenma. More than just “smart introvert gamer”, his overall apathetic nature and lack of understanding for passion, though he was fascinated by it and was drawn to those that illuminate like the sun. Watching the movie where he finally got to feel as intensely as his teammates took me back to when I felt that too. I had to tenderly nurture the feeling to make sure it wasn’t squashed, but that club isn’t in college. Then I rediscovered art and how fun it can be. I hope Kenma gets that too

[dukeofthomas]

"Are the Robins child soldiers" It depends. If the story is super serious and into exploring complex morality and grounded from reality's standards, then yes. If the story is lighthearted, made for children, fluff, etc., then no. If it's somewhere in the middle, it might depend.

If an author wants to write a story seriously delving into the fucked up-ness of children fighting criminals, they can, and if you don't like it, you can read something else.

If an author wants to write a fun story about villains and heroes featuring Robin in a world where that's not an issue, they can, and if you don't like it, you can read something else.

If an author wants to write a serious story but not apply IRL-logic to Robin, they can, and if you don't like it, you can read something else.

[ihavesomejays]

text transcription:

Many springs ago, I perceived a sea of flowers upon a lake. I thought to myself that those fleeting colors held indescribable beauty.

The next time I perceived those colors was many years later, when the medic’s tent had blinded me to all but red. The radiance of that shining star was lost on my eyes.

Now, my eyes no longer perceive the subtleties in the colors around me.

But I am content.

For I can now see the most brilliant colors in my universe.

anyways yeah why did they fucking do that to jiaoqiu bro

the planning for this experimentalish comic is under keep reading

[corsairspade]

every time i interact with the silmarillion i get weirdly excited about the fact that the authorial intent is that it's a translation of historical accounts. it's a tertiary source! none of it is first hand. it makes it so much more interesting. was the legendarium a mannish tradition? what parts of these were written by pengolodh? by rumil? what loremaster has recorded this? would there be bias in the accounting? can i trust what i'm reading, from this viewpoint, this many years after it would have been written?

what has been mythologised, what has been sanitised, what is third-hand written on rumour? it's such an interesting thing to consider.

[owlwinter8]

I bound “The Lives Worth Saving” by cywsaphyre, my favorite Naruto fic!! Despite having been abandoned well over a decade ago, this fic still has a warm place in my heart. It was the first fanfic I really became obsessed with and even after all these years, it’s amazing how much of the story I've been able to remember beat-for-beat 🧡 Cover art creds: 頂上 by @my_nameisyoon

[necrotic-nephilim]

there is not enough femslash in batcest circles. the girls deserve to be just as weird about each other as the boys are. if BruDick gets to be weird father/son/brothers/lovers/friends/rivals/soulmates then it is only fair that Babs/Cass get to be mother/daughter/sisters/lovers too. Something about that deep intrinsic but undefinable love that is born out of trauma, especially if you consider Cass not knowing what healthy love looks like in the first place. i think it's fun and deserves just as much fandom content.

besides that, you can get even more niche with rarepairs like Helena/Steph. Huntress/Spoiler: Blunt Trauma is already a fantastic comic and even though it's their only real canon interaction it has so much potential. very comparable to TimJay in how Helena tries to get Steph to understand her morals and the corruption you could play with it.

batman: huntress/spoiler: blunt trauma (1998)

that comic also highlights on how both Steph and Helena are outcasts of the Batfamily and don't have the approval of Bruce to be doing what they do in "his city". I think there's so much Potential in Helena taking Steph under her wing because Bruce won't let her in and it becomes a weird codependent toxic sapphic mess. I think the protectiveness Helena feels over Steph from the get-go is so clear and the way she wants to look out for Steph, wants to make sure Steph understands the real world? I love them. Helena should be allowed to steal Steph, actually. I think it'd be fun.

there are a lot of other possibilities too like Babs/Steph or even getting weird with Helena Bertinelli/Helena Wayne and the existential question of "is it selfcest or not." But these two specifically live in my head rent-free, especially Helena/Steph and one day I'll convince everyone else to ship it too.

[sunnykeysmash]

Man of words

[froggy-nebula]

vriska is really funny cause when you look at the shit she actually does shes not the best at manipulating people or flarp or combat she just cant win at any of her hobbies

[lunaechaos]

sometimes i think some people in this fandom believe they own the characters they like, and this turns fandom experience into such a toxic and unhealthy one. caring and worrying about a character is very different than disliking anything it's done to them because it doesn't please you and your idea of their personality and who they should associate with.

this begs the question as well, how much is this about Agatha and how much this is actually about just petty hatred/dislike towards Wanda and canon discourse towards Rio? because, in the dawn of Agatha All Along's release, she's been the least one talked of in comparison to her witch mates in some corners of this fandom.

[author's note: it's just so funny to see some clearly biased complaints about recent events in the mcu and the comics, such as Agatha's deaging in the recent runs of the comics. it's obvious that she's been deaged, and it's very ill-intentioned to bissfully ignore the exact time period that her character was first de-aged and redesigned: after Wandavision and Kathryn's Agatha. i thought this was obvious, but since it evidently isn't, Kathryn's Agatha isn't Hagatha. it makes much more sense to match a character that has always been secondary and related to others, without well-defined appearance, and with the ability to age herself down, to its more popular mcu counterpart. also, why complain about a character that hasn't even been released yet, that we don't know a single official thing about, not being inserted in the comics? when said character is rumoured to be a genderbent version of an already existing character i.e Emerald Warlock? so now everything is bad because a single character that never even existed until a few months ago isn't inserted in everything that pertains Agatha's storyline and Agatha's only? are you even listening to yourselves? how come Agatha allegedly being ever-tied to Wanda is such an awful issue, but suddenly her being tied to Rio isn't? are the double standards in the room with us right now? these are just a few issues and complaints i have, and i feel it's high time they were voiced]

[apologize if there are any spell/grammar mistakes, this was written in the middle of a research lab meeting]

[punkrogue]

ended up thinking about the magneto + wanda vs charles + david dichotomy and --

(house of m #1 / way of x 2 + 4)

magneto is 100% not a great dad and even HE knows it and he KNOWS he's put his war before his kids but at the end of the day he does love and care for them and has wanda's state deteriorates he both tries to help her bc she just fucking DESERVES it and also falls the helplessness of someone who just cannot find a solution but so desperately wants one. it's shitty that he has her manipulate things into a mutant utopia but idk man it was kind of a dogshit situation already. I mean people are literally planning to euthanize her and given how things are going at that particular moment there's almost an argument for it. what a horrific position for him to be in as a father and a father who's trying to do at least a little for his kids to make up for YEARS of being the WORST. he WANTS wanda to have a life, even if he's not allowed in it.

MY MAN EGG CHARLIE THO-- he has a similar kid. mentally unstable reality warper. has literally reshaped related twice with his unending bullshit. david is back and FULLY in his "i rule me" era. which is when he's the most together and lucid. He's as on top of his mental issues as possible and RIGHT out the gate xavier has decided he's too dangerous to live. he refuses to return david's consciousness to his body. when david does it himself charles suspects HIS OWN SON of being the psychic poison corrupting kraoka and when david refuses to tell him what he's plans are and simply asks his father to trust him because he's his son charles violates his autonomy and tries to hack his mind. (i know xavier's getting onslaughty but also.... lbr.... it's not off brand for him to pull something like that)

like-- i'm not a charles xavier hater but i'm a charles xavier hater you know? i love david so much and charles is such a deadbeat dad. i also think this is just-- it's very telling of the differences between mags and xavier. magneto will put his mission above all 9/10 but when dealing with a situation like these it's VERY clear that it's killing him and WANTS to resolve it in the less harmful way. meanwhile charles would prefer his son back in a coma before he's shown even a SECOND of supposed instability than allow him a life because of "what he might do to the mission". like no one here is getting the dad of the year award but jfc charles is sooooooo good at rationalizing and stomaching doing horrific shit to his own kid(s) just bc they're not controllable or palatable.

[hijklab]

The thing about liveship traders that I think is so dope is that from page one you’re given exactly the tools that the vestrits will use to get through everything together. They are traders, they bargain. They don’t just bargain their way into marriages, they bargain their way out of poverty, into new government structures, into the favor of the most powerful people and creatures in their world, into royal status among dragons and pirates and diplomats, until they’re literally shaping a new society and new relationship with humanity entirely. From day one we understand that this family has a specific skill set and then they use it to dig their way out of hell.

[gingermintpepper]

I saw it in your tag game post that you're also fond of the Apollo-Heracles conflict 👀 for a myth that appears in only a couple of sources, it sure has a lot of presence in the vase paintings (no seriously, everytime I think I've seen the last of it, I find ten more)

SO do you have any favorites among the paintings that represent this story??

OMG OMG THIS ASK IS A GIFT. IT IS A GIFT THANK YOU VERY MUCH FOR LETTING ME TALK ABOUT THIS

I also think it's extremely interesting that it's a story so popularly portrayed by vase paintings and in such a variety of ways!! It's certainly one of the stories that gets left out of written compilation of Heracles' legend a bit (which is a shame, I think it's a fantastic story) but Apollo had a very peculiar relationship with Heracles in general that I just kind of find amazing (and very, very funny).

Apollo is not a god with any legitimate grudge against Heracles, but he does argue with the mortal a bit like he argues with his favourite brothers 😂Part of why I love the story of Apollo and Heracles fighting over the tripod so much is that it is such a little brother thing for Heracles to be upset with the proclamation his elder brother has given him and so, he throws a great fit, taking up the chair and declaring that he'll just give himself a better prophecy! And Apollo, instead of being a marginally professional big brother, decides to fight him for it until their father has to break up their cat-fight. Like was that not just the plot of the Homeric Hymn to Hermes? Is this not exactly how Apollo treated Hermes when he was a child and now those two are inseparable? 💀

Because of this, my favourite vase paintings tend to be the ones that highlight the personal squabbling between Apollo and Heracles the most. There are some very elaborate ones that have the full host of them - Athena, Heracles, Apollo, Artemis, usually a dog and a doe, I've even seen a couple that had birds and plants etched on them, but the simplest ones that show Heracles about to bonk Apollo with his club out of frustration or depict Heracles nyooming away from Apollo while Apollo (presumably) yells curses about how he's going to fling Heracles head first into Tartarus for daring to take his things? Yeah, those are the premium big brother/little brother things I'm looking for.

(Photo. Marie-Lan Ngyuen)

(Photo. Museo Claudio Faina)

Also the one in the Theoi.com archives is a real classic - perfect energy.

[deadite-central]

Marineford starts out incredibly strong with the reveal of who Ace’s father actually is, and despite knowing it already, even when I first watched the anime, the reveal still hits because of how it impacts Ace himself

Rouge’s situation is incredibly sad, knowing how much she loved her baby but wouldn’t be able to ever see him grow. The marines are bastards for the lengths they went to to find Gol D Roger’s kid. The government wanted to get rid of any trace of the man they murdered mothers, pregnant women and babies just for looking suspicious. It’s genuinely terrifying.

Whitebeard’s entrance into marineford is iconic, and god, knowing that Ace despite the pain he went through has a father that will go to the ends of the earth for him is so good. I love Whitebeard.

He doesn’t judge Ace because he’s Roger’s biological son, he cares for him because he’s just, Ace. He’s the support system this poor boy needed his entire life and seeing their dynamic always puts a smile on my face.

The battle in Marineford begins and oh my god I find it hilarious that Hancock just does whatever she wants. She has no shame in this regard and honestly, good for her.

Also, mention of Wano and the fact that Ace was there! I wonder if this will ever come back up again

One of the highlights of Marineford for me is Doflamingo, as this is the arc that made me like him all the much more. Before, he was a mysterious although silly guy that appears out of nowhere from time to time. Here, we find out there’s more to him. There’s a reason why his speech about justice is iconic, it’s not only a testament to how he sees the world, but it’s also a pretty clear picture of the fact that history is written by the winners. Something that will come back up again at the end of Marineford.

And finally, the Impel Down team makes it to marineford, in the actual funniest way possible they could have done it because they literally fall out of the sky. It is really cool tho that they all manage to strike a pose when they land. Look at them

[ohithankyou]

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[raycatz]

I'm not including a situation where someone might be injured because in that case I'm thinking the bed goes to them by default or they are nominated for it. anyone who wants to be chatty goes to join the living room floor gang.

What are your thoughts and headcanons? Do you have thoughts on how the boys tend to approach assigning beds in inns? Who do the chain choose to sleep near when camping and why? What are their dynamics like when settling down for the night and getting ready for the day?

In "Mirror Vs Open Closet Door: Fight!" by Gintrinsic (here) Four refers to the chain's decision on how to split up between inn rooms as the "Link-per-room ratio" which I find very funny. He, Sky, and Time also talk about their thought process behind why they do or don't want to sleep in a room with some of the others which I find fun and interesting.

So! If you have thoughts and want to share them! *gestures to the post!*

[necrotic-nephilim]

i recently remembered DickTim Week 2024 is happening very soon and i looked at the prompts again to see if i could get anything out for it and. the Hades & Persephone AU prompt for day 1 has got me really thinking so here's a vague concept i plan to write.

i've been pretty burnt out on modern Hades & Persephone retellings because of how they always seem to fall into the same generic "innocent wide-eyed girl runs from her evil mean mother into the arms of a dark mysterious man because actually she went willingly and chose to marry him" which has gotten repetitive for my tastes. (for clarity i don't care if this retelling is your cup of tea personally, so long as you're not actively trying to rewrite the original myth and claim untrue things about it, if this is your favorite flavor i sincerely hope you enjoy the buffet i just have little interest in it since it feels overdone for me and exhausted of it's supposed commentary atp)

but? but. biblically accurate Hades & Persephone AU has me all kinds of interested. because wait listen so hear me out right. Hades!Dick and Persephone!Tim, obviously. i feel it'd be more loosely inspired by with themes and imagery (though playing with death and nature powers could be interesting, i haven't decided) rather than explicitly making them gods and all. but. something dark and fucked up where Dick and Bruce are especially estranged. maybe to do with Jason's return, maybe to do with them just clashing and having their usual explosive arguments. and Bruce knows the peace needs to be kept, if he and Dick are at odds then everyone starts to pick sides and things just fracture so he needs a peace offering.

and the peace offering is Tim.

Bruce (the stand-in for Zeus) offers up Tim. agrees to have Tim move to Bludhaven and be Dick's... whatever Dick wants him to be. knowing that with the implication comes the likelihood of Dick grooming Tim. and Tim has no real say and is hesitant to put up a real fight. he doesn't want this, he knows what this is going to imply Dick will do to him, but he also knows if he says no things have the possibility to just... fall apart. so he's the unwilling bride, dragged off to the metaphorical underworld (Bludhaven) with Dick, away from his family, his friends, the life he built.

and on the flip side, i think weirdly enough, your best pick for the Demeter stand-in is *Jason*. just, hear me out on that. not necessarily on the side of it being motherly, but on Jason being just estranged enough from the Batfamily to be the one willing to call it out for being bad and wrong and raising bloody hell to get Tim back. maybe it's because Jason wants Tim for himself, maybe it's truly out of a concern for Tim to have autonomy, i'm toying with the idea of it primarily being Tim's POV and him genuinely not knowing which of these is true. (and the truth possibly ends up being a complicated middle ground) and because i like Helena, i think you can use her as the Hekate stand in, the one who strikes a tentative alliance with Jason and tries to go find Tim and bring him back. Tim stuck with Dick, getting groomed and hyperaware of it, possibly even getting fucked the whole time as well, knowing he can't go back without causing massive issues for Dick and Bruce because well, Bruce did promise him to Dick. so he has to adjust his whole life, try to figure out being a vigilante in this new city with Dick breathing down his neck the whole time.

and then much like the ending of the myth, a sort of compromise is struck that's a shaky deal for everyone involved. Tim is put on an essential timeshare, going back and forth between Gotham, where he has friends and family and a support system, then getting dragged right back to Bludhaven with Dick in this brutal cycle that he slowly gets used to and stockholm'd into even liking it. Dick isn't so bad, once he gets used to the quirks of their unbalanced 'relationship'. the sex is even something he can adjust to as well. not quite a happy ending but one that sits in this realistic grey area that becomes Tim's life.

i will write this, eventually, but i don't know if i'll get to it before DickTim Week ends so by posting the idea i'm essentially putting it out into the world so the peer pressure holds me accountable. i just. really like the potential of making Hades/Persephone AUs as fucked up as they can be simply by adhering to the source material and making it a raw story of being stolen away and forced to like this new home you didn't ask for.

also a less fleshed-out aspect of this idea i have ties into Persephone becoming the Queen of the Underworld when she's taken and how the transition from Kore to Persephone could be reflected in Tim. how he makes the best of the worst situation and becomes something far more dangerous and dark when he's in Bludhaven, possibly takes on a new vigilante name/identity and leans into the worst quirks of his personality he tries to tamper because there's no point in not going full tilt Obsessively Weird if he has no choice anyway and it being one small way he takes back his autonomy, and that inevitably making Dick *more* into him, because he gets to see Tim finally just. let loose.