#depending on where you are

[themoonunderstoodmydadjokes]

Can’t remember the last time I was still awake at 1am and it was for good reasons 😌 very tipsy and also my quality time cup is so full 🥹🥹💗💗 tonight was fun and much needed

[asheanon]

🤠 So, among the Starlight/FFIX tangents I want to tan and gent over the coming week, I figured I'd start off with this one. (Since it has some more spooky elements, apt for spooky season.~)

TL;DR: It's more or less just another tangent on me realizing how Sal or any other Ethereal may interact with respective parts of a world. Instead of Dissidia's, however, today, it's Gaia/Terra/the general universe and planetary systems of FFIX! Has to do with mist. Has to do with Memoria. I'll be referencing bits of FFVII's Lifestream during this spiel as well, though, because there are connections and similarities.

💭

I've really been driving this point home lately: how Sal and all Ethereals are considered spectral entities; they can interact with incorporeal things (such as ghosts) and things like that. That being said, that brings up some interesting things to think about... (Some things I've thought about for The Anomaly - FFVII fanfic - that would 110% apply to Starlight - FFIX fanfic - too, I realized.)

Mako and mist are very similar, yeah? Similar enough given the fact that: they're comprised of souls, bear mutagenic properties and they're disorienting. Additionally, they are both an energy source, as well. Something an Ethereal could consume.

Anytime Sal came into contact with the Lifestream, it was a double-edged sword; fantastic Ethereal "food" source, albeit, the presence of souls - a spectral sort of existence one can still communicate with - actually make it more like a drug trip! Like, feels great. Also makes you feel insane, though. Scares you. The "sound"/feeling of all those different entities and their voices inside the "mind" is truly maddening! In game terms, it's like boosting up your stats while simultaneously inflicting confusion. God speed, basically. Hahaha!

Given that theory, I imagine Sal would absolutely react similarly to mist. The Ethereal instinct to consume it as an energy source would be there, but the idea of it bearing some level of sentience as well as the noise would put her off - and the similar drug-like trip she'd experience if she did did "ingest" it would very much make that a one time experience (if she could help it,) I'm sure! Consumption stuff aside, though, I imagine she hears that noise no matter what... hears a few little whispers in the mist, when in its presence... It's so spooky and I love it. Of course I would...!

Going back to FFVII and mako, think of it being a bit like Aerith and how she's able to communicate with ghosts and souls in the Lifestream as well. The only difference is I like to imagine Sal can't really single out voices in the Lifestream, still leaving that type of communication unique to the Cetra. She can hear them, but she can't distinguish them (not often or all that well, anyway.) A vast majority of the time, it's this overwhelming torrent of whispers and voices she can't pinpoint like Aerith can. And I'd like to theorize the mist "sounds"/feels the same. For FFIX and mist in particular, you have confirmation that those souls can be "heard"/felt in what may or may not be a somewhat similar way, thanks to Kuja and whatnot. I don't see why Sal couldn't "hear" them even without consuming them, given the mako and mist parallels along with Anon's (Sal's own respective story lore) evidence laid out.

So... in that regard: The Iifa Tree would be a headache for her. Haha! Memoria would be one too! While I don't know if she and the other main party members will be there to experience the FFIX version of it in any capacity, if they are (or they experience any rendition of such a thing) I sense it being a particular disadvantage of sorts for Sal to face. Though... there could also be some manner of appropriate advantage she could develop or find to be able to better tolerate it through the story... maybe... 🤔 (Similar to her getting a bit of a feel for magic, even though her ability to use it is often improbable if not outright impossible, depending on how the magic works; another disadvantage I have sadly cursed her with - in ALL stories. It's always a struggle. Custom Ashe curse. She's OP by default with all those cool Ethereal pros - I have to toss in the cons somewhere, you know?)

And I focus on Sal here (as I often do) but, spoiler alert: she's not the only Ethereal present in this story! I think it'll be pretty neat to see how any Ethereal character's experience with the mist might go. See how it might... tell on who they are, despite them trying to keep it a secret or how it might open the door to some pretty spooky scary situations and things like that.~

[dandy-dog]

Thank you very much for the tag @zahkeete! c:

Favourite color: Orange and yellow! 🍊🌻

Favourite Song: Oooh, this is tough... It's gotta be a top four sorry, there's too many good songs out there! My favourites songs change pretty regularly but I've loved those four for a while:

"Dashboard" by Modest Mouse

"Roll Me Through The Gates Of Hell" by Mischief Brew (specifically the version from Bakenal; I like the Smash The Windows version too but not as much)

"GOOD MORNING SUNSHINE" by The Narcissist Cookbook

"Ordinaryish People" by AJR

Currently reading: At the moment nothing, save for the Player's Handbook on and off for D&D 5e. That said, I've been really interested in grabbing a hold of "Lanark: A Life In Four Books" by Alasdair Gray. The premise sounds very interesting!

Currently watching: I'm slowly making my way through Red Dwarf (I'm currently on series 7) and I recently watched the first part of Bridgerton season 3 with @plague-rat-judas 🤙

Coffee or Tea: Coffee. I don't mind tea but between the two it's definitely my preference, I drink coffee every other day and I don't like specialty teas. A lot of them taste very dishsoapy to me

Currently craving: Something with cheese and sauce, though I can't place what. A pasta bake maybe?

Tagging @plague-rat-judas, @marc--chilton, @chlorophylliccoyote, @werewolf-girlfriend, @oujamon If any of you don't want to do this there's no pressure at all, feel free to ignore this. I just hope you're having a good day <3

[photozoi]

So, this happened.

The weather gods said we would get about 4 inches of snow. They were right, see top photo. But then....  it didn’t stop.

Awesome!

[screechthemighty]

Okay so because I've seen people talking about these books and it seems like there's an influx of new fans/creators into the fandom...hi, this is just my opinion, but here's whether or not I think you should spend your time/money on certain tie-in works for the Norse cycle. Under a cut due to length, and there may be some stuff I've missed, but here's my assessment of the stuff I have consumed!

God of War: The Official Novelization

Pros: There are some nuggets of new information here, some of which are pretty interesting. Alistair Duncan AKA Mimir narrates the audiobook, which is the sole reason I got the audiobook lmao.

Cons: I'm gonna just say it: it's not a good adaptation. Any new info isn't worth sitting through a story that seems to fundamentally misunderstand the source material. I tagged my liveblog posts for it as "screech listens to god of war" if you want to see all my complaining, but there's something that's just...off about it.

Conclusion: If you can get the audiobook for free and you like listening to Mimir talk, may be worth it. But don't pay money for it.

God of War (comic) and God of War: Fallen God

Pros: Some of the dialogue is funny in an inadvertent way. The first God of War comic is a historical document because it was, up until two months ago, the closest thing we had to seeing what Faye looked like IRL and not as a drawing on a wall. Atreus is in the first one and Fallen God has a Hippo Kaiju. So that's cool.

Cons: The first comic is mid at best and Fallen God actively wasted my time by being the same conflict repeated over three issues with one (1) interesting issue to start. They're also basically the same plot (Kratos doesn't want to be a rage monster but life keeps forcing his hand) and Ragnarok explored that concept way better. For real, Fallen God pissed me off so much I actively re-wrote it (the fic now known as "Firestorm"), so that's the level of spite I'm operating at. The first comic just didn't do anything for me besides baffle me as to why Kratos was written Like That.

Conclusion: Save your money and pray they give us better comics one day.

Lore & Legends:

Pros: Okay this one has two really interesting chapters of Atreus journaling before the game and during Fimbulwinter and I actively enjoy both of them. They expand on his viewpoints, his psychic abilities, his relationship with his parents, etc. so those parts were cool. The art is neat, there's a timeline for the events leading up to the game, and it's a good reference material overall.

Cons: The book DOES get repetitive when they start touching on creatures, places, and people from the game. Like it's straight up just lifted game dialogue/codex descriptions. So if you're like me and you've played the game for over 100 hours, then yeah, this part will feel a little superfluous.

Conclusion: Worth buying if you're a hardcore fan and want a solid reference book, but the bad news is I think the physical edition might be out of print. :( There's still ebook copies out there, though!

The Lost Pages of Norse Myth:

Pros: It's a podcast, so it's easily accessible and free. The stories are pretty neat (AND two of them made game-canon status!) and the interviews give you a look at the creative process.

Cons: The interviews make up a majority of the episodes so this is really more for people who are interested in details about the game on its own versus the lore goblins. (Not saying one is more valid than the other, but y'know, keep that in mind going in!)

Conclusion: I mean, it's free, so yeah, worth it.

B is for Boy:

Pros: This is it. This is the best one. It's a better adaptation of the game than the novelization. The art style is cute. Kratos is peak tired pop pops energy. This is still my favorite one.

Cons: I'm pretty sure it's out of print, which hurts my heart.

Conclusion: If you can find a copy you should definitely get it, this is my favorite one and I sincerely hope they make another one.

Art Of Books:

Pros: So much gorgeous art and really interesting looks at the game-making process. Not to mention discarded concepts, while not canon, are basically free real estate for fanfic authors looking to spice things up. (I've only just started the Art of Ragnarök but there's some REALLY neat stuff in the Atreus section towards the beginning that I'm sure someone would have a field day with.)

Cons: Art of books are expensive as heck, and again, this is less for the lore goblins than it is the people interested in how the game was made.

Conclusion: Great for hardcore fans if you can afford it (for real why are art of books so expensive. Will this stop me from buying them, never, but ow my wallet).

[anonymousdandelion]

A general tip for students who are sending those dreaded Religious Absence Emails to your professors: Rather than asking permission to take the day(s) off, politely let them know that you will be taking the day(s) off.

In other words, consider not saying this:

"May I miss class on [date] so I can observe [holiday]?"

It's not that there's anything wrong with the above, per se. But because it's phrased as a request, it risks coming across as optional — a favor you hope to be granted. Problem is, favors are not owed, and so unfortunately asking permission opens the door for the professor to respond "Thanks for asking. No, you may not. :)"

Instead, try something along the lines of:

"I will need to miss class on [date] because I will be observing [holiday]. I wanted to let you know of this conflict now, and to ask your assistance in making arrangements for making up whatever material I may miss as a result of this absence."

This is pretty formal language (naturally, you can and should tweak it to sound more like your voice). But the important piece is that, while still being respectful, it shifts the focus of the discussion so that the question becomes not "Is it okay for me to observe my religion?", but rather, "How can we best accommodate my observance?"

Because the first question should not be up for debate: freedom of religion is a right, not a favor. And the second question is the subject you need to discuss.

(Ideally, do this after you've looked up your school's policy on religious absences, so you know what you're working within and that religious discrimination is illegal. Just in case your professor forgot.)

[strawberryyyenthusiast]

Diabetic Steve who is at a Dairy Queen with Robin after he went with her to an all girl punk band that’s she’s been wanting to see for years. Steve had been feeling weird all day but he didn’t want to bail at the last second because he knew that Robin would just cancel everything to take care of Steve.

(Steve would do the same for her).

Steve plops down into a booth while Robin goes to order them food. He pulls out his pod and winces when he sees his glucose level.

64 and going down. Not a good sign.

Just to be sure he pricks his finger and holy shit, he’s actually at 43. It’s at that moment, when Steve is wiping his finger with the alcohol wipe, that his phone decides to loudly beep to alert him that, “hey you’re crashing pretty hard and fast— take care of it soon!!”

Steve is rifling through his bag while Robin is already trying to rush their orders.

“Shit,” Steve mumbles to himself. “I’m out of fucking juice.”

His hands start to shake and Robin begins to freak out. Steve is always so in control of his diabetes, she’s never seen him like this. So, Robin does what any other person would do and grabs the largest blizzard she has ever seen on the online orders tray and runs over to her best friend.

“Here! Have this, I’m going to try to get you some apple juice!”

Steve just nods his head and slowly spoons some of it into his mouth.

“This tastes like shit, by the way.”

“You’re welcome, dingus. Now shut up and eat.”

The worker behind the counter comes over and starts talking to Robin after she sits in front of Steve. Steve can’t really make anything out right now since he’s trying to focus on making his hands work. But, he thinks he hears the mention of calling 911 and an ambulance.

Time passes a little slower after that. Steve somehow manages to get down enough of the ice cream that he is slowly rising again.

57 after he pricked. Thank god.

It’s at that moment that Eddie Munson, lead singer of Corroded Coffin, walks in. He went to his best friend’s, Chrissy’s, show and needed a pick-me-up after helping her lug all of her equipment back into their vehicle.

He goes over to the online orders tray and it’s empty. He doesn’t really mind waiting. He walks over to the counter and sees that the worker is extremely frantic as she sorts some shit out.

“Hey,” he starts, his fingers tapping the fake granite counter top. “Just checking, I’m here to pick up an order for Edmundo and it’s not on the tray. Do you know when it will be ready?” He flashes an awkward smile and the worker just points to the table behind him.

“We’re working on it. Your nightmare of a blizzard was needed for something else. Give us five minutes.”

Eddie nods and slowly turned around, where he sees the most gorgeous man eating his blizzard. Reluctantly, he might add. The man has on a light pink t-shirt and brown corduroy pants, thick lensed glasses sliding down his nose. The woman across from him was clad in funky colors and had a dirty blonde bob. She was talking extremely fast and gesturing with her hands a bunch.

Chrissy would love her.

He walked over and tapped the man on the shoulder.

“How’s my blizzard?”

He slowly looks up and Eddie is met with honey brown eyes and beauty marks for days. A straight nose and an angular jawline. Jesus Christ.

The woman looks like she’s about to say something, but the guy beats her to it. “It tastes like if a unicorn threw up in my mouth, but it prevented me from passing out. So… thanks.” He smiles. “I’m Steve.”

Eddie needs to become Steve’s husband immediately.

“And I’m in love.” He pauses and then sees the look of glee on Steve’s face. “EDDIE. My name is Eddie.”

“It’s nice to meet you Eddie. Are you free tomorrow?”

[sunnymainecoonx]

Can u guys tell I like setting up different interpretations of the same character together yet

I've done so with swap(he's the most obvious one) and I've done so with horror. And now dusts on that list too. I have had thought of others like ink but, maybe another time

[ferritins]

IN A STITCH, IN A PINCH | J. TODD

SUMMARY: you’ve developed something of a friendship with the Outlaws, but you’re not quite sure about what the irascible Red Hood thinks of you.

WARNINGS: graphic description of burn injury, oblique reference to canonical parental drug dependency, reader is a meta.

NOTES: bringing back an old work! Re: the burns treatment depicted here - my area of study was clinical microbiology, not emergency medicine; everything I know about burns is relegated to opportunistic Staphylococcus aureus infection and how Gram negative skin flora influence wound healing. Take none of what you see in this fic as medical advice; if you do have a severe burn, call 999 and get your arse to an A&E ASAP.

After an extraterrestrial incident in your city that ended with something to the tune of 5 and a half million dollars worth of property damage and you knitting Arsenal's torn-open back together in a moment of adrenaline-fuelled insanity, you've developed something of a friendship with the Outlaws.

What that really means is that you periodically come off your shift at the hospital to find 2 mercenaries and an alien princess divesting your fridge of it's contents, and get wheedled into using your meta abilities to heal wounds that would otherwise take them out of play for a good few months.

You're under no illusions. You're aware that a healer is a useful contact to have, that should the situation necessitate it they'll take the few scant inches you can give and run a mile with them.

However, you're also aware that being a meta is a risk and that it pays to be liked and valued by dangerous people.

It's a friendship of convenience, but a friendship nonetheless.

Kori picks you up bodily and spins you in a tight circle until you're giggly and dizzy when confess her favourite shirts of yours are always freshly washed, just in case.

Roy gives you a vulgar wink when you order his shirt off to take a look at where his back scarred over, but faithfully applies the Vitamin E cream you give him for the scarring, trusting you to ease his discomfort, and sneaks bottles of your favourite elderflower cordial and the tins of Zambuk you can never find in the US for you to find when he leaves.

The only one you can't quite puzzle out your relationship with is Jason. He's taciturn, stands watch faithfully as Roy and Kori pull you into friendly hugs and dizzy spins, pepper playful kisses on your cheek and rub their knuckles into your hair. He rolls his eyes at his teammates' antics, huffs through his nose at your fussing.

Sometimes though, he'll call you sweetheart in a low rasp as he bumps you away from the sink to take over doing the dishes.

Sometimes, you think you catch him watching you with something unnameable and warm in his eyes.

You're not expecting your front door to fly open and damn near off the hinges late on Saturday evening — just as you're fresh out of the shower and only just into your pyjama shirt & shorts, might you add — but your alarm and annoyance die on your tongue when you see Roy and Kori's grim faces and the way that Jason sways despite both of their considerable strength holding him up.

You smell the odd, sour-smoke char of burned flesh as they pass you to ease Jason down oh so gently onto your sofa, and your gut goes cold with fear. The burn, once you get his shirt cut open, is not as extensive as you'd feared, but it's still something from a horror scene.

It's a third degree burn, skin mulberry-red, weeping and blistered in a long arc that curls up from his right hip to just under his right pectoral.

"Bloody hell." You breathe, horrified.

You run to your room, digging out your first aid kit, and drop to your knees by the couch as you tear it open.

Roy snorts, bitter as cyanide. "Yeah, that's a fairly accurate summary of the situation, sweets. The only reason he's still alive is because he dodged and got a glancing blow from the energy beam instead of a direct hit."

You look up from Jason's side.

"I'll need you and Kori to get some things." You say, hands shaking at the prospect of the task in front of you. "I can reduce the severity of the burn to a first degree, maybe, but it–"

"What do you need?" Kori snaps, terse. You reel off a list - topical antiseptic, light bandages, a banana bag & an IV kit, amoxicillin - and then look to Roy.

"I need you to get him to take some co-codamol. It'll kick in in about 10 minutes given his enhanced metabolism, but I can't do anything until he's got painkillers in him."

Roy's brows tighten further.

"Jason doesn't do opiates."

"Roy, if this was anybody else he'd be hooked up to IV morphine! If I start working on him without him having painkillers, he'll go into shock which could kill him." You exclaim.

You make low, soothing sounds when Jason tenses at the shouting, only to groan at the fresh wave of agony in his side.

The sound of Jason's pain seems to be decisive enough for Roy, who moves round the couch and grabs the box of effervescent tablets, dissolving two in water and coaxing Jason into drinking it down.

When the glass is empty, Roy is back to his feet, quick as lightning. He strides to the door, shepherding Kori out of your apartment.

"We'll be back with everything you need in half an hour, tops. Please, help him."

Jason comes out of the shrieking adrenaline of agony to the sound of your voice, and a slight cotton fuzz in his head.

Narcotics, then, but a fairly low dose for him to still retain this degree of alertness. Feeling the encroaching spectre of that terrible pain just barely held at bay, finds he's grateful for the medication.

He goes to prop himself up on his elbows, only to strike a line of phosphorus-white flare of pain down his side that has him hissing breath through gritted teeth.

Above him, you make a startled sound, press a hand to his sternum to keep him down. His eyes catch yours, and he sees the relieved sag of your spine and shoulders at the alertness in his eyes.

"Thank fuck you didn't go into shock." You sigh. "Stay still, I've just about got this down to a second degree burn. I've just got your hip."

You snap off your nitrile gloves and lean forward, cupping his face in your hands. "Don't make a habit of this. You'll kill us off with stress if you keep on nearly-dying."

As if on cue, the front door opens and Roy and Kori come into the living room, pharmacy bags clutched tightly in their grips and fragile hope in their eyes.

When they see Jason's alert eyes, the slow knit of skin and sub-dermal tissue and hear his sheepish grumbling in, response to you, their smiles are like sunlight.

Healing the burn is slow going, taking a full five evenings after your shifts.

Roy and Kori are intent on Jason staying the full course of treatment — settled by a, literally, on account of Kori, flaming row when he asks for his helmet and body armour —and though your entreaties are quieter, they're no less insistent.

It serves him right, probably, but it's driving him to distraction.

Specifically, the feeling of your hands over his skin is driving him to distraction.

He's not sure whether it's mercy or the sweetest of torture when you approach him, eyes darting down his body in a way that's half-assessing, half appraising before the heat-shock of your touch makes contact, pieces his skin back together.

(The thing is, Jason's attuned to everything about you, has been ever since you pulled Roy's flayed skin back shut whilst the city was still smoking behind you, totally unafraid in scrub trousers and a hoodie.

He's got it bad, and it's not exactly subtle.

Roy and Kori haven't missed that, or the way he reacts to you, judging by the raised eyebrows and teasing smirks as they lean up against the wall and watch you work.

He hopes the glare he levels at them over the top of your head communicates exactly what he'll do to them if they open their mouths.

It all comes to a head on Monday evening, when you come home from your OR shift, duck into the shower and then come into the living room in a too-large grey t-shirt and deliciously short sleep pants.

Jason's heart stops for a second. He lets his eyes flit despairingly over to Roy and Kori as you prep your kit, watches their unrepentant grins with a burning resentment towards them.

Having you this close to him, worry-soft and lit like a Rembrant from the lamp on the side table without being able to touch you is the closest thing to hell there is. You're close enough that he can smell the overlapping, inoffensive fragrances of your facial skincare products, see the faint pearlescent sheen of the residue of some serum on the apples of your cheeks, the tip of your nose, the soft line of your jaw.

Your nitrile-gloved hand settles gently on the raw new skin just above his hip and he jumps, his own broad hand flying up defensively to catch your wrist and still your movement. It's a mistake he regrets immediately.

The skin of your wrist is still tacky-soft with still-settling moisturiser, hair curling damp where the spray of your shower caught it. Jason's mind spins an unbidden reel of your hands, smoothing lotion over the plush expanse of your thighs, the line of your neck and the gentle swell of your décolletage, the curve of your hip.

He presses his eyes shut tightly.

He feels feral, the hungry bones of him blown open and exposed like the hull of a shipwreck. He wants to worry marks the shape of his mouth into your thighs, your neck, across your collarbones. He wants your knees bracketing his hips, the weight of you on top of him.

God, he wants–

"Are you okay? You're not in too much pain, are you?" He hears you ask.

He knows he's in far too deep when the thought of tasting the way the words roll off your tongue flits across his mind.

"Sorry." He croaks, releasing your hand. "Instinct."

(Roy turns to Kori with a snort, murmuring low so you can't hear.

"He's been watching like he wants to eat them alive since the first time we met and it's a miracle he's got enough blood north of his waistband to be capable of speech, but sure. Instinct.")

[literaila]

Reader meeting gojo parents when since they’re confirmed to be alive ☹️

the next time gojo satoru claims to be a “grown man” you’re going to pull his annoyingly soft hair and shove him down a sink drain.

this child, this infant—the very same one who got lost exactly one minute after you told him not to wander off—is going to be the death of you.

you’d always thought that you might go out peacefully, in your sleep or lying in a hospital bed. or, at least, heroically. saving some innocent bystander, leaving the world with some witty last remark.

but no.

instead you’ll die of a heart attack. instead you’re going to look for gojo and accidentally wander into some den of cursed spirits and die before you get the chance to pull on his ear at least one last time.

even tsumiki doesn’t get lost this much—and she gets distracted every time she catches a glimpse of pink in a window.

you walk amongst the crowd, looking for long legs and a stupid blind-fold, thinking about how you should’ve brought megumi. he’s more observant than you are—he’ll look for any chance to get gojo in trouble.

namely, this one.

you sigh, dialing his number again. but you can barely hear it ring as you hold it to your ear, you can barely hear the, “it’s gojo, you must feel sorry that you missed me—“ before you hang up. he’s not going to listen to any short of breath voicemail you leave anyway.

he can teleport home, you suppose. it might be nice to have a couple of hours to yourself, to teach him a lesson for once—

(and no, you won’t miss him. that’s a ridiculous suggestion. why would you miss a third child that clings to you, and whines every time you’re not paying enough attention to him, and whispers sweet things in your ear when he’s bored, and follows you wherever you go, and always trails his hand down the small of your back because he knows—

no, okay? no.)

you’re thinking about how gojo satoru is the worst person you’ve ever met—and you’ve had to sit through meetings with the higher ups, so—when you run into someone.

you get your obliviousness from gojo, thank you.

“i’m sorry, i—“ but you look up and you’re met with the same smile you were just cursing out in your head.

though, maybe not quite the same? it’s usually not so pained and he’s usually sticking his tongue out a little bit—

“baby,” he breathes, chest inflating.

you frown. “i thought i told you to stay by me. i’ve been looking for you for, like, fifteen minutes, are you—“

he turns, just slightly, and usually you would pinch his cheek for trying to deflect but… there’s a woman standing there. looking at you—at him—like she’s seen some sort of ghost.

satoru has that effect, you suppose.

“oh, sorry,” you say, stepping so you wave at her. “did i—am i interrupting?”

“no, we—“

“it’s nothing—“

they both stop. and satoru may be blindfolded, as ridiculous as he is, but you can practically see the glance that they share.

the quick look away, awkwardness floating through the air like dust.

you tilt your head, brows furrowing.

satoru doesn’t necessarily like talking to strangers, but the man doesn’t know what social expectations are. and he’s certainly not awkward.

you wrap your hand around his arm, feeling the release of his technique (and yours), as you consider them. “satoru. who’s this?”

“she’s…” he makes a vague gesture with his hand, trying to telepathically communicate with you, and winces again.

you give him another strange look.

but the woman clears her throat, gesturing to satoru. “i am his mother.”

you still, keeping your eyes on satoru. he doesn’t look back towards you, doesn’t nod to confirm or acknowledge her in any way. his head is tilted up, eyes to the sky.

eventually, you look to the woman.

suddenly you see it, like a flash of light. her eyes are blue, and though not as breathtaking as satoru’s, still light enough to be beautiful.

her hair is a glimmering silver and her entire body is tense.

but she doesn’t look like satoru at all, you think. satoru is always smiling, always moving a million miles a minute. he’s gesturing and trying to make you laugh and he’s never nervous, he’s never caught off guard.

except for maybe now.

some hindrance in your mind thinks about how megumi resembles satoru at times—the model of his smirk or the tease in his eyes. you recall tsumiki’s laugh, the mimicry of sound when she’s laughing with satoru.

it’s not biology, you hear, but connection.

the way you mold each other, the tight grip that admiration has on the very material of your soul.

“oh,” you breathe out finally. but you don’t say anything else to her, can’t think of anything you might want to. you turn to satoru, leaning closer to him, hand gripping his arm. “satoru, do you want to—“

he finally looks forward, towering both of you. “this is my wife,” he interrupts, smoothly. “we were just shopping.”

“it’s lovely to meet you.”

the woman is trying to smile but it doesn’t mean much to you. she keeps glancing at satoru—staring like he’s some public attraction, hesitating like he might bite if provoked.

you pull on his arm a little bit, dragging him a step away. you don’t want to ask in front of her—dont want to take that means of distance away from him—but you don’t have a choice.

“do you want to go?” you whisper to him, wishing you could meet his eyes. “we don’t have to stay.”

his mouth opens, then closes. “i’m not—“ he swallows, stopping.

you’re about to say something—to tell him that he doesn’t owe her anything, that he doesn’t have to be afraid—but she clears her throat again and you turn, ready to say whatever you can to get your satoru back.

the one who’s never left speechless, never left not knowing what to say.

“satoru,” the woman speaks, saying his name like she deserves to. like it’s different when it’s in her mouth—a possession no one else can have. “i have to go—we aren’t supposed to be in the city for very long.”

you frown at her and satoru continues to stare at the side of your head.

“here’s my phone number. i would like—love. i would love to speak with you, if you have the time. whenever you want. if you want.”

she holds her hand out to him and you already know that he’s not going to reach out to her.

you already know that even if he did—she would never get past the world of space between them.

so you reach out instead, grabbing it from her. “thank you.”

“no—thank you. i am…” she pauses, looking away, finally. “i am glad you’ve found happiness, satoru. i… have to go. it was nice seeing you,” she blinks at you, a slight bow as she takes a step back. “and meeting you.”

you don’t say anything but wait, watching for satoru as she walks away from the two of you—keeping him safe for just a moment.

and as soon as she’s gone, you turn to look at him, not sure what to say.

it’s not like with your mom—if satoru understands your childhood at all, you’re completely lost to his.

“you okay, baby?” you ask, staying close to him. maybe it’s a defense mechanism—trying to keep him from shutting you out—or maybe it’s so he knows that you’re there.

“i didn’t think i would ever see her again.”

“did she…” his eyes meet yours, even through the fabric, his mouth a straight line. “did she say anything before i showed up?”

he shakes his head. “no. she just stared at me. i—i didn’t realize who she was, at first.”

“that’s understandable.”

“i don’t know why she would be here.” he looks around, seeming to come to, and then finds you again. “did i get lost?”

you laugh, a bit shocked, pushing your forehead into his chest. “ran away, more like.”

his arms wrap around your back, holding you in place. “sorry. i smelled dessert.”

“of course you did.”

he takes a deep breath, then pulls away. “okay. more shopping? did you check out at the gift shop?”

“are you okay, satoru?”

“i’m fine,” he answers immediately. you stare at him, unblinking, and wait. after a moment, he licks his lip. “okay. yeah. i don’t know.”

“that’s okay.”

three years ago, he wouldn’t have said anything to you. two years ago, he would’ve feigned indifference and hidden himself away for a week.

but you’ve learned to move past these walls, learned how to fill the space and not push too hard.

and you love satoru. too much to let him fall away from you, now.

he sighs after a moment, shaking his head again. “she.. she looks different.”

“it’s been at least ten years, right?”

“yeah.”

you wipe his cheek, adjusting his blindfold for him. “do you want to call her?”

“i don’t—“ he frowns, just minimally. “i don’t know.”

“that’s okay. but you can, you know?”

“would you help me?”

“help you dial her number?”

he grabs your wrist, his cheek quirking. “help me talk to her.”

“hmm…” you tap his nose with a finger. “maybe if you beg.”

“this is why i ran away,” he says, just barely pouting.

and that’s how you know you’ve gotten your satoru back. as annoying as he is.

[slymanner]

God dude these two scenes and how roxie moves hurt my heart so so bad 🥹

it's like a mix of anger, feral, emotional breakdown, and complete sadness that just fucks me up soooo fucking bad.

it's like she's a pet who got abandoned by their owner but they see them again after years of sadness and depression of them being gone and leaving them like that and all that anger and sadness just manifest's into one bundle of emotion's towards them they cannot control.

roxie baby ur gonna be okay u deserve better :[

[originalaccountname]

My turn to be skk-posting

in my ideal vision, when they finally get in something resembling a relationship (as adults, they were Not There as teenagers), it's because they both want it, which means they unlock previously forbidden features with each other like sharing a bed instead of a couch (you all know about my weird obsession with skk and couches), but also freely touching.

Dazai is a rather tactile person; my guy is freed after 2 weeks in prison and the first thing he does is dance, poke at, lean/hug and play with the hair of the first non-evil person (a stranger) he meets. Being with Chuuya, he constantly finds himself in Chuuya's bubble, and indulges in ways he usually can't with others. That often means direct skin contact, not even with ulterior motives, but really just because he is allowed and he wants to.

Chuuya on the other hand has never done something gently ever: he is fierce, he cares and loves intensely, and he never lets go, but he barely knows the concept of a reassuring gesture (working on it). Dazai being in his bubble wouldn't bother him at all by that point, but the handsy part? it's awkward. needs some getting used to. It's a learning opportunity.

And when Chuuya gets used to it and finally makes a move to return the favour? it's Dazai who short-circuits.

[scintillatingshortgirl19]

their face journeys mean so much to me

[drenched-in-sunlight]

saying this as respectfully as possible but. Do not put fandom content creators on a pedestal. We are also just fans contributing to a community just as you are. We have boundary on our own work and that’s it. What I say is not and should not be considered sth the whole fandom should listen to. I’m just a normal ass person ranting about things on my blog. If it does not have a fandom tag for others to engage in, do not make it out to be me trying to start fights or addressing the whole community. Because it’s not.

I’ve said it before and I will say it again, my art, my lore talk, is biased. I’ve never tried to hide that I view Marika a certain way and will always develop my theory following that base assumption.

Aside from translation stuffs and pointing out in-game items, everything else I say you can look at it, agree or disagree, and move on to form your own opinions. Just because I draw stuffs doesn’t mean you get to saddle me with responsibilities about managing fandom expectations. What the hell? I’m a fan artist, I’m the last person who you should look at for “leaderism” (?) WHAT?

I can and will be a hater in my own space, like I know sometimes other artists will just post their stuffs and not engage too heavily with fandom, and for a while I did try to do that here (because I’m already a dramatic ass on twitter), that’s just not me though.

You will get art and you will get my opinions as well.

[chiiroptereh]

They're like the same guy to me

If Adult Swim is joshing about Smiling Friends season 2 dropping this Sunday I will literally hl2_death_sfx.wav PLESAE I NEED IT SO BAD

[sotiredmostnights]

i know everyone likes to put tharja in the "yandere goth girl" category but tbh i feel like pigeonholing her into one specific archetype does a huge disservice to her character. is she obsessed with curses and robin? yes. is she constantly shoved into a fanservice role by intsys? absolutely.

but i think a lot of people forget just how impactful a lot of her supports are...there's something about tharja that makes nearly everyone who interacts with her divulge their deepest secrets and points of anxiety with her. we see this with libra, who tells her of the abandonment he endured at the hands of his parents. we see it with nowi, whose cheerful demeanor slips off as she tells tharja of her missing parents. and although tharja is not the only one lon'qu confides in regarding ke'ri, their support is notably the only one in which lon'qu divulges that there was romantic involvement between he and his childhood friend.

and despite her antisocial exterior, she always listens mindfully and offers to help! she even goes out of her way to discreetly help the shepherds (getting virion to do odd jobs that benefit civilians, interrogating henry to make sure he bears no ill will towards ylisse, etc).

a big thing about tharja is that she IS kind. she IS considerate. she just also has a reputation to uphold as a dark mage and that (paired with her overall awkwardness ofc) makes her true nature hard to see at first glance