#delilah salt
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a lineup of all of my jedi & sith ocs. top to bottom, left to right; Ayousaya Paurakis, Youssef Oberon, Delilah Salt, Roon Teana, Aharon, Darling (as a padawan) & Darling (as a knight), Menowin Tanwee, Leonie Luroon, and Bernardeau "Bernie" Namya.
#jaigeye ocs#jaigeye art#star wars ocs#jedisona#jedi ocs#jedi original characters#original jedi#jedi designs#jedi robes#jedi fashion#ayousaya paurakis#youssef oberon#delilah salt#roon teana#aharon#darling cyprian#menowin tanwee#leonie luroon#bernardeau namya
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i have a habit of waking in the middle of the night with random insane theories about Threads and dumping it in my notes for me to find laterâŠhere are a few from the last few monthsâŠ
#please take these with a pinch of salt#idk if i believe any of them have a possibility they are just things that came to me in the middle of the night ahahaha#though i low-key want kellila to be married#i would actually die hearing lila refer to kell as her husband#and kell is such a wife guy i love him sm#ANYWAY#please tell me your thoughts on these lmao#also i have loads more batshit theories in my notes pls tell me if u wanna see them :)#a conjuring of light#adsom#a darker shade of magic#a gathering of shadows#kell maresh#v e schwab#delilah bard#lila bard#kellila#rhy maresh#holland vosijk#alucard emery#threads of power#the fragile threads of power#shades of magic
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POV: Sam is making pancakes but Delilah makes a crucial observation
Enjoy this goofy comic that I just finished for you to start of the year ^^
i think sam just made her a nice warm plate of charcoal đ
#ask the skeleton#cut down the altar au#of course even if sam remembered the butter delilah would probably b like#'AKSHUALLY thats salted butter n ur supposed to use unsalted to grease the pan đ'#i mean shes gotten better since the reversion but she hasnt entirely shaken her true redditor nature
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Doing a quick review in anticipation of CR tonight and man. It is weird and sort of funny seeing Delilah here, because on the one hand she's being her typical manipulative power hungry ambitious evil ex-Assembly wizard self, taking full advantage of Laudna's hurt.
But on the OTHER hand, she also has... weirdly good advice given out about love and how (even though it's born from a place of selfishness) it's not bad to take something for yourself every so often, and that love is pain, etc. Like, Delilah Briarwood is NOT a good person, and everything she says has a second meaning that benefits her but at the same time there is another way to look at what she says and say 'fuck you delilah im gonna take your manipulative bullshit and take it at face value and find something positive from it'.
And then on the third hand she just really, really wants to eat that rock. She wants to eat all the rocks of power. She craves that mineral real bad and I refuse to take her seriously because that's what she wants. No, Delilah, you will sit in the back of Laudna's mind and sulk while she goes through character growth and you will just have to deal with not having any tasty magic rock candy.
#critical role#this is what these many week gaps do to me#my brain gets real stupid and makes jokes about delilah just needing a big ole salt rock to suck on#this is all because her sodium levels are low#(meanwhile sylas is still stuck in hell just sadly waiting for his wife to show up)
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Not sure if anyone has posted this to tumblr yet, but Bedman?'s and Delilah's official bios and descriptions seem to be released (albeit entirely in japanese.)
#text post#guilty gear#guilty gear strive#bedman?#did a little bit of google translating of the article so take what i say with a grain of salt#but delilahs likes seem to be listed as baiken and bedman's bedframe. shes so cute#her hobby is also watching ants work? i think?#bedman?'s description seems to say that it isnt actually bedman in the bed frame#but that rather bedman somehow influenced it when delilah was dying. like the bed frame isnt capable of complex thinking like human bedman#idk if anyone that actually studies japanese wants to translate these/give insight: please do!
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the beast that appears every time i eat a pickle (she LOVES pickles)
#i dont give her much just a lil bite bc i know they have way too much salt for her. literally just enough to satisfy her dark appetites#meow<3#delilah#cat blog#cats of tumblr#calico cat
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Happy Halloween!
"Calling Invisible Women" by Jeanne Ray "The Salt Grows Heavy" by Cassandra Khaw "The Violence" by Delilah S. Dawson "Frankenstein" by Mary Shelley
#halloween#the violence#delilah s dawson#frankenstein#mary shelley#the salt grows heavy#cassandra khaw#calling invisible women#jeanne ray#horror books#spooky books#halloween books
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New podcast episode is up! This week, we celebrate the birthday of Kevin's Mom (Juliet's Nana) by covering her favorite artist of all time, Sir Tom Jones!
#youtube#tom jones#my dad listens to this#kevin the dad#juliet the daughter#it's not unusual#fresh prince of bel air#carlton#what's new pussycat?#john mulaney#salt and pepper diner#thunderball#green green grass of home#detroit city#delilah#help yourself#love me tonight#i'll never fall in love again#without love#daughter of darkness#i who have nothing#she's a lady#young new mexican puppeteer#say you'll stay until tomorrow#kiss#prince#the art of noise#burning down the house#talking heads#the cardigans
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book rec by me
so you want to get back into reading books but have no idea where to start and disdain booktok (if you get me started on this however i will become an unskippable cutscene so that's for another day). understandable. there is so much out there and it is all so overwhelming and you don't even know what you like now that you've been a decade out of the game. again, understandable. it does not have to be scary. i will help you. below i have created some categories that can get you started.
i want to read Literature
literary fiction, with crossover from historical fiction and magical realism
PEACH BLOSSOM SPRING by melissa fu
THE VASTER WILDS by lauren groff
THE FAMILY CHAO by lan samantha chang
OUTER DARK by cormac mccarthy
SEVERANCE by ling ma
LIGHT FROM UNCOMMON STARS by ryka aoki
IDENTITTI by mithu m. sanyal
PIRANESI by susanna clarke
i want to read sci-fi/fantasy that won't break my brain
sci-fi and fantasy that is gentler on the brain cells. easier to grasp magic systems with multiple but not an overwhelming number of overlapping plotlines
EMILY WILDE'S ENCYCLOPAEDIA OF FAERIES by heather fawcett
KINGS OF THE WYLD by nicholas eames
THE JASMINE THRONE by tasha suri
THE CITY OF BRASS by s.a. chakraborty
A RIVER ENCHANTED by rebecca ross
JUNIPER AND THORN by ava reid
BLACK SUN by rebecca roanhorse
THE FINAL STRIFE by saara el-arifi
THE BONE SHARD DAUGHTER by andrea stewart
i want to read sci-fi/fantasy that forces me to lock the fuck in
i would not recommend picking these up as your first foray back into books after many years of not reading recreationally, but i'm not your mom.
THE SPEAR CUTS THROUGH WATER by simon jimenez
JADE CITY by fonda lee
THE FIFTH SEASON by n.k. jemisin
THE RAGE OF DRAGONS by evan winter
A MEMORY CALLED EMPIRE by arkady martine
GIDEON THE NINTH by tamsyn muir
THE ART OF PROPHECY by wesley chu
THE GRACE OF KINGS by ken liu
horrify me!
there is far more to the horror literary canon than stephen king and dean koontz, i promise. consider looking up warnings for these.
TENDER IS THE FLESH by agustina bazterrica
THE RUINS by scott smith
CONFESSIONS by kanae minato
EPISODE THIRTEEN by craig dilouie
REPRIEVE by james han mattson
MARY by nat cassidy
DEAD SILENCE by s.a. barnes
AUDITION by ryu murakami
THE SALT GROWS HEAVY by cassandra khaw
don't care, i want romance
some of these feature crossover genres, like fantasy and horror.
VAMPIRES OF EL NORTE by isabel cañas
DAUGHTER OF THE MOON GODDESS by sue lynn tan
SEVEN DAYS IN JUNE by tia williams
HAPPY PLACE by emily henry
ONE DARK WINDOW by rachel gillig
i want QUEER romance
again, a mix of historical, fantasy, and contemporary crossover genres.
WE COULD BE SO GOOD by cat sebastian
IN MEMORIAM by alice winn
MOST ARDENTLY by gabe cole novoa
A STRANGE AND STUBBORN ENDURANCE by foz meadows
A MARVELLOUS LIGHT by freya marske
THE EMPEROR AND THE ENDLESS PALACE by justinian huang
SPELL BOUND by f.t. lukens
SORRY, BRO by taleen voskuni
ONE LAST STOP by casey mcquiston
DELILAH GREEN DOESN'T CARE by ashley herring blake
i haven't felt anything since i read percy jackson/the hunger games in middle school/high school
adventure is still out there.
SCYTHE by neil shusterman
WE HUNT THE FLAME by hafsah faizal
SIX OF CROWS by leigh bardugo
GEARBREAKERS by zoe hana mikuta
i'll read anything that's not straight or white
many books in the above categories fit this, but here's even more, across a variety of genres.
LAST NIGHT AT THE TELEGRAPH CLUB by malinda lo
BABEL by r.f. kuang
WHEN THE RECKONING COMES by latanya mcqueen
THE UNBROKEN by c.l. clark
IF YOU'LL HAVE ME (graphic novel) by eunnie
LEGEND OF THE WHITE SNAKE by sher lee
THIS IS HOW YOU LOSE THE TIME WAR by amal el-mohtar and max gladstone
SHE WHO BECAME THE SUN by shelley parker-chan
"all ya books suck"
like any other genre or book age group, there are duds and there are standouts. ya is not special in this regard. try some of these!
DIVINE RIVALS by rebecca ross
STRIKE THE ZITHER by joan he
THE RED PALACE by june hur
A STUDY IN DROWNING by ava reid
EMPIRE OF SAND by tasha suri
LEGENDBORN by tracy deonn
i check out and read a lot of these books for free via my local library by using the libby app (you can even add your friends' library cards to gain access to libraries in places you don't live). when i'm feeling like reading via audiobook, i use libro fm!
look, no one HAS TO read diversely. no one is going to be reverse fahrenheit 451'd and locked in a room with no fanfic and only books and not let out until they work their way through the entire literary canon. but reading, and reading widely, and reading diversely, is what teaches people to form their own opinions and question the things they are told. it's why they hang up stuff like "READ READ READ!!" in grade school classrooms.
we live under systems that increasingly benefit from going unquestioned. no, of course reading ASSASSIN'S APPRENTICE by robin hobb is not going to dismantle these systems tomorrow, nor probably even in our lifetimes. but doing it will help set up a world capable of doing it in the future. and until further notice, we are all part of this wretched world. might as well read a good story while we're here.
anyway, i'm reading THE WEST PASSAGE by jared pechaÄek and the new cmq book this week.
#read books! i promise it's not 'all colleen hoover' THERE IS SO MUCH OUT THERE.#and the more attention that nonwhite noncishet narratives get the more this signals to the market that audiences are interested!#inb4 'why did fanfic catch strays đ fanfic is still reading' it absolutely is! and is integral to the fannish ecosystem!#they're not worse or better - but they're fundamentally different and serve a different purpose#my credentials are that i've read/written fanfic for 15 years and have written 2 million words of it through my life LIKE I'M ONE OF YOU.#anyway. i expect this will get like 12 notes but i had to know i did my part.
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I should have written it here why did I write it in tags ofc I was gonna yap to high heaven.
Reblogging it so I can SS and continue my yapping-
This scene from -STRIVE-'s story's epilogue has always been so nice to me
It perfectly encapsulates both Faust and Chronus with just one sentence and feels unique to the other epilogue scenes. It feels like it was written JUST for these two.
Faust was forgiven for his sins as a serial killer (likely Doctor Baldhead. I mean, the rare fish with his bag on it is literally called "Dr. Octohead", it can't get much more obvious) and brought peace to the world with his healing. The best example of this I can think of is Leo going from calling him "the unlicensed doctor" in Faust's arcade mode, to discussing strategy in the same room as him.
As for Chronus, while he hasn't had time to do too much just yet, the seeds are already planted for his redemption. The first step was Faust choosing not to kill Chronus when they met at the end of Xrd SIGN's story. On it's own, this didn't mean much, since all Faust wanted from Chronus was answers about the Japanese colony, however, by the time we reach Faust's Revelator arcade mode, things have changed. They aren't exactly "friends", but it's clear that they're now working toward the same goal: figure out what's going on in the Japanese colony. By the end of it, however, not only si Faust actively protecting Chronus from Leo, Chronus even sits down and has tea while Faust calls Haehyun!
Also, side note, but, I find it really funny that Chronus just slides across the screen when they run away from Leo, I have no idea why they didn't just speed up his walking animation.
Back to the main topic, in my opinion, it's this tiny bit of forgiveness that pushes Chronus to do more than he has to. Sure, he could just sit in the Japanese colony all day, but he doesn't, he goes out on his own to save Asuka from Absolute Defense: Felion (btw, I am 100% certain that Chronus invented that technique and no one can convince me otherwise). This action, of course, helps bring peace to the world of GG, as Asuka was VITAL to stopping the revival of Justice in Revelator.
TL;DR: Chronus for -STRIVE-, Chronus cool, line from -STRIVE- epilogue cool
#when i finally watched strice i thought the end credits were gonna go hard (they still did. i love sol's speech)#it's just Oh! Wow they perfectly lined up that part of his speech with my two beloveds and nothing else sjdbsj#If I had to choose 'a favourite scene' of Faust it might be this one Because of all that it implies#LIKE AAAAA#He was so cold to him in Sign. When Chronus said Faust could kill him Faust basically went#âIf you wanna kill yourself do it later. i got questions.â#without any regard for the man's. mental state.#i don't think Faust knew that Chronus was an Apostle. And I don't know if he knows how long this all took.#Faust that was the man's whole last 200~ years. life's work. he just lost in front of his eyes. that his colleague extended his life-#for him to be the one to go to Asuka to ask him to save humanity#Like Faust's behaviour towards Chronus is completely warranted considering Everything. Especially Faust because the whole. Child murder.#But also Ouch! For Chronus.#anywya. the way they're walking in the desert now compared to how they walked in Faust's Rev Arcade mode?#like ofc it's partially because of Faust's whole thing with Delilah. But he seems so relaxed. Comfortable with his company.#<- guy that cant read body language for shit dont. take this without salt#BUT ALSO ADDED WITH THE FACT THAT THIS LINE HAPPENS WITH THEM??? LIKE OHHH FAUST YOU KIND MAN. FAUST IS SO GREAT FOR THIS WORLD.#I'm so sure Humanity as a whole is still đ€š not trusting abt Chronus at all.#he's not like Asuka he can't go to G4 to start having government trust him because of Tome and then do a radio show#he's still gonna be viewed very poorly by the public. he don't got Chaos as an excuse like Ariels did either. he's gonna have a journey.#while everyone that was just about to be under his thumb are gonna start hating on the guy.#We know by this point Faust is kinda pardoned by the government to do his doctor stuff illegally. Ram in Faust's arcade mode.#but I feel like the government and law are gonna take much more convincing when it comes to War Criminal That Tried To Take Over The World-#Like A Month Or Two Ago Chronus#And if Chronus is still (highly likely) to be chased by law FAUST IS STILL STICKING BY HIM WILLINGLY#i love this scene because they're not just together for 'end of the world business' anymore.#if it was only professional they would have parted ways. but No! They're still Together!! They've bonded in some form!!#<- which I'm really glad for Chronus' sake because he lost all his friends/polycule/whatever Conclave was to each other-#in the span of LIKE THREE MONTHS#and I'm sure he isnt like full on enemies with Asuka. just opposing ideologies that he respects.#like Light and L type of Ooh this guy Gets Me but there isn't any true hatred. just that the world is at stake and they have diff answers.
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Girlll did you delete your last fic? Whyyyy I was about to read itđđ
Your Best Nightmare | Lestat de Lioncourt x Reader
à· being away from your companion, as both of you take on stardom, can be frustrating, but it is very rewarding to see your maker for the first time in months.
(anon asked for bi!reader w/ crossdressing lestat and if possible some nsfw content)
girl, somebody messaged me and said it was weird and i was confused like you watched a show with vampires killing people like bffr, but ig iâll repost bc somebody else asked too đ
The crowd seemed more lively than ever, screaming the frightening lyrics, but paid them no mind. Humans, despite having dominion over nearly every species, were quite stupid. They all had things they liked, they idolized, and in many of their eyes, it didn't take much to seem trustworthy to them. A quick photo of you holding the cheek of a beautiful mortal, and overnight, you were a national treasure â proof that vampires were not a danger.
Vampires, although people of the night, were only bound by their circumstances, and if there were others, they deserved the privilege to reveal themselves. It was cute, really, the same songs that were once deemed monstrous, alarming, and cultish, were now innovative, you were now an icon, like your lover, the vampire Lestat, you were simply adding your contribution to rock culture. However, they didn't even realize, all of them were wrong. They couldn't be more wrong about everything.
I'm your best nightmare,â you sang, as the audience joined you.
And then it happened, you were in my arms
Your lips on my throat- your hands on my, on my...
Two bodies together, the intimate sin
The pain and the pleasure, could do mortals in
How could you know, what I'm thinking of
To me lust can be, as beautiful as love
Here tonight, your pure heart and soul
Untainted passion should have no control
She asked me if I...
I told her the truth
I said "I'm sorry, it takes me, longer than you"
She smiled and blushed, and continued to grind
And promised to make me, go out of my mind
Returning her promise, she, came to a halt
Licking my lips, I, tasted her salt
Then she sat up and gasped and clutched at her breast
I thought she was coming- I'd never have guessed that
As she grew pale, as white as a flower
She collapsed to the floor and was dead in an hour
Hearing the humans singing along to the deranged song, you nearly laughed. Too foolish to grasp the very lyrics, escaping their mouths. A song about your very first hunt, alone. Delilah, the name itself brought a nostalgic tingle to your tongue.
You remember the night utterly, from the time you stumbled out of your coffin, to you crawling back in. You sat alone at the bar, The Dungeon, a frequent spot for tourists when she caught your eye. Dancing against her friend, they both laughed loudly, singing along to the music. Her skin was flawless, her makeup dark, with an incredibly flattering dress, hugging her curves beautifuly.
Just from staring alone, you almost held your throat from how thirsty you were. Standing up, you approached her, her friend nudging her, their eyes shifting to you.
"Hey," she smiled, briefly biting her lip.
"Hey," you repeated, peering into her thoughts, not a single piece was left unattainable from your view.
"Are you here alone?" she asked you, her friend whispering that she was going back to their group of friends, to give her privacy.
"I'm afraid I am," you smiled, as she moved closer, tilting her head.
"Then I'll have to keep you company"
"I'm very difficult to entertain"
"That's because you haven't met me," she giggled.
"Ah, I see, and what is the name of the woman I've waited for?" you asked her.
"Delilah"
"Very beautiful-
"Please, I was named after my grandmother," she said, smiling as you chuckled.
"I'm Y/n," you said, holding out your hand, shaking hers.
"Would you like to get out of here? Maybe have some fun at my place?" you asked, leaning closer, to glamour her.
"Yes, I'd love to," she smiled.
"Good girl, why don't you tell your friends that you're headed back to your hotel for tonight, because you're tired, and I'll meet you outside," you winked, watching as she went to the group of friends.
It wasn't much longer before you were both nude, her moans only continued to arouse your longing appetite. Her gentle kisses, and promises to rock your world, as her orgasm drew near â it only made you want to rip her to pieces more. Holding her soft hips, you felt your fangs emerging before you began to suck from her breast. She panicked for only a moment, choosing to follow along with your erotic behavior.
"I'm coming," she cried, grinding against your thigh. Her breathing hitched, feeling your cool fingers near her glistening pearl.
"You taste just as good as you look," you whispered, staring down, as you hovered over her.
"Your turn," she giggled, her eyes still shut. If only she had opened her lovely raven eyes, to see the monster in front of her. Blood dripping from your mouth, as you stared at her, seeing her for nothing more than she could ever be to you, food.
"Unfortunately, you won't get the honor, tonight, as your life is coming to an end," you said, and just as she was able to open her eyes, you lunged forward.
Draining her, you could sense her heartbeat, hear her thoughts, and feel the sensation of her nails clawing into your back. It was all euphoric, you were a monster, you could admit, and you loved every bit of the thrill, of experiencing such an occasion, with stunning humans.
As the final song came to an end, you waved, bowing at the arena of people, the music fading, as the stage lowered, giving the illusion that you were disappearing. Going backstage, you thanked your team for working so hard for the tour, before you changed clothing â and headed to your hotel. You intended to catch your flight tonight, but with the concert ending so late, you couldn't take the risk, as the sun was bound to rise in the next hour or two.
Although you felt impatient, you would have to wait another night, before you could catch the private jet to New Orleans, to him. Lestat de Lioncourt, your muse, maker, lover, and companion. He turned you nearly 40 years ago and you have been inseparable ever since.
With the both of you busy with your careers, the two of you promised that it would be fine to have flings on the side, as long as there were no feelings attached â not that you would be able to feel anything for another anyway. You had yet to meet another as passionate, as he.
As the driver stopped the car, you quickly made your way into the building, as the sunrise began to peak from behind the buildings.
"Good morning, miss Y/n," the receptionist smiled, batting her eyelashes as you looked her way.
"Morning," you winked, before entering the elevator.
Going to your floor, you stopped for a moment, seeing Amanda, your assistant, standing at the door, it only meant one thing, groupies. Your team sometimes selected women and men, bringing them to your room. Your publicists emphasized how important it was for you to not be seen hunting, and you were simply playing your role.
"Thank you, Amanda, why don't you go get some rest?" you spoke, grinning as she jumped, glancing over at you.
"Yes, of course, sleep well," she nodded, practically running to the elevator.
Opening the door, you squinted, trying to allow your eyes to adjust to the dim room. The blackout curtains blocking any potential sunshine. Hearing the sound of the faucet running in the bathroom, you entered and shut the door. Taking note that you couldn't hear any thoughts, you looked around for a handbag or wallet, to identify the person, just as the bathroom door opened.
Gasping, you couldn't contain the large smile, as Lestat exited the bathroom, he wore a black bralette, cheeky knickers, and a silk robe on top. His blond waves looked even more luscious than usual, with a light pink gloss on his lips and blush.
"You came to California, to see me," you said, trying to swallow the emotions bubbling inside. You felt so elated, seeing him for the first time in months.
"I couldn't go another day away from you, chéri," he confessed, as you moved closer, embracing him. Mumbling a low, "baby", while he held you near, placing a kiss on your lips.
"You look so pretty," you giggled, as he pecked your lips again.
"I had to look my best to get your attention, I've seen the woman that come to your shows," he smirked.
"They don't stand a chance, next to you," you said, as he stared longingly into your eyes.
"I missed you," he finally said.
"I missed you too," you said, as those words were all he needed to hear before his lips were connected to yours, his tongue slipping into your mouth.
Biting down on your lip, he groaned, lifting you in the air, walking over to the bed, before breaking the kiss â as you peeled each article of clothing away, your eyes set on his piercing blue ones.
"This is so cute," your eyes twinkle, as he removed the robe, the obvious bulge in his panties catching your attention. Sitting on the bed, in front of him, he went to his knees. Kissing your lips, he moved down your neck, holding your waist, as you arched your back. "Love," you moaned, feeling his breath against your skin, causing goosebumps.
Laying back, you bit your lip, as his mouth traveled south. Kissing your glistening pearl, before hungrily consuming her. Your fingers found their way to his blonde tresses. Your eyes could hardly stay open, as his tongue repeatedly lapped over your cunt.
Furrowing your eyebrows, you moaned loudly, "I'm so close," you said, the orgasm escaping, as his long fingers moved up to your breast - caressing them.
"I wasn't sure how much longer I could take, being away from you," he spoke, as you agreed, pulling him close to kiss his lips, smearing the lip gloss on his pale skin.
"Take this off, please," You tugged on the bralette, you needed every part of him, bare.
As he stood, you grinned, exploring his toned body. He kept his usual sultry eye contact, as he slowly removed the lingerie, purposely teasing you.
"Lestat," you whined, giggling.
"Patience is a virtue, ma chéri," he smirked, as he approached you, bound to another night of sharing his endless love with you.
"Fuck Patience, I need you now," you groaned, making him laugh.
"Anything for you"
in the original post, i explained that all of the upcoming posts won't be released in a particular order, since iâm working on everything in my drafts.
#amc iwtv#interview with the vampire#iwtv#lestat de lioncourt x reader#lestat x reader#lestat de lioncourt
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new ocs-- Delilah Salt is an Omwati ex-Jedi. Cunning, passionate, intellectual and curious, she lusted for knowledge-- she wanted to attain all the information the Jedi had to offer, and then that which they refused. Her efforts lead to the death of her own Master. She was an engineer and an alchemist in the Order. her lover, the demure, reserved, naive and emotional Dunyasha Cyprian, was a fellow Jedi, and her dearest friend since childhood. The young woman intercepted the scene when Delilah's thirst for knowledge went too far-- Delilah attempted to revive her deceased Master, to the horror of all, and Dunyasha was killed trying to pull her away from him.
Delilah, then a Sith, escaped with the body and revived her lover, who after death was called only Darling. Using her expertise with machines and alchemy, she fashioned Darling a body, partially droid and partially her own flesh, stitched carefully together at the seams. Darling was alive again-- keenly aware of the Force in all things and overwhelmed by the constant noise, but lacked the control over it she once had as a living Jedi.
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New audiobooks but make it creepy!! Happy October, yâall! We hope youâre in the mood for queer horror, because we sure are.
books featured:
Bad Cree, by Jessica Johns
Brainwyrms by Alison Rumfitt
Bloom, by Delilah Dawson
Compound Fracture, by Andrew Joseph White
A Dowry of Blood, by S.T. Gibson
What Moves the Dead, by T. Kingfisher
Vampires Never Get Old, edited by Zoraida Cordova & Natalie C. Parker
Godslayers, by Zoe Hana Mikuta
Cuckoo by Gretchen Felker-Martin
Dead Collections, by Isaac Fellman
The Salt Grows Heavy, by Cassandra Khaw
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girl i missed you!!!!đ„șđ„șđ„ș so happy your back! i was thinking for your spooky stories, can you do older! eddie x reader take lilah trick or treating. thank you â€ïž
a roo and a boo |older!dilf!eddie munson x reader|
prompt: delilah's first halloween (not exactly the trick-or-treat sorry. i started it and ended here with this but still fluffy and sweet and cute!!).
part of my munny's spooky stories series!
contains: literal fluff and cuteness. dad!eddie, mom!reader, age gap relationship. you can read the full older!eddie works here for all the lore and such :)
âLook at her.â You coo, peering over the padded changing table, wrangling Delilahâs tiny arms and long limbs gently into the costume. A random find you had shipped last minute, random and adorable and everything youâd ever wanted for your babies first Halloween.Â
âSheâs so fuckinâ cute.â Eddie grinned, dimples creasing in the scruff of his beard, at its beginning stages of salt and peppering like the curls that framed his hairline. âHow did you find one this small?âÂ
âI got it off Etsy, so I could put the size in. Pretty handy because everything was too small for her.â You hum, shushing the small whimper that tore from Lilahâs chest.Â
Only three months old, still tiny and fresh and new, but bigger than before. Bigger than when you first brought her home, scared out of your own mind that youâd drop her, break her, hurt her. Eddie was always so calm, so good about your fears and helping you- heâd done this before. He knew what it was like to be scared shitless with a baby.Â
âHowâd you come up with this?â Eddieâs eyes sparkled when they met yours. âThought you were doing the bat and I was gonna be Ozzy?âÂ
âSheâs too little for the bat costume. The biggest they made wouldnât fit her, so I figured next year.â You shrugged. âI thought this was cuter.âÂ
âA kangaroo, hm?â Eddieâs finger brushed over Lilahâs cheek, grinning at the way she turned into his touch.Â
âSheâs Roo, Eddie, from Winnie the Pooh.â You glare at him playfully, grabbing the blue sweater next to you with the cross stitched letters âROOâ on the front. âAnd I have some ears and a brown sweater and Iâm Kanga. Get it? Because Iâm her Mama.â You babble down at the baby, voice lifting in that airy coo of a tone that had Lilahâs lips curling in a gummy smile.Â
âOh,â Eddie nods, helping you maneuver Lilahâs balled fist through the sweater. âJust a you and Lilah costume?âÂ
âYou get to be Ozzy and a bat next year.â You countered lightly, though your stomach flipped in fear. Fuck, maybe the suprise thing was stupid. Maybe you should have included him. âI mean, I can run to Target and try to find a shirt with Winnie on it or-âÂ
â-Iâm just kidding.â Eddie shook his head, a gentle, calming hand rubbing down your spine. âI think itâs adorable. Both of you.â You beam, looking down at your little Roo, the hoodie with tiny ears that poked up. âBesides, Iâm more of a Tigger man myself.âÂ
You snort lightly, rolling your eyes. âYou? Thought youâd be more like Rabbit.âÂ
âRabbit? No, thatâs you, bunny, câmon.â Eddie grinned, pinching your thigh playfully so you squealed.Â
âYou better watch it, Munson.â You pointed at him, fixing Lilahâs little sweater in place. âWe have to be at my parentâs house in, like, thirty minutes. And theyâll actually care if weâre late now.âÂ
âYeah?â Eddie hummed, lifting Lilah carefully into his arms. Her brown eyes blinking back at him, the small furrow of her brows from being disturbed- she looked like Wayne.Â
âYeah.â You nodded, swiping a stack of diapers from under the changing table. âMy momâs already losing it because she canât wait to see Lilahâs costume. Iâm never doing this surprise shit again.âÂ
âItâs their first grandkid, baby. What did you expect?â Eddie followed you down the hallway towards your shared bedroom. âTheyâre excited. Brie and Madeline too. Itâs her first Halloween.âÂ
âWhat time is Brie getting here?â You pulled the brown sweater over your head, folding the slouchy neckline into place.Â
âSheâs here, I think.â Eddie muttered, eyes squinting, scanning the room undoubtedly for his phone. You bit back a smile. âI told her just to go over to Madelineâs. Sheâs staying at her apartment anyway tonight since sheâs going to Ginaâs tomorrow.â
âOh?â You quip, brows raised in surprise. âTheyâre talking again?âÂ
âYeah,â The sigh Eddie let out was soft, but heavy enough you knew he was⊠bothered, to say the least.Â
Brielleâs silence towards Gina came after her motherâs nasty, cruel words about your pregnancy months ago. Eddie always felt guilty that Brielle was in the middle of the mess that was his relationship with his ex, even if she was the one dragging Brielle into it, weaponizing her even now against Eddie so heâd feel insecure.Â
âI donât⊠I donât want to think about that tonight.â Eddie admitted, a soft tone that sounded defeated, hurt, really.Â
You nodded, looking at him through the mirror, slipping on your own DIY made Kanga ears on a velvet headband. âIâll text my mom. Let her know weâre on our way before she shows up and breaks down our door.â You laugh lightly, hand petting over Lilahâs soft cheek, your own lips brushing over Eddieâs for a sweet kiss.Â
The drive to your parentâs house was brief, it took longer for you to load up the car. Carriers, diaper bags, extra clothes, strapping in the car seat, everything- it was a chore to pack up a baby to bring, but it was worth it. The look on your momâs face when you pulled Lilah out of the car, her coos and squeals of excitement.Â
âShe is adorable. Just precious, oh!â Your mom gushed, ushering her grandchild through the doors, leaving you and Eddie for the rest of the things. âHoney! Look, look at Lilah!â You heard her call, scampering into the house.Â
âI think sheâs excited.â You roll your eyes playfully, slinging the diaper bag over your shoulder.Â
âYeah,â Eddie smirked. âCan you blame her? She is pretty cute.âÂ
âShe is.â You nod, head leaning against his shoulder while you walked towards the house. Your felt ears hit his chin, tickling the skin there, but he didnât move. âIs Wayne still coming?âÂ
âWhen he gets off.â Eddie nodded, his hand squeezing your waist softly. âHe had to work. Likes to work at the plant on Halloween. They always bring the kids to trick-or-treat.âÂ
âReally? We should bring Lilah next year.â You look up at him.Â
âYeah, heâd love that. Hope he retires this year though.â Eddie rolled his eyes. Heâd been trying to convince Wayne he needed to retire for years, but the older man was stubborn. âI used to take Brielle there every year, and she loved it. He did too. He would always save her the best pieces of candy.âÂ
The warmth in your chest spread to your cheeks, tugging at your lips, curling into a smile. You liked hearing memories like this with Eddie, not ones tainted with Ginaâs venomous actions and words. Your fist balled at the thought- no, you wouldnât say anything. Not when Brielle drove all the way from Indianapolis to be here. Not when everyone was happy.Â
The cackle of the girl in question floated through your ears as the two of you climbed the pumpkin lined steps. Your parents and Madeline had insisted on carving them with Lilah, for her first Halloween, theyâd said. She hadnât done much besides being passed from person to person in her little pumpkin onesie while they carved them, but it made your family happy- it made you happy.Â
â... This is so cute! Ugh, Maddy, we definitely still had our costumes from junior year. I know mineâs in my closet at my momâs. We could have been Piglet and Winnie with her.â Brielle nodded, cradling her tiny, baby sister in her arms.
âYeah,â Madeline looked at you, brows furrowed in annoyance. âWhy didnât you tell us? We would have matched.âÂ
âI didnât know.â You huffed, rolling your eyes at your little sister, Eddie shutting the door behind you. âI wanted it to be a surprise.âÂ
âWell, we could have matched.â Madelineâs lips pursed, only for a moment before she was back to Delilah, cooing at her. âHold on, Brie, let me get a picture. No, letâs go out by the pumpkins, it'll be so cute!âÂ
âHi, Dad.â Brielle muttered, leaning into his hug, still cradling Lilah.Â
âOh! Take my camera, Madeline!â Your mom called frantically, spinning in a half circle looking for her camera.Â
âHey, sweetheart. Your drive ok?â Eddie pressed a kiss to her head, finger tickling down Lilahâs little cheek.Â
âYeah, it was good.â Brielle hummed, following Madeline out the front door.Â
âHi, Mom.â You said, stepping towards her.Â
âHi- oh! Thatâs so precious, you two match! Where did you find this, honey? It is so cute! It is- hi, Eddie, how are you?- It reminds me of when you dressed up as Tigger one year. Your Dad is looking for the photo album right now, so I can do a side by side.â Your mom rambled, jittery with the excitement of Delilah, the holiday, the side by side post she was already plotting to post on Facebook so all her friends would go ballistic.Â
âI gotta see that.â Eddie grinned, hand wrapping around your waist sweetly.Â
âDad is looking through it now- itâs in the second one!â Your mom yelled into the living room, over the re-run of Hocus Pocus playing for the millionth time. âIâm going to go take some pictures with the girls, but thereâs chili and hotdogs in the kitchen and- oh, Eddie, I got you Fritos for yours.âÂ
Eddie blushed, cheeks tingling pink in the warmth of your home. Your mom had remembered from last Halloween, remembered something about him and gotten it for him. It was small, he knew it was, but it made him feel⊠content? Made him feel like a part of the family.Â
Your mom didnât hear his response, scurrying out to the front porch with her phone to take her own photos. Your eye roll made Eddie grin, pulling you into his side, pressing a kiss against your hairline where your velvet headband met your hair.Â
âSheâs insane.â You muttered.Â
âSheâs excited.â Eddie hummed, rubbing a hand down your hip soothingly.Â
âSheâs lost her mind.â You scoff. âI donât think she even cares about me anymore. Sheâs just, like, give me my baby.âÂ
âHey, it could be worse. Could want nothing to do with her.â Eddie sighed. He didnât finish the sentence, didnât tell you that Ginaâs parents had been that way.Â
Your heart ached for him, leaning into his chest. âI think theyâre going to be busy for a while.â You tilted your head up to look at him. âYou hungry?âÂ
âStarving.â Eddie grinned. âEspecially for your Momâs chili. Iâve been thinking about this all week.âÂ
âGod, donât tell her that.â You snort, arms still around his torso when you walked into the kitchen. âHer head will explode. Sheâs already got an ego because sheâs a Grammy.âÂ
âThink youâve got one too,â Eddie teased, eyes twinkling in the yellow light of the kitchen. You frowned, his hand rubbing over the ears of your headband. âYou and Lilah in your matching outfits. âS cute.â He beamed, love struck and gooey, the way he would schmooze over you years before.Â
You fought back the blush on your cheeks, lips twisting to hide your smile. âYours is gonna be huge next year, Ozzy.âÂ
âItâs already huge, sweetheart. You know that.â Eddie purred playfully, squeezing the fat of your ass to make you jump and squeal, eyes cutting around to make sure none of your family was around. âI think itâs cute. Surprised she didnât steal you for photos.âÂ
âDonât give her any ideas.â You huff, pulling a bowl out of the cabinet. âHow much do you want?â You ask, reaching for the ladle.Â
Eddie shook his head, batting his hands away. âI got it. Got yours too, go sit down.â He nodded towards the table.Â
You hesitated, Eddieâs hip bumping yours to move out of the way. âI want mine on-âÂ
â-chili on the hotdog, cheese on top, and no mustard.â Eddie hummed, spreading the bun to put the chili on. His eyes flicked to yours, smug smile on his face. âRight?âÂ
You nodded, sinking into the chair by the kitchen table, where you always sat growing up. Eddie smirked. âTold you, I got it. I got you tonight, alright? Take it easy. You donât have to be Mama Be- Kangaroo tonight.âÂ
Your eyes roll, huffing lightly when you settle into your seat. Eddie maneuvered the two plates and a bowl with far better ease than you expected. It was nice, sitting in your childhood home with your husband, with your family.Â
Your mom came bustling in with the photo of you in hand, a tiny toddler in an old school Tigger costume, face painted to match. Your dad holding Lilah in his recliner, feeding her the bottle you packed, content watching whatever sports heâd managed to flip on before your mom would make him change it back to Halloween movies. Wayne came by after his shift, a handful of candy for Brielle and Madeline, giving them a wink and a, âTold you Iâd save you the good stuff. Always save you the good stuff.â Â
Eddie beamed, watching it all from his own corner of the kitchen. Your mom and Wayne looking over photo albums, Brielle and Madeline giggling in the corner like they used to when they were younger- when the two of you had just met. You flitting between all of them, content and relaxed, Lilah in your arms.Â
Eddie knew that Lilah would be loved. That sheâd grow up in a better house than he had, that even Brielle had. In the type of family home heâd always dreamed of having, and now he had it, with you- because of you.Â
#oneforthemunny#oneforthemunny spooky stories#older!dilf!eddie munson#older!dilf!eddie#older!eddie munson x reader#older!eddie munson#older!eddie#dilf!eddie munson x reader#dilf!eddie munson#dad!eddie x mom!reader#dad!eddie munson#eddie munson x fem!reader fluff#eddie munson fluff#eddie munson au#eddie munson au#stranger things#eddie stranger things#wayne munson#oneforthemunny blurbs#eddie munson blurb#eddie munson#eddie munson x female reader#eddie munson x fem!reader#eddie x fem!reader#eddie munson x reader#eddie x reader#eddie my love <3#eddie munson halloween
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the salt and the skin
Hi! I have been deeply beset by a disease that can only be cured by writing about Imogen Temultâs intensely ingrained mental illnesses. Yeah itâs contagious. Honestly this fic should probably be labeled as some type of biohazard.
Also on Ao3!
The first time Imogen told Laudna about the storm it was, appropriately, storming.
Laudnaâs eyes had been swallowed by a blackness darker than that of the night surrounding them, catching and reflecting even the most minuscule scatterings of light in a way that made her gaze look full with shooting stars. She had taken her leather-shielded hand to hold in both of hers as she listened. It was the first time she could remember someone taking her hand simply to hold.
She said, here is what she knows of the storm: it is unrelenting, it is violent, it is hers.
Afterâas they lay for the first time in a shared space, hands locked together in a promise at their sidesâLaudna fell asleep before her, eyes wide open. Imogen had spent minutes watching light shows reflect in them, enchanted utterly. She thought, without really considering the weight of it then: beautiful.
When she finally fell back asleep, she did so with the comfort of knowing she was never out of Laudnaâs lightspun gaze.
âââ
In the time that has passed since that night the same things that have changed about the storm have changed for her and Laudnaâwhich is to say, nothing at all.
(Which is to say, absolutely everything.
In the time that has passed since that night Imogen has become familiar with the difference between the chill that follows Laudnaâs skin and the chill that follows a corpse with her face. In the time that has passed since that night Imogen has learned the difference between running from and running to. In the time that has passed since that night Imogen has learned the difference between losing and being left.
Here is what she knows of grief: it is unrelenting, it is violent, it is hers.
It does not escape her that the first time she heard her motherâs voice was in a storm.)
âââ
On the twenty-seventh day of QuenâPillar, as the falling leaves and spines begin to create a shoreline on the bordering forest in a glaze of varying orange and brown shades, Gelvaan celebrates the Hazel Festival.
This, like all other celebrations in Gelvaan, is celebrated with hastily put-up stands and stages and games, the best and biggest cattle and produce hauled in on freshly cleaned wagonsâsome sporting their previously won ribbons as intimidating trophiesâand various flowery dedications to various different gods.
The Hazel Festival, as her father explained it, is a celebration of love and divine intentionâthe concept and promise of soul mates. As the superstition goes, if there exists another half of you, then you would find them here. People would arrive with bouquets of freshly picked flowers, hand-written letters or hand-crafted food, wandering the small stream of Gelvaan townsfolk with the belief that they were about to stumble upon the great love of their life.
It always seemed so silly to her, which means it was something many of the people in that town held very close to their hearts.
Her father told her that they met there. He and her mother. Maybe thatâs why it seemed so silly.
But here, in the dark and with the taste of honesty staining her lips, she has the passing thought that sheâd like to take Laudna one day. Maybe not to the one in Gelvaan; somewhere new, somewhere that feels syrupy sweet and slow and that sticks to your skin like a joyful glaze when it's over. Somewhere that stains. She wants Laudna to have to lick her fingers clean. She wants to bring her a bouquet of flowers.
But, for now, she is in a chasm that might as well be endless telling Laudna things that she deserved to hear in any other way. She should have told her about how she feels about Delilahâs presence in their room, holding her hand, holding her lips to the skin of her throat in a threat and a promise.
She should have told Laudna she loves her at the Hazel Festival.
Instead she says âI love Laudna,â with the same tense hesitance you would feel pulling a trigger and follows it with a âbutâ that bursts from her chest like a bullet that precedes âIâm disgusted at the idea of Delilah looking at us all the time.â that leaves her smoking mouth like an accusation. She watches her careless aim land true in Laudnaâs chest, sees the conflicted hitch and stutter of her breath from even the short distance separating them.
It ricochets; it strikes her, too.
âââ
During the trial of trust, when Laudna says she loves her, Imogenâs response is: âI think youâre a doppelganger right now?â
Which is silly. Theyâll laugh about it later. It also makes her want to die as soon as it leaves her lips.
Because, the thing is, she knows Laudna. She knows Laudna and she would be able to tell if it wasnât Laudna if she had been blinded or deafened or made senseless altogether. Her tether, her anchor. She would know. She should have known.
In the same way she should have known the moment they landed in Wildemount that Laudna was in Issylra. In the same way she should have known the moment she fled that Laudna was in the Parchwood. In the same way she should have known twenty years ago that Laudna was coming to her.
Not that any of it matters. She didnât know. She didnât know that she was in Issylraâthe ParchwoodâThe Hellcatchâin front of her. It feels as close to sacreligious as Imogen has ever truly felt. Heretical. Like she should be punished or brought down altogether. And, really, maybe she should be. The exercise was to trust one another.
What kind of trust was it, to instinctually keep trying to reach into her friendâs minds? To summon a hound to stand between them all as they stood at the very precipice in case? If sheâs honest, she doesnât truthfully feel like any of them deserved to be called victorious.
She wonders, briefly, if the other side is lacking here, too. Ludinus, Otohan. Her mother. Is it trust that binds them? Is it faith?
The brief thought of it, that her mother has found her own version of the Hellsâmaybe her own version of Laudnaâdrives into her chest like a fist.
But none of that compares toâLaudnaâs face, fumbling into disbelief at the accusation; Laudnaâs grasping, empty hands; Laudnaâs nervous, darting eyes. Laudnaâs screams, cutting through the night off the bow of the Silver Sun. Laudnaâs bleeding fingers, dripping black onto shattered, pink stone.
If it was sacrilegious of her to doubt Laudnaâs intention, it is damnation she feels take root in her ribs as a hound aparrates at her side. It bursts forth with a growling howl, its decaying hackles raised, its bright green eyes trained on her, sharp and dutiful. For her to doubt Laudnaâfor her to make Laudna doubt herâ
Well. She supposes itâs fair.
She glances at it, her Cerberus. She says, âHi, baby boy.â
It calms. Across the fountain, face blocked by the angle of her own extended hand, Laudna calms, too. âYes.â Laudna utters, âGood boy.â
She closes her eyes as she, Orym, and Chetney breach the barrier surrounding the fountain and drop their ivory sticks into its grasp. She reaches for Laudnaâs mind one final, unsuccessful time, the plea for her not to lunge dying unheard in the folds of her mind.
(In the moment, as Morri applauds their upward failure of a success, she doesnât register the way her now red-scarred fingers come up to brush against the now-bare skin of her temple. She should have known.
Next time, she will.)
âââ
When Fearne finally makes up her mind and readies herself for taking the shard, Imogenâs eyes are on Laudna and how a line of tension shoots up her spine and draws her shoulders together like folding, skeletal wings. How, as Chetney reaches into the bag of holding, she silently steps away.
Imogen hasnât been wearing her circlet, has lowered herself once again into the rapid waters of her too-open mind for hours now, but she doesnât need to be in Laudnaâs mind to know what is passing through it.
It makes her sick, the thought of that vile woman in Laudnaâs mind or soul or presence. It makes her more sick to think of Laudna spending even a moment around her influence alone.
(When Laudna had come backâwhen they found her, out at the tree line of the Parchwoodâshe had run. She had taken a moment to meet Imogenâs exhausted-elated-terrified eyes and sprinted in the opposite direction. She ran for fear of what she was capable of doing, of who she was capable of hurting, of both her lack of control and abundance of power.
She thinks of Laudna running from her and from her and from herself and, briefly, envisions a storm in the place where once she stood.)
She doesnât really register that she has moved until Laudna is already in her arms.
âYou can put your head in my shoulder. Tilâ itâs over.â She whispers, one hand burying itself in Laudnaâs hair and the other wrapping possessively around her waist, âI can tell you whatâs happening, if you want?â
Laudna doesnât say anything for a long moment, and then, into her neck: âYouâre warm.â
She feels the barely-there press of lips to her carotid and tries valiantly not to let the shiver it sparks pass through her. Instead, she takes the hand in her hair and presses lightly, moves so that every point of their bodies that could be connected are. She says, voice silk-soft, lips brushing a metal-armored cropped ear, âSo are you.â
For a moment it feelsâwell, intimate in a way sheâs slightly embarrassed about displaying in front of the others. Slightly.
But then Laudna is murmuring âshut up, shut up, shut up,â into the skin of her shoulder andâshe canât help itâshe smiles. She giggles. It is pure pride. Her brain in three parts: loving Laudna, hating Delilah, wanting to tell Laudna itâs okay to bite her shoulder to drown out the voice if itâs too loud.
She does not do that, and instead whispers the incantation she has all but ingrained on her tongue from countless back-and-forth trips on too shaky gondolas and grief insurmountableâshe says, in some dead language or a commandâcalm.
She thinks, as the spell leaves her and Laudnaâs tense body melts completelyâas Fearneâs body rises into the air, encompassed in flameâas Chetneyâs grip on the tools he has taken out to hold for comfort, and then on FCGâs raging body, turns white-knuckledâas Ashton flinches and almost doubles over from another shock of pain that passes through them and then as healing energy into Fearneâas Orym bounces anxiously on his heels like a flea or a warrior looking to strikeâas FCGâs eyes flicker red and his tiny healing-hands become something violentâas her mother says her name through the roaring of a stormâIâm not running anymore. I wonât run.
She imagines, as Laudna pulls back when things have settled and her taloned grip releases Imogen, that her skin has formed new scars in the shape of Laudnaâs hands. She holds the idea in her mind in place of an oath.
âââ
That night, she gives in.
Itâs inevitable, really, no matter which way you look at it she and the storm and the moon have always been meant to collide. To swallow each other whole. Itâs better that she does it on her terms.
Laudna agrees. Itâs good that Laudna agrees. The best, actually, because she was hoping that sheâd say no. She was hoping that sheâd say no because she doesnât actually want to be swallowed whole by the storm or the moon or the concept of a mother. What she wants is for Laudna to say no, and to take her hand and walk her out of the roomâthe houseâthe feywildâthis entire situationâand into whatever is next. Because the truth of it is, no matter how many people go into her dreams with her, she still feels alone.
In the end, she tells herself as red bleeds into the nothing behind her eyelids, the future she has been fighting for has never been her own. The hope she holds like water in her hands was never meant for herself. Her last fight. Her last hope. She stows them away like weapons. She thinks, Theyâll owe me. She thinks, Theyâll free her.
Except, when she gives inâwhen her friends fall away, as they always do, and she is left alone and cradled and warm with the echo of her desperate motherâs voice ringing in her mindâitâs everything. Itâs twenty years of nightmares and ten of minds on minds on minds and months of grief and love and wrath all wrapped up in a bow and labeled âpurposeâ.
She feels like a child. Or what she imagines most children felt like. Weightless. Like if sheâs simply good enough there will be someone who loves her there to wrap her in a hug or a blanket and tell her she did well. Who will carry her tiny half-asleep form to her room and tuck her in and kiss her forehead and say âgood night.â Like she could close her eyes and let the darkness swallow her and know someone left a light on.
Itâs everything. So when she wakes to her friends hovering, groggy faces she is only guilty for a moment at the spike of disappointment that shoots through her at the sight of them. And only guilty for a second longer when her eyes land on Laudna who is still, also, endlessly, everything.
Itâs notâsheâs not really there for the next few secondsâminutesâhours. All of their voices come through as if she is submerged in something thick that pulls every time she tries to break for air. Or maybe a lack of air altogether. There are still stars behind her eyelids every time she blinks.
At some point in their conversation two things finally register in about the same amount of time. One: her mother had called for her. Her mother had been there. Her mother had sounded like she was crying. And two: Laudna is holding her hand.
Laudna has been holding her hand, maybe. For a few moments and a few years. It's this, her tether, that finally brings her back toâwellâExandria.
The others areâasleep? No, theyâveâthat is, she and Laudnaâhave moved. To their room. They had a room? Have they spent a night here already? If time is a soup then she has made quite the mess.
Regardless, Laudna is holding her hand. Itâs everything.
Then there is shifting, slow and slight.
âImogen.â She hears her whisper, voice dropping to that low husk that her choked, only lightly decayed vocal cords must reach to achieve a tone so soft. She doesnât ever mention it, but Imogen knows how sometimes kindness exists like a war in Laudnaâs body. In the way her throat rebels against the scratchy dip of her voice, in the way her bones ache when embraced. It hurts her to be so soft. For Imogen, she does it anyway. âImogen. Would you like to lie down?â
She doesnât respondâshe doesnât think she respondsâjust squeezes Laudnaâs cool hand in her warm one and laces their fingers together in lukewarm knots.
She feels Laudnaâs hands take and cradle her closeâholds there, chests rising and falling against each other like lapping waves for an amount of time Imogen doesn't bother to countâand then she twists and shifts and lays her down like a sleepy child on their shared pillows. She tucks her in. She stands.
âIâll be back.â Laudna husks somewhere above her. âRest, darling. I wonât be but a few minutes. Iâm sure Nana has a pitcher of water somewhere around here that I wonât have toâI donât knowâmake a deal for, or something.â
She thinks she feels the tiniest beginnings of a grin pinning her lips up as Laudna's steps slow near the door, hesitateâbegin to closeâand then open the door long enough to peek in and say: âPĂątĂ© is with you, okay, Iâll be right back. Iâll try not to bargain what remains of my soul for water, butâyou knowâas they sayâwhat must be done and allâokay, byeâ punctuated by the croaking sound of their door pinching shut.
Definitely a grin, then. âPĂątĂ©,â she says, dream-drunk, âYour mom is the best.â
She feels PĂątĂ© land on her chest with a soft, somewhat wet flop. His tiny feet pitter like heâs excited or dancing. He says, âI know. Sheâs the whole package.â And then, after letting loose a rattling sound that could be considered a yawn, he asks, âCan I get cozy, then? While we wait for mum?â
Imogen, eyes still blissfully closed, let's loose a breathless laugh. Her hand blindly makes its way to the ball of fur and viscera and bone and love on her chest and scritches, ââCourse, PĂątĂ©. Weâll wait together.â
He hums. She feels him turn in one, two, three circles on her chest before finally curling up and settling in on her skin. He makes another rattling noise that could be a yawn or maybe a purr and says, âYouâre warm.â
She is undeniably smiling when she responds, âSo are you, buddy.â
âââ
When Laudna comes back minutes or hours later, Pùté is fast asleep on her chest.
His little body rattles with what she assumes are snores, softly vibrating against her collar. She holds a finger to her lips as Laudna goes to shut the door behind her. Laudna makes a face like sheâs about to burst into tears.
She doesnât. She instead turns toâsoftlyâshut and lock the door, and then turns soundlessly again in her direction. She takes a breath. She smiles, âIâm not going to lie, I was kind of hoping youâd be asleep when I got back.â
She hums, low in her chest. âWhy?â
Laudna looks at her in that somewhat blank way she does when she thinks the answer to something is quite obvious. She says, âBecause you need the rest.â
She hums again. Laudna treks the distance between them and sits softly beside her, her sharp hip just barely pressing against the bend of her waist. Her bony hand catches Imogenâs cheekâor, maybe, Imogenâs cheek willingly falls into her handâregardless, suddenly she finds herself held. A thumb brushes under her eye with the barely there gentleness one uses when full with fear for something breaking in their grasp.
She leans forward and over her, dark hair falling around them like a curtain of ink, blanketing them in shadow, encompassing her entire vision. She asks, breath falling upon her lips like a torrent or a phantom kiss, âAre you alright, darling?â
Imogen lifts up the barely there distance to press their lips together, sighing into her mouth. âCareful with PĂątĂ©,â she whispers when she falls back, a hand splaying on Laudnaâs chest to keep her from fully settling in atop her, âhe needs the rest, too.â
Laudna opens her eyes as if from a good dreamâand then rolls them. She lifts a hand to wave in the air as if swatting at something. âHeâs dead.â She says, like itâs an obvious thingâwhich, it is. But. âBesides, if he dies from exhaustion or something else ridiculous then Iâll just bring him back.â
Imogen frowns. âI donât think heâs dead. Not, like, dead-dead, anyway. âSides, heâs comfy. Iâd feel bad if we woke him.â
Laudna hums, then. âYes, he is. Comfy. And also dead.â
Her turn to roll her eyes. âWhereâs his house?â
Laudna sighs like the world is endingâwhich, wellâand leans down for one more soft kiss and then back and up and off of her entirely. Imogen triesâvaliantly, she might addânot to openly wince at the loss.
She watches Laudna brace her nonexistent weight against the bed in a way that would cause the mattress to dip if it were anyone else, and instead just presses with the barely there imprint of her palms into the silk. She reaches for Imogenâs chest, cups PĂątĂ©âs tiny form in her hands; Imogen brings her hands together overtop them both. When Laudna looks at her, her eyes are full of shooting stars.
âCan I?â she asks, âPlease?â
Laudna stares at her for a few slow heartbeats more, a little like she is stunned. Eventually, she leans down over their joined hands and kisses her fingers. Again. Moves her thumb to run over her knuckles like she is wiping away a stain. âOf course.â
Her body still feels a little gone, a little floaty, as she brings her hands to catch PĂątĂ©âs tiny body in their joint grasp, lifts herself up against the headboard, and then swings her legs over the side of the mattress. She sways to her feet slowly, slightly wobbly, eyes never leaving from the curled-up ball of fur in her hands and on her chest. Laudnaâs hands have moved and are pressing into her biceps from somewhere behind her, steadying.
She lifts her head long enough to find where Laudna had placed Pùté's little home across the room, its golden-brown wood resting silently atop the possibly skin-covered drawer by the archway that opens into a vine-wrapped, flower-lined balcony.
She half-shambles, half-stumbles her way over with Laudna on her bleary-eyed heels. It feels infinitely importantâitâs always felt important, butâthat she is gentle. That Laudna sees her be gentle. It is more important than she has words to describe that Laudna could leave or fall asleep or be elsewhere and feel and know that PĂątĂ© would be put softly, lovingly to bed. That he would be tucked in. That Imogen would leave a little light on for him if he asked. She looks down at Laudnaâs most special little gift and drops a tiny, feather-light kiss against his skeletal head. âGânight, buddy.â
He mumbles out a gargled sounding, âGânight, âmogen.â
She smiles, pulls apart the tiny curtains that act as a privacy sheet to his home, tucks him in as well as she can, runs one last soft finger down the length of his beak and just like thatâshe canât help itâshe starts to think of her mother.
She wonders how gently Liliana held her, when she was so small and helpless and vulnerable. She wonders if Liliana ever sang to her, ever held her little hands and kissed her stubby fingers. That memoryâthe one that Otohan conjured or summoned or triggeredâher mother had caught her as her toddler legs had stumbled; she had smiled and wiped her tear-stained cheeks and lifted her into her arms and held.
The phantom memory of a mother and the phantom memory of Ruidus begin to overlapâhow long had it been, before Laudna, that she was shown gentleness? Before Laudna, two decades into her life, was it her mother? Before her mother, before she was ever given a name, was it the moon?
How was she meant toâhow was it fair to expect her toâis it so evil of her, to wish? She wonâtâshe wonâtâbecause she knows that itâs wrong no matter how desperately it feels right. But theâthe venom she catches pooling in the depths of Orymâs gaze, sometimes, when he talks about the moon and the vanguard and sheâshe gets itâof course she gets it, of course she understandsâbut itâs not like sheâs ever genuinely entertained the thought of joining the vanguardâof joining Otohanâbut the moon, Ruidus, Predathosâshe wonâtâthe silence, the comfortâher body, radiant even among the starsârunning, tripping into her motherâs armsâshe wonâtâ
âImogen?â
A chilled hand on her shoulder, gentle, gentle, gentle.
Breath enters her empty lungs in a shock-sharp inhale. Light enters the world againânatural, silver-white moonlight like a stripe of paint from the open balcony; warm, flickering orange from the candle by the bedâand the temperature goes from freezing to scalding to cool as she collapses back into her body like debris flung from orbit. Laudnaâs hand on her skin; she crash-lands back home.
On impact, she whispers, âLaudna.â
A moment of hesitance and then a soft, cool pair of lips against the curve of her neck and shoulder. Her hands circle to wrap around Imogenâs waist. She asks, again, voice feather-fall soft, âAre you alright?â
A moment of hesitance and then her traitorous mouth, her traitorous heart: âI donât know anymore.â
Laudna presses another, more lingering kiss to the space below her ear, then moves to run her nose along the curve of her jaw. She whispers there, in a way that she feels the words press against her skin, âThatâs okay.â
Imogen finds her hands against her belly and twines them together as tightly as she canâtether, anchor, home. Her breath trembles.
They donât say anything, holding each other in the space and the silence. Laudna presses gentle, gentle kisses to anywhere on Imogen that she can reachâneck, shoulder, ear, jawâuntil Imogen turns to meet her there, barely capturing Laudnaâs bottom lip between hers and then moving in again, more insistent. She feels Laudnaâs lips pull into a smile against hers. Imogen notes that sheâs becoming familiar with the feeling. The thought pulls her own smile forth.
But they havenât kissed like this before, at this angle, in this room. There are so many other perfect kisses they have yet to discover.
It doesnât make sense that she only kissed her a little over a week ago. She should have kissed her a month ago, the moment she came back on the floor in Whitestone, the moment they arrived in Jrusar, two years ago in Gelvaan. She should have kissed her a hundred more times than she did the day that she first gathered the courage to kiss her in the first place and then kissed her some more. She shouldâve bought lipstick so she could leave a stain.
Laudna pulls back first, half-laughing and half-sighing at Imogenâs attempt to give chase. She leans back in to press a quick kiss to her noseânew, perfectâand then dips down, seals their foreheads together, looks up at her. She asks, âWould you like to talk about it?â
No, not really. âI think Iâd need another week to even begin to process whatâs happened to us in the last three days, to be honest.â
Laudna nods. âYes, understandable. Itâs been a lot.â She pauses, as if to see if Imogen will respond, and then says, âStill, Iâd like to listen.â
Sheâs perfect. Thatâs it, really.
Imogen finds her hand and brings it up to her lips, kissing each finger once and then each knuckle. She whispers, âIâm not sure I know how to.â
Laudna kisses her cheek. âThatâs okay, too.â
When she pulls back she also pulls forward, taking Imogenâs hand in her own and guiding her. She twines their fingers together, and then they are on the balcony.
Catha shines more brightly here than she is used to in the Material Plane. There is no bloody red or pink shine of Ruidus to speak of after their work at the key. It is navy-dark, struck through with silver cuts from Sehanineâs light. There are moving, shifting vines wrapped around the stone-skinwork railing of their little alcove, purple and yellow and orange and bright, vibrant green dancing and swirling and alive around them.
Laudna gasps, her lips forming a perfect, excited âOâ when she notices the little movements. âHello, there,â she says to the vine, âSorry to disturb you. Would it be impolite to talk to my girlfriend out here, for a minute?â and then, her hands coming up like claws and her voice deepening to the tone she uses for her most important and dramatic of questions, âIs this, like, your domain?â
The vines shake back and forth as if to say knock yourself out or maybe well I canât stop you.
Laudna grins, âOh, perfect. Excellent. You're much less ferocious than your feywild-forest-flower friends.â Her brows furrow, a single finger coming up to tap nervously against her lips. âHm. I hope that wasnât insulting.â
Before Imogen can stop her she reaches forward and lightly taps the vine with two fingers, sharp teeth exposed in a smile, âYouâre perfectly ferocious as well.â
The vines shutter as if to say fuck off and then pull back and vanish, leaving clean stonework behind.
Laudna pouts. Imogen takes and tangles their hands together. âMaybe next time.â
She sighs, all dramatics, âIâm beginning to believe plants hate me as much as people do.â
Imogen knocks their shoulders together. âPeople donât hate you.â
âObjectively untrue. Regardless,â she says, waving Imogenâs immediate attempt at a counter aside, âAre you ready? For tomorrow.â
For the key? For Ruidus? For her mother?
She shrugs, âAs Iâll ever be. You?â
âOh, I think so.â She leans her bony hip against the balcony wall. âItâs been a long road. To get here. I never doubted you would.â
Imogen scoffs. She leans against the wall, too. âA long road is certainly one way to describe it. A shitty road, would be another.â
Laudna tilts her head at her, raven-like. A rope of black hair falls into her face. Imogen clenches her fingers around her arms in an effort not to reach across the space and brush it behind her ear. She says, with the upward tilting, insecure cadence of a question, âIt hasnât all been shitty, though?â
Imogen heaves a heavy breath. âNo,â she says, fingers still digging into her own skin, âNo. Not all of it.â
Laudna hums. There is still hair in front of her eyes. âBut quite a bit of it.â
âQuite a bit, yeah.â
Quiet. Some likely incredibly fucked-up feywild bird flutters its incredibly fucked-up feywild wings and takes off into the moonlit night. Imogen turns and balances her weight on her elbows, leaning over the wall. The vines from earlier are just over the edge, as if eavesdropping. She says, âBut not all of it, Laudna.â
âI know,â Laudna whispers, âI agree.â
âAbout not all of it sucking absolute ass or about it sucking absolute ass in general?â
âYes.â
âAwesome.â Imogen chuckles, âIâm glad we agree that everything sucks.â
âBut not everything-everything.â
âBut not everything-everything.â
âThis is getting pretty circular,â Laudna steps closer, âHow do we make it suck less?â
Kiss me, Imogen thinks. âI have no idea.â Imogen says.
âBecause, you know,â Laudna continues as if Imogen hadnât spoken at all, âI think youâreâŠso capable. Truly. And I really havenât ever doubted that youâd make it hereââ
ââto the moon?ââ
ââfrom the moment it became apparent it was possible, yesâbut, really, even thenâanyway. I justâŠI want to protect you. On the moon, but also here,â She lifts one dainty hand and presses her finger against Imogenâs forehead, âI know the dream was a lot.â
Imogen grasps Laudnaâs wrist where it is in front of her face, leans forward to press a kiss against the veins there and then again at the tip of that same finger. âIt was.â
Laudna shifts closer, still, leaning over her just slightly. âDo you feel any different?â
Imogen finally, finally allows herself the gift of brushing those stray hairs back, lets her fingers linger against Laudnaâs gaunt cheek. âYes and no.â she admits, eyes on the silk-soft hair tangled in her fingers to the side of Laudnaâs face, âIâm not sure how to explain it.â
âThatâs alright. Maybe I can help you find the words. You justâwell, IâŠdonât want to, you know, but. Youâve just seemed a littleââ
âOut of sorts.â
She sees Laudnaâs breath stutter and then release. âYes, IâŠI didnât want to pressure you, or anything. Itâs been a lot, so much. And you donât have toâI trust you. I do. But if youâŠif you need or want help, then I would like to offer it. Is all.â
Imogen swallows. âI meant it, earlier,â bursts from her chest, her heart, âWhen IâThat I love you. That Iâmâin love with you. In case that wasnât, um, clear.â
Laudna, for her part, looks genuinely surprised. Which is itself surprising. Not in the least because she had said she loved her, too; but, also that Imogen realizes that she very simply is not super good at hiding it.
Quietly, softly, Laudnaâs lips part. Her eyes go a bit glassy. She shifts forward slightly, leaning into her palm still on her cheek. She saysâwhispers, reallyâ âI know.â
Imogen inhales. Exhales. âYouâwell, that's good. Thatâs great.â
Laudna smiles against her skin. âYouâre warm.â she whispers. She presses a kiss there, to the crease of her palm. âI love you, too.â
Imogen inhales. Exhales. âWell. Thatâs good. Thatâs great.â
âMhm.â
âI donâtââ she licks her dry lips, âI donât know what to do now.â
Laudna hums. âYes you do.â
âRight.â she says, âOkay.â and then sheâs kissing her again.
âIâm going to ask youââ a pause, another kiss, âIâm going to ask you about the dream again, whenââ
Imogen pulls back. Laudnaâs lips are kiss-swollen and shiny. It makes her want to break something. She asks, âWhen?â
Laudna sighs. Her eyes open to find her slowly, and then stop half-way, hanging over her irisâ heavily. Her eyes are dark. Hungry. She says, âWhen Iâm done.â
Imogenâs eyes fall back to her lips. âRight.â She whispers, âOkayââ and then the rest of her sentence and the rest of her breath and the rest of her thoughts are stolen from her.
âââ
âNow, then.â Laudna starts. She wipes the back of her hand across her uptilt lips. âWhatâs different? Do you have gills? Webbed fingers? Though, I supposed Iâd have noticed that much by nowââ
âLaudnaââ she heaves a laugh, lungs still desperate, voice a little hoarse, âGod, let me catch my breath first.â
Laudnaâs tongue runs lightly between her lips. She is above her, still, grey-ish arms bracketing either side of her. There is hair in her face again, sweat-stuck to her skin. Imogen is too mesmerized by the way that it splits her into like running ink and catches the nearby moonglow in a contrasting showcase of light to bother to want to brush it away. Chiaroscuro personified.
She tilts her head, bird-like and uncanny. Her eyes, shooting stars. It makes Imogen want to pull her back in. âShit, Laudna,â she whisper-giggles, âYouâre so fuckinâ beautiful.â
Laudna stutters and then grins, all too-sharp teeth. She says, teasingly, âItâs nice to not be the breathless one for a change.â
Imogenâs laugh leaves her like a strike to the chest, âOh, thatâs a good one.â
âI thought so.â
Laudna leans down, kisses her again. Imogen sighs into her.
Thisâthe intimacy of itâis still so new and beautiful and exciting andâwellâfrankly, they've both discovered that theyâre ravenous. For each other and for love and for touch. That first nightâat Zhudannaâs, her body still thrumming hours later with the electric echo of their first kissâImogen had taken Laudnaâs hand after they passed the threshold of their little makeshift and borrowed home and led her to their windowless room, their small bed. She had asked: Can I kiss you again?
It was indescribably wonderful, and took approximately two lung-heaving, feather-light minutes in the aftermath to discover that Laudna was starving. Voraciously hungry. Thirty years of nothing and thenâsuddenlyâthis. Suddenly them. Imogen could hardly stand the handful of weeks apart.
Which is to say, Laudna has a tendency to lose herself in her, a little bit. It has quickly become one of her greatest prides.
Exceptâwell.
Imogen falls back, separating them. âSorry,â she whispers, âWhat wereâwhat were you sayinâ?â
Laudna pouts. âAsking.â She corrects, âWellâmaybe theorizing, but mostly asking. You saidâearlierâit feels different?â
Imogen nods. She reaches up to brush her fingers over Laudnaâs cheek. âYeah.â
âIs itâŠgood different? Or bad different?â
Imogen nods. âYeah.â
Laudna nods, too. Imogen watches something like self-consciousness settle on her shoulders. She isnât sure what to do about it.
Laudna braces to press a kiss to her cheek and then rolls over. When her skin hits the light it makes her look made of marble. Like a statue. A work of art.
She bends across the space and tugs the blanket up and around them both, reaching around Imogen to make sure she is covered completely. Imogen uses the opportunity to press her lips to the skin of her bicep in passing thanks.
She settles back against the sheets. âI love you.â She says. Somehow, it sounds like a plea. âAnd Iâll support whatever it is you decide you want to do.â
Imogen turns on her side to mirror her. âEven ifâif itâs giving in completely?â
Laudna's eyes are dark. Hungry. âWhatever you decide, Imogen.â
Imogen swallows. She feels like sheâs choking. Something is rising in her, clawing at her chest and stomach and ripping its way into the world. Laudnaâs eyes are so dark. There is a hound in her chest. Imogen swears she hears the echo of its howl, somehow, in her own chest. In the breaths between heartbeats, something is growling.
The howl, her eyes; it rends her completely. With blood in her teeth, she says, âMy mom was there.â
It leaves her like a strike of lightning, seeking the quickest way to earth, splitting and bursting apart her ribcage as it rips from her lungs. Or like a hound, pent-up and caged, let loose to hunt and sprinting, snarling to the nearest indicator of meat. Or like sickness, like bile, burning.
Thatâs the bursting, bleeding, burning truth of it: her mother was there. On Ruidus, at the key, in her dreams for as long as she has had them. Guiding her or warning her. In the end, isnât that a form of love? Isnât that what a mother would do? She felt so held, there at the center of Ruidus, in the eye of the storm, in Predathosâ hand or maybe its jaws. Her mother had screamed for her. Her mother had cried for her.
And she canât remember the feeling of her motherâs warmth, but she can remember the sound of her voice: Run. Imogen.
Does Predathos have a voice? Would it mourn her? Would it leave?
âWhat did she do?â Laudnaâlike a thunderclap, or a resonating howl, or a hand on her heaving backâtakes and wraps their bodies together like twisting vines. She presses their foreheads together. Her eyes are still dark. âImogen. What did she say?â
Laudna would. Laudna would mourn her. Laudna would tuck her corpse into bed before leaving her.
âI donâtâshe justâcalled for me. My name. She said no. Laudna.â Laudnaâs hands on either side of her clenched jaw, Laudnaâs lips centimeters from her own, Laudnaâs hand in hers in the middle of the storm. âShe sounded like she was crying.â
She feels the well in her eyes overflow, cutting down her cheeks. Laudna makes some gasping sound and leans in, pressing her lips to the skin and the salt. âImogen. Imogen, Iâm sorry. Imogen.â She pulls back. The dark in her eyes is gone. âDarling, what can I do?â
Imogen shakes her head. Theyâre close enough that each passing arc causes their noses to bump. âI donât know.â She says, voice tight. âI donât know. What if I fucked up? What if she left to protect me and I wasted it? I donât know anymore, Laudna.â
Laudna kisses her, lightly, a barely there press of their lips and then gone. Like she isnât sure how else to respond. âWhat happened? When you gave in? What did it feel like?â
Imogen trembles. âIâyou allâleft. Were pulled away. It brought me in and thenâmy mamaâbut itââ here, she sobs, âit was warm.â
Laudnaâs body stiffens around her, arms locking like rigor mortis around her waist. She doesnât exhale for a long, long time. When she does, it passes over her lips like a torrent.
âMy mother taught me to sew.â she starts. âDid I ever tell you that? We didnât often have enough money to go get new clothes so we made our own. Anyway, the first time it was because I ripped a hole in one of my shirts out in the woodsâI was digging for wormsâand when I came back I was all in a huff, expecting to be in so much trouble and felt so terrible for ruining clothes I knew she made for me.â
She pauses to press a kiss to Imogenâs hairline, âShe took the ruined thing out of my hands and taught me how to fix it.â
She inhales. Thereâs the tiniest stutter in her chest that makes Imogen want to level another city block. âI used to think about her quite often. Everytime I found myself trying to sleep on the floor of some cold, abandoned cabin, all alone, I remember wishing she were there to teach me how to fix it.â
Their eyes find each other again, snapping together like magnets or puzzle pieces. Laudnaâs eyes are full of shooting stars again. âI justâIâm just sorry, Imogen. Iâm sorry I donât know how to fix this. Iâm sorry she doesnât.â
No longer the snapping wolf, no longer the lightning strike or the thunderclap or the bile or the hand; Imogen breaks.
âGod, Laudna. It feels likeâlike I'm mourning her.â She sobs. The words loose from her throat like an arrow held taut for too long, aimless. âBut, Laudna, she isn'tâshe was never gone."
It is an ugly, sharp, irrational thing, her grief; she feels it drive like icicles into Laudnaâs already chilled skin and dig rot-guilt up from under the warmth of her own when the weight of it tugs her over and into Laudna further. She wishes, fleetingly, that she could wear her grief as prettily as she thinks Laudna does. Laudna slips into hers like an old coat or an old blanketâscratchy, filled with holes, utterly familiar in a way that settles onto her shoulders in some poor facsimile of comfort.
Imogenâs is always, always this: an implosion. An excavation of the self. Her body nothing more than a dig-site of scars with histories older than she is.
âSheâs my mama, Laudna.â It is a pathetic plea, it drops with the weight of a stone into water from her lips, âShe was always with me. I never knew her. I love her and I loved her. She was dead. I have to kill her. I have mourned so why am I still mourning?â
The last word rips out of her in two tones, caught in the hiccup-choke of a sob into Laudnaâs shoulder.
"Oh, darling." Laudna whispers, her lips against Imogenâs temple petal-soft in a way that makes the guilt dig deeper, sugar and salt. For a moment she only holds her. Presses kisses to the side of her head. And then Imogen feels air fill her chest, hears her lungs expand with the accompanying sound of bones like a creaking ship at sea or a growling hound. She says, with all the wisdom of someone who has lived and died and lived again, "Mourning is justâŠlove in a transitive state.â
She shifts, catching the wet guilt dripping from Imogenâs face and forming lakes of grief at her collar, rivers of it down her chest. It makes Imogenâs breath catch, watches the moonlight catch in the momentary proof of her on Laudna. She continues, more softly, âIt isâŠan adjustment to distance. Not goneâjust far."
At this, Imogen glances away from the stain of her to meet Laudnaâs eyes. She hesitates, breath a pathetic stutter in her lungs. She asks, âAre we still talking about my mother?â
Laudna watches her. And watches her. And then, voice like a bleeding wound or creaking branches or whining rope: âDeath could not take me from you.â
âDonâtââ she begs, âDo notâLaudnaââ
âIt canât, Imogen. She canât.â
Imogen sobs, reaches up desperately to cradle Laudnaâs face in her hands. âI donât want you to be another voice in my storm, Laudna. I canât. I wonât.â
Laudna's gentle, cool hands gather her own callous, warm ones together at their collar. She asks, "Can I tell you something you don't want to hear?"
A laugh breaks out of Imogenâs lungs, desperate and sad. âYou already are.â
Her grip on Laudna's hands is not gentle, it is clinging. Clawing. She imagines that when Laudna pulls away, her wrists will bear the bruise of her.
She says, in that same creaking branches voice, "You would have been fine without me."
She pulls awayâtries toâhears her voice from outside her body saying, "NoâNo, Iâ" but then Laudna's fingers are entangled in hers like roots and Imogen isâshe'sâclinging, too.
"Don't say that." She cries. There is thunder in her voice. A precursor and warning. "I love you. Donât say that.â
Laudnaâs hands release hers to wrap around and claw at the skin of her hip, dragging them close again. Her eyes are swimming. âYouâre so strong, so capable, and you are going to live. Your storm wonât take you. You will outgrow it.â
âYou are, too.â Imogen demands. Because it is a demand, of herself and of the world. âYouâre going to live, too.â
Laudna says nothing. Imogen continues, âI wonât let her have you, Laudna. If I can outgrow my storm, you can outgrow her.â
Laudnaâs face is choked up in grief, now, in a way that Imogen has never really seen. âI just meanââ she starts, chokes, starts again, âI just meanâmy mother taught me to sew. And I did. And I think maybe your mother taught you to run. And you did. And I donât think itâsâŠitâs understandable, that you wish she had taught you how to sew instead.â
Something in her, some roaring thingâthe storm, maybeâcracks her skin at the words. She thinks if she were to look at her hands right now there would be new scars.
Laudna takes her ruined hands into her own; she tries to fix them. âBut I can teach you how to sew, Imogen. I canâand then when I'mâgone. You can still sew. Or cook orâor paint orâwhatever it is, Imogen. Imogen.â
Imogen rushes in; she kisses her. What else is there to say? What do you say when I love you isnât big enough anymore? How do you say I donât want you to teach me how to sew, I want you to teach me how to hunt?
Maybe there arenât enough words to encompass them. Maybe theyâve created their own expanse of love and devotion here, between them. Maybe theyâve spent two years carving a space for the other in the ether of the world.
Everything theyâve found, all of the information they've picked up on the Gods and what makes or breaks or conjures them in these past monthsâfaith. Both the call and the creator, the word around which divinity molds itself. And her faith, her divine call into the darkâher unanswered pleas on her knees in Gelvaan, on her knees at the altar of the Dawnfather Temple in Whitestoneâif they can pick and choose whose faith they deem truthful, then what does it mean to be truly faithful?
The confidence in the callous hands of a blacksmith as he brings the hammer down, striking metal into shape. The gentle hands of a gardener digging into the soil, preparing it for life, removing that which would otherwise ruin and rot. The small hands of a child held in the soft, guiding hands of their mother. Are these not examples of divine faith?
Would the Dawnfather's hands hold her face so gently? Would the Wildmother's lips press so softly to her brow? Would the Changebringer's fingers dig just so into the skin of her shoulders, sweaty and heaving in the aftermath of her storm?
What could the gods offer her that Laudna hasn't? What would they ask in return for what Laudna freely gives? What faith of hers have they earned?
If faith is the ultimate test of love and passion and trustâthan whose altar but Laudna's would she kneel to?
If godhood, then, is as simple as a state of faith and belief then maybe she alone can love her to the point of divinity. Immortality. Imogen could make a God of her. Maybe, she thinks with Laudnaâs bottom lip caught between her teeth, maybe one more kiss will do the trick. Maybe one more. One more.
Eventually a sobâImogenâs, of courseâbreaks them apart. Her head falls into Laudnaâs neck. Laudnaâs arms cross behind her back and press her close. She runs her taloned fingers over the bare skin at Imogenâs shoulder blades, the base of her neck, down every popping vertebrae. She is breathing at the normal human rateâfor her it is heaving. She kisses Imogenâs temple.
âNo one can take away the love for the mother you wanted. Not even the mother you have." She says into her hair, and then pulls away and downâkisses her. Keeps kissing her. When she separates to speak it is by centimeters, âAnd no one can take me away from you. Not Delilah. Not Otohan. Not Predathos or The Matron.â
And then, into her trembling mouth, âIf we are apart, then I am within.â
Imogen lets out a wreckedâchokingâdying sound, âYeahâYes. Laudna, Iââ desperate and clumsy and broken, she brings her shaking hand up to Laudnaâs face and presses her finger to Laudnaâs forehead, âHere. As long as youâre here.â
Laudna nods, brings her own talons up to Imogenâs face in a mirror-gesture, âHere. As long as youâre here.â And what is left for Imogen to do besides to rush up and in and in and in. Again and again and again.
Here, in Jrusar, in their room at Zhudannaâs, in Zephrah, in the Feywild, in Bassuras, on the moon, in the storm. In the evening, in the morning, in the middle of the day, in the depths of the night. Crying, laughing, bloody, triumphant. Again and again and again and again.
Better halves, Imogen thinksâinto Laudnaâs head and then, endlessly, into her own, Better wholes. I love you. I love you.
âI love you.â Laudna gasps aloud, ripping away and then rushing back in, âImogen. Imogen. As long as youâre here. I love you.â
Imogen nods, gasps, and then neither of them say much at all.
âââ
In the end, Imogen doesnât say: I lied. When I promised to move on. I lied to you. Nor does she say: Iâm sorry. Iâm not disgusted by you. I could never be. I love you so deeply that every time I look at you I am remade. She doesnât say: I sundered her once. Iâll sunder her again. If youâll let me, Iâd plant a new sun tree in your mind. One that makes you think of picnics and not nooses. One that makes you think of the view and not the fall.
She does not say: I donât think I can do it. I donât think I can kill her. Will you do it? Can we trade?
She tucks these confessions away in the divots of her mind right alongside her circlet. She hopes the weight of them, the promise of them, will help to keep her runaway feet firmly rooted.
âââ
(After, Laudna falls asleep before her, eyes wide open.
Imogen lays next to her, one hand softly running up and down Laudnaâs exposed navel, the other curled under her own head as she allows herself to trace the profile of her face.
It is late enoughâor, early enough, maybeâthat Cathaâs light cannot breach the shared darkness of their space. Or maybe it does, and is swallowed entirely by the pitch of Laudnaâs eyes.
Laudnaâs eyesâthe empty, dark swirl of themâImogen remembers her gaze full with starsâcaptures her attention. The shadows in the room paint Laudna an even deeper dark, cutting her features into shapes that catch the barely there impression of light that Imogenâs weak, mortal eyes require to capture form.
With no light, with nothing to reflect in her sky-locked, sleep-awake stare; Laudna appears hungry. Like even in sleep, she is hunting. In the dark, she takes the form of a predator.
Watching her, Imogen thinks of Ruidus and of the storm there and of the one in her mind and of the one that takes the shape of her motherâreaching and watching and waiting for her, the entirety of her lifeâlike an animal, like something waiting in the grass for her to make a mistake or lose her footingâwaiting on the opportunity to close in on herâto consume her or to change herâ
She reaches across the space.
Gently, mournfully, she closes Laudnaâs eyes.)
#critical role#imogen temult#laudna#imodna#liliana tumult#writing#I donât think I love this anymore BUT. at least it is Finished and I can Move On. To Other Equally Distressing WIPs#i have a full blown liliana character study locked in the chamber of my brain. she is in there.#and delilah is right next to her. in a away i am just like the gay girls#also sos. this is the first time iâve posted fic anywhere but especially on here in YEARS and why the FUCK#did they take away being able to simply add a line break. or am i dumb. i couldnât get the HTML to work either orz#Also post-posting update. I am now recognizing a collection of formatting errors specifically on this version that I am like. h about.#But Whatever. The Show Must Go On#crit role fic
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okay bc the game has decided I'm not allowed to play I guess: today I am thinking about Oral Hygiene
idk if I've seen evidence of toothbrushes, but everyone SEEMS to have straight, healthy teeth. I am absolutely sure this is something we're not supposed to over-analyze but I'd like to see them Try to stop me.
Zeki has a gold tooth which implies extraction and replacement technology. (probably grimalkin tech??)
Chayne is the town doctor so presumably he's in charge of the town's dental health - the shrine he works at has, like, 4 cots and some jars and does not seem ideal for any sort of surgery but I assume they have some sort of sterilization technology I am not aware of.
possible brushing implements are things like sticks, grasses, reeds. I think bamboo?
pastes/etc I can think of them using..... idk, various soaps. baking soda and salt. alcohols? things like fennel seeds I think
Braces: this one is driving me crazy. With age and poverty, Badruu and Delilah seem like they would have a lot more dental issues at this point, so they're my main evidence that Something is different than how this works irl
Majiri live 150 years how many sets of teeth do they have........................ are they like sharks........
in closing: I think in palia, teeth just naturally are more healthy than irl. I'd love casual chewing-stick/etc mention in game. I'd love some sort of enamel repair mentioned. I'm staring into space thinking about the evolution of human grain chewing teeth and the implications of the same teeth in another species that was possibly Created by the Moon (????) (do they even have evolution in this world..............)
#palia#over-analyzing things again#things I would like to look up but have not: all the actual history about dental hygiene#I think the whole health care situation in palia is going to haunt me forever though
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