#deeply uncomfortable.
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watch-out-it-bites · 1 year ago
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cuterefaction · 5 months ago
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Trektober Day 16 - Section 31. The Quadrant's best book club more or less summarises my feelings on the matter.
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ominouspuff · 1 month ago
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Clone Trooper Dogma, a face of your choosing in the palette color all star.
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Thank you for playing!
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thesummerestsolstice · 9 months ago
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Elvish art genre that definitely exists in Middle-Earth: the captivity of Elrond and Elros (mostly just Elrond, especially after Elros dies)
The paintings– done mostly, but not always, by Sindarin and anti-Feanorian Noldor artists– are usually studies in contrast– Elrond as the bright, innocent child dressed in white; often portrayed as a small, frightened elfling, frozen at the moment he was taken from Sirion. Sometimes he is shown bravely resisting the cruelty of the Feanorians, other times he mourns for Sirion, or bows and prays to the gods for deliverance. Sometimes, he's given wings, both to stress his connection with Luthien and Elwing and to make him look more angelic and pure in comparison to the fallen Feanorians.
Maedhros and Maglor are the dark monsters the oath made them, with teeth, and claws, and harsh armor. Some of the more daring artists just portray Maedhros as an actual orc. While few of the paintings actually show the Feanorians' crimes, they're often portrayed with blood on their hands or swords, or simply surrounded by fire and destruction. They often demand, or threaten in the pictures, towering over Elrond and casting long shadows on him.
There's a few different sub-genres of these paintings. The ones that explicitly compare Elrond's situation to Luthien's kidnapping by Celegorm. The ones that feature a grateful Elrond being saved from the horrible Feanorians by whoever the artist is looking to valorize– Gil-Galad, Galadriel, Oropher, Eonwe, etc. The ones that show Elrond, locked in a dark cell, staring longingly out at Gil-Estel rising in the night sky. Some of the strangest are the ones that draw connections between the Silmarils being kept in Morgoth's crown and the twins– often with Maedhros playing the role of Morgoth.
Elrond hates almost all of these paintings. He feels like they take away his ability to define his past the way he wants to– to tell his own story. Most of them are grossly inaccurate, but most people don't know that, and dredging up all those really painful memories to try and correct people's assumption is hard. Sometimes, even when he does, people won't listen. Some of the paintings also seem... weirdly gleeful about the idea that Elrond suffered because of the Feanorians? Like they're trying to martyr him even though he's alive, and doesn't want to be martyred. It all makes him really, really uncomfortable.
There is one exception. It's not a very traditional example of captivity paintings. Elrond is at the center of the frame, shown not as a small child but as a young adult. Maglor and Maedhros are mostly unseen in the background, each with a bloody hand on one of Elrond's shoulders. Unlike the other paintings, instead of looking off into the distance or staring demurely at the ground, Elrond is looking straight out at the viewer His expression is hard to place. Anger? Acceptance? Defiance? Pity? Accusation? It's a very odd picture that unsettles almost everyone that look at it.
Elrond insists on hanging it in Rivendell.
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whichcouldmeanothing · 4 months ago
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Dimension 20: Misfits And Magic 2x04 "A Change of Plan"
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spacesheeeeeep · 6 months ago
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Actually so tired that people mainly focus on the bdsm when they talk about La Pianiste when we literally have this dynamic right here. Like, that's insane.
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What if you were a little girl in her 40's who couldn't grow up because of your mother-wife who made you sleep in her bed and forced you to repress every sexual desires and thoughts of becoming your own person just to keep you close to her ? What if you fought back and yearned for dangerous things out of her reach ? But also, what if you let her because it's all you've ever known and been taught to want ?
#these two are so entangled with each other and in the roles they play#(mother and daughter. husband and wife. prodigal or ungrateful daughter. adoring or mocking mother)#that they cannot handle it when something else is thrown into the mix#There's no space left because they fill all the roles in each other's lives.#but at the same time they never give the other exactly what she wants#The fights never last. Erika will never live up to her mother's ambitions. And her mother will never give her any form of affection which#might satiate her hunger for love. And so on.#They are deeply imperfect- Love and Despise each other but they could never bear the thought of being separated#When I read the part in the book where Erika talks to Walter for the first time and all she wants is to go back into her mother's womb...#you can't make that shi up#when people talk about toxic yuri that's what they could mean but unfortunately we live in a society#gradually learning to accept the person I'm becoming who would've been burned at the stake by my younger self <3#been having so much thoughts about this film once again. And I know that nothing written here is new but I'm a little sad no one really#talks about this relationship online since it's really the heart of the story for me#Of course everything happening with Walter is important. But none of that would be there without the mother-daughter situation#la pianiste#the piano teacher#haneke#sheep stuffs#isabelle huppert#also I'd kinda get it if it was another film and it made people too uncomfortable to talk about it. but I mean this is literally La Pianist#*
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All of you owe Viv and the others who worked on episode 4 an apology because that was handled SO FUCKING WELL?!?! HELLO?????
This is what I mean when I say you cant make early judgements based off of a 10 second video- there was SO MUCH more to it than what we saw initially. Personally, that scene was handled really well- and I’ve seen some BAD portrayals of situations like that in other shows.
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shadelorde · 7 days ago
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paraphrased from a conversation I had on Bluesky but actually the more I think about it the more utterly insane it is that the major thing Korra is hated for is losing the past avatars. You want to know HOW she lost the past avatars? by trusting an older member of her own family who then proceeded to GRAPHICALLY violate her and destroy an actual part of her in front of her with utter glee - but Unalaq isn't denounced as even a creep and no thought is given to any of the themes behind such a scene, it's just "how could korra let this happen??!?!?!"
life imitates art i guess.
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ranticore · 7 days ago
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did a little redo of a drawing from 2022 i really liked to try to get my brush settings back to normal. still a bit weird but it'll do
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heliotrope155 · 7 months ago
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Imagine if Dean and Cas go to get a marriage license and they get to the part where they're asked to confirm that neither of them is married to someone else and Cas pales because he's suddenly remembering that he's been married thrice and there's no proof of annulment or divorce of any.
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miyuskye · 8 months ago
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I found this scene in particular so odd and out of place in the new episode. Apart from the fact that Stolas has no right to be angry at Blitz for "not saving him" when Striker kidnapped him nor to be upset that he didn't tell him about Striker's attempt at shooting him. In Loo Loo Land he's perfectly capable of defending himself (even when he hired Blitz for protection!), why is he complaining that an imp, the lowest class on the hierarchy isn't protecting one of the highest?
In that scene Stolas accuses Blitz of not understanding "how much he cared about him", but has he forgotten that he was the one who couldn't stand up not to Asmodeous nor to the accusations of him "sleeping with an imp"?
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This reaction shows the actual opposite of what he's telling Blitz he did.
I read that Stolas is supposedly also not aware of ~things~ but why is the narrative conveniently forgetting about his faults as well?
Onto the "apology tour" subject: I fail to understand why Blitz owes Stolas an apology. The only time he was shitty to him was actually in Ozzie's when he asked him on a (fake) date without telling him all the story. But they didn't talk about that not during that episode neither during Apology Tour. Is it because doing this would have forced the narrative to acknowledge that also Stolas was at fault during that episode?
All the other times they interacted (on and off screen, their chats don't really mean anything since it seems that's the way Blitz writes in general), Blitz was being good to him (not that he had any other choice, due to their society ranks and their deal).
To me, this looks like bad writing. But if someone has a different take, I'm happy to hear their interpretation.
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enjamin-the-benitor · 5 months ago
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hell of an actor james tolbert is
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doreensladle · 11 months ago
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I am #1 PA, committed-to-the-bit legend, Kaylin Mahoney’s biggest fan
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fartholder · 3 months ago
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this is so funny to me for some reason. The implication that Solas experienced a sudden interest in women when he took form. Like he got a body and was immediately burdened by Ape Thoughts.
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an-actual-floof · 5 months ago
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forgot I sketched this the other day, I like their silly outfits
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rabbitrah · 5 months ago
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It's soooo crazy how when Thornton proposes and Margaret shoots him down like a dog in the street, she thinks to herself "I never liked him. I always acted totally indifferent to him. I never thought about myself and him." But then after they have no interaction with each other for a while after that, she thinks "I miss our antagonistic friendship :/" and then, after that, when she knows that he knows that she committed the unforgivable and shameful sin of Lying to a Police Officer she deadass thinks to herself "It seems so hard to lose him as a friend just when I had begun to feel his value." Like GIRL! The revisionism!!! The self deception! Is the friendship you had with Mr. Thornton in the room with us now?
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