#deep sea monster raiga

[monsterasia-zero]

Deep Sea Monster Raiga vs Lava Beast Ohga By Matt Frank, Jeff Zornow, and Paul Hanley

[chernobog13]

All three of the main monsters from writer/director Shinpai Hayashiya's Deep Sea Monster trilogy: Reigo: King of the Sea Monsters (2008), Raigo: God of the Monsters (2009), and God Raiga vs. King Ohga: War of the Monsters (2019).

These films are parodies of both Japanese and American kaiju movies and are extremely silly. They also have a SFX budget that is smaller than what you probably paid for lunch. It helps if you turn your brain off completely, or finish a six-pack of beer, before viewing these films.

There were also two other kaiju, Kuga and Dias, that were introduced at the end of the trilogy. I have no idea if Hayashiya-san plans to make more films featuring them.

[indragonsaur]

Name: Raiga (ライガ) Height: 125 meters Weight: 89,000 tons Abilities: Lightning Orbs, Lightning Beam, Aquatic maneuverability Class: Earth Defender

History: Born In Babylon mythology, Raiga or Reigo ll was one of Tiamat children and sister of Reigo lived in a deep ocean durning 12 years, people worship Raiga and Reigo known as Reigo god of the sea and Raiga goddess of the ocean Pazuzu, humbaba, and Anzu destruction, 2 monsters clashed them to stop the war and defeated them. When centuries passed their calamity collapse to his kingdom and disappeared for years until he was spotted in 2009 Sitting on the lake Biwa and resting for years.

[bog-o-bones]

Kaiju Media Forecast 2020

The kaiju fandom has certainly seen a gigantic upswing in content since the last time I did one of these “year going forward” reviews. Let’s take a look at some of the major movies, events, merchandise and more that kaiju fans have to look forward to in the coming year!

Movies

Every year since at least 2013, the kaiju fandom has had one “tentpole” film event of the year, usually the most highly anticipated feature coming out that year that most media and merchandise hype will surround. This year’s choice is the latest (and possibly last?) of the Legendary MonsterVerse which just last year introduced us to the first American incarnations of Mothra, Rodan, and King Ghidorah. Later this year, the King of the Monsters will once again take on the King of Skull Island in a rematch nearly 60 years in the making with Godzilla vs. Kong. The only snippet of footage we’ve seen is featured in the screenshot above and recently leaked toy fair displays have quite a lot in store for the big crossover event of the MonsterVerse. Godzilla vs. Kong drops November 20th.

According to your definition, the first kaiju film of 2020 launched two weeks ago with Underwater. The Kristen Stewart-helmed deep-sea monster movie isn’t really making the splash it was looking for box office-wise and most people who have seen it say that it’s okay at worst. Regardless, if you like big monsters and quasi-Cloverfield type films, you can give it a shot in theaters now or in a few months when it hits home media.

Godzilla’s sole big screen appearance won’t just be limited to the big crossover with Kong as a snow-covered cameo role will land him a spot in the new Shinkalion movie. From a clip posted on Yahoo Japan (refresh the page if it doesn’t work) Godzilla briefly faces Hatsune Miku piloting a giant train-based mecha (I tried pinching myself, believe me) at the very end. This role is likely going to be very short but nonetheless, it’s always satisfying to see Godzilla pop up in the most unexpected places.

Again, stretching the definition of “kaiju” here, but also apparently the Monster Hunter movie still exists and is coming out later this year in September? I don’t know much about the franchise, but I do know it’s probably going to be butchered with a Paul W.S. Anderson directed schlock fest. Who knows, maybe the monster scenes will make up for it?

As is tradition, the Ultraman franchise hits us once again with an annual theatrical movie based off the previous year’s show. Ultraman Taiga The Movie: New Generation Climax will be out in March and judging by the title, will feature a climactic event featuring the New Generation assortment of Ultraman heroes. I still have yet to see Taiga but hopefully this provides a fun conclusion to the show.

Famed director Hideaki Anno returns to the world of his most famous creation with Evangelion 3.0+1.0, the highly anticipated final installment in the Rebuild series to be released this June. I have not seen any of the Rebuild movies myself but this is sure to be a wild and crazy ride for Evangelion fans.

Finally, the oddball of the bunch. Kadokawa rises from it’s dusty grave with a brand new monster film focused on the unproduced predecessor to Gamera: Nezura 1964. Featuring giant rat monsters and a cast comprised of many Daiei/Kadokawa favorites, it’ll be interesting to see if this film can capitalize on the recent kaiju craze and be successful enough to possibly give our old turtle friend the revival he truly deserves. Nezura 1964 is due out in December in Japan.

Television

Not much on the television docket this year. It’s far too early to speculate about Tsuburaya’s next Ultra series, leaving us with little to discuss. Studio Trigger is supposedly making some kind of new series related to it’s Gridman show from last year (another item I have yet to see). Titled SSSS.DYNAZENON, nobody knows when it’s due out so for all I know this could be a rather outdated entry.

What we do know for sure is coming is something not particularly kaiju but still related via the tokusatsu connection is the continuation of Kamen Rider Zero-One, the first Rider series in Japan’s newly named Reiwa period. This isn’t really related to the year 2020 but honestly I’d rather have something in this TV section to talk about than just the Gridman sequel.

Merchandise

Last year was one of the greatest years in the history of the American Ultraman fandom with the officially sanctioned releases of Ultra Q, Ultraman, Ultraseven, Ultraman Orb and Ultraman Geed to Blu-Ray in the West for the very first time. In this new year, Mill Creek will continue to satiate the needs of Western Ultra fans with releases of previously unseen-on-western-disc series Return of Ultraman, Ultraman Ace, Ultraman X, and the Ultraman Orb Origin Saga. A schedule flyer released online also teases many other entries in the franchise making the continuous release of these beloved shows a treat to look forward to. You can pre-order the four releases discussed above on Amazon.

American toy company Playmates acquired the license for the Godzilla vs. Kong toyline last year and in early January, a few figures from their non-film focused toylines showed up at Walmarts across the country. They’re uh...well, let’s be honest: they’re not great. Leaked images of the Godzilla vs. Kong toyline were also shared around social media but I’ll avoid talking about them here for spoiler purposes. Let’s just say the line is looking mighty juicy for kaiju fans and it will be interesting to see if they’re promoted come New York Toy Fair.

Bandai’s Movie Monsters Series line will likely continue to issue newly reissued/remolded monsters in the Godzilla line (as well as produce new figures for Godzilla vs. Kong) but coming out in March is a sight for sore eyes: a brand new sculpt of the 1995 Gamera design for the 25th anniversary of Gamera: Guardian of the Universe. Hopefully a Super Gyaos is not far behind!

The S.H. MonsterArts line had a fairly predictable and underwhelming list of releases last year. Great figures for the most part, but obvious choices without much surprise. This being a movie year, I don’t expect much to change and we’ll likely see Godzilla vs. Kong figures soon enough. What is confirmed and releasing in May is their take on the Burning Godzilla design featured in Godzilla: King of the Monsters last year. Originally a Tamashii WebShop exclusive, it’s being released in America by Bluefin around June.

Media company SRS Cinema continues to throw unexpected independent kaiju films our way with releases of Deep Sea Monster Reigo and Deep Sea Monster Raiga last year on limited Blu-Ray and wide-release DVD. They’ll continue the assortment this year with Attack of the Giant Teacher and Raiga vs. Ohga. The films likely won’t be much to look at, but more independent kaiju films seeing a western release is never a bad thing. Here’s hoping Daikaiju Eiga G or Gehara see a release soon.

In an almost perfect repeat of Daiei and Toho’s box office bout sixty years ago, boutique label Arrow Video has reportedly secured the rights to the Gamera franchise and are planning a box set that could rival Criterion’s late 2019 release of the entire Showa Godzilla series. Arrow Video puts out sublime products and kaiju fans will likely want to keep their eyes peeled for this set, even if they’ve already secured Mill Creek’s rather dull bargain sets from years past.

While not on the docket for tie-ins to Godzilla vs. Kong (yet), NECA will likely be continuing to pump out new figures in their Classic Godzilla line. No brand new sculpts are known at the moment, but fans can look forward to a blue, poster-styled repaint of their KOTM Mothra figure and some reissues of their older molds in new box-styled, poster-featuring packaging. Some, like the 1985 Godzilla, might even feature newly molded details.

In rather shocking news, Media Blasters has seemingly propped one of its kaiju films up from the depths of licensing hell with an announcement of a Blu-Ray release of Gappa the Triphibian Monsters scheduled for a February release. The out-of-nowhere circumstances surrounding this release as well as a proclaimed inclusion of an “uncut” Japanese release (despite the International version containing more footage than the Japanese version) and Media Blasters rather spotty history regarding kaiju Blu-Rays should have folks taking this with a grain of salt until the actual discs are in collectors’ hands.

Events

As per usual, the kaiju fan’s Woodstock G-FEST will be continuing it’s annual celebration of all things giant monster from July 10-12 at the Crowne Plaza Chicago O’Hare in Rosemont, IL. No guest announcements at this time, but fans looking to go should register and book a hotel immediately as attendance will continue to spike and rooms in the convention’s hotel are already sold out.

As is tradition, the San Diego Comic Con will take place this summer a week after G-FEST is over and will likely bring with it new information on Godzilla vs. Kong and many other kaiju-related media. NECA will possibly show off new figures and we may even see some post-2020 information on the MonsterVerse.

Not necessarily guaranteed, but kaiju fans may also want to look out for this year’s New York ToyFair taking place in February. ToyFair has pretty much become the SDCC for toy collectors with many companies showing off their new products for the new year. Kaiju collectors will possibly get a glimpse at the Playmates Godzilla vs. Kong assortment as well as a few other possible surprise reveals from other companies like NECA or Diamond Select.

-------------------------------------------------------------------------------------------

2020 is looking to be a monstrous year for kaiju fans. Hopefully the fandom will enjoy everything to come from our favorite franchises.

Here’s to a happy 2020!

[tyrantisterror]

Watching Deep Sea Monster Raiga for the first time (if we don’t count me seeing the last five minutes of it at G-Fest last year).  Already liking it more than its predecessor because it opens with a shitload of cool sea monsters.  These guys deserve to be in a better movie.

[rustybottlecap]

List of Kaiju Movies Between Godzilla: Final Wars (2004) and Godzilla (2014)

Despite the lack of Godzilla movies, this sure was a weird, experimental decade for the kaiju genre and I think it doesn’t get enough recognition. The movies I could count are:

Ultraman: The Next (2004) - A standalone new origin of the classic japanese hero.

Reigo: The Deep-Sea Monster vs. the Battleship Yamato (2005) - A Godzilla-esque aquatic reptile battles the famous japanese WW2 ship the night before its historic destruction.

Negadon: The Monster from Mars (2005) - A cgi-animated 25-minutes short homage movie where a giant robot fights a weird alien giant monster.

Chousei Kantai Sazer-X the Movie: Fight! Star Warriors (2005) - Based on the "Chouseishin” tokusatsu series by Toho, probably better know because the Gotengo is in it and for re-using the scarpped design of Heisei Mechanikong.

King Kong (2005) - Don’t know if it really counts but hey, it’s King Kong.

Gamera the Brave (2006) - Probably needs no introduction but still. A love letter to the Gamera movies of the 60s and 70s as well as a great coming of age story.

The Host (2006) - Not to be confused with the not-Twilight movie. An amazing south korean film about a family trying to rescue their daughter from a weird mutated fish monster that kidnapped her.

Ultraman Mebius & Ultraman Brothers (2006) - Ultraman’s 40th anniversary celebration movie.

Big Man Japan (2007) - A BIZARRE AF documentary-ish movie about a summo hero guy who can turn giant and that protects Japan from some of the weirdest kaiju ever.

D-War (2007) - From the director of the 1999 Yonggary remake (aka “Reptilian”), this movie about an evil giant serpent dragon and a whole army of monsters is insane, cheesy and never slows down. Supposedly it’s getting a sequel in 2020.

Monster X Strikes Back: Attack the G8 Summit (2008) - A parody/satire sequel to the 1967 movie Guilala. Strangely it uses stock-footage from the original.

Cloverfield (2008) - The movie that had a crazy ARG associated with it, that seeked out to create a real american equivalent of Godzilla, and that re-popularized found footage movies.

Superior Ultraman 8 Brothers (2008) - Notable for having the actors of the 4 original ultras (their human hosts/forms that is) reprising their roles.

Geharha: The Dark and Long Hair Monster (2009) - A short funny homage to kaiju movies in general. Instant classic.

Demeking, The Sea Monster (2009) - Haven’t seen it but the monster is a cool weird choral snail thing.

Deep-Sea Monster Raiga (2009) -A far more comedic sequel to Reigo (2005), this time with a bipedal, giant-clawed blue Godzilla-esque kaiju.

Mega Monster Battle: Ultra Galaxy Legends (2009) - All the ultra heroes and all the ultra kaiju ever duke it out non-stop. Not only a sequel to all Ultraman series, but allso to the kaiju-centered spin-off Ultra Galaxy Mega Monster Battle.

Death Kappa (2010) - A raunchy comedic movie starring the classic turtle/duck youkai who turns giant and fights another monster. The creator of Neon Genesis Evangelion plays the villain.

Monsters (2010) - The movie that put Gareth Edwards on the map before he directed Godzilla 2014. It shows a world dominated by giant octopus-like monsters that is very gloomy but doesn’t lack a sense of wonder at all.

Ultraman Zero: The Revenge of Belial (2010) - Sequel to MMBUGL that further establishes Belial as the evil Ultraman.

Ultraman Saga (2012) -Ultraman Dyna, Ultraman Zero from the previous two movies, and best boy Ultraman Cosmos join forces to fight baby Zetton.

Pacific Rim (2013) - Pacific Rim.

Special mention to the thai movie Garuda from 2004, the 2010 animated movie Firebreather, the Sharktopus movies produced by Roger Corman, the Mega Shark movies by The Assylum, and all 21 Super Sentai theatrical releases that came in this period but that I’m too much of a coward to look up if they qualify for this list.

Did I miss anything?

[klen7]

GFest Film Festival Schedule

Saturday 9:00: GODZILLA VS. THE ROBOT MONSTERS 10:00: THE GREAT BUDDHA ARRIVAL 12:00: NOTZILLA 1:30: DIOXIN DESTROYS TARANTO / FM 132.9 2:00: ATTACK OF THE GIANT TEACHER 3:30: ZONE FIGHTER: SEASON 2 - EPISODE 07, "MISE-EN-M.P.P." 4:30: DAWN OF KAIJU EIGA 5:15: HOWL BEYOND THE FOG 6:00: DAWN OF KAIJU EIGA 7:30: MONSTER ISLAND 9:00: MEGALODON 10:30: RAIGA: THE MONSTER FROM THE DEEP SEA 12:00: THE GIANT SPIDER

Sunday 9:00: MUSHINO 10:30: THE GREAT BUDDHA ARRIVAL 11:45: DAWN OF KAIJU EIGA 12:45: GOJIRA'S RETURN 1:30: HOWL BEYOND THE FOG 2:00: ATTACK OF THE GIANT TEACHER 3:30: NOTZILLA

[thekaijux]

KAIJU GAIDEN Trailer 1 怪獣外伝 予告編 1 (2018)

All right, so let me clarify some. This is a documentary film that covers and highlights projects such as GAMERA 4: THE TRUTH and THE LEGENDARY WOLFMAN VS. GODZILLA, alongside ATRAGON 2, MATANGO 2, DEEP SEA MONSTER RAIGA and more! So as you can probably imagine, I'm really excited to see what this brings to the light! Peace out!

[kaijusaurus]

In the kaiju circles I usually run in, we tend to refer to the period between (and including) 2007 and 2012 as the “wilderness years”, i.e., a time when the output of new, original kaiju media reached a significant low. That’s not to say there wasn’t anything new – independent films like Deep Sea Monster Raiga and Geharha, the Dark and Long-Haired Monster gained attention in 2009, while the omnipresent Ultraman franchise quietly but steadily beat on against the popular current. Perhaps the perceived lack of output is not the reason we refer to these years the “wilderness” – there was almost at least one new production for each of the aforementioned years. Rather, the wildly varying quality of this period’s output is a more likely explanation. An even bigger contributing factor may be the lack of a big name franchise to anchor this period, with Godzilla having gone on self-imposed retirement in 2004, and a new Gamera franchise failing to take off after 2006’s Gamera the Brave.

In the 1960s, the presence of Toho and Daiei’s mega-franchises allowed competing studios to throw their hats into the kaiju ring – Nikkatsu offered up Gappa, the Triphibian Monster (1967), Toei introduced us to The Magic Serpent (1966), and crashing down to Earth came The X From Outer Space (1967), from Shochiku. With Godzilla and Gamera raking in mega-bucks at the box office, these alternative offerings were able to bask in reflected glory. However, between 2007 and 2012 no such big franchises existed, and while Ultraman persisted, his popularity and box office draw was the lowest it had been since the franchise was resurrected with Ultraman Tiga (1996). During Godzilla’s Millennium series (1999 to 2004), Japanese filmgoers became fatigued with the varying quality of each successive production, and eventually grew tired of giant monster action on the big screen. Gamera’s attempted resurrection in 2006 never stood a chance – the climate simply rendered it moot.

The “wilderness years” nonetheless represent something relatively unique in the history of the kaiju genre: a surprisingly high number of kaiju comedies were produced in this time. Much like the spaghetti-western in the ‘70s, perhaps kaiju filmmakers sought to keep the genre alive by introducing over-the-top comedic elements to the traditional genre structures in the search for something fresh and new. The first of the big kaiju comedies was Hitoshi Matsumoto’s Big Man Japan, released in 2007. Something of an absurdist deconstruction of the “giant hero” genre, the film features Matsumoto himself as a deadbeat loser with no friends, strained relationships with his few family members, and a lifestyle just above the poverty line – and who can transform into a giant to combat kaiju attacks. In a highly surrealistic ending – even by this film’s standards – Big Man Japan even manages to make a statement about Japan’s uneasy relationship with its superpowered ally, the United States. Acting as something not unlike a kaiju play on This is Spinal Tap!, Big Man Japan is perhaps not the most accessible kaiju comedy for Western viewers, but is certainly at least something entirely new for the genre during a time when it desperately needed exactly that.  However, for every This is Spinal Tap!, there’s sure to be a Superhero Movie, or Epic Movie, or…

Minoru Kawasaki’s Monster X Strikes Back! Attack the G-8 Summit – a satirically flaccid attempt to parody the leaders of the free world – could not have come at a worse time. Resurrecting the monster Guilala from The X From Outer Space after an absence of 41 years on the screen, the film makes two tardy fundamental errors: coming along after Godzilla and Gamera were both discharged from active duty, and reviving a one-shot monster that hadn’t been seen on the big screen (in any non-stock footage cameo capacity) for four decades – even then, that was during what was practically the complete opposite of the wilderness years: the “Kaiju Boom” of the 1960s. 2008 also saw the release of Great Decisive Battle! Superior Ultraman 8 Brothers, the 20th theatrically released Ultraman movie. Featuring return appearances from characters that spanned 40 years of the franchise, the film is a very fine one, but ultimately falls into the pitfall that so many Ultraman features do: overdependence on the audience’s familiarity with the franchise’s rich history. This problem is especially highlighted by the fact that the film largely takes place in an alternate universe with equally alternate versions of otherwise familiar characters.

2009 was somewhat kinder to the kaiju genre, with a generally more favourable slew of features seeing release. Shinpei Hayashiya, responsible for the legendary fan-film Gamera 4: Truth (2003), released the second film in his Reigo/Raiga series, Deep Sea Monster Raiga. A sequel to 2005’s Reigo: The Deep Sea Monster vs. the Battleship Yamato, the film – to put it lightly – is an uneven one, and suffers from a wildly irregular tone and some flat attempts at humour. Nonetheless, Hayashiya’s adoration of the genre shines through enough to make the film at least an enjoyable one. An even more affectionate tribute to the genre shines through in the 20-minute short Geharha: The Dark and Long-Haired Monster. Featuring direct homages to the likes of Invasion of Astro-Monster (1965) and The Mysterians (1957), Geharha benefits from a brisk running time and breakneck humour, all the while being careful not to mock the genre itself, but just affectionately have fun with it. Director Kiyotaka Taguchi would – very deservedly - go on to anchor the Ultra series’ return to glory, working on the television productions Ultraman Ginga (2013), Ultraman X (2015), Ultraman Orb (2016), and their movie counterparts.

The same cannot be said for Tomoo Haraguchi’s Death Kappa (2010). Produced with noble intentions – to film a new, original kaiju film created entirely through the use of traditional tokusatsu effects techniques – Death Kappa is nothing short of a trainwreck of a movie. Much of the humour is detrimentally absurd, and some jokes commit the cardinal sin of actually making fun of the genre and techniques it claims to be paying homage to. Haraguchi’s intentions were certainly commendable, but the finished product ranks among the very worst of the kaiju genre and – somewhat dishearteningly – is a film that betrays its own modus operandi. Haraguchi’s efforts (or lack thereof) are doubly disappointing considering he previously worked on the outstanding special effects of Gamera: Guardian of the Universe (1995), and Gamera 2: Advent of Legion (1996). Aside from cameos from future Shin Godzilla directors Hideaki Anno and Shinji Higuchi, Death Kappa is ultimately a film best left forgotten about, and most likely will be.

The “wilderness years” saw the release of two further Ultraman films: 2009’s Mega Monster Battle: Ultra Galaxy Legends! The Movie, and its direct sequel Ultraman Zero: The Revenge of Belial in 2010. Both films are among the very best of the theatrical Ultra series, and thrust the franchise’s visuals lightyears forward by heavily combining traditional tokusatsu effects with substantial helpings of green-screen and CGI. While gratuitous green-screen photography can look ugly when used in excess, the vast space opera-esque lsndscapes richly brought to life in these two Ultra-films are a testament to Tsuburaya Productions’ willingness to try new things to ensure their most iconic franchise remains relevant, fresh, and most importantly, fun, without ever betraying or abandoning the core dynamics and conceits of the franchise.

Among these uneven times, however, emerges a diamond in the rough: 2009’s Demeking, the Sea Monster, a theatrical adaptation of a popular 1991 manga by Takashi Imashiro. Despite what could be argued a misleading title, Kotaro Terauchi’s film is a quietly beautiful meditation on the importance and inevitability of accepting the responsibilities that come with growing up. The sea (in actuality, space) monster of the title only appears in a magnificently shot dream sequence – something the film has received frustratingly undeserved scorn for from the wider Western kaiju community – and this is absolutely to the film’s benefit. Demeking becomes a coming-of-age subversion of the genre itself: a kaiju movie without a kaiju, or at least the literal physical appearance of one within the film’s internal world. While certainly not for the average viewer who is simply looking to enjoy a traditional kaiju romp, Demeking is a woefully underrepresented movie that stands out as the crowning jewel of a difficult period in the genre’s history.

It’s worth mentioning that these “wilderness years” also saw Heisei Godzilla special effects director Koichi Kawakita release his short film The God of Clay, while in 2009 the independent feature Daikaiju Eiga “G” saw release. All was not quiet on the Western front with the highly-secretive release of Cloverfield, while on Japanese television, Tsuburaya Productions released Ultraseven X, two seasons of Ultra Galaxy: Mega Monster Battle, and the compilation clip-show Ultraman Retsuden. 2010’s Daimajin Kanon reintroduced Daiei’s stone idol in a serialised television format, with mixed degrees of success.

The wilderness ended in 2013, which saw the seeds of the current kaiju renaissance being planted. Guillermo Del Toro’s mechs-against-monsters epic Pacific Rim paved the way for Legendary’s MonsterVerse, the Ultra franchise returned to television and begun its current successful streak with Ultraman Ginga and Neo Ultra Q, with each subsequent series proving more successful than the last. Minoru Kawasaki also released his second kaiju feature, Earth Defence Widow – but the least said about that, the better. As previously posited, these “wilderness years” can be defined not by their lack of kaiju productions, but perhaps instead by the absence of a steady ongoing franchise to anchor the period, and the inconsistent quality of the content these years did produce. However, regardless of the value of the period as a whole, the ragtag group of productions that formed the “wilderness years” kept the flame of the kaiju genre burning long enough for it to be rekindled with the widespread genre resurgence enjoyed today.

[kaijuflicks-blog]

The trailer third film in the Deep Monster series, DSM Raiga vs Lava Beast Ohga, set for release in 2016.

[atomic-crusader]

Shinpei Hayashiya has released the first trailer for his sequel to DEEP SEA MONSTER RAIGA, titled DEEP SEA MONSTER RAIGA VS LAVA BEAST OHGA.

[arcanite-force]

NO NO NO NO NO. NO GODZILLA.

[astoundingbeyondbelief]

The best part of Deep Sea Monster Raiga (2009).

[tyrantisterror]

And it was high time I upgraded to blu rays of them and the other Kurosawa movies!

It felt weird having them look shabby next to Deep Sea Monster Raiga.

Pretty good haul this year, I’d say.

[infinite-green28]

[kaijusaurus]

Gamera vs. Raiga! From Shinpei Hayashiya’s Facebook.