#well this complicates things..

[maidenvault]

Not “Only my reading of canon is correct” or “Interpretations are subjective and all valid” but a secret third thing, “More than one interpretation can be valid but there’s a reason your English teacher had you cite quotes and examples in your papers, you have to have a strong argument that your interpretation is actually supported by the text or it is just wrong and I’m fine with telling you it’s wrong, actually.”

[bellaciao-ciao-ciao]

[inkskinned]

you know, you know. no gods, no masters, no kings on pedestals. everyone is fallible. death of the author. you know! you are balanced about your intake of media - you allow the wiggle room, the grace, the gratitude, the skepticism. nobody above criticism.

but still. a weird gut-punch feeling, something akin to betrayal. you read the article. surprise! an author you love is actually: a serial fucking predator.

well, shit. what now. no, you knew he was a person (all people are), but now you're wondering - what have i overlooked by accident? what messages have i internalized that are strange and cruel? and also, like, what the fuck?

his actions lay a thick glaze on top of everything. like each place is now ruined, opaque in a new way. but okay, fine, you've done this before. you knew better, right? you've been betrayed by many a cherished childhood author.

still, this stickiness. fuck. can you pick up that book again. will you read it to your children. you've recommended it to others - will you ever do that again? and of course, of course, no parasocial relationships. you were theoretically above this kind of sentiment. but the artist informs the art, right.

so it's not something as clear-cut as feeling he owed you, specifically (a stranger) better behavior - just that you kind of, in a distant and odd way... sort of trusted him to do better. it's not like a real trust or something speakable, just the faint hope that the product (good books) was a thin representation of the soul. now it feels like the product (good? books?) was a mask. in some small or insignificant way, your previous support of this person lent them power. your money and your time and your laughter.

and the thing is - you have this terrible, echoing sensation. how many times will this happen? over and over. you find out that the singer you love is actually a predator. you learn over drinks that your favorite high school english teacher is in jail for what he did to her. you listen to the news idly and suddenly discover that a woman you used to idolize has been abusing her kids for an actual eon.

what can you touch without the static melting off. you can't even really complain about it too much (you were supposed to know better, and besides, you don't want the same re-split "it's not your fault, love what you love" basic advice), but now it's here. somehow, it feels like - you let him into your life.

it's not that things need to be pure or an artist has to be like, endlessly perfect, mindful. demure. it's more just this terrible truth that has been replayed through your veins so often it feels criminally vain. power corrupts, absolute power corrupts absolutely. did you want any one person to be worth that power?

it's just that he wrote books where he seemed to understand that. he seemed to know about hierarchies and unfair systems and bigotry and privilege. you thought they were books about what it means to struggle. you thought they were about having power and still using it for good rather than for control. he spooned you a narrative of being a good guy, a kind soul. you fucking bought what that fucking monster sold.

maybe that's why they were fantasies, after all.

[hollytree33]

Hi so I might’ve made a painting of my Inquisitor while trying to mimic Solas’s style so I can pretend he made it

[egophiliac]

Since book 7 part 5 (the part where we meet Meleanor/Maleanor 👀) is coming to EN this month, i would love to see your take on lilia’s proposal to meleanor! i mean they were like little kids right? it couldn’t have been that serious…i think the only reason she even brought it up again is because she could tell lilia still genuinely loved her…(even if he didn’t realize it himself?) but, oh well! Let’s think about silly childhood shenanigans to numb the pain! ^_^ (orz)

oh shit?! get ready for a doozy guys, it's comiiiiiing ᕕ( ᐛ )ᕗ

I chickened out of posting the whole thing (look, I get VERY carried away when it comes to these wacky kids and their Tragedy), but I do believe that it probably ended with Lilia getting embarrassed and just shoving the first thing he sees into his mouth to try and cover for it.

(we're just lucky it wasn't a frog this time)

[metamatronic]

(ignore that i fully missed the ask button on the first attempt in my eagerness and accidentally unfollowed and refollowed)

Love your WilliamWasFramed!AU! It's such a fun and unique take on all the characters!

I'm curious about a few things 👀 How did "Eggs" and Springtrap bumping into each other at Fazbear's Frights that first time go? What's Phone Dude's thoughts on Springtrap and also the nightguard he chats on the phone with who's toootally not the same person? And if someone were to, say, write a fanfic of your AU, what'd be your ao3 username so the work can be properly gifted over there-

First Impressions Are Tough

Will eventually managed to convince the night-guard to let him into the office, but it took some time to get through to him—something about ‘Eggs’ having a nasty run-in with a “friendly-sounding” animatronic in the past.

(Also, my AO3 is metamatronic as well! If anyone were to write me anything I would cry fr /pos)

[canisalbus]

Happy non chocolate cake day.

.

[technically-human]

can you draw Edwin doodling embarrassing shit like ‘Edwin Rowland’ or a little doodle of Charles’s face with hearts around it then Charles comes up behind him like what are you doing?

He had some very specific embarrassing doodles in mind

ko-fi

[divineandmajesticinone]

4 MINUTES (2024) I 1.03 "I didn't think you were like this. Like what? Like this..."

[shorthaltsjester]

watching the sdcc panel and i am just very :) about how sweet their answers to “what are some of the micro moments from the game that have stuck with you the most over the years?” are. taliesin saying what the fuck is up with that which was the first like The Party Gets To Know Each Other moments of c3. travis saying asking his wife if he could kiss her in campaign. marisha going way back to the cannonball competition in campaign one. ashley choosing the beauyasha date but also just the silly goat noise matt made. liam adding onto that to compliment matt roleplaying grass so well and then saying his favourite moment was writing a story for laura and reading it to her as caleb for jester. and then matt saying that was his answer, and that his favourite moments of the game are when they find ways to give gifts to each other whether tangible or not. and sam saying his favourite moments have less to do with the story and is more so when he can just. see his friends across the table from him. when marisha perches and when laura and ashley are (badly) drawing dicks and liam saying he loves when sam sneezes and ashley tells him to stop it and just. yeah. they Are an extremely popular online powerhouse, but i’m so happy that they’re also friends building a world together out of gifts to and love for one another.

like i Am so enamoured with the characters and the world of exandria but the moments when you can feel the love that those people have for each other reach out from behind the stained glass of their performances (to steal a metaphor from brennan lee mulligan) are so extremely special and i am endlessly grateful that they decided to share their silly little home game with the world.

[front-facing-pokemon]

[cj-kenobi]

On my knees begging for anything trans!Obi-Wan :') love your work btw

your wish is my comand lovely anon, here's obi-wan having a nice peaceful moment training

[mollysunder]

I think it was a mistake for s2 of Arcane to gloss over the implications of Amara and the Black Rose's deception in Mel's story because it fundamentally unmoors her perspective. Mel believed that violence like war could be avoided through diplomacy, and she applies that philosophy by maintaining the complex political environment in Piltover where every house is in some way content.

In the face of the nobility's discontent with Jayce's anti-corruption measures, Mel sought to appease them to stave off retaliation. Through her lesson to Jayce, Mell didn't just help potentially enrich her colleagues but also the woman and by extension the organization that KILLED HER BROTHER AND STOLE HER FAMILY'S ASSETS.

Can you imagine the horror and disgust she would feel at having trusted Piltover to be different? Mel thought she understood the game but she wildly underestimated the machinations of the nobility in Piltover. Mel accepted Piltover's corruption as a means to avoid violent conflict, only to indirectly enable the recent violence harped upon her own family. And the worst irony is that even though politics and corruption have largely been viewed as a cynicism game, for Mel this was an avenue she genuinely believed conflict could be avoided but in fact it was just more insidious.

The opera scene was a lesson for Jayce in politics, but the effects should be the real education for Mel as she heads to Noxus. From what I can tell Noxus is in its pre-Trifarix but post-First Invasion of Ionia, which means Swain has his demon powers but he hasn't overthrown the emperor yet. She will probably ally with him as they're both opporpsed to the Black Rose's existence, however once he's in power he will alienate a large portion of the nobility as they root out the Black Rose's influence.

The challenge for Mel (possibly as Guile) is to deal with these disgruntled nobles because as Piltover proved, you can appease them through corruption all you want, but once their ideology is truly set against you, diplomacy becomes a far more complicated balancing act.

[balfeys]

requested by: @skatingthinandice: 7.02 + 7.08 "don't deserve a second chance" parallel

[serpentface]

Faiza performing the Kagnoma Odo (pretty literally 'lion dance'), a weapons dance and one of the more important ritual duties of Odonii priestesses. A relatively new addition to this traditional dance involves the musket as the primary weapon, which is fired mid-twirl into the ground at the climax of the dance. Faiza is experiencing an 'oh fuck' moment because her shot is more than ideally diagonal, but she’s being so cool with it.

This is a wholly ceremonial performance at the onset of the pilgrimage, performed in full regalia and lion skin (of the small, semi-domesticated strain) but no armor. It’s also distinctly a display of political allegiance between the powerful and beloved Odonii priesthood (and its loyal military) with the increasingly reviled and destabilized imperial family, with Faiza prominently wearing a bracelet of the royal serpent, which was gifted (along with the musket) by the usoma Stavis Amanti himself (Usoma is the Wardi word for king, which has been retained in the context of emperors).

The Kagnoma Odo is the ultimate demonstration of the Odonii as an embodiment of the Lion Face of God and living vessel of military might and sovereignty, demonstrating her fitness and proficiency with weapons and as a spiritual unifier for soldiers. It is accompanied by drumming and occurs in stages, running through the three keymost weapons used in war- the spear, the sword, and the musket. The musket is of the most significance, given the weapon has developed a particular esteem as the ultimate embodiment of might and superiority. Assistants (almost always other priestesses, occasionally high ranking soldiers) load and prime the musket to be fired at the climax of the dance, where it is shot into the ground as the priestess leaps out of range of the shot. The firing signals the end of the dance and the rite itself.

While not the utmost exemplar of trigger discipline, only fully inducted and senior (and therefore very thoroughly trained) Odonii are permitted to perform the dance, and injuries during actual performances are quite rare (though are known to occur during training, more than a few Odonii have burns and wounds on their feet).

The most important renditions of this dance are performed upon declarations of war and before battles (in this case, generally done in full armor along with the lion pelt). It is also done during some trainings (while a dance, it is carefully choreographed to include naturalistic maneuvers of the weapons involved and helps soldiers limber up and learn to move their weapons). It is regarded as an impressive and motivating sight and a morale booster, and, seen at a distance, potentially intimidating to enemies.

A special variant of this dance is performed as means of fully incarnating the Odomache, which is done in full nudity with the body covered in the blood of the freshly sacrificed lion and cloaked in its raw pelt (the lion has become the corpse of Odomache in the moment of death, as part of its recreation of God's sacrifice). Her public, full nude appearance once (and only once) in this act is what allows the Lion Face of God to incarnate within her. Those in attendance see the spiritually vulnerable, naked human body obscured with the sanctified and deified blood and cloaked in the sanctified and deified skin. It is a merger of the contradictions of mortality and divinity, the boundaries between the two indistinct in flickering firelight and the flash of musketfire. She is witnessed by her people, dangling in between humanity and divinity and leading them in dance, and and is thus transformed.

[cloverrallover]

still thinking abt anya and how other ppl r characterizing her tbh… like I know it’s a regular ass fandom thing to take meek women and turn that dial up to ten but like… I genuinely do not believe that Anya is anything like how we see her thru jimmy’s ryes 😭 I don’t think her interactions with curly are even her being herself to the fullest extent, like, knowing he’s jimmy’s best buddy and whatever. in her last moments she’s self assured and confident, and of course u can argue that it’s because. yknow. but I believe that she was probably that way before the tulpar as well. likeeee she applied for med school 8 times. that reads imo as somebody who is sure they DESERVE to be there, who is stubborn and strong willed, unlike the way a lot of people portray her. she acts that way around jambalaya and curly because she knows the character she’s been typecasted as by them. I don’t think she’s like, this secret mastermind supervillain or anything, but I think she’s a very smart, capable woman who knows who she is and why she does the things she does