#death note writing

[malcolmschmitz]

The Insider and Outsider Detectives

So there's a lot of discourse about detectives floating around, ever since 2020 shifted a lot of people's Views on the police. Everyone likes a good mystery story, but no one seems to know what to make of a detective protagonist- especially if they're a cop. And everyone who cares about this kind of thing likes to argue over whether detective stories hold up the existing order or subvert it. Are they inherently copaganda? Are they subversive commentary on the uselessness of the police?

I think they can be both. And I think there's a framework we can use to look at individual detectives, and their stories, that illuminates the space between "a show like LAPD straight-up exists to make the cops look good" and "Boy Detective is a gender to me, actually".

So. You can sort most detectives in fiction into two boxes, based on their role in society: the Insider Detective and the Outsider Detective.

The Insider Detective is a part of the society they're investigating in, and has access to at least some of the levers of power in that society. They can throw money at their problems, or call in reinforcements, and if they contact the authorities, those authorities will take them seriously. Even the people they're investigating usually treat them with respect. They're a nice normal person in a nice normal world, thank you very much; they're not particularly eccentric. You could describe them as "sensible". And crime is a threat to that normal world. It's an intrusion that they have to fight off. An Insider Detective solving a crime is restoring the way things ought to be.

Some clear-cut examples of Insider Detectives are the Hardy Boys (and their father Fenton), Soichiro "Light's Dad" Yagami, or Father Brown. Many police procedural detectives are Insider Detectives, though not all.

The Outsider Detective, in contrast, is not a part of the society they're investigating in. They're often a marginalized person- they're neurodivergent, or elderly, or foreign, or a woman in a historical setting, or a child. They don't have access to any of the levers of power in their world- the authorities may not believe them (and might harass them), the people they're investigating think they're a joke (and can often wave them off), and they're unlikely to have access to things like "a forensics lab". The Outsider Detective is not respectable, and not welcome here- and yet they persist and solve the crime anyway. A lot of the time, when an Outsider Detective solves a crime, it's less "restoring the world to its rightful state" and more "exposing the rot in the normal world, and forcing it to change."

Some clear-cut examples of Outsider Detectives are Dirk Gently, Philip Marlowe, Sammy Keyes, or Mello from Death Note.

Now, here's the catch: these aren't immutable categories, and they are almost never clear-cut. The same detective can be an Insider Detective in one setting and an Outsider Detective in another. A good writer will know this, and will balance the two to say something about power and society.

Tumblr's second-favourite detective Benoit Blanc is a great example of this. Theoretically, Mr. Blanc should be an Insider Detective- he's a world-famous detective, he collaborates with the police, he's odd but respectable. But because of the circumstances he's in- investigating the ultra-rich, who live in their own horrid little bubbles- he comes off as the Outsider Detective, exposing the rot and helping everyone get what they deserve. And that's deliberate. There is no world where a nice, slightly eccentric, mildly fruity, fairly privileged guy like Benoit Blanc should be an outsider. But the turbo-rich live in such an insular world, full of so much contempt for anyone who isn't Them, that even Benoit Blanc gets left out in the cold. It's a scathing political statement, if you think about it.

But even a writer who isn't trying to Say Something About The World will still often veer between making their detective an Insider Detective and an Outsider Detective, because you can tell different kinds of stories within those frameworks. Jessica Fletcher from Murder She Wrote is a really good example of this-- she's a respectable older lady, whose runaway success as a mystery novelist gives her access to some social cachet. Key word: some.

Within her hometown of Cabot Cove, Fletcher is an Insider Detective. She's good friends with the local sheriff, she's incredibly familiar with the town's social dynamics, she can call in a favour from basically anyone... but she's still a little old lady. The second she leaves town, she might run into someone who likes her books... but she's just as likely to run into a police officer who thinks she's crazy or a perp who thinks she's an easy target. She has the incredibly tenuous social power that belongs to a little old lady that everyone likes- and when that's gone, she's incredibly vulnerable.

This is also why a lot of Sherlock Holmes adaptations tend to be so... divisive. Holmes is all things to all people, and depending on which stories you choose to focus on, you can get a very different detective. If you focus on the stories where Holmes collaborates with the police, on the stories with that very special kind of Victorian racism, or the stories where Holmes is fighting Moriarty, you've got an Insider Detective. If you focus on the stories where Holmes is consulting for a Nice Young Lady, on the stories where Holmes' neurodivergence is most prominent, or on his addictions, you've got an Outsider Detective.

Finally, a lot of buddy detective stories have an Insider Detective and an Outsider Detective sharing the spotlight. Think Scully and Mulder, or Judy Hopps and Nick Wilde. This lets the writer play with both pieces of the thematic puzzle at the same time, without sacrificing the consistency of their detective's character.

Back to my original point: if you like detective fiction, you probably like one kind of story better than the other. I know I personally really prefer Outsider Detective Stories to Insider Detective Stories- and while I can enjoy a good Insider Detective (I'd argue that Brother Cadfael, my beloved, is one most of the time), I seek out detectives who don't quite fit into the world they live in more often than not.

And if that's the vibe you're looking for... you're not going to run into a lot of police stories. It's absolutely possible to make a story where a cop (or, even better, an FBI agent) is an Outsider Detective-- Nick Angel from Hot Fuzz was originally going to be one of my 'clear-cut examples' until I remembered that he is, in fact, legally a cop! But a cop who's an Outsider Detective is going to be spending a lot of time butting heads with local law enforcement, to the point where he doesn't particularly feel like one. He's probably going to get fired at some point, and even if his badge gets reinstated, he's going to struggle with his place in the world. And a lot of Outsider Detective stories where the detective is a cop or an FBI agent are intensely political, and not in a conservative way- they have Things To Say about small towns, clannishness, and the injustice that can happen when a Pillar Of The Community does something wrong and everyone looks the other way. (Think Twin Peaks or The Wicker Man.)

Does this mean Insider Detective Stories are Bad Copaganda and Outsider Detective Stories are Good Revolutionary Stories? No. If you take one thing away from this post, please make it that these categories are morally neutral. There are Outsider Detective stories about cops who are Outsiders because they really, really want an excuse to shoot people. There are Insider Detective stories about little old people who are trying to keep misapplied justice from hurting the kids in their community. Neither of these types of stories are good or bad on their own. They're different kinds of storytelling framework and they serve different purposes.

But, if you find yourself really gravitating to certain kinds of mysteries and really put off by other kinds, and you're trying to express why, this might be a framework that's useful for you. If your gender is Boy Detective, but you absolutely loathe cop stories? This might be why.

(PS: @anim-ttrpgs was posting about their game Eureka again, and that got me to make this post- thank them if you're happy to finally see it. Eureka is designed as an Outsider Detective simulator, and so the rules actively forbid you from playing as a cop- they're trying to make it so that you have limited resources and have to rely on your own competence. It's a fantastic looking game and I can't recommend it enough.)

(PPS: I'm probably going to come back to this once I finish Psycho-Pass with my partner, because they said I'd probably have Thoughts.)

(PPPS: Encyclopedia Brown is an Insider Detective, and that's why no one likes him. This is my most controversial detective take.)

[ryiju-muunie]

Breeding kink boyfriend who puts you in a mating press?… big tummy bulge?

You weren’t going to last more than a few minutes with the hold your boyfriend had you in. It was tout as he pressed your legs back onto your chest, letting his cock head kiss your g-spot. It was chaste kisses as he ground his hips, trying to further his own arousal.

He needed you so bad he was practically on fire. He needed to breed you or he was going to die. Every minute he spent breathing could have been another minute pumping you full of hot spend.

When your boyfriend did cum, you couldn’t bear it. Your hips bucked and spasmed, trying to adjust to the new sensation that followed suit. Your pussy stretched to fit his cum as he fucked it back into you, shuddering with every pleasurable squeeze your walls gave him.

[kittysauce]

au where L and Light fall in love during the yotsuba arc ............... i think its a crazy interesting concept

[ponury-grajek]

part of a birthday gift for @llawlieta, and also a little sketch to her fanfic Give me one good honest kiss ❤️ 

[exlibrismortis]

never not thinking about light's normal guy Diary. what exactly is he putting in here. it's unobtrusive but also classy. it has DIARY written on the front in big letters just so we can be sure that there is in fact nothing unusual going on here. it feeds into the manifold means he has for turning literally every facet of his existence into another piece of counter-evidence in the trial he seems to see as inevitable - another way of outwitting some imaginary pursuer (no one has even COME for him yet) and always, always having the upper hand with feigned expressions of vulnerability. it's kind of sad. light yagami sitting down at the end of every day to write around what he is, he'd be dilligent with it too. if he stopped at any point, the trap would seem too elaborate, far too much for a few pages of nothing.

anyways, I like to think he sits down and goes 'Dear Diary, today I was normal. I went to school normally, and didn't talk to anyone and didn't do anything unusual or even peculiar. I went home and studied while pointedly not looking at the news (who even watches that anyway) and thought kind and sweet thoughts about the state of the world. I love it here. Xoxo Light Yagami.'

[fantastic-nonsense]

got a message out of the blue about that 'why Batman doesn't kill' explanation I left on someone else's post like two years ago but it was just "wait is Alfred dead????" and I sort of forgot that most of tumblr Batfam fandom doesn't actually read comics and so largely has no idea that Bane killed Alfred back in 2019 and he's stayed dead since

[numbuh424]

killer within game workshop

[kitkat13001]

⋆°• ☁︎ 𐙚 𝚍𝚊𝚢𝚍𝚛𝚎𝚊𝚖

>> l lawliet x reader

>> fluff, established relationship

you’re lying in bed, staring at the ceiling and being lulled to sleep by the rhythmic clacking of L’s keyboard. 

“you know what i wish?” you muse, watching the light coming off his computer brighten and darken as he flicks between screens. 

“wishing is of little consequence,” he replies, almost automatically. “it won’t change the reality we live in.”

you ignore him. “ryuzaki, you want to know what i wish?”

he sighs, knowing you’ll persist anyway. “what do you wish, my love?”

“i wish that we were in a romance manga,” you tell him, clutching a pillow to your chest and letting your head hang off the side of the bed. “and you’d be just a detective and i’d be just me.”

he’s silent for a moment, taking in your words before he responds. “but i am a detective and you are you. where would this divulge from reality?”

“no one would die, because it’s a romance manga and it’s not that kind of story,” you say with a sigh. “the biggest mystery you’d be solving was how to ask me out and the only crime committed was how you’d stolen my heart—” he almost laughs at that part, “—and we could have a beach episode and montages of cute dates and a christmas special and—” you prattle on, excited merely over the prospect as you list off other fantasies. 

ryuzaki listens as he works, used to this dreamy behavior from you (especially when you’re half asleep like this). your ramblings amuse him. 

“i could take you to the beach,” he muses, eyes wandering in thought. 

“hm?” 

“watari owns several private islands,” he says, wheeling around in his chair to face you. “they’re used for different purposes, mostly as safe houses for emergencies. but i’m sure he wouldn’t mind us staying there on a long weekend.”

“are you being serious, ryuzaki?” you ask after a moment, clutching the edge of the mattress to keep yourself upright. your eyes are big and curious and hold a little ember of hope and giddiness. 

“when am i not serious?” he mumbles in reply, clacking away on his keyboard but unable to hide a small smile. 

you clap in delight, letting out a happy squeal. “oh my god! a private island retreat!”

“it’s nothing fancy,” he insists, turning back to his work, “so don’t go thinking this is some grand occasion.”

“ryuzaki, what about a private island isn’t fancy?!” you reply, clambering off the bed in a hurry. you whirl about the room, darting between the closet and nightstand and dresser. “i have to pack all my swimsuits and summer clothes and oh, my sandals! and my hats and sunglasses!”

“i didn’t say we were going now,” he chides, casting you an incredulous glance as he watches you flit about the room. your manic energy is endearing, if somewhat exasperating. 

you straighten from where you’d been bent over the drawers, grinning and sweeping your hair from your eyes. “ah, you said a long weekend. there’s a holiday next week! if we leave in the next couple days, we can beat most of the travel congestion for the break.”

a small smile manages to overtake him at your spindle of logic. “so you’ve got it all worked out then?”

if you didn’t know any better, you’d think he was teasing you

“yes,” you reply indignantly, “now get watari on the phone and tell him i said ‘pretty please with a cherry on top’.”

he huffs with a soft laugh, shaking his head. you aren’t demanding of much, but once you have your sights set on something there’s no stopping you. “very well, my love. i’ll call watari, but that ‘cherry on top’ you mentioned will be for me, accompanied by a significant amount of cake.”

“deal,” you grin, shooing at him to make the call. 

[corviiids]

i found a bad post i made months ago in the privacy of my own home and now i need to air it out in public because it's getting mildewy and moths are eating it

[mogamuncher]

Heeey I'm back! It's finally time for the full Cakeverse analysis gang!

Ok, so, for a refresher:

There's the Forks, the Cakes and the Plates (normal people), and it goes like this:

Plates are just normal people, the majority of the world population, nothing new here.

Forks: Can't taste and sometimes can't smell either, sometimes they used be able to taste but lost it with age; either way, they can only ever taste cakes.

Cakes: Basically normal people except that they're delicious, everything from them (flesh, tears, saliva, etc) tastes like cake (or other foods if you want). You can't tell who's a cake or not unless you're a Fork that's tasting them in some way.

Now, I have to add some stuff that's really interesting and that the og author said, that we'll be getting into today.

• Forks go absolutely bat shit insane when they taste the Cakes most of the time, that can lead to a lot of things, cannibalism, sex, or (if you're cultured) both.

• Both Cakes and Forks suffer from their own societal plights. Cakes die a lot, and Forks when discovered are instantly pinned as murderers, criminals and perverts, even if they haven't done anything wrong yet.

• Cakes can derail a Fork's entire life, and Forks are like sin and temptation to Cakes.

Now, I want to talk about these because they absolutely fucking vexed me and now I want to make this all of y'all's problem.

「The First Taste」

It's essentially a common rule as said by the author that the Forks go insane after feeling the taste of a Cake, now, let's talk about: Why?

See, Cakeverse is technically an Au based from the likes of Omegaverse, which you can see by the structure being similar to Alpha/Beta/Omega with the three types of people out there. But, in ABO the Alphas going insane is due to a specific event, heats, which are there specifically for reproduction and are said to bring out animal instincts out of people's control, while Forks are based on simply taste, food, and not something as biological.

Of course it's up to the individual writer to an extent, but my interpretation of why Forks lose it when they taste Cakes is more psychological when compared to Alphas in the Omegaverse.

Imagine that you are completely unable to see color, never once have you seen one, you grew up hearing all about how wonderful colors are, you saw others compliment the colors of several works of art, you heard all about the colors of the world around you, but all that you see is beige and grey. Now, imagine that one day you bump into someone, and suddenly you're able to see all the colors, for the first time ever in your life, you can finally experience blue skies and green grass, you can see the same way the rest of the world sees, something that was fundamentally missing from you is finally gifted to you by this stranger on a silver tray.

You're finally complete.

That's the reality of what Forks go through, years of eating tasteless food, seeing people enjoy food wholeheartedly and rant about the tastes, hearing about the differences between expensive food and cheap food, and then suddenly finally tasting cake. Of course they go insane and fixate on it, it's like the final puzzle piece finally sliding into place, something that they've been missing this whole time being manifested with only a taste.

Before, eating was a chore, something simply to survive there was no joy in it, no fun to be found in desserts or snacks, but with only a single kiss the Fork finally feels what it is like to crave food, to want food for the taste.

Cakeverse in nature is oddly psychological, playing with the concept of taking away something extremely core to the human experience, taste. It's inherent and everyone has it, you'd probably feel like a freak of nature if you didn't have something while everyone else has, right?

That's what Cakes bring Forks; normalcy, joy and purpose, it's basically like a shot of endorphins all at once straight into your bloodstream, there's a good chance it'd hit like a truck and fuck you up majorly.

Forks acting rashly probably looks different than when Alphas do the same, because the motive is inherently different, but the desperation is arguably more raw.

A lot can be written on what that reaction would be:

Immediately trying to taste the Cake (kissing, licking, biting), trying to play cool only to strike later (potential kidnapping, manipulation, planning and scheming in general), the Fork can try to resist temptation or maybe the Cake can notice the extreme reaction and run away, maybe the Cake can instigate and bait the Fork to take a bite.

It could lead to fluff, to relationships starting, relationships ending, it could smut, it could be gory cannibalism, hell, it could be both.

Either way, the sheer amount of character study that could be made out of this tidbit alone is insane, and the story concepts don't stop there!

「We Do, In Fact, Live In a Society」

Cakes don't know who they are until it's too late, but I can imagine that in society they'd be treated with a lot of extra care if they are known beforehand, as they are constantly in risk of dying.

Imagine that they'd also be majorly babyfied, the "nooo poor babies that can't do anything wrong, poor helpless and weak Cakes, they clearly can't take care of themselves, they're so vulnerable, don't worry I'll speak for you to protect your honor" would be insane. Any Cake that consensually and willingly gets with a Fork will be doubted if they truly wanted to do it, think nosy people pulling them aside to ask if they're ok and pressing to see if they're abused, think people immediately thinking that Cakes can't consent to anything with a Fork on principle despite them being grown adults.

Online discourse would definitely have people saying "Cakes are minor coded" or some shit, mark my words.

While Forks would be instantly persecuted for everything. Because of something they didn't choose, that was inherited at birth, they now are fully seem as murderers, kidnappers, rapists and just the lowest of the low. People will gossip, people will get defensive, people will cower any time you slightly raise your voice, you're seen as a predator, treated no different than a wild bear. To society at large, you're an unruly dog, and all eyes will be on you forever, watching, waiting for the day that you take a bite.

In a sense, it's almost like any Forks that do commit crimes instantly have a justification to do so, it's expected, really, you're a Fork, of course you'd snap one day. It's both maligned and normalized, everyone expects it and it almost gives Forks a reason to do so. Forever a self fulfilling prophecy.

Now I'm sorry that I'll keep bringing the Omegaverse up, it's just that it's really handy for comparison, but I find it fascinating that in a way, the societal effects of this are a mish mesh of the societal views seen in ABO, but like, in a way that doesn't make me want to vomit.

Can I be so fr with you guys right now? I don't like the societal parts of the Omegaverse, ever since I was a kid in the early hay days of the internet, that always made me uncomfortable, and it's also a bit lazy in a way. The problems in society with the Omegaverse are basically just Sexism, it's misogyny with mpreg, and a lot of fics end up feeling like a Handmaiden's Tale with mpreg. Replace Alphas with men and Omegas with Women and you get the Omegaverse, though it gets a bit interesting since there technically is a built-in "fuck or die" and aphrodisiac system with heats/ruts, but very few writers do something interesting with it.

My problem is that it's always either uncomfortable or outright boring, very little fics do it well and most of the time authors simply choose to side step it altogether, which I completely understand and actually prefer at this point.

I bring all this up because Cakeverse actually brings a lot of interesting concepts up in it's consequences on the world at large, the nature of Forks and Cakes mirrors a lot of real life concepts, but leaves enough fantastical elements that there's still intrigue in what could be explored and seem from authors writing certain details of it.

Would there be Cake support groups? Would there be Fork rights activists? Would there be people who are both Forks and Cakes, like a hybrid type? What are different relationship types seen as in the eyes of society as a whole?

It's all so complicated and the problems are different between the both of them, also, they're evenly split, which is a breath of fresh air.

Now, it's time to get even deeper into this, what are exactly Forks and Cakes relationship with each other like?

「Would You Still Love Me If I Was Cake?」

According to the author, Cakes can derail a Fork's life and Forks are temptation to Cakes. Now, why is that?

Imagine you're a Fork, living your life trying to do what you can with what's been handed to you, probably being discriminated against if you haven't been able to hide it well, when suddenly you taste someone (kiss or by accident, like a shared water bottle), and next thing you know you lose your mind. Your entire world falls apart, thoughts of dreams, future, your own sense of morality, it all melts away like sugar in water because you just experienced heaven and now it's all you can think about.

Someone completely normal beforehand, suddenly driven to obsession with just one moment, an entire life detailed into the unknown because they just had a taste of cake, thoughts being all about one person and their taste, the inability to stop even you're desperate to do so. It's madness, and almost like a tragedy, doomed by their own personal narrative of Fork meets Cake, the Forks turns into a starving beast whether they want to or not.

But Cakes? Imagine you have someone you love, and they want you so badly it drives them mad, imagine kissing the same lips that want to be stained with your taste, imagine putting yourself in the way of jaws that any of these days can close down on you and swallow you whole. You're constantly in contact with someone that could just straight up eat you, consume you whole and leave nothing behind, but your heart aches for them, you present yourself in a silver platter again and again.

Maybe you want to be eaten, to be consumed. Maybe you like being wanted, maybe you enjoy providing something to to others, you made them so happy that it doesn't even matter to you that they are taking chunks out of you, you'll gladly let yourself be torn apart if it means someone else is satisfied.

It's all about the usage of "Cannibalism as a Metaphor for Love™", it's all about loving someone but constantly wanting to eat them into non-existence, it's about to struggle between your brain heart and stomach.

It's about having your cake and eating it too.

The themes, the metaphors, the opportunities are endless and frankly I'm driving myself insane just imagining all of it, the angst also would be utterly fucking insane, imagine you live someone and you eat them, wouldn't you be upset? You loved them and you killed them yourself, with your own hands, their taste is on your lips and you licked your plate clean.

I'm screaming and crying and throwing up as we speak, the number of things you can do here are endless, soooo. . . Let's talk about some of my ideas!

「All My Fanfiction Titles Are Just Songs」

Last post I basically tagged a bunch of fandoms that I wish would use this trope (I'll also be doing that with this post), so now I'm going to showing some of the ideas I had for this AU that I might or might not write in the future, all of which you guys are totally free to use as prompts as well (just tag me on them lmao)

So, going ship by ship:

「Loveit」: Dead Plate fanfic, Vincent x Rody, Fork!Vincent and Cake!Rody. I imagine that the moment Vincent finds out is during the Best Served Hot ending, after biting Rody's ear, his reaction would show instantly on his face and Rody would notice right away. After that it can lead to a lot of things, fighting, smut and cannibalism galore, their relationship would only get more complicated after such a discovery. Hell, you can even have Vincent find out earlier, if you truly want more juicy drama, maybe Vincent will attempt to make Rody into the meal instead of Mason this time? For funsies you could even reverse it, Rody as a Fork would be fascinating to see, him bonding with Vincent that he also can't taste anything, only for him to find out later that he can taste Vincent himself, holy shit the intrigue.

「Eat You」: Death Note, Lawlight, Fork!Light and Cake!L. Imagine Light both having to hide the fact that he's Kira, but also having to hide the fact that he's a Fork, imagine the never leaving stain that being a Fork would be on his own self-perception of perfection, imagine the so called god that punishes criminals also being considered a criminal by default in society's eyes if he's ever found out. Kira selling out his own kind because most criminals would likely be Forks (whether they were rightfully convicted or not), and then comes in L, a detective, a nuisance, Light's equal and a Cake. Maybe Light would find that out later on, maybe while they're playing as friends in college or while chained together, and now L had effortlessly thrown another wrench in his life yet again by default, like they're meant to be opposed by fate itself, where Kira is a Fork L is a Cake. L would likely goad Light on, trying to bait Kira out, by any means necessary, even if it means being eaten.

「Eat You Piece by Piece」: Hear me out, Batjokes. Fork!Bruce having to hold himself back from breaking his own morals due to finding out Joker is a Cake, Fork!Joker only getting deeper into his Batman obsession after tasting a Cake!Batman, Both Forks bonded by not having taste, maybe both are Forks that differ on how they react to Cakes (Joker regularly eating them while Bruce retains his morals and chooses to not hurt them), maybe both Cakes that got here because they were almost eaten (different Batman and Joker origin stories?). The opportunities are all intriguing and promptly end in bloodshed, expect angst and discussions of what is moral, also just so much angst holy shit this shit hurts.

「I Eat Boys Up」: Dungeon Meshi, Labru, Fork!Laios and Cake!Labru. I'm thinking post canon by accident, maybe something like sharing utensils, and I'm going to be so fr with you right now, this story coming from me would be a lot of romanticism through food metaphors and unending smut, feral Laios is my equivalent of heroin and I could imagine him describing Kabru's taste in detail to him while eating him out. But if smut isn't your jam, exploring how Laios and his monster obsession, especially in the form of food, as someone who can't taste would be intriguing, in a story so closely tied to food, you have to wonder how it would all change if the main character couldn't even taste. Also, I doubt Kabru would take the knowledge of him being essentially prey well, so there's that bag of worms to go into if you want.

「Blame Gluttony」: This one is purely self indulgent but like, Re:Zero with any ship, Cake! Subaru and Fork!anyone else. Imagine Subaru's world doesn't have this Cakeverse nonsense at all, but the world he's transported to has, imagine how scary it would be that one loop he suddenly finds out that he's essentially universal prey here (maybe in the second loop with Elsa), imagine the weight of all the things that already are trying to kill him along with the fact that he's also got a new thing to worry about? Maybe instead of just the rabbit loop, there's now multiple loops where Subaru is eaten alive, maybe there's loops where his dear friends themselves are eating him. Can you imagine if Emilia was a Fork? If he found out after the kiss of death and she commented on the taste of his lips as he was dying, if it came up again after their kiss, Subaru having to tackle with his love and heart belonging to someone that would one day eat him whole. Imagine the witch not longer just wants to touch his heart or kiss him, but she also bites him when he tries to tell the secret. Imagine maybe Rem is also a Fork, imagine that his death by her hands also involved her tearing into him chunk by chunk. What if Otto was a Fork, what if Reinhard was one? Seriously all the opportunities are equally traumatizing and I'm living for it!

Honorable mentions include: Persona Shuake and Shuada (Fork!Protags and Cake!Detectives) for the optimal mutual murder extravaganza, Okegom DSP Satanivlis (Fork!Ivlis and Cake!Satanick) for a rare case of role swapping, South Park Kyman (any way works tbh) for mutually assured destruction, Slay the Princess (Fork!Princess and Cake!Birb) because themes, Soukouku (Fork!Dazai and Cake!Chuuya) for making canon even worse than it already is, frankly any investigrave game would be peak here, Hannigram for obvious reasons.

But that's all I have for now, so, what have we learned here?

We learned that: I'm mentally ill and you need to write about the Cakeverse NOW.

[after-witch]

Horrorfest: Apples [Yandere Shinigami Light Yagami x Reader]

Title: Apples [Yandere Shinigami Light Yagami x Reader]

Synopsis: The inhuman thing that calls itself Light Yagami won't leave you alone.

For Horrorfest request: Reader thats haunted by Shinigami Light Yagami please!

Word count: 800ish

Notes: yandere, stalking

“Leave me alone.” 

The words come out bitter and soft, like a piece of fruit that’s been sitting at the bottom of the fridge for far too long. They smush inwards like overripe flesh underneath your thumb, from the weight of the creature hovering in front of you, the inhuman thing that refuses to go away for good.

Sometimes he leaves for a few days, a week, even a month or two. Long enough that you think he’s finally gotten bored or died–can Shinigami even die?--and you’ll never see him darken your doorway (literally and otherwise) again.

But then he’s there, an unwanted flicker. Standing by your bed. Sitting on your professor’s desk, a prim smile on his face. Waiting behind a shelf at the grocery store, in the gap between open boxes of cereal. Intruding on your everyday life with his awful extraordinariness. 

“Aren’t you even the smallest bit grateful?” He asks, not for the first time, shifting towards you. He’s too close. When he speaks, his breath hovers, smelling of apples and rot. 

You press further away, tucking yourself into the corner between your bed and the wall. The edge of your nightstand digs into the flesh of your upper arm. 

“I don’t want you to follow me,” you say, pathetically, stupidly, because you know it will change nothing. It hasn’t before. It won’t know. “Find someone who will be grateful, if it matters that much to you.”

That’s your dream, really. That he will find someone else to follow, to obsess over, to whisper awful things to in the night; dreams of a reinvisioned world, remaking the world of mortals in an image that suits him. You’ll be there, too. Forever, he says, even if he hasn’t figured out how just yet. 

But no matter how much you plead, how much you try to make yourself unappealing, this thing–it calls itself Light Yagami, and isn’t that awful, to give itself a human name?--won’t leave you alone. 

A clawed hand reaches out and you squeeze your eyes shut. It’s easier not to see him when he touches you. That much you’ve learned. Because when he does, the look on his face gets too tight, too manic. His eyes go a touch red and there’s something inside them that is too awful to bear.

The claw drags down your cheek, resting underneath your chin and tilting it up like a lover would. It makes you sick, this gesture; it’s too practiced, too human. How did a Shinigami know what might make someone go weak at the knees?

And you do–you do–for all the wrong reasons. 

“You can learn to be grateful,” he whispers, voice going low, almost gray. “I’ll even teach you how to use my notebook properly.”

Oh, that fucking notebook. It’s what started this whole mess. It was just sitting there, on the park bench. You’d walked by that bench a million times and nothing was ever out of place, but the one day there’s something new–it’s something that’s condemned you to this.

To him.

All you’d done is pick it up. Touched the edge of it, wondering if some kid has left it behind. But instead of a name written on the front, there was only an odd title. 

“Death… note?” You’d read–and by the time you glanced back up, he was there, suddenly, in a blink.

Smiling politely and introducing himself, as if he wasn’t some creature that had popped up out of nowhere. Came from nowhere a more accurate statement, if his brief descriptions of his world were anything to go by–a vast gray rotting wasteland.

“You wouldn’t like it there,” he told you once, musing more to himself, you thought, than actually speaking to you. He liked to hear himself talk. “That’s why I’ll remake this world instead.” As if he did anything for your benefit, and not his. 

If only you’d passed on by the bench, by the notebook, that day.  You might be free from all this. 

But you’re not free. You’re here, in your bedroom, trapped between the wall and a god of death.

“Open your eyes,” he says, just tightly enough that you know he’s approaching the edge of his patience. It was much harder to be around him, when he was genuinely angry with you.

Weary, tired, your eyes open, slow and sluggish. You give in, like you always do. What other choice do you have? 

“There you are,” he says, claw tracing your cheek, just underneath your eye. “Much better.” 

His other hand reaches for yours, covering it with his own, gripping tight.

“Are you ready to write a name in my notebook now?”

[elationeffect]

Light Yagami NSFW headcanons

Here are some NSFW headcanons I have for these this dumbass. I’m back in business baby, please feel free to send an ask! Do not read/interact with this post unless you are over the age of 18.

cw: afab!reader, dubcon, oral, fingering, imbalanced power dynamics, edging, physical marks/restraint, rlly bad @ tagging but lmk if there is anything else i should include

— Light is manipulative and charming in that order. This is a fact. He is attentive when he presses your back to the wall, unyielding when he forces your hips closer to his, and seemingly desperate when he grabs your jaw and traces the line your neck with his gaze. More than the taking, it’s the withholding that hurts.

— He takes great care in memorizing every touch that elicits a breathlessness from you. His thumb in the hollow junction of your neck and shoulders, his lips against the butterfly-thin shell of your ear, his face between the soft curves of your thighs.

 — And when he has you at the edge of his bed with your legs thrown over his shoulders, and he genuflects to perhaps the only person worth worshiping, Light is methodical.

— His hands would move slowly up your leg, grabbing and massaging where he can before pulling your legs apart to reveal a dark spot clinging to the contour of your cunt. Devastatingly slow, he would run his fingers across your twitching form, making sure to rub slow circles along your slit until you’re shaking.

— And when you can’t bear it for one more second, one whimper away from anger, his mouth would be on you. Underwear pulled clinically to the side, he’d press his tongue into your folds and start his slow ministrations. He’d force you to watch as he circles the tip of his pink tongue around your clit, never quite giving you the satisfaction you deserve.

— Light likes to edge you, to see how long you can withstand him. He relishes in taking his time and forcing your hands above your head, made up in knots sometimes by his own weight, other times by his crimson tie.

— But after the kindness wears off and he immerses himself deeper into the game, his God-complex would start to get the better of him.

— One of his favorite ways of owning you is to take your jaw in his hands and face fuck you. Your whole body would be immobilized, forced to kneel in front of him as he shoves his thick cock into your mouth. He’d call you filthy for drooling and grab your hair by the roots to take him from the base. Of course you’d cry, tears converging with your spit, but the sound wouldn’t register as you gagged to the beat of his unrelenting pace.

— He’d take what he wants when he wants it. No God should have to wait after all and you hardly have the power to resist him. He threatened your loved ones after all.

— Despite his inherit need to hurt, Light doesn’t truly harm you. At least, not where anyone can see. Yes, his fingertips are a tattooed bruise on the inner parts of your thighs, and his teeth have left permanent scars on your ass, but he never gave you anything you couldn’t handle.

— Still, he’d tend to your wounds. He’d be distant and objective but at least he still cares. At least, until he returns to his desk and begins the work anew.

[chidorrrita]

・❥・I'm your puppet

You bring up the idea of L using you to distress. He agrees. Absolute filth follows.

: ̗̀➛ l lawliet x gn!reader

: ̗̀➛ cw: smut (pretty obvious), heavy degradation, slight praise, breeding, slapping, slight cum eating, being called pretty little thing and slut, reader is a freak for L

: ̗̀➛ wc: 1000+

: ̗̀➛ a/n: two posts in a week, who would have guessed. anyways please enjoy the degenerate activities here. 

L positions you in the way he wants, pulls you up by your throat, long fingers curling around constricting your breaths, until your body is pressed against his, as his hips snap against the fat of your ass causing a “pap pap” sound to echo throughout your room. 

He’s relentless in his search for pleasure, paying you no mind, as his hand begins to squeeze your throat, the other snakes its way to seize your hip in a bruising grip, and hot pants and low grunts escape his chapped lips as they brush against your ear. Your mind turns to mush, no longer able to distinguish pain and pleasure as it creates a sinful mix tricking you into begging for more. All that comes out is a series of babbles, drool dripping down onto your chest, and L smugly laughs at your pathetic self. Too drunk off this moment to say or do anything as he bends you over, forcing your head into a pillow, to hit that sweet spongy spot inside. You let out a scream of delight as if he understood your pleads, and in return clench around his cock deliciously. He lets out another grunt, deep from within his chest, and smacks your ass letting the sting linger before smacking it again with just as much force. It sends your body jolting forward, too much for your broken mind to handle, and you try to squirm from his grasp, but he drags you back to where you belong. Taking his cock like you were made for this, made to be ruined by him. 

Muffled mewls and a feeble excuse of thrusting yourself back on his dick makes his mind lose focus. Normally crippled by the weight of his cases, L kneels taller now, filled with thoughts of fucking you full. He pulls out, just kissing your hole with his flushed tip, until ramming himself back in, setting a brutal pace on your body. You couldn’t be more delighted. 

It was your idea to help him distress. A method, other than eating a concerning amount of sweets, to relax him. 

You picked at the threads on your sweater as you watched him reach for another stack of macarons after downing two boxes. His fingers danced across his keyboard, quickly typing out a report in some language you can’t discern, before he spots you shyly inching over. 

L stuffs a strawberry macaron in his mouth before asking “woul’ ‘o’ ‘ike o’e” offering you a vanilla one. 

“No it’s okay” you say trying to hide a chuckle bubbling its way out. “I was actually wondering how your job is going.”

He continues to violently chew, “ ‘qui’e ‘ell,” he swallows thickly, “why do you ask?”

“Well,” you peer down to your socks, rubbing your toes against the carpet, “I was just worried if you were stressed. You’ve eaten almost three boxes of those.”

“Sugar keeps the brain awake,” he states matter-of-factly as he goes to grab another one.

Your hand stops his, holding it in place, and he looks up to you slightly confused with his bottom lip tucked in between his teeth. He’s trying to read you.

“Maybe you should rest a while. Let your brain reset, you know?” His gaze shifts to his laptop. The report is nearly finished, and it has been weeks since he could sleep for more than an hour. He can never fully rest on a job like he can when he’s with you. His mind is plagued by images of known friends and nameless faces calling him, but you keep them at bay. Perhaps resting will do him some good. 

His voice softens to barely a whisper, “that would be good,” until he corrects himself “then I can continue working.”

“I’ll help you distress.”

L starts to get ready for bed, gingerly changing into his pj’s which really only consists of taking off his pants, and begins to slip into bed until he notices your apprehensive self still standing at the doorway. “What’s wrong?”

“Oh. Nothing, nothing,” but you still remain at the door.

His eyes squint in suspicion, letting silence question you instead of him. You quickly relent. “I mean… Well I feel bad now.”

More silence.

You sigh, frustrated at the fact your will power breaks so easily for him. “I was going to ask if you wanted to have sex to distress, but then you were actually going to sleep and now-”

“I would very much like to have sex with you.” 

“-I feel like an asshole- wait what?”

“I said I would like to have sex.”

The air in the room turns thick with the smell of sweat and sex cut by your pornagraphic moans, and L’s harsh pants, and the sound of his heavy balls hitting your ass. 

The position he has you in makes him hit even deeper than you could imagine, leaving you incapable of moving let alone thinking, but no need to think. A pretty little thing like you doesn’t need to think when you have L as your lover. He knows what you need is to be a good little slut and take his cum.

Your hoarse voice says “‘is too much. Can’t take it.” between moans, legs shaking underneath L’s thighs.

He accentuates each word with a thrust. “Yes.” “You.” “Can.” forcing the bed frame to hit the wall. 

He bends over your hunched frame, lips leaving sloppy wet kisses against your neck until he reaches your neck and he whispers “be good for me,” and you cum.

Stars dance around the corner of your vision as a soundless scream escapes you, and your hole tightens around L’s cock making him hiss. He drops to his elbows, succumbing to only shallow thrusts until it’s all too much and he cums filling your hole and pushing it back in with his cock. He stays until he softens and falls out, and his eyes fall on your thighs. His cum is smeared across your inner thighs, dripping down between your ass and on to the bed. He scoops it back up and pushes it in, not wanting to waste a single drop, and you moan at the intrusion. 

He takes his cum covered fingers to your parted lips, already familiar with routine, and you wrap them around his fingers, tongue swirling to get every last bit. You release them with a ‘pop,’ eyes waiting patiently for your reward, and he obliges, kissing you deeply, tasting himself on your tongue. 

He gets up to get a towel and begins to get you cleaned up, kissing each bruise he left, and massaging your sore limbs. 

“You did so well for me.”

“Would you say you’re sufficiently relaxed?”

“Yes, very relaxed. Thank you.”

He kisses your head, and tucks you into bed smiling to himself. How he ever got you to be his lover, he will never know, but he is forever grateful you are.

[applestorms]

hey. hi. hello. um? hey?

we, as a fandom, simply do not talk about this moment often enough.

[tea-cat-arts]

Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will

[death-crusade]

Wrap your head in fairy lights, your constellations fill my eyes.

Tears of avoidance zeroes and ones, comatose eyelids corrupted memory in tons.

Swallowed in the rhythm of space and rhyme, center brimming at the wrinkling rim of time.

Heavy air swelling keep your lullaby, so long and goodbye. I break myself down but i’m trying to hide, so far gone nothing left to provide.

Radio silence it’s been for years, there you’ve been there, ignoring my tears.

Your desperation fills my eyes, that constellations no surprise.

Just a ghostly passerby, so long and goodbye. My fourth gemini watching knowing the fate, I am deja vu feedback loop figure eight.

I’m vaster than light at the edge of the brim, these same four walls swirling swallowing me in.

Hoping I’d receive a sign now it’s too late, never been so good at trying to wait.

Hang my head and mummify, so long and goodbye. I realise now the person I suffer in wait, is me all along but from farther than fate.

Watching on through the impenetrable rhealm, I’ll help another me myself relieve from overwhelm.

I’ll do what past me couldn’t or didn’t know, times flat circle I suffered so terribly slow.

My next life I’ll fucking purify, so long and goodbye. I had my time now to pass the light, up down from the infinite I’ll see you on a dark night.

I’ve never been so good at saying good bye, I’d rather just leave it as this for you to remember me by.

Traces of me will one day turn to dust, a lifetime record of binary floating in cable and crust.

Zeroes and ones yet the spiral found you here, flattening the chaos that two dimensional stare.

And for that constellation in your eye, so long, and goodbye.

READ MORE AT DEATH CRUSADE - SubStack