#dc metron
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lylethewaterguy · 9 days ago
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My review of The New Gods (2024) #1.
Spoiler free: I know we’re one issue in but I cannot recommend The New Gods enough, it’s already become my favourite comic currently running and I loved literally everything about the first issue, 10/10. It’s so epic and grounded at the same time and characterisation of everyone involved is spot on. It’s also I think a really good jumping on point if you’re not a New Gods fan, Ram V has said that you don’t need any prior knowledge before reading this comic and that really rings true for the first issue. And THE ART!!! Omg Evan Cagle and Jorge Fornés really cooked with the pencils and inks and the colour by Francesco Segala are AMAZING.
Spoiler inclusive/my favourite moments:
Warning I’ve only read it once so far so my thoughts are little more than AAAAH!!!
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Metron is such a little shit stirrer as always. And I love this vague ass prophecy. Everything about the beginning showing the grand scale of the New Gods and then contrasting it with the Frees on earth is chefs kiss. It’s also such a good way to kick start the run.
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LIGHTRAY!!! This art is stunning in literally every panel but omg he’s so cute. And he’s such a ray of sunshine (literally). All he wants to do is help. Also the choice to make him literally glowing is fantastic.
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This whole section with Orion is probably my favourite part art wise (which is really saying something cause again the comic is gorgeous). But Cagles art is so dynamic and full of life I just love it. Also Orion’s design is amazing.
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OLIVIA!!!! Cutest baby ever!!!!!!! I will protect her with my life!
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Like I said before the way Ram V and Evan Cagle contrast the vast expanse of the universe and the mythic levels of the new gods with the domestic life of the Frees is amazing and so impactful. And Orion being in the background and giving them their time was adorable. (Also this Scott design!!!! AHHHH)
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I absolutely adore the way Ram writes them as actual brothers. Their voices and the way they speak with each other has so much more calm and closeness than most of their other appearances ever do. And the way Scott really couldn’t care less about the prophecy until Orion tells him what he has to do, it’s such a perfect characterisation of him!
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AHHHH! Again, cannot stress enough what an amazing characterisation of Scott this is. He’s finally found himself at a point where he doesn’t want to escape and he’s forced to leave anyway. I have to also give props for the large print introductions for Scott and Orion, both of which are visually stunning and represent them perfectly. Also the “and you” AHHHHHHH!!!
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I know I’m repeating myself but it cannot be stressed enough how lovingly, amazingly, and accurately Ram V is writing these characters. Their voices are PERFECT. Orion not wanting to go through with killing a child so he makes Scott stop him and Scott not wanting to go but not being able to stop himself. “The one thing you can never escape, Mister Miracle, is who you are.” Just kill me now.
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MAX??????? What the hell are you doing here???? No but not only am I always happy to see my favourite piece of shit but also I love this. When Max was first introduced he was chasing power and ignoring all empathy because he was being manipulated by a computer created by Metron to gain the knowledge of earth. So I think having him (at least I’m 90% sure it’s him) act out the wills of the gods (whoever it is that’s telling him about the child) is absolutely perfect.
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And I could not be more excited. Like I said this is already my favourite comic book running and one of my favourites of all time and we’re one (1) issue in. I’ve already got both the main cover and the Cagle acetate cover ordered through February (wanted to get more but couldn’t financially justify it). The fact that I have to wait another 4 weeks for the next one is criminal. But I urge everyone to go read this!
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puppetwoman17 · 4 months ago
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(Shot opens in Magicians Meeting Hall)
Captain Marvel: *strolls inside toward his seat and unpacks from his little satchel. Stops and greets other magic-users before pulling out notebooks and pencils*
(Cut to Billy on the couch)
Billy: So, over the weekend, I might’ve made a slightly impulsive decision
(Cut back to CM unpacking a mug that reads *#1 DAD!*)
Billy: I mean, I don’t regret it. I just wish I didn’t have to keep my identity a secret, ya know?
(Cuts to Cap smiling at the mug)
(Cuts back to Billy on the couch)
Billy: *holding a photo of Conner/Kon-El(Superboy)This is my son. Isn’t he great? He can already leap tall buildings in a single bound!
(Cuts back to Meeting Hall. Camera pans to New God Metron, swiping away at unreadable documents)
(Cuts to Metron on the couch)
Metron: It’s real. It’s all real. I don’t even…I don’t understand what is going on inside that head of his
(Cut to Satanus in the Meeting Hall, doing his damn best to not laugh)
(Cut to Satanus on the couch)
Satanus: He’s—Pfft—He’s grown up so much! I actually—Shit, I can’t wait to tell Blaze about this.
(Cuts to Blaze on the couch)
Lady Blaze: 😦
Lady Blaze: You’re kidding
(Everyone watches Marvel sip water from the mug. He stares back)
Captain Marvel: What?
Fate: Nothing. Nothing at all
Captain Marvel: You sure?
(Camera pans to Metron, still swiping)
Captain Marvel: He doesn’t look so good.
(Cuts to Billy on the couch)
Billy: he actually reminds me of my uncle after he has too much beer, but I don’t want to seem rude. I’m a dad now.
(Cuts to Satanus on the couch)
Satanus: He actually said that? No, he actually said that?
(Cuts to Billy on the couch)
Billy: I’m gonna be. The best. Dad. Ever. No other dad will dad like I dad.
(Cuts to Satanus on the couch)
Satanus: *laughing too much to be human* Please—Please don’t—Make it stop! I can’t!
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soranatus · 5 months ago
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New Gods (2024) ongoing series written by Ram V, and with art by Evan Cagle
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dailydccomics · 9 days ago
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whewwww this is exactly the kind of art Jack Kirby's creations deserve The New Gods #1 by Ram V., Evan Cagle, and Jorge Fornés
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chernobog13 · 2 months ago
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Metron of the New Gods by Steve Rude.
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why-i-love-comics · 1 month ago
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DC Vs. Vampires World War V #4 (2024)
written by Matthew Rosenberg art by Otto Schmidt & Pierluigi Casolino
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shamlesspandanerd · 3 months ago
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vertigoartgore · 4 months ago
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Jack Kirby New Gods Concept Presentation Oversized Collage Art (circa 1969-1970).
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spaceshiprocket · 6 months ago
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Metron by John Paul Leon
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absencesrepetees · 3 months ago
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first look at metron, lightray, highfather and orion in the new gods (ram v/evan cagle, 2024)
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puppetwoman17 · 4 months ago
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Thinking of writing out sitcom-style scenes(not the ones with the laughing track)with the magic community/Fawcett heroes/Batson family. The potential is there.
Also imagine the hilarious couch scenes(you know, when they talk to the camera). I’m thinking about some done in a universe where Billy adopts Connor without anyone knowing his identity.
Like he comes into a meeting with other magic users and universal overlords with his mug that says “best dad ever”. Fate puts his head in his hand and Metron gives him a disappointed look 🤣
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soranatus · 3 months ago
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The New Gods (2024) #1 variant covers by Carmine Di Giandomenico and Nimit Malavia
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dailydccomics · 3 months ago
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The New Gods by Carmine Di Giandomenico
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chernobog13 · 1 year ago
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Metron of the New Gods by Steve Rude.
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why-i-love-comics · 1 year ago
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Batman/Superman: World's Finest #22 - "The Gospel of Gog" (2023)
written by Mark Waid art by Dan Mora & Tamra Bonvillain
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radioactive-earthshine · 8 days ago
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New Gods (2024) #1
When i talk about New Gods, specifically Kirby's original epic, I cannot help but compare it to Tolkien's The Silmarillion as it shares the same level of depth, tragedy, and hope as a cosmic science-fiction fantasy. When I read this part right here, it tickled me because it reminded me of when Morgoth visited Feanor in Aman and Feanor called him a Jail-Crow.
Metron and Morgoth are also characters of deep meddling (Morgoth more so, hah!) so I can see them as being kindred characters. Doom-Crow, Jail-Crow - it is a stretch but it still couldn't help but remind me of how I compare these two works of literature in their weight.
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