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mostlysignssomeportents · 19 days ago

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Twinkump Linkdump

I'm on a 20+ city book tour for my new novel PICKS AND SHOVELS. Catch me in SAN DIEGO at MYSTERIOUS GALAXY next MONDAY (Mar 24), and in CHICAGO with PETER SAGAL on Apr 2. More tour dates here.

I have an excellent excuse for this week's linkdump: I'm in Germany, but I'm supposed to be in LA, and I'm not, because London Heathrow shut down due to a power-station fire, which meant I spent all day yesterday running around like a headless chicken, trying to get home in time for my gig in San Diego on Monday (don't worry, I sorted it):

https://www.mystgalaxy.com/32425Doctorow

Therefore, this is 30th linkdump, in which I collect the assorted links that didn't make it into this week's newsletters. Here are the other 29:

https://pluralistic.net/tag/linkdump/

I always like to start and end these 'dumps with some good news, which isn't easy in these absolutely terrifying times. But there is some good news: Wil Wheaton has announced his new podcast, a successor of sorts to the LeVar Burton Reads podcast. It's called "It's Storytime" and it features Wil reading his favorite stories handpicked from science fiction magazines, including On Spec, the magazine that bought my very first published story (I was 16, it ran in their special youth issue, it wasn't very good, but boy did it mean a lot to me):

https://wilwheaton.net/podcast/

Here's some more good news: a court has found (again!) that works created by AI are not eligible for copyright. This is the very best possible outcome for people worried about creators' rights in the age of AI, because if our bosses can't copyright the botshit that comes out of the "AI" systems trained on our work, then they will pay us:

https://www.yahoo.com/news/us-appeals-court-rejects-copyrights-171203999.html

Our bosses hate paying us, but they hate the idea of not being able to stop people from copying their entertainment products so! much! more! It's that simple:

https://pluralistic.net/2023/08/20/everything-made-by-an-ai-is-in-the-public-domain/

This outcome is so much better than the idea that AI training isn't fair use – an idea that threatens the existence of search engines, archiving, computational linguistics, and other clearly beneficial activities. Worse than that, though: if we create a new copyright that allows creators to prevent others from scraping and analyzing their works, our bosses will immediately alter their non-negotiable boilerplate contracts to demand that we assign them this right. That will allow them to warehouse huge troves of copyrighted material that they will sell to AI companies who will train models designed to put us on the breadline (see above, re: our bosses hate paying us):

https://pluralistic.net/2024/03/13/hey-look-over-there/#lets-you-and-he-fight

The rights of archivists grow more urgent by the day, as the Trump regime lays waste to billions of dollars worth of government materials that were produced at public expense, deleting decades of scientific, scholarly, historical and technical materials. This is the kind of thing you might expect the National Archive or the Library of Congress to take care of, but they're being chucked into the meat-grinder as well.

To make things even worse, Trump and Musk have laid waste to the Institute of Museum and Library Services, a tiny, vital agency that provides funding to libraries, archives and museums across the country. Evan Robb writes about all the ways the IMLS supports the public in his state of Washington:

Technology support. Last-mile broadband connection, network support, hardware, etc. Assistance with the confusing e-rate program for reduced Internet pricing for libraries.

Coordinated group purchase of e-books, e-audiobooks, scholarly research databases, etc.

Library services for the blind and print-disabled.

Libraries in state prisons, juvenile detention centers, and psychiatric institutions.

Digitization of, and access to, historical resources (e.g., newspapers, government records, documents, photos, film, audio, etc.).

Literacy programming and support for youth services at libraries.

The entire IMLS budget over the next 10 years rounds to zero when compared to the US federal budget – and yet, by gutting it, DOGE is amputating significant parts of the country's systems that promote literacy; critical thinking; and universal access to networks, media and ideas. Put it that way, and it's not hard to see why they hate it so.

Trying to figure out what Trump is up to is (deliberately) confusing, because Trump and Musk are pursuing a chaotic agenda that is designed to keep their foes off-balance:

https://www.wired.com/story/elon-musk-donald-trump-chaos/

But as Hamilton Nolan writes, there's a way to cut through the chaos and make sense of it all. The problem is that there are a handful of billionaires who have so much money that when they choose chaos, we all have to live with it:

The significant thing about the way that Elon Musk is presently dismantling our government is not the existence of his own political delusions, or his own self-interested quest to privatize public functions, or his own misreading of economics; it is the fact that he is able to do it. And he is able to do it because he has several hundred billion dollars. If he did not have several hundred billion dollars he would just be another idiot with bad opinions. Because he has several hundred billion dollars his bad opinions are now our collective lived experience.

https://www.hamiltonnolan.com/p/the-underlying-problem

We actually have a body of law designed to prevent this from happening. It's called "antitrust" and 40 years ago, Jimmy Carter decided to follow the advice of some of history's dumbest economists who said that fighting monopolies made the economy "inefficient." Every president since, up to – but not including – Biden, did even more to encourage monopolization and the immense riches it creates for a tiny number of greedy bastards.

But Biden changed that. Thanks to the "Unity Taskforce" that divided up the presidential appointments between the Democrats' corporate wing and the Warren/Sanders wing, Biden appointed some of the most committed, effective trustbusters we'd seen for generations:

https://pluralistic.net/2022/10/18/administrative-competence/#i-know-stuff

After Trump's election, there was some room for hope that Trump's FTC would continue to pursue at least some of the anti-monopoly work of the Biden years. After all, there's a sizable faction within the MAGA movement that hates (some) monopolies:

https://pluralistic.net/2025/01/24/enforcement-priorities/#enemies-lists

But last week, Trump claimed to have illegally fired the two Democratic commissioners on the FTC: Alvaro Bedoya and Rebecca Slaughter. I stan both of these commissioners, hard. When they were at the height of their powers in the Biden years, I had the incredible, disorienting experience of getting out of bed, checking the headlines, and feeling very good about what the government had just done.

Trump isn't legally allowed to fire Bedoya and Slaughter. Perhaps he's just picking this fight as part of his chaos agenda (see above). But there are some other pretty good theories about what this is setting up. In his BIG newsletter, Matt Stoller proposes that Trump is using this case as a wedge, trying to set a precedent that would let him fire Federal Reserve Chair Jerome Powell:

https://www.thebignewsletter.com/p/why-trump-tried-to-fire-federal-trade

But perhaps there's more to it. Stoller just had Commissioner Bedoya on Organized Money, the podcast he co-hosts with David Dayen, and Bedoya pointed out that if Trump can fire Democratic commissioners, he can also fire Republican commissioners. That means that if he cuts a shady deal with, say, Jeff Bezos, he can order the FTC to drop its case against Amazon and fire the Republicans on the commission if they don't frog when he jumps:

https://www.organizedmoney.fm/p/trumps-showdown-at-the-ftc-with-commissioner

(By the way, Organized Money is a fantastic podcast, notwithstanding the fact that they put me on the show last week:)

https://audio.buzzsprout.com/6f5ly01qcx6ijokbvoamr794ht81

The future that our plutocrat overlords are grasping for is indeed a terrible one. You can see its shape in the fantasies of "liberatarian exit" – the seasteads, free states, and other assorted attempts to build anarcho-capitalist lawless lands where you can sell yourself into slavery, or just sell your kidneys. The best nonfiction book on libertarian exit is Raymond Criab's 2022 "Adventure Capitalism," a brilliant, darkly hilarious and chilling history of every time a group of people have tried to found a nation based on elevating selfishness to a virtue:

https://pluralistic.net/2022/06/14/this-way-to-the-egress/#terra-nullius

If Craib's book is the best nonfiction volume on the subject of libertarian exit, then Naomi Kritzer's super 2023 novel Liberty's Daughter is the best novel about life in a libertopia – a young adult novel about a girl growing up in the hell that would be life with a Heinlein-type dad:

https://pluralistic.net/2023/11/21/podkaynes-dad-was-a-dick/#age-of-consent

But now this canon has a third volume, a piece of design fiction from Atelier Van Lieshout called "Slave City," which specs out an arcology populated with 200,000 inhabitants whose "very rational, efficient and profitable" arrangements produce €7b/year in profit:

https://www.archdaily.com/30114/slave-city-atelier-van-lieshout

This economic miracle is created by the residents' "voluntary" opt-in to a day consisting of 7h in an office, 7h toiling in the fields, 7h of sleep, and 3h for "leisure" (e.g. hanging out at "The Mall," a 24/7, 26-storey " boundless consumer paradise"). Slaves who wish to better themselves can attend either Female Slave University or Male Slave University (no gender controversy in Slave City!), which run 24/7, with 7 hours of study, 7 hours of upkeep and maintenance on the facility, 7h of sleep, and, of course, 3h of "leisure."

The field of design fiction is a weird and fertile one. In his traditional closing keynote for this year's SXSW Interactive festival, Bruce Sterling opens with a little potted history of the field since it was coined by Julian Bleeker:

https://bruces.medium.com/how-to-rebuild-an-imaginary-future-2025-0b14e511e7b6

Then Bruce moves on to his own latest design fiction project, an automated poetry machine called the Versificatore first described by Primo Levi in an odd piece of science fiction written for a newspaper. The Versificatore was then adapted to the screen in 1971, for an episode of an Italian sf TV show based on Levi's fiction:

https://www.youtube.com/watch?v=tva-D_8b8-E

And now Sterling has built a Versificatore. The keynote is a sterlingian delight – as all of his SXSW closers are. It's a hymn to the value of "imaginary futures" and an instruction manual for recovering them. It could not be more timely.

Sterling's imaginary futures would be a good upbeat note to end this 'dump with, but I've got a real future that's just as inspiring to close us out with: the EU has found Apple guilty of monopolizing the interfaces to its devices and have ordered the company to open them up for interoperability, so that other manufacturers – European manufacturers! – can make fully interoperable gadgets that are first-class citizens of Apple's "ecosystem":

https://www.reuters.com/technology/apple-ordered-by-eu-antitrust-regulators-open-up-rivals-2025-03-19/

It's a good reminder that as America crumbles, there are still places left in the world with competent governments that want to help the people they represent thrive and prosper. As the Prophet Gibson tells us, "the future is here, it's just not evenly distributed." Let's hope that the EU is living in America's future, and not the other way around.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2025/03/22/omnium-gatherum/#storytime

Image: TDelCoro https://www.flickr.com/photos/tomasdelcoro/48116604516/

CC BY-SA 2.0 https://creativecommons.org/licenses/by-sa/2.0/