#darkness so like uh
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We all know the semi-canonical ‘all the Robins know to hide/duck inside of Batman’s cape, even as adults’ thing.
We also know that Danny ‘is LITERALLY a ghost’ Fenton sucks at remembering his own intangibility while ALSO forgetting to look ahead of him.
All I’m saying is, Danny Fenton (or Phantom, if you’d really like) would absolutely SLAM into Batman on accident while running on roof tops and Bruce ‘Brooding Instinct’ Wayne doesn’t even think twice about letting the kid hide and scanning around for danger before there’s a record scratch of ‘wait who tf is this?’ kicks in.
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xxplastic-cubexx · 21 days ago
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you open my Super Important Documents and its just pictures of charles xavier
#xmen#mcu#xmen movies#xmen first class#charles xavier#professor x#snap sketches#todays schedule has been ruined by my ever occurring need to practice drawing movie charles its horrendous#i started this sheet last night but then i kept adding to it and i keep wanting to add to it but i MUST stop myself#in an ideal world i get paid to draw charles xavier and erik lehnsherr but no i live in this baka society#sleepless charles WAS inspired by me starting this at 1AM and forcing myself to sleep at 4AM#and then here i am picking i up still later .... i need professional help i fear but i aint got time for that#NEVERTHELESS I THINK IT GOT IT NOW. I THINK IM OK. i think i know how i wanna go bout drawing him now ...#chat can i confess that like. .5% of the reason i barely draw FC charles i because of his hair#for some reason some demonic entity prevents me from drawing it easily i am in STRUGGLE CITY#the only thing that gets me is that whenever i draw him i can only think of the likes of a disney prince but man thems the strokes ig#i also drew a quick dark phoenix charles but i figured id just keep this first class oriented#anything else i want to say ? uh. hm. its funny i never do any of these sheets for erik#genuinely On My Life made One (1) sheet and was like 'no yeah i got it. i got it down'#literally not my fault his head is So Shaped and defined but anyways. this aint about him.#i mean it could be. i still wanna do a doodle page concentrated on drawing how his powers show#more specifically how do i wanna draw the glow cause i cant decide on it ... also i wanna draw the 'levels' ...#but thats for another time. for right now i should probably eat i havent eaten all day#bye bye !!!!!! here's to hoping i draw something thats not a doodle sheet one of these days
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babacontainsmultitudes · 4 months ago
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RIP Will Campos the only person who was murdered this episode.
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pearlsdiamondsandvodka · 8 months ago
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the sandra lynn / fig conversation is driving me Insane. fig saying that sometimes she doesn’t wanna exist as herself at all…not wanting to ask her friends how they see her (because she’s afraid to hear their response) saying that to someone she is a monster and she Cannot stop thinking about it. sandra lynn starting the conversation saying she needs to step up but is also simultaneously taken aback about what fig expresses and doesn’t know how to responds to it and suggests getting ice cream. sandra lynn saying “convincing people they deserve good things is really tough” talking about herself but how it also reflects fig. insane!!
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braisedhoney · 1 year ago
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Can we get some Dark Dan and Jazz?
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oh you absolutely can. these siblings are not alright.
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celestetcetera · 2 months ago
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The façade or the shadow self — which is the real you?
Or is there even a real you anymore?
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bandtrees · 4 months ago
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they would get divorced in one universe just to find eachother in another one
alternatively titled: sometimes you're the level-headed token flesh-head impulse-control-and-polycule-member of a stubborn, eccentric, and hearty telephone-headed drug addict, and there's cruelty in the world you deem fit to suicidally fight, and that either goes about as well as you'd expect it to, or you learn about love and the value of your life and junk along the way
#scribbles#milton r wallace#callum crown#phonegingi#sgt norm allen#norm allen#dialtown#dialtown a phone dating sim#..uh idk if callum and milt have a ship name orz#normgingi#milton norm parallels save me. Save me milton norm parallels#very specific but its why i prefer to look at the callum-milt-marla situation as like tragic polyamory#as opposed to a cheating one#it adds to the callum-gingi parallels. theyv both got polycule situations C:#though i suppose you could call a cheating situation a dark parallel to gingi's polycule the same way you could call#milton's entire deal a dark parallel to their relationship with norm/the narrator#However i just like tragic polyamory. my visions of milton and marla ALSO being in love yet having the mutual#realization that they hate callum more than they love eachother (esp milton) is highly specific yet also everything to me#misery loves company and all that jazz. a THIRD combination of people having divorce shit going on#this guys ruining my life IM GONNA FUCK HIS WIFE! (They are already in a consensual polyamorous relationship milton is just making it weird#Sorry these tags were going to be like meaningful discussion about this art and then i was enabled to talk about THIS AGAIN#OH YEAH this art in particular i discovered halftones and also started actually using blending brushes#milts face isnt drawn. obviously. but im imagining a kind of 'oh you!' exasperated fondness#as opposed to norm who's just a cranky little tsundere. jokes on milt though HIS relationship is HEALTHIER#also i will never pass up the chance to draw gingi and callum together#theyr both characters i adore drawing gingi's round shapes and different textures and callums cute little bolts#but also they do look soooo similar and yet so different its always really fun to do#and theyr just. my favs lol. my top 3 favs go gingi-mingus-callum hehe#Ok thats all. thank you for coming to my rambles#fig said i should post my art at better times and so i am and that means when i post my art im AWAKE ENOUGH TO RAMBLE ABOUT IT LOL
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xenonsdoodles · 1 year ago
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Felix countered with Thoron at close range yesterday and I almost died in real life. BEAM
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radiance1 · 1 year ago
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"You know what happened to Odin?"
"No, what happened to Odin?"
"Exactly, you cannot step foot in the mortal realm like you are now. Follow in Odin's footsteps."
"No, I don't want to follow in the Allfather's footsteps."
"Stop whining like a child and take a mortal form love."
"No, I will not."
[Deep inhale] "Do you know what happened to Loki?"
"Loki? The trickster? What happened to that one?"
"Well, he's currently still trapped inside of a cave, chained by his son's own entrails as a snake eternally drips poison onto him, but that is beside the point."
"No that is exactly the point."
"No, it is not. His fate has no relation to the main subject of our conversation."
"Yes, it does."
"No, it does not- No. Stop making that face. I am not doing this again."
"What face?"
"You know what you're doing. Stop it."
"I don't think I will."
[Exasperated exhale.]
"You should follow in the god of mischief's footsteps, even he- no especially he knew the point of a convincing disguise."
"Hmmm."
"No."
"Dearly beloved if you do not take on a mortal form while living out your farmer fantasy then so help me, I will place you back inside the coffin from which you came."
"..."
"That would be beautiful really, but no thank you I'll take that mortal form now."
"Good." Clockwork smiled
An hour later....
"Is this convincing enough for you, my love?" Pariah Dark adjusted the straw hat sitting upon his head, trying to shift it into a position better suited for his hair.
Clockwork hummed, floating around Pariah to take in his new form from every angle. "Well, it is certainly better than your first try."
"Then can I leave now?"
"No."
Pariah sighed. Feeling as hands were gently placed on his shoulders and slowly guided him down to rest on his own legs as he felt hands run through his hair and his straw hat gently taken from his head. He sighed with small indignation as crossed his arms. "I spent a while trying to fit that over my hair properly, you were the one who told me to fit in, so why take it off?" Pariah grumbled.
"Yes, yes. I know love." Clockwork's fingers gently worked themselves through his king's hair, a deep and long sigh leaving the man's body as he fully relaxed, causing Clockwork to smile.
As he worked, Clockwork hummed a small tune lost to the seas of time, causing Pariah to perk up slightly, before, a few minutes later, also joining his lover's humming.
"There we are." Clockwork removed his hands from the other's hair, and Pariah took that as a single to stand up. He turned his head, carefully pulling the braid over his shoulder, he then quirked a brow. "Where did you get the flowers from?"
"From here and there." Clockwork smirked, one that Pariah knew meant he was receiving no answer to his question from, so he shrugged, moving the braid off his shoulder. "So, where exactly are you going to send me?"
"Right, yes." Clockwork waved him over, pulling up a small mirror of time as he shifted through locations. "So, you'll be going to this world and..."
===
Pariah Dark stared down at the door, in one hand holding a basket as he brought the other up in preparation to knock before freezing.
How does one interact with a human outside of violence and threats again?
He shifted, not for the first time realizing that he had to crouch down to even fit to get to his new neighbors door.
Humans are intimated by height, right?
Should he shrink?
His beloved never walked him through how to talk with humans what does he do????
Should he leave?
But then his beloved would be disappointed...
Okay, first things first.
Knocking.
He gently brought his fist forward, and tapped his knuckles against the door frame, small thunks sounding out with each and every knock.
He tapped a bit harder, each series good louder than the last.
Okay, he thinks he's getting good at this! He's practically a natural!
Oh, the door opened.
The door opened.
"Hello?" An old mortal woman peered up at him, or tried to, at the very least, for his head was well above the door.
Pariah Cleared his throat, moving his hand back in a small wave. "Greetings, mortal-" Shoot. Normal mortals don't talk like that. "I am Pariah Dar- I mean Ark."
He coughed, moving his other hand forwards to present her with the basket. "I bring you an offering in hopes of creating an alliance-" Alliance, really Pariah? Really? "Between the two of us that will foster until the end of time!"
The human woman below hesitantly took the basket, probably shocked, and then just. Stood, there.
Ancients, did he accidentally kill her? He didn't even do anything! Were humans always so fragile?!
The woman cleared her throat, and stepped out of the doorway. "Thank you very much dearie, that's very kind of you!"
Why is she smiling.
Ancients she's smiling he wasn't prepared for this. His beloved never told him his neighbors would smile he wasn't ready-
Annnnd he already teleported away.
Pariah groaned, reaching up his hands to his hair before suddenly remembering who it was braided by, before lowering down to cover his face as he crouched besides his own house.
A nearby horse wandered over and nipped at his hair.
"I was supposed to get a name, Elizabeth." Pariah despaired. "A name!"
@pennerjones
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dol--blathanna · 2 months ago
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Thinking a lot about Orym choosing a rabbit when asked what animal he would pick if cursed with lycanthropy.
Because, it makes sense. Orym is small, quick, agile, jumps well, and is highly perceptive. That definitely evokes rabbit imagery. But a lot of Orym’s identity is also tied up with being a protector – giving people AC bumps, the shield being as much a part of his fighting style as his sword, even his title: Saviour Blade of the Tempest. He wants to be a “Shield that protects Exandria”; his priorities about saving the gods are less about the gods themselves, and more about protecting the people of Exandria from the unintended consequences and bloodshed of releasing Predathos. And it would’ve been very easy to pick a large, strong predator to try and evoke the sense of a protector – a wolf, for example, an animal associated with loyalty and protecting its pack. Yet Orym chose a rabbit.
And I think that’s interesting, because rabbits are often seen as ‘cute’ animals – but they’re also a prey animal. In fact, they’re a common food source for many animals across several ecosystems: foxes, wolves, wild cats, dogs, birds of prey like eagles or owls, coyotes, stoats, and humans (and that’s just off the top of my head). Rabbits are skittish, easily frightened; to be rabbit-hearted is to be timid or cowardly. They are not generally associated with fierceness or prowess in fighting. Mice and rats are prey animals too, but typically seen as vermin (rabbits are sometimes seen as vermin too, but a farmer could eat a rabbit – they wouldn’t eat a rat). Deer are prey, but they have hooves and antlers that bring a danger to hunting them, for any animal – the difficulties of hunting rabbits are more related to their evasiveness, speed and good hearing than any life-threatening danger they might pose. Rabbits are, first and foremost, prey animals. They are killed and eaten, so that another animal might live.
Which made me think a lot about one of Orym’s other key traits: self-sacrifice. Bait and switch doesn’t just bump up his ally’s ACs, it specifically switches their place to put him directly in harm’s way. Goading attack is meant to encourage enemies to attack him instead of his friends. He literally made a deal with a hag, essentially exchanging his own life for power to protect his friends. How many times has he gone down in a fight? He’s not the only tank – but unlike Ashton (and Chetney, who also uses ‘self-sacrifice’ in his fighting style with his blood curses) he has no abilities to reduce the damage from the hits he takes (barbarian rage and the werewolf form).
(Side note: I think it’s pretty interesting that Chetney, the wolf, has attacked Orym, the rabbit, more than anyone else when losing control. That Orym’s facial scar was given to him by a friend, not a foe).
Of course, Orym isn’t the only character with self-sacrificial tendencies (FCG wins by a landslide), but I just can’t stop thinking about how weirdly perfect it is that he chose a rabbit for his animal. Rabbits are prey animals. They are eaten, so that other animals may live. Orym takes the hits, he goads and switches with his team mates to put himself in danger, he makes a deal with a hag at the cost of his own life. He’s a soldier, throwing his life away for a cause over and over again because Ludinus must be stopped, because Keyleth has put her trust in him, because it’s the only way to protect his friends, to protect everyone, because it’s the right thing to do. Orym is a rabbit. He’s always been a rabbit. That day in Zephrah, it could have easily been Orym who died instead of Will and Derrig – “unfortunate but necessary sacrifices”, as Ludinus viewed the attack. It’s unfortunate they had to die, but it was for the greater good, according to Ludinus. It’s unfortunate that a rabbit has to die, but it will feed a family of foxes, or stoats, or even a hungry human, so it’s acceptable, right?
Orym is a rabbit. He is giving himself to a greater cause that could very easily kill him – he already willingly signed his life away to Nana Morri. Because that’s what rabbits do. They die to feed others.
And the theme of being disposable is present across the entire group, not just in Orym – Bell’s Hells has been called a “party of NPCs” before. Aside from FCG’s death, I’d say Laudna perhaps fits this theme the best: she was literally murdered and hung from a tree simply because she looked similar to Vex, acting as a warning to adventurers she had never met before. But FCG’s death was – rightfully – viewed as a terrible tragedy by the group. Laudna’s decision to remove Delilah, finally freeing herself from her abuser and emphasising she is more, and deserves to be more, than just some disposable puppet – this was rightfully viewed as a very good thing! But Orym seems to be embracing this identity of self-sacrifice instead, rather than this mindset being properly challenged or acknowledged as a bad thing. After all, there’s no time. There’s too much at stake. Keyleth, Bell’s Hells, all the memories of those who have died in this fight, all the people who might die if Predathos is released and kickstarts a second Calamity – they’re all relying on him, right? A rabbit feeding so many animals with his sacrifice. And it’s not malicious compared to the way that, say, Delilah killing Laudna was an incredibly evil, fucked up and unnecessary thing to do. If Orym died to save everyone else, well, at least everyone else would be saved, right? Saving lives is good, isn't it? How could he complain?
Because rabbits are prey animals, and Orym is a rabbit too. Destined to die so that another animal may feed.
Except, that’s not true. Rabbits are more than just prey. They’re highly social, and thrive best living with others. They’re playful, they enjoy running around and kicking their legs just to show their enjoyment. They’re inquisitive and mischievous, even being associated with tricksters in some folklore and stories. They’re also associated with innocence, playfulness, spring, youth – all manner of things, depending on the story or culture. And they’re not helpless, either, even if they might be thought of as such. They can bite and scratch and draw blood quite easily if they want to! In fact, freezing up isn’t their only response when being attacked by a predator, they are known to fight back if cornered. They can sprint quickly, they have excellent hearing and senses of smell, they know how to evade predators.
Rabbits are prey, and they are also survivors. They have their own social dynamics, their own habits and dislikes and preferences. They are more than just a wolf’s meal. And Orym is more than a soldier, too. He’s more than a “necessary sacrifice”, he’s more than just a shield and sword. He deserves more than to die for a cause. He deserves a happy ending, just like everyone else. I hope he remembers that.
Orym is a rabbit. And the message isn’t that he shouldn’t be a rabbit. It’s that rabbits are worthy of surviving, too.
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hectorthedoggo · 6 months ago
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HI GUYS
Tws for this chapter :D: suicide attempt (failed) (i’ll put a little goose emoji from the start and end of it but it’s not too graphic), suicidal thoughts, lol i get a little silly this chapter (this is dark)
(@kani-miso or anyone else please give live reaction i really enjoy the long comments/spam)
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breadandblankets · 7 months ago
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what if because of future vision and how Duke processes light he has like elf eyes for space
when Duke looks up at the night sky he doesn't see what anyone else sees, the glowing ghosts of stars long since dead hidden amongst the living, he sees the stars as they are Right Now
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mblue-art · 1 year ago
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aaaa
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littleoddwriter · 3 months ago
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Special Little Lamb | Cooper Abbott x GenderNeutral!Reader | Dark Fic
Hey there! This fic is inspired by this textpost and @hibiskooks' tags, which led to further thoughts on my part and then the urge to turn them into a whole short story (hence why I linked my own reblog on my horror sideblog because it shows both our tags and the thought process). Understandably, it's a dark fic, albeit romantic this time, unlike my previous Cooper fic, hjdkhsjk! I hope you'll enjoy it! summary; You were once a captive of the Butcher, but as it so happened, you formed a deep connection with him and are now helping him with his victims. One of them tries to get through to you to help them out of the basement, but hadn't realised your status as the Butcher's favourite. You have a tattoo to prove it, though, and so does he. notes/warnings; Gender Neutral!Reader; Dark Fic; Reader used to be a Victim (still is, if you will); Reader most definitely has Stockholm Syndrome and is Morally Grey/Dark; Implied/Mentioned Murders; Active Captivity of a Female Victim; Abuser/Victim Relationship (if we're being realistic); Ableist Language (once); Partner Tattoos; Hints at Sexual Acitivity, but nothing Explicit whatsoever; Kissing.
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With practised ease, you opened the several locks, and then the door they were a part of, down to the basement in the usually vacant house in a small neighbourhood on the outskirts of Philadelphia. The door opened with a loud squeak. You made a mental note to remind Cooper to oil the hinges, again. 
As if on cue, you could hear chains being dragged across the concrete floor and frantic rattling of metal against metal. 
Carefully, you went downstairs to the basement, where a woman in her thirties was held captive. She sat on the ground in the middle of the room, and the chains of her cuffs were attached to the far wall. 
“I’m a little late today, I know. Sorry,” you told her gently, shooting her an apologetic smile. 
For a long moment, she just looked at you, while you were walking over to her and then crouching across from her. And just like you did the previous times you visited her, you retrieved a protein bar and a small bottle of water from a bag, handing each item to her. 
The woman, Anna, ripped them out of your hands, scooting further away from you when she did, like a small, wild and scared animal. It was almost amusing to you. There was no reason for her to be scared of you, after all.
In silence, you watched her devour the protein bar and down the water in one go. You really had been late that day. 
Once she was done, you stood back up, picked up the trash and put it back into your bag. Cooper didn’t like to leave it there in the basement, and so you didn’t either. 
You were about to start your way upstairs again when the woman called out to you, “Wait!”
Turning around to face her, you made a small noise, indicating that you were listening.
“You don’t have to do any of this… please… just let me go. You could just unlock the cuffs and leave the door open. He doesn’t have to know! Please!” she pleaded with you, tears in her eyes and desperation clear in her voice, “I won’t tell anyone, okay? I promise. I won’t tell anyone that you’re involved.” 
This was the fifth time she begged you to let her go. She was more persistent than most of the others ever had been. Or maybe she’d just been there long enough to come up to five separate occasions of pleading for her life to be spared. 
Sighing softly, you shook your head, “No. I can’t do that, I’m sorry.” You crouched down across from Anna once more, making eye contact with her. Then, you pointed to the far edge of the ceiling above and behind you, looking back at her. “He has a camera here. He’d know if I helped you. And even if he wouldn’t… I’m not ruining this for him.”
Sometimes, Cooper liked to take his time with them. This having been one of them. Although, you knew that a lot of it had to do with his work. He had to do extra shifts and stay on call these past two weeks because they were short staffed at the firehouse, due to injuries that affected half of the regular team and rendered them unable to work for a while. 
It was only a matter of time until Cooper had the chance to commit several hours to this woman in front of you. But for the time being, you had to keep paying her visits to bring her snacks and drinks, and let her use the toilet in the back of the basement, just so she’d stay alive long enough. 
To keep them for more than a week was risky, though.
“Why are you doing this?” Anna asked you after a beat, changing tactics apparently, because this question was new. “I recognise you. I saw you on the news a few years ago. You went missing, too.”
Frowning, you let out a deep exhale, “I know what you’re trying to do. It’s not gonna work, so stop it.”
“What did he do to you? Is he forcing you?” she pressed anyway, unsurprisingly ignoring what you said.
Groaning softly in annoyance, you got up, stretching your back. You looked down at her, seeing nothing but a desperate woman, who was grasping at straws to ensure safety. Unfortunately for Anna, her pleas would only be ignored, since you had no interest in helping her.
“He’s not forcing me. I chose to stay and help,” you told her, then. 
For you, this was the end of this conversation, but Anna clearly wasn’t ready to let it stay that way, reaching out to you and gripping your wrists tightly, her chains clanking loudly. At the suddenness of all this, you flinched, trying to shake her off of you. 
“Let go of me!” you hissed at her.
“No! Listen to me,” she urged you, her grasp unexpectedly strong, “I don’t believe you. He must have convinced you that this is what you wanted, told you things, threatened you. Why would you ever willingly stay with a monster like him?”
“He’s not a monster!” you interrupted her, raising your voice at her.
Anna wasn’t deterred by it, though, “He kills people! Keeps them in this crappy basement until he’s done with them. He’s a monster. People don’t do that. And you know that he’ll get to you at some point, too.
“Do you really think that he’ll spare you forever? You might be useful to him now, but there’ll be a point where you make a mistake or he just gets bored of you. And I mean, why wouldn’t he? You’re nothing to him! He’ll find somebody else, somebody less damaged than you. And when he does, he’ll discard you, like you never meant anything. Because you don’t. Not to him.
“But if you help me out of here, we can go together. And we’ll get help, okay? He won’t hurt you anymore. You’ll be free, we both will,” she finished her little speech, breathing heavily, frantically, once she was done, and looking up at you with wild eyes, just hoping to get through to you.
There was no denying that she’d hit a nerve in you, but not in the way she had hoped.
Your brow twitched as you tried to keep your immediate rage at bay. 
Instead, you composed yourself with a couple of deep breaths, feeling Anna let go of your arms when she seemed to think that she was starting to achieve her goal with you. 
With a flourish, you pulled the long sleeve of your jacket up, exposing your inner left wrist to Anna’s questioning eyes, which widened almost instantly when she saw the tattoo on your skin. It was a black thin lined tattoo of a meat cleaver in front of a background that appeared almost ethereal, despite how minimalistic it was. But she quickly connected the dots. Cooper had a tattoo just like it, only that instead of a meat cleaver, it was a lamb at the centre. 
“I’m his favourite, you know? We got these tattoos about a year ago. He told me that he wanted something to represent me on his skin, as well, when I begged him to let me get a tattoo that would remind me of him. I didn’t ask him to get one, or make any sort of suggestion to wanting that. But he did it anyway. Because he wanted that reminder of me,” you explained the tattoos to Anna, who just looked at you in disbelief. 
With a pleased smile on your lips, you slid the sleeve back down to cover your arm again. 
“‘The Butcher’s little Lamb’ is what he told me when we got home after the tattoo appointment,” you told her softly with a wistful smile as you reminisced, “He let me go. But I stayed. I begged him to let me be useful to him. And he did, because I’m special to him.”
“You’re crazy,” Anna spat out in disgust at what she was hearing.
“And you’re nothing. To him, or me. Or anyone,” you retorted easily, “You see, in a few weeks, you’ll be nothing but a faint memory. And in a few months, you’ll be nothing but another number. And for me, you’ll be nothing but that beautiful bracelet you wore when he abducted you.”
This time, Anna had nothing more to say, it seemed, as she slumped back in defeat. You took the chance to finally pick your bag up again and go back upstairs, locking the door behind you to the sound of faint cries.
When you arrived at yours and Cooper’s house, you already saw his car in the driveway, making you feel excited to see him again. It was tough for you to be apart from him while he was working. 
Inside, you came to a sudden halt, though, seeing Cooper lean against the doorway to the foyer of your house, idly playing with his phone in his hands. You didn’t expect him to wait there for you, but instantly relaxed when you saw that he was smiling at you. It was one of his gentle smiles that always melted your heart, just like it did now.
“Hey, little Lamb,” he greeted you softly.
Feeling your heart flutter, your face brightened as you beamed at Cooper, walking over to him, as he pocketed his phone and loosely wrapped his arms around your waist, looking at you with a pleased expression.
“I heard what you were telling poor Anna there,” he whispered, “I thought I’d check on you two when I got home earlier, seeing as you weren’t here when you should have been.”
Averting your gaze in shame, you apologised, “I know, I’m sorry. I was cleaning the house and lost track of time, so I left later than usual. It won’t happen again.”
Cooper clicked his tongue quietly, using his left hand to gently take hold of your jaw and move your head to make you look back up at him. “Hey, it’s all right. I was just worried that something might’ve happened,” he told you soothingly.
There was nothing in the world that could compare to the feeling you got when Cooper showed that you were important to him. 
“You did a good job, you know?” Cooper continued, then, still speaking in a soft, gravelly tone, “She was out of line with all those cruel things she said to you. And trust me, I’ll make her pay for it very soon. I promise. I’m proud of you for handling it the way you did.”
Those words had such an instantaneous effect on you, causing you to feel hot all over, warm and fuzzy inside your chest as your heart seemed to swell with pride. 
“Thank you,” you giggled happily, unable to contain your giddiness. 
Praise such as this wasn’t something you were used to, and Cooper wouldn’t have said it if he hadn’t meant every word. You felt like you were on top of the world.
Cooper’s fingers were still gently wrapped around your jaw, now moving upward, his fingertips grazed your lips and cheeks before his palm settled and cupped your face. His dark eyes met yours. His gaze was soft, yet piercing nonetheless, and it took your breath away, just like it always did. There was no escape from his all-consuming presence. It was dominating your every sense.
Leaning his head further down, Cooper’s lips hovered above yours. “I think you’ve earned yourself a reward,” he whispered, brushing his lips against yours as he spoke.
You couldn’t do anything but make an excited sound in the back of your throat, while your hands were tightly gripping his shirt, where you held onto him on his chest, right below his shoulders. 
Amused, Cooper breathed out a small chuckle before pressing his mouth against yours in a lovingly heated kiss that conveyed just what kind of reward he had in mind for you. You instantly melted into the kiss, reciprocating it as best as you could while your entire body and mind felt like they were on fire. Even after a couple of years of this, it never ceased to amaze and overwhelm you. 
And when you later lay in bed, bodies intertwined and in their most natural states, your finger was lazily and gently tracing the lines of the tattoo on Cooper’s right wrist. The tattoo that was a reminder, a representation of you, for him. You couldn’t suppress the smile when the happiness you associated with that rushed over you.  
“My special little Lamb,” Cooper whispered, watching your dreamy face as you kept tracing along the tattoo, and pressed another kiss to your temple and then your cheek and your lips again. This time, it was a gentle show of affection, which you happily accepted, soaking up every moment of it.
Soon, Anna would realise just how wrong she had been about you and Cooper.
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monotone-artist · 1 month ago
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[id in alt]
some idw redraws
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braisedhoney · 1 year ago
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Draw your favorite ghost! Mine's Ember.
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“That would be me. Surprise.”
(ayyy flaming hair favs club :D)
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