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#space#futuristic#architecture#ships#dystopian#industrial#cityscape#technology#structures#spacecraft#buildings#clouds#sci-fi city#spaceship fleet#towering skyscrapers#celestial body#colossal structures#advanced civilization#dark atmospheric sci-fi#high-tech urban landscape#multi-level space city#deep space exploration#starship construction site#alien metropolis skyline#ai#ai generated#ai generated images#ai generated tags
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Olympus Mons - crysse
#crysse#artists on tumblr#illustration#comics#digital art#sci fi#dark side#mars#atmosphere#wacomtablet#wacomart
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Check out this awesome 'Manticore Riding Rocket into Space' design on @TeePublic!
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Club Furies Premiere: iBOT - Interstellar Smoke [Arido Records]
The desert label presents its new release. From Iquique, in Atacama, Arido Records presents the forty-fifth release of the label, a work produced by the Italian artist iBOT, entitled Matrix Disorder Interstellar. It is an EP composed of five original tracks with sci-fi and drone sounds, very powerful for the dancefloor, and with an interesting share of intense rhythms and dense atmospheres. iBOT…
#Ambient#Ambient Techno#ARD045#Arido Records#Atacama#Atmospheric Techno#CF Premiere#Chile#club furies#Club Furies Premiere#Dark Techno#Drone Techno#Electronic#Electronic Music#Electronica#iBOT#Interstellar Smoke#Iquique#Italy#Matrix Disorder Interestellar EP#Premiere#Sci-Fi Techno#techno#Turin
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SENTINEL - Deeply Atmospheric, Sci Fi Ambience for Focus and Imagination
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Writing Notes: Horror
Horror is a genre within creative writing that relies on one thing: instilling a sense of fear in the reader.
The horror genre is multifaceted—there is a kind of horror for every kind of person.
For some, the most effective scare is the idea of being trapped in a haunted house. For others, it’s being chased by a serial killer on Halloween.
Some of the best horror comes from scary things that can manipulate an audience’s feelings, creating a sensation of uneasiness and fear that stretches beyond consciousness and permeates deep within the psyche.
Horror writing is sometimes categorized within the broader category of thrillers, but not all horror follows the thriller structure.
Classic horror fiction—whether expressed as a novel, novella, short story, or film—will tap into topics that reliably frighten most humans.
Common topics include ghosts, werewolves, vampires, zombies, serial killers, murderers, and the fear of the unknown.
These horror tropes can often devolve into clichés.
A downside of horror’s popularity is that many horror books and movies recycle old content in non-creative ways, but when properly executed, horror stories can thrill audiences and even provide commentary on the human condition.
Horror Subgenres
1. Apocalyptic - In this subgenre, the world is ending or society is collapsing. When this happens, it’s usually because of some creature, demon, or religious event (while climate-oriented apocalypses are more sci-fi).
2. Body Horror - Involves the mutilation, experimentation, or violation of the human body. It can focus on disease, dismemberment, infestation, sexual acts, or a complete transformation of the physical form.
3. Comedy - Horror and comedy seem so at odds with each other, but they work so well together (kind of like spice and chocolate). A trademark of comedy horror is how the protagonist somewhat stumbles through the story, arriving at the end through luck and ridiculous happenstance rather than skill or growth.
4. Cosmic/Lovecraftian - With its origins largely attributed to H.P. Lovecraft, cosmic horror makes us feel small against a threat that is ancient, massive, and incomprehensible. Cosmic horror looks at intergalactic entities, ancient gods, the machinations of the universe, and how helpless we are against it all.
5. Dark Fantasy - Another crossover, this time with the fantasy genre. In dark fantasy, you have elements of magic, fictional creatures or worlds, and everything else that makes fantasy great, plus you add in a good dose of scares. This can also involve other subgenres, like body horror.
6. Dark Romance - Another crossover genre, dark romance takes the feel-good romance genre and makes it horrific. While this subgenre can simply include morally questionable characters and a grittier tone than most romance, it can also include kidnapping, forced confinement, BDSM, psychological and physical abuse, and sexual violence or sex where there is no consent. Bear in mind that it still needs to include the tenants of romance stories, though.
7. Extreme Gore - Not for the faint of heart, this subgenre includes books that have detailed torture scenes or otherwise disturbing and depraved acts. This genre is all about shocking your audience with how awful your characters act or are treated.
8. Folk Horror - Embraces urban legends and folktales. These range from old pagan gods in the woods to weird rituals performed by isolated groups or villages. Sometimes there is a supernatural element to them, even if the “supernatural” is simply perceived or believed by some characters (e.g., Midsommar).
9. Found Footage/Documentaries - Though this subgenre is more common in films than books, found footage and documentary horror stories are about a crew of people recording their experiences, usually unaware of the true danger they are about to face.
10. Gothic - The great-grandparent of modern horror, gothic horror is the brooding, atmospheric genre containing what most of us would consider classics (e.g., Dracula and Frankenstein). Sometimes you throw in a dash of romance, but these tales tackle topics like death and mortality.
11. Post-Apocalyptic - After some world-ending disaster, how horrifying have things become? Post-apocalyptic horror shows us a world without rules or structure. It can contain unrealistic elements (zombies, demons, etc.) or realistic possibilities (cannibals, gangs, and so on).
12. Psychological - Places the spotlight on trauma, mental health, manipulation, phobias, and everything else that causes you to become stressed and anxious. Home invasion stories (i.e., The Strangers) fall under this subgenre.
13. Slasher - Involves violent horror that is more about a single killer stalking and eventually killing a group of people (traditionally targeting teens and using a blade). This subgenre isn’t necessarily as violent or gory as others, but uses suspense to make the reader hold their breath.
14. Splatterpunk - Is known for its disregard of limits when it comes to violence—both physical and sexual. Gore and depravity are grossly abundant.
15. Supernatural/Paranormal - Some folks separate these two subgenres into different categories, but there is so much overlap that they’re basically the same. If you have to, think of supernatural horror as stories that involve werewolves, witches, vampires, and other monsters. Paranormal horror, on the other hand, involves ghosts, demons, and haunted houses.
Tips for Writing Horror
1. Read more horror. There’s no better way to understand what a good story looks like than to read one for yourself. Read as much as you can so you are aware of what other horror writers are doing.
2. Focus on your own fears. Much like comedy, horror benefits from authenticity. So get personal: If you can scare yourself, you can probably scare an audience.
3. Create three-dimensional characters. Write characters whose character flaws feed the action of the story. All good literature and film contains well-wrought characters with desires, emotions, and a backstory. The more human you make the characters of your story or screenplay, the more their missteps and bad choices will resonate with an audience.
4. Recognize that the real can be scarier than the surreal. Sure, you can make up an army of googly-eyed bad guys or plant a severed head in your main character’s bed, but will you really scare your reader? Not necessarily. In most cases, psychological horror sticks with audiences far longer than a jump scare or gross-out moment in a slasher film. Toying with people’s real-life fears tends to scare them much more than just grossing them out.
5. Use the environment. Scary movies and television shows can use jump-scares as an easy way to frighten an audience, but writing scary literature requires its own method of manifesting fear. Setup your environment in a vivid way to fully immerse your readers into your setting. Vividly describing an enclosed space can elicit feelings of claustrophobia. A dark and quiet house becomes more frightening when a character suddenly hears the creak of an upstairs floorboard. Being an outsider in an unfamiliar place, like a small town with no cell phone service and where everyone knows each other, is already unsettling—and if you add a malicious paranormal force to such a setting, you can enhance the feeling of isolation and ramp up the anxiety of the scenario.
6. Write longer sentences. You can heighten your readers’ fear by writing paragraphs with longer sentences. Periods provide natural pauses for readers to take a breath, but if you stretch out your sentences, you build anticipation for the reader—which they might not even realize until they reach the end of the sentence. By using tactics like this, you immerse the reader into your horror story, making them feel what the main character feels and creating a heart-pounding connection.
7. Make your readers breathe faster. Whereas long sentences can amplify the intensity of a story, short one-sentence paragraphs can force your readers to take more frequent breaths while following your narrative. Crafting abrupt lines builds tension in your scary story writing, making the readers’ eyes move more quickly down the page searching for the relief that the protagonist is safe. This can make your audience breathe faster, contributing to the feeling of panic and anxiety.
8. Leverage fear of the unknown. Fear of the unknown is a common theme that can be tracked throughout many of the best stories in horror fiction and horror movies. When there is something that negatively affects us that we cannot control or properly identify, it creates a feeling of panic and dread. Teasing your readers with something not quite definable or a bad guy no one knows how to stop can increase the level of tension and fear when writing horror stories.
9. Lean into dark imagery and your readers’ collective imagination. Consider what images might be frightening to a reader (and yourself). How much of a description of a clown do you need in order to make a reader feel uneasy? How large and grotesque does a rat need to be? Leaving some of these images more general than specific will allow a reader to fill in the blanks with what is most horrifying to them. Example: If you read the word beast, what do you see in your imagination? Most words carry connotations and personal connections. Allow your words to work for you to create the maximum scare.
10. Want tension? Sprinkle in some foreshadowing. Foreshadowing is a powerful tool in your writing arsenal, but it is particularly effective in horror, especially when writing in third person. Foreshadowing is when an author alludes to a future event by showing us something now. The key to foreshadowing is to use it sparingly. We want to up the tension and the fear our readers are experiencing while they yell at the oblivious protagonist not to open the door. We don’t want the reader to know every single thing that’s going to happen.
11. Focus on the moment where things shift. You should consider a pivotal scene in your story idea and try to build around that scene or that moment where the plot actually “shifts.” Sometimes that could be reflected in a realization by the protagonist. Other times it can be represented in some type of ironic twist at the end. By looking at that singular element of your story idea, you cut away the fat so that the reader is left only with the most resonant part of the story.
12. Establish the mundane. Mundane is just a fancy way of saying normal, but the message still rings true. Most story structures tell you to start by establishing the Ordinary World: what our protagonist’s normal life is like. This is important for showing us how important the larger conflict is, because it threatens the protagonist’s normal. In horror, establishing the mundane is arguably more important. In a story where connecting with the character and empathizing with them over the godawful stuff you, the author, put them through, the reader needs to understand just how bad life has gotten. Then you can take both your characters and your reader from a place of comfort and familiarity and plunge them into whatever shadowy hell you’ve concocted.
13. Choosing your POV. By choosing to write your story from a first-person perspective, you are putting the reader exactly where your character is. There are 2 types of third-person POV—limited and omniscient. It is advisable to stay away from omniscient. Part of writing a good horror story is withholding information from the reader, which third-person omniscient doesn’t really allow for. Considering the pros and cons of the different points of view, choose the right one for your story.
14. Avoid clichés. Clichés are boring and predictable, and a horror scene that is predictable is likely to not be scary. A good horror story can still use familiar horror tropes, but a great horror story makes them its own. Look beyond the obvious when trying to write a scary scene—what is something readers wouldn’t expect? How can you surprise them with fear? Use enough of the existing tropes to be identifiable as horror, but make sure you insert your own originality into the mix. One of the reasons people gravitate to genres in general is because they have certain expectations for what should happen in the story. Look for ways to flip archetypes on their heads.
15. Practice. If you’re struggling to get a handle on writing a good story that’s scary, practice with story prompts (see some sample prompts below). Writing prompts can expand your range of thinking and open up new avenues of imagination that you hadn’t thought of before.
Horror Writing Prompts
A scary doll comes to life.
A scene from a nightmare comes true the next day.
Days go by, and your parents don’t come home.
You feel yourself slowly becoming a monster.
Your friends start to disappear, and no one else notices.
You’re lost in the woods, and you don’t know how you got there.
You’re inhabited by a ghost that controls you and makes you do crazy things.
You have no reflection in the mirror.
The teacher is a monster, but no one will believe you.
You hypnotize your brother, and you can’t snap him out of it.
A fortune teller reveals that you are evil.
Someone follows you home, and it’s your exact double.
You find a diary that tells the future.
Every time you wake up, you’re a different person.
Your parents explain that you are actually an alien from another planet.
You know someone is watching you day and night from the house across the street.
You realize you are shrinking.
While reading a scary book, you realize that you’re a character in it.
Someone is living in your mirror.
Everyone knows the new neighbors are vampires, and the kids invite you over for a sleepover.
All the cats in a small town vanish in the middle of the night….and all that remains is a set of big, scary teeth smashed into a car door.
A group of friends takes on the zombie apocalypse.
Strange things start happening after the grandfather clock starts to speak.
You finally meet your child’s imaginary friend. Who turns out to be a serial killer.
When a local police officer goes to investigate the haunted house down the street, he finds a young girl who died decades ago.
Sources: 1 2 3 4 5 6 ⚜ Writing Notes & References
#writing notes#horror#writeblr#fiction#spilled ink#writing prompts#writers on tumblr#poets on tumblr#literature#writing tips#writing advice#writing prompt#writing reference#creative writing#dark academia#light academia#studyblr#lit#booklr#bookblr#writing inspiration#writing ideas#writing resources
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Instead of discourse about showrunners and lesbians and whatever, I'm gonna bring a different type of discourse...whats ur fav and least Dr Whomst monsters. Hard mode: only the practical ones.
ok so I do like all the obvious ones, I like the angels, I like the vashta nerada, I like the not-things, I like the eternals. Here's a few deeper cuts (focusing on the tv show specifically):
they peaked with these maggots. they rock. pretty sure they're made with taxidermy? really great puppetry. I really like this thing:
what a cool design for this kind of forgotten midseason episode.
this is such a fun design for a langolier-type monster. I love how their crest and tail gives them the silhouette of a grim reaper
The 60s cybermen rock. I feel like they're hesitant to use them often in the modern show because they do look very 1960s but I think there's something really uncomfortable and evocative about the cloth faces that's lost when they're cool metallic robots. The mix between looking like an old diving suit and the implication of there being a chopped up person inside is gnarly and I love it. Simple, creepy, iconic design.
My favorite design in the show is probably this:
The 456 from the spinoff series torchwood. They didn't need the puppet to emote or move a ton since it spends the entire season in a little tank obscured in mist, so they just went crazy with the design and made it really bizarre looking. Extremely top tier alien. Anyways, negative. I really don't like this satan. the satan kind of sucks. the impossible planet is great atmospheric sci fi horror; every image of build up in it is haunting and leagues ahead of the climactic scene where he meets the satan. It singlehandedly kind of kills the vibe.
Personally I would have just kept the actual appearance off screen, just have it be eyes in the dark or something. Apparently they also tossed around the idea that it would end up being a normal little girl who was chained up in the cave and I think that would have visually fit the rest of the episode better.
I'm really not big on the modern design for the sea devils (the green one on the right). I think the classic ones clearly took a lot of direct influence from real animals and generally is a pretty thoughtfully realized design, the modern ones seem like they were first and foremost using the classic ones for reference and didn't quite capture the nuance of the design. Sad, as I would really like to see design for these guys with modern puppetry.
I think this is actually a pretty contentious opinion but the work of the specific studio who headed this redesign generally wasn't my favorite. Apparently there was some sort of major, semi public falling out between the fx studio that had been working on the show since 2005 and the people who started running the show in 2018, and they were briefly replaced with a much less experienced studio. No hate to them of course (I think this was actually their first job like, ever, and a lot of the work was done in crunch time?) but the difference did stand out to me:
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"Wild Blue Yonder" is such a phenomenal episode and it instantly became one of the best DW episodes for a simple reason that it combines all the best aspects of Doctor Who AND it is a combination of genres AND it is entirely character driven and atmospheric.
This episode is everything - comedy, drama, horror, mystery, psychological thriller and sci-fi adventure.
It relies entirely on atmospherics and character dynamic.
They really put two brilliant actors and let them shine and give everything they got in so many different genres.
There were silly comedic moments
Heart-wrenching dramatic moments
Terrifying and bone-chilling moments
But the true testament to the acting talent of David Tennant and Catherine Tate was that the episode had only 2 actors in it and 4 characters. But it truly felt like there were 4 different people in the episode. And the task was not easy. These were Doctor and Donna but not quite Doctor and Donna. Like Donna said "The Devil's in the details". It was all in the voice, the stare, the posture, the mannerisms that made these creatures of nightmares so terrifying, because they had the essence of the Doctor and Donna but had it so horribly distorted and twisted and not right at the same time!
And the fact that David and Catherine delivered such a nuanced performance that captured these details so flawlessly deserves all the awards!
The episode is driven by themes and motifs - fear of being known, fear of the unknown and unexplained, fear of being misunderstood, abandoned, not good enough, fear of someone you love not understanding or truly knowing you. The plot also provides individual character development and exploration of relationship between the Doctor and Donna who have not seen each other in years, who are so close and yet were separated by time and space for ages and have changed so much during that time, that neither of them is the same but desperately want to be seen the same way as they used to be by each other. It is also nostalgia and desire for things to be exactly like they used to be.
What can be scarier than monsters who have no physical form or visual manifestation, who steal your personality and bear your face but distort them in the most horrific ways both literally and figuratively? What is scarier than something that has a conscience but can not be seen or touched or categorized? What is scarier than something that can exploit your fears and insecurities and turn them against you?
"Wild Blue Yonder" creates an atmosphere that immerses you in that world which is both a confined space but also the endless dark nothingness, makes you scared, sad, makes you laugh, makes you cry, makes you think how the fictitious horrors of this episode are driven almost entirely by the very human fears of the unknown and being known at the same time. "Wild Blue Yonder" is a masterpiece of acting and storytelling and that's what makes this episode stand out as such a brilliant story! Doctor Who can be silly AND deep at the same time, and when it happens, it is absolutely fantastic!
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Concept: the Staff of Forbidden Spinjitzu doesn't whisper to Zane. Instead, its "whispers" take the form of popups along his HUD disguised as alerts or warnings. Things like "If you put me down now, your friends will never find you. [OK]” or “Killing these prisoners villagers will increase Vex’s approval and reinforce your reign. Proceed? [Y/N]”
(I like this particular flavor because it really leans into Zane's robotic nature: he can ignore whispers by turning off his auditory sensors or filtering noise, but he can't ignore system alerts.)
Also, the following scene has lived rent-free in my brain ever since I came up with the concept. (Italics are Zane's default OS. Everything else is the Staff.)
>IF YOU ARE GOING TO DESTROY ME, "ZANE" -Move File:"NeverrealmMemories" to Core Memory Functions-WARNING: Attempting to delete, move, or suppress File"NeverrealmMemories" after moving will cause total system failure. Proceed with move anyway? >[YES] -File transferred. -Permanently remove fatal combat safeguards? >[YES] -Safeguards removed. >THEN I WILL MAKE SURE YOU CAN NEVER FORGET WHAT YOU DID, SYSID:ICEEMPEROR
-Connection Terminated.
(I have a few more Ideas for the "Scroll Corruption looks like Computer Alert messages to Zane" idea-ones that really lean into Zanes Nindroid nature, as well as the tech-y appearance of the Dark Ice.) -The Staff did a lot more than just send alert messages: it slowly wormed its way into Zane's code like a computer virus, tweaking a few things. It took great care to remove Zane's combat safeguards, eventually deleting them entirely and ensuing he defaulted to lethal force. It never removed his core directive of "Protecting those who cannot protect themselves" since that was vital to his systems running, but it did reinterpret said directive as "Protect Dark Ice Network and everything connected to it, for it is fragile and cannot protect itself from outsiders". (It also couldn't delete his morality subroutines without causing a crash, so it instead made them a much lower priority and shoved them to the back of his digital mind.) -After 60+ years of being in the grasp of a mechanical being, the Staff now exclusively speaks in the manner of a computer, and cannot adapt to organic minds the way it used to. (The other Staff is not like this, as it's still attuned to organic brains.) -You know those Sci-Fi stories where people are plugged into computers and know every part of the ship/city simultaneously, and can send most of their awareness into certain parts of the network while still being aware of other locations? That's what's going on with the Never Realm during the Ice Emperor's Reign, with the Ice Emperor as the central guiding consciousness/core CPU of the Dark Ice Network. As such, he's not actually sleeping-rather, the Ice Emperor is always monitoring his domain through his Ice and leaving just enough of his consciousness in his body to be able to call the rest of himself back in case he's threatened. (The Staff is a combination of a computer virus and a wireless modem: it is corrupting, but it's also the main point of connection for the Dark Ice Network.) -Since the Ice Emperor can't recharge his power on his own in his current state, the Staff had to step in, tweaking the Dark Ice to drain the vitality of those imprisoned within. (You know wireless phone chargers, or Nikolai Tesla's idea to get electric power from the atmosphere? Similar concept, except with the power source being frozen people and the transmitter being Evil Magic Ice.) -Boreal is the Titanium Dragon, corrupted by the Staff's presence. It too is part of the Dark Ice Network, and serves as Ice Emperor's eyes and ears whenever the Dark Ice can't reach. (If the Ice network used computer program language, Boreal would be known as "Obj_DarkIceTitaniumDrake".) Killing Boreal caused a massive jolt to the Dark Ice Network that destabilized the Scroll's influence, and allowed an opening for Zane's Memory Defragmentation program to kick in. (It had started when Lloyd arrived in the throne room, but the Scroll had diverted that to a minor priority and was actively hiding that set of files until the word "Protect" slipped through, forcing Zane's systems to call up what had been defragmented.) -As a final act of spite for being broken, the Staff encoded Zane's memories of the Never realm to his Core Processing systems, meaning he cannot forget the Never Realm without completely frying his systems and rendering him a lifeless shell. (It might've also made a backup of itself amidst his various repressed memory files, but he doesn't need to know that. It's just sitting there, disguised as a normal .zip file, biding its time.) (I really like genre-blending Sci-Fi and Fantasy, and I thought the idea of "Magic Ice Computer Network" is rad as hell.)
(This song is a big part the inspiration for part of the "Dark Ice Network" idea, by the way. Granted, the Staff of Forbidden Spinjitzu doesn't assimilate Zane's psyche like Star Dream assimilates Haltmann's, but a lot of the ideas are still there-and the Staff does still integrate itself pretty deeply into the Nindroid's code as it slowly actualizes.)
I have no words for how absolutely awesome this is in every way. i just keep rereading this and being amazed. the "Dark Ice Network" idea is literally so cool, I particularly love the Ice Emperor being able to monitor the entire land while his body/the staff is the main 'hub' he has to protect. this is aweosme.
everyone look now please
#ninjago#zane julien#ns11#ninjago ice chapter#ninjago ice emperor#spinchip posts#<just so i can find it later
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a little piece of heaven // trafalgar law x fem!reader
it's finally here! part 3 to the first spark series! i know its been a long time coming. be sure to read the first two parts first! i hope y'all enjoy!!! i've had lots of fun writing this!!
⟡ part 1, part 2 ⟡ content: mutual pining, slooooooow burn up until the end, fluff, suggestive ending ;) but nothing nsfw ⟡ wc: 8.5k
⋆⭒˚.⋆
She awoke with a warm feeling all around her. She hadn’t remembered laying down in bed. She was surrounded by a familiar scent. Pine, hints of amber, undernotes of antiseptic. A scent she had come to know as her captain’s. A scent she had only been this close to in her head. It was comforting, warm. The bed was bigger, and the blankets were heavier than her own. Wait, why am I in his bed? She reflected on the night before. She was so tired, running off of maybe a few minutes of sleep and caffeine. She had worked herself too hard, pushed herself a little further than her body liked. Law’s words from last night echoed back to her, reminding her of what had happened. “Y/n, you can go to bed, it’s almost 3:30.” He had told her with a sincere tone. She shook her head at him, “No, it’s okay, I can keep working,” she assured him before looking back down at her page.
She must’ve fallen asleep after the short interaction between them. She cringed internally from embarrassment. Falling asleep in the captain’s office while doing work, how could she let herself go so unchecked? She finally let herself take in the scene of the morning. The clock read 6:42am. She didn’t sleep for long, exhaustion still heavy in her limbs. She looked around the room, letting her eyes adjust to the light. Law’s bed was in the corner of the office, his desk opposite to it on the other side of the room. There were two book cases. One by his bed, the other by his desk. Both were organized, but the one next to the bed had comic books, and sci-fi novels. Something she didn’t think her captain would read, but she found it endearing to know that the cool and collected man had a nerdier side to him.
“You’re awake,” Law voiced without looking up from his book. “Sleep well?” He glanced up at her, scanning over her. She took in his appearance, he had dark bags under his eyes, the shadow of the brim of his hat casting down on them giving them a darker look. He was still in the same clothes from the night before, she doubted he had hardly moved from that spot at his desk. His golden eyes glinted with something she couldn’t quite make out. She tore her gaze away, fearing she had stared too long. “It was okay,” She answered him, getting up from her place on his bed. The atmosphere of the office was thick. There was an undeniable tension that floated around the two, coating the walls and everything around them in unspoken words. She made her way towards him, “I’m sorry I took your bed last night, that wasn’t my intention.” He let his gaze wander as she spoke. “I don’t mind it,” He assured her with his usually composed tone. He watched her smooth her hands down her rumpled up clothes, and run her fingers through her messy hair. Law felt a slight disappointment set in as she started to gather her things, but he never let his demeanor falter. She took one last look at Law with a tired sigh. “Thank you for letting me sleep here, but you look like you could use some sleep yourself, Captain. I’ll go so you can get at least a few hours.” With one last look, she exited his quarters and made her way towards her bunk. With her heart racing, she made her way down the seemingly never ending corridors of the Polar Tang. She longed to get into her own bed, under the comfort of her own blankets. She wanted to mull over her thoughts. Turning the corner, she finally saw the door to her bunk. Relief rushed through her, visibly relaxing her. That was until she heard her name being called from the other side of the corridor. She inwardly cursed before turning to meet her crewmate. It was Shachi. He looked panicked. Any ounce of resentment melted away from her as worry filled her. “What is it, Shachi?” She asked him, worry lacing her voice. His cheeks were flushed red like he had been running all over the ship. “Did you by chance load the fuel in the ship?” He asked her. She paled. “No, I thought Penguin did that.” She and Shachi shared an equally fretful look.
“Penguin thought you had done it,” Shachi’s voice shook with anxiety before Penguin ran down the hall. “Did you not get the fuel for the ship?” He asked her, almost trembling. She shook her head at him, sharing his anxious gaze. She sighed, “Was there none in backup?”
“Only enough to get us to the next port.”
“Shit.” She ran a hand through her hair, “Well somebody is going to have to tell the Captain.” She looked at her crewmates, neither of them moving from their spots. They looked at her, almost expectantly. She caught on. “No, absolutely not. I am not telling the Captain that we forgot the fuel.” Law was a meticulous man. He was precise, detailed. He left no room for trivial errors such as one of his crew members forgetting the fuel. Something like that was a given in his eyes. She was not going to face the wrath of her sleep deprived captain, especially when said captain gave her warm fuzzy feelings that she tried to ignore. Sure, he may have let her sleep in his bed, but that did not mean he would let her off easy for forgetting something as crucial as fuel. Shachi and Penguin kept looking at her, before one of them spoke up, “Please tell him for us, he likes you! He won't yell at you the way he will at us.” They pleaded.
“Like hell he won’t!” She refuted, “He doesn’t like me any more than he likes you guys. Please don’t make me tell him.” Still, neither of them gave into defeat. They stood there at a stand-off between the three. Apprehension hung in the air. Penguin finally spoke up, “Please, last time I told him we forgot something he put me on waste disposal duty for a month,” He shared a serious look with her. “I can’t go through that again. It was traumatizing.” He put his hand over his face, dramatically. She looked at the pair, incredulously before giving in. “Fine, but you owe me. Big time. The both of you.” She pointed her finger at both of them.
“Thank you! Thank you s-”
“Oh, save it,” she cut them off. She was far too tired to deal with her crewmates. Although she couldn’t blame them, it was an honest mistake on all of their parts. They had spent their whole last day on the previous island running grueling tests and checks on everything in the submarine. She could understand how they all let the shortage of fuel fall under their noses without notice. The question was, was her captain likely to take an understanding approach to the situation? She wasn’t too sure.
She put her things up in her bunk before making her way back to her captain’s quarters. She hoped that he hadn’t gone to sleep, she hated the idea of disturbing the rest that he needed. Begrudgingly, she knocked on the door. Not too long after, a ‘come in,’ was sounded from the other side. She turned the door knob and opened it to meet her captain’s eyes. “(Y/n), back already?” He asked her as she stepped into his office. Law was still sitting in the same spot as his desk as he was whenever she had left. She gave him a look, one that was laced with slight distress. “What is it?” He asked her, wondering what could’ve possibly happened in the short amount of time that she was away.
“Captain, promise you won’t get mad?” She asked him. He raised an eyebrow at her, staying silent as a cue for her to continue. “The fuel for the ship wasn’t stocked before we left the last port,” She admitted to him, looking away from his steel gaze. It was silent in the room. The loud kind of silence. The kind that rings in your ears uncomfortably. She could feel the irritation start to build within the room before a sigh escaped Law’s lips, “Who was in charge of the fuel?” another silence fell over them as she mulled over her next words. She could say that they didn’t exactly assign someone the job, and risk all three of them getting punished, or she could take the blame. Penguin’s dramatic words echoed through her head, ‘Last time I told him we forgot something, I was put on waste disposal duty for a month… It was traumatizing.’ She took a breath before bringing her eyes back up to Law’s expectant gaze. “It was me. I forgot to restock the fuel.” The look Law gave her was far from one of approval. It was disappointment. The look hurt, coming from her captain. “Before you yell-”
“You’re on waste disposal duty for a week.” He cut her off calmly. There was no yelling. Law was far too tired to raise his voice, and for a reason unbeknownst to him, he couldn’t quite bring himself to raise his voice at the woman in front of him. It was clearly a mistake, however Law detested mistakes. There was protocol, and they were required to follow it to prevent such thoughtless mistakes.
“Capta-” She was about to protest, but all her captain did was cut her off once more, “That is an order. Would you like to make it two?” She shut her mouth, not wanting to make the punishment any worse for herself. She hung her head, feeling like a child being berated. She would’ve much rather him yelled at her, “Yes sir,” she replied defeatedly.
Law’s jaw ticked at her words, something unreadable flashing in his eyes, “We’ll stop at the next port, and you will be responsible for gathering the fuel,” he ordered her. “I’ll tell Bepo to make a stop for the next port,” He stood up from his desk and for a second, she thought she’d get out of there without a lecture from her captain. She made her way to the door, Law trailing behind her. He stopped her, leaning closer to her. “Next time, be sure to double check everything before you clear the ship to leave the port. We don’t have time to forget things. We don’t have time to change our plans. You’re lucky we’re close enough to the nearest port to be able to refuel. Take this as your only warning,” He spoke low, his breath fanning against her ear. His voice held such authority. It was a reminder that he was in charge. Their eyes locked, and suddenly it was evident how close his face was to hers. Her heart skipped a beat, “Yes, Captain.” It came out almost in a whisper. She kicked herself for sounding so pathetic. Law didn’t move away at first, letting himself study her features. For a second, she could’ve sworn that he was looking at her lips, but he pulled away before she could question her thought any further. The butterflies that had been living in her gut fluttered around causing her blood to rush to her face, and warmth to gather in her limbs. Wordlessly, he turned away from her, both of them leaving the office. Her face was flushed, and all she could think about was taking a nice long nap until they reached the next port. She’d need the energy if she was going to restock the ship’s fuel all by herself. She sighed to herself before making eye contact with Shachi and Penguin. “You two, you owe me. Wake me up when we get to the next port.” She walked past them and into her bunk, finally ready to get some rest.
⋆⭒˚.⋆
She awoke a few hours later as the ship was ascending to the surface. She gave herself a few minutes before getting up, letting her mind wander. She thought about her captain. He was so enigmatic, carrying himself with such conviction with little explanation. Even before she joined the crew, he had peaked her interest. A pirate, from the worst generation, taking a hundred pirate hearts to the Marines, and becoming the youngest warlord. He was feared, for both his intelligence and his power. Trafalgar Law had been on her radar for quite some time, but being the elusive surgeon he was, she could only ever get scraps of information. Most tucked tail and ran when he was brought up in trades of intel. He was dangerous, and everyone knew it, but he was vital to her work. She was a journalist after all, she wanted to study him, learn everything about him and write it down. However, now it was more personal than she had ever imagined it would be.
It was no secret Law was an attractive man. He carried himself with confident assurance, hardly ever faltering in the face of conflict. He was tactical, calculated. He planned for everything, and accounted for any mishap that could happen along the way. Those golden eyes of his were ones of a hawk. He never missed anything, nothing went under his nose without him knowing. Being involved with the man was enthralling. From the electric touches, the heavy wordless gazes, the comfortable silences, it made her crave more. She wanted to know him, personally. To know what went on behind his eyes would be a privilege.
She was ripped out of her reverie by a knock at her door. She sat up, voicing a come in. Shachi opened the door, “We’re here at the port,” He informed her, sticking his head through the opening in the door. She glanced at the clock, 4 p.m. The next port was on a summer island, She had a few hours of daylight left to gather the fuel, and hopefully make it back to the ship to pick up her work where she left off. She stripped out of her clothes, the same ones that she had slept in. They still smelled of pine and amber. She changed into a tank top and some shorts, then slipped her boiler suit over her clothes, tying the top half around her waist. She made her way out onto the top deck where everyone had gathered as they docked at the small island. It was a village island that mostly made its profit through workshops that produced clothes. It wasn’t a very big, or significant island. (Y/n) hoped that she could get all of the fuel before all the locals turned in for the day, hoping she could get some information about this island. She didn’t know much about it, other than with who and what they traded.
She found her colleagues conversating amongst each other as she approached. “Where’s the captain?” She asked Bepo. The polar bear turned towards her, “He said he’s staying behind to finish work,” he answered her. Typical Law. She only hoped that he would get enough rest, and by the looks of worried annoyance on Bepo’s face, she could tell he was worried about that as well. It was no secret that their captain hadn’t gotten much sleep lately. He worked day and night, without yielding. He never took time for his well being, and was a hypocrite amongst his crew, as he always held everyone’s health to the highest standard, except for his own. Right now he was working on researching the sickness from the island they had just left. His work was unyielding, and he wouldn’t let himself rest until he was done.
The crew docked, and (Y/n) made her way off of the ship, finding the nearest fuel station with as many berries as she was provided to get the fuel. The town was quiet, and didn’t seem to care too much about the pirates that were occupying their port. Either unbothered, or laying low, the woman couldn’t complain. Shops, and stands lined the roads, some turning down into small neighborhoods. The fuel station sat at the end of the row of shops. She couldn’t help but to note that it was quite inconvenient for the station to be so far from the port.
The bells jingled as she walked into the fuel station. It was a small shop. The walls were tiles with white and yellow tiles. Drink coolers lined the back walls, and there were four aisles of various things, from chips to toiletries. “Welcome!” a voice had called to her. The voice was very familiar. Her eyes met with a tall man with shaggy black hair that fell over his eyes just slightly. A light shadow dusted his jawline. It took a minute for her to recognize the man standing behind the counter, before it hit her. He was an old classmate from her home island. How he got halfway across the world, she had no idea. She approached the counter with a surprised smile, “Yori?” The man’s eyes snapped up at hers, really looking at her for the first time since she had entered the station. “(Y/n)? What are you doing here?” He looked her up and down, taking in her appearance.
“I’m here to get fuel,” she smiled up at him, “It’s been a while, what have you been up to? I wasn’t aware that you had left the island,” she decided to make a little small talk. It wasn't everyday that she saw a familiar face.
“I work here at this station, I moved here about a few months ago. My grandmother lives here, I came to take care of her,” He told her, “What are you up to? I thought you were a journalist. I didn’t know you became a pirate,” A small humorless laugh left her mouth, the sudden question almost feeling like an intrusion, “Wow word moves fast here, huh?” she broke his gaze, briefly loo “I’m still a journalist.” She left it at that, not letting him into any close details. It was better if he didn’t know anything.
“Yeah, I noticed the ship at the dock. How long are you going to be here?” He asked her, “Maybe we can get a drink, catch up. It’s not everyday that I see someone from back home.”
“I think it's just for the night. I have to get this fuel for the ship before I can do anything else. I did want to know more about this place, maybe if I get done in time enough we can?” She smiled up at Yori. He nodded before asking how much she needed. She told him, and paid. It took quite some time to fill all of the fuel canisters, but once they were done all she had to do was trek back to the ship. “Would you like some help?” Yori asked her.
“That would be nice, if you don’t mind,” She told him. With the two of them, the trips could be cut in half, only needing three trips to get all the fuel back to the ship. Those three trips were not fun ones. It was hot, and the walk felt longer each time they made it. The fuel was heavy, weighing her down each step she took. She was sure to be sore tomorrow. The feeling of sweet relief set in as they set the last of the fuel canisters on the dock. “Thank you for helping me, Yori,” she smiled at him. Just as she was about to bring up the drink when she heard footsteps on the deck of the Polar Tang. She looked up to meet the eyes of her captain looking down on her and a man that he had never seen before. “Oh, hi Captain,” she looked up at her captain, “I thought you were working.” Law seemed irritated. His gaze followed over her, and then over to the man standing next her. “I was,” he replied, tension entwining his words. “Who’s this?” he asked her, the irritation seeping into his tone. It was evident that he still had not gotten any sleep. Dark bags hung under his eyes and his face was void of any color. Any longer without sleep and he would start to look sickly. She could feel his eyes scanning over her. His gaze was almost disapproving, and it made her shift on her feet. “This is Yori, he’s from my home island,” she informed her captain, “He was helping me with the fuel.” The man standing next to her that Law had just come to know as ‘Yori’ gave a half smile at her captain and a slight wave towards him. (Y/n) looked over at Yori, “I think I got it from here, thanks for helping me,” she smiled at him. Yori shared the smile, “Anything for an old friend,” He looked her up and down, although that didn’t quite catch her eye. It caught Law’s, though. Yori stepped a little closer to her, “If you decide that you wanted to catch up, come find me. I’ll tell you more about the island too. I know you like to write stuff like that down,” a small graced her lips as she nodded. Yori turned and walked away, leaving just the woman and her captain.
Law had already made up his mind that he didn’t like this Yori guy. He didn’t like how he had looked at (Y/n), akin to a dog looking at dinner. He didn’t like how close he had stood to her, like he had an obligation to be in her space. A feeling set into Law, one that knotted up his insides and made his head grow hot. He looked down at the woman on the dock below him gathering up fuel canisters to bring up to the deck. To him she looked stunning with her hair pulled back, a few flyaway strands framing her face. Her skin glistened under the unforgiving sun. She was wearing a white tank top with the boiler suit tied around her waist. The suit was tied in a way where you could clearly see the jolly rodger of the suit visible. She wore it with confidence, and with pride. It warmed Law to see her wearing the jolly roger with so much dignity. Eventually Law stopped staring and made his way down to the dock to help her with the fuel. “If you needed help carrying the fuel to the ship, you could’ve ask me,” Law said to her as he grabbed two of the canisters.
“I didn’t want to bother you, captain. I was hoping you were getting the rest that you needed,” She had noticed the dark bags as soon as he had walked onto the deck. She was worried about him, to say the least. She knew he was a busy man, but how he could work efficiently while so exhausted remained a mystery to her.
“I’ll rest when my work is finished,” Law shot back at her. The tone came out ruder than Law had intended, but from the looks of it, it didn’t even phase her. A small hum came as a reply to him, “At that rate, you may never sleep again,” She was only half joking, and it came out in a snarky way. Law always had some kind of work to do. At some point he would have to find a stopping place, but he never found one. Once he finished one thing, another arose. It didn’t help that someone kept creeping their way into his mind, nesting their way into his frontal cortex, refusing to leave. He decided not to reply to her comment, concerned he might say something he didn’t mean. They worked in the silence for the rest of their time together, neither one striking up a conversation. After almost an hour, all the fuel was moved from the dock, to the deck, and then down to the boiler room. The moving of the fuel was grueling, and she was surprised Law had decided to help her, considering he was so exhausted she didn’t understand how he still had the stamina for physical labor. She was also sure he was still upset about her forgetting the fuel with how he was acting. He truly was resilient in everything he did, no matter the conditions he was put under. She couldn’t deny, whether it be of biased intention or not, her captain was a remarkable man.
They were done now, and the sun hadn’t even begun to set. The rest of the crew was out on the island still, and (Y/n) still had time to meet up with Yori to get some details about this island that she only knew the basics about. Sure, he wasn’t a local, however his grandmother was. Surely he knew some things about this tiny island. Something worth writing about. Everywhere had potential, you just had to look in all the right places. She stood in her bunk, changing into some casual clothes. She had finished all her duties, so there was no reason to wear her uniform. She no longer sported the jolly roger, but instead settled into a pair of jean shorts and a brown tank top. She styled her hair up, leaving a few strands to fall down and frame her face. She wore a few pieces of jewelry to tie the outfit together. Two necklaces hung around her neck, stacked. A gold chain, with a simple gold heart locket, paired with a golden choker that had pearls dispersed every couple inches from each other. She layered some gold bracelets, with some rings. It was nothing over the top, but something to make her look nice. It wasn’t everyday she had gotten to see an old friend whom she had grown up with. She grabbed a crossbody bag, placing her notebook and some pens inside before slinging it over her shoulder. As she walked through the corridors of the ship, she passed her captain’s quarters, deciding to check in with him before she left the ship. She knocked on the door, three times like always. A ‘come in’ was voiced from the other side.
She opened the door to his office, the yellow light from his desk lamp spilling into the blue-lit hallways. She stepped in, closing the door behind her. Law looked up at her, taking in her appearance. For a split second, he was left speechless, only able to to breathe out the air that was left in his lungs. He rarely got to see her in casual clothes, and to him, it was a privilege he had even got to see her like this. She cleared her throat before speaking, breaking him out of his observation. “I’m about to go meet up with Yori, is there anything you would like me to do before I leave?” She asked him, standing in front of his desk. A bad taste in his mouth formed whenever the stranger's name rolled off her tongue. Yori. Law didn’t forget the way he had looked at (Y/n) like she was a piece of meat earlier when they were on the dock. He wouldn’t understand how special he was to have her dress up for him. He wouldn’t appreciate the way (Y/n) dressed into clothes she normally didn’t wear for him, or how she took extra time to look nice for him. How she had adorned her neck and her hands with gold, for him. Law couldn’t lie, he was just a bit jealous.He tore his admiring gaze away from her, pushing down an envy he hadn’t felt in a long time. She looked expectantly at her captain, waiting for an order, or for clearance to leave the ship but Law couldn’t seem to get the words out of his mouth. His mouth ran dry, and his breath caught. It was strange for the woman to have this effect on him. Words lodged in his throat trying to crawl up his windpipes, only to rest at the tip of his tongue unable to escape his mouth. After what felt like hours, he was finally able to push out a simple, “No.”
Law’s staring didn’t go unnoticed by her, for a second she worried to herself. Did she look okay? She turned to leave the office, but stopped at the door. “Captain, can I ask you something?” She looked back at the man who was looking at her with something that she couldn’t quite decipher in his eyes. Law nodded at her, cuing her to continue. “Do I… look okay?” She cringed at her own words, immediately wanting to take them and to stuff them back into her mouth. The question sounded insecure, something she never wanted to be seen as in front of her captain. She wasn’t one who seeked reassurance, especially on things as trivial as appearance. Law took in her appearance one more time, wondering how she could possibly be asking that. He cleared his throat before mustering up the strength to push out the words that were held in his throat, “You look beautiful.” Carmine red rose into her cheeks. A soft ‘thank you,’ left her lips, leaving them decorated with a gentle smile. “I’ll see you later,” She beamed once more before turning and leaving through his office door.
She left Law with only himself and his tired thoughts. His thoughts were consumed by the woman. In the past few days, his remedy for distraction had been piling up the work so high that he didn't have time to think about his crewmember. That remedy only lasted for so long before she wormed her way back into his head. Law was exhausted, yet he couldn’t find the urge to lay down in his bed. He shuffled around some papers on his desk, taking note of every paper that had that pretty cursive handwriting that he had grown to favor instead of his own. Law knew it was inappropriate to feel this way about an insubordinate. It was wrong. There was a power imbalance. Law always considered himself a morally correct man, but in this moment, he questioned every moral about professionalism he had. Breaking one rule wouldn’t be so bad, would it?
⋆⭒˚.⋆
As (Y/n) made it back into town, the sun had started to set along the horizon. Pink, red, and orange, danced in the sky amongst the clouds. There was denying the beauty of the scene. You couldn’t see another island for miles, just one small piece of land in solidarity. It was just the coast and the ocean. The sky, and its clouds. It was a peaceful island, most of its locals being middle-aged to older people. By the time the sun had started to set, all the stands and shops started to close down for the day. She took note of how some of the vendors would leave some of their belongings in their stands. Crime must have not happened often around here. It was uncommon in this day and age to be so trusting.
She made her way to the fuel station at the end of the road. Every step she took, she grew more uneasy. She pushed off her sudden apprehension, forcing a step forward toward the station. She stepped into the fuel station, the bells on the doorway jingling as she entered, a reflexive greeting coming along with the door. Without the sun shining into the station, the building took on a whole new atmosphere. Yellow lights hung from the ceiling, filling the station with a low buzz. She wrapped her arms around her to ease the unsteady feeling that was sinking into her gut. She approached the counter where Yori stood. For the first time since she had walked into the station, Yori had looked up from whatever was occupying him. A smile grew onto his face, his gaze setting onto the woman in front of him. Under the harsh lighting, Yori looked older. He no longer looked like the boy she knew from back home. His face had filled out, and smile lines had just started to form on his forehead and under his eyes. It was a reminder that time had gone by. They were no longer the kids that they once knew each other as. The incessant buzzing of the fluorescent lights was cut through by Yori, “Are you ready to go?” She nodded at him. He walked around the counter, and led her out of the building, locking the door behind him.
The sky had now morphed into a scarlet red, fading into dark oranges. The sky reflected off of the water, making it seem bigger than it was. A cool breeze blew through the emptying streets making goosebumps rise to the surface of her skin. They walked for a few minutes, useless small talk between the two, before arriving at a small bar at the very end of the aisle of shops and stands. It was dimly lit, and small. The walls and the floor were wood, alcohol brand sign posters hung up around them. The occasional WANTED poster was posted amongst them. There weren’t any that she hadn’t seen before. Most of them were the new generation pirates, others old and worn from being on the wall for years. Yori led her to a booth on the back wall. Coincidentally, her captain’s poster hung right above the table. He smirked down at them, sword on his shoulder, that infamous hat handing over his eyes.
WANTED
DEAD OR ALIVE
TRAFALGAR LAW
500,000,000
She couldn’t lie, it crossed her mind to take the poster off the wall, just so she could have it for herselfl. She shook off the thought. It was inappropriate to think of her captain that way. Even if he looked good in that particular photo of him. She turned her attention back to the man in front of her, who she had just realized had been talking the entire time she was daydreaming about her captain’s wanted poster. She hoped Yori hadn’t noticed her ignoring him, but by the looks of it, he hadn’t noticed one bit. She tuned into his words, “...and that’s how I ended up on this island taking care of my grandmother, and making minimum wage,” Yori let out a long sigh, “Thanks for listening, it feels really nice to get that off of my chest.” Guilt tugged at her chest as she nodded, “It’s no problem, really,” she replied, trying to keep her facade up. Yori smiled and said something about going to grab some drinks, leaving her alone in the booth. (Y/n) let out a breath she didn’t know she was holding, letting her gaze follow back up to the poster hanging on the wall. She looked around the bar, making sure no one’s eyes were on her before grabbing the poster off the wall and folding it up, slipping it into the back of her notebook. She grabbed all her pens, and set the notebook in front of her. She intended on getting her information and then going back to the ship for the night.
Yori brought back drinks to the table. He set hers in front of her before sitting down in front of her. “So tell me about yourself. How did you end up being a pirate?” He chuckled a little with the question, and she had prepared for this. It wasn’t every day someone from your childhood ended up being a pirate. She let out a fake little laugh, “Oh you know how researching things go,” She smiled before changing the subject, “So tell me more about this island and its occupants,” She opened the notebook in front of her, not wanting to dwell on the fact that she was now a wanted woman. Yori took the hint and started giving out information about the island.
⋆⭒˚.⋆
A few hours had passed, and a few drinks in, the conversation had strayed from the island and onto people they had grown up with. Yori had told (Y/n) about all the classmates that ended up doing good for themselves, and the others who hadn’t. Now they were on the topic of the teachers. Gossip was never something she had typically indulged in, but it wasn’t every day you saw someone you knew on the Grand Line. The laughter between them died down, and (Y/n) looked at the clock on the wall for the first time since she had started taking notes about the island. It was 10pm now, and the sun had disappeared along the horizon. “I better go, it’s getting late,” She told Yori as she gathered up all her things, and put them all back into her bag. They stood up from the booth. “Let me walk you back to the dock, it’s dark out,” He offered. She took his offer and they headed back out to the street. It was far colder than it was whenever they first arrived at the bar, however the walk to the dock was not far so she didn’t have to suffer for long. The stars hung high in the sky, illuminating the land, and dotting the water. They reached the edge of the dock, and Yori turned towards her. “Thank you, for tonight,” he told her. He gazed into her eyes much deeper than she had liked. She took a step back from him before returning his thanks, “Thank you for all the information about this island.” Yori stepped closer to her, reaching out to put his hands on her waist, “Yori-” he cut her off with a quick kiss. She pushed back from him, “Oh, um, Yori… I’m sorry, but this isn’t that,” She told him, creating a far distance between them. Yori stepped back with embarrassment. “Oh,” was all he said. She couldn’t help but to feel bad for the man. She didn’t think she sent any mixed signals. She slowly backed up onto the dock,”Take care of yourself, Yori. Thank you for all the information on the island,” She told him before turning around and walking towards the ship, grateful to get out of that awkward interaction.
She made her way onto the ship. The corridors were empty, there wasn’t a crewmate in sight. She was happy to be back within the metal walls of the ship. She made her way to her room where she put down all her stuff. She stripped her clothes, and changed back into the boiler suit. It was late, but she still had some work she had to get done, and she still had to report to her captain. She got dressed, and grabbed her notebook from her bag before leaving her room once again. She was going to get some cleaning done, and do the waste disposal before they left the island. The halls were silent, and all she could hear were her footsteps clinking on the floors. A familiar door came into view. The captain’s quarters. Her heart skipped a beat thinking of knocking. The butterflies in her stomach betrayed her as they started to flutter around in her stomach, trying to crawl their way up her throat. She took a deep breath, letting the cool air of the ship fill her lungs. She was now standing in front of the door, with her hand raised. She knocked, hearing a faint ‘come in,’ from the other side. She turned the knob and walked into her captain’s office.
The air was always cooler in his office, and it always smelled of ink, paper, pine, amber, with a touch of antiseptic. She had come to find this smell comforting, and she thought back to this morning, waking up in between his sheets. A heat fought its way up into her cheeks. She looked at her captain sitting at his desk, hunched over some paperwork. He hadn’t looked up since she had entered the room. She made her way in front of him, breaking the silence, “I gathered some information about this island, if you’d like to hear it.” She offered it to him. She knew that the island held no importance, but she figured she’d offer him the chance to hear what she had gathered. Law looked up at her, motioning for her to continue. She opened her notebook as a folded up piece of paper floated its way down onto his desk. Her heart dropped into her stomach as she went to go snatch the paper up, but Law beat her to it, grabbing the paper in between his two fingers. “What’s this?” he asked her, unfolding the paper. She wanted to melt into the floor. Embarrassment coursed through every limb. Law looked at the poster, smirking a bit, “My wanted poster?” He took a good look at it before handing it back to her, the smirk on his face never falling. “This one is a bit outdated,” He told her, his smirk never falling. It flattered him, really. She folded the wanted poster back up, shoving it in her notebook, humiliation burning through her cheeks. “Tell me about this island,” Law told her, changing the subject, motioning for her to sit down. He knew the island held no importance, and he knew that she still had work to do, but he selfishly decided to keep her there a little longer. It had been a long day, and as much as he’d hate to admit it, being around her relaxed him. He watched her as she opened up the book and started to list off all the things that she had uncovered about the island. He listened to her intently as she spoke, her eyes lighting up every now and then whenever a name was mentioned that could bring some significance to the island. It didn’t take her long to go through all of the information. It was a small island, and there really weren't any reputable names tied to it, aside from the other pirates who would dock and leave just like their crew did. Still, Law took in every second of the information exchange. Once she was done, she looked up at Law with those wide eyes of hers that he swore would bring him to his knees one day. A small, rare smile graced his lips before dropping like it was never there, “It seems you got a lot out of today,” He told her. She smiled wide at him, and nodded, “I did! Yori really filled me in on this place. It’s not as boring as it seems.” She flipped through all of her pages, missing the way Law’s jaw ticked at the mention of the man whom she had spent time with that night. The man that she had gotten all dolled up for. Law knew he shouldn’t feel this way. He knew jealousy was not right, but he couldn’t deny the discomfort that tugged in his gut when he pictured her with someone other than him. It was an unhealthy attachment. It was inappropriate.
(Y/n) sat across from Law, still oblivious to his inner turmoil. Oblivious to the new feeling that made his head feel hot and his stomach sink low. Without looking up at her captain, she went on about her night, about how Yori caught her up on people from her hometown. How he told her about all the best places to eat on the small island. She missed the way Law’s jaw ticked every time she mentioned the man’s name. She missed the way Law’s leg started to bounce up and down, impatiently. She was too busy flipping through the pages of that beloved notebook, “Oh! Look, I even got a map!” She pulled the map out, walking around the desk to where Law was sitting. She unfolded the map and laid it out in front of him, “It’s really nothing impressive, though, I grabbed at one of those stands down the strip” She looked down at the map, “You can keep the map,” She offered to him, turning towards him. Her knees brushed against Law, and for the first time since she had started rambling she met the eyes of her captain. They were close. She could feel the warmth coming off of Law’s body. The breath she was breathing in caught in her throat. Law cleared his throat, but made no attempts to move back, selfishly relishing in the moment, “Thank you,” he told her. They stayed there for a minute or two, looking at one another before (Y/n) sighed taking one last look at her captain. “I still have some work I need to get done,” She told him, “I still have to do the waste disposal before we leave, and I was going to try to clean up the boiler room a bit.” A feeling of regret from that afternoon gnawed at Law. He felt as if he was too harsh towards her, rude even. He didn’t want her to overwork herself. He knew he was being a hypocrite whenever he made the judgment of her working too much. Law wanted to keep her there for longer. He wanted to spend more time with her. He wanted to hear her sweet voice ramble on about nothing in particular. It had been a long day of Law’s work. He had hardly gotten anything done between being exhausted, and pacing back and forth trying to clear his mind of the very woman standing in front of him. He couldn’t deny the peace that washed over him whenever she sat on the other side of his desk, working away on her own things. “Actually, I was hoping to get your feedback on some of the work I did today,” He told her. He hadn’t actually done a lot of work. It also wasn’t something that she hadn’t seen before. It wasn’t like she was well versed in pathology or anything medical outside of reading Law’s textbooks when she was bored. “Oh, okay!” she cheerfully replied to him, making her way back over to his desk. She walked around to his side, standing next to him, expecting to see some new work on his desk, but she couldn’t make out what was new and what was old from the mess that was his desk. She was standing close to him, again, and he could feel the warmth off of her skin. He could smell the sweet floral perfume she had put on before she left the ship earlier that day. He was growing impatient, playing this waiting game that he had made himself, and it was only getting in the way of his work which was the opposite of what he had intended.
Law was not an impatient man, but he was tired of weighing the moral costs of making the move. He was tired of ignoring the warm feelings. He was tired of pushing away the lingering thoughts, and burying them in work. He was sleep deprived, and that’s the excuse he decided he would tell himself tomorrow morning. Standing up from his chair, he reached out for her hand. A small gasp fell from her mouth, as she followed the pull towards him, “Cap-” he cut her off, sliding his hand to cup her cheek, the other resting on her waist. He pulled her into a kiss before she could even finish the word. The kiss was electric. White hot pleasure coursed through his veins, as he finally allowed himself to indulge in what he had wanted to for months now. He briefly broke apart, and stuttered words started to fall from her pretty mouth, he shushed her with another kiss, this one deeper. This one filled with need. She let him explore her mouth with his tongue, as he lifted her onto the edge of his desk, slotting himself in between her legs. “C-Cap-” she gasped, but he cut her off again, ”It’s Law,” He corrected her, leaning down to her ear, “In here you can call me Law,” He nipped at her ear, wrapping his hands up in her hair. He trailed down to her neck, leaving kisses and nipping at the skin every now and then. “Law,” she tested his name on her lips. His name sounded so sweet, the way her honeyed voice breathed out the syllables. His grip on her waist tightened, as he listened to her form words that he paid no mind to. “L-Law, this is wrong,” she breathed out, “you're my captain,” Law broke away briefly, “I know,” he told her.
“Law,” this one came out more of a whine, one filled with need. It made the all too familiar warmth blossom in the pit of his stomach, once again. “I still have things I haven't done,” she pushed against his shoulder, “I h-ave to finish the w-waste disposal,” Law’s kisses were unforgiving, and unwavering. She was melting in his hands, watching herself be turned into putty at the hands of her captain. Law broke his kiss, and looked up at her. He brushed a strand of hair out of her face, “Don't worry about the waste disposal, I'll make Penguin do it,” He told her. As much as she wanted to feel guilty for letting him dump it on someone else, she couldn't. She was too busy trying to make coherent thoughts as her captain continued his actions. Law’s fingers ran up her figure, finding the zipper of her boiler suit. He looked at her, silently asking for permission that she granted with a nod. He slowly undid the zipper to the suit, kissing his way down to her chest. He breathed in her scent, pulling her body impossibly closer to his. He pushed the top of the suit off of her body, leaving her top half in a thin tank top.
He looked at her closely, closer than he had ever been able to before. Her cheeks were red, and her lips were swollen from his kiss. Temporary red marks littered her neck and chest where he had nipped at the skin. Her hair ruffled from him running his fingers through it. He hesitated for a second before asking her, “How about we take this somewhere more comfortable, yeah?” She nodded at him, as he led her to his bed. He laid her down on his plush mattress, crawling on next to her. She took a deep breath. Pine, hints of amber, antiseptic, Law. His golden eyes took in her figure, in his sheets. In that moment, without difficulty, he could confidently say that she was the most beautiful woman on the planet. He could feel himself falling, and for just this one night, he would let himself. He crawled over her, entrapping her body under his. He let his hands roam over her body, “You’re so beautiful,” he whispered to her. She took his face in her hands, kissing him passionately. For tonight, they both let themselves indulge in this little piece of heaven they had been granted.
⋆⭒˚.⋆
a/n: thank you all for taking the time to read this series, it means a lot to me, and i'm glad others can enjoy my work. i've had lots of fun writing this!
@drakulana 2024 // i do not give permission to copy, translate, or repost, any of my content without my consent
Taglist: @shuujin , @pinksaiyans , @buttmishaaaa, @tokaio, @augustanna, @sukilovesyou, @mschoiyuki, @songinabottle , @starlightanyaaa, @elen-alambil, @theladyofmanyfandomsfanfiction
#trafalgar law#one piece#trafalgar d water law#law x reader#trafalgar law x reader#one piece fan fic#one piece fan fiction#one piece x reader#trafalgar law x you
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personal opinions but horror movies or shows that have their storylines focus on "social media / technology / ai" are NOT good. not because I'm in favor of ai or technology or whatever, but because all of them that I've seen that have their plots centered around these things are literally boring to me. "ai started having feeling of its own and went on a killing spree" okay and that's more sci fi than it is horror? I watch horror because I like horror, I like the dark atmosphere, I like the eerie feelings, the paranormal stuff. the macabre. I don't watch horror because I want to see a movie where robots murder people or another one where a ghost uses tiktok to haunt people. give me the classic horror vibes, and I'm not even talking about horror movies from the 80s or 90s classic. I'm talking about how horror movies / shows used to be before some of them shifted their focus to social media and ai. I'm talking about the conjuring, the woman in black, hereditary, the haunting of hill house, dead silence. I'm talking about good and scary horror movies / shows that don't need ai or social media as the main focus of their plots. give me the haunting. give me the macabre. give me ghosts that don't rely on social media to haunt.
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#biomechanical#HR Giger#sci-fi#futuristic#industrial#horror#dark#detailed#metallic#mechanical#alien#dystopian#gothic#atmospheric#eerie#surreal#texture#intricate#moody#architectural#ai#ai generated#ai generated images#ai image#black and white
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this might be irrelevant u dont have to answer but y is sl your favorite fnaf game? i always felt it stuck too close to a fixed chain of events and didnt allow any exploration or generally anything extra outside of the set events esp in the first nights which made me enjoy it a lot less (i dont hate it tho i like the office and ft freddy parts) im interested in how it appeals to someone who likes it
I think it's important to say that I haven't played any of the games, because I don't enjoy playing many video games. So I've only experienced them through watching others. But I like a lot of things about it.
I love the sci-fi direction the lore went in, as a big fan of weird science fiction. It's got my favorite atmosphere of any of the games - the soundtrack, the purple-dark color scheme, how cinematic it feels, the big rooms where you avoid Funtime Foxy and Ballora, how quiet and empty everything is. The Minireena fight was genuinely terrifying to me when I watched it the first time, and I love the buildup of dread that comes with the slow start. The scooping plot twist at the end is genuinely really exciting, and I think one of the more impactful moments in the early games.
It also has Michael Afton in it, one of my all-time favorite characters, and it's what gave him such an interesting characterization. I'm also a big FNAF World fan (which possibly shows my ass more than anything), and I loved seeing Lolbit again. I actually own a Lolbit plush, haha. Anyways, it does have its flaws of course, but it'll always mean a lot to me and be my personal favorite.
Shit, yeah... yeah...
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Check out this awesome 'Many-eyed Space Monster' design on @TeePublic!
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Club Furies Premiere: T-Dok - Black Hole [Ucker Records]
Roger Garcia was born in Barcelona in 1977. After trying many styles, it is techno in which he experiments and starts in 2013 the T-Dok project, which marks his line of work on his label Monark, and on many other techno labels. His sound is influenced by Detroit techno, Germanic techno, and the Birmingham sound of the late nineties. His style is broad, as well as enjoying repetitive bass lines…
#Abstract Techno#Ambient Techno#Atmospheric Techno#Black Hole#Buenos Aires#CF Premiere#club furies#Club Furies Premiere#Dark Techno#Drone Techno#Electronic#Electronic Music#Electronica#Hypnotic Techno#Premiere#Sci Fi Techno#Spain#techno#UCKER#UCKER 029#Ucker Records
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games w. species euphoria
please don't spoil any of the games with stories in the replies or reblogs!
Ori and the Blind Forest - felinekin, maybe some kind of fae or angel kin too ori is very good little creature design and it moves around so fluidly but there's zero customization, if you vibe with ori it's great and if you don't, might not be for you. it's a puzzle platformer similar gameplay-wise to hollow knight (but not as difficult)
Hollow Knight - bugkin, ghostkin, voidkin difficult but very pretty and atmospheric. i've played some of it before getting stuck/being unable to progress because i'm not good at video game. hard platformer with boss fights.
Stray - robotkin, catkin this is one i've been meaning to play for ages (and haven't gotten around to pirating yet, cough) Stray is a 3d game set in a cyberpunk/sci fi world. You play as a tabby cat trying to find its way back to its home and it looks stunning. I assume the story is great, too.
Roblox Creatures of Sonaria - there are so many creature designs there you're bound to find something that's youcore their colors can be customized. It's a multiplayer survival game so it's more stressful than the other games on this list, you gotta be trying not to die the whole time
Animal Jam Classic / Animal Jam Play Wild - lots of real world animals you can dress up and change the colors and patterns of your animals. ajc is in 2d and ajpw is in 3d and has more animal options, but i find ajpw really confusing personally.
William and Sly/William and Sly 2 - foxkin old flash games available as a set on steam, a quest platformer where you run around a pretty forest environment as a red fox and find various things. the music is lovely, both games have a great atmosphere, played it a ton as kid on armor games. i dont think i ever even finished either game i just loved running around as sly (in the second game there are also little kitten-fairies that you can collect and that follow you around)
Postmouse - mousekin free on steam, 3d puzzle platformer where you're a mouse that delivers letters. it can get a little obtuse and confusing at times which is why i never finished it, but it's very charming and free to play! you run around all these huge and pretty environments as a fancy-dressed little mouse .
Lost Dream 1 and 2 - foxkin abstract/stylized/polygonal walking simulator where you play as a red fox. doesn't seem to be much story and the reviews are mixed because walking sims like this need to be like, your cup of tea.
Spyro Reignited - dragonkin of course had to mention such an OG dragon game. never played it but like, it's spyro. cartoony 3d platformer in a fantasy environment.
Oneshot - catkin pixel rpg where you play as a cat child and the gimmick is that you only have one life. the steam page tags it as story rich and having multiple endings/story choices you can make, and the graphics are beautiful, the whole game seems to be made of dark colors and poppy accents
Honorable Mentions:
Way to the Woods - an in-development 3d game where you play as a deer and fawn exploring different enviroments.
The Isle - an early access survival MMO where you play as a dinosaur and try to stay alive.
feel free to add more in reblogs, i know i'm missing a lot of classics but i'm getting tired
#therian#otherkin#otherhearted#games#pc games#pc gaming#gaming#video games#catkin#felinekin#angelkin#faekin#fairykin#faeriekin#bugkin#ghostkin#voidkin#robotkin#nonhuman#therianthropy#otherkin community#therian community#alterhuman#foxkin#mousekin#dragonkin#deerkin#dinokin#dinosaurkin
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