#darcy mention

[chaosites]

👾 & 🚀! | @luxieloo16

👾-Do any alters in your system have typing quirks?

Yep! The most prominent is @kyl-13 's who mostly types l1ke th1s but sometimes even types l1k3 th1s!

I'm just going to include every little thing as a quirk because i can😈

Our OMORI introjects do something that Kind of counts as a quirk where they type certain nouns like THIS , @chaos-chara and @krismasdreemurr will start their text with * ,ENA tends to type in all uppercase then all lowercase and sometimes Normally with perfect puntuation. @ferns-treehouse sometimes uses 🏵 instead of O, |||Kid types like this||| ,Lake has a lot of quirks. Truly too many to count. They always are changing too. #no sense of identity ♡, @god-7o7 tends to use most of the quirks from his source and @fuckyouforever2023 types in all caps 99% of the time!

🚀-Does your system have any Non-human alters?

Yep also😈 24 in total‼️Amity(Witch) Hal(alien),Blooky(Ghost/Robot), Catra(catgirl, affectionately) Ciri(Secret),Darcy(Freak),ENA(ENA),Fern(Grass boy),HL(Luma),Kylie(Android),Lake(Ghost),Lazuli(Gem),Mae(Cat),Mars(Demon),Marshall(Vampire),Melon(Demon),Mustard(Cookiegirl),Nastasia(Batgirl),Starwalker(Starwalker),Tobias(Demon),X(Immortal nonhuman)?(Star warrior? ♡s sp profile isnt filled out . He axtuallt jumpscared me recently) and Lastly, Gary(Candy)

Kid is a special case (God that identifies more with being human) so we wont count grim! And Chara is a special case as well (Human but like a little more sinister than that) so I'll say....maybe 24 ½

[sillypenguinwitch]

okay so i'm not trying to make this a ~thing~ or a hot take or whatever, but can we talk about how all the hyped up queer shows still predominantly feature mlm couples? i'm not saying there aren't wlw shows/movies or the mlm-focused shows don't also feature wlw characters/couples, just... they either get nowhere near the same amount of hype, have some other main plot, end with at least one of them dying or experiencing something traumatic, get cancelled after one season in the middle of their arc, or they're not the main couple. And that's not to discount the representation you can get from secondary characters of course but just... ugh I want a heartstopper or rwrb or young royals or skam or love, simon or i don't even know... with girls. And I know I'm not the first person to bring this up and I know it's not that simple, but seeing all the hype for heartstopper and rwrb this week makes my heart ache a little bit so i needed to say this somewhere.

[heartstopperthoughts]

[stingrayextraordinaire]

Darcy: the worst she can say is no, right?

Elizabeth: you could not have made me the offer of your hand in any possible way that would have tempted me to accept it

Darcy:

[anghraine]

I've been moving and navigating further departmental nonsense etc (my pseudo-dissertation got approved for defending, though! l o l). But it was interesting to see the Worst P&P Takes poll I reblogged accumulating more results and the general tenor of responses in the notes.

I mean, the results are definitely to be expected if you're familiar with the side of Austen fandom doing a lot of the reblogging etc. But still, interesting!

Many Tumblr polls specify that they're asking about personal preferences that may be irrational—favorite/least favorite, coolest/most annoying, or something like that. This one, though, asked for the worst interpretation of P&P, not the most annoying one—and the current leader is "Darcy is never really proud, he's just shy and probably has anxiety" against some very steep competition on the Bad Takes front.

I was thinking about why that seemed a kind of tediously predictable choice even though I agree that the take is wrong, and realized that while I do disagree with the shy Darcy interpretation and I particularly disagree with the specific formulation where he is never proud at all, it ultimately feels to me like a failure of nuance rather than just completely wrongheaded like some of the others. And this is probably my fundamental difference with a lot of Darcy takes I see!

In my opinion, a character who is introverted and who feels awkward in various social situations and who doesn't like common social activities and who has to work himself up to talking to his crush and who is repeatedly suggested to behave very differently in contexts where he's more comfortable being interpreted as shy and anxious is not that big of a leap.

Yes, it's important that he is actually fundamentally confident and haughty, that he makes his personal feelings of discomfort other people's problem, and that he thinks he's such a unique and special butterfly that he doesn't need to even put in an effort outside his personal social circle. But it's a misreading that is easy to follow (and long predates the 2005 P&P, as I've mentioned before!).

The additional misreading that a shy and anxious Darcy is also never proud at all is a much more drastic leap, and in my experience, condemnations of shy Darcy interpretations rarely differentiate between "Darcy is shy as well as arrogant" and "Darcy is shy rather than arrogant" as interpretations (although their basic arguments are quite different). But even that as the worst possible misreading of P&P when Darcy is not even the main character is ?????????

I mean, for one alternative (not even the one I voted for!), the idea that Elizabeth is an author avatar Mary Sue seems a far worse misreading of P&P than basically anything to do with Darcy at all. The center piece of the entire novel is Elizabeth's epiphany of self-knowledge about her own shortcomings that do not particularly resemble Austen's at all, but were ethically a concern for her, and she's a complex, interesting character in general whom Austen correctly regarded as a major achievement. Inverting that into Elizabeth as an improbably perfect, reality-warping self-insert is deeply wrong and frankly pretty misogynistic as well.

(ngl though, it's a little funny to see such a blatantly terrible reading of Elizabeth rank so far behind the shy Darcy votes. I've gotten "does anyone actually think/say that?" so many times on my posts about Austen fandom's prioritization of Darcy's character development over Elizabeth's and yet...)

And even just going with the Darcy-centric misreadings, the idea of Darcy as a "bad boy" seems easily the most absolutely wrong take on him. His pride is at least complicated and the finer points can be fairly debated and it's a quality that actually changes somewhat throughout the novel, and you can have discussion over what happened when, whose testimonies should be weighted more, etc. But there is no point at which "bad boy" isn't utterly wrong for him. However, there's definitely a tendency in some wings of the fandom to find the idea of Darcy being misread too favorably more objectionable than him being read too unfavorably, regardless of the particulars, so it's not a surprise.

I suppose you could argue about what "worst" means in the context of variously bad interpretations. Like, is an interpretation that is about a fairly trivial aspect of the book but extremely wrong about it "worse" than an interpretation that is pretty bad but at least comprehensibly so about something very important?

[stopper-my-heart]

Nothing like Heartstopper S2E8 removing some of Taylor Swift's "seven" lyrics just so that the singing can specifically come back in at "Or hide in the closet" while Isaac is processing difficult emotions related to the book he's reading (i.e., Ace: What Asexuality Reveals About Desire, Society, and the Meaning of Sex by Angela Chen).

Did I mention "Or hide in the closet" hits just as the camera focus finishes shifting away from Isaac?

This is fine

[hurt-over-comfort]

"You brought this on yourself, you know?" --- This art was inspired by the story me and @whmp wrote for ourselves where Albert gets captured by Darcy and disaster follows. (Can you tell I like drawing blood?)

[thelibraryofsylphide]

Sourced from (x)

Lots of thanks to @therese-lokidottir for uploading/referencing the sourced Vimeo and thus letting me know this existed XD

Decided to reupload it as a youtube video since not many people know it is on vimeo, or even want to have a vimeo account.

[personinthepalace]

Janeford - I love you most ardently

some context: in an interview, Edward Bluemel quoted Mr. Darcy from Pride and Prejudice, saying "I love you most ardently.” I’ve edited it into the pyre scene - I hope you enjoy it :)

[unbekanntespferd]

and the award for worst confession goes to…

(pairs well with this)

[dipperscavern]

saying emma darcy needs to wear more makeup when their face card is genuinely one of the finest things ive ever seen in my entire life is ridiculous

how can you look at a face card like this & say “needs makeup”

[chaosites]

Everyone give a warm goodbye to our round 1 contestants who unfortunately will not be moving on.

Kale,Tobias(FLOORED),Ethan-lee,Raz,X and Callum

And our round 1 b- side contestants who didn't quite make it either.

Kyl-13 @kyl-13 , Marcy and Darcy @marcy-woo ,Travis @phxlp-s ,Izia @bxred-to-death , Jackson @nothing-but-bitters , Seven @god-7o7 , mika @nurse-mika , Sweetheart @sweethearts-chambers ,Admin @jokerphanboy2016 ,Mimi @gorgeous-girl-sometimes , Kira @chaos-kira (SHOCKED) , Rox @mx-lalonde , Si @sighhhhhhhhhhhhh , Cocoa @normal-girl-cocoa , Jill @genocider-jill and Sal @fishxr !

[noonemonitorsmyscreentime]

"My goodness, did you see her hem? Six inches deep in mud. She looked positively medieval."

[gingermintpepper]

SO BASICALLY,

The general concept is that Hyacinthus, the (secret) sixth prince of Laconia is sent to Olympia to help out after the catastrophic earthquake that's completely paralysed the town. He gets there, he's given his land and he finds this cool statue of his Very Handsome Man on his land and would you look at that, the Very Handsome Statue is talking to him and introduced himself as Apollo, how nice-!

In short, it's something of a domestic mystery - much like in Fields of Mistria itself, the earthquake has awakened old magic in Olympia once more due to interfering with the seals far below the earth. Hyacinthus, motivated to help Apollo get his lost memories back and for the good of the town, traverses down the mines so he can break the seals and, in the process, maybe un-statue the really hot guy that's sharing this farmland with him.

Below the cut I'll put the list of the characters I assigned to the townspeople if you're interested <33

Farmer → Hyacinthus

Sent by the Adventurer’s Guild to help repair Olympia. Is the only one that can hear the voice of the Radiant from the statue on his farm. Sixth prince of Laconia, still in contact with his family, wanted to help his people after the disaster. 

Caldarus → Apollo

A God of old Olympia, used to be widely worshipped but is now sealed away deep under the earth. Has lost most of his memories along with much of his power but has recently reawakened due to a disaster which disrupted his seals. Can only communicate to Hyacinthus through the statue on his farm.  

Balor → Hermes

A prolific merchant who excels at delivering quality goods in unorthodox places. Took a special interest in Olympia after the disaster and remained the town’s sole contact to the outside world in the wake of their bridge collapsing. Always smiling and extremely mysterious - he has suspiciously low prices despite the danger of his work. 

Nora → Demeter

Head of Olympia’s Chamber of Commerce and co-owner of the General Store in town. Works closely with both Hermes and Hektor to keep the town running smoothly as well as coordinate the restoration of Olympia after the disaster. 

Holt → Triptolemus 

Co-owner of the General Store and Demeter’s life partner. Extremely reliable but a bit lost without Demeter’s instructions, he’s extremely skilled at cultivating crops and is responsible for stocking the general store with seasonal seeds and saplings. Strictly vegetarian.

Celine → Persephone

Demeter’s daughter and an avid lover of flowers. Constantly busy with the beautification of Olympia when she’s not researching the rare and mythical flora of Olympia’s past. She handles stocking the general store with seasonal flower seeds and furniture. Is in a secret relationship with Hades, one of the merchants from out of town.

Dell → Pelops

Demeter’s ward and a greatly troubled child. Rambunctious with a very vivid imagination, he has big dreams of returning to the capital and taking his rightful place as a Duke. Due to the remote nature of Olympia, it is the perfect place for him to be hidden away from his father’s madness and, luckily, no one in Olympia takes his tales seriously. Demeter worries about him endlessly.

Eiland → Cassandra

The younger child of the Baron and Baroness of Olympia, she is greatly concerned with the history and architecture of Olympia. Extremely perceptive and always on the lookout for more hints about Olympia’s buried past. Founded the History Society so she could more effectively research her current obsession, the scattered steles of a long dead god.

Adeline → Hektor

The elder child of the Baron and Baroness of Olympia, after the disaster struck he dedicated himself to restoring Olympia at all costs. He truly believes in the people and potential of this town and though he has never been particularly superstitious, he has found himself more inclined to pray and pay attention to natural omens since starting this project. He personally dedicates himself to working alongside Hyacinthus for the sake of restoring Olympia to its former glory. 

Elsie → Paris

Older relative of the Baron and a Count, he agreed to look after Hektor and Cassandra in Olympia while their parents were away. Seems to prefer Olympia’s quieter countryside but always has a story or two to tell about his exploits in the Capital. Seems especially fond of a particular man and woman he left behind in favour of coming to live with the Baron and his family.

Juniper → Penthesilea

A foreign woman who has not entirely settled into Olympia. Runs the bathhouse and gym and spends a lot of time on the Eastern Road. Is especially interested in the seals and inscriptions scattered around Olympia but staunchly refuses to join the History Society. Apparently, she is not very fond of Orpheus. 

Valen → Orpheus

The extremely skilled but extremely reserved town doctor. He has a clinic in the town centre and mostly keeps to himself, though he is especially fond of flowers and trees. Doesn’t speak much and instead prefers to write his thoughts down or communicate with sign language. Wears a wedding ring but notably, lives alone.  

Olric → Zephyrus

The older of the blacksmithing duo, a gentle man with a big heart. Part of the History Society and very enthusiastic about life, he was part of a skilled band of adventurers called the ‘Anemoi’ before eventually retiring and moving to Olympia. Spends a lot of his time on high hills and summits and can speak the language of flowers. Is good friends with Persephone.

March → Dionysus

The younger of the blacksmithing duo and undoubtedly the more skilled craftsman of the two, has been working extremely hard to help put the town to rights after the disaster and is a bit on edge because of it. Super welcoming and friendly but also somewhat unsettling due to his intensity, doesn’t actually care much about smithing and would much rather spend his days making wine casks and custom drinking cups.

Hemlock → Asclepius

Co-owner of the Sleeping Eclipse Inn and the town doctor before Orpheus moved in. He’s an anchor of the town and the inn is Olympia’s beating heart. Extremely well-read and a skilled luthier he helps wherever he can. Due to some difficulties with his health after the disaster, his family has been forcing him to take it easy. Cries every time he hears Orpheus sing.

Josephine → Epione

Co-owner of the Sleeping Eclipse Inn and the town veterinarian. She’s a powerful woman, the second tallest person in Olympia and very intimidating on first glance because of it. Despite this, she is extremely gentle-natured and always has a smile for those who enter her doors, works closely with Aristaeus to ensure the town’s internal supply of animal produce isn’t threatened, especially after the massive losses taken after the disaster. Was a ranger before she met Asclepius and still has her horse, Miel.

Reina → Iaso

Eldest child of Asclepius and Epione, was educated in the Capital but came home in a huff due to a major blowout with her boss at the hospital she worked at. Currently studying the healing power of food and cooking and works as the Sleeping Eclipse’s chef while she does her research. Is extremely concerned about her father’s health but refuses to let it show.  

Luc → Machaon

Middle child of Asclepius and Epione, he is determined to become a surgeon and surpass his father’s legend. Very smart young lad and one of the few people in town who completely believes Pelops’ stories, he loves small animals like insects and birds and often tries to nurse any small injured creature he can find back to health. Is fascinated by Pelops’ shoulder prosthetic and hopes to one day be able to make such a difference for someone else.

Maple → Hygeia

Youngest child of Asclepius and Epione, is a  twin but her sister died shortly after being born. Despite never knowing her sister, Hygeia struggles with a deep sense of loneliness and grief that has only recently started to ease with the help of the townspeople. Adores Orpheus and often spends the day shadowing him in the hopes of hearing him sing or play his lute. She is the only one Orpheus talks to about his dead wife.

Ryis → Thamyris

A carpenter who studied music in the Capital, came to Olympia shortly before the disaster at his friend’s request and was trapped after the bridge collapsed. Has a bit of a poor attitude due to once having big dreams of becoming a famous bard but is now too attached to Olympia to leave, no matter how much he grumbles about its backwater nature. Is convinced there’s something singing in the mines but is completely useless with a sword. 

Landen → Hippolytus

Owner of the Red-tailed Stag House of Carpentry (or the Stag House for short) and a very good friend of Thamyris. He gave up on urban life a long time ago and is dedicated to living in oneness and harmony with nature. Strictly vegetarian and kind of a stickler for his views being respected, he’s been on edge since the disaster since there’s been a massive change in the lands of Olympia. Most of the townspeople don’t take him seriously, but Penthesilea seems to think of him as a kindred spirit. He doesn’t work on the 6th or 16th of every month.  

Errol → Eros

Museum Curator, ex-adventurer and all around incredibly offputting guy, despite his open nature and pretty face, Eros seems to know everything about everything yet is unwilling to share that information with the rest of the town. His only delight seems to be the History Society and he is extremely pleased that Hyacinthus has decided to collect old artefacts and explore the mines. Apart from Cassandra, Eros is the only one that acknowledges the statue on Hyacinthus’ farm and occasionally passes by just to stare at it.  

Hayden → Aristaeus

Owner of Sweetwind Farm and the only other farmer in Olympia, Aristaeus has deep roots in this town and his family has lived and farmed here for generations. Skilled with animals and is extremely handy with preserving food, pressing olives into oil and keeping bees, he has almost single-handedly kept the town fed during the worst of the shortages brought on by the disaster despite the losses to his animals. Has a deep aversion to dogs and wishing stars. Seems to know a few things about Olympia’s history that no one else does but isn’t exactly eager to talk about it.

Terithia → Medea

A beautiful woman who lives alone on the beach. Has lived a long and eventful life and refers to Olympia as her ‘jail-cell’, her ‘gilded cage’ and her ‘death-house’ based on her mood. Much like Eros, she seems to know many things but is not inclined to let anyone else know, but unlike Eros, she very openly spins exciting tales of her youth when she was a court sorceress and princess. Though she doesn’t do much magic these days, she still has the knowledge and is always willing to decode some arcane knowledge for a price. 

Obviously there are a lot of liberties taken for the sake of the AU but that's the broad strokes of it. Thanks for asking about it @gotstabbedbyapen !!

[dantevhell]

Ask you about Amphibia season 3? Okay.

What did you think of the decision to have Marcy in a coma and then possessed for 90% of season 3?

Oooh. Now that. Now that is what I call a sore spot, buddy. Warning: this is gonna be a long post

Simple answer? It was okay-ish

More real answer: it was a disappointment

I genuinely was very excited to see possessed marcy, I was excited for it since the little s3 opening preview after true colors official airing and well... it felt like for me things peaked at olivia and yunnan... and then went absolute downhill from there on.

I love the possession trope, I love possession arcs, I think marcy being possessed would be a very good writing idea bc it represented SO WELL how abuse worked. Like tell me what screams "marcy was groomed by an adult and is being abused" than her after being almost killed, having her bodily autonomy being ripped away from her! It was a good metaphor! It was perfect!

Like LOOK AT THIS. LOOK AT THIS AND TRY TO TELL ME THIS DOESN'T LOOK LIKE AN ADULT GROOMING AND ABUSING A CHILD! YA CAN'T!!

Olivia and yunnan brought a lot of interesting stuff to the table: how olivia and yunnan felt about marcy (and this is another can of worms to me to rant so let's not even begin), how ANDRIAS felt about marcy, how marcy was healing from her almost death experience and how her body was dealing with it, how she was dealing subconsciously with her guilt, what made andrias and the core think about making marcy the host etc etc! Like so many good stuff! And i felt like after this ep. All these things there were little snowballs that could become an avalanche of events... instead turns into dust.

I HATE how darcy was a character that instead of being used to showcase how marcy feels about all those events and instead of showing MARCY'S emotions about being betrayed ... it was used to showcase andrias emotions and to make him look sympathetic and allow him to have an atonement arc... I hate it so much.

Like don't get me wrong I loved the complexity of him being part of cycle of abuse so intense that it affected all his other relationships, I loved that he cared about marcy! I love that he cared about her because it showcased how abuse is complex! How an abuser can care about his victim but still feel such pleasure in hurting them!

I love these scenes because it shows exactly that:

Care

And sadistic pleasure:

Like these scenes were great! The complexity of him loving her but also still torturing her and having a mixed reaction of loving/hating seeing her suffer. Mwah chef kiss! But every scene where he was around darcy was made to showcase how he was regretting his choices and making him look like an poor man who had no other choices then kill and torture this child like...that's obviously not true...

These scenes? Oh I hate these scenes:

I wished marcy's possession was used to show how MARCY felt about herself and her guilt, about how she felt about her relationship with andrias and his pain towards him, about how she losing her autonomy felt, i wished they showed her escapist fantasy created by the core waaaay before the finale!!!

If yall wanted to show a scene that focused on marcy while still showing andrias complexity why not create a scene of how their flipwart match went? Or any bonding scene from >> HER << point of view? From a scene that focused on >> HER <<

Now at fear of repeating myself too much a resume of everything i said: marcy s3 arc was not truly about her but only a device for us to create sympathy towards andrias, her abuser, and all the scenes of him reminiscing about her and their relationship (like this one)

Should have been scenes focused on her point of view instead.

The only moments where the core/darcy was used to truly further marcy development/emotions were:

- during the beggining of the end where darcy told Sasha and Anne about how they rejected marcy's interests

- during her escaping her fantasy land

- and in the ending where she told everyone what was the cores intention with becoming the moon

But aside from that? It was wasted potential in my opinion

Ps: (Andrias should've died and marcy deserved to show even the slightly amount of anger towards him as well. As a little treat)

[anghraine]

melyzard replied to this post:

You know, given that P&P was published in 1813 before the 1696 window tax was repealed, she might just be admiring both the outdoors AND the expansive and numerous windows themselves. I mean, good windows really were a big sign of wealth and consequence until 1851 when the tax was finally repealed. But yeah,also,yeah, she's definitely more interested in the outdoors than the Great Chimney Places of the Wealthy

It's true that windows were a major status symbol at the time and long before, but I don't think Elizabeth much cares about that, in all honesty! That is the relevant historical context for Mr Collins's rhapsodies over Rosings' windows, for instance:

she could not be in such raptures as Mr Collins expected the scene to inspire, and was but slightly affected by his enumeration of the windows in front of the house, and his relation of what the glazing altogether had originally cost Sir Lewis de Bourgh

He's silly but he's not mistaken in identifying the windows as a significant status symbol (which without that cultural context can seem like just another Mr Collins absurdity). But Elizabeth specifically, as a person, is consistently not very interested in these kinds of status symbols (though she knows they're there and understands what they signify). She is attracted to natural beauty and unassuming elegance, which is the overwhelming note at Pemberley:

She had never seen a place for which nature had done more, or where natural beauty had been so little counteracted by an awkward taste.

Even when it does come to Pemberley's expensive interior, she focuses on the aesthetic dissimilarity to Rosings and, even more, about what is suggested about Darcy's relationships to other people dependent on him (Elizabeth's takeaway from the pretty interior decorating project for Georgiana is "He is certainly a good brother" and not how much disposable income this represents, say).

The fuller quote when she first approaches the window is pretty clear about what Elizabeth is focusing on, IMO:

Elizabeth, after slightly surveying it, went to a window to enjoy its prospect. The hill, crowned with wood, from which they had descended, receiving increased abruptness from the distance, was a beautiful object. Every disposition of the ground was good; and she looked on the whole scene, the river, the trees scattered on its banks, and the winding of the valley, as far as she could trace it, with delight. As they passed into other rooms, these objects were taking different positions; but from every window there were beauties to be seen.