#daniel oppenheimer

[grandhotelabyss]

At the link above, please find my appearance on Daniel Oppenheimer's Eminent Americans podcast. We discuss the career of Wesley Yang, the literary danger faced by writers in and on politics, the online rise of the intellectual independent of academe, and my own academic and ideological background.

[aprettyjewishyear]

Marriage Portrait of Charlotte de Rothschild. oil on canvas by Moritz Daniel Oppenheim, 1836. Moritz Daniel Oppenheim is widely considered to be the first Jewish painter of the modern era and was certainly one of the earliest Jewish painters to incorporate Jewish themes into many of his works. this work is in a collection at the Israel Museum.

[usernyoom]

21/07/23, Budapest - Daniel Ricciardo in his car during practice for the 2023 Hungarian Grand Prix

📸 by Peter Fox

[shkatzchen]

I saw someone share this on tumblr earlier and it was so pretty couldn't help but make a painting of it for my sims!

Freifrau Charlotte de Rothschild was born in Frankfurt am Main, Germany, on June 13, 1819. Just after she turned seventeen, she married Lionel de Rothschild, of the English branch of the Rothschild family, the event for which this portrait was painted. After her husband became the first unconverted Jew to sit in the British House of Commons, Charlotte became a prominent socialite in the first half of the Victorian era whose dinner invitations rivaled those from Buckingham Palace. The painting now resides in The Israel Museum in Jerusalem.

Moritz Daniel Oppenheim was a German Jewish painter, often regarded of the first of the modern era, whose work was informed by his cultural and religious roots. His portfolio includes a number of portraits of members of the Rothschild family.

The mesh and original swatches for the painting are an adaption of one from The Jim07, which I'm using with his permission (I rotated it vertical from the original horizontal and added several swatches).

Base Game Compatible. Comes in 6 frame swatches.

Download from SimFileShare here.

Made with S4S.

[thegreatyin]

i hate to admit it but between the fallout show and rtgame's new vegas playthrough im actually starting to get really curious about playing fallout

[soundgrammar]

Composer and pianist Fanny Mendelssohn (November 14, 1805 – May 14, 1847), also known as Fanny (Cäcilie) Mendelssohn Bartholdy, Fanny Hensel, and Fanny Mendelssohn Hensel. Painting by Moritz Daniel Oppenheim.

[portraituresque]

Self-Portrait, 1815-1816

Moritz Daniel Oppenheim

[towritecomicsonherarms]

Uber #18

[supercalifragipopculturevomit]

Cillian Murphy wins Best Actor (Drama) for his role as J. Robert Oppenheimer at the Golden Globes 2024 Taking a quick break from my obsessive Daniel Brühl posting—or am I?—to celebrate another actor I hold dear to my heart: Cillian baby, fookin' finally!

I've followed his works for many years now so I can say it's been a long time coming, this level of recognition. And to see him come out of his shell with all those long-form interviews during the awards season campaign—like this EPIC ONE from Variety—when he's so private and introverted and couldn't care less about fame and promotion, just made my heart swell with pride and joy.

p.s. seems Danny is happy about this recognition, too. Or maybe he liked it for RDJ. I'd like to think both 😉

[weclassybouquetfun]

The Oscars were announced today and while there is plenty that I am happy about disappointment still abounds. No love for SALTBURN. I knew Best Actor was crowded and Barry Keoghan may not get in,

AMPAS how can you deny him?

but I was sure of a Rosamund Pike nomination. Was holding out hope for a Dominic Sessa, or even unlikelier a Milo Machado Graner nomination for their respective works in THE HOLDOVERS and ANATOMY OF A FALL.

And while not personally disappointed (more disappointed by her BABYLON snub), very surprised that Margot Robbie didn't secure a nomination for BARBIE yet America Ferrera did.

Ryan Gosling speaks on Margot and Greta Gerwig's omission.

Not surprised by Andrew Scott not getting a nod - he didn't even get one from the BAFTAs - I just think there wasn't enough meat on the bones for that role.

Not surprised by Leonardo DiCaprio not securing a nomination as he's been pretty much absent from these conversations. What bothers me is that everyone I talk to about KILLERS OF THE FLOWER MOON pan his character, but not his performance. They hate that his character is stupid. They don't even touch on he's a bad person for poisoning his wife; no. It's his stupidity. So they hate that weakness in him and it blinds them to Leo's performance. Even director Paul Schrader whinged about how stupid the character was and Leo should have played the role originally offered to him; the FBI agent played by Jesse Plemons.

I love comparing who were being pushed to who actually got the big nomination.

Sorry Andrew, Greta, Julianne, Margot, Eve and Fantasia.

The Nominees.

Best Picture American Fiction Anatomy of a Fall Barbie The Holdovers Killers of the Flower Moon  Maestro Oppenheimer Past Lives  Poor Things

*I only just found out Ramy Yousef, Willem Dafoe and Mark Ruffalo are in this poster.

The Zone of Interest

Best Director Justine Treit (Anatomy of a Fall) Martin Scorsese (Killers of the Flower Moon) Christopher Nolan (Oppenheimer) Yorgos Lanthimos (Poor Things) Jonathan Glazer (The Zone of Interest)

Best Actor in a Leading Role Bradley Cooper (Maestro)

Colman Domingo (Rustin) Paul Giamatti (The Holdovers) Cillian Murphy (Oppenheimer) - when asked what he would eat as the Oscars do not serve food, he said he will bring a piece of his mam's sponge cake snuck in his wife's purse.

Jeffrey Wright (American Fiction)

More Nominations and Oscar Nom Talks

Thrilled for Bradley Cooper as a lot of people were turning on him because they viewed him as a award desperate try-hard. But he really just cares so much about this role. He screened A STAR IS BORN for Steven Spielberg and when the "Shallow" scene came on Spielberg got up and whispered in his ear, "You are fcking directing MAESTRO". When you are given given that must trust by arguably one of the greatest filmmakers ever, of course you're going to be extra to the nth degree.

Not sold on Cillian Murphy's performance in OPPENHEIMER. It did nothing for me, but I'm happy he has had this award season experience. He stays outside of actors' circle and - based on absolutely no proof- I just think he probably felt it al superficial, but when he won his Globe and thanked his fellow actors I can tell he was sincere. I think coming together with his peers in a real way; not just mingling at parties, but by being in spaces where they discuss their craft and inspirations let him recognize that no matter how big the name, these are his tribe and they see the art and value of what they do. Awards season friendships are cool to see. I didn't see one this season but Bradley Cooper said he and Colman Domingo have become buddies this season after doing a photoshoot together.

Best Actress in a Leading Role Annette Bening (Nyad)

Lily Gladstone (Killers of the Flower Moon) Sandra Hüller (Anatomy of a Fall) Carey Mulligan (Maestro) Emma Stone (Poor Things)

*Minus Sandra Hüller this is pretty much how I viewed how this category would shape up. Very funny to me that when POOR THINGS started screenings critics swore up and down it was an embarrassment to Emma Stone's talent and she would get nothing.

Best Actor in a Supporting Role Sterling K. Brown (American Fiction) Robert De Niro (Killers of the Flower Moon) Robert Downey Jr. (Oppenheimer) Ryan Gosling (Barbie) Mark Ruffalo (Poor Things)

*I honestly felt that Sterling K. Brown could be the upset and I was so happy to be right. His performance in AMERICAN FICTION is a breath of fresh air. I honestly wanted more of his character.

What I like about his Mark Ruffalo's nominations are that they both didn't think these roles would lead to this.

Brown said his publicist kept pushing him for interviews and panels this season and he couldn't understand why as he thought it was such a small role and he was just satisfied with being in the film, but his publicist saw the reactions to Brown's character and knew it was awards worthy.

Ruffalo said he didn't think he could do his POOR THINGS role because he's been so pigeon-holed and was accustomed to playing roles that were the anti-thesis of Duncan that he wasn't sure he could find him. Having people trust in you when even you yourself don't have that trust, or trying even while in doubt of yourself is beautiful.

Best Actress in a Supporting Role Emily Blunt (Oppenheimer)

Danielle Brooks (The Color Purple)

America Ferrera (Barbie) Jodie Foster (Nyad) Da’Vine Joy Randolph (The Holdovers)

*America Ferrera should be nowhere in this category. It should be Rosamund Pike 1000%. So happy that Danielle Brooks and Da'Vine Joy Randolph were both nominated as I was afraid the voters would only pick one over the other. Kinda surprised by Jodie Foster, but hers was a nomination I was really hoping for.

Best Writing (Adapted Screenplay) American Fiction Barbie Oppenheimer Poor Things The Zone of Interest 

Best Writing (Original Screenplay) Anatomy of a Fall 

The Holdovers May December Past Lives Maestro

Best Animated Feature The Boy and the Heron  Elemental  Nimona  Robot Dreams Spider-Man: Across the Spider-Verse 

Best Documentary Feature Film Bobi Wine: The People’s President The Eternal Memory Four Daughters 20 Days in Mariupol  To Kill a Tiger

*I forget the film but last year Dev Patel threw his support behind an International Documentary. He wasn't involved in it, but he did Zoom Q&As promoting it. This year he backed TO KILL A TIGER, going further this time to become an executive producer on it. This is the way to use your profile - uplifting other artists whose projects don't have the reach.

Best Cinematography Killers of the Flower Moon Maestro Oppenheimer Poor Things El Conde *Would much rather SALTBURN be in this category, but very happy for EL CONDE to be recognized.

Best Costume Design Barbie Killers of the Flower Moon Napoleon Oppenheimer Poor Things 

Best Makeup and Hairstyling Golda  Oppenheimer  Poor Things  Society of the Snow Maestro *Gotta go to makeup maestro Kazu Hiro.

Best Animated Short Film Letter to a Pig Ninety-Five Senses Our Uniform Pachyderme War Is Over! Inspired by the Music of John & Yoko

Best Live-Action Short Film The After Invincible Knight of Fortune Red, White and Blue The Wonderful Story of Henry Sugar

*I'm 100% behind THE WONDERFUL STORY OF HENRY SUGAR, though I preferred the short within the quandrant of films THE SWAN starring Rupert Friend. As long as the shallow Pedro Almodóvar short STRANGE WAY OF LIFE wasn't nominated, I'm good.

Best Original Song “The Fire Inside” (Flamin’ Hot) “I’m Just Ken” (Barbie) “It Never Went Away” (American Symphony) “Wahzhazhe (A Song For My People)” (Killers of the Flower Moon) “What Was I Made For?” (Barbie)

*Was really rooting for one John Carney's two songs from FLORA & SON to get a nod. He's been twice nominated (winning one) for Best Song, but since not gaining a nod for SING STREET (a robbery!), he just haven't been able to gain ground.

Best Original Score American Fiction Indiana Jones and the Dial of Destiny Killers of the Flower Moon Oppenheimer Poor Things

*Should have been a space for Anthony Willis who did the score for SALTBURN but everyone has to kiss John Williams' ring and Robbie Robertson passed away so they have to recognize him. Though, if pushed came to shove, I preferred Robertson's score over Williams'.

Best Documentary Short Film The ABCs of Book Banning The Barber of Little Rock Island in Between The Last Repair Shop Nǎi Nai & Wài Pó

Best International Feature Film Io Capitano (Italy) Perfect Days (Japan) Society of the Snow (Spain)

The Teacher’s Lounge (Germany) The Zone of Interest (United Kingdom)

*Haven't been able to see THE ZONE OF INTEREST because A24 kept bollocksing up their screenings (same with THE IRON CLAW), but I hear it's great. I'm 1000% behind SOCIETY OF THE SNOW. I really hoped that JA Bayona was able to break out and make it into the Best Director category, but sadly, it didn't happen,

Best Production Design Barbie Killers of the Flower Moon Napoleon Oppenheimer Poor Things

Best Film Editing Anatomy of a Fall The Holdovers Killers of the Flower Moon Oppenheimer Poor Things

*Again, another category SALTBURN should have been nominated in.

Best Production Design Barbie Killers of the Flower Moon Napoleon Oppenheimer Poor Things

Best Sound The Creator Maestro Mission: Impossible – Dead Reckoning Part One Oppenheimer The Zone of Interest

Best Visual Effects The Creator Godzilla: Minus One Guardians of the Galaxy Vol. 3 Mission: Impossible — Dead Reckoning, Part One Napoleon

[dweemeister]

96th Academy Awards nominations reactions

Well, it wasn't doomsday. But it wasn't the best Oscar nomination morning I've ever experienced either!

And goodness me, the two major Best Picture contenders that have the most upwards momentum right now (Oppenheimer doesn't have upwards momentum, it's been top of the pack for the whole awards season) did well. And it just so happens, those two films are the ones I'm the most terrified to criticize.

Some thoughts:

From some of the talk going around and the lack of love from outside the United States, I'm a little concerned with Killers of the Flower Moon as it stands. It's my personal pick for Best Picture, jsyk. Ten nominations sure, but missing out on Adapted Screenplay and Best Actor for DiCaprio is not a good look, despite the surprise Original Song nomination. Certainly, AMPAS is majority/plurality American, so the story strikes deep chords for any of us who care a smidgen about the nation's history and racial injustice. But I have been seeing chatter - not gonna name nationalities - from outside North America saying how they're tired of American racial guilt movies. That is an aspect of KOTFM, but that completely flattens a morally complicated, beautifully made work. A near-miracle it was made in 2020s Hollywood. I think another part of it is that we are all now taking the Scorsese and Spielberg generation of filmmakers for granted. They've come full circle. Their films have done wretchedly at recent Academy Awards ceremonies as of late, and undeservedly so.

The (imo) overperformance of Poor Things makes the Gladstone v Stone matchup look like it may be slowly tipping away from Lily Gladstone. I don't think I will be writing on the film on this blog but, suffice it to say, I didn't enjoy it. Yorgos Lanthimos is a director that has never truly clicked with me, largely due to his earlier, very cynical work. Poor Things is not as cynical, but I didn't care for the messaging at all (yes, Victorian men were sexual hypocrites and miscreants - how self-congratulatory, I found it) or its sense of humor. I guess some can say that I'm just another puritanical American prude, as well. But I thought the sex was getting into the male gaze-y territory, and the sex work subplot was way waaayyy too sanitized. I also despised the atonal score by Jerskin Fendrix, which was very close to stuff me and my orchestra mates might do if we were messing around in rehearsal (disclosure: I was taught classical piano and violin, have studied music theory up to the college level, played in various orchestras up to a decent level in high school, and am a massive film score fan).

It looks like Oppenheimer is running away with this. I just don't see how anything can stop it in Best Picture. I can respect an Oppenheimer Best Picture winner, even if I'm not even sure if it cracks my top three and Nolan is certainly not one of my favorite filmmakers.

I don't think Oppenheimer is getting Best Actor, though. Rooting for Paul Giamatti for The Holdovers on that one. Shame Dominic Sessa couldn't join him in Supporting Actor, but Da'Vine Joy Randolph has essentially got the Oscar in the bag - despite my reservations on how her character essentially disappears in the last third of the film.

But what about Barbie? It's a movie I respect, deeply. But I never thought it in the caliber of Best Picture nominee one bit. The America Ferrera nomination in Supporting Actress I don't support one bit. Gosling? Sure. Robbie? Had a better case than Ferrera, but I understand why she didn't get it. Gerwig? I'm on the fence over her exclusion in Director.

Sensational stuff for Justine Triet and Anatomy of a Fall. It's probably my #2 vote in Best Picture. I just wish Milo Machado Graner was in for Supporting Actor. This is a dark horse, folks, more than capable of pulling off an upset or two come Oscar night. And a damned good movie, too...

... But its success appears to have come at the expense of Trần Anh Hùng's The Taste of Things. And as the Artistic Director of Viet Film Fest in Orange County, California, that stings, as he's VFF alumni. When France passed over Anatomy of a Fall for The Taste of Things in Best International Feature, there was a lot of outrage directed at Taste by people who had and had not seen the film. Perhaps the damage was already done. A massive shame if that was the case.

Other than Poor Things, the other movie with tons of upward momentum right now is Jonathan Glazer's The Zone of Interest. For the record, I think, on its face, you can still make a morally responsible movie about the Holocaust from a Nazi point of view - which I think Glazer mostly does. But my criticism comes from elsewhere. Glazer, in interviews, has said how he wanted to 1) make the movie not primarily about the 1940s, but about our time and our complicity in atrocities and 2) make a film shorn of cinematic artifice to absorb us into the setting. I think his messaging never evolves beyond the basics on the first point; I think he utterly fails on the second. Cases in point: the use of nightvision cameras that only serve to remind the audience they are watching an artistic exercise, the horrific score from Mica Levi that too many film critics (who don't know better, most notably David Ehrlich at IndieWire - really, everyone at IndieWire), and a weird sound mix that reminds me of when stage plays play off-stage sound effects or background noise but that audio doesn't sound sufficiently "far away" enough.

A slight underperformance by Past Lives. It was never going to get a boatload of nominations. But it appears Greta Lee was squeezed out (I have nothing constructive to say about Annette Bening and Jodie Foster in Nyad as I haven't seen the film) and there was scarcely a campaign for Teo Yoo.

American Fiction is, I think, going home empty-handed. Its nominations are the win, and I think it's a decent satire well worth watching.

Maestro doesn't deserve a Best Picture nor its screenplay nomination, but I'm not happy with some of the accusations of Bradley Cooper Oscar-thirsting that's flying around. You folks are taking it much too personally. Did he defecate on your kitchen table or something? Calm. Down.

And speaking about disrespect, there has been a ton of disrespect towards John Williams' nomination for Indiana Jones and the Dial of Destiny. Again, we're coming full circle to an iconic figure of late twentieth century cinema. Especially from fans of Daniel Pemberton's score to Spider-Man: Across the Spider-Verse (who I agree should have been nominated in Score). No, Indy 5 was not great. No, Williams' score to the film was not the best score in the series. No, I don't think Williams should win this year. But did you listen to the score? Helena's theme was gorgeous and its integration across the score was the work of a master. The interplay between the Nazi and Dial themes is something lesser composers just simply cannot replicate. And for those complaining that Williams simply reuses material the entire time, I get the feeling you haven't seen the film or listening to the score by itself (or understand how themes can develop). Yes, I know melody is on its way out in film scores (see: Hans Zimmer, his acolytes, and any composer who thinks that orchestras should be used like drums) and pop music in general in favor of texture and a beat. But I bet you many composers will sell their souls to piece together something half as good as a lesser John Williams score. It's a great score, worthy of its nomination.

Where is Robot Dreams, Neon? This movie's been on my radar for some months now, but radio silence! Do you guys not know how to distribute an animated film? Flee (2021, Denmark) had this same problem! I'm so glad it's in, though.

That nomination for Nimona, though? Dreadful. Again, tumblr won't like I'm going to say this, but I thought it was gratingly written, poorly voice acted, and its humor and character behaviors are going to date like milk.

And a massive congratulations to Godzilla Minus One for its Best Visual Effects nomination. After 38 films in the series, the big fella with atomic breath is heading to the Academy Awards!

No Disney in Animated Short for Once Upon a Studio. Surprising, but not completely so. I'm excited for a slate of independent animated shorts when the short film categories come around!

The Live Action Short slate is rather disappointing. I like the category best when it's full of no-name directors and actors. Without having seen anything else, this is going to Wes Anderson isn't it?

Most prioritized films I haven't seen: all short films, Elemental, Io Capitano, Perfect Days, Robot Dreams, Rustin, Society of the Snow, 20 Days in Mariupol

[trendfilmsetter]

2024 Oscar Nominations for Best Actress in a Supporting Role

[flintsdragon]

my dream knives out 3 would be the third and final installation of the series that takes place in 2023 when Joseph Gordon-Levitt's career is having a Brendan Fraser style “renaissance”, prompting hollywood to green-light a bunch of sequels to his iconic movies/tv shows. JGL signs on to do Inception Forever After, the long-awaited sequel to the 2010 hit, and Christopher Nolan requires that the entire cast and crew move to Iceland for a year to film it. Joe hosts a going away party for himself and his co-stars, but at the party, all his other friends (John Lithgow, Zoey Deschanel, etc.) try to get him to pull out of the movie cause they fear their projects wont get made if he disappears for a year. In true knives out fashion, everyone is a suspect but we will know who the villain is very early on, and that villain will be Rian Johnson himself. Johnson's motive is different than everyone else's. he doesn't want Joe to be in one of his movies, instead (for story purposes) he is the primary investor in Hit Record, JGL's confusing side project and he convinces himself that the company would finally take off if Joe died suddenly and mysteriously. I dont know how he kills JGL, probably with a camera. After Benoit Blanc solves the murder with ease, the major twist is that he finally realizes that he is a character in a film and it ends with Benoit Blanc and Rian Johnson destroying each other. i have not slept well in years

[mrs-bond]

Hi there looking for new people to talk to or rp with. I prefer age range of 30 to 40.

[skitskatdacat63]

post 10 of your favourite comfort movies & tag 10 people

Thank you both @suzuki-ecstar and @renaulonso for the tags!!! I don't rewatch movies very often so I feel like these are moreso movies I've actually watched several times more than they are comfort movies lmao, also in no particular order!!

Spider-Man: Into The Spiderverse

Ford v. Ferrari

Indiana Jones: Raiders of the Lost Arc

Star Wars: A New Hope

Casino Royale

Young Frankenstein

Inglorious Basterds

Interstellar(not comforting, makes me sob every single time)

Ocean's Eleven

Blazing Saddles

I tag: @sweatyflytrap @antimonyandthyme @ayceeofspades @sewellove @schumigrace @ellearts @huginn01 @hungriestheidi @skeleton-gluvs @sebbuh (sorry if you've been tagged already!!!)

[diemelusine]

Portrait of Simon Moritz von Bethmann with his two nephews in Frankfurt (1826). By Moritz Daniel Oppenheim, Deutsches Historisches Museum.