#dangerous quirks

[captaingimpy]

My Hero Academia: You're Next - Review

As a fan of anime films, especially those that make rare appearances in U.S. theaters, My Hero Academia: You’re Next felt like an experience I couldn’t miss. The film’s animation quality received a noticeable boost, though there were moments where clarity faltered—likely due to the intense working conditions at animation studios. Still, it was understandable, and overall, I enjoyed the visual…

[turtleblogatlast]

Thinking about how Leo says he uses his jokes to cope and y’know, thinking harder on it I think it may very well be because of what else uses one-liners and puns and that type of humor.

Specifically, 80’s action movies and campy sci-fi. Even more specifically, the protagonists of these.

So I can imagine why, exactly, Leo leans toward this brand of humor. It’s directly linked to things he loves! But even more than that is why I think it’s used as a coping mechanism.

In these genres, these quips tend to be said by the winner - or, if not a winner, then someone who will stay alive. So there’s a confidence behind them, an assurance, almost, that even if things go wrong, things aren’t ever too serious. There’s no bad endings here! It’s all good fun, even if the stakes seem high.

Leo canonically has been known to steer his brothers away from the more brutal villains and toward more fun, lighthearted activities and not-so-dangerous criminals. So for Leo, these jokes definitely make things less heavy, make the situations they find themselves in less intense.

It’s kinda not just coping, but also can be seen as a form of escapism. A safety blanket. A way for Leo to defuse the tension of knowing just how dangerous their lives are and replace that with a levity which implies that things will be okay.

Unfortunately, levity alone does not alter reality.

[autopsyfreak]

if i see one more ‘delulu’ im going to hurt someone

[monkesupreme]

Really in love w Clark being a bit of a pyromaniac in his early years. Its bright and warm and it doesnt hurt him and it feels like the closest he can get to the sun without actually being there. He sits on the counter beside the gas stove as its cooking, he sits in front of fireplaces absolutely mesmerized, he has lighters he carries around to make little fires from paper clippings so he can hold it in his hands and sit there entranced and away from the rest of the world. He definitely stops when he realizes it can do Real damage to his home and barn, but when he moves to Metropolis he starts it up again. Its a comfort during the dark nights and cold winters.

When hes feeling particularly lonely or bad, hell light up the gas stove and squeeze his big self onto the counter and let the heat warm his sides, or make a small fire in the center of his livingroom and lay down next to it. Its like. A creature of the sun seeking its comforts at all times, and finding a substitute that feels more alive than the sun lamps hes got in his room. It flickers and breathes- caresses his face and hands- and stays for as long as he wants it to be there. Its dangerous to everyone but him, and it makes it feel like its cause its meant for him- alien in a way that feels out of control for humans but just perfect for him

[luuxxart]

leaks from the anime post bnha 430……. #REAL #NOTFAKE

[delawaredetroit]

Eri's grandfather saw her quirk as something similar to Shigaraki's - "the power to annihilate". Overhaul discovered that Eri's quirk was actually rewinding living things, but it's easy to see why the boss thought her quirk was destruction. The mechanism might be completely different - rewinding out of existence (Eri) versus breaking things down into particles (Overhaul and Shigaraki), but the end result was still destruction.

It's unfortunate the narrative never did anything with the potential foil that is Kotaro and the Shie Hassaikai boss. There is a parallel between Kotaro and Eri's mom in that after Eri and Tenko accidentally killed one parent after losing control of their quirks, the other parent rejected them.

But the contrast between the Shie Hassaikai boss and Kotaro is crunchy. The boss accepted Eri even with her quirk and acted in what he believed was in her best interest versus Kotaro who rejected Tenko. The boss's issue was that he was a bad judge of character of what help to turn to for Eri...and/or potentially a lack of resources to address quirks like Eri or Tenko's even with well meaning guardians like the boss.

The Shie Hassaikai boss, like Kotaro, was the patriarch who controlled his "house" in that he set the values that everyone else was expected to follow. The boss tried to reform Chisaki by bringing him into the yakuza so he would have a strict moral code to follow, but Chisaki only adopted the hierarchy and the bare bones of an ambition while abandoning everything else. The boss was shown trying to engage in a dialogue with Chisaki multiple times during his flashbacks. Kotaro, on the other hand, reacted aggressively to any challenge to his worldview and his ideal home even when that challenge can from his own young child. There's something about how one of the villains was shown to be one of the more well intentioned guardians (the Shie Hassaikai boss) versus several of the worst parents in BNHA being civilians (Kotaro, Eri's mom, Toga's parents, etc.)

[grapesodatozier]

shindeku makes me lose my MIND what do you MEAN izuku was the first person to ever break shinso’s control and shinso is the reason izuku saw the vestiges of one for all for the first time?? what do you MEAN izuku is the first person shinso ever saves by quirking him and in doing that shinso is the reason izuku is able to talk to one of the previous wielders and learn how to use blackwhip for the first time and what do you MEAN blackwhip fizzles out as soon as izuku sees that shinso thinks izuku tricked him on purpose????? they are so intertwined quirk wise and just constantly helping each other fall into huge personal revelations every time they interact and I’m supposed to be normal about it????????

[angy-grrr]

I can't believe Horikoshi decided to parallel togachako with shigaraki and deku, but also with kacchan and izuku, because there are multitudes into their relationship.

Ochahimi has this obvious textual side going on for a long time that its meant to be seen along Shigaraki Tomura and Midoriya Izuku: a hurt villain and a hero who feels the need to stop the pain. Two sides of the same coin. Will they take their hand? How could they reach out? Is there any hope for the rejected? We have different scenes in which its clear Uraraka and Midoriya have this idea of saving someone who is hurt even if they are a villain, the flashbacks of their conversation before the war, but surprisingly Ochako doesn't think of it as much as Izuku in this final battle -clearly stated, is when Himiko is giving her own blood to save her and explaining how she felt like her heart was floating when Uraraka touched her. The flashback reminds us of Izuku talking about how "maybe theres no way to avoid a battle, but I cant ignore what I saw deep inside him".

But Ochako isn't happy even if she got there, even is Toga tells her she made her happy. She's tired, sad, and desperate to stop her when she cant even move.

Its difficult to analyze Izuku's emotions, but once again, we can try to work with what we currently have! As far as we know, Izuku isn't really having that much of a conflict in terms of if he should save Tenko or not -the problem was external. What would the OFA users think? He challenged them by staying true to his inner core, and they accepted him, but we don't see him struggling with the idea of him reaching out to Tenko in itself like Ochako, who actively tried to forget about Himiko.

I interpret his flashbacks to his conversation with Ochako as a reminder of the person behind the villain, because he is also feeling something else: anger. Izuku was really hurt during this battle both physically and, I would argue mostly, mentally. As he himself said, he can't forgive Shigaraki, just try to stop the crying child from hurting, and the reminder of Ochako's own goals and words are a reminder of his own intentions; lets not forget, moments later he took control after seeing Katsuki's dead body, he attacked Shigaraki in ways that would cause severe damage -like in the middle of his chest, causing a hole.

Uraraka doesn't actually try to hurt Toga, but use her martial arts training in order to both dodge and tackle her, so she can hear what she has to say. I re-read the chapters around Katsuki's revival, because I was wondering, "does Izuku remember this before or after he locked eyes with Bakugou?", and the answer is after*. The other time he thought about it was before leaving the togatsuchako battlefield, when Ochako encourages him to not worry and go get Shigaraki.

So, what I mean by this is, Ochako Uraraka and Izuku Midoriya are not the same person, and they don't feel the same way for their main villains, just like Tomura Shigaraki and Himiko Toga don't feel the same for their main heroes, and are not the same. Izuku actually feels resentment and anger for Shigaraki, he cant forgive him, but he also doesn't want to kill and punish like that; he is a savior, if he has to fight he will, but in his heart he knows what he prefers' maintaining peace, and help the ones who are vulnerable. He sees the villain, and he sees the child who grew up abused and sad; he is a sweet boy, ofc he would try to stop the crying somehow. His conflict with him now, Im guessing, is that he doesn't really feel like he actually saved him -after all, he disappeared after the last punch, and he still considered himself the leader of the league who wanted to destroy everything. He gave him his autonomy back and tried his best, but his last words and request feel like a completely different "task" than what he envisioned; it makes him think, about what heroes and villains even mean in their society, and who gets to decide those things. How can he continue with Shigaraki's legacy?

In another hand, Ochako's conflict don't come from her own moral compass, but from what she is supposed to do; before she even saw sadness in her face she thought positive things about her -she has a cute smile, she is really honest with her feelings, and isnt scared to be open with others, and she envies that. She envies the villain Himiko Toga, and relates to her, and feels connected to her. So her pain feels even more personal when it shouldn't; she isnt her family, she is someone who has tried to hurt her and her friends over and over while being so happy about it. She is weird!

Besides the thoughts about society and who helps both heroes and villains, which are really important for her character and goals, the other side of their problem is... the way Ochako was refusing to see and accept her own weirdness. Interacting with Himiko was chaotic, confusing, and left her full of doubts about herself and what she wants, because isnt she even weirder if she wants to be more like her? How can she admit those thoughts out loud? Anyone would agree that behavior is disgusting, but... she can't hate her. She can't try to punch her, or hurt her, and she never was able to no matter how much she tried to convince herself this is the only way.

Her conversation with Izuku opened her mind and heart to start accepting what she truly wants to do to Himiko instead of what she has to do as a hero. What does she want? To stop her. Her hurt. Her tears. To make her happy, and to keep her alive. She wants to see everyone happy, to get peace.

This is why her conflict is both related to Shigaraki and Deku, and Katsuki and Izuku; in one aspect its about morality, heroism, villainy and society as a whole. Himiko will question how things works constantly, and she can't ignore it. And at the same time, there's an emotional side to it; she has multiple confrontations with her, where miscommunication and holding back hurts them both. She pushes herself to be more like others, but it doesn't feel right anymore; Himiko makes her see her own self hatred, and jealousy and care grow more and more. Why can't see just do the right thing to maintain peace?

Just like Izuku was surprised by Katsuki's tears during their second fight, Ochako gets concerned by Himiko's, when she interpreted Uraraka's words as her rejecting her love -and therefore, whole self. Is not until the second war that she even realizes Toga actually loves her in the same way she loves Izuku, being a little clueless herself.

It doesnt sit right with her to do the "normal" thing, because she isn't normal at all; she thinks about making a villain happy, and how lovely her smile is. Her honesty and openness to be unapologetically herself, no matter how much others try to push her down or change her attitude; she hurts others, she knows that's wrong and agrees with that generalized sentiment... but hate her for it? She tries to do it, but it doesn't work. Inside of her heart, she knows what her emotions are telling her, and its not anger.

This is messy, my head hurts, but Im hoping I can write something better and longer in the future. I guess it makes more sense that drawing of Shigaraki, Izuku, Ochako, Himiko and Katsuki all together. I always wondered, if this is about heroism and society, Katsuki shouldn't be there, and if it is about emotions and rivalries, then it would be Tomura.

If you read this far, thank you for your time, and apologies for the confusion the writing could have caused you.

*My internet is going really slow, so im not re-reading all of the chapters after Izuku's arrival in the battlefield, so I cant 100% say this is the very first time he does remember it. Once im able to, or someone checks it for me -wether im right in my statement or not-, I'll edit it to be accurate with the material.

[gentrychild]

Iruma-kun au

How will afo react to izuku having ofa? Will anyone besides nezu and all might be aware that the transfer happened ?(At least one Night eye can't complaing cause it the power that choses the host)

Oh, I am afraid this is very much a OFA Is Known AU and that while Izuku and co will try to keep the transfer secret, the truth will eventually explode into the open.

AFO's reaction will always be something lile this:

AFO: "What do you have there?"

Izuku: "One for All!"

AFO: "NO!!!"

[deeranon]

Dangers and Dragons Masterlist | a dragon! Reader story

Summary: As the holder of a quirk many could only dream of, you face the reality of controlling what was once only possible in dreams. Learn to control it…or find out what will happen if you don’t.

Chapter 1: Dangers and Dragons - posted

Chapter 2: Dangers about Dragons -in progress

Chapter 3: Doors and Dragons - in progress

[geraldofallon]

Attributes, Qualities, Quirks

Dangerous

[quirkwizard]

Assuming One For All enhances the current user's Quirk, how do you think Mirio and Permeation might have evolved if All Might had chosen him to be his successor?

In spite of the boost in power, I doubt much would change about his fighting style. It would just make him more effective at it, turning himself into a meteorite against whatever he was fighting. What would make it more dangerous is him using his intangibility in a straight-up fight. Imagine fighting someone as strong as Izuku, but he can turn intangible whenever he wants. Now that would be a nightmare. Like with Izuku, "Fa Jin" and "Gearshift" would add much outside of a power boost. Though potentially, he could charge up "Fa Jin" while he is intangible, but who knows if that's how the two would interact? "Smokescreen" would either help or hinder him. It would let him slip in and out of wherever he wants without his enemies realizing it, but may just end up keeping Mirio from knowing where he's going. "Float" could be interesting as he could fly and redirect himself whenever he wants, giving him plenty of more opportunities to move around. "Black Whip" could be used in a similar way, but a more fun option would be Mirio using them as his arms when intangible via his selective intangibility. Out of all of them, I think that "Danger Sense" would help him the most. Like I talked about before, it could help him know where he is going and know when to use his power, making "Permeation" much less of a hassle.

[hiddenramen]

okay. so. i think where i'm at at this point, now that there is a plot, is that the show should've focused way more intensely on the singularity aspect and the inherent, latent horror of the fact that society is desperately holding on by a thread and they are all, effectively, on a crash course for the end of the world.

every successive generation of quirks is more and more powerful (and destructive), and each successive generation has a wider gulf between them and the next. each of the villains represents the stark truth that everyone is ignoring, which is that the singularity is coming, and even at this point it's already starting to destroy the human race.

every one of them represents the fact that as quirks get more and more powerful, they start to rip apart the person who holds them. dabi's body physically cannot handle the heat of his quirk, it literally tears his body apart. toga and twice can't handle the mental strain. shigaraki's quirk is so impossibly destructive and hard to control that it's nigh apocalyptic in scale, and that's coupled with the fact that neither his body or his mind can cope with it.

i think a much better way to create conflict would have been to hone in on that and have the league be this sort of anti-establishmentarian destabilizing force intent on tearing down the veneer of normalcy and control that the heroes represent, bringing light to how broken and fragile their society actually is, and how the way they venerate quirks and heroes is actually masking how deeply fucked they all are if nothing changes.

[miodiodavinci]

anyway probably my favorite thing about fafnir is the ever present gap moe of this incredibly sad and tired looking corpse man acting and behaving like a nervous little creature in a shopping mall, or perhaps a teenager who has been miraculously hired onto their first job despite having None of the qualifications w

my other favorite thing is the fact that he can do this w

[protagonistscum]

if i was an unethical hero commission agent in bnha pre-canon, twice would've been recruited SO fast. like COPIES of your well trained spies/assassins and all you need to do is make twice feel at home and cared for? obvious play.

[bnhatrashsideblog]

If you think of it, many of the people in this fandom keep proving Monoma right and making his character have so much sense- like guys, class 1-B is not the lesser class. They aren't weaker than class 1-A, the classes weren't assigned by strength or anything like that. The only difference between the two classes is that the fucking MC is in one of them, which automatically makes them the center of attention. If Midoriya got assigned to class 1-B then no one would fucking think they're lesser than class 1-A lol.

"How Hagakure/Mineta/whatever got in class 1-A?" girl the question is how they got in the hero course, not class 1-A (which is a talk for another post, not this one). Them being in class 1-A doesn't mean they're automatically stronger than everyone in class 1-B