#danger force season 1 episode 5

[circuses-and-childhoodtrauma]

Goomer making a whole video of him doing a “nasty crime” with someone else bc frankini “broke up” with him is enough evidence of this.

do you guys think frankini and goomer ever explored eachother's bodies

[xyywrites]

What to Do When the Middle Sags

Ah, the dreaded sagging middle—the place where your story feels like it’s running in circles, or worse, standing still. Many writers hit this wall, but don’t worry—it’s fixable. The middle of your story is the heart of the journey, the place where characters face challenges that set the stage for the climax. If your middle is losing momentum, here are some practical tips (with examples) to reignite the spark.

1. Introduce a Midpoint Twist

Give your plot a jolt by throwing in an unexpected twist that shakes up the status quo.

Example: In The Hunger Games, the announcement that two tributes from the same district can win together completely shifts Katniss's strategy and amps up the stakes.

Tip: The twist doesn’t have to be massive—just something that complicates your characters’ goals and forces them to adapt.

2. Add a Subplot That Intertwines with the Main Plot

Introduce a secondary conflict that deepens the stakes or explores a new side of your characters.

Example: In Pride and Prejudice, Elizabeth Bennet's subplot involving Wickham creates tension and provides insight into Darcy’s character.

Tip: Make sure the subplot supports the main narrative. It should enhance the story, not distract from it.

3. Escalate the Stakes

If your middle feels slow, it might be because the stakes aren’t high enough. Raise the pressure on your characters.

Example: In The Martian, Mark Watney’s potato crop fails, leaving him with limited food supplies and no margin for error.

Tip: Ask yourself: “What’s the worst thing that could happen to my character right now?” Then let it happen.

4. Deepen Character Relationships

The middle is the perfect time to develop your characters’ dynamics—friendships, rivalries, alliances, or betrayals.

Example: In Stranger Things (Season 1), the kids’ bond with Eleven deepens in the middle episodes, revealing her vulnerabilities and cementing their loyalty to her.

Tip: Focus on moments of vulnerability or conflict that reveal something new about your characters.

5. Introduce a Ticking Clock

Deadlines and time limits add urgency to your story.

Example: In Inception, the middle accelerates when the characters face layers of time running out in the dreamscape.

Tip: The ticking clock doesn’t have to be literal. It can be a metaphorical deadline, like a relationship on the brink of collapse.

6. Force Your Protagonist to Make a Hard Choice

A moral dilemma or a tough decision can reignite tension.

Example: In The Dark Knight, Batman must choose between saving Rachel or Harvey Dent, pushing him into emotional and ethical turmoil.

Tip: Hard choices show growth—or cracks—in your protagonist’s resolve.

7. Change the Setting

A fresh environment can provide new challenges and visual interest for the reader.

Example: In The Fellowship of the Ring, the group moves from Rivendell to the treacherous Mines of Moria, increasing tension and danger.

Tip: Make the new setting more dangerous or unpredictable than the last.

8. Reveal New Information

Introduce a secret, revelation, or piece of backstory that changes the reader’s understanding of the plot or characters.

Example: In The Sixth Sense, the middle is packed with hints and reveals that slowly unravel the truth about Malcolm and Cole.

Tip: This new information should connect to the story’s core themes and drive the plot forward.

9. Focus on Internal Conflict

If the external action slows, delve deeper into your protagonist’s internal struggles.

Example: In The Catcher in the Rye, much of the middle is Holden’s internal conflict about growing up and his isolation.

Tip: Use internal conflict to build empathy for your character or highlight their flaws.

10. Foreshadow the Climax

Use the middle to set up elements that will pay off later in the story.

Example: In Harry Potter and the Goblet of Fire, Harry’s discovery of the Pensieve and his interactions with Barty Crouch Sr. foreshadow the climax involving Voldemort’s return.

Tip: Plant seeds that will leave readers saying, “Oh, so that’s why that happened!”

Checklist for Avoiding a Sagging Middle:

Does every scene push the story forward or develop a character?

Are there unanswered questions keeping the reader hooked?

Have you raised the stakes since the beginning?

[eshithepetty]

So. It's been said before that Mob has this compulsive thing where he looks at his hand when he's thinking about his powers. But I've wanted for a While now to compile exactly when and how much he does this, so!! Here's exactly a post for that ^^

Starting with the very 1st episode of Season 1, here he looks at his hand while Reigen's spiel about him not using his powers to use against others plays in his head. At this point in the story, we don't really understand the full gravity of these words, and what they mean to Mob - really, they sound more like the obvious usual advice that a psychic mentor would give. But from Mob's percentage rising (tho most people won't know what the percentage means at this point in the story), as well as him generally sitting on this advice, we can tell that a nerve has been struck.

Then comes season 1 episode 3. This is technically the same exact shot, but I still decided to include it both because it's still technically a different instance, and also, because of the new information we learn in this episode, we can look at this shot with a different context. Namely, that we now know what Mob's percentage means, and that his powers are connected to his emotions, which is why he stifles both in fear of hurting people as Reigen warned him of. It turns from impersonal advice to a Very personal and real concern. Though the biggest reason for why he fears his powers is still unknown at this point... (though we are made aware of the other reason - fear of social ostracization).

Ough... here comes season 1 episode 5. The shot of him looking at his hand, the one that makes it abundantly clear exactly what he is imagining and thinking back to when he does this. He's remembering the literal blood on his hands... fuck me.

Then are these shots from the same episode. The hands are covered by a towel, so this one is less obvious, but by his sight line and the conversation that he just had with Ritsu - about the incident, and what he did to him - it's obvious that's where his eyes are set. And now compared to episode 3, we know exactly why he hates and fears his powers so much. Why he thinks these hands are dangerous...

Season 1 episode 10, another repeat shot - this time from the psychically induced flashback he suffers at the hands of Muto. I still think the 100% rejection scene is so underrated - imagine being forced to relive the most traumatic event of your life, especially considering he usually avoids thinking about it.. god, the way he just screams and sobs is so upsetting.. though I do wonder what exactly Muto saw when Mob reversed the illusion on him.

This one's from season 1 episode 11, and it's a lot more innocuous than the rest - he's just checking that his psychic powers indeed don't work in this cursed room. But it's still him looking at his hand and thinking about his powers, so I decided to include it. (though I will say, there is a fanfic opportunity somewhere in here about combining the fact that, apparently, there exist curses that can surpress psychic powers, and Mob's desire to do just that... maybe one day I will get to it)

Now we jump to season 2! Episode 3. God, this is still one of the most intriguing scenes of this show to me... here, along with the fear of potentially having to hurt his clients, Mob is thinking a lot of things - among them, for the first time considering not only that he can hurt innocent people with these hands, but also innocent spirits. And the fact that he had been exorcising spirits, essentially killing these beings that are as close to him as living humans are, for years... I just love this episode. And as one commenter on Youtube pointed out, in season 2 episode 1, he made a promise to himself to consider his feelings more - and his feelings are innately tied to his powers. Thus, opening his eyes to his feelings also made him open his mind to the ethics of how he is using his powers, and whether following Reigen along on all these jobs without thought is truly what he should be doing. This is a big part of why I fully support him deciding to not work for Reigen post-finale - he needs to figure out how he feels about his powers without using them as tools to get profit (well. Not so much profit for him, and there's certainly value he gained from this job besides that - such as being able to at least use and express his powers somewhat, along with the relationship he gained with Reigen - but point still stands. It's healthy for him to be able to think these things through without that). Plus, I personally like to imagine he grows more sympathetic to spirits as he grows up and isn't anymore too keen on him destroying them being his job. But ramble aside...

Here comes mogami arc! Season 2 episode 5. As the subtitles say, in contrast to all other times he's been agonising over being too powerful, here, he's regretful over not being strong enough (plus, I like how Mogami has basically redefined what strength means for Mob in this fabricated world. Where in the real one, strength for Mob means sticking it to your morals and being able to resolve things peacefully, here it's... kinda the opposite..). Also, what's interesting here is that he still looks to his hand here, despite having all his memories of his powers and the incident erased from his mind. I guess it's just that deep-seated...

Same episode. This one is kind of debatable, but he certainly looks like he's rising his hand to look at it. Thus, I'm including it. Plus, it has thematic relevance to the incident. As he is saying here, in this world, he truly hasn't done anything malicious or dangerous that could warrant people treating him as the enemy, yet here they are. I could imagine, that, somewhere in the back of his mind, he is feeling like he's forgetting something...

Season 2 episode 10. Here he just woke up and immediately whooped ass with his powers. Also more innocuous, he's just confused, but still looking at his hand, so. Here it remains.

Season 2 episode 12 - this one's also kind of a oddball, since for once, he's not really thinking about his powers, but rather Serizawa's, and what they reveal about the man's feelings- but I thought it was close enough at him looking at his hand. Besides, I think it's sweet that this is one of the first times he uses his powers to empathise, to connect with someone (we see him do so again while trying to take in Toichiro's powers, as well as in the Alien arc, notably), so I'm including it for its thematic relevance.

Now onto season 3 episode 1! There's a really good post explaining this one (as well as the ghost family scene instance) here, but to summarise, here, Mob is thinking back to his powers and instances of him hurting people - making mistakes - and how he never learns. Never changes. Not enough... just like with the 100% sadness scene, it's just so sad that he thinks this one instance of his powers getting the best of him has ruined him for life. That he can't afford to make mistakes... buddy, you're 14 years old. A child. Making mistakes is part of growing up, part of being human :( But I'm guesing he doesn't always see himself as fully human does he ...

And then. Season 3 episode 10. Ough... This is just all his worst fears becoming reality. He's hurt Hanazawa, again. He's hurting his loved ones, again. He's monstrous and dangerous, again... All these years of repression have just led him back to square one and below - to bloodied hands once more. But this was inevitable. He couldn't have continued looking at those hands and fearing them.. he needed to face himself. Look that trauma in the eyes. And say: that's not all I am. I did that, those hands are mine, I am capable of hurting, but it's not all I am. I am capable of changing.... and he does!! Reverting once doesn't erase all the good he has achieved and all the growth he has experienced. But fact remains, that before you heal the wound you heal the wound, you need to clean it first. And it will hurt... but he gets there. He gets there.

So to finish on a lighter note! The ending of season 3!! This one makes me so happy, because, as opposed to all these other scenes where he's looking to his hand with turmoil and anguish in his heart, here, it's the opposite! He's smiling!! He's confident!! He's becoming surer of himself every day!!! He no longer sees his powers as a curse!!!! It's a promise, that eventually, he manages to deal with all the trauma and achieve a happy ending. It's just his hand, and his hands can hold instead of harm. It's just so sweet. I love him and his character development so, so much.... <3

In conclusion: he looks at his hand a total of 14 times - 12, if we exclude repeat shots. And I just think it's fascinating, how we can follow his development throughout these instances. So I hope that this was interesting for you to read as well, and that you all have good days out there <3 Toodles :)

[yrrtyrrtwhenihrrthrrt]

Top Six Arcane Characters ranked in reverse-order of how much silly fucking nonsense they have to put up with throughout the runtime of the show

6. Cassandra Kiramman (daughter became a cop [I'm so sorry girl], daughter randomly goes missing for several days and breaks into her own house shot in the leg with a fucking homeless lesbian, gets killed by Zaun literally four seconds after being convinced to grant them sovereignty, and if there is an afterlife she had to watch her daughter crash out spectacularly using her very own initiative to gas the poor. Embarrassing.)

5. Ekko (every single Topsider he meets is next-level stupid and he has to hold their hand like a baby even when they are a literal genius. Had to watch Cait say "The enforcers aren't oppressing you guys that's not true :( !!" with a straight face, had to watch Jayce say "Oh yeah we put the hexgate here so that if it blew up it would only release dangerous arcane-gamma rays upon YOUR people so nobody who actually matters would die" with a straight face, had to find out the founder of the city that oppressed him his entire life was literally just a stupid old man with a banjo, Jesus fucking Christ. He is low on this list because of the amount of silly nonsense he subjected other people to, especially in the AU. Also he threw a time-machine bomb at God which wasn't so much something that happened to him but felt worth mentioning)

4. Jayce Talis (literally on a constant mission to keep his very fragile partner from killing himself through sheer scientific negligence and is consistently thwarted by either Viktor's impulsivity, the narrative, or him-fucking-self. Had to go to the shadow realm while Heimer and Ekko partied in Utopia playing the banjo and dancing to silly little songs and the first person he has the absolute misfortune to see when he gets back is fucking Salo I would kill myself)

3. Mel Medarda (practically runs a counsel full of idiots twice her age at like 25, himbo situationship's twink almost dies every time they try to fuck, has to deal with her mother ravaging twinks with her eyes right in front of Mel's salad, got kidnapped by witches for literally no reason)

2. Silco (Girldad who somehow, despite being one of the least mentally hinged people in the undercity, has an even less hinged daughter who so regularly blows things up and kills people that he scolds her about it as though she'd just snuck out past curfew. Has to work with a gaggle of dumbasses to produce and distribute his sterocainoin I mean Shimmer who regularly plot to kill him but are legitimately too stupid and useless to pull it off, his factory got randomly busted up and a bunch of his employees killed by an angry twenty-something with pink hair and also The Guy From The Fucking Posters [imagine Niel DeGrasse Tyson and a twenty-two year old homeless lesbian blow up your job like tell me you wouldn't have a stroke] and had to deal with a TREMENDOUS amount of nonsense in the AU where Ekko out of nowhere reminds him of his Most Traumatic Memory Ever and also the founder of Piltover blows up and his teenage stepkid is the only one who saw it happen.)

1. Sevika (Literally cannot ever catch a break for one second. Just wanted to help Zaun be free from Piltover and gets absolutely bodied by one or the other of Felicia and Connol's cursed fucking daughters every other episode in season 1, loses a combined total of like four??? arms, is forced to clean up the typically VERY bloody messes of her boss's unhinged daughter because he's such a pookie-wookie that he refuses to discipline her in any way, becomes the unwilling parent of two (2) mentally ill orphans, is subjected to Jinx's constant jokes at the expense of her missing arm (which Jinx is responsible for, by the way) gets given a political position as some form of shitty reparation when she is NOT a politician she is the guy who backs up the revolutionaries like miss girl just wanted to gamble punch people and fuck whores can you let her live her life??? Is one of the few people to survive and probably hates every minute of it)

[spxdyr]

im going to try to be nice because bucktommy's are going to inevitably see this and im not trying to start shit.

i'm seeing a lot of confused bucktommy's about the breakup. claiming it was a last minute decision, it was because lou didn't want to keep dealing with it (wtv that means), that it makes no since because of 8x05, and a lot of other spiraling bs.

i even saw someone say that buddie is never going to happen because oliver said eddie is straight...

i'm going to break this down as clearly as i can, because i've historically had issues with bt's and comprehension skills.

1. the bucktommy breakup was inevitable from the moment they got together. if for no other reason than tommy himself. from the beginning of their relationship, tommy has decided if buck was ready. not buck. tommy left buck standing on the side of the road aftet their first date because tommy decided he wasn't ready. because buck was nervous to come out to his best friend in public. tommy decided that buck would break his heart and that he wouldn't be buck's last. tommy came into that relationship assuming it would end. not buck, and not the audience. we were just picking up on what tommy was telling us. especially, given the fact that buck was fully ready and able to move past the abby clark of it all. tommy was a bad partner to buck, that's why they broke up.

2. i said this after 8x05, it wouldn't have made since to give us an on screen breakup if the only thing we saw of tommy was the thirty second birthday scene in 8x01. 9-1-1 loves a three ep arc and buck's side of whatever realization he might have started on 8x05. we needed to see more of tommy so it made sense when he broke up with buck. throughout all of 8x05, we saw the seeds of doubt being sowed in tommy. from the hospital scene after denny, to the closing one, tommy realized he didn't fit or at least wouldn't for long. because he never got that built-in family. he doesn't trust/believe that anyone would have his back like that. and he made that choice all on his own.

3. lfj is fine. he's a mulit-million dollar nepo baby. one whose been callled out for negative past behaviors and some people consider that bullying. lfj knew how long he was going to be on the show when he signed the contract to come back. the networks choice not to renew that contract had nothing to do with buddie stans. his storyline was over.

4. i can't even be confident that he's gone. there was a lot of stuff left unsaid or moved past too quickly. now 9-1-1 has a history of bad writing in that regard but they also have a habit of dropping things to only come back to them episodes or even seasons later. if he's really gone well thank god, but if he's not im not totally shocked.

5. i don't know how many times i have to say this. if eddie is gay or bi or demi or wtv, the cast wouldn't be able to say so because it would be a MAJOR spoiler. does no one remember andrew garfield and tom holland lying their asses off about spiderman ffh??? actors are liars, its like the whole bit. buck was straight until he wasn't. let's stop being dense and accept that maybe they aren't telling us everything because that would the defeat the purpose of the show.

look at this point im not just in this for buddie. im in this for an eddie that gets to be unapologetically himself. and im going to emphasize one more time how dangerous and disrespectful it is to force eddie back into the proverbial closet because it doesn't fit your ship.

[milla-frenchy]

Recs | April 25

April readings 🤍

Please, rb the fics you appreciated, that's how they live 🤍🙏

Check the warnings before reading, some of the fics are very dark

Joel Miller

On the job @stellamarielu

You and joel are forced to work together, but neither of you can get past the others stubborn attitude or contractor!joel and interior designer!reader fuck in a walk-in closet

Wide open @ilikeevilblondes

After a long day of work, Joel expects nothing more from the evening than getting some shut-eye. Fate has other plans, however, because the daughter of the family next door forgot to close her blinds again and is putting on quite the show

Give it to her like a man @sceletaflores

Joel gives the best graduation gifts...

Embrace @pedge-page

In the park @toxicanonymity

Tempting @pedgito

Joel's pent up, you've got ideas

Messy @joelsrose

Popsicle stand @toxicanonymity

Only teasing @magpiepills

You’ve been teasing your neighbor, Joel, but he’s got other ideas

Don't make me ask again @arcanefox207

Teasing your dad’s friend has its consequences

Collared | part 6 @tateypots

You are kidnapped by Joel and Tommy 3 years after the outbreak

Safe and sound | part 6 @guiltyasdave

An injured Joel and Ellie stumble into your home in the middle of the night. Trusting them isn’t easy, but you won’t let another person die in this house. It doesn’t take long until you’re terrified of the day they’ll leave again

Feast @toxicanonymity

Kiss it better @baronessvonglitter

After an awful day, you turn to Joel for help to de-stress

Slow, deep, close @toxicanonymity

You wake up with a nightmare about Joel carving your skin. As he faces the damage he's done, you ask him to give it to you slow and deep

A short and bittersweet fic about what Joel could have experienced episode 2 season 2 @joels-princess

A borrowed shirt to dry off @secretelephanttattoo

Joel episode 2 season 2 @iiconicxpersona

Change of clothes @toxicanonymity

After cheetah print pt. 2, cum inflated reader needing to run into a store. She has to squeeze into her booty shorts... someone is there to help

Joel dealing with wifey: the ex @pedge-page

Clint Flood

Tell her to stay away from the light @iamasaddie

1982, Clint parks at the screening of ‘Poltergeist’ in the local drive-in. Somewhere between ghosts intrusions and seances, he finds a much more appealing thing to look at in the car next to him

Cherry lips @aurorawritestoescape

Clint and you have a simple relationship - you fuck each other and go on with your lives. Can it stay that way? What if one night changes everything?

Did you miss me @yxtkiwiyxt

Clint returns after a week away for work, and you're fucking pissed because he didn't bother to call you even once. But now, all he wants is to be close to you, and he's got that irresistible way of turning things around and getting back in your good graces…

Pero Tovar

Without chains @604to647

You help Pero shave in preparation for his journey back West with William

Dave York

Distractions @baronessvonglitter

You and Dave are finding it hard to forget that one night.. and a chance encounter gives you both a second opportunity

Hitman | Part 5 @punkshort

Fresh on the heels of a breakup, you move into a new apartment in a shady part of town. When a mysterious man breaks in, insisting he knew the prior tenant and needs to recover something left behind, you get caught up in a whirlwind of danger and attraction

Frankie Morales

Thirty rain showers to get to you | chapter 1 @jolapeno

He is in love with her. She is in love with him. They're already best friends, yet somehow it takes thirty moments for them to admit this

Three days till sunset @sawymredfox

The clock is ticking, the time to ponder is almost consumed, and a decision must be taken

Dieter Bravo

Fucking Dieter from behind @sp00kymulderr

I think of you all the time | part 1 | part 2 @schnarfer

Best friends to lovers, to worse

Tim Rockford

Wrong number @604to647

Detective Tim Rockford receives an unexpected text after leaving for work

Threesome (and more)

Conversation pit @toxicanonymity (Connie x f!reader facing Steve x Javi)

D x C @whocaresstillthelouvre (Clint x Dieter x fem reader)

Clint walks in on you and Dieter in a particular situation and decides to join in

My writing

She's a rainbow (Jackson!Joel x reader)

Joel returns after a long patrol and you greet him with a surprise

You oughta know (Clint x reader)

After your ex breaks your heart yet again, you ask your dad’s best friend for a favour

Friend zone (Tim x reader)

An event leads your best friend to reveal a secret he's been keeping from you for years, and you finally find what you've been searching for

Fics recs

[corellianhounds]

The reason Mando does so many “side quests” is because he’s poor. He has to work for everything. He lives a self-sufficient life on the road bringing money back to his tribe to support them because Mandalorians aren’t safe and can only show their faces in town one at a time or they’re perceived as a danger because of how they look and what reputation is attributed to that appearance by many people. Almost every single episode has somebody picking a fight with Mando over the armor when he’s literally just standing there. He has to fight, scrap, save, barter, trade, and work for every single thing he has because the alternative is dying, or people he cares about dying. It doesn’t matter if it’s because they’re attacked or because they literally don’t have the money to eat, most of the Mandalorians we’ve seen live hand to mouth day by day, surviving out of sheer willpower and working together

Season 1 Episode 2: His only means of transportation (/place of living) is scavenged for parts and stolen in pieces. He’s forced to negotiate with the ones who took his stuff and do a job for them so he can get it all back before then having to rebuild the ship (when he shouldn’t have to trade anything for it to begin with)

Season 1 Episode 4: He wants somewhere safe and unassuming he can lay low with the kid and agrees to scare off some local bandits so he can have lodging. His original long term plan was to stay on Sorgan for a few months— He’s willing to fight the bandits and the Walker because that village was where he was given somewhere to eat and sleep and because he had intended to live there long term

Season 1 Episode 5: The hunter that found them on Sorgan forces him to acknowledge he’s not allowed to remain sedentary. He tries to go back to his old job, working as a bounty hunter for money; he and the kid can live on the ship, though it isn’t ideal, but he needs food, fuel, and immediate ship repairs. The betrayal of the gunslinger and confirmation from a target that word of him breaking the Guild Code has reached the literal farthest reaches of the Outer Rim solidifies that he can’t be a legitimate hunter anymore and that people who recognize him or the kid (or recognize them because they’re together) will be gunning for the reward, leading to—

Season 1 Episode 6: Mando going back to the only other life and means of making money he’s known, working shady jobs with criminals in the hope of receiving payment. The job proves even more unpredictable and dangerous than the last one and puts him back at square one again.

Season 2 Episode 1: Mando is a well-rounded character who’s been given an objective outside of just surviving to the next day. He only ends up in Mos Pelgo because he needs information, and he only agrees to fight the Krayt dragon because— as a well-rounded character— he’s promised culturally important relics of his people that he holds in the highest respect. The armor of a dead Mandalorian being given the proper respect (showing the honor he has for his people) is shown to be tied in importance with the kid. At least he’s given some food for the road because it’s clear he wasn’t being paid any money in addition to it.

Season 2 Episode 2: Chasing the barest lead on information about other Mandalorians forces him to take the dangerous passage he does; he only ends up having to survive the ice planet because of the threat of incarceration if he didn’t run. He’s not being paid in money here either AND his ship is literally barely holding together. If it was a horse he’d have to shoot it.

Season 2 Episode 3: Bo-Katan is his last lead on information about a Jedi. The child needs a Jedi teacher so he’ll be safe. By this point Mando is desperate and BKK forces him to do a dangerous job in exchange for information. He’s not getting any money this season because all of the jobs he does are in exchange for information and it’s a lot easier to manipulate and force people who need a favor from you to do whatever you tell them because you have something more specific than money they can’t get anywhere else. He doesn’t have enough money to cover a good fix of the Crest but doesn’t have anything to leverage against the mechanic who did a partial job for all the money he did have left, meaning—

Season 2 Episode 4: He has to call in a favor from a friend. Karga’s willing to cover his fuel, repairs, and docking fees, but oh Mando while you’re here I have this pesky Imperial infestation and since it’ll take a while for your ship to be repaired and you’re not busy…

Season 2 Episode 5: Now he’s finally found a Jedi. Now he may finally be able to give the kid to somebody who can protect him and teach him how to protect himself. Now the kid may finally be able to live a long, safe life, even if it means it can’t be with him. Oh right except this Jedi says she isn’t really a Jedi anymore, and also she’s kind of busy, but maybe she’ll think about it if you help her do her own thing in liberating a town—

Only for Ahsoka to then go back on her deal because she has her own thing going on. Considering how important the whole Thrawn mission is shown to be later, I’m not all that convinced she was ever going to take the kid as an apprentice. She may have been on the fence and maybe considered doing it if Elsbeth didn’t give any information up, but if the whole Ahsoka show was about her search for Thrawn, it’s obvious she has a lot more involvement in that than she’d be able to afford if she took the kid as her ward. The idea that the kid’s too attached to Mando for her to take him as a student seems like a pretty convenient excuse considering she knows this guy has zero clue about anything to do with the Jedi. It doesn’t matter if she’s right or not, she could have been upfront about having more pressing matters she was devoted to so he would have the option of not wasting his time there or doing a job for Ahsoka he wouldn’t be receiving payment or an exchange from.

And then the rest of season 2 is the bigger plot. Episodes 1, 3, 7, and 8 of Season 1 were the overarching plot.

Mando has to live life on the road in a dangerous and unpredictable galaxy doing dangerous and unpredictable jobs. He’s poor. He’s a survivalist. He’s desperate. He makes friends because interpersonal ties are often the only other form of currency he has, and those ties still often come with requests for favors or work in exchange for what they can do for him. Hardly anybody is giving him anything, and even when they do, he still feels obligated to pay them back.

[itwasrealtome]

AGENT GRAY

Olivia Benson x fem! FBI AGENT OC

TAGLIST FORM

⚠️ DO NOT READ IF THIS MIGHT TRIGGER YOU

Law and Order SVU | Olivia Benson x OC | Set in season 18

Summary: NYPD Lieutenant Olivia Benson's world is upended when she crosses paths with Alexis Gray, a fearless FBI Agent and Navy SEAL. Their connection begins in the line of duty and deepens through shared danger, quiet moments, and an undeniable pull neither can ignore. But as Alexis battles her own ghosts and a mission turns deadly, Olivia is forced to confront what she truly wants.

In a world where duty and desire collide, will they take the risk... or let fear win?

Content Warning: SVU and police talk – Abuse, murder, violence, SA, weapons, kidnapping, death, fights, injuries, hospitals, violent crimes such as serial murders, organized crimes, humans trafficking, drugs, homicide cases | Navy Seal talk – weapons, going on missions, PTSD, nightmares, flashbacks | Use of the word victim a lot |

Note: The following story follows the timeline of the Law and Order SVU series, starting with season 18, shortly after episode 1. All info and TWs are indicated at the beginning and/or in the chapter. If anything triggers you and you realize it’s not in the TW, please don’t hesitate to notify me.

You can read it on Wattpad and AO3 too 🫶🏻

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Chapters

1-Tag, You’re IT

2-Sailor To Fed

3-Same Perp, New Team

4-How Insensitive

5-Slow Night, So Long

6-Owner of a Lonely Heart

7-Haunt You Everyday

8-The Heart of the Matter

9-No Man’s Land

10-It’s a Long Way Back

11-Eye in the Sky

12-Unfamiliar Territory

13-Time in a Bottle

14-The Space Between

15-Born This Way

16-Cracks in the Marble

17-The Weight We Carry

18-Burning Out

[queer-scots-geordie-dyke]

I've posted about this before but in the current climate, especially, a signal boost can only be a good thing.

There is an excellent organisation here in the UK that I have an ongoing donation to, Campaign Against Antisemitism.

From their website:

"HOW WE FIGHT ANTISEMITISM

Campaign Against Antisemitism consists of eight directorates which collaborate closely to expose and counter antisemitism through education and zero-tolerance enforcement of the law:

1. Investigations and Enforcement

We work closely with police forces around the country, the Crown Prosecution Service, regulatory bodies and the government to ensure that antisemitism is detected, investigated and punished with the full force of the law. We focus on criminal antisemitism and antisemitic acts committed by professionals or institutions which are subject to special regulation, such as lawyers, teachers, sportspeople and charities. We also provide training and advice to the authorities, whilst also scrutinising their performance and holding them to account when they fall short.

2. Awareness and Communication

Working closely with senior journalists and advertising professionals, we run proactive campaigns to ensure that the public is aware of anti-Jewish racism and the immense societal danger that it poses. Through our advocacy work we seek to mobilise public support for the fight against antisemitism, whilst also generating pressure on the authorities to pursue a policy of zero tolerance for antisemitism. We also provide information and comment to the media through our media centre.

3. Outreach and Education

We strive to reduce anti-Jewish prejudice by providing education and training to all in society who wish to find out more about being Jewish, antisemitism, and fighting racism. We also reach out to other minority communities and anti-racist groups so that we can work to strengthen each other.

4. Public Affairs

We have forged links with the government, local authorities, regulators, police forces and the Crown Prosecution Service, as well as with companies such as the major social networks. We meet at the highest levels to tackle the roots of antisemitism and ensure that the law is upheld effectively, consistently and firmly.

5. Mobilisation

Antisemitism is a societal problem and we believe that individuals should be at the forefront of the fight against antisemitism. We recruit, train and mobilise volunteers, empowering them to leverage their talent and expertise against antisemitism.

6. Litigation

We have recruited some of Britain’s most formidable and acclaimed legal minds. Our lawyers give their time to provide guidance on specific cases and also takes action to hold the authorities and private companies to account when they fail to act against antisemitism effectively. Our legal experts include specialists in criminal law, charity law, regulatory law, administrative law, employment law, media law and litigation.

7. Organisation and Finance

Our volunteers need central support in every area from systems administration to finance. Working with senior professionals, we ensure that our volunteers receive the support they need, and that our charity complies strictly with regulatory and financial requirements.

8. Fundraising

We are proud to operate with extremely low overheads, relying almost entirely on volunteers, however our work costs money, whether it is to pay court fees when we litigate, or to commission important research. We fundraise throughout the year to raise the sums needed to enable our work to continue."

They also have a podcast that recently aired its 100th episode, that I highly recommend. They talk about the current work they're doing, media bias, representation, and over 5 seasons have included interviews with Jewish public figures, Holocaust survivors, and more recently, survivors of Oct. 7 and family members of hostages:

https://antisemitism.org/podcast/

[immaturityofthomasastruc]

Every Episode of Miraculous Ladybug Season 5 Ranked (Part 2)

Part 1

(This site's stupid 30 images per post forced me to do this, so thanks for nothing, Tumblr)

#14: Transmission

I swear, I'm not doing these on purpose. This is just how I've been ranking the episodes.

Like I said in the last part, this episode just did not need to happen. The first half is cheap melodrama between Marinette and Adrien and the second half is a run of the mill Akuma fight with two different heroes. This is the story that seriously warranted two parts this season?

I just can't stand the fact that Marinette and Adrien gave up their Miraculous so easily here. Maybe if it was Season 2, Season 3 at the latest, I'd buy it, but near the middle of Season 5? They honestly view their love lives as more important than the battle with Monarch. If it was anything else like the stress or physical danger, I'd also be understanding, but Tikki and Plagg decide that Marinette and Adrien are so miserable that they need to be happy by losing their Miraculous without a fight. Remember, this was just two episodes after “Reunion”, which showed Joan of Arc was a Miraculous holder. So fighting in the Hundred Years' War didn't get so much as an ounce of concern from Tikki, but teenage angst is too much for her little heart to bear?

Maybe it's the benefit of knowing this won't be permanent, but the issue I have is how much the show draws this out for so long, as if the audience is supposed to buy it. “It's really happening, guys! Ladybug and Cat Noir won't be the stars anymore, we swear!” This kind of plot can work under the right circumstances. All you needed to do is at the very least, make it something they choose to do instead of their Kwamis taking their Miraculous away so we can see them weigh the benefits of giving up life as a superhero in ways that aren't exclusively about their love lives. I'd even buy it if it's something Ladybug and Cat Noir actually agreed on before quitting.

While I can sort of get Alya becoming Scarabella due to her experience with the Ladybug (even if she chose to give up using any Miraculous at the end of Season 4), Zoe getting the Cat just feels like the writers put a bunch of names in a hat and picked hers. The two just don't have as compelling a dynamic as Ladybug and Cat Noir do, because they don't get a lot of time to know each other. Alya and Zoe have almost never interact with each other, so the masks don't really shake up their relationship, because there's no relationship to speak of.

Also, the Akuma here was really forced. We know nothing about this new character while the show acts like we're supposed to know who he is based on some minor hints with Nora calling earlier. While I will give the show credit for arguably giving us the most powerful Akuma of all time due to being both a man and a bear, he's as forgettable as a villain as Kitty Noire is as a hero.

Just about nobody here comes out smelling like roses in this episode. The Kwamis are morons for caring about one ship becoming canon, Marinette and Adrien are selfish cowards for giving up their Miraculous with little hesitation, their friends are ignorant buffoons for thinking some random attempt to get Marinette and Adrien to talk will somehow seal the deal, and Alya and Zoe are idiots for not thinking that they should take off the shiny ring that tracks their every movement. It's a terrible episode, and the only reason why “Deflagration” is ranked higher is because it didn't irritate me as much as this one did.

#15: Determination

And now we're onto the really bad episodes this season.

This episode is pretty much what you've come to expect by Season 5. People keep forcing Marinette into situations she's clearly uncomfortable, and we're supposed to just laugh at her anxiety, because we still have eight episodes to go before the show decides to take her mental health seriously.

What makes this episode really sting for me is that it's Luka and Kagami that are forcing Marinette into these unfunny antics this time. For the most part, they never really stooped to this level and didn't try to force anything with their respective love interests until they had trouble in their relationships that required them to communicate. But now, even though one knows Marinette and Adrien are superheroes while the other is usually very blunt with her feelings (at least, before she became this season's next victim), they're going to try forcing Marinette and Adrien to spend time together even they both know they have feelings for each other and MY GOD, THIS IS SO STUPID! It's just a cheap excuse for more pointless shenanigans that stopped being funny years ago.

Yet somehow, that's not the worst of the Love Square drama this episode. It's here where we learn that Adrien fell in love with Marinette over a season ago, during a scene where she violated his personal space. In addition, Adrien somehow showed no signs of attraction to Marinette until the plot demanded it, and came right after another episode showing him falling for her. Why not make it the fake confession Marinette practiced with Cat Noir in “Glaciator 2”? The kiss Marinette gave Adrien at the end of “Heroes' Day”? I'd even take another umbrella scene callback like in “Mr. Pigeon 72”. But no, it's the statue scene that the writers decided on. It's like they noticed all the criticism Marinette got in that episode and were like “Joke's on you! Adrien actually liked being lusted over like an object!”.

And then the masks come on and make things even more convoluted. Adrien at least got to reflect on the events of a previous episode to explain his new feelings for Marinette, but what caused Ladybug to suddenly fall for Cat Noir after four seasons?

The writers don't even bother with an explanation for this. Ladybug spontaneously becomes attracted to Cat Noir with absolutely no foreshadowing, buildup, or even callbacks to earlier episodes. The writers either wanted to complicate things one last time before Adrienette became canon, they wanted to bury the Ladynoir conflict arc from last season in the sand, or the most likely option, a combination of both.

The idea of the public turning on Ladybug was an interesting one to take, seeing how she's been universally beloved for the past four seasons. But despite hinting at it in “Multiplication”, this is the farthest is goes, and even then, guess who's behind it? You can't keep raising points against the main characters if it's only Chloe who does it. It doesn't open debate on the story and essentially tells the audience that they're wrong to agree with her, no matter what kind of point she makes.

As dumb as the way it happened was, Ladybug still screwed up and endangered the city by losing the other Miraculous, but we can't actually challenge children by acknowledging that the hero actually did something wrong and needs to grow as a person. We need to use a recurring character as a strawman to tell the audience that only bad people think this way! Way to remove any interesting internal conflict, writers.

The Akuma was pretty weak, just being an older Puppeteer, down to using wax statues like what happened in “Puppeteer 2”. The army of wax heroes could have been interesting, but there wasn't enough time to do much with the idea. The one thing I liked was how the Ox Miraculous' Resistance was used. It felt like an upgrade instead of a core power Manipula got.

This episode pretty much set the stage for a new level of frustrating Love Square drama this season, and it was one of the season's first outright awful episodes.

#16: Conformation

The only reason this episode isn't at the bottom is because the rest of the ones on this list are far worse by comparison. Make of that what you will.

Like most season finales, this one continues the tradition of being better at buildup than actual execution. Gabriel's plan is pretty decent, even if it's just Heroes Day on a global scale. He utilizes his public influence and business skills to plan out a plan to get almost all of humanity working for him. While I don't like the Miraculized, I still think Gabriel being on top works here, especially since he's not going out into the field like the last three finales.

But other than an okay evil plan, this episode is still pretty bad. Marinette being infected with nightmare dust only happens to get her to the Agreste manor because the writers forgot that Marinette learned Gabriel was Monarch last episode. It could have been a decent way to up the stakes by showing Ladybug not being at 100%, but like everyone else, she just fights off the nightmare dust and doesn't have a single problem during her fight with Monarch. In general, the nightmare dust isn't really utilized well, only being an excuse to bring out the Miraculized. It doesn't impact everyone fighting off the Miraculized, and there's no lesson or theme about fear that's conveyed here.

Speaking of nightmare dust, I'm pretty sure the only reason why it was introduced in the first place was to bench Adrien, which is still easily one of the dumbest decisions the show has ever made. While everyone else had no problem resisting the nightmare dust, Adrien is just physically incapable of doing so because of some half-assed character arc the show pretended happened. So either Adrien got a more potent dosage of the nightmare dust, or Adrien's just too weak to actually overcome his fears. “Sandboy”? Never heard of it! The fact that the writers also tried to claim they were being subversive with fairy tale tropes and cliches didn't help, since it devalues Adrien as a character even further. He's not a superhero and Ladybug's closest ally. He's just some damsel in distress who needs to be saved. Let me just remind you, if the genders were reversed, this would not be seen as some bold move, but the same overused cliche trying to be something new.

I already talked about my problems with Nathalie in “Passion”, and the stuff she does here isn't really different. Despite enabling Gabriel for five seasons, the episode has the balls to act like Nathalie always had morals and is appalled by Gabriel planning to sacrifice someone to save his wife. Just remember, “Passion” established that Nathalie had a history as a treasure hunter, so this is like Indiana Jones not knowing what the Holy Grail does. Nathalie only got dumber than in “Passion” because she somehow thought she could take on a supervillain with nothing but a crossbow and a body that already has one foot in the grave. And just like Felix, Nathalie can't even apologize to Ladybug for the aiding and abetting a terrorist thing. Between Nathalie, Felix, and Gabriel, does using the Peacock Miraculous just make you an idiot?

While the buildup is decent, it's just not enough to really get audiences excited for the second part.

#17: Representation

This episode is yet another example of the show's double standards.

Without going into detail too much, this episode came right after “Revolution”, the one that essentially portrayed Audrey taking control of Chloe's life as a karmic punishment. What happens in this episode? We learn Felix's father literally took control of his life and it's portrayed as wrong as child abuse should be. That's why this episode is still better than “Revolution”. It at the very least understands how serious child abuse is, and tries to tell Felix's story with as much dignity as two teenagers in white onesies can have.

With that being said, there's a reason why this episode is as low as it is. The Sentimonster play used to tell Marinette about Felix is just so stupid. The sets and costumes look ridiculous, it's hard to take the story seriously with Felix and Kagami doing all the voices, and most of it is unnecessary since the whole point is to tell Marinette that Gabriel is Monarch... something that the writers decided she needed to find out on her own in the next episode. It comes across less like Felix trying to alert Ladybug to who Monarch really is and more like he's just trying to justify his own actions. Hell, the actual reason he decided to tell Marinette about Gabriel was because he and Kagami were worried about their own relationship being ruined by him. And yet somehow, Ladybug lets him on the team at the end of the season.

The stuff with Adrien was also pretty dumb. It's cheap fanservice that reminds the audience of Cat Blanc when none of the characters should know who Cat Blanc is. You can call him Anticat all you want, but everyone can see that he's just Cat Blanc with blue hair. It's bad enough that this was what all the times Cat Noir almost Cataclysming people this season was meant to lead up to, but this is pretty much the reason why Adrien is benched during the finale.

This episode really shows how desperate the writers are to make people take this show seriously by showing serious topics like genocide and child abuse, as if the show didn't already ignore the horrible implications previous episodes (like the very last one before this) raised and will continue to raise during the season finale. So much of the episode is just dark for the sake of being dark. It's nothing too horrifying for children, of course, but the issue is how obvious it is that the writers are trying to raise the stakes right before the season finale and show how mature the show's writing is. For lack of a better term, it's this show's equivalent to “Ow The Edge”.

#18: Revelation

Get ready for the episode where the writers abandon all attempts to be subtle and create an episode specifically to attack people who think Chloe isn't the most evil character on the show. Because how dare they be optimistic and try to see the good in people! What do they think this is, a kids' show?

While a big problem with the Lila episodes was how stupid the class is, this episode made it so Marinette got to join in on losing brain cells too. Despite outright admitting to neglecting her duties as class representative (as absurd as it is to be in charge of notifying teachers about student progress they should be aware of), we're supposed to agree with her for not telling her teacher about Chloe cheating. Not only does this make no sense since you'd think Marinette would want to see Chloe get punished, but her claiming that all Chloe does is abuse her privileges loses any point to it because Marinette admitted to not doing her job as class representative, making her just as lazy as Chloe and unintentionally helping her through not telling the teachers. And that's not even getting into how many times Marinette has broken the secret identity rule despite also being the one to enforce it the most as the Guardian.

If the episode at least admitted to Marinette having personal issues that prevented her from displaying any form of professionalism towards Chloe (especially since this episode takes place after “Derision”), that'd be fine. Sometimes, people just can't let bygones be bygones and let their emotions dictate how they handle things. If she willingly resigned from her position by admitting she was just as at fault for Chloe getting as far as she did with her cheating, that would have worked. Instead, the episode does the same things it did with Adrien for the last few seasons: Go out of its way to vindicate Marinette's complaining and never even consider the idea of her being wrong in the slightest.

It's also hilarious to see Ms. Bustier act like an actual teacher for once and plan to work with Chloe to help make up her missed work, but portray it as a bad thing because in Marinette's eyes, that's not a punishment. Since the school year is almost over, Chloe will have to attend summer school at best and be held back or even expelled at worst. How the hell does that not count as a punishment, Marinette?

And don't forget how she gets not one, but two separate scenes insulting people for being idealistic and not wanting to write off people as beyond saving, the second one being copied from Astruc's Twittter.

And remember, this was right before a string of episodes where characters were able to change their ways, including Sabrina (Chloe's accomplice), Andre (Chloe's enabler), and Gabriel (Chloe's supervillain contact). How the hell is Chloe the only one being written off as irredeemable when she didn't pull off any of her evil plans without help? You can still punish Chloe. All I want is for the other characters to be punished as well.

But let's talk about the main event for this episode: Lila. In one of the most confusing “twists” in the show's history, she's now an identity thief who lives with three different mothers. Why? Because the writers have no idea how to hype people up for her being the main villain for Season 6, so they think just making her mysterious for the sake of making her mysterious is enough to build her up as a villain. It's like the writers realized Lila had absolutely zero resources of her own, so they felt like they needed to establish her as an evil genius to compensate. “Who cares if there's no logical explanation for how she's gotten as far as she has despite constantly boasting about her celebrity connections in public? We have to make her vague and mysterious, damn it! It worked for Judas Traveller and Kaine, didn't it?”

This episode takes multiple shots at fans and tries to make Lila seem more compelling than she actually is. It feels more like damage control than an actual plot-relevant episode.

#19: Illusion

Want to see the main characters acting like idiots for almost a half-hour? No? Too bad!

So much of this episode's conflict, the characters trying to investigate a possible lead related to Monarch, comes from everyone making stupid decisions. Nino tries to get one of the most influencial men in Paris akumatized, talks about it in public, falls for his trick, and lets him into his secret alliance. This season really cemented his role as the Zapp Brannigan of Miraculous Ladybug with how incompetent he is. If you really want to start portraying Nino as a tactical genius, maybe you should actually show him doing something smart instead of getting outsmarted by obvious tricks.

Of course, the other characters aren't immune to Nino's stupidity either. Marinette, Adrien, and Alya just go along with his asinine plan to get Gabriel akumatized, never question his logic, and ultimately still go along with the Resistance despite how obnoxious their leader is. The worst part is Ladybug not recognizing her own partner being stung by Venom... when they're fighting someone with access to over a dozen Miraculous. I know Cat Noir was born with glass bones and paper skin, but I don't think he literally freezes in terror when he's scared. And of course, Ladybug never questions the tiny invisible men who stunned Cat Noir after this scene.

The cafeteria scene is something that should really be cited as an example of how terrible this show is with acknowledging continuity. You thought there would be some compelling drama discussing the secret identity rule and all the double standards it has? NOPE! It's a funny joke about how confusing the identity stuff is at this point. The fact that Nino somehow doesn't understand the concept of secret identities in this scene is yet another reason as to why he isn't even qualified to lead an anime club, much less a resistance against Monarch.

The idea of Monarch using an illusion to fight Ladybug and Cat Noir was an interesting one, but it still had some holes. For one thing, what if the two heroes can't dodge one of the illusion Collector's attacks? What if they're fast enough to try tying him up, only to dispel the illusion? The entire plan pretty much relies on the fact that Ladybug and Cat Noir are too slow to catch the Collector.

But one scene that has only become more questionable after the finale is Ladybug trying to reach through to the illusion Collector. Like several episodes this season, it comes across like the show is spitting on idealism and wanting to solve problems peacefully because Monarch tricked Ladybug into believing he willingly rejected an Akuma. Remember kids, if someone says they want to change, it's really a trick as part of an evil supervillain's plan to maintain his secret identity.

This episode is like a microcosm of everything wrong with Season 5. Poor morals, characters acting like idiots, shooting down any potential for plot development, and being told characters are right when their actions say otherwise.

#20: Confrontation

Ladies and gentlemen, I give you the episode where the writers just gave up.

There is just so much that happens in this episode that the writers cram in. There's Marinette's “final” confrontation with Lila, the battle with Reflekta, Sabrina's redemption, Juleka's character development, Ms. Bustier's character development, Mr. Damocles' character development, and the reveal of Lila's true nature. I don't think I need to tell you that the writers struggle to make all of these plot threads work in less than a half-hour.

First off, Marinette and Lila. The previous episode implied that Marinette let Lila have this short-term victory because she had her own plan to expose her. This episode puts that plan into action. See, she has the genius idea of going along with submitting school application forms to Lila and Chloe with no actual countermeasure in place, waiting for Sabrina to have a sudden change of heart so they can work together to expose Lila and Chloe through a bathroom peephole. This is the kind of tactical intelligence that will be studied in the history books, let me tell you. There's just no weight to Marinette and Lila's final battle of wits because there isn't any. There's no series of gambits or scenarios that actually pit their minds against each other, so you don't get a lot of satisfaction from Marinette's triumph over Lila. It doesn't help that there's more focus on Sabrina than on Marinette, but I'll get to that later. Even the actual payoff is anti-climactic. Most of the class' apology to Marinette was deleted because Mr. Damocles using a Magical Charm shield was just too important to leave on the cutting room floor according to the writers.

This episode really shows just how Marinette's classmates are like NPCs in the Lila-centric stories. They don't second guess Lila's accusations due to their past experiences with Marinette, and as soon as Marinette's name is cleared, they instantly apologize to her and don't even think about how easily they were fooled by Lila and Chloe. The worst example is Alya, Marinette's confidant and someone who was trusted to temporarily use the Ladybug Miraculous last episode, falling for this and not trusting Marinette. My sister in Christ, your friend goes out and saves lives on a weekly basis at least. How can you fall for Lila's story? This is why I think the Lila episodes should have all been set pre-Season 4, so Alya falling for Lila's lies is a little more believable since she isn't already in on Marinette's biggest secret.

I also have to roll my eyes at how melodramatic the talk about everyone's “futures” is. Yes, I don't know a lot about the French education system (If there's anything I'm getting wrong here, don't hesitate to let me know), but I don't get why they're treating their high school choices like such a big deal. Maybe if it was college, I'd get it, but high school? Why can't you just transfer if it doesn't work out? But then again, this is the same show created by a man who thinks school uniforms are a sign of fascism.

THIS IS WHAT THOMAS ASTRUC ACTUALLY BELIEVES.

Speaking of futures, this episode also showed just how little the writers cared about Adrien at this point, with how a supposedly heartwaming moment is him having no plan in life other than Marinette. I know this might seem weird given my problem with him last season was his refusal to think about anyone but himself, but there's a difference between wanting someone to follow orders without complaining and giving them absolutely no motivation outside of their significant other. And once again, if you swap the genders, this becomes sexist as hell.

But the big problem comes in the form of how the side characters are utilized. I don't know why the writers decided to focus on developing characters like Sabrina, Juleka, Ms. Bustier, and Mr. Damocles with five episodes left in the season. This should have been done in earlier episodes, not in the middle of a major story arc. I'm just left not caring about the development because it takes away from the conflict between Marinette and Lila, to say nothing about how little Adrien and Alya contribute to the story.

To me, this episode feels like the writers had no idea how to make Marinette outsmarting Lila into an episode, so they crammed in all these half-assed character arcs to pad out the runtime. While “Revelation” personally upset me more, I personally think this is the worse episode of the two from a writing standpoint.

#21: Revolution

Given how often I've criticized the way Chloe has been handled over the years, I bet you're surprised that this one isn't at the bottom of the list. You'll be even more surprised to learn that I think Chloe is one of this episode's saving graces.

This episode (along with “Derision”) provide an example of the Chloe we should have gotten ever since Season 3 ended: A villain who's allowed to be a threat while still being funny. So much of the past two seasons have done nothing but portray Chloe as nothing but an incompetent joke, but here, near the end of the season, she's in a position of power and is taken seriously. The episode does a good job showing how tyrannical Chloe's rule as Mayor is while still making it funny and in-character for her. She uses her power on frivolous things because she's a teenage girl who doesn't understand the complicated issues that come with politics. It's also why her idea of punishment involves detention, because it's something she's more familiar with as someone in middle school. Of course, even the episode all about Chloe ruling Paris with an iron fist isn't stupid enough to actually let Chloe be a compelling antagonist. No, we need to constantly remind the audience that Chloe is being played, as if we're supposed to see her as nothing more than a pawn even though the show still wants us to see her as an irredeemable monster.

Putting aside that one speck of something interesting, this episode is still incredibly bad. So much of the story is dependent not on how smart the villains' plan is, but rather, how lazy the heroes are. Not only is there not a single moment where Ladybug and Cat Noir acknowledge that the whole reason why Chloe was able to take over as Mayor was their fault, they act as if Chloe abusing her power to make everyone's life a living hell isn't enough of a reason to stop her. What kind of Prime Directive bullshit is this? YOU JUST HELPED SOMEONE LEAD AN INSURRECTION AGAINST A POWERLESS CIVILIAN! HOW IS THIS ANY DIFFERENT?! If there was at least something involving Ladybug and Cat Noir taking responsibility for what happened or at least showing that they played a part in this (especially since they “grow up” in this episode), I'd get it. Instead, because this is Season 5, our heroes are perfection incarnate, and can't ever be wrong. Even when they finally decide to get off their asses and stop Chloe, they didn't know she was akumatized, and nobody seemed to care before Chloe blurted it out, so Ladybug and Cat Noir have no excuses for slacking off.

The final battle is just a joke. Not only is it another excuse to force the Resistance into the plot, it shows Ladybug and Cat Noir unlocking the full power of their Miraculous in the most anti-climactic way possible. Even though they spent most of the episode caring more about their personal lives than actually stopping the obvious threat, somehow, this means they “grew up”. There's no buildup, no explanation, and no catharsis gained from this achievement. All of a sudden, Ladybug and Cat Noir are adults now. There's one decent scene with Adrien, but that's far from an actual explanation. What, did you actually expect an explanation for something this huge? Too bad! We need to have Marinette tell Chloe she's not afraid of her anymore even though she was never afraid of her prior to this season. Of all the things that happened this season, this is the one that makes it clear that Season 5 was supposed to be the end. There is no way Season 6 can happen unless the writers come up with some crap that undoes this, because Ladybug and Cat Noir have essentially unlocked god mode.

But I saved the worst for last, and you all know what it is: Chloe's punishment. I still can't get over the fact that there's actually a scene heavily implying we're supposed to be happy Chloe is going to live with her emotionally abusive mother in the same season that's trying to tell a serious story about child abuse. There's already been so much said about all the horrible things this implies, so I'm going to try and bring up something else. Specifically, how everyone is just okay with this. I can buy Ladybug given all the things Chloe has done to her, but it's pretty odd that Cat Noir, Andre, and Zoe all decide to wash their hands of their association with Chloe as if they never knew her. They don't even feel bad that it had to come to this, and feel absolutely no sympathy for her. Remember in episodes like “Malediktator” and “Queen Banana” that showed Adrien and Zoe still cared for Chloe despite all the terrible things she's done, teaching kids a lesson about trying to show compassion to your enemies? The writers sure didn't, because Adrien and Zoe don't get to say a thing about Chloe after she's defeated. Way to establish connections between characters and do nothing with them, writers!

This episode had so many things wrong with it, and it only got worse the longer it went on, to the point where the ending is essentially condoning child abuse. It's disgusting, but at the very least, it means we're not going to have to deal with Chloe in Season 6.

.....

#22: Adoration

This is one of those episodes I honestly didn't think would hate as much as I did.

I think of all the episodes this season, this is the one that shows how frustratingly inconsistent the characterization is. Characters will either announce how much someone has changed or will take a complete 180 while the show makes it clear this is how things have always been. Not only does the show say Zoe has somehow changed and suddenly developed feelings for Marinette, but Chloe's view of Sabrina has gotten even lower, to the point where she calls her an underling to her face. Because actually showing character development and changing interpersonal relationships is too hard for these writers. It's like that rule everyone knows: Tell, don't show. That's how it goes, right?

Before anyone gets on my case about this, I'm not trying to say that Zoe having a crush on Marinette was a bad idea. The issue is more how it comes across like the show is trying to earn brownie points with LGBT+ audiences with the reveal. The issue is that this major revelation isn't about Zoe, but rather, Marinette. It's from a Marinette-focused episode all about her heterosexual feelings for Adrien while Zoe's coming out story is nothing more than a cautionary tale to get Marinette to finally try kissing Adrien. I'm not saying Marinette should have dumped Adrien to be with Zoe. The point I'm trying to make is if you want to show something as huge as a character coming out as sapphic, maybe put more focus on that character's struggles than the struggles the straight main character goes through. Maybe instead of being an afterthought in the story, make the episode about Marinette helping Zoe confess her feelings to a girl she likes.

This was also the episode that laid the groundwork for Andre and Sabrina's “redemption arcs”. Normally, I wouldn't mind something like them changing, but it's less to show a character becoming a better person and more to vilify a different character. Andre went from a corrupt politician who abuses his power to please his daughter to an honest politician who is forced to abuse his power to please his daughter. Sabrina went from Chloe's loyal friend who chooses to help her make people miserable to Chloe's underling who is being forced to help make people miserable. Both of them were perfectly willing to go along with Chloe's acts in the past, and as we saw in “Revolution”, being a pawn didn't excuse her from being punished, so by that logic, they shouldn't get a free pass either. It's also strange how this wasn't the episode where Andre and Sabrina officially cut ties with Chloe, considering they already had issues with them. There wasn't really a reason to wait if they already made their issues clear, especially Sabrina. Somehow framing Marinette here is okay but doing it a few episodes later is too much for her?

Also, Lila served no purpose in the episode. Just like in “Collusion” and “Revolution”, all she does is tell Chloe to do things she was perfectly capable of doing in earlier episodes. We're supposed to see her as a mastermind, but I don't get why she has to hold Chloe's hand here. Why can't Lila come up with her own plan or manipulate different people from behind the scenes? It only further highlights the double standards because while Sabrina being a lackey to Chloe earns her sympathy, Chloe being a lackey to Lila doesn't for some reason.

I am getting really tired of the whole “Nobody believes Marinette” formula that every Lila episode relies on (Chameleon, Ladybug, Risk, Revelation, Confrontation). It's the exact same story. Everyone who has known Marinette for the past four seasons suddenly loses all trust in her, only instead of instantly believing Lila, it's Chloe. CHLOE. This is worse than Lila, because she's at least in good graces with other people, but this is the same season that solidified the idea of nobody liking her at all. They seriously take her words at face value over Marinette, someone whose friends know has tormented her for a year at least (Derision)? Put aside how I feel about Chloe, this is a story that depends on trusting someone nobody has any reason to trust, and it makes no sense.

There are just so many minor issues in this episode that pile up enough to really piss me off. It's like a death by a thousand cuts.

#23: Collusion

I normally don't try to get political on this blog unless I absolutely have to, and talking about this episode is one of those occasions.

If you've been around since the early days of this blog, you'll remember that Astruc once compared Chloe to Donald Trump, and not too long after the January 6th attack on the Capitol Building at that.

Even before that thread, Astruc made a joke comparing Trump to Chloe less than a week after the attack.

Whether you agree with Astruc's views on Trump or not, the point is that he kept up with American politics and strongly opposes him. So anyway, let's get to the episode where the heroes let someone lead a small army to storm the mayor's office and force him to resign, which is totally different from what Trump did.

I cannot get over just how confusing this episode is. For a show created by someone who usually keeps up with American politics, this is such a tone-deaf episode. I get that the story is trying to lean into French history, and I'm not sure how far into production the crew was when the attack on the Capitol happened, but given how Astruc was aware of the drama, he and his team should have at least considered the implications this episode could raise. The problem with the discussion around January 6th is that the supporters see it in as righteous a light as Miss Sans-Culotte is. As far as they know, what happened wasn't a violent invasion of government property, but a peaceful demonstration. Sure, none of the talking balloons said “Hang Andre Bourgeois!”, but it still brings similar imagery to mind.

Something that also harms the French Revolution narrative is the fact that all of Miss Sans-Culotte's supporters are helping her against her will. Much like countless Akumas throughout the show's history (Darkblade, Kung Food, The Puppeteer, Princess Fragrance, Despair Bear, Befana, Zombizou, Malediktator, Gamer 2.0, Mr. Pigeon 72, Hack-San, Revelation, Confrontation), Miss Sans-Culotte brainwashes innocent civilians so they can help her cause. This goes against the idea that she's speaking for the people, because her victims don't have a say in this. She's not reenacting the French Revolution, she's reenacting Order 66!

Also, this is something I've neglected to discuss. Why make Miss Bustier pregnant at all, much less akumatize her while pregnant? Outside of her students telling Chloe not to make a scene because the stress caused from dealing that is bad for the baby, Ms. Bustier's pregnancy adds nothing to the story. Seriously, the story thinks Chloe annoying the class is more dangerous for Ms. Bustier's baby than Ms. Bustier herself running around and getting into fights with her baby inside. It could have made for some interesting drama where Ladybug and Cat Noir are hesitant to hurt a pregnant woman, even if she's been akumatized. While the writers do try to work around it by giving her minions to do the fighting (as much as it mucks up the themes of this episode), it still doesn't explain why she needed to be pregnant during this episode in the first place.

Putting aside how unlikable Miss Sans-Culotte is in this episode, you can't even enjoy seeing Andre getting kicked out of office because this is the same episode where the writers really want us to feel bad for him. Look at how sad the rich white politician is. Let's ignore the fact that he's a big part of the reason why Chloe is as bad as she is, has abused his power multiple times, and is all around the cause of his own problems. But even though this is a show that tries to take an anti-capitalist stance (which I'll get to more in “Emotion”), we're supposed to side with one of the biggest symbols of everything wrong with capitalism and political corruption. Even then, Andre is framed for corruption instead of the several instances he actually abused his power, as if they're trying to say he was never a corrupt man. He just loves his daughter. Is that too much to ask for? His daughter herself? Eh, who cares? You really need to support the rich white man. Are we sure this show was created by a liberal?

But the biggest issue is the moral. It's impossible to frame Miss Sans-Culotte storming the mayor's office as a peaceful protest because she's clearly inspired by one of the bloodiest and most violent revolutions in history. If she was supposed to be a violent warrior who needed to learn there was a better way, that would work, but instead, the show downplays how dangerous she is... when she has a guillotine blade for a weapon. You can't claim Miss Sans-Culotte is non-violently protesting Andre's administration when she brainwashes innocent civilians, storms into the building, and demands he resign without any question. Even taking all that into consideration, the moral ends up backfiring because forcing Andre out of office caused an even bigger problem with Chloe taking over, and the very next episode threw the non-violence message out the window.

Whether or not you want to consider the political implications here, this is still a terrible episode with a terrible moral.

#24: Pretension

I've always had issues with Felix, and after the trainwreck that was “Emotion”, let's just say this didn't exactly do anything to raise my opinion of him. Just like his other appearances for the last few seasons, he did absolutely nothing to help Ladybug, focused on only doing things that benefited him, and making everyone's lives worse due to his incompetence. And somehow, this idiot is the one who moves the plot along the most.

The entire conflict happened because Felix kidnapped Kagami without even coming up with a plan. Even when he believes that Kagami is a Sentimonster (I apologize for saying that word Felix hates, but once again, the show provides no alternative to it), he doesn't think of Tomoe being able to track her or command her to leave even at a far distance. He doesn't even try to explain himself to Ladybug and Cat Noir and spends more time running away from everyone who wants to kick his ass. But by the show's logic, he just needs friends, even though his entire deal is that he works alone to get what he wants.

It's bad enough that Felix has to screw up everything he touches, but now he's dragging Kagami to his level. Kagami has cemented her role as Felix's lackey/girlfriend and nothing more. People give Marinette crap for the way the behaves around Adrien in and out of universe, but Kagami knows nothing about Felix, yet a single conversation about his past is enough for her to fall head over heels in love with him. She went from someone not willing to take any bullcrap from Marinette and Adrien to believing Felix's story in a fraction of a heartbeat. This season really likes ruining the few likable characters the show has left.

I also have to roll my eyes at the conversation Marinette and Gabriel have about fashion. For one thing, it's one of the few times the entire season remembers that Marinette wants to be a fashion designer and doesn't really factor into her rivalry with Gabriel. This season made their conflict revolve around how to treat Adrien, not their views on fashion. It feels like they only brought it up to remind viewers that Marinette is still into fashion. Well, that, and also to take a stance on artistic integrity... supposedly.

And on that note, it's amazing how the writers display little to no self-awareness during this scene. The show that embraces sticking to the status quo and rejecting almost any attempt at keeping consistent continuity is now trying to teach children about the importance of being willing to take risks when creating something. This is like Hannibal Lecter trying to promote veganism. I get the message, but the messenger's history is keeping me from buying it. It doesn't help that for a scene trying to point out how outdated certain views are, the show ultimately chooses to take the side of the man with the “wrong” mindset by the end of the season.

The pancake metaphor really confuses me too. It's meant to be a running gag that the only thing Gabriel knows how to cook is pancakes, but A) Nothing is really indicated to show how terrible they are as a metaphor for how bad his outdated views are other than Marinette's verbal assessment of them, and B) We later learn Gabriel used to be poor, so either he never knew how to cook prior to earning his fortune or being rich somehow made him forget basic living skills. I'm just saying, when an episode of Sid the Science Kid manages to better convey someone doing a terrible job making pancakes, you might need to put in a little more effort to show how bad Gabriel's pancakes supposedly are.

Finally, Tomoe. This episode didn't really do much to show her as a compelling threat, given all she did was nag Gabriel and try to shoot her daughter when she didn't even try commanding her to fight back when she was kidnapped. She's nothing more than a female Gabriel and is another example of how overstuffed this show's cast is,

This episode is awful, plain and simple. It took aspects from previous episodes that were already questionable, and doubled down on them while acting like there weren't any problems at all.

#25: Derision

And now we're onto the really, REALLY bad episodes this season. One of the reasons why this post took so long to make was that I wasn't sure how to rank these last three episodes. Thankfully, I managed to find a way to rank them based on the morals are executed. With that being said, let's start scraping the bottom of the barrel.

Ah, “Derision”. You're the only episode that makes the backlash caused by “Chameleon” seem like a pleasant breeze. It's incredible to see just how much negative a reputation this episode has in the fandom. Virtually nobody likes it because it manages to upset everyone with its poor characterization. I'm talking Marinette fans, Adrien fans, Chloe fans, Kim fans, and pretty much every other character's fans. I've only seen a few die hard fans defend this episode, and they're the people on Tumblr who defend pretty much everything done this season.

I have just one question to ask about this episode: Why did it need to happen? We didn't learn anything new that we didn't know already. We know Chloe is mean, and we know Marinette used to be more timid and had no friends. We didn't even need that much of an explanation for why Marinette acts the way she does around Adrien, seeing how it was usually played for laughs

Speaking of which, let's talk about the fact that the episode tries to shame the audience for laughing at the jokes about Marinette's reactions to Adrien. You know, something that was the show's primary running gag ever since Season 1? A running gag the writers ran into the ground by the end of Season 3 but still chose to go with it? Now we're not supposed to have laughed at it, assuming we laughed at it all. Way to insult even the small portion of viewers who didn't get on your case about this, writers.

I only have about two positive things to say about this episode. For one thing, Chloe actually served as a pretty decent antagonist in the flashbacks. Much like in “Revolution”, when the writers actually let her be a villain on her own without being made a pawn, she can be somewhat entertaining. If this was the Chloe we got after Season 3, I don't I would have been as upset at the direction Astruc's team took with the character.

In addition, the thing that saves this episode from being at the bottom is that unlike the next two, it actually understands that what the antagonist did was wrong. They don't make up excuses for what Chloe did and she actually gets called out as a result. It doesn't lead to anything major, but it's something.

Like with “Queen Banana”, there's not much else I can say that hasn't already been said. There's plenty of retcons, the characterization for everyone is off, it attacks the audience, and the message about trauma got fumbled by the show's usual double standards. It's been said over and over again, and it's become a symbol of how much the show's quality has degraded.

#26: Emotion

I think if you've kept up with my reviews of this season, you should know by now that I don't exactly like Felix, and most of the problems I have with him can be attributed to this episode. In fact, for a while, this was going to be my choice for the bottom slot.

It's clear that the writers want to make Felix this wild card who's only in it for himself, but like most of the show's antagonists, they want to show Felix as this devious mastermind... but he's also not really evil, and you should feel bad for him. For most of the episode, Felix does nothing but make everyone's lives worse during his first outing as Argos. He smears his cousin's reputation yet again, tricks his girlfriend into dancing with him, condemns some rich kids for the crime of being rich when he's just as rich, and eventually wipes out all life on the face of the earth. But he's just doing it for his cousin, we swear!

While Felix has understandable motivations for what he does, wanting to free Adrien and Kagami, the way he tries to achieve his goal makes it hard to sympathize with him. If the whole point was that what he did was wrong and that he needs to find a different way, that could work. Instead, we're supposed to see him as this tragic figure who was forced to do terrible things when the episode shows him happily singing while causing chaos. It's the same problem with Gabriel, wanting a sympathetic character to do unapologetically evil things. The fact that he has to be told that genocide is bad doesn't make us want to sympathize with him when he breaks down crying. It paints a picture that he's crazy but the show wants to act like he isn't.

Even putting all the crap with Felix aside, the episode is still unbearable. The stuff with Marinette was poorly executed and was just done to get her involved in the plot, and later become the first one to excuse Felix for betraying her. Other than the dance scene, you could easily just have Marinette swing in as Ladybug when Argos starts his rampage and nothing would really change. The episode tries to make jokes about how unnecessary this is, but as usual, its attempts to be self-aware come across like its saying “What we're doing it wrong, we know it's wrong, but we're gonna do it anyway!”

Speaking of the dance scene, I can't stop rolling my eyes whenever Felix tries to be all “We live in a society” to Marinette. Forget the corrupt politicians, corporate moguls, human traffickers, and despotic rulers of foreign nations. The absolute worst section of humanity is composed of the teenage children of the 1%. Sure, you'd have to break my legs before I'd agree to supervise them at this party, but I don't get why these are the people we're supposed to see as irredeemable monsters. Do the writers think because these kids associate themselves with Chloe, we'll automatically hate them? Newsflash, but if I had to choose between hanging out with some annoying kids and a mass murderer, I'd stick with the annoying kids.

Rewatching this episode was what helped me finally realize just what my problem with the show's anti-capitalist message is. How the hell am I supposed to hate the villains on this show for being rich when several characters are rich or at the very least, are successful thanks to their connections to the rich? Think about it for a second. Putting aside Adrien and Kagami, you have Marinette, the daughter of two of the most popular bakers in Paris and earned the respect of multiple celebrities, Alya, the daughter of a chef who works at a five-star hotel, Nino, someone who got to DJ at a major fashion show, Rose, who is friends with a literal prince, Luka and Juleka, the children of a popular rock star, and Max, the son of an astronaut with access to cutting-edge technology. Somehow, these people are supposed to be poor? They make Monica from Friends look like Oscar the Grouch. It's why I can't take the message seriously. You can't write a story about a class struggle when both classes are shown to be pretty well-off.

The only thing that saves this episode from being at the bottom of the list is the fact that despite committing genocide while singing, Felix at least gets what he did was wrong and makes up for it. It doesn't fix everything else he did in this episode, but that's better than nothing. As for the villain featured in the episode that's at the bottom of this list? If you've been keeping track, I think you know who I mean.

#27: Re-Creation

I'll admit, I'm sort of cheating here. I'm judging this episode more as a finale than an individual episode, but I'm making an exception because the plot is tied to wrapping up all the loose ends this season.

I'm mentioning this because for a season finale, the stakes just feel so low. The fight between Bug Noire and Monarch doesn't have any weight to it because they've barely interacted at all for the last five seasons. These are supposed to be two mortal enemies, but you can't really buy the enmity between them. It ultimately cheapens the moment of Bug Noire triumphing over Monarch in the end... before Monarch triumphs over her not long afterwards, but we'll get to that.

The stuff with the Miraculized doesn't help either. We already know that the Ladybug and Cat Miraculous are in the Agreste manor, so the Miraculized's goal is impossible to achieve. It's never even explained why the Miraculized don't go back to the manor to help Monarch beat Bug Noire, since they should still be able to track the Miraculous. All of the fights with them just come across like filler, and there's no real sense of danger or hopelessness to be found. Whether the Miraculized win or lose is irrelevant. Nothing will happen either way because the important stuff is happening in the Agreste manor.

This extends to the part where all the heroes appear to help. It doesn't come across as an Avengers-esque moment for the climax, because it doesn't change anything. The episode never explains what any of these characters were doing prior to the events of this episode and why only now they're helping out. The United Heroes are the most egregious example because unlike Fei or Su-Han, they're a major organization whose members include the president, and they didn't do a damn thing when Monarch stole all of the other Miraculous. Speaking of, there is no way in hell that Su-Han taught Mirakung-Fu to three random people over Ladybug and Cat Noir, much less that those three people are actual masters after about two months at best. Maybe they got to train in Bunnix's Burrow? After all, she's not doing anything else to stop the end of the world other than sending four people over to Paris. This whole sequence really highlights how bland the other heroes of this universe are. If they're not slacking off when they're needed, they're criminally underdeveloped because there's a slim chance they'll get spin-offs to flesh them out.

But I think the biggest issue me and other people have with this finale is the resolution. In what is easily one of the most baffling decisions the show has made, Bug Noire doesn't defeat Monarch, and Monarch gets to make his wish. I don't care how many times the writers technically say she won because she beat him in a fight. Gabriel backstabbed her at the last minute and got her Miraculous to make his wish. Yeah, he died, but he succeed in achieving his goal, never faced any real consequences, didn't get any closure with his son (much less apologize for abusing him), told Marinette to lie about the monster he was to him, and was turned into a martyr with a statue made of the same things he used to control the world.

This ending infuriates me because it not only makes Marinette out to be a terrible hero for failing to do the one thing she was chosen to do (get the Butterfly Miraculous back), but it also ultimately makes Gabriel out to be a decent person even though he destroyed and recreated the world. All Marinette did was take credit for saving the world, and even then, Gabriel got more celebration in the end. Our hero, ladies and gentlemen! She got outsmarted by an abusive parent and didn't even get a new statue in her honor!

But the most damning thing of all this is the fact that this finale retroactively makes everything that's happened over the last five seasons completely pointless. If Gabriel making a wish wasn't as bad as it was supposed to be, why didn't Ladybug and Cat Noir let him borrow their Miraculous? Why make the stakes this high if you're going to downplay the impact of a madman recreating the world in his own image? Follow-up question: why make the stakes this high if the wish being made is ultimately shown to have huge benefits for society? In an attempt to wrap things up with a happy ending, the writers accidentally made the conflict completely meaningless.

That's why this resolution is the ultimate example of the writers refusing to allow any major changes to happen. If they're willing to treat the end of the universe as less important than Ms. Bustier becoming mayor, why should we assume they'll ever take their story seriously? For God's sake, every character you know and love is essentially dead, and we're supposed to act like that isn't a big deal? That's how you wanted to end the show originally? Then again, at least they tried to resolve something, unlike the Love Square. We still haven't gotten a reveal, and I don't think we ever will at this point. These writers will drag out the story until the show stops becoming profitable, which won't be for a long time.

And with that, I am officially done with Season 5. Honestly, after having to rewatch this season again, I'm not sure if it's even worth giving Season 6 a shot. There's nothing to look forward to, and Lila becoming the main villain isn't really appealing to me. At the very least, I have the movie review to look forward to, meaning I can watch something good for a change.

[wheelerpilled]

'forced conformity is killing the kids'

Mike Wheeler ST5 Theory/analysis

So we've all seen the new BTS of Finn Wolfhard on the set of Stranger Things dropped and OH MY GOD. THE DUALITY FROM LAST SEASON.

I have to TRY write about it ATLEAST...because wow I have a lot of potential thoughts, sorry it's once again unstructured, messy, and repetitive but stay with me please!!!!!!!!!!

I've seen ALOT of people happy we're getting s1-2 Mike hair back but guys .....it's not a good thing!!!!!!!!!! Mike is going THROUGH IT.

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In Season 4 it's acknowledged that Mike is finally coming into his own a bit, Eddie says he was wearing 'whatever his mom bought him' when he first came to highschool, but in episode 1 when we see him for the first time in S4, he's clearly been influenced by Eddie and has figured out what style he likes and what he's interested in, he's in a DND club, he's comfortable being known as an uncool nerd, he's growing his hair out (yes I DO believe it's because he idolised Eddie, I have more to say about that in a second)

basically: his hair and his outfits, aswell as pretty much the way he acts in Hawkins (NOT California- he goes back to pretending to be something else) in S4 represents the ideology non-conformity and his sense freedom in this new persona

he doesn't feel lost in highschool anymore, he's doing what he likes with his friends (DnD) and he's proudly wearing his hellfire shirt around school/Hawkins, basically, he's accepting that it's okay to enjoy 'different' things that aren't considered the norm, and it makes him happy, he feels comfortable!

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But now in Season 5, from the pictures we've seen, it looks like he's fully reverted back into his shell, I guess I understand why tbh I don't blame him:

he comes back to Hawkins after everything and everyone believes he's in a satanic cult- townspeople probably treat him badly and Jason's team mates probably blame Eddie and the rest of hellfire for Jason's 'disappearance' (death). They directly connect him with all the horrible things that have happened to Hawkins as of late

...which is probably what the BTS of them walking towards Mike are about, they probably keep harassing him no matter how he acts and Mike just wants them to leave him alone, let's face it:

High school has probably gone full circle back to middle school for Mike and he's getting bullied/mistreated again. So he feels his only option is to remove himself from Hellfire and become 'normal'.

Hellfire might maybe even be blamed for the gates being opened. Last we heard, the townspeople were hunting down Eddie and the rest of hellfire, and the graffiti on Eddie's grave in the S5 pics shows that he's still very much hated.

Mike probably got harassed by multiple people who don't believe Eddie's dead, or believe Mike was in on it and are out looking for him, or think Hellfire contributed to some satanic ritual causing the 'earthquake' and thus Mike is also a target and it's dangerous for him.

So I think part of the style change and haircut is due to THAT, he doesn't wear his hellfire shirt anymore because he doesn't want any affiliation with the club.

As Finn Wolfhard has said in previous interviews 'mikes just trying to act as normal as possible' so by seperating himself from Eddie/Hellfire and becoming more conventionally 'normal' he won't be treated like an outcast.

He won't be assaulted, bullied, blamed, or worse if he conforms. He has a greater chance of everything becoming better/easier while living in Hawkins if he does this, he might have even given up DnD aswell- so yeah he's gonna be pretty MISERABLE in season 5

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Alot of people wanted to see his reaction to Eddie's death, I think we'll definitely be seeing the lingering after effects of it, and alot of Mike's arc will kick off because of the aftermath of the vilification of Hellfire.

Only few people know that Eddie died to try protect Hawkins, Eddie was a role model for Dustin and Mike, but they're grieving him in COMPLETELY different ways

Dustin decides to honour him by taking up a similar style and proudly wearing his hellfire shirt, and is also probably trying to sway the town's opinion on Eddie and prove him innocent.

....But Mike seemingly decides that he DOESNT want to end up like Eddie anymore: dead and hated, known as a satanic freak.

Someone he idolised is now deceased, he doesn't know how to properly handle that fact, it's intimidating that someone he looked up to do much could be so hated, and in turn has caused the reaction from Mike that is basically 'if my idol is treated as such a horrible outcast, and I wanted to follow in his footsteps, where would that leave me?' he's feeling lost and hopeless, especially with the state Hawkins is in, so he probably decides the best thing to do is just blend in. Be normal.

It probably scares him that even merely his interest in DnD and all these other factors immediately make him a target, as far as townspeople believe- Mike is one of the kids who was close with a brutal serial killer, they probably think he's just as 'messed up as Eddie the freak was' for staying friends with someone who'd do such horrible things

I think Mike just wants to hide as much as he can right now, he has ALOT on his plate and doesn't need the rest of the town out to get him.

so if anyone asks: he'll probably say things like 'I didn't really know Eddie! I would never join a cult like that, I didn't know!' or something to try seperate his name from the hellfire club.

Mike will end up picking protecting himself and hiding his true identity and values/traits rather then living exposed and vulnerable; yet true to what he actually believes is right....And that is the opposite of what Dustin is doing,

Dustin is a proud hellfire member and friend of Eddie, he's picking what he thinks is right over self-preservation from the town, he's still wearing his battered shirt, now HE'S the one growing his hair out, he still adores Eddie and misses him (so does Mike probably, but he feels he CANT outwardly publicly show support or stand up for him)

I do wonder if this will cause some sort of tension between Dustin and Mike, because Dustin is doing the opposite and becoming more like Eddie instead of distancing himself from the hellfire name, he might feel betrayed that Mike 'gave up' on Hellfire, and maybe accuse him of not even caring about Eddie or his death?? Idk!!!!!!!!!! I feel like Dustin will also be going through it this season 😭😭😭

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I do also think Mike will try to be clinging alot to El this season (I mean, before they inevitably break up which I believe will probably happen kinda early on if it actually happens at all)

this is also because just the idea of having a girlfriend corresponds to his idea of conformity and being 'normal'. He just wants to be a normal guy, his life is nothing out for the ordinary, he's not interested in satanic things like dnd and hellfire, he's just a normal person. A normal person who is PROBABLY a target of Vecna in season 5 😓

I believe his arc for this season will be trying to breakout of these notions of conformity in exchange for things he actually likes and is interested in, we saw him sort of branching out in season 4, but I think THIS time it's happening for real, and he'll end up fully embracing his own views and interests after some sort of emotional arc-which will also probably be part of the M*lev*n break up (not censored because I'm against them/hate them I just don't wanna clog the tag for others 😭😭) OR set off by the breakup

Throughout season 1 he was told he liked El, or others assumed it, so I think he assumed it aswell, they just never broke up because El ALSO thinks having a boyfriend is normal and expected, and because Mike was the boy she was closest to she assumed it was romantic feelings (and he kissed her in S1 which probably contributed to her assuming they were romantic feelings)

Alot of the people around her are also in relationships, and she watched alot of TV with happy romantic couples so she thinks it's more normal to HAVE a boyfriend then to NOT have one, I think Mike and El kinda stayed together because they think they're SUPPOSED to by these social standards,

They obviously care about each other alot, and mistook it as reasons to just stay together, she wants to be a normal girl because only being a superhero isnt good for her, she needs to be 'Jane Hopper' and not '011'. I do think she definitely needs to be single for awhile and find herself, even if her and Mike are to be endgame, she NEEDS at least some time to gain some experiences outside of living her life as a superhero, (Mike also needs character development outside of being 'Els Boyfriend's)

Which is why it was vital that her time with max in S3 existed, so El could realise her value and that there is a life outside having a boyfriend- I think Mike needs a similar moment aswell, a wake-up call of sorts where he can take a step back and consider maybe rather than letting society dictate his actions, he makes decisions for what he wants for himself ('we make our own rules')

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If m*lev*n is endgame then sure that's great for them, but I genuinely don't know what big character arc could be in store for Mike that doesn't involve a breakup and themes of non-conforming, it doesn't even have to involve Byler endgame at all (although I AM a byler truther)

I think Mike learning that it's okay to let go of that romantic relationship if he doesn't feel that way anymore is a big step for his character, or atleast taking a break so he can work on himself, anything along those lines of actual development on himself rather then on his relationship- El and Mike have been romantically paired from the start, he needs to learn that it's OKAY to breakup with someone if thats what he feels is right, (side note: I DO believe El would/will be the one to breakup with him 😭)

I don't think he realises that he'll be able to stay friends with El, it's not 'shes my girlfriend or else she'll hate me for breaking up with her. No other options'

he doesn't want to lose her because he cares about her but he can't find a way to balance that romantic relationship alongside his other friendships. So I think for his character to develop they have to breakup, even temporarily, but obviously that's only my opinion if M*lev*n is endgame then oh well, it's endgame, but I think they would be a really awesome platonic duo and I'd like their relationship alot more if it was that way

______________________________________________

I think later in the season he'll realise that living this way not actually what he wants, and he doesn't want to give up who he is, or pretend to be something he's not- because he IS a nerd who likes DnD, and he does support Eddie, he cared alot about him because he idolised him, and i think season 5 is about him learning that that's okay and he doesn't have to feel so much pressure to conform by societal standards, bro needs a better grief process, forced conformity GOT HIS ASS 😭😭😭

What I'm trying to say is: all of this, and his new look is a safety net of sorts, he's still pretending to be something he's not because he feels he HAS to, otherwise it's dangerous for him in Hawkins because of hellfires reputation, but he's also acting this way because of other factors that I haven't really thought through yet LMAO

I believe season 5 will probably be him accepting those things about himself and embracing it, maybe also undoing his emotional repression along the way, I guess I would describe it as coming of age and I think if it's handled well it could be really beautiful in a way

OH MY GOD I RAMBLED SO MUCH AND IT ISNT EVEN A SOLID THEORY JUST A COLLECTION OF THOUGHTS😭

Sorry that was long and repetitive but uhhhhhhhhhhhh yeah..........anyways Mike Wheeler ily keep ur head up king please don't die in S5‼️‼️ stay safe‼️‼️

[queen-of-writing-bad-things]

Danger Force Reader Insert | Captain Man x Reader: SEASON 1 Masterlist

| Status | Ongoing!

No one ever says married life is easy, which certainly isn't true for Ray and (y/n).

After finally tying the knot, Mr. and Mrs. Manchester said goodbye to Henry and their old friends and welcomed four new ones: Mika, Miles, Bose, and Chapa. The kids have spirit but lack the finesse of experienced crimefighters, needing Captain Man and Miss Danger to shape them into the superheroes they know they can be.

Easier said than done when you're outnumbered. Cue the mishaps, mayhem, and mischief in a new adventure for Danger Force.

This story is mature in places with adult themes and language and uses she/her pronouns for a female reader. However, anyone is free to read and enjoy :)

Main Masterlist

Episode 1: The Danger Force Awakens 

Episode 2: Say My Name 

Episode 3: Ray Goes Cray (SMUT)

Episode 4: Villains' Night (SMUT)

Episode 5: Mime Games (SMUT)

Episode 6: Quaran-kini (SMUT)

Episode 7: Chapa's Crush (SMUT)

Episode 8: Return of the Kid 

Episode 9: Mika in the Middle (SMUT)

Episode 10: The Thousand Pranks War Part 1 (SMUT)

Episode 11: The Thousand Pranks War Part 2

Episode 12: Down Goes Santa Part 1 *New! 25/12/24*

Episode 13: Down Goes Santa Part 2

Episode 14: Vidja Games 

Episode 15: Test Friends 

Episode 16: Lil' Dynomite 

Episode 17: Monsty 

Episode 18: Twin It to Win It 

Episode 19: Radioactive Cat 

Episode 20: Miles Has Visions 

Episode 21: Captain Man Strikes Out 

Episode 22: Manlee Men 

Episode 23: S.W.A.G is Haunted 

Episode 24: Family Lies 

Episode 25: Earth To Bose 

Episode 26: Drive Hard 

[jazy3]

The official Stranger Things accounts shared a close up version of the missing poster for Jane Hopper that we saw in the promo trailer with the caption “Who’s *really* looking for Jane Hopper? You’re not ready for what’s to come in Stranger Things 5”. So it looks like Chapter 2: The Vanishing of [Redacted] may be about Eleven and not Holly! When the Duffer Brothers said everything was going to come full circle in Season 5 I thought they were talking about character dynamics and relationships not abductions! Apparently bringing things full circle means everyone's going to get abducted!

Based on the BTS and promo content we've gotten so far it looks like Eleven, Holly, and potentially Erica are going to get abducted or go missing this season. It also appears that Karen, Holly, and Erica may be trapped in a Vecna trance or part of his mindscape during this time. Honestly, I didn't see it coming! I did not think that's what they meant by full circle! In the poster they use her Lenora Hills mug shot and she’s listed as a missing teen who is 15 years old and was last seen at Hawkins High on June 13, 1986. This indicates that there might be two or more time jumps in Season 5. One from March to June of 1986 and then another to fall of 1987.

She’s said to have disappeared in the afternoon while walking down the sidewalk near Hawkins High which would indicate she was attending school there which is odd considering that she’s supposed to be in hiding. Unless she went there to see Mike or another character but that seems like a big risk to take. We know how Hopper feels about her taking those kind of risks and so I assumed he would be homeschooling her this season. Enrolling her at Hawkins High after what happened in Lenora seems like a huge risk and completely unnecessary considering that she wasn't doing well in a normal school environment and that homeschooling her would likely be a better and safe option.

Since we've seen footage of her interacting with the other characters at the junkyard it's possible that those scenes take place before the time jump in Chapter 1 and that the other footage is from later episodes when she's stuck in the Upside Down or in hiding. Her birthday is listed as 06/07/71 which could be June 7th or July 6th. Given the events at Starcourt it’s more likely to be June 7th as her birthday isn’t mentioned in Season 3. However, Will’s was mentioned in Season 2 and they messed that up in Season 4 so who knows? 

The poster lists a $3000 reward which is the equivalent of over $5000 in today’s money so clearly whoever's after her wants her bad. As the Byers definitely don't have that kind of cash and the caption indicates that someone else or another group of people have asked the Hawkins PD to look for her or have reported her missing. If you call the phone number on the poster a voicemail tells you that the town of Hawkins is currently under lockdown due to the earthquake and that the Hawkins Police Department is working with the Hawkins Emergency Task Force to track down missing persons and that Jane Hopper is a priority.

This makes it sound like the Task Force is part of the military and that they're looking for her and told the Hawkins PD that she's dangerous and that they need to find her ASAP. So it could be that our heroes are going to have to dodge both the military and the local police this season. I'm not super excited about this plot as the military plot was my least favourite part of Season 4. The villians in that plotline were so one dimensional and that whole plot was just annoying to me so I'm hoping they've made some improvements for Season 5.

[angelthemanspanker]

my most tinfoil hat AtS opinion is that legit straight up canon spangel was like RIGHT beneath the surface of season 5, like the show was ready to pivot in the direction of them being at least friends with benefits at a moment's notice despite fate and the censors' best efforts

Season 1 had shit like Angel's first power walk shot set against a pride flag and him awkwardly telling guys he wasn't hitting on them, going for a kinda Adam West Batman kinda gay thing where people assume that about him bc it's the early 2000s and his clothes fit VS Season 5 in the premiere alone giving us Angel correcting a guy who calls him a "little fairy" with "I'm not little" and the legendary, blog-inspiring "I have no problem spanking men" (one of which he says to a guy he's about to kill and one to a guy he knocked out, almost like Angel lets gayer behaviour slip if he's around people who can't bring it up later hm) followed by the only man we KNOW Angel has fucked literally appearing from thin air in his office

then you get Life of the Party where Angel's Whacky Magic Antics are set off by Lorne telling Angel and the person he's having sexually tense arguments with to get a room, causing him to have ill-advised hate sex he ordinarily would not have with someone he is reluctantly attracted to. and I believe in my BONES that at SOME POINT in the scripting process that that person was gonna be Spike. Even setting aside my admittedly subjective opinion that Angel and Eve had even less sexual chemistry than Xander and Willow, it just... scans. Angel and Spike have their "I need to get our faces within an inch of each other or I'll die" arguments in front of EVERYBODY in literally every episode of the season, so I feel like if Lorne was gonna say it about ANYONE it'd be about them. I will never budge from my belief that Spike still being a ghost at this point and early 2000s tv politics caused them to abandon the Angel And Spike Magically Fuck At The Party plot early in the writing process for the episode and slot Eve in there instead while Spike gets the easy-to-write-into-existing-scenes positivity thing.

and THEN. AND THEN. it becomes a plot point that the show Angel's friends are suddenly really on board with him getting back out there dating-wise (the unperson-ing of Cordelia helps here. whee.), with us all suddenly being in agreement that there is little to no danger of his curse being triggered by sex (even though both times he's lost the soul since his curse, real or imagined sex played a significant role in the moment of happiness). Like, Nina is one of the more one-dimensional characters in the Buffyverse and her midness seems to be for the purpose of setting the audience at ease that Angel's soul ain't going anywhere from hooking up with her.

WESLEY is all for it! Wesley "Most Paranoid and Prepared For The Return of Angelus" Wyndam-Pryce is saying look man we're all rooting for you go have a relationship with a girl whose only flaw that I can come up with is that she's a werewolf. Like sir??? How can you be sure the Beautiful Engaging Young Woman Who Actually Wants You won't accidentally make Angel happy with her extremely inoffensive flavour of Nice?

Whereas if, say, there was a beautiful, engaging blonde who actually wants Angel and Angel wants but comes with the caveat that THIS beautiful blonde not only drives Angel up the fucking wall but recently had magical sex with Angel at the office party in front of the whole main cast, proving that as much as Angel gets off on screwing Spike that he is Not happy about it? I can see Wes giving the all clear on that one ngl

bonus points that Angel and Nina got the Official Couple upgrade in Smile Time which comes right before the Illyria tragedy forces Angel and Spike into the... maybe not friendly but LESS hostile dynamic they keep for the rest of the show, so the season structure of their relationship still follows a lot of the same beats. honestly besides getting a lot more moments of David Boreanaz and James Marsters trying to out-six-pack each other in their post-coital shirtless scenes the only thing you'd need to do is change the world-shattering "Me and Angel have never been intimate. Well except that one..." to something along the lines of "Me and Angel have never been intimate, I just shag the bastard"

[burningdreambanana]

Find this old rant I wrote about Rhaenyra and Alicent's friendship when season 1 had just finished, still holds up imo

Was making Alicent and Rhaenyra childhood friend a mistake?

I initially liked the idea because I thought it added an element of tragedy to the story: watching two former friends go from love to hate to war is heartbreaking and gripping.

Unfortunately, with the way it was written in the show and how it affected Alicent's character, I'm starting to think that it might have been a mistake.

First of all, we see that in episode 3, Alicent still supports Rhaenyra being queen over her own son. That erases one of her main book motivation: Alicent lives in a patriarchal society where according to traditions, law, and the norm, her son was supposed to be the next King. Viserys makes an exception to crown his daughter. He doesn't change the rules for everyone, he just exempts her son. If readers/watchers take out their modern lenses for five seconds, they'll realize that pretty much anyone would be outraged and that wanting her son to have what would normally be his is valid and doesn't make her a villain. All the show needed to do is make us understand where she was coming from. Of course, some fans still wouldn't understand and call her sexist, but anyone watching with a bit of critical thinking would be able to sympathize with her.

Then we have episode 4-5, where the writers, who have made the two girls reconcile, wants to divide them once again and explain why Alicent will support her son now, because they got rid of her perfectly fine motivation. So they make Alicent be overtly concerned with Rhaenyra's virginity: "she swore to me that she remained a maiden". No, she didn't Alicent, she swore Daemon never touched her, which is a lie but Alicent will never find that out. She stands by Rhaenyra instead of her father and even after Rhaenyra got Otto fired (without having the decency to explain herself to Alicent), leaving a still young Alicent isolated in KL, even when Otto points out that Rhaenyra's claim is shaky and she will be forced to get rid of rivals (which makes sense) she's still standing by her. It is only when she finds out that Rhaenyra slept with Cole (not Daemon) that she declares war on her former best friend. Episode 5 really frames her as jealous and obsessed with Rhaenyra and her virginity, so I'm not surprised that a lot of viewers see her that way.

Then we have episodes 6-7, where Alicent spends 90% of her onscreen time talking about Rhaenyra. She's literally obsessed with her, while Rhaenyra is not obsessed with her. I personally wish we would have more to Alicent than "Rhaenyra, Rhaenyra, Rhaenyra...." all the damn time. She was described to us as "possessing a keen political acumen" before the show aired, how about spending some time establishing that???? Those episodes do a good job however at giving a sympathetic motive to Alicent: she wants to protect her children. With Rhaenyra being a woman and having 3 bastards, their situation is more precarious than ever, because Westeros is both sexist and prejudiced against bastards so it's almost inevitable that a part of the realm will rise in favor of Aegon II. I mean they rose for less during the Blackfyre Rebellion.

But then we have the "reconciliation" in episode 8. Rhaenyra praises Alicent and that's enough for her to forget what she did on Driftmark, or her perfectly good motive of wanting to protect her children. Even though she has even more reason to fear her now because she's married to Daemon, a dangerous psycho who hates the Hightowers. So this leaves me to ask, if Rhaenyra praising Alicent was all it took, was her motive all along just that she hated Rhaenyra? And now that she, for whatever reason, is no longer angry, she's ready to accept her as Queen?

Episode 9 also shows very well those problems: the Green Council is no longer them talking about the danger for Alicent's children (especially with Daemon as King Consort and the Strong Boys), the Great Council, Andal Law....All they talk about is whether or not they should kill Rhaenyra, with Alicent passionately opposing this. I mean, ep6 Alicent was persuaded that Rhaenyra would cut off any challenge to her succession but it somehow never occurred to her that the Greens may have to do the same? I'm not saying she should be wanting to kill Rhaenyra, it's just weird with her behavior in ep6 that the thought never occurred to her.

They create this artificial rivalry with Otto about who gets to Aegon first to tell him to kill/not kill Rhaenyra. This is dumb, Otto can send someone other than Harrold to kill Rhaenyra, he can influence Aegon at any other time. But this serves to show that once again, Rhaenyra is Alicent's primary concern.

"Rhaenyra, Rhaenyra, Rhaenyra". Alicent is the Jan Brady of House of the Dragon to Rhaenyra's Marcia and I don't like it.

[homonculus-posting]

something a friend sent me

Ok I was too lazy to take my insomnia meds tonight which was obviously a mistake because as of writing this it’s 5:00 am on the dot and I have yet to get a wink of sleep. But it’s ok because for the last half hour or so I have been entertaining myself to the point where my face hurts from laughing with this thought. 

So Minecraft story mode au/fanfic where it’s not explicitly stated what’s different just that it’s a cannon divergence au (and maybe from the tags you can tell Ruben lives past episode 4). 

Everything is the same, just a rewrite UNTIL episode 4, the episode when Ruben dies.  Suddenly instead of getting Jesse’s point of view it switches to Ruben as he, with very vivid description from the author, lands in water instead of on the stone, survives and goes off running to find all his other friends.  They’re all so excited because you know that’s dangerous stuff for a pig. They’re all having this nice moment and then splat. 

Jesse lands on the pavement. 

Same emotional death scene but like way worse because while Ruben does help save the world in the original game people do meme on the Minecraft story mode games because of how Jesse just carries everyone in his group and no one does anything except for him. 

Everyone is sobbing even the pig as Jesse tries to say some overly emotional last words like “you know I love you guys you were my best friends and I’m glad that if I have to die it will be while I’m with you” or something. 

Poof. 

He is now inventory. 

Crying. 

Now jump cut like it does in the game to Ruben’s memorial but instead of being for Ruben it’s for Jesse. 

From here on out the game remains the same but they switch rolls, any lines said by Jesse in episodes 5-7 of season one or all of season 2 are now just Ruben going “oink”.  Still everyone responds like he said what Jesse actually says. Literally games the same but they switch. 

Season 1 episode 5: Ruben gets teleported to a sky block server with his friends, Ruben has the option to follow one friend to “build club” which is in fact a fight club reference or go to jail with another friend I’ll let you decide which is funnier, Ruben throws a terrorist off sky island.

Season 1 episode 6: Ruben meets world famous Minecraft YouTubers dantdm, captain sparkelz, ldshadowlady, Stacy plays, and stampy cat, Ruben accuses 3/5 of these YouTubers of murder, Ruben solves the mystery of the white pumpkin and her murder dinner party.

Season 1 episode 7 baybe: Ruben fights an over powered mind control ai and wins by ripping the red stone heart straight out of its circuiting.

Season 1 episode 8: Ruben rallies an army to fight off fascist dictators making people kill one another for sport and sending the “respawns” to the quartz mines, Ruben is forced to 1v2 these op fascists, Ruben loses, Ruben gets Tim’s armor, (I’ll send you a picture of Tim’s armor after this rant/brainstorm) Ruben kills the fascists, Ruben goes home. 

But that’s not all my dear elm tree, you see that’s only season one. Now we get to review the things Ruben does in season two. 

Episode 1: Ruben gets an intern named radar, Ruben takes a second to morn the best friend he lost in the battle with the wither storm recounting how good of a friend he was, Ruben (and I cannot stress enough these are all things that happen in game just with the rolls reversed) picks a Jesse look alike to be part of the parade celebrating the anniversary of them killing the wither storm, Ruben practices conflict resolution, Ruben goes on a mine adventure with Petra, Ruben gets a gauntlet stuck to his hand (hove?), Ruben freaks out, Ruben accidentally opens a gateway to hell the spills out charged creepers, Ruben feels betrayed by Petra, Ruben fights god, wins, Ruben closes the gateway to hell he opened.

Episode 2: Ruben has to fight god again, is losing, god purposely destroys the Jesse memorial to piss off Ruben, Ruben wins his second fight with god, what is the first thing Ruben does, rebuild his Jesse monument of course, god sets up another challenge for Ruben, Ruben technically loses due to the power of friendship, unfortunately Ruben has pissed off god enough god sends Ruben to bedrock prison.

Episode 3: Ruben climbs the ranks of bedrock prison, Ruben tries to release a prisoner that will help him and his friends escape bedrock prison, god does not like this, god feels Ruben has betrayed him once again, god just wants friends after all, you know who has a lot of friends, Ruben, god shape shifts into Ruben so that he can play fascist ruler, oh no, god has abandoned the bedrock prison anarchy has already started.

Episode 4 woho we’re on a roll: Ruben breaks a defunct god out of prison, defunct god tells where to find her dead god friends guide to making fascist god defunct, Ruben wins a dead god trivia contest, Ruben fights a creation made by god to be fought by other gods for entertainment, wins, Ruben goes home. 

Episode 5 you can do this we’re almost done: oh no god has made home a wasteland, Ruben forms a plan to get in gods office, Ruben hugs Lukas to prove it’s really him and not a fascist imposter, Ruben tries to reason with god fails, Ruben tries to reason with god, fails, Ruben tries to reason with god, fails, god tries to reason with Ruben, fails, Ruben kills god, order has been restored, radar Ruben ivor and Petra all set up for a sequel that will never happen. 

Le fin. 

So what are your thoughts?

(This took me 41 minutes just to type)

(took me an extra 10 minutes to edit)

(I’m sorry you have to read this)

(you do have to read this thought it took me almost an hour to write)