#damn sure did it to me

[are-we-really-doing-this]

hey dude i read that fic you bookmarked on ao3 and i hate to admit it but its good. i wasn't into it in a sexual way but both men are just so pathetic, awkward, yet intimate to one another the way only deeply dysfunctional freaks can do and i end up enjoying the bits of character study peppered in between. i thought it would be a one and done deal, but i can't stop thinking about it. i read it again a few days later, and the day after, and i think i might be developing a new kink. too bad i dont know who the author is on tumblr, or else i would give this glowing review to them instead.

but now i can't look at the gifs i saved out of a misguided sense of embarrassment and slight guilt. a part of me is still prudish. do you know how to get over stuff like this?

btw yeah, it's the fic with the shit (literal) that got me acting this crazy.

Anon I’m so glad you decided to check it out, I don’t think a single one of my bookmarks is a bum steer (if y’all want some recs my handle is in my bio *wink wonk nudge nudge*). More under cut, it just felt a wee bit long.

About the whole ‘coming to terms with what you’re into’ thing, I have been in your exact shoes before and I guarantee you won’t be the last. For me it was just a matter of time, getting past the initial shock, and noticing more and more things that remind you of it and deciding whether or not you really do like it. Eventually you might start coming up with scenarios yourself or you might find yourself seeking out things that scratch the itch but it’s really about time, thinking it over, and some exposure if you’re comfortable. I’ve found that talking with other people who are already into or open to what you might be interested in helps a lot so feel free to dm me or anyone you’d be comfortable to talk with about it. Just know that if you do end up finding yourself with a new kink that you’re not weird or gross for it in any derogatory sense of the word. PLENTY of good people share gross kinks and if it really does something for you it can be a wonderful thing. I think it’s generally our nature, or at least we are taught, to be prudish and if you want to challenge that then by all means, tear it up. I know I have.

Now, about that fic, funny thing. You may or may not already know, but the author has just posted another fic quite similar to that one with the same pairing so I suggest you check out the author’s works tab. It is a goodie, imma go read it again actually. They have many other amazing fics, some of which contain more grossness which they are pretty much the grandmaster of. If you do like that fic and their others, I suggest you go leave Stink a comment or bookmark on the new or any other fic, I’m sure they’d love to hear it.

[sweetmapple]

Mostly Hiring manager, but HR manager and PR manager too

[ironunderstands]

Sunday’s worldview sucks, his outlook and perception of himself and others sucks… and that’s why he’s so interesting

In honor of his drip marketing releasing tonight (or maybe yesterday for you depending on when I get this out), I’d like to talk about why I think Sunday’s beliefs and perspective is very, very flawed and how his own biases rather than the actions of those who oppose him are what led to his downfall.

Sunday is entirely responsible for his own failure, and that’s exactly why he’s incredible.

This contains mentions of leaks and spoilers for the Penacony quest line… you have been warned

To start with, oh my lord do Sunday’s preconceived notions kick him in the ass. 

I think the best example of this is his conversation with Dr. Ratio in which Ratio pretends to betray Aventurine, selling out his plan to Sunday. Now, what’s incredibly interesting about this exchange is that Ratio doesn’t fully lie to Sunday once in this exchange, rather he says half truths and makes vague statements which Sunday himself interprets as being in support of him. 

Take what Ratio said the whole, “A scholar knows their position and wouldn’t forsake it for the sake of petty pride.” In retrospect, we know this line is actually referring to Aventurine- aka Ratio is saying he’s not just going to sell him out to Sunday for the sake of information about the Stellaron (which he would get anyways if the IPC attained Penacony, plus Mr. Incredibly Dedicated Knowledge Spreader probably has other means of gaining it then through The Family). 

However, since Ratio answered the invitation Sunday gave him, Sunday assumes that Ratio is on his side, believes his cause is righteous, and that he won Ratio over with offering him information about the Stellaron, therefore making that previous statement of Ratio’s null, because Sunday interpreted it as, “convince me this is worth my time + prove to me you’re correct,” when it really meant, “there is no way in hell I’m about to sacrifice my friend to you, and there is nothing you could offer me to make me do so you crazed lunatic.”

But why did Sunday not weigh the options? Why did he unquestioningly believe his perception of the situation was the correct one?

Well- partly it’s because Ratio and Aventurine were doing their damndest to make it seem like they hate each other and that their plan was going off the rails.

But the more important part is that even without Ratio saying a word or even accepting the invitation, Sunday already believes he’d be on his side. 

Let me demonstrate this through Sunday's perspective:

I am a righteous person, I am doing the correct things, my worldview is the correct one. Dr. Ratio is also a righteous person who seems to be doing the correct things. Therefore, since we are both on the side of good, and Aventurine is clearly not on that side considering his status as Stoneheart and his negative relationship to Ratio, then Ratio will naturally want to be on my side. After all, the good guys work together, do they not?- and together will vanquish this evil villain.

This perspective is a simple one, but Sunday’s unshaking belief (up until the end of 2.2) that he is 100% in correct and in the right, that any and everyone who he also perceives to be in the right (like Ratio) would believe/side with him without truly needing to be convinced. Sunday doesn’t come out the gate offering the Stellaron information- he only keeps it as a backup just in case. 

However, this is complicated because Sunday is also not an idiot, and he’s extremely paranoid, so he’s going to make sure that the way he views the world is 100% correct on the off chance he’s wrong which could foil his plans- which is why he invited Ratio in the first place. Nevertheless, this isn’t him hunting for new perspectives, but rather him desiring to prove himself right again, which is a bad thing because Sunday is very much not right. 

A perfect world is a perfect pris- *gets shot*

Reference that approximately 2 ½ people will get beside, Sunday’s ideology that he is fully confident in.. sucks. It sucks ass, it’s terrible, and let me explain.

I’m not going to try going over all the little intricacies to how the dreamscape works because I a) don’t know and b) don’t particularly care because they aren’t relevant to the argument I will be making- which is that Sunday’s ideology is inherently flawed and immediately falls apart under scrutiny.

Essentially, he desires to create the perfect fake reality, enveloping the whole galaxy in Ena’s dream and fulfilling their every desire and whim within it, with himself as the sacrifice to allow it to exist. The seven rest days, no illness, no pain, no challenge, you get the idea. 

And, this perfect world paradoxically sucks ass because of its perfectness.

Improving society is great, eliminating hardship is great, increasing quality of life is great.

But declawing reality itself- absolutely not.

I’m going to try to explain this through my favorite strangely specific anecdote- the process of obtaining diamonds in Minecraft.

Stay with me now.

You essentially have two options- go out and mine them yourselves the hard way, which takes hours, gives you less diamonds per the amount of time spent on it, and likely with you exhausting some of your resources like food, torches, and tools which you will need to replenish.

Or.

You can just.. get them from creative mode or commands, and you can get as many as your heart desires.

However, despite the fact that option one is harder, gives you less diamonds and takes significantly more time, I, as well as hopefully you, would pick it every time (at least in a survival world, although honestly idk why you would even need pure diamonds in creative).

And that’s because the first option is rewarding. 

You did not earn the diamonds you easily and magically summoned into your inventory, there is no struggle, no journey, no challenge to it, therefore it feels entirely unremarkable, as compared to the feeling you (hopefully) get from mining diamonds, which makes you happy because you earned it. Yeah, it was harder, but the process itself is fun- the anticipation of not knowing when you’re going to find them, if at all, the danger, the fighting and digging and mauvering you will have to do in the process.

And with this unconventional example, the fatal flaw with Sunday’s ideology is revealed- it’s boring. 

It’s boring as shit.

Yeah, for the first few months or even years it might be enjoyable- having everything you could ever want served on a silver platter. However, humans are a) inherently a bit greedy and b) desire challenge, and this scenario fulfilles neither of those things. Naturally having everything means your desire for more can never be fulfilled, leaving the wanter forever unsatisfied, whereas in the real world, things are truly out of your reach, meaning that even if you never end up getting them, they are still a tangible thing just out of reach… as strange at it sounds, we like being tantalilus-ed more than you think. After all, if what you want is so easy to get, you will never run out of things to want, and eventually that gets draining. 

Continually, if everything is easy, if everything is just right there whenever you want it- existence itself no longer has stakes. 

And that’s the problem, because much like how a story with no stakes is extremely hard to find compelling, a life with no stakes feels boring at best and downright pointless and meaningless at worst.

I’m just saying, there is a reason why the Nihility was such a strong presence and problem in Penacony.

Anyways, like with the diamond problem, a lack of stakes means that nothing you do feels rewarding, because you didn’t truly earn it. 

Which is where the Sunday’s idea of a “perfect” reality falls apart, because the most enjoyable reality for humans to live in is not one literally devoid of any possible flaw.

So why does he believe in it? When it’s so clearly flawed?

Well, it’s because Sunday doesn’t think a better alternative exists.

The world made you this way.. and you chose to continue what it started.

I’m sure I don’t need to repeat the story of the Charmony Dove all over again because trust me, we’ve all heard it before. Nonetheless, it reveals something important both about Sunday’s personality and his ideology- he’s fundamentally a defeatist.

He doesn’t believe that there is any alternative for the dove, that it could ever be able to fly again with its deformed nature, so instead of being “cruel” and letting it “inevitably fall to its death,” he’d rather keep it in a cage all its life where it has no freedom, but at least it would he alive and “happy”.

And this is where his defeatism reveals itself- Sunday doesn’t believe reality itself can get better because improving it when there are so many factors and things out of your control is hard at best and impossible at worst. Therefore, he resorts to creating an escapist, false version of it- a perfect golden cage, because constructing that is far, far easier than trying to help the dove fly again. 

The universe has endless possibilities, if Robin and Sunday had tried hard enough, they probably could have found a solution. Sure, they were both children, so the capabilities necessary to even attempt that were likely far out of their reach. However, it was still possible, but Sunday doesn’t believe in possibilities- he believes he’s right above all else, which is where that stubbornness and arrogance comes into play again.

Sunday doesn’t think better solutions than his exists, and he believes everyone would could possibly stand in his noble way are either villains, or horribly misguided; so it’s his job to show them the light.

This is why he lets the Express Crew + Firefly try to change his mind- Sunday wasn’t actually interesting in shifting his perspective, or really what they wanted to say. Rather, he just wanted to let them say there peace, because well, Sunday’s a good, righteous person (at least from his perspective), and good, righteous people listen to others. Good, righteous people will let these poor, ignorant souls offer their foolish words before exposing them to the harsh truth- or at least that’s how Sunday sees it. 

Moreover, this also explains his arrogance. If he believes his worldview is the sole correct one, then why listen to anyone else? He’s this world's savior, or at least he’s been raised to believe that- so why not relish in it? He enjoys punishing Aventurine, enjoys the bastard who stood in the way of Sunday’s plans, shrinks away in “defeat” and get what he “deserves.” Despite how miserable it sounds, Sunday also takes pride in having to be a martyr to bring about his beautiful dream. The belief that he is a selfless, good person is a selfish desire of his, even if a genuine one, and it’s what leads to his downfall.

Sunday could have actually listened. He could have reevaluated his loss to Aventurine and realized it was not through the others clever deception, but through his own biases. He could have actually taken the Express’s and Firefly’s advice. He could have looked for other avenues to help the people he truly does care about. 

Despite Gopher Wood’s manipulation- Sunday’s decision to go forward with the pain is entirely his own, because he truly believes- even with all the evidence for the contrary- that he is correct.

And that’s why he fails. Not because of the Express. Not because of Ratio. Not because of Aventurine. Not because of Gopher, or even the rest of The Family.

No, Sunday fails because he is flawed, and he is wrong, and he is the arrogant, selfish and biased one, and his worldview is wrong.

So what now?

This might have seemed like I think Sunday is pure evil and irredeemable, but I think it’s quite the opposite.

He has very good intentions, and he does genuinely care about it the well being of other people around him. He gives Aventurine a chance to prove his innocence, even if he never intended on changing, he does listen to what the Express + Firefly have to say. He pauses when Robin shows up, as she’s the one person (until the very end) he’s actually willing to accept the perspective of. The whole reason he ended up here in the first place is because Gopher Wood twisted Sunday’s good intentions into a fatal arrogance and utmost belief in a flawed worldview. 

However, what really sells me on Sunday’s goodness is when eyes widen at that final moment, the light draining from him as he realizes he is wrong. 

And once Sunday realizes he is wrong, those flaws that bind him can finally be examined and improved upon, as they all stem from that worldview he no longer believes in. 

His whole life, Sunday has been enacting out someone else’s plan for him, even if he’s come to internalize it over time, at the end of the day- it was never his, and without it, he’s empty.

Which is exactly why the only place he can go now is the Express, and the only thing left for him is redemption and growth.

Dan Heng is right- Sunday has a noble soul, and now that he has stopped believing in himself, he’s no longer shackled by the past either. Improvement or utter demise (in a likely nihility-flavored manner) are his only options remaining.

I understand a lot of people want to see him become a Stellaron Hunter, but imo, that just does nothing for him. He’d still be following someone else’s path/script, and Mr. I Will Sacrifice My Whole Existence To Become The Sun To Illuminate These Wandering Souls probably wouldn’t be so on board with the whole.. terrorism part of being a SH. Like yeah, they are our friends (kinda), but they absolutely kill innocent people and cause millions of dollars in property damage to people who don’t deserve it. 

Also, being on the Express Just Makes Sense. This is a game about choices, a game about accepting the mistakes of your past, but not letting them define you in order to move on and forge a better future for yourself and others- with the Astral Express + Trailblaze as a concept being the literal embodiment of it. There’s a reason when you switch to the Trailblazer’s POV in stories, it includes Kafka’s most important words to us- “When you have the chance to make a choice, make one you won’t regret.”

Therefore, I hope the choices Sunday will make in 2.7 are ones he’s proud of, and I can’t wait to see how exactly they get him on board with the crew, because there still is a LOT of development he needs to do before then. 

Anyways, thank you so much for reading, and if you have any thoughts I’d love to hear them. This was a stream of consciousness mess, but I hope it was still valuable nonetheless! Also if you are reading this on the day it was written, I hope we don’t get disappointed by his drip marketing!

[kaeyacollection]

Who's ready for my Master Gaslight Gatekeep Girlboss Crepus Theory!!

I originally posted this over at Hoyolab and people there seemed to really like my favorite joke theory that Crepus just tries to gaslight the whole of Mondstadt right after obtaining Kaeya

Majority of this will be the same but with little tweaks for the wonderful tumblr audience

This joke stems from Kaeya's introduction:

and the use of the word "rumored"

Cause it's not like it said beyond Teyvat or the seven nations just Mondstadt

And I mean like c'mon how many families are living off the grid in Mondstadt

(Actually... Don't answer that I forgot Glory's boyfriend is just

Out there in the bush with Razor...)

Initially I had the idea of Crepus walking around the markets one day carrying Kaeya with Diluc beside him running into Varka who asks:

"Who's the boy?"

"You mean my son?"

"Not Diluc the boy you're carrying"

"I have two sons? You know this??"

But then the Caribert quest came out mentioning Kaeya ran away from home near immediately and was dragged home by Crepus just as fast and it became even funnier

Cause imagine you're by the docks one day and richest man in town gets off the boat with no cargo but instead a tiny child you may not have seen before that Crepus seems to be very cross with at the moment and threatening to turn him into a leash kid if he runs off again

In a small town that loves gossip do you know how fast that information is spreading? Cause I do and Varka's knocking on Crepus's door 30 minutes later like:

"Is this what we're doing? We're just taking kids now?"

Both paths lead to Varka asking where Kaeya comes from and getting hit with a

"I think you're a bit too old to still be confused about the birds and the bees Varka"

Varka getting frustrated to the point he just starts demanding Kaeya tell him what's up

Love to see him following in his fathers footsteps of stressing Varka the fuck out

And upon hearing how his birth father left for juice and didn't return Varka went

"Good! That was ALL I needed to know!!"

Follow ups on if his father intended to abandon him or got lost in the storm and needed a search party?

Don't care!! You weren't kidnapped!!

Welcome to the knights! 🤝

Which bringing it back to it only being a rumor

In a town of alcoholics, who's gonna call out the one guy with the winery?

Here's some add ons that got sparked from the comment section 😘

Bonus panels would have included Varka showing up with Rosaria one day mimicking Crepus about "wHaT you ForGot I haD a Kid" sparking a trend within the community of just adopting random children to the point posters are made saying "In Barbatos name: See a child Take a child"

Alice seeing it and pulling a "when in rome" tucking both Albedo and Diluc(who is yelling he is an adult) under her arms and telling Klee if she ever sees someone in need of a mom let her know she'll send over the paperwork right away

And then the last bonus: Venti wakes up, walks in through the gate while playing a tune, and stops when he sees the poster, not sure if he needs to start yet another revolution, or if this one is fine actually

I imagine the posters had to be taken down because visitors were losing their kids left and right and the solution of parents pinning a note saying "not dead & still want custody" to their kids shirt didn't catch on but the saying still lives strong in the hearts of Mondstadt's citizens I mean look Bennett and his 27 dads Mondstadt may have a lot of orphans but the demand is even higher

Comment on original post:

"I have a headcanon where Kaeya fooled first Crepus, then the rest of Mondstadt but.this is too funny!! I want to see this happening!"

Which prompted one of my new favorite lines at the end:

"Wait by fool Crepus first do you mean like Crepus finding him out in the storm bringing him inside to ask him where he lives and Kaeya's just

"? I live here? You adopted me? Are you feeling okay?"

Cause I'm absolutely cry laughing over this that's so good but that also means when Kaeya runs away Crepus is just

"hey no no l'm not misplacing you a second time come home" "

[statementlou]

Tbh i am not surprised that a person who openly talked about having drinking problems since 1d days, because of how crazy 1d worked has been agressive. What surprises me is people being surprised (they never seriously saw drunk person?). But i am also confused about this whole book. Apparently Maya said that that book is not fully bout Liam but compilation about her exes and some of the worst parts are not about him. But recently she said that the book is “ofc about him” so what is true then? Or did she meant it that ofc some parts are about him or that whole book is about him?

Sorry, just confused

I also am not surprised- we've learned so much more about the real stories of things and about the guys' actual lives over the last years, and the story that has unfolded around Liam has been totally consistent throughout if you've been following it, and so the information Maya is telling us is shocking and upsetting but not difficult to believe. I got an anon yesterday saying they were worried about getting similar revelations about the other boys, like "if Liam could be doing this we just don't know, any of them could", and while in a way that's always true I guess, anyone could be doing anything in private like... that doesn't really concern me. Because none of these Liam revelations are coming out of nowhere, there have been many MANY steps along the way leading us here if you've been watching, and he has talked openly about both his mental health struggles and his addiction issues. So to answer that anon... to find out something similar about Louis would in contrast contradict everything we know about him and no I'm not worried about it. Is he probably very irritating, absolutely, but an abuser or a loose cannon, well that news would shock me. But anyway as for the book I don't find it strange that she was nervous when it came out and treading lightly and later decided, fuck it. In the absolutely on point tiktok she dropped today (YES👏GIRL👏FUCKING TELL THEM👏) she even mentions attempts to keep her from publishing the book, presumably by Liam's team, that I am riveted by and cannot WAIT to hear more details about actually- like I said I don't find it at all strange that she was nervous and downplayed it a bit then. But if she says now that it's just about Liam, well, I would say it's been clear from the beginning that the book is their story. Maya herself brought up the parallel of songs being written about stuff and I think it's the same thing; it's true (she was in an abusive relationship that involved certain kinds of events) but maybe not 100% literal (I'm sure details were changed to make the story work, it's not like a word for word timeline of their interactions or whatever).

[realbeefman]

stacy is sooo interesting because she's in love with house but knows that they will never ever be able to have a healthy, stable, sane relationship because they're too similar so. she finds house-lite instead and marries him and. essentially moves on with her life! and is successful in this because she's a moderately well-adjusted person!

wilson, in contrast, never manages to escape the inevitable, in spite of his best efforts to find a house-lite of his very own, because he's an absolute fucking freak and ends up glued to house to the bitter. bitter end

[wavesoutbeingtossed]

Give you the silence that only comes when two people understand each other / You say, “I don’t understand,” and I say “I know you don’t,” / He don't understand me, splintered back in winter, silent dinners, bitter / I just don’t understand how you don’t miss me / I can't pretend like I understand, how did it end?

[uhohdad]

cries i don't think my ask went thru i don't know how to tell when ur doing requests or whatever anyways. i love bullying soft!könig i imagine it's hard to break him down at first but he's got some weaknesses? right?. ?? i had this idea.

do you think he's into masochism. so used to pain on the battlefield and a lack of pleasure seeking back at the base its because its still work, what does he even have to do on breaks?? on leave?? is he used to the loneliness?? has he accepted it or does a piece of him still crave??? does he feel like he deserves it and it creates this twisted perversion upon himself to love how he hates the way he loves.

what if you met him at a hole-in-the-wall bar. they serve dinner and drinks and there's always someone on the stage singing a song. you go there to eat the delicious food and listen to the local artists and occasionally a drink, but you're alone most of the time.

then this mountain of a man comes in, hunched like he's trying to make himself shrink out of existence, tentatively walk up to the bar. he's obv not local. his eyes darting around nervously, orders something you can't understand, but you're feeling thirsty and the waiter hasn't come around for 30 minutes.

you saunter up to the bar and order yourself dessert and look at the stranger. he makes fleeting eye contact, maybe you smile. something draws you in. "You new to town?" you might say. he nods. you talk a little, order him a drink. maybe he's a lightweight, or you just made him feel less crazy, because now you're both back at your booth sharing the dessert you ordered, talking about how weird other people are and how it's nice to talk to someone down to earth. it's so strange and it's so nice and the night goes on, and somehow, still, you find yourself falling for This Stranger, and so at some point, one of you takes the other by the hand, you're scooting closer. some silly sense of connection makes you feel comfortable enough to let your hand sit on his thigh. he's got blue eyes. drinking you in. you start touching him under the table. rubbing his thigh thru his cargo pants, gripping your nails through and letting him lean in with bourbon-cholocate lingering in his breath and something else, something desperate. you're letting your hand slip down his pants (at some point the belt was off. and it wasn't by your doing) and palming at his swollen cock. you can feel it throb. blue eyes. you can feel his breath on your neck as he leans in, trying to hide all this under the premise of vulnerability, a hug, but you know it's more. he wants something.

you let your nails graze his balls and feel them tighten. he's hot to the touch but his fingers are cold as they hover above your hand. he guides you back up to hold his cock. keep going, he urges. he doesn't have to even say it.

you're raking your nails down his pelvis to then grasp and pull his cock. pumping it with a slick hand and thumbing the tip with your thumbnail. he's trembling. his breath pitches in your ear like a barely concealed whine. don't stop. don't stop even when it hurts. you jerk him off til he cums with a shuddering exhale and his knees hitting the underside of the table. you don't stop. you squeeze and pump him with his new slick, moving faster, there's sweat on his forehead and your shirt and he's barely keeping composure as you rake red lines down his shaft as he thrusts pathetically up into your hand, overstimulated and shaking at the realization he loves it, he loves this.

do you think he's into masochism.

you come onto my blog, sweet anon, you gift me the most delicious, scrumptious, beautiful concept and smut?? you upstage me on my own blog, sweet anon??

if i wasn’t into it before, i sure am now baby 😍😍😍

this is gold top to bottom but that second paragraph is ARTTTTTT

[chidoroki]

August 19th - Happy (belated) Birthday Kiryu

(with one Kiryu from almost every chapter he appears in)

[blitheringmcgonagall]

Canon James Potter on hearing his name is linked to two ships in ao3’s top 20 ships for 2023 (no 8 and no 18):

Canon James Potter on hearing the most popular of the two is him & Sirius’ Deater baby brother Reggie:

[dailycupofcreativitea]

Drawing is genuinely the only thing in my life that can push past the giant cloud of "blah" that constitutes my feelings, the only time I can actually get in touch with feelings I normally can't put a finger on, the only thing that makes me feel alive

Genuinely believe I was put on this earth to make art

[deoidesign]

Hi, how did you learn to draw Steve's physique?

Ohh what a complicated thing to answer...

When it comes to how I learned to draw anything, it's hard to say anything too specific since it's always a culmination of many years of assorted study and practice... but I can try to do my best to explain some of the biggest things that helped me learn, some tips I keep in mind, and maybe at least some places to start/delve further.

(just a little disclaimer it's not like my drawings here are going to be 100% medically accurate.. they're just to illustrate concepts!)

The main thing about learning various physiques is understanding anatomy. Which feels obvious, but I don't mean proportions; these are important, but perhaps more important is understanding the skeleton and how it moves and learning where muscles connect to bones and where fat grows on the body. When you understand how these function on a more mechanical level, depicting form and movement in a way that feels natural comes in tow.

For instance, understanding things like the pronation and supination of the radius and ulna, as well as the fact that muscles can ONLY contract or relax, will help you understand a bit better which muscles will be flexed and which will not while someone moves. It's inherent to the positioning based on the structural makeup of the body... It's not like you NEED to memorize all the muscles and bones, of course, but understanding and gaining at least a passive familiarity with the concepts really helps.

In tandem with this concept is the way parts of the body flow into eachother. Muscles ALWAYS come in groups because they can only contract. Whatever muscle is there to lift something, there is a muscle on the other side to pull that bone back down. What this results in is a series of straight edges next to curves, which gives us a lot of really lovely "s curves" and dents and folds and so on and so forth just naturally occurring.

I would suggest at least learning the "bony landmarks", which are bones (usually) visible on the surface of the body. things like the iliac crest, the great trochanter, the 7th vertabrae, the acromion process... These can be used to help you understand the parts of the body as angles and relationships, rather than trying to remember lengths and sizes, which vary immensely... (since you asked about steve, he can be our model... also study these on your own don't just take my word for it haha, these are the ones I personally keep in mind)

I've done the same thing with body hair... learning where it grows and in which directions... It helps me make up variations without needing reference, because I have a set of rules I can follow.

The biggest thing that helped me understand all this on a much deeper level was my ecorche course. I sculpted this guy. We started by sculpting the entire skeleton to understand the bones, and then we added muscles on top. Not every single muscle, of course, but the "artistic muscles" AKA the ones which directly affect the surface of the body. Doing this let us see where muscles connect, because we would make a shape, put it on the bone where it actually goes, and then you get to see how other muscles overlap that.

This helped me, perhaps, more than anything else. But I also didn't just start with this course, I had been drawing for years before I even took it. I had been in school for years before I took it. Not that I think it wouldn't be helpful to someone just starting out, but I do think that the more you know going in, the better an in-depth course like this will help you and stick with you. Classes are also expensive, though so I'm not really like... recommending you pay potentially thousands of dollars to take one... But it did help me a lot, personally.

I also, of course, have done many figure, gesture, and master studies...

These just help you quickly gain a stronger understanding of generalized anatomy, and gives you real life examples of and practice with of how people move and balance.

What all this does when combined, is gives me a very solid ability to depict movement and form in a way that feels relatively natural from my subconscious without the need for reference.

The rest of how I've learned to draw his physique is honestly mostly just stylization. I understand the body, and this is how I am depicting it for his level of musculature.

And as I move into depicting him in other ways, either moving in comics or in animation, realistically rendered, or extra stylized, these concepts inform every step of that process for me! When he keeps the same/similar relationships between parts, he gets to still look like himself.

It ALSO really helps when putting clothes on, because the way cloth falls and bunches and lifts is all directly related to the form it is on... So the more you understand that form, the more you can depict clothing and movement in a way that feels natural.

This is all, of course, true when I draw anyone, you asked about Steve so I'm trying to mostly show with him! But because I'm just drawing from raw information of general anatomy rather than trying to study one body type at a time, it allows a lot more "give," I think!

Like, here's most of the cast from TTA so far... actually, they're not as varied as I thought they were nevermind LMAO ignore this part

But, it also makes monster and alien design much easier! It's a lot easier to come up with non-human anatomy when I understand human anatomy, because I can manipulate the knowledge I have...

There is infinite more to study in the world of anatomy... The complexity of the human body goes extremely deep. For our purposes as artists, we need only depict a fraction of it, but more information rarely hurts the process.

I'm sure there's something in here that's wrong on a technical level, I'm mostly going off of memory. But that's kind of my point - I understand enough generally and conceptually that when I am missing something and need to find reference for it, I understand what I'm looking at. It's much easier than trying to learn AND draw at the same time.

I hope even one thing in here helped you! Sorry it's so long.

[ingravinoveritas]

The only thing that would've made this better is if Michael had somehow emerged from the Scottish wilderness and they shared that glass of whisky together in the firelight...

[mainalias]

thinking about compiling screenshots of golden/silver age batman exclusively calling dick his ward to combat the allegations that it was “initially a father-child relationship”

[screechingkroh]

The Seer

Has a general outfit design! This,,, is for lore purposes bc LBD's plan finally goes right 💀 huzzah for her, ig. I wanted to go fancy w it but then I decided to keep it simple for the sake of my own sanity. Pls, I am a silly little guy. I'm drawing this fucker, I need my neurons to stay in place pls.

The Seer is stuck w her ass for a while. Because we literally never see her shit (where she lives, the dynamic the Spider Queen and her goons have, that kind of shit), I get to be silly w it.

Also here's more Seer stuff bc I'm trying to figure out how I want their personality to be LMAO

[moonshynecybin]

Do you think the ranch visit 2014 ended with like slightly annoyed sex because Vale just annoyed with Marc beating his record but also slightly admiring him

i love this because its true. marc is ANNOYING ! of course it cannot be ignored that vale is ALSO annoying (max biaggi fight. hello.) like they match each others freak in that regard, but at what point do you look at this sexy ass twink who is obsessed with your dick and your bike (sex to vale. is motorcycle racing lest we forget he keeps that m1 in GROPING distance and marc is like GOD i wish that were me so it does. work comma sexually. for them. like a lot. but i digress) and obsessed with your ability to ride it and be like hmm. maybe this habit is NOT so cute. when beforeeee you thought hey hes just like MEEEEE and got HORNY about it. well obviously if youre vale it is when he doesnt let you win at your own goddamn track at your own goddamn house in front of your own goddamn brother and various peers. that shit is irritating. which i do think marc realizes now, but is also largely unrepentant about because he's hilarious. free my girl he did all that but it was funny. our marc not famous for his wealth of tact and restraint on the track. and vale is thirty six staring down one last chance to maybe win his tenth. and earlier that week when he beat marc at that karting event he said finally somewhere you dont win. so yeah when marc doesnt roll over and let him get the lap record that day in 2014 all of those endearing traits where they overlap and are similar. change. morph. arent so cute anymore. the light shifts. the music hits a minor chord. ominous. foreshadowing. chekov's gun carefully being placed on the wall. and suddenly. kind of a theme with them huh. vale hates him for all the things he learned from vale.

so. we are here to ask how that emotion translates to nasty sex. obviously. like all of these complex emotions do NOT mean that vale does not want to get his dick sucked lmao. like he's here he's thirsty marc's been in a tiny little titty huggin black tshirt all day its happenin. AND. it should be noted that in a very real sense this is their first sleepover. first time fr hanging out outside the paddock in a place where there is PRIVACY. no real REPORTERS. an actual locking DOOR. no way to hide from the fact that theyve been all over each other for like TWO YEARS now. AND multiple yamaha M1S that can be used as somewhat SEXUAL PROPS. (vale feeling also perhaps. emotionally complex here. a lil delicate. like YEAH i can invite my coworkers i like to hang at my track thats bro stuff but what about my years long situationship that —*static noises in vale's brain* like remember this is where MARC thinks things start to change between them...)

so yeah vale ends up like. amping up that competitive edge a little in bed. making this a fuckbuddy thing more than a RELATIONSHIP thing as much as he can in his head and with his hands and failing miserably and feeling even WEIRDER about that. so he's. i think he's working hard at putting marc where he wants him. hot hands a little rougher on the curve of marc's waist. cupping his ass making him gasp. sending him to his knees and making him suck his dick hot and nasty. teasing a little edging on the little feminine nicknames theyve never talked about but that make marc squirm and flush prettily. edging marc with three fingers in his ass while he whines for it. dragging it out. exerting a little control. not mean at all everyone is having fun (marc. out of his MIND.) just. excising some tension. its probably nothing hes just in his head. holding marc in his hands as he looks up at him. and marc trusting it. marc going. marc being just where vale wants him. just like he never does on the track. and marc thinks everything is fine when its happening thinks everything is AMAZING. but after that is when vale starts to go a little cold......