#curse of the blood moon

[thejunkyardafewblocksfromhere]

Like a trashcan fire in a prison cell Like the searchlights in the parking lots of hell I will walk down to the end with you If you will come all the way down with me -Old College Try, The Mountain Goats

[yahoo201027]

Day in Fandom History: March 31…

Star and Marco question their relationship and notice that they’re heading towards a path of no return with fingers pointing towards the blood moon and the two must find a way to break the curse. “Curse of the Blood Moon” premiered on this day, 5 Years Ago.

[anae-art]

Day 15 - Blood moon

(Prop list is from @crowholtz )

[ohno-the-sun]

Just some wholesome practice that is very serious

People who drew in this gartic

@just-a-drawing-bean @skizabaa @kandidandi @gopsnippers @lymphnoodle @chaireem @nosleepyguy @cloudyvoid

[mndvx]

#LoveWins Admiral Noble and The Twins in REBEL MOON — The Director’s Cut (August 2 2024) Chapter One: Chalice of Blood & Chapter Two: Curse of Forgiveness

[pixlokita]

If I ever draw your character feral or come up with an edgier version of them just know that means you’re very important to me as a friend …

[bones-of-a-rabbit]

king of day Sun and lord of nights Moon, bonding with Cursed-AU Y/N,,,,,, bc they are simps in every au i make sorry i dont make the rules (BONUS: AU LORE/INFO BELOW, ALONG WITH ANOTHER [story-relevant] DOODLE!)

Some lore about the curse au, copy and pasted from the discord bc im lazy and im very very sorrys fjfkhdskjh:

Okay so. Casting magic takes energy, bc this is an angsty au

The bigger-more complex-more powerful the spell is, the more energy it takes. The most powerful spells can take as much energy as in multiple human lives. There’s legends of spells cast during wars or battles that fell entire armies at once purely just by being cast

NORMALLY, when casting a spell, the magic comes from the world/plant life/living things around the caster

A curse is a kind of Forbidden Magic that can span generations. If one casts a curse that the cursed one will never quench their thirst, or they will never have enough sleep (simple curses for example), the curse could be passed down to their children, sometimes for multiple generations

A curse is ALSO a kind of spell that goes out of its way to deliberately alter the future and continues to- it’s basically a spell that’s constantly working when most spells are more like they last for a few seconds or maybe a minute or two then they’re done and the magic is used up and gone

So if you’re cursed to never feel warmth, there’s magic around you or in you that is constantly sapping the warmth from you or putting chills into you. You can’t see it, but it’s always there, even if just in small amounts

So when a curse is cast, it takes a lot of energy. Like, multiple human lives’ worth

There are ways to circumvent the possibility of killing the people around you (or yourself), like having some animals recently sacrificed, which is the most commonly heard of version

But. Sometimes, very rarely. One might cast a curse on a whim, without planning on it or really considering the series of events leading up to it or following

Cursed AU Reader did that once. Cursed someone in a fit of rage or passion

They were standing in a field, ready for a harvest festival, at the time

The fields withered and died and it’ll take years for them to get back to being fit enough to grow anything in

The mark of a cursed witch, which is a sign from Wiccan culture meant for containing(?), basically keeps the Marked Person from taking any magic from the world around them

The only energy they can use is the energy their physical body contains- and if they use too much or too frequently, they’ll kill themselves in the process

Basically it’s a way of making sure the caster can never use enough magic to really do much of anything sjdgdhdhd

and,,,,, the concept art for a moment i might write abt at some point,,

[snowe-zolynn-rogers]

Eclipse: I woke up with a bloody nose.

Ruin: We all wake up with noses, you twat.

[shrimpari]

On the eve of the blood moon, Strahd finally kidnapped Ji and took him to Ravenloft

[wyverncult]

who up castling they vanias leave a like

[olvaheiner]

Rebel Moon: The Director's Cut (2024)

[tumblethroughthekaleidoscope]

Rebel Moon The Director's Cut - Chalice of Blood & Curse of Forgiveness (2024) official posters by Sachin Teng

[yahoo201027]

Day in Fandom History: March 31…

Star and Marco question their relationship and noticed that they’re heading towards a path of no return with fingers pointing towards the blood moon and two must find break the curse. “Curse of the Blood Moon” premiered on this day, 4 Years Ago.

[kinokoshoujoart]

i’m calling an exterminator

[lulu2992]

So I watched the Director’s Cut versions of Rebel Moon Part One & Two, respectively renamed Chalice of Blood and Curse of Forgiveness, exactly one week ago, the day they were released.

As a person who generally doesn’t enjoy the idea of watching films that are over 2.5 hours, really isn’t a fan of gore, and thinks sex scenes are uncomfortable and unnecessary 95% of the time, I was rather apprehensive, to say the least, since those three things are precisely what the two movies promised. Still, I managed to watch them on the same day even though the fact it was hot outside and consequently almost 30°C in my room probably didn’t help me not to feel unwell for a good portion of my viewing experience :’)

However, there’s a fourth thing the new version of the films promised, and this, on the contrary, is exactly what I love and probably what kept me going: more lore. I won’t go into too much detail so as not to spoil major plot points here, but I think Chalice of Blood and Curse of Forgiveness kept all their promises.

Some characters get a proper introduction (notably Aris and Nemesis), or more screen time so we understand them and what they do (mostly the Priests, Hawkshaws, and Jimmy), or a better, more satisfying, sometimes more emotional ending. We also get completely new scenes and characters, and that too greatly helps the narrative, whether it’s by adding more backstory, taking the time to explain someone’s motivations more clearly, revealing how some people reacted to certain events, or detailing how something works.

Also, some of the “mistakes” viewers complained about, for example the spaceship being powered with coal or somebody not missing any teeth after we clearly see them get knocked out, are fixed in the Director’s Cut. It turns out those things were not illogical, they were just censored for the PG-13 version…

As for the sex scenes, while they weren’t indispensable, I have to admit they do serve a purpose. The two “main” ones have a character in common, so we can see how different that person feels and acts with each of their two partners. The scenes need to exist together because they’re only really interesting when you compare them, but that’s how they tell a story. Never in my life had I been so happy to see someone successfully remove a bra, haha! There’s also, of course, the one that involves tentacles, which was–thankfully–milder than I thought it would be, and another unexpected one that happens off-screen but was a rather nice and cute surprise, in my opinion.

And, yes, aside from giving us more blood and more sex, we also get… more wheat! I really don’t mind, though. In fact, this is probably an unpopular opinion, but I’d watch one hour of the cast (actually) harvesting crops in slow motion over just one minute of heads exploding any day :’)

While they’re still not perfect, I think Chalice of Blood and Curse of Forgiveness are improved versions of A Child of Fire and The Scargiver. I still like Part Two better than Part One, but overall, as promised, we get more information about the world, the characters, and their stories in the Director’s Cut. Sometimes, it’s just a new line of dialog or a short interaction that’s added here and there, but it really does a service to the films and makes them, although they’re much longer (especially the first one), feel more coherent, more compelling, and less rushed.

At the end of the day, I think what I most appreciate about Rebel Moon is still that it was brought to life with a lot of care and passion. The two art books, Wolf: Ex Nihilo: Cosmology & Technology and Wurm: Ex Materia: Heroes & Monsters, confirm how painstakingly made and well-thought-out everything was, and I will always love and respect this about this project.

[mndvx]

“Their wrath will be my vengeance.”  KORA freeing a KALI in  REBEL MOON — The Director’s Cut (August 2 2024) Chapter One: Chalice of Blood & Chapter Two: Curse of Forgiveness