#cos this feels good

[generalsdiary]

hear me out- what if kavetham were in a zzz au?

alhaitham, who works as a proxy and owns a small library as his main job, and kaveh, who is a hollow raider. and over time alhaitham is the only proxy kaveh wants to work with. but they never met after that irl. only communicating via inter-knot and alhaitham’s bangboo. kaveh goes into hollows to find tech parts and analyze the architecture of the buildings lost to the hollows. alhaitham, who loves his cushy job that is only long distance, even in the library he isn’t talking to people, he keeps his other bangboo at the desk job. plot twist they went to the same uni- alhaitham specializing in bangboo and a.i technology + kaveh studying architecture. could also evolve into a 5+1 fic? alhaitham’s bangboo getting corrupted with ether in the hollow, kaveh getting trapped in, left alone with a broken bangboo and mehrak who cannot help. alhaitham now has to go into the hollow despite his near zero experience physically walking in one, goes in with his other bangboo, which requires human assistance, to save kaveh. or they first meet in alhaitham’s library, on the odd chance of him trying to leave to buy groceries and he recognizes kaveh- like truly recognizes; this is the man that he is always guiding through the hollows, standing right in front of him, asking his bangboo about a specific book. and kaveh who remembers the young man who went to the same uni as him. raaah the potential is there, i have so many thoughts and ideas about this-

[thelongestwalk]

currently obsessed with sherlock & co so here's my take on sherlock!

(jonk and mariana next!)

[b4kuch1n]

podcast people in my phone

[hansoeii]

little lokius sketch from something I started working on today

[tampire]

#Retail Mood

[timethehobo]

Just finished Emmy’s personal questline and am too full of feels rn so all I have is a tiny doodle tonight. I love him sm. 😭

[lewkwoodnco]

Lockwood & Co. incorrect quotes (3/?) LOCKWOOD & CO. (2023)

[dailymanners]

When entering any place of business, such as a store or restaurant, if a staff member greets you, then acknowledge them and greet them back.

Although for many jobs it's a required part of their job to greet you, especially retail workers, receptionists, and restaurant workers to name a few, that doesn't make it feel any less dehumanizing to say "Hello!" to another human being only for them to ignore you. Acknowledging staff members and greeting them back is important for acknowledging their humanity, they are, after all, a human being, and not an automated machine.

This is also important when going to check out at a store. If you approach the cash register, and the cashier greets you, you should acknowledge them and greet them back. Cashiers already have to deal with being dehumanized enough. The least you can do is help humanize them by acknowledging them when they greet you and speak to you.

[zillychu]

Consider this: ghosts are actually exactly what the Fentons think they are.

They're snapshots of a longing so strong, unfinished business so deep it reaches out beyond life. Lingers just a bit longer. And if it happens to meet a dense cloud of ectoplasm (invisible to the naked eye, but omnipresent even in the mortal realm), it coalesces. The ectoplasm fits into the shape of it. Which, when the desire is strong enough, it's got a rough idea of its self-image. This tends to mean a more humanoid figure, though it's more often warped in some way–a self-reflection, skewed by said desire. The warping varies on the dead soul’s perception of themselves, the intensity of their desire, how much time passed after death, and how much ectoplasm was present.

In short… no matter how “normal" a ghost looks or acts, it really, truly isn't human. It's animated ectoplasm with a single goal: an obsession. Nothing else. They're more akin to plants than animals, following a single drive with no emotion. They react to stimuli, recognize threats (including other ghosts), and can even imitate human speech and mannerisms to obtain fulfillment of their obsession.

Not “evil" by any stretch, but they're entirely driven by instinct. A tree doesn't pause to consider the rocks it breaks with its roots. A cordyceps doesn't torture its host for fun, or kill with malice. It just does. It follows code in its DNA to survive and multiply–And ghosts just follow the code in its ectoplasm to fulfill its obsession. The more powerful a ghost, the better it's able to overcome obstacles preventing this–whether through brute force, or manipulation. This power is always directly proportional to the amount of ectoplasm present at the time of formation, and how much time passed since death.

What then, does this mean for Danny? Danny, who's previously come to the conclusion that he's only half-ghost, which surely explains how he retained his mind? His independent thoughts and emotions?

What does this mean for Phantom, who experienced an entire world’s worth of ectoplasm condensed as a singularity, at the exact time of his death? Whose strength only grows and begins to exceed every limit they previously thought possible?

If a ghost was as strong as him… could it mimic a human perfectly? Down to a molecular level?

Could it, in its desire to fill an obsession… trick its own fake mind into thinking it was still human? Or half-ghost?

[abstractfrog]

My comic for The Retired Colourman! I love this scene between Mariana and Sherlock sm

[soft-cryptids]

[patch27]

Haven't gone here in a while but I'm hype for the show

[genericpuff]

say sike right now, she's actually going back to The Doctor Pepper Show-

Like, this is just "What if The Doctor Pepper Show and LO had a baby?" Because at this point it's very clear Rachel only knows how to write from inside her own head, which is full of unresolved salt towards her childhood and medical fetish shit. The imagery in the first panel is very LO, and the imagery in the second is literally The Doctor Foxglove Show-

Evidently she's been reskinning the same shit for years-

Listen, I've been, for the most part, keeping my lips sealed on a lot of Rachel's old projects and what I've dug up on her previous works, for a few reasons:

1.) We were all cringe on the Internet at some point in time and a lot of these older works, such as Freak Scene Surgery and The Doctor Pepper Show, would have been from when she was in her late teens / early 20's. I'm not here to judge Rachel's personal preferences or whatever kind of fetishes she's into. It's totally normal, expected even, for a lot of creators to have older works they're trying to bury or disconnect themselves from because it's simply not them anymore.

2.) Ultimately I've been focused on discussion around Lore Olympus and Rachel as she currently operates as a creator, so I don't want to go digging up her old skeletons as any sort of "gotcha" towards LO today. Ultimately a lot of these works don't have anything to really 'do' with LO as it exists today.

That said, the reason I'm bringing it up now is because these new series... are bridging that gap that I've been avoiding for ages now. The gap that's filled with skeletons of Rachel's past that she's trying to both disconnect herself from but now fall back on with LO come and gone. It almost goes to show that her being a one-note pony goes back since far before LO - these are literally the only ideas she's able to come up with at this point, and it's painfully obvious in how both these new "graphic novel pitches" are pretty much the exact same and could apply to the same character, and that character may as well just be Persephone, i.e. Rachel, all over again.

Like, I'm calling it now, Patients in the Dark is just gonna be more "moms are bad" rhetoric, and Eleanor's Deathbed is gonna be Hades and Persephone, but replace Hades with some death god and Persephone with a training mortician, which is basically also still just Foxglove training to be a doctor, and Icy Shaw bragging about fondling corpses.

If anything, now that Webtoons is no longer carrying her around on their shoulders, this is gonna be Rachel's moment of "put up or shut up". She can either actually put in an active effort to write something that's decent, or she can flounder under the weight of her own tired mediocrity that's been knocking at her door for years now. As much as she's using her labels that were bought for her to sell these books which aren't even in real development yet-

-Webtoons isn't gonna be there to buy her Eisners forever. This is entirely on her and the imprint that Webtoons shoved her into. Her process is still the same, she's learned nothing from the experience of making LO, she's just got the money and awards now and is trying to run with it, but all she has are the same tired pitch lines that she's been using for decades now and just so happened to work with LO because LO had both Webtoons and the appeal of it being a Greek myth "retelling" to carry it into fame.

I'm gonna go into a bit of a tangent here, but it's been weighing on my mind since I found out this news and have been discussing it with pals within the ULO circle. Rachel once said in an interview that she wanted to use her platform to raise awareness of issues regarding sexual assault, mental health, and "the patriarchy":

"Who do you know that hasn’t been sexually assaulted? The number is depressingly low, right? Why is that? There is no short answer or an easy fix. I have a platform. I can tell a story that will hopefully educate and help others feel acknowledged and vindicated." - Rachel Smythe, Interview with Gossamer Rainbow

"...obviously I'm very feminist, and that sort of stuff really matters to me, um, the best way to approach this question is… I began, the pilot was written in sort of mid-2017, and I think what I wanted, what I wanted to achieve, and I don't even know… probably in 5 years time I don't know how I'm going to feel about this but I'm taking the risk, I really wanted to write a story where, uh…this female character goes through these things and I think what I wanted to do, what I wanted to achieve, was like a really common, I can't speak for like, men, but I can definitely speak for like, you know, if you're sitting in a group of your female friends and you're like "Hey! Who's been sexually assaulted?" … The response is going to be really depressing… Most female people that you know have probably experienced sexual assault to, on one level or another, and I'm like, for me I'm like "Why is that? Why?" And is it because there is a lack of information, lack of education, like what is it? And I'm lucky enough to have a platform and I'm like, if I could just provide some information in story format, would that help? Is this what I can contribute? So I feel like, especially, when writing sexual assault in media often it's… it's a way for the main male character to be, like, uplifted to hero-ness by, usually like, violence is the way to fix the problem, and that's not the approach that I want to take… um, I think [sighs], oh god, sorry I've lost my train of thought, [sighs], yeah, I think a lot of the time in movies when they, like, show rapists or something it's generally someone who's jumped out from behind the tree at a lady in a park and it's not really how it is like 90% of the time [laughs], so I just wanted to make something realistic where people could at it and be, like, "hey, nagging someone into sex isn't cool" or like removing all of their opportunities to say no isn't cool, or for someone to look at it, and just like feel validation, this is me trying, trying my best to make a difference with the platform that I have, and yeah, this is my roundabout answer for it" - Rachel Smythe, Interview with The Comic Source

And yet not once has Rachel actually used her platform for good outside of herself. She just asks the question, "Sexual assault?" and then writes off the answer "yes, it's bad!" and it especially shows in LO where the resolution to the one plotline she kept around to draw in readers was "assaulters are sent to the timeout corner!" Sure, it works for the readers who are simply seeking validation that their experiences aren't unique to themselves, but is it actually doing any real work to talk about the systems in place that leads to people like Apollo being created? Is it doing anything to address purity culture as it exists and the double standards that exist for women who are navigating sexual relationships? Is it doing anything to take the discussion outside of the narrative and put it into action through support of women's shelters, charities, mental health support for men, etc.? Not really. Like many of Rachel's ideas throughout LO, she simply goes, "Men, amirite?" and the answer is "yeah men suck!" and nothing more. The answer to the entire SA plotline is "rape is bad, don't do it" when anyone who could even relate to that conclusion in the first place already knows that.

Ultimately the activism she claims she's trying to do doesn't actually service the issue at hand - it just services herself and her own insecurities, her own unresolved trauma, her own need for validation through Eisners and merch sales. She asks the question, "Who hasn't been assaulted?" so that when she responds to the women who come forward and relate to Persephone, it's with the intent of getting them to read LO and buy her merchandise. She winds up making herself the center of other people's experiences, even ones that she cannot relate to. At BEST her attempts to "use her platform" as a means of starting discussion around ongoing societal issues like the patriarchy and sexual assault towards women is about as effective as Bell #LetsTalk, it's purely performative, self-profiting, and offers nothing of real tangibility.

If she just wants to write her own self-empowering personal works, that would be fine. Plenty of creators do it. Art is, at its core, self-expression. But it's extremely telling that she's built a platform off her self-expression, and twisted it into what she believes to be "activism" and "feminism", so that she can continue to profit off it in her future works such as this, which, again, are just reskins of her previous projects which were largely centered around the fetishizing of abuse towards women.

I don't want to claim that this is what it is, but... how much of the "feminism" in LO is done purely through the lens of victimizing women? Why is there more effort put into torturing female characters like Hera, and Demeter, and Minthe, and even Persephone to a certain degree, than there is into actually addressing the larger issue that she's claiming she wants to shed light on and resolving her questions with actionable answers?

That is the only question I will leave you all with. I am absolutely 100% not planning on touching these works with a ten foot pole, even if they should come to fruition. With the recent realization that she was into artists like Trevor Brown, alongside the fact that we've known for a long time she's into Lolita and there are very clear parallels to draw between it and LO, I think it's safe to say at this point that Rachel's work is not something I want to continue to support even when it's "hate reading". Again, I'm not going to outright accuse her of anything, but I feel like the writing is clearly on the wall here and I'm taking that writing as my warning to steer clear.

I didn't want to discuss the elephant in the room - her older works as they exist in the distant past of the early 2000's - but she's now riding the elephant.

[hungharrington]

jayy!! lately i’ve been thinking that steve really really likes it when you ride him. like yeah, he loves to see you on top but i feel like he loves the idea of you using him to get off yknow?? like he just wants to be your boy toy. doesn’t even care if he doesn’t cum, but gets SO WHINY and blushy when he does cause he just feels so so lucky to have you jump his bones🙌

UGH i need him like i need to BREATHE. need him to whine in my ears 24/7

-🍒

oh lawd. this one…. brain goes BRRRRRRR what did you PUT in this ask cherry…. does this fit the prompt? maybe 🤪 but it was written at work so have mercy on me

Of all the things Steve loves in the world, making you feel good? Top of the list.

That much is a given— with the fervor in which he’ll bury his face between your thighs, moans that vibrate against your cunt just right, his fingers digging into your thighs as his hips rut against the bed.

When he’s determined to pull an orgasm out of you with his hands, his darkened hazel eyes drinking in every moan, desperately flicking between your blissed out expression and his fingers pumping into your cunt, covered in your slick— all of it shows in the ache in his pants, in the breathy noises he makes when you tip over the edge.

So, you’re not at all surprised at what he says to you that night — take what you want.

You’re both tangled together, haphazardly draped across the bed— too entranced in the hot press of each others mouth to think about letting go, even as you had both staggered up the stairs and into the bedroom. It had been one charged dinner date, with one hand far too comfortable sneaking up your skirt go tease you.

Now, Steve lies beneath you and when you break away, panting, to work on the buttons of his dress shirt, he’s a fucking sight to behold. Chest heaving, face flushed so much it crawls down his neck, his eyes fix on you with such an intenseness that it makes you shiver.

His shirt has been driving you crazy all dinner, undone just enough to show a flash of chest hair. Now you work it open quickly, each button revealing a little more of his glorious tanned chest, sprinkled with hair. Lust drools through you. You rake one hand down it, fingernails pressing into his skin lightly and Steve groans.

“Okay, you need to get naked, like, right now,” His hands pair with his words, finding the edge of your shirt. He’s tugging it up and your arms go up to let him pull it from your frame. His insistance makes your grin.

“Funny how you can say that when you’re still wearing pants.” You bicker back, using your now free hands to work on his belt buckle.

Steve watches you for a moment, his tummy clenches when you palm at his bulge for a moment and his head rolling back onto the duvet. He makes a pained noise. His hands form fists at his sides — just for a moment, before he’s sliding them up your thighs.

They creep beneath your skirt, finding the elastic of your panties — then one of his hands shift forward, cupping your heat tightly. You moan at the same time Steve does, his hand pressing up against your clit perfectly. He shakes his head on the bed, his hair messing up against the sheets.

“I take it back,” He whines. His hands shoot down to overtake yours, shucking his pants down his thighs as best he can. Just the thin material of his boxers remains. “I don’t think I can wait, honey, I need— you can just- please,”

“Hey, hey, I got it, I got you,” You push his hands away and Steve melts. He grows still, only his hands twitching and his neck craned up to watch as you tug his boxers down.

His cock must be aching with the way it looks, all pretty and flushed in the head, crying just for you. You can’t help yourself, giving it a quick pump, rubbing the head with your thumb.

Steve keens loudly, his body growing taut, his head thrown back. A strangled whimper tears from his throat. “Ngh- please, oh fuck, pleasepleaseplease—“

You release his cock and Steve deflates a bit, panting loudly. Your skirt takes only a second to remove and it takes another to push your panties to the side, your knees straddling across his hips. Your core burns hotly, clenching in anticipation of being filled.

You make sure Steve is watching as you hold his cock, prepped to sink down — and he is. His face, still flushed with his eyes bright, is intent on watch your own.

It makes the heat in your gut flare hotter. Hot lust sparks beneath your skin as he keeps his gaze on you for as long as he can — your hot, wet cunt sinking down on him finally forcing his eyes closed.

“Fuck, fuck— shit, don’t move just yet,” The words pour from Steve’s mouth, his eyes screwed up and head thrown back. Your hands shift forward, planting on his chest and you give him a minute— revelling in the delicious stretch his cock gives you. Fuck, it never gets old.

You lean down and kiss the closest skin you can find, his collarbone. Steve smiles, eyes still closed. His hands shift off the sheets, trailing from your thighs, your hips, up your ticklish sides, until he finds your face. His thumbs stroke over your cheeks delicately and when he pulls you closer, you follow without hesitance.

He kisses your lips, soft and sweet, and then murmurs against them. “Take what you want, baby.”

A little whine creeps out your mouth at his words and your hips follow without thinking, beginning to rock gently. A dose of lust licks up your spine and you sigh prettily.

Steve’s face shudders, pleasure rippling across his features and his eyes slip shut. His mouth drops open a little bit, the smallest noise escaping, his cheeks almost as pink as his lips. His eyes crinkle open, watching you closely.

“Ye- yeah, that’s it.” Steve manages to murmur. His hands haven’t left your face, still gently holding either side as you roll your hips back, slow and sensual. “Good girl.”

A gasp pushes past your lips and this time when you rock back, it’s a little more desperate. Steve moans, voice drenched in desire, and his hands fall from your face to grip the sheets. You lean on his chest further, your thighs aching deliciously as you fuck yourself on his cock— up and down, faster and faster.

“Steve,” you mewl out. It’s instinct to reach for him, to call out for him and in response, you feel the buck of his hips, pressing him deeper within you. Steve whimpers.

“You got it, honey,” He assures, voice more and more breathy. “Doing so good.”

There’s a soft squelch as you work yourself down on him, a coil of pleasure beginning to tighten up in your tummy. You feel a fiery warmth beneath your skin that spikes with every movement you make.

One of Steve’s hands comes up to cover your own, holding it tight to his chest — right over his heart and he lets the other nudge your face back to facing him. You hadn’t realised how it had begun to tilt forward, lost in your own pleasure.

“Mhm, fu- fuck, that’s my girl,” Steve whispers. You shift up to change the angle and when you fuck back down, you moan loudly — Steve writhing beneath you to contain himself from fucking up into you. You, however, show him no mercy.

“God,” Steve whines loudly. His breathes are coming out with little whimpers now. “That’s—that’s it— just fuckin’ take what you need. Take it, take it from me, baby.”

Your cunt gushes and you whimper — and you do just that.

[hansoeii]

I'm very much not normal about loki and mobius right now

[rowanhoney]

still no cure for the addicted to dark haired men disease