#convey the feelings this scene made me feel when i read i?
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difference between the first seasons of shameless and the last seasons imo
read beneath the cut, itâs pretty long
what i think really changed about the last seasons of shameless compared to the first seasons is how they tried to incorporate the audience. iâve seen writers/producers say that they tried to set up the cameras in a way that made it feel like the audience was a part of the family, or a visitor confused by all the chaos.
i think that idea was lost in later seasons and you stop feeling like a part of the show, but even more than that, the audience becomes very detached from everything.
further, i think the characters began to lack the same weight that they did before. as they all start to grow up and become steadier as people, the show also loses its chaotic appeal. by the time the characters were all adults, the writers seemed lost on how to add that gritty dark element that the show had initially without becoming repetitive. thereâs only so many times that frank can have some ridiculous storyline that hurts his kids where fiona has to pick up the pieces. it gets boring.
so to try and stop that happening, they ran with old comedic devices that i felt shameless had always deviated from, or at least exaggerated. but no, in the last seasons the show fully leans into them. it becomes more like a sitcom, like modern family or friends.
with tami and lip, it was tami getting insecure about lip possibly liking someone else and lip coming up with all these schemes on how to spend less money and hide that he was going for cheaper options from his girlfriend.
with debbie, it was the show leaning into the whole milkovich/gallagher thing and trying for a new pairing which honestly was entirely lacking. we had more development on her and mattieâs storyline (which was gross) than her and sandy. they turn debbie into a caricature and leave her without much emotional development, taking away any of the audienceâs compassion towards her.
with carl, it was the whole police thing, where he struggled with his annoying boss and then his second annoying boss.
with liam, it was him becoming very mature very quickly, but lacking the same depth that debbie and carl got at his age. thatâs just my opinion of him, bare in mind i havenât watched his scenes in season 10/11 recently.
with ian and mickey, it was them becoming that TYPICAL comedic couple, with the show taking away a lot of what made them different. So many of their storylines were full of pointless arguments and unsatisfying resolutions. they tried to make them almost middle class, removing mickeyâs skill in crime and making him look lazy. taking away all of ianâs emotional development and making him seem pissed off constantly. they donât seem to understand each other the way they did before.
donât even get me started on kev and v. they were one of the most interesting storylines at the beginning, and they suddenly became boring.
fiona left, so i canât comment much on her.
shameless also lacks the connection the show used to have between storylines. every character was somehow connected to another character at the start, all the different plots influencing each other. that quality was lost later on.
at the beginning, the show made great points about poverty and politics without needed to obviously explain each one. it was metaphorical, an example of poverty and of people and relationships and life. In later seasons, it becomes too obvious for me. the messages the show is trying to convey are much more clear and surface level, which means the impact of these messages is reduced.
itâs like the difference between someone giving you an example of a specific person who has been abused, letâs say. You can either tell an emotive story about that abuse or you can say, they were abused, this is wrong. shameless originally was emotive, giving you connections to characters and therefore adding weight and meaning to their stories. It becomes shallow when the show gives its messages in plain ways. like the conversation that ian had with that woman in the furniture shop about the election results in season 11. sure, ian was right, but it doesnât have the same impact when delivered in that way. if theyâd done the show the same as they did in the first seasons, iâm sure the message would have been conveyed more passionately and effectively.
now, this is just my opinion. i donât hate the last two seasons, but it wasnât very shameless-esc. I also donât write TV shows, so i donât know exactly how to fix all those things
i do enjoy the last seasons, it wasnât all bad. but it was different to the first ones, and that is something to comment on.
#shameless#gallavich#mickey milkovich#ian gallagher#ian x mickey#shameless opinions#shameless meta#shameless us
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âDid he have keen ears? If I listened harder⌠would the whispers of distant demons⌠be audible to me too?â
Fukigen na Mononokean - Chapter 78.
I made a mistake and thought this scene was around chapter 84, so I instead colored Ashiya in the morning, in the kiyakudo, and not at night at an inn. Still, I like how both turned out so Iâm posting them both. Click on âread moreâ to see the variant.
The mistake one:
Foliage brushes my beloved. If I can find a way to use them I will.
The edits were very fun and easy to make. I just duplicated the shading layers and changed the colors from warm and light ones to cool and dark. Some didnât need to be changed like that and instead I just lowered the opacity. Iâm pretty happy with the result.
#manga coloring#fukigen na mononokean#ashiya hanae#fuzzy#as happy as I was with the âmistakeâ#seeing the fix with the colors the scene itâs supposed to haveâŚ#it makes my heart race#maybe I managed to enhance the feelings of the scene?#convey the feelings this scene made me feel when i read i?#it*#i dunno#but it sure makes me happy
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actual writing advice
1. Use the passive voice.
What? What are you talking about, âdonât use the passive voiceâ? Are you feeling okay? Who told you that? Come on, letâs you and me go to their house and beat them with golf clubs. Itâs just grammar. English is full of grammar: you should go ahead and use all of it whenever you want, on account of English is the language youâre writing in.
2. Use adverbs.
Now hang on. What are you even saying to me? Donât use adverbs? My guy, that is an entire part of speech. Thatâs, likeâthatâs gotta be at least 20% of the dictionary. I donât know who told you not to use adverbs, but you should definitely throw them into the Columbia river.
3. Thereâs no such thing as âfillerâ.
Buddy, âfillerâ is what we called the episodes of Dragon Ball Z where Goku wasnât blasting Frieza because the anime was in production before Akira Toriyama had written the part where Goku blasts Frieza. Outside of this extremely specific context, âfillerâ does not exist. Just because a scene wouldnât make it into the Wikipedia synopsis of your storyâs plot doesnât mean it isnât important to your story. This is why âplotâ and âstoryâ are different words!
4. okay, now that Iâve snared you in my trapâand I know you donât want to hear thisâbut orthography actually does kind of matter
First of all, a lot of what you think of as âgrammarâ is actually orthography. Should I put a comma here? How do I spell this word in this context? These are questions of orthography (which is a fancy Greek word meaning âcorrect-writingâ). In fact, most of the âgrammar questionsâ youâll see posted online pertain to orthography; this number probably doubles in spaces for writers specifically.
If youâre a native speaker of English, your grammar is probably flawless and unremarkable for the purposes of writing prose. Instead, orthography refers to the set rules governing spelling, punctuation, and whitespace. There are a few things you should know about orthography:
English has no single orthography. You already know spelling and punctuation differ from country to country, but did you know it can even differ from publisher to publisher? Some newspapers will set parenthetical statements apart with em dashesâlike this, with no spacesâwhile others will use slightly shorter dashes â like this, with spaces â to name just one example.
Orthography is boring, and nobody cares about it or knows what it is. For most readers, orthography is âinvisibleâ. Readers pay attention to the words on a page, not the paper itself; in much the same way, readers pay attention to the meaning of a text and not the orthography, which exists only to convey that meaning.
That doesnât mean itâs not important. Actually, that means itâs of the utmost importance. Because orthography can only be invisible if it meets the readerâs expectations.
You need to learn how to format dialogue into paragraphs. You need to learn when to end a quote with a comma versus a period. You need to learn how to use apostrophes, colons and semicolons. You need to learn these things not so you can win meaningless brownie points from your English teacher for having âGood Grammarâ, but so that your prose looks like other prose the reader has consumed.
If you printed a novel on purple paper, youâd have the reader wondering: why purple? Then theyâd be focusing on the paper and not the words on it. And you probably donât want that! So it goes with orthography: whenever you deviate from standard practices, you force the reader to work out in their head whether that deviation was intentional or a mistake. Too much of that can destroy the flow of reading and prevent the reader from getting immersed.
You may chafe at this idea. You may think these ârulesâ are confusing and arbitrary. Youâre correct to think that. Theyâre made the fuck up! What matters is that they were made the fuck up collaboratively, by thousands of writers over hundreds of years. Whether you like it or not, you are part of that collaboration: youâre not the first person to write prose, and you canât expect yours to be the first prose your readers have ever read.
That doesnât mean ânever break the rulesâ, mind you. Once youâve gotten comfortable with English orthography, then you are free to break it as you please. Knowing whatâs expected gives you the power to do unexpected things on purpose. And thatâs the really cool shit.
5. Youâre allowed to say the boobs were big if the story is about how big the boobs were
Nobody is saying this. Only I am brave enough to say it.
Well, bye!
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let me hold you close | p.sh.
PAIRING. rich!sunghoon x fem!reader
SUMMARY. you and sunghoon are both off-limits. you're still living with your ex, and he's off to get married to someone that has been arranged for his family business. but that doesn't stop you both from trudging boundaries when it's just you and him in your own world.
CONTENTS. smut, some angst, some fluff. LOTS OF JEALOUSY. smut with plot. not beta-read. MINORS DO NOT INTERACT.
WARNINGS. lots and lots of jealousy. sunghoon is DOWN-BAD for reader, but the feelingâs mutual. indirect cheating (but not really???). semi-public sex, dom!sunghoon, bratty reader. somewhat mean hoonie. oral (both f and m receiving), p in v, unprotected sexual act (use protection at all times), temperature play, sensory deprivation, slight bondage (just tying up), sir kink (oh yeah baby), spitting kink. use of pet names (wiee). THREE SEX SCENES. (seldom mentions of hyung line: heeseung, jay, and jake) IDK I WROTE THIS BEFORE I COULD FULLY WRITE EVERYTHING.
WORD COUNT. 4.7k
AUTHOR'S NOTE. FINALLY IT'S HERE. belated happy birthday, my hoonhoon! this is my hoon birthday gift for y'all. hope you like it! (did i write two sunghoon smuts already? yes, yes i did.) also, wait for further updates, i might be updating anyone from the hyung line soon! wink wink.
MY LIBRARY. REQUESTS ARE OPEN! TO BE ADDED TO MY TAGLIST, YOU CAN SEND ME A MESSAGE.
There was something about him.
Park Sunghoon was the image of something so mysterious â yet, so captivating. His eyes held something deeper than what he tries to convey. You tried to hard to look away, but his actions, his stance â they command attention.
So much, that they commanded yours.
He has been a constant, a regular at the bar that you're working in every weekend to make ends meet. He was the hot bachelor that belonged in the upper VIPs that usually had a secluded room where they could share small talk over top shelf drinks.
Your first encounter with Park Sunghoon was when Byeol called in sick, and that meant you took over her shift as the personal-hired entertainer at Room 130.
"Please, Y/N," Byeol pleaded through the phone, coughing as her voice scratched against her throat, "if I could, I would. I'll take over your shift for the next week. You'll have my pay for tonight."
Now, additional income is something that is very difficult to shake off, no matter how it takes a night that consists of Neoguri noodles off of your schedule.
You wore your signature red cocktail dress, one that hugs all your right proportions beautifully, but not too tight, with a slit that doesn't go too up high on your thigh. Matched with a wave that's swept to the side, it is a no-brainer that the four men of Room 130 didn't even ask where their usual entertainer, Byeol, is.
"What a pretty face," Jake comments as he takes a sip of his armagnac, his eyes travelled down to your legs, but went back to your face, "nice voice, too." He adds.
Sunghoon was late, muttering an excuse that was along the lines of: his mother made him stay for a supposed meet-up with someone.
"Mommy's still on it?" Heeseung jokes, grabbing some of the snacks on the table, shaking his hand to remove the residue of it before pouring it to his mouth.
Sunghoon sends a look over Heeseung's way, making the oldest boy chuckle, "Well, you have to follow mommy's orders, or else, you're gonna whine about how your daily allowance has been reduced to half."
The rest of the boys chuckled, alongside the girls that were in the room to hold them company. Sunghoon was not the most pleased, he knew that Heeseung is right. He has to find a lady or else he will be arranged to a wedding just to keep up his expenditures and his lifestyle.
"Who's the girl?" Jay asks as he places his hand on the small of the back of the lady that sat on his lap, his eyes on the girl that giggled as she kept on tracing the edge of Jay's jawline.
"I don't know," Sunghoon grunted, eager to down a shot that was already on the table, "all I know is I have to find a partner ASAP, or else, I'll be wed to someone I could care less about."
That was when his eyes landed on you, singing a song softly as you held your vintage microphone. His eyebrows perched up slightly, and he smiled to himself.
Now, it has been approximately the fifth consecutive week that Sunghoon had tried to talk to you, alone, on your supposed shift at the public part of the bar.
Sweeping past through sweaty bodies as well as people that are drunk off their minds, Sunghoon was determined to at least know you better. It only took one song and one damn dress to catch Sunghoon's attention.
Lucky for him, he had caught your attention, too.
The thing was, you had a boyfriend â well, a roommate, if you will. Since love was obviously out the window, and that you were trying to sustain each other's stay in your apartment that has its contract nearing its end by the end of December.
Well, another reason was that your then-boyfriend was still trying to win you back.
And while you're certain that you're over him and is keeping him at bay for benefits, he certainly was not, and it somehow was making you guilty that you're somehow leading him on even when it was Sunghoon's face that you think of whenever you press your bullet vibrator against your clit, leaving out broken, breathy moans that underestimated how much you think you're going to moan for Sunghoon if time permits you.
Which brings you to here, a never-ending cat and mouse game that you have established with Sunghoon, who clearly was so head-over-heels for you.
The ordeal was simple: you, one of the bar's beloved entertainers, would finish a song that you sing and dedicate for Sunghoon, but wander off with a smile as you try and find yourself a suitable man vying for your attention. It was effective for you to make him jealous and demand your attention on him for the next hours.
Sunghoon had never gone past the eating only the third base, and Sunghoon was more than willing to eat your pussy on hours end. And you were willing to let him go past that, if only you haven't seen the ring that adorned his left hand, snug tight around his ring finger.
It was a stark reminder of how he was not for you, just how you are starting to become his.
"You sing here often?"
"I do," You'd giggle to whoever this guy's name is, you really didn't know, nor even tried remembering. You were sure it wasn't his name that you'll be screaming in the bathroom stalls of the bar.
"I should bo-"
"Then I'd want to book you, privately," Sunghoon cut the guy off, his voice reeking of jealousy and authority as he stood behind you, your back flushed against his chest.
"Ya," the boy raised his voice and poked Sunghoon's blue sweater tank top, "do you mind? We're talking here."
"And I'm talking to her, as well," Sunghoon responded, his eyes crinkling into amusement, "do you not want to talk to me, baby?" He pouts at you, nuzzling his chin to your neck as he leaves light kisses on it, making you gasp.
"I.." You trail off, biting your lip as your eyes moved back and forth between the guy and Sunghoon.
"I'm not wasting my time on this," the guy raised his hands in defeat, backing away, leaving you with the guy that you have tried to flirt indirectly through the night.
"Fancy seeing you here against sweaty bodies," You giggle as you turn around and wrap your arms around his neck, pulling him down teasingly to have his lips over yours, to which Sunghoon growled and pushed his lips on yours, immediately pushing his tongue inside your mouth as his hands dug on the curves of your waist.
"You drive me so fucking crazy," he whispers to your lips, in which you hum as a response. Not a long while after, you're being guided to one of the restrooms, his lips now attacking your neck to leave noticeable bruises that you're trying to cover up before you go to your morning shift at the local library of your town.
He pushes you to an empty restroom, not minding to lock it as he cages you in between his body and the sink. âAre you having fun?â He suddenly asks as he pools your dress up your hips and starts rubbing you through your wet panties, âPlaying with me, are you having fun?â
You looked at him through lidded eyes and nod, âI do,â you say as you bite your lip, spreading your legs wide, âI like it when youâre so crazy for me.â
He grunts and kneels down, pulling your panties down as his nose is immediately wafted off by the smell of your arousal spreading throughout your core, âSo wet for me, the guy did that to you?â He spoke as his thumb pressed on your bare clit, making you shudder.
âN-no,â you squeaked out, holding on the sink behind you, âit has always been you.â
âAlways been me?â Sunghoon chuckles as he blows air to your sensitive cunt, âI donât know, babe, Iâm starting not to believe it given how many times Iâve practically pulled you off against men who are thirsting over you.â
Not leaving you any moment to respond, Sunghoon attaches his lips to your sensitive nub, moaning at your familiar taste that he had been obsessed with.
Moaning his name, you immediately hold on his hair, tightening your grip on his soft, brown-black hair, to which Sunghoon tuts as he pulls away, his thumb replacing his lips as he presses and rubs circles on your clit, âYou donât get to touch me, princess.â
Grasping your wrist, Sunghoon had practically forced your hand off his hair, placing it on the sink behind you to continue his ministrations on your pussy.
âLove this pussy so much,â he breathes out, poking his tongue out to fuck your hole with, âso pretty, could get in this forever.â
You moaned in response, desperate to cum just by Sunghoonâs fingers alone. Instinctively, your hands went to play with your breasts, pulling your dress straps down to pool on your arms, you bit your lip as you pinched and flicked your nipples, mimicking the way Sunghoon does it when he was mouthing your tits instead of your pussy.
Sunghoon looked up at you and smirked, sneaking in a hand between your legs to spread your labia apart, forcing his tongue deeper into you as he shook his head sideways, nose prodding against your clit, mouth leaving out noises, making sure that anyone could walk in the unlocked restroom and catch you both in such sinful act.
With buckled knees, you started to grind on his tongue, your mind dancing on the quick release that you felt was bubbling at the pits of your stomach, âY-you eat pussy so fucking good.â
âThatâs where Iâm best at, babe,â Sunghoon winks at you, pushing his middle finger inside you after tracing your hole with it, âand can you blame me? Your pussy tastes like heaven.â
âO-oh!â You squeaked out, feeling your orgasm could come if Sunghoon continued this. And as if Sunghoon knows how to push your buttons, he adds a second finger, then a third, his tongue now dancing on your clit as he panted against your core.
âFuck - shit, Sunghoon!â You exclaim as you push his face to your core, panting as you whine, eyes screwed shut with your other arm failing to hold on the counter, regardless of how dry the sink it may be, body convulsing as you cum on Sunghoonâs face.
Sunghoon happily licked through your folds, slurping your cum messily and noisily. He stood up with your cum glistening on his lips, his mouth sporting the smuggest grin that made you want to kiss his face silly.
âDamn,â you breathed out, leaning toward his chest to ground yourself.
âWeâre not done yet.â
Needless to say, Sunghoon made sure that you could cum thrice from his fingers and mouth alone.
The following week, you were in the same position â however, instead of your hand holding on the sink, it was Sunghoonâs, with his other hand fisting your hair as he holds you still while he fucks your mouth to prove a point.
âSo f-fucking warm,â Sunghoon grunted, his balls trodding against your chin as he kept on cursing, too lost in the bliss of your mouth taking him tightly, mimicking a virgin pussy.
With blood almost drawn on his lips, Sunghoon lets out a guttural groan as he pushes you against his pelvis, his penis bullying its way on your throat as strings of warm cum painted your throat.
âShould get you jealous more often,â Sunghoon comments as he regains his breathing, âsuch a desperate slut you become once you start reminding me whose pussy my dick belongs to.â
Before you could respond, the tall boy pushes his lips against yours hungrily, tongue immediately poking inside to start a tongued kiss with you, cupping both of your cheeks, he made sure you arenât going anywhere.
âThighs,â you started, too overtaken by lust, but Sunghoon heard it, he held your face with one hand to force you to look at him, âYour thighs, Sunghoon, I want to-â
âYeah? Wanna grind on it, pretty?â
You nod, anything that could have you feeling him against your throbbing core, âPlease,â you pleaded, grabbing his wrist to make you suck on his ring-clad finger, âwant it, so much.â
Sunghoon almost lets out an animalistic growl as he pulls you to one of the stalls. He reaches behind you to lock it before turning around and places the seat down, sitting on it before urging you to straddle him.
Pooling your dress over your lap, you did as you were instructed. Hanging both arms around his neck, you stood up to pull your panties down, the slight string of arousal visible from the cloth.
On the other hand, Sunghoon already had his pants and boxers discarded, his angry cock lay erect against his stomach. You licked your lips and straddled him again, your legs on either side of his thighs, thigh-grinding long forgotten.
Both of you hissed as your pussy made contact with his dick, and soon enough, you were both a grinding mess, your grinds interrupted by humps as you groped your tits, your head thrown back as you continue to moan Sunghoonâs name.
âYeah, moan that n-name, heâs y-yours, isnât he?â Sunghoon hissed, his hair all over his face before leaning down to suck on your free boob that has been exposed from the tubing of the dress that was pulled down by you prior.
âMhm, heâs mine!â You squealed as you hit your high just in the same time as the pale boy youâre sat on.
âFuck,â you chuckled.
âDamn,â Sunghoon said breathlessly before kissing your lips and leaning his forehead against yours.
It was the first time he kissed you on the forehead after hooking up.
Last, last weekâs hookup session with Sunghoon has all become youâve ever thought about as you placed the books on the shelves, pausing every now and then as you daydream of it.
It has been two weeks since Sunghoon had shown up in the bar that youâre working at every weekends.
And while you hoped that he could at least sweep in to wave or send a smile your way. But Friday had gone, so has Saturday, even Sunday - no signs of Sunghoon.
His absence seemed to gnaw on you as you started to search for him during weekdays at your off-duties, but none. No sign of Sunghoon.
And you canât even text him, since he hadnât given his number, and you didnât, too.
Youâve found his Instagram page, but it has never been updated apart from the photo of a golf course which he had posted four days ago. Stories didnât also help, as he never updates his stories. DMs are off, and the only way to contact him was through e-mail.
E-mailing him had crossed your mind the moment it reached Thursday, you were so close to losing your mind that you didnât even care whether or not to message him through his work e-mail, regardless of the possibility that anyone within the network could see it.
âThatâs too much of a thought,â said a voice that startled you. Turning around, you saw the infamous Sunghoon leant agains the bookshelves, arms crossed, mouth adorning a soft smirk that youâve grown to love.
âPlease, I bet youâre thinking Iâm thinking of you,â you snorted as you continued sorting the books, eyes not meeting his as his gaze challenged you.
âWell, I donât even have to bet. I know youâre thinking of me whether you admit it or not,â Sunghoon countered.
âWhat an ego,â you muttered as you rolled your eyes, disappointed by his sudden absence for two weeks, even without giving you a notice as to why.
âWhere are you off to, tonight?â He asked out of nowhere.
âHome, as usual.â
âMy place?â
âNo, what do you mean?â
âYou said you were going home?â
âSince when had your place been my home?â
âAre you willing for it to be?â
âSunghoon, what?â You furrowed your eyebrows at him, looking at him as if he had three heads in one body.
âIâm serious, stay with me.â
âSunghoonââ
âI donât take no for an answer.â
âSunghoon!â
âWhat a noisy librarian do I have here,â Sunghoon smirked, âI like it when youâre noisy though.â
With an exasperated sigh, you pulled Sunghoon at the back of the library, âWhat are you doing, Park Sunghoon?â
âFull name? Ouch,â he placed a hand on his heart.
âSunghoon,â you said through gritted teeth.
âLetâs go home,â he said instead of answering your questions, pulling you by your arm to the direction of his car that has been parked in front of the library.
Now, it was supposed to be just a talk. A negotiation between you and Sunghoon to finally end whatever it was between you both, both your heart and mind exasperated by the uncertainty that was brought about by you and him.
But here you are, biting your lip as Sunghoon kissed you on your neck, alternating between kissing, licking, and sucking, as he kept your hips pinned down by the grip of his hands on it.
âStop moving,â he demanded, looking at you with such fire in his eyes whenever you bucked your hips up onto him.
âNeed you,â you whined out, desperate to grind on him again, this time, you were hoping that it would last long and be much more comfortable than the last time that you did in the stalls.
âI know, sweetie,â Sunghoon smirked before sitting up to grab his black necktie which he had on his nightstand, âThis okay?â He asked as he raised the necktie before you, insinuating a plan that he had in mind.
With a nod and a verbal agreement, Sunghoon wrapped the blindfold around your head before pulling away to see you in your totality: laid back, eyes covered by the velvet cloth of his necktie, and naked â all just for him.
âGod, youâre so beautiful,â Sunghoon comments as he grabbed the cloth ropes that dangled on the edge of the headrest, grabbing it with a smirk, he hoists your arms up, making you gasp, as he tied it to the to the headboard.
He tested whether the knot was tight or just right, before peering down at you and cupping your cheeks as he leaned down to kiss on you.
Adjusting his body, Sunghoon left a trail of kisses from four face down to your nipple, before swirling his tongue around your sensitive nub. Pulling back, he grabbed the cold glass of champagne that sat on the trolley by his bed. Grabbing a small ice cube from the bucket of the bottle, he circled the ice around your nipple, earning a gasp from you.
"Cold, isn't it?" He questioned before leaning down again to give your other breast attention, and after a while, he switched places, giving you the same amount of pleasure from the cold and his warm mouth alone.
He trailed the melting ice cube down your body, making you shiver at how the cold trail was instantly replaced by his warm lips as he kissed you along the wet path of the melted ice cube.
"You and your pretty body," he whispers before grabbing another ice cube again, this time, he placed it on his tongue, letting the cold replace the warmth of his tongue.
Peering down between your legs, he crawled down until he was face near your core, making you sigh in anticipation, it was moments like this that you craved for Sunghoon to speed up his actions. It was no lie that Sunghoon ate pussy pretty good, and sometimes, you think, how good could he be when he finally has his dick inside you?
Sunghoon pokes his cold tongue against your hole, making you squeal as your legs thrashed up in surprise. He grinned as he gave kitten licks to your core, his hands pushing your legs far apart before diving into your cunt.
Moans and groans and the occasional noise from Sunghoon's licking on your core were all that could be heard in his bedroom. He kept his eyes on you, basking in your reactions before he inserted his middle and ring finger inside you, contrasting the coldness of his tongue.
"Fuck! I love your m-mouth," you whimpered out, wriggling from the overwhelming feeling that only Sunghoon had managed to get out from you.
"Always f-fucking my pussy with that m-mouth so, g-good - Sunghoon!" you exclaimed as you came on his mouth without warning, Sunghoon humming as he licked through your folds, mimicking the noise of that a happy man.
He straightened up and freed his aching cock from the restraints of his trousers and boxers, hissing as his dick slapped against his stomach before hovering over you again to tip your chin up for a messy kiss.
Sunghoon licked into your mouth before prodding it open so he could spit into it, "Swallow," was all he said before you closed your mouth and opened it in front of him to show him that you did what was told.
The boy groans as he places his dick in between your folds, setting his pace as he starts from something that's agonizingly slow, drawing out a pained whimper from you.
"Hoonie, want your cock."
"Yeah?" he breathed out, picking up his pace, "you already have it been your legs, pretty."
"No," you shook your head, "want it."
"Want it, where?" he starts to slow down without much thought as he dawns realization to what you said.
"Cock, Hoonie, w-want it inside me."
"Are you sure?"
"Yes, fuck! Please, hurry!" you pleaded, hands pulling against your restraints, "Want it inside me, Hoonie, please!"
"Condoms?"
"No, raw."
"Babyâ"
"Please!"
One beg from you and Sunghoon's heartbeat has already picked up. Before you both even started seeing each other to hook up, you have already established that the farthest you could go with each other is oral. Other than that is off the table, as you have said, you both are completely off-limits.
Sunghoon's chest warmed at the thought of you warming up to him, "Okay, baby," he breathed out, "are you sure?"
"I am," you whined.
He leaned over and removed your blindfold and restraints, letting you adjust before pushing his lips on yours, "Thank you, thank you," he muttered in between kisses as he pulls himself away, prodding the tip of his dick on your throbbing hole.
"I gotta say," Sunghoon chuckled as he pushes his tip inside you slowly, earning a delicious moan from you both, "you're so goddamn pretty, more exceptionally so when I'm inside you."
Sunghoon has a way with words, that's one thing that you made yourself known. That was something about him that you think was what sealed the deal â he fed into your need for constant assurance, even though there were limitations between you both.
"Push it all in," you demanded.
Without another word, Sunghoon pushed himself inside, earning a throaty groan between you both.
"Shit, f-feel so g-good for me, oh, my god," Sunghoon breathed as he pushed his face into the crook of your neck, your arms immediately finding home around his torso.
Sunghoon picks up his pace as he continues on bullying his way inside you, relishing on how your pussy throbs around his dick. With every thrust that he lands inside you, your eyes roll at the back of your head, feeling the pulse of the veins of his dick with every drag.
"God, Sunghoon, Iâ" you cut yourself off with a groan by his ear, cradling his face as he placed light kisses on your shoulder, "Fuck, Sunghoon, so good!"
The boy pulled his face away, prying your mouth open as he spit into your mouth, his cock drilling inside you in the slowest, yet most delicious way. It was as if he was trying his best to memorize how your gummy walls enveloped his dick, in the hopes of making your pussy remember his.
And, to commit this into memory, Sunghoon removes the ring he had clad around his ring finger, reaching for your left hand that hung around your shoulder, and, in a lust-filled haze, he wore the finger around the nearest finger that was accessible to him, he'd fix that later.
Your eyes wandered to the ring that adorned your thumb, before biting your lip and looking at him. Sunghoon already adjusted himself, kneeling straight as he hikes your leg up and places it on his shoulder; and with a roll of his hips, both of you are already a whimpering, moaning mess.
"So f-full, fucking finally," you moaned out and Sunghoon reaches for your other hand to intertwine it with his, "Yeah? Been dreaming of it for so long, huh?"
Tapping your cheek he makes you look at him, "Been dreaming of this, t-too, baby," he says, panting, "been dreaming of d-doing more than just this, too,"
You looked at him with doe eyes, your lips dropping down to his lips, "Kiss me, Sunghoon."
Sunghoon nodded and kissed you, your hips bucking up to meet his thrusts, it was in that moment that only the two of you existed.
"You're squeezing me so f-fucking..." Sunghoon trailed, eyebrows drawn to each other in concentration, "..so fucking good for me, God, I love you."
His hands travelled down to your clit and rubbed circles around it, making you whimper and pull his face to yours, your lips wanting to get a taste of his again.
"Not gonna last l-long, princess," Sunghoon muttered in between grunts, "You close?" He said as he looked at you, searching your eyes for more than just your sign of being as near as he is.
You hum reaching your head up to peck his lips, "M-me too, Hoonie, dick is f-fucking me so g-good," your head attempting to throw back as his tip kept on hitting that sweet spot inside you.
"I love you," Sunghoon whispers as he lets go of your leg on his shoulder, pressing onto your body as he finally lets go of his cum inside you, your release following suit after he kept on thrusting even if he was coming undone inside you.
For a while, you both had stayed in that position, Sunghoon still deep inside you in between your legs, legs weakly wrapped around his body, both of your arms wrapped around his neck as you combed through his hair.
There was a heavy weight in the air, something that demands to be addressed.
Sunghoon lifts his head up, his chin rest against your chest. With a quick kiss on the valley of your breasts, he pulls the hand that had the ring wrapped around your thumb, he kisses your inner wrist, before, with lidded eyes, removing the ring and placing it instead to your ring finger, kissing your palm after a close inspection.
Sunghoon had never been so sure in his life, until now.
"I meant what I said," Sunghoon says quietly, his eyes now trained on your hand, eager to confess that it had always been you all along.
"Sunghoon, we can't.."
"Why?"
"You're going to get married,"
"I called it off."
You looked at him with a gasp, "What?"
"I said I found a partner, I always told you I'll always have you close, right?" he says as he sent you a soft smile, relishing in the hand that played with his hair.
"You're crazy," you chuckled.
"You make me go crazy over you," Sunghoon smiles with his eyes almost close.
"I love you, too, Sunghoon."
And when your eyes both meet, Sunghoon smiled softly, and that was when you both knew â it was where you both are supposed to be.
Sunghoon hums as he wraps his arms around you and pulls you close, this time, sure.
"Stay with me tonight," Sunghoon whispers.
"I'll stay tomorrow, too," you add.
"And on the days after that?" Sunghoon asks, his cheek pressed against your chest.
"And on the days after eternity."
Š acciojaeyun, 2024.
DISCLAIMER. I DO NOT GIVE PERMISSION FOR MY WORK TO BE COPIED/REPOSTED ON HERE OR ANY OTHER PLATFORM, OR PUT INTO ANY AI PROGRAMS. DON'T LIKE, DON'T READ.
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×â°â⤠the pumpkin reaper
part 1: first day of investigation
part 2 here!
in which you and the BAU are handling the case of a murderer in a small, sleepy town
tw: decapitation, description of a crime scene etc, mention of a suicide attempt, mental illness
contents: spencer reid x fem!bau!reader, solving a criminal mystery, angst, slow burn
words: 4k
âAnd how's school?â
There was silence on the other end of the phone.
âIt could be worse,â said Jeremy after a moment, in an indifferent tone. You sighed, wondering if, as a teenager, you also answered everything, even more serious, open questions with vague remarks, driving the person asking how you were doing to frustration.
Answering that question, no, you didnât do that. When you were a teenager, you didnât have anyone who cared about you. Precisely for this reason that you practically tormented your brother with phone conversations, feeling immense guilt for leaving him with your parents. The same parents with whom you ultimately decided to cut off contact. You had never faced a more difficult decision â cutting them off or continuing a relationship that tragically affected your mental health? After each interaction with them, you felt weak, defenseless, insignificant, and above all, exhausted. It wasnât even about your motherâs illness. They were just terrible people.
Your sixteen-year-old brother didnât have that option. He had to deal with them until he turned eighteen and moved out. You regularly made sure he was okay. However, lately, you had the impression that his voice was becoming more and more devoid of emotion. Depressed. And you couldnât do anything about it.
Prentiss appeared right in front of you. She noticed you were on the phone, so to avoid interrupting you, she tried to convey something silently. With her thumb, she pointed toward the main deck of the jet. From the movements of her lips, you were able to read, âHotch is calling everyone.â
âDonât think Iâm going to let this topic go,â you said again to your brother. You could imagine him rolling his green eyes. âI have to get back to work; Iâll call as soon as I have time. Donât get into trouble and take care. I love you.â
âI love you too.â
You ended the call and noticed a smile on the brunetteâs face. Together, you joined the rest of the team.
âI heard part of your conversation,â she confessed. âDonât tell me you have a kid that youâre hiding from us?â
âWhoâs hiding what from whom?â Morgan chimed in as he walked in, holding two huge cups of coffee. He handed one of them to Reid.
Prentiss nodded in your direction.
âDid you know that y/n has a kid?â
You nudged her.
âI donât have any kids. I was just talking to my brother,â you explained briefly. You didnât like discussing your family, even with friends. In fact, you were often accused of being too secretive.
âI didnât even know you had a brother,â Reid added, frowning.Â
He, along with the rest of them, looked at you with mild surprise. You muttered something under your breath, shrugging. You felt a bit embarrassed that your family was the center of the discussion. You were saved from the awkwardness by your own boss.
âCan we start?â
JJ handed out the case files. As soon as you opened yours, you were met with an exceptionally graphic scene.
â The bodies were discovered by someone from the forestry service, but according to the local police, anyone could have found them. It wasnât hidden very carefully, as if someone didnât care about it being discovered. A man and a woman, both decapitated. Before you ask, the heads were found in the same place as the rest of the bodies. Except for that, no serious injuries, just a few minor bruises and scratches. As if they were trying to defend themselves while they still could. â
No one spoke; the only sound was the turning of pages as the whole team focused intently on analyzing the photos. Your brows lowered in concentration, your entire face tense. Maybe you looked at things like this every day, but that didnât mean it had become pleasant or that it didnât disgust you. Sitting across from you, Reid was the first to speak.
âWhat do we know about the victims?â
At that same moment, as JJ spoke up again, you flipped the page and were met with two photos that looked like theyâd been pulled from a social media account. Both people were alive, happy. The man was crouching next to a young boy who seemed to be pulling away, unwilling to be in the picture with his father. In the background, there was a garden, a tall white fence typical of American suburbs, and a slide. You barely stopped yourself from glancing at Hotch â he had a son around the same age, and this case might hit him particularly hard. The woman in the photo wore square glasses, with a cheerful, friendly gaze peeking out from beneath them. Round cheeks, a wide smile.
"Andrew Ward, 37 years old. He was one of the city councilors. He had a wife and one son, and heâd lived in this town his entire life. Then there's Jessica Larsen, the deputy mayorâshe and her husband were both heavily involved in public life."
âA city councilor and the deputy mayor?â Prentiss repeated, thoughtfully resting her elbow on the arm of her seat. âDoes anyone else feel like this could be some kind of score-settling? Revenge? Maybe from someone who was wronged by the city council over⌠I donât knowâŚâ
"Higher bills," you said absentmindedly, blurting out the first thought that came to mind, immediately wincing at your own foolishness. You were still distracted by the conversation with Jeremy. You pinched your arm, trying to force yourself to focus on the case.
"Raising bills doesnât typically drive people to murder," Reid corrected, pausing to glance at the files again. You never felt embarrassed when he pointed out your mistakesâhe had a way of doing it so skillfully and politely. "Prentiss is on the right track; it could be revenge. Our UNSUB might hate authority due to some personal experience, maybe sees themselves as an anarchist, though it's hard to lean in that direction with so little information. Garcia, have you checked if the victims were connected in any way?"
The blonde woman on the laptop screen nodded.
"Iâve checked everything I could find about them, but unfortunately, I couldnât uncover a single connection that might move the case forward."
Hotch raised a hand, stopping you from further speculation.
"Thatâs not all," he began, looking at each of you in turn. "Right after those two bodies were found, three more were discovered."
Morgan raised his eyebrows high.
"Five bodies? No wonder they called us in."
"And hereâs where our biggest problem arises," your boss continued âLook at the photos. These three bodies were also decapitated but except for that, treated in a completely different wayâ
You turned the page again, and your heart skipped a beat at the sight. Other victims were killed with much more brutality, all covers in cuts and bruises. It was even hard to define their gender, but when you looked at the description you knew that this time, they were all women."Were two different people responsible for this?" Prentiss asked.
âTwo murders cutting their victims' heads in such a small city?â spoke up Rossi, skeptically.Â
"I donât think itâs two different killers," you said hesitated, unable to look away from the photos. As you studied them, you absorbed every detail, trying to imagine the murderer inflicting these injuries. If anyone could have peered into your mind at that moment, they might have gotten serious PTSD. âJustâŚtake a look at the wounds. Thereâs much more on these women and are visibly more brutal. But they look like they were inflicted by the same hand, the same person. The placement is often consistent," you noted. "How much time passed between the murders?"
âWe havenât gotten this information yet" said Hotch. "But based on my experience, I can say weâre looking at a matter of weeks."
You noticed that Reid was watching you closely. It seemed he was doing it unconsciously. When you sent him a questioning glance, he slightly blushed and immediately cleared his throat.
âIâm curious about what y/n said,â he admitted. It was clear to see the many calculations and analyses happening in his mind. This was evident in the increasing pace of his speech. âIt really does look like the same person, but in different circumstances, perhaps influenced by different emotions. Maybe even with different motives. I realize the possibility of that is close to zero, but what if weâre dealing with a murderer with multiple personality disorder?â
A silence fell as everyone contemplated Reid's words. You made eye contact with him again â your tracks of thought began to overlap, your conclusions intertwining. Looking at his face, you felt, in a way, smarter and understood; it became easier to connect the fragments of ideas that had surfaced in your mind.
You shook your head.
 "No... I'm not sure. I understand what you're saying, but it seems to me that this isn't entirely true in our case. Your theory would suggest that two different personalities of our UNSUB committed these crimes, but in such cases, the crimes usually contrast more with each other. It's much harder to connect them, and here... I immediately noticed that this was the work of the same person."
Reid leaned in with interest over the table. Everyone seemed to look at you encouragingly, waiting for you to continue your theory. Yet you only took on a resigned, apologetic posture â nothing else came to mind. Any potential ideas felt too chaotic; some instincts accompanied you, but it was nothing you wanted to share out loud. You felt that they wouldn't help at all.
"We'll definitely know more after seeing the crime scene," Hotch stated, closing his files. With that, he ended the official discussion, giving you time to review the photos alone and think everything over one more time.
Thatâs exactly what you focused on for the rest of the meeting. You sat with one leg crossed over the other, a closed folder resting on your lap. You didnât need to look at the photos anymore; you just needed to close your eyes and listen to your intuition. It definitely had something to say about this case. You just werenât sure whatâŚ
Just before arriving at the scene, Hotch asked to speak with you privately. You couldn't hide it; you felt a bit anxious.
Maybe it was about your recent distraction. Of course, it was about your worry for your brother, but that shouldnât have been an excuse; nothing should be distracting you. Or maybe he wanted to discuss something completely different, and you had just imagined this whole scenario in your mind. Knowing you and your tendency to overthink, both options seemed equally likely.
 "As I mentioned, y/n, I need to talk to you about something. Itâs regarding your accommodation."
First, you breathed a sigh of relief that it wasnât anything more serious. Then, your eyebrows raised in surprise. Accommodation?
"There have been some issues with the hotel weâre planning to stay at," Hotch continued. "We couldnât secure separate rooms for each of you. Youâve been assigned to share a room with Reid. If thatâs a problem for you, we can always look for another place, but that would mean you'd be away from the rest of the team..."
âNo, itâs not a problem,â you assured him, perhaps a bit too enthusiastically. You were relieved that the conversation didnât involve any serious issues, just a trivial problem with the room. Besides, why would it bother you to share a room with Spencer? It was only for a few nights. "I was afraid you wanted to talk to me about something else," you blurted out.
âAbout what?â he asked suspiciously.Â
âOh, nothing,â you replied quickly and somewhat squeakily.
Hotch smiled slightly at your reaction, but his gaze seemed to analyze you closely.
 Oh you idiot, why couldnât you just shut up? you thought to yourself as you walked away.
*
The weather decided to play a trick on you.
 As you were driving to the crime scene, the waterfall was sliding down the windshield, almost making it impossible to see anything. In any case, there wasn't much to look at. After passing the main part of the town, you were surrounded only by forest â trees shimmering in shades of orange.
The view didnât impress you much. You definitely preferred warm, sunny weather and lounging in the sun, rather than freezing every day after stepping outside and dealing with frizzy hair from the humidity. You liked the town better. It felt small and cozy, as if it were taken straight out of Gilmore Girls.
Prentiss was behind the wheel, and you were sitting next to her in the passenger seat, while JJ was your navigator. The boys took a different car.
âSo,â Emily began, turning left at the intersection with her eyes fixed on the road. âYou care a lot about your brother, donât you?â
âYeah,â you confirmed, sinking deeper into your seat. Why did she have to bring this up again? It wasn't that you didn't trust them; you just didnât like talking about your family. It wasn't even about being ashamed â why dwell on unpleasant topics? Besides, as was well known, you were private. You had to be incredibly close to someone to open up, and even then, you didnât lay all your cards on the table.
Together with JJ, they looked at you kindly and encouragingly. You acted like you were fascinated by what was behind the glass. Soon, you arrived at the crime scene.Â
That means, before you reached your destination, you had to walk quite a distance into the forest. Since it was late October, the days had grown particularly short, and you could already see the first streaks of darkness between the enormous trees that seemed to watch you with their ancient gaze.
If you hadn't had the girls with you, you would have felt a thrill on your spine.Â
The location where the bodies were found had been secured very thoroughly. Local police cars gathered there, and soon the rest of your team arrived. You glanced at your muddy shoes and made a mental note to start dressing more appropriately for the weather from tomorrow on.
The rain intensified. Emily pulled her hood tighter around her head.Â
âWorking in these conditions...'"
Her sentence was interrupted by the appearance of an incredibly tall man, somewhat resembling a bear. Long hair protruded from under his sheriff's hat, and he seemed to be about the same age as Hotch, with whom he immediately shook hands.Â
âAgent Hotchner, we're from the FBI.'"
"Sheriff Russellâ he introduced himself, pressing his hand to his forehead with concern. 'I've never seen anything like this, and I've seen a lot. I can't believe anyone from this town could do something like this; I know these people and...'"
âCan we see the bodies?" you asked. It was getting dark, and you wanted to get as good a look as possible. There was something intriguing about this case that had unsettled you since the moment you first opened the file.
Without waiting for an answer, you and Emily moved toward the secured area. Despite the circumstances, the corner of her mouth twitched.
"God, I hate this chatter," she sighed in annoyance. "I know these people; theyâd never do something like this," she mimicked the sheriffâs deep voice. "Neighbors of serial killers always say that. Someone can be polite in conversation and keep five bodies in their basement â itâs not mutually exclusive."
You stifled a laugh.Â
"Donât forget the how could he have done it? He always said good morning in the hallway!"
âOr about kids. Sure, he was killing small animals since he was four and had a knife collection, but deep down, he was polite! I can't believe he shot up half the schoolâŚâ
Hotch appeared right next to you, so you cut her off with a firm elbow jab. You accidentally hit her in the ribs, causing her to let out a groan. This only intensified your incredibly inappropriate amusement. Your boss was standing so close, so you covered your mouth under the guise of a cough.Â
In the next thirty minutes, the laughter faded away.
You began by examining the bodies of the first victims, in chronological order. These were the three brutally murdered women. The whole scene seemed to be waiting for your arrival. Not a single detail had been altered, making it easier for you to connect emotionally with the situation. Most of the profilers you knew were meticulous about keeping their feelings detached from their work. It was the only way to endure this job for more than a year without committing suicide. You applied that strategy yourself, but not entirely.
When investigating a case, you tried to imagine yourself in both the shoes of the perpetrator and the victims. Often, you would close your eyes, attempting to visualize and feel it all in vivid detail. To step away from pure theory and let intuition take over.
It was likely the reason that, for the past year since you started this work, you hadnât imagined a day without at least one tranquilizer and a sleeping pill.
After thoroughly examining the first crime scene, you drove to inspect the next one. This time, the victims were two people connected to the city council. The previous victims had been a teacher, a former resident of the orphanage, and a social worker. When you learned this, a heavy feeling settled at the back of your mind. You were certain there was a connection between these victims.
"Letâs consider what drives the unsub to remove the victimâs head" Rossi suggested.
Before you could even define the meaning of the question, Reid rushed to answer.
"Decapitation is one of the most symbolic acts of violence. The head represents thought, intellect, and control. By removing it, the killer may be expressing a need to destroy those aspects. It could also be a form of humiliation, a metaphorical stripping of their power and authority," he explained in a slightly robotic tone, as if reciting from a Wikipedia entry.
You smiled subtly at the thought. He noticed and gave you a questioning look, which you chose to ignore.
âThat would fit for the two later victims," Morgan said, resting his hands thoughtfully on his hips. "They were on the city council â the unsub might have felt he was stripping them of authority and power. But how does that apply to the others? A social worker, a teacher, and an orphanage employee?"
You fixed your gaze on your dirty shoes, Derekâs question echoing in your mind.
 What was it all about?
*
Youâd forgotten your sleeping pills.
Once more, you searched your toiletries bag, where you usually kept them. Not a trace.
You pressed your lips tightly together, angry with yourself. Your sleep problems werenât that serious â were caused mainly by overthinking and constant worry. You didnât have the motivation to take care of yourself in that regard. It was much easier to rely on the medication, and as long as it worked. Sometimes you forgot that you were even struggling with it at all.
âIs something wrong?â Reid asked, stepping out of the bathroom. Following Hotchâs words, you were sharing a room with him. âYou seem upset.â
You shook your head dismissively.
âI just forgot something.â
Only then did you look at him. He was wearing plaid pajama pants and a gray t-shirt. You realized it was the first time youâd seen him in such casual, everyday clothing. He usually wore shirts, blazers, and vests â somewhat grandpa-like, but you thought it suited him well.
You realized you had been staring at each other in silence for quite some time. To break the awkwardness, you cleared your throat and decided to return to one of the exhausting topics.
âThereâs something strange about this case. You know, Iâve thought a lot about your theory regarding personality disorder, but something doesnât sit right with me. Aside from the fact that itâs very, very rare, itâs just⌠my intuition doesnât agree with it. I hope I donât sound like a shaman.Â
Spencer bursted out and sat on the edge of his bed. In your room, only the standing lamp illuminated the space, casting a dim orange light around. Despite that, you could see the thoughtful expression on his face.
âWe once dealt with a case where the unsub was struggling with that very disorder. He was abused as a child and developed a separate personality, Amanda, who harmed men similar to his abuser,â he shared in a quiet, less confident tone than the one he used on the jet. He must have been tired after a long day at work, and like you, frustrated that you hadnât found anything.
Above all, the circumstances were different. Your conversation had shifted to a more personal level, concerning two friends rather than coworkers.Â
âDo you see any similarities between these two cases?â you asked, intrigued since you had never dealt with a similar case yourself.
âNot exactly,â he shook his head. âAt one time, I read a lot about that disorder. There was another instance where we had an unsub whoâŚâ he trailed off, a visibly tense expression crossing his face.
âItâs okay,â you quickly reassured him. You didnât know what was bothering him, but it was clear he regretted bringing it up at all. You had never been one to push for more; you often felt uncomfortable with certain topics, and you were incredibly grateful when someone recognized your withdrawal and changed the subject. âYou donât have to talk about it if you donât want to.â
âThanksâ he whispered. But I think thereâs something to your intuition. This whole case is exceptionally peculiar.â
ââWell, you can call me a shaman now. By the way, are you planning to go to bed already?â
âAnd you?â he replied with a question of his own. âActually, Iâd prefer to read for a while, but I donât want to disturb your sleepâŚâ
Your broad smile clearly surprised him.
âI was hoping youâd say that. I wanted to spend some time with a book tooâ
In fact, it didnât stem from your desires at all. You loved reading, but your brain was usually too tired for it in the evenings. However, you were aware that falling asleep would take you an unusually long time, and you preferred to make use of that time rather than stare at the ceiling.
You pulled out the only novel you had brought, Kafka on the Shore. You were about halfway through. Then you remembered you had meant to call your brother, but when you glanced at the clock, you realized that due to the time zone difference, it was already late at night for him. You sighed with a pang of guilt. You promised yourself you would do it tomorrow.
âGoodnight, Spencer,â you said when you both agreed it was finally time to go to sleep.
âGoodnight, shamanâ he responded.Â
You smiled in your pillow.Â
part 2?
#spencer reid x reader#spencer reid x oc#spencer reid fanfic#spencer reid#aaron hotchner#criminal mind#fanfic#criminal minds fanfic#spencer reid criminal minds#criminal minds angst#criminal minds fanfiction#criminal minds x you#criminal minds fic
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Regardless of whether anyone actually reads this, I need to show appreciation for the writing, blocking, and editing of the last scene of 3x03, âForces of Nature.â
Recently, I noticed that the LW line âthis author is captivatedâ was very specifically placed over a shot of Colin and I knew it was intentionally done to convey the double meaning of the narration being about her and him.
Since then, Iâve realized that the same thing is happening throughout that entire LW narration. And it is fucking BRILLIANT.
So, first of all, this is the transcript of the narration:
âThis author believes that all of manâs greatest inventions are nothing more than a distraction from what is most natural to us. Our instincts. The innate animal impulse that is inside even the most sophisticated of us. For when all is said and done, our nature will always win out. It seems Lord Deblingâs instinct has led this man of nature to the most surprising pick of the season in Miss Penelope Featherington. Suffice it to say, this author is captivated. For in the battle between man and nature, it is quite clear that the battle is in fact between man and himself.â
Now Iâm going to break it down with captioned stills so that you can see which words line up with which frames and Iâll explain what I believe it all means.
âThis authorâ - When itâs first said, itâs on Pen. The second time itâs on Colin. I think there are several meanings here. Firstly, sheâs Whistledown and sheâs published. He will be, assuming he publishes his travel journals or whatever. Secondly, I think it highlights how they will be united, in the Whistledown storyline along with everything else. Thereâs a third meaning, but Iâm going to get back to it later, once we get to the second use of âthis author.â
This is the Innovations Ball, so on the surface, LW is speaking about man-made technology versus the natural world. But with the introduction of âman,â the shot immediately cuts to Colin, so the second layer of the narration is about him. All of Colinâs invented personality traits are a cover, hiding his true self- his sensitivity and his feelings for Pen. Obviously, this echoes what she wrote about him in 3x01, but itâs different. The context is the same, but this time, sheâs not speaking directly about him, and really, she may very well not be thinking about him at all in writing it. After all, she still doesnât know about his feelings for her. But we know. And the feeling of what sheâs saying this time is less jarring; more, fittingly, natural. Because heâs starting to confront all of it as well.
In this shot, Colin has been walking across the room to get to Pen. There were people on his right, obstructing his view of her, but as LW says ânatural,â Colin passes those people and, though we cannot yet see Pen, we can tell from Colinâs face that he finally clearly can. She is what is most natural to him.
He comes up to her and says that he has a question for her. The narration starts again. But on this shot, itâs only the one word, âour.â Aside from this just being romantic, I think it highlights that the narration is about both of them. But I also think that itâs not just about them. It feels to me as if, metaphorically, itâs written by both of them. Hence, my emphasis on the importance of âthis author.â
We cut to our first close-up of Colin in this particular intimate sequence of close-ups. And weâre really in his perspective now, as heâs struggling to manage his feelings.
Again, he had been masking, trying to be like the other âsophisticatedâ gentlemen.
But a shift is occurring within him.
And this where I really hope there is at least one other person out there paying attention because all of the elements are coming together to tell us something incredible here. We have our beloved Julie Andrews delivering the line with a profound heaviness. We have Kris Bowersâ âCall Me Simonâ coming to a close, sounding like a clock striking midnight. And we have the decisive sentiment of the words themselves. I'm convinced that the words âdoneâ and âwin outâ being said on Pen speak to the finality of Colinâs feelings. If there was uncertainty before, it is gone now and there is no turning back. He is in love with Pen.
But before Colin can say anything else, Debling steps in and takes Pen away to dance.
Side note: Amazingly, I can back up my theory with this shot and another one of my theories:
I had said, when the trailer came out, that when true red shows up behind Colin, that indicates his love for Pen. This is the first time we see that happen.
But anyway, back to WhistledownâŚ
Debling is the literal âman of nature,â while Colin is the metaphoric âman of nature.â Both have picked Pen.
Weâve finally come to the second âthis authorâ and hereâs the third thing I wanted to say about it: Possibly my favorite thing about this sequence, is that it acts as a vehicle for the representation of the Polin role reversal. From one end of the Whistledown narration to the other, Pen and Colin literally and metaphorically switch places, seamlessly. They exchange their physical places in the room. Sheâs the wallflower, then heâs the wallflower. Sheâs the author, then heâs the author. In a metaphorical sense, theyâre both writing this Whistledown piece. This whole sequence serves to show us how Colin and Pen have really been equal this whole time. Theyâre just star-crossed. Itâs like what Luke has been saying in interviews, Colin and Pen keep missing each other. They have brief moments where they eclipse each other and then they slip right past until the next time they orbit around to each other again.
Ok, hereâs the final stretch, and it is a fucking fascinating maneuver:
The battle isnât between Colin and Debling. In fact, Debling doesnât signify at all here. Iâd say there are actually three other battles being referenced: Colin and himself, Pen and herself, and Colin and Pen. The first âmanâ of that sentence is said on Colin, while ânatureâ is said on Pen. So in the battle between Colin and Pen- for there is a battle, as Cressida will mention in 3x04 when she says âEros and Psyche, battling it outâ, and also there will be more blatant battling in part 2- the real battles Colin and Pen are facing are the ones within themselves.
Of course Iâve already written about Colinâs battle with himself.
The reference to Penâs battle with herself is particularly interesting to me. At first, I didnât see it and I didnât understand why that bit of the narration was spoken over the Pen and Debling dance instead of over Colin. Then I realized that the second âmanâ of that sentence is said directly on top of this shot where, again, itâs not about Debling; itâs her face weâre seeing. Then, Debling spins her and the âhimselfâ is on Pen too. And I know Iâm right about this because the shot was in the trailer and I watched it so many times. And I noticed that Sam Phillips is very specifically looking away from the camera in this moment. I figured it was because we had to know that the moment was about her. And I was right.
Penâs journey is her reconciliation with herself. Colin and Pen really have the same inner battles. They both need to drop their masks. Thatâs why the mirror scene is going to be so important- itâs about exposing and embracing the bare parts of both of them. They are already equal and united. They just need to see it.
Ok thatâs it. Iâm done. I got it out. And I literally canât add any more images to this post. To anyone who will have read this fuckin novel I just wrote, thanks for sticking around. These ballroom sequences are particularly difficult for the cast and crew to do, and there is obviously so much complexity in this one, so I feel like it should all be acknowledged. Someone has to acknowledge it, and if that has to be me, I will gladly continue using up my Friday afternoons to do so.
To the cast and crew, to the captain of the season 3 ship, Jess Brownell, to the director, Andrew Ahn, and writer, Eli Wilson Pelton, to everyoneâs favorite choreographer/movement director, Jack Murphy, to Luke, Nic, and Julie fuckin Andrews, I see you and I love you. Please keep doing what youâre doing. Itâs all worth it. âĽď¸
#my obsession with this show and specifically this episode is unlike anything iâve ever experienced before#forces of nature#innovations ball#hawkins ball#polin#lady whistledown#bridgerton#bridgerton season 3#netflix#andrew ahn#jack murphy#jess brownell#eli wilson pelton#obsessive bridgerton things#bridgerton analysis
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" đ đŚđđŤđŚđđ§'đŹ đ đŽđ˘đđ đđ¨ đŹđđđŽđđđ˘đ¨đ§ "
đŠđŤđ¨đŚđŠđ: đĽđŽđ¨đđĄđ đ˘đŹ đđ¨đŚđŠđĽđđđđĽđ˛ đ¨đđĽđ˘đŻđ˘đ¨đŽđŹ đđ¨ đđĄđ đ˘đ§đđŤđ˘đđđđ˘đđŹ đ¨đ đŚđđŤđŚđđ˘đ đđ¨đŽđŤđđŹđĄđ˘đŠ
content warnings: gay relationship, descriptions of grevious bodily injury, implied self-mutilation/self-harm, male reader, monster x human relationship, hurt/comfort writing, hey this starts out really dark please take care of your mental health, arguments, misunderstood feelings, mermaid courtship, alternate universe where luocha is a traveling doctor who's studying biology and anatomy across the universe blah blah blah, luocha is pretty genuine in this even though i know he is in fact a snake let me idealize for a moment okay, luocha puts a ring on it without realizing he is literally putting a ring on it
full admittance you'll probably find parallels with @/havanilla's merventurine au at the start of this cause it was one of the last things I read on my old tumblr account before it died on me and i fear i DO have brainrot
to add to my earlier warning about this chapter beginning out dark, there will be a marker for the cuter, mermaid courtship section of the fic!! look for a marker like the one below VV
" welcome back caller đŞˇ! connecting your line as we speak! "
" new contact noted! caller luocha has been added to your phonebook - love, đđđđđđĄđđ đĄ-19 â
A pained scream ripped through the air. Â
It was a shame it couldnât be distinguished from the sound of other yells and shouting from all over the deck. In fact, it seemed the anguish was completely drowned out by the noise of an older man beginning to bark orders from the side of the fishing boat. Gravelly with age and experience, sets and more sets of hands seemed to jump to action, rushing over to that specific side of the deck. Â
In the crewâs haste, they didnât seem to notice they had also woken up the residential cabin. Things were more than hectic; the experienced crew themselves were in a frenzy. There was something that demanded urgent attention and it seemed none of the regular passengers were privy to what exactly it was.Â
Still, in the curious sea of civilian passengers renting their rooms in the bowels of the ship, a tall blonde head of hair peered over the crowd straight to the source of the fuss. Over the sea of yellow rain jackets adorning the working fishermen, he caught sight of some kind of reflective surface⌠what many wrote off as an oversized fish, Luocha continued to strain his eyes at.
Should he have been anyone else, perhaps he wouldnât have noticed. But Luocha was a doctor, he was more than familiar with noises of distress; with the scent of blood. Something in the very core of his body shook with each of the pained and weak motions of an equally pained, weak patient. The vibrations crept up his spine from the wooden boards of the ship, whispering into his ears.Â
Something was wrong.Â
Something was terribly wrong.Â
Despite the protests of one of the tour guides, urging him to go back to sleep, he rushed towards the scene. The same pained screams; the sounds of the body on the deck; the reflection of the âoversized fishâ, they became clearer and clearer the closer he closed in.
Before he could make it into the crowd of men at work, he was caught by one of their coworkers. Clad in a yellow raincoat, shadow cast across his face in the rain, the obviously displeased grimace all over his face only further sent Luocha into a state of panic. A tense grip on his elbow, the man spoke in a language he didnât understand. Even if he didnât understand the words themselves, Luocha was more than smart enough to understand the message the worker was trying to convey. Before he could be pulled away, he made one last attempt to see what exactly was going on.Â
When he did manage to catch a glimpse, he froze.Â
Perfect, round tears running down flushed, red cheeks.Â
The skin was pulled taut in another scream. Based on the shaking motion of the face, he could only really come to the conclusion the body was being jerked in every direction possible.Â
âStop⌠STOP!â He yanked his elbow out of the manâs grasp, crashing directly into the back of another worker. In his haste, he shoved the man out of the way only to find his path blocked by even more yellow raincoats. âYouâre only going to worsen the injuries! Iâm a doctor!âÂ
Despite not considering himself to be very physically fit, something about the situation discarded that reality entirely. An unknown strength washed over him as he forced his way through the clusterfuck of workers trying to wrestle the screamer into place.Â
He didnât understand, Luocha didnât understand.Â
There was an injured crew member on the deck, screamingâwhat kind of idiot would continue to pull and stress the skin around the wound? Was that why the team leader seemed to screaming with such vigor? Was he equally concerned about one of his staff suddenly being sent into debilitating agony?Â
But no, not even in the slightest. Â
Through the crowd, a wet mop of hair thrashing against the backdrop of a barbed fishing net came into view. The urgency only further sent Luocha wrestling through the crowd of men, all but screaming himself as he watched the injured man on the ground contort his facial muscles in abject horror. Â
âStop it, youâre hurting him!âÂ
 He could hear his own vocal chords start to tear as he shrieked for the poor victim. With each passing moment, fear and anxiety seized the doctor in his entirety before he finally managed to part the crowd like the red sea.Â
In the end,
he wasnât faced with a crew member.Â
...
A merman.Â
Something heâd only heard of in the planetâs folklore.Â
It seemed well-known the small surviving population hardly ever ventured out of protected waters for fear of predators.Â
What was this one doing so far out�
With the opportunity making itself known, the unknown merman continued to thrash but harder, lips curling upwards as another shrill cry of agony streaked the night air. From up close, the doctor could only watch the formerly smooth, unmarred skin become tainted with red. Washed with your own blood, you looked more similar to some kind of horror movie monster than a person.Â
But even in the face of monstrosity, his inner doctor only saw the blown out pupils, the senseless aggression, the fear written all over his patientâs face in their own claret stain.
âYouâll end up killing him, stop, STOP!âÂ
He completely ignored his own pain as the barbs in the net ripped into the fabric of his pajamas, cutting open his knees when he threw his body on top of yours. His hands flew around carelessly in an attempt to unlatch the hands that seemed determined to pull at you from every direction. Â
At the loss of the hands all over your body, your screams died down into pitiful hyperventilation, curling in on yourself in an attempt to cover the wounds weeping crimson all over the formerly white net. Â
Instead of relief, instead of some kind of graditude, it seemed he was only met with friction.
âOy, blondie, paws off, do you understand how much money youâve got your hands on right now?âÂ
The thick accent confused him at first, then the words themselves didnât seem to compute.Â
âExcuse me?âÂ
You yelped again when one of the men pulled at the net. Â The cold metal tore sore flesh in chunks.
âMermaid scales are priceless. So are the pearls they cry, we caught the bastard fair and square so. Step. Off.âÂ
His mind scrambled to understand the sentence, thoughts muddling together in a blender of pain and panic. âI- I-âÂ
âYou?â Another crew member chimed in, crossing his arms, âYouâll what, doctor?�� You can either get off of him and wrap up your cuts yourself or weâll drag you off and the barbs can teach you to keep your nose out of other peopleâs business.âÂ
âI-â his breathing picked up drastically, suddenly confronted with such a terrible moral dilemma.Â
When prying hands began to make grabby motions for the edges of the ropes, he choked out his final answer.
âI'll pay for him!"
â...â
â...â
â...â
He swept his rain-soaked bangs out of his face, his voice shaking, âYou were planning on selling him, right?â He fumbled with his sleeves, âI make good money, I swear, I-,â he swallowed, âI can afford it. Just take as much as you want out of the account I used to pay for my cabin.â
â...âÂ
â...â
Things were a little bit awkward, to say the least.Â
Despite an attempt being made to cooperate while you were awake, it seemed the pressure and the mounting stress of nearly dying made it unable for you to accept the fact that Luocha was not, in fact, going to hurt you.Â
The attempt to deal with the various injuries littered all over formerly smooth, silky skin was unproductive at best. In fact, it only created more problems. Trying to operate while you were largely unreceptive to anything he was saying was by far the worst decision he couldâve made given the circumstances.Â
Point blank, he needed to get the barbed hooks out of your skin. If he didnât, the wounds would be at increased risk of infection. After all, based on the cruel treatment heâd seen on deck, he knew the metal was most likely unsanitized. Doing this while you were awake was easily the worst decision he could've made.
Promising not to hurt you while continually yanking pieces of metal out of your tender flesh was not a good way to build trust.Â
"..."
"..."
You poked at the âstrangeâ bowl thatâd been set in front of you. It was some kind of clam-fish hybrid soup. I mean, Luocha was trying to be considerate of your regular diet. Surely, since you were living out in open waters, you were pretty used to eating fish right?
He, however, failed to realize you werenât exactly in a spot to ever enjoy the luxuries of cooked food⌠or soup. Heâd laid out some utensils for you to use on top of that; it was a shame you didnât know how to use them.Â
"..."
"..."
You realized pretty early on that heâd saved you from becoming a victim to death by blood loss. After all, when you were dropped in a holding tank until the ship arrived at the port, the water went cloudy from the dirt, debris, and blood all over your body. In your little waist-high tank, heâd done his best to make sure youâd actually survive through the night.
Despite your reservations about him, you did your best not to scream while you were confined to a glorified holding cell. Nails digging into the glass, biting down hard enough on the towel to tear, you tried your best to stay still while he fished countless little hooks from your back, arms, and chest. Â
Removing the large hook in your shoulder was the most painful part of the process for the both of you. You, for obvious reasons. The hook made a clean cut through the muscle--scraping up against the bone--by the time you were awake enough to realize you were wrapped up in a barbed net. Luocha, on the other hand, was the one that had to deal with the struggle while trying to complete a very tricky operation. Â
Eventually, the problem dealt with itself when you passed out. Really, he shouldâve sedated you to start with, and he cursed at himself for not thinking of it sooner. After you went out, he did his best to stitch everything upâhell, he wrapped you up in enough bandages to look like a mummy.Â
But, since the two of you actually arrived on the island, there wasnât so much as a word shared from either party.Â
You woke up in a little bathtub, in a little bathroom, feeling like your arms were falling off and you couldnât breathe because of how tight all of the bandages were wrapped around you. Eventually the giant bandages changed to smaller ones attached with some medical tape. The only bulky one left was the one wrapped around your shoulder.Â
"..."
"..."
With some trepidation, you grabbed at one of the fishtails sticking out of the mystery liquid, digging a finger in between the meat and the ribs to peel it off the bone. Carefully, you used one of your freshly trimmed nails to remove the thick, scaly skin, then biting off a chunk to chew and swallow. Â
The longer you stared at the bowl, the more confused you became.Â
Yes, you knew how to eat a fish.Â
Yes, you knew how to eat a mussel.Â
No, you didnât know what to do with whatever else was in the bowl. Â
You paused eating when the man sitting across from the bathtub cleared his throat. He made a vague gesture towards your lap, âWould youâŚ?â
â...mind if I showed you how to eat a bowl of soup?âÂ
Without much hesitation, you offered up your meal again, much more interested in the chunk of fish in your hand. Biting off another piece, you drank in the pleasant familiarity in just having some tilapia for once. Â
He picked up the spoon. Deciding not to embarrass you further, he decided to taste test the food himself instead of trying to feed you. He let the silver spoon clatter back into the bowl, passing it over to you again. Despite the clear demonstration heâd given you, you opted to pick at one of the mussels hiding underneath the broth.Â
â...â
â...â
He cleared his throat again, seemingly averting eye contact as he stared at the tiled walls.Â
You diverted your attention from your bowl back to the blonde doctor.Â
âI donât mean to be rude or pry in any way,â he swallowed, âbut what exactly were you doing so far from protected waters?"
You didnât seem surprised in the slightest by his question, grabbing at the other fish tail in the bowl, âSmuggling and poaching.â Â
He tilted his head curiously.
âProtective waters have attendants to track general pod health, they have the authority to temporarily remove merfolk from the water to do routine health checks." You finally wrapped your hand around the spoon awkwardly, bringing some broth up to your lips. "Smugglers get jobs as attendants cause only tagged mermaids are considered protected.â You wiggled one of your finned ears, your left ear. Notably, there was a small tear in one of the fins. âIt only takes a couple minutes for an attendant to catch a mermaid, sedate them, get them into a vehicle, remove their tag and throw them out into the right spots for a couple grand.âÂ
âI see.âÂ
You hummed, finally bringing the soup up to your lips, âSpeaking of, how much did you end up having to pay for me?â
"..."
"..."
âExcuse me?â Luochaâs hands rested in his lap.Â
âHow much did you end up paying for me?â You picked up another mussel, âIâm pretty good about keeping up with the price of scales and pearls. I know you bought me as some kind of pity project, but I'm pretty eager to go back out to open waters. Just name your price and I can start trying to pay off the debt.âÂ
The doctor blinked a couple times. âOh⌠oh my god, absolutely not!â He shook his head, bringing his hands up in front of his chest defensively, âThere is no need to pay me back in the slightest. Please, just rest well and remain healthy. That would be the best payment.â
âWhatâs this?âÂ
He rolled the small iridescent pearl between his gloved fingers.Â
âItâs a pearl.âÂ
He cracked a smile at that. It was gone as quick as it arrived as he brought the little treasure to his face to take a closer look. âWell yes, but where did you get this? Did you have it stashed on you somewhere?â
You twirled your finger in a circle on the surface of the water. âNo,â absentmindedly you observed the little whirlpool it made, âI made it.âÂ
He blinked a couple of times, hand dropping back to his side. âPardon?âÂ
You finally looked up from the surface of the water, âI made it.âÂ
He cocked his head to the side, âYou⌠made a pearl?âÂ
You looked at him, bored, âWell, yeah, did you not know mermaids make pearls?â
He looked from you, to the pearl, and then back at you. âNo⌠Iâm afraid I didnât know.â His palm closed into a fist around the pearl, âHow?âÂ
â...hm?â
He gestured towards his closed hand, âHow did you make it?âÂ
You gave a huff, âWell, youâve seen me make them before.â Â
He frowned, âI⌠have?â
â-and I didnât notice?â
You nodded, shifting around in the bathtub to try and stretch your long tail out a little bit. "The night I got caught on the boat-" Your jaw tensed, a sudden pang of soreness shooting up from your extremities. "-they were all over the deck, there were a bunch in the little tank they had me in.âÂ
His frown only deepened as he did his best to recall, âI donât think I remember seeing themâŚ? Does your blood crystalize into them or something of the sort?âÂ
You rested your head on the porcelain of the tub, bringing your arms up to cushion your cranium. âTears,â you murmured, âMerfolk tears turn into pearls.âÂ
��Ah⌠so thatâs why you mentioned there being so many on the ship.â
But then it hit him.Â
âWhy were you crying?âÂ
You shrugged, âMost mermaids in protected waters can cry on command. We get a lot of tourists that give us gifts, sometimes if weâre interested weâll give them a pearl in return.âÂ
He nodded like he understood, but suddenly the beautiful gem felt heavy in his fist. He opened his hand and offered it back, âAs beautiful as it is, I donât wish to see you shedding any tears while youâre under my care.âÂ
You pushed his outstretched hand away, âWell, I already made it. Thereâs no use trying to return it.âÂ
âStill, I feel terrible receiving a gift with such painful origins,â he sat down on the stool thatâd become his usual spot. âIâm a doctor. My goal is to make sure youâre in the least amount of pain possible.âÂ
âYou should feel honored, youâre really the first person Iâve ever given a pearl to,â you raised your head from its spot on your arms, âI usually only gave them to little kids that didnât bring me gifts so Iâd give them something.â You sank further into the water in the shallow tub.
âMy concern is why you believe you should be giving me gifts in the first place,â he crossed his left leg over his right, scooting in closer, âIâve already told you that taking care of you has always been of my own volition. It is quite literally my job. If youâre giving this to me as a gift and not repayment, I might be more inclined to accept it.âÂ
You huffed, âWell, I guess you caught me.âÂ
His brows furrowed, âSo I was right, youâre trying to pay back a debt again.âÂ
â...â
â...â
â...â
This time, he sighed. âIâve already told you, your health and wellbeing are both priceless. I would never ask a patient I forced into care to pay me any sum of money-â
âThatâs what I donât understand,â The water rippled when you sat up suddenly, âWhy donât you want to accept any kind of payment? Iâm tired of talking to you as property and owner. You bought ownership, legally Iâm your property. I donât want to be your property.âÂ
âYou arenât my property-â He quipped, expression growing displeased.
âBut I am,â you cut him off. âYou signed paperwork, you exchanged a certain sum of money. Even if you thought I couldnât hear you doesnât mean I didnât.â You crossed your arms across your chest, âI still heard the captain of the ship talking about sale prices with you. I know I was considered a higher quality product, I know I was expensive.â
The doctor opened his mouth; and closed it and opened it again. He struggled to find the correct words to use. âI didnât consider that an exchange for ownership of you, I considered that to be the price of your wellbeing. Iâve never considered you to be anything but an equal to me.âÂ
You drew your lips into a tight line, âWell, if I was an equal, youâd let me contribute to the cost somehow. You wouldnât treat me like some helpless baby.â You gestured to his closed palm, âThe pearl in your hand is priceless, sealing a handful of them would recuperate the money you wasted-â
Luocha held up his hand, âStop-â
But you insisted, âHell, if I ripped a couple of scales out you could more than pay for me. Youâd have enough money to buy another sorry sack of shit to take care of-â
âDonât EVER-â he cut you off aggressively, âEVER, suggest such ludacris things to me again. I refuse to even think about it.âÂ
â..."
Luocha shook his head, getting his gloves wet when he reached into the water to hold your hands in his own, âI would never ask you to do something like that to yourself. I would never ask you to hurt yourself to please me and I would never ask you to hurt yourself because you needed my help.â He gave your palms a gentle squeeze, âYou did not ask to be put in the position youâre in now, I am the one that chose to do this and I will be the one to set the price on my help; that price-â he paused, making sure you were looking him in the eyes, â-will always be no price at all.â  He pushed the pearl back into your hands. âGive this pearl to one of the children that visit the waters after youâve healed up in my stead, yes?âÂ
âItâs not exactly how I remember it.âÂ
You squirmed against the sensation of the water, arms still looped around Luochaâs neck. Â
âAny discomfort?â The doctor asked, âTell me if anything hurts.â
âNo, no, nothing like that,â You shuffled around to try and make yourself comfortable. You did your best to find the familiar rhythm of the waves, but your tail felt as useless as it had the entire time youâd been confined to the bathtub. âItâs⌠cold.âÂ
Luocha nodded... even though he couldn't quite understand. âIf you arenât straining any of your injuries, you can hang on for as long as you need to.â
You mumbled, trying to draw your elbows closer to your chest, âIâm not.âÂ
â...â
â...â
Itâd only been a week since the last time youâd tried to repay your imaginary debt to Luocha. Things got⌠less tense between the two of you.Â
You didnât put up a fuss when he put some ointment on the scars that formed all over your skin. You didnât squirm when he unwrapped your shoulder bandage. Youâd usually bide your time silently in the bathtub. Mostly, youâd nap. But that got old quickly, especially since a bathtub isnât the most convenient spot for sleeping.Â
Luocha could tell you were bored out of your mind all on your lonesome. To satiate this, heâd usually sit with you in the bathroom and try to teach you things like how to play cards. You were a little apprehensive with him, like you always were, but it seemed you opened up to him a lot more towards the end of your stay in his temporary residence.
Youâd become a pretty competent blackjack player all things considered.
You opened up more and more about your life down below. Usually, youâd be afraid to tell anyone about that information. Smugglers often targeted specific pods if one of the products happened to be particularly pricy. But Luocha wasn't at any risk, was he?Â
â...â
â...â
Eventually, as the water started to feel more natural on your skin, you let your grip loosen from around his neck. As the welcoming embrace of the ocean seemed to envelop more and more of your body, you could feel the former tension in your muscles start to melt away.Â
You laid yourself horizontal to the surface of the water, tentatively starting to create your own ripples in the vast expanses of blue. Maybe it didnât feel exactly as you remembered, but the gentle pressure of the cool, cool sea against your skin felt like home.Â
Your arms splayed out in the waves like an angel, basking in the familiarity of it all. âYou can let go now.âÂ
Slowly, surely, pale arms lowered you into the arms of the same waters youâd been in a little over two months ago. You shocked yourself when you chased after his hands. Still, as slick as an eel, you slid away from him into the open ocean, finding a boyish glee in the pure ecstasy of true freedom. Â
You took off like a little jet, head first into the deep end.Â
Luocha could only really watch with a small smile while you explored the vast array of little treasures hidden beneath the horizon line. Â
It felt like only fifteen minutes had passed when you re-emerged from beneath the ocean blue, but to your shock, the sun was starting to set and Luocha was off on dry land, wringing the water out of his hair. Â
In all of your fun, it seemed youâd forgotten about that man whoâd made all of this possible for you.Â
â...â
You pursued him onto the sand, watching him characteristically tilt his head to the side to express his curiosity. You pushed your own wet mop of hair out of your face with your hand, suddenly feeling a little less confident in your choices. Despite your trepidation, you felt you at least owed him this much.Â
That didn't make it any easier.
âI-â you swallowed, curling in on yourself, âWhat if I wanted to give you a gift? If it wasnât some kind of repayment?âÂ
He smiled, flipping a soaked lock of hair over his shoulder, âAs long as you arenât lying to me about repayment, then I would gladly accept.â
You suddenly felt a new wave of confidence wash over you, your chest puffing up a little bit, âWell, I have a gift for you.â Even though you failed to notice your little finned ears wiggling in excitement, Luocha did not.Â
You reached up to your right ear, unhooking the beautiful golden earring thatâd you'd been wearing since youâd been thrown out of protective waters.
His eyes widened.  Â
âIt-â You offered the hoop to him, âIt was my momâs.â
Luocha blinked a couple times, staring at the bangle before looking back up at your face instead. Â
âWell? You said youâd accept it if it was a gift.â You pushed it into his face, feeling a red hot flush wash over your features, âThis is a gift; from me to you, no strings attached.âÂ
He carefully took the thin gold loop in his fingers. He noticed the signs of oxidation and the water damage.Â
It was already far less valuable than the pearl youâd tried to offer him.
Yet its sentimental value was unrivaled.Â
â...â
â...â
âDid... your mother like jewelry?â
You shrugged, looking away from him, âYeah, she had a lot of it from my dad.âÂ
Luocha nodded. âWell, did she have a favorite kind of jewelry?âÂ
At this, you paused. âI mean⌠I guess she did. She wore a lot of rings⌠why?âÂ
âWell, since this is a gift I wonât refuse it,- Luocha slid one of the golden bands wrapped around his fingers off, â-but if you canât have her earring anymore, then you can at least have a piece of jewelry your mother wouldâve liked to wear.â
You felt your face transition from an embarrassed pink to a much deeper red. âYou⌠you know what youâre offering me, r-right?âÂ
He didnât respond in the way you expected. Instead of his usual confusion, he pushed the ring towards you again with one hand. The other went to work, looping the clasp of the earring through a piercing that was just a little bit too close to closing. Â
It felt like your brain was melting.
âIs he⌠flirting with me?âÂ
You took the golden ring between your fingers, watching him use his newly freed hand to further force the earring through the piercing hole. You could only feel the heat creep up your neck to your ears; fuck, it felt like you were going to burn alive on the sand.Â
When he finally got it in, he flipped a chunk of wet hair over his shoulder. He framed the golden hoop with his palm. Playfully, he asked, âHow does it look?âÂ
â...â
âHeâs definitely flirting.âÂ
You immediately ripped your gaze from his face to the ring that suddenly felt like a hundred pounds in your palm.Â
â...What fingers do humans usually put the ring on again?â
Shakily you slid the golden ring onto your left hand, examining the way it glinted in the light of the sunset. Â
â...holy shit, did I just get married?âÂ
â[name]?âÂ
You blinked a couple times, suddenly ripping your gaze away from the shiny metal. âSorry, sorry.âÂ
He chuckled at your expense, enjoying the little fluttering of your ears everytime he seemed to catch your attention again. âThank you for the gift, Iâll cherish it dearly.âÂ
You nodded.Â
â...â
â...â
The silence was interrupted with a quiet sniffle.Â
â...[name]?â
You aggressively wiped the tear off your face, watching the consequent pearl roll across the grains of sand. âH-Hey, you canât just give me this ring and leave-â You took a deep breath, â-Thatâs not fair, thatâs not fair at all.âÂ
He was a little taken aback at the sudden resurgence of emotion, âWouldâŚâ he paused. He thought it over before tentatively putting a hand on your shoulder, âWould it help if I stayed a little longer?âÂ
You shook your head, putting your hand over the one on your shoulder to hold it between both of your own hands. âYou have to promise to visit me a lot. Itâs going to take me a long time to find my family, so if you donât visit Iâm going to be lonely.âÂ
He, once again caught off guard, nodded, âO-Of course!â His own cheeks tinted a pale pink.Â
âYou promise?âÂ
He nodded again, this time using his other hand to clasp your hand in both of his. âI promise Iâll visit.â
a side note for this upcoming section: i did a lot of world-building for this fic behind the scenes, the current planet they're on is largely submerged beneath the waters and they live on a bunch of island nations. To link up with that idea, my idea of the mermaid smuggling industry is to do with the concept of foreigners coming in and destroying local ecosystems. (Colonization)
Long story short, the planet is loosely based on Polynesian Islands so I chose MÄori names for our supporting cast but keep in mind I am FAR from an expert and I mean literally no disrespect at all to anyone at all. Only the names are MÄori in nature because I feel like no matter how much research I do, I would be unable to capture the essence of the rich culture of New Zealand. I'm a little gay fanfic writer I have not done nearly enough research to claim I know ANYTHING, I just thought it'd be cool and help with world-building in case people want a part-two or something
âWhatâs got you so worked up?âÂ
âShut the fuck up Iarere, this is like the seventh time in the same hour.âÂ
Your younger brother held his hands up defensively, âWell, things got boring around here without you!â He let himself fall towards the ground next to the boulder youâd splayed out all the little pieces of gold youâd managed to scrounge up. âYou manage to make it back from outside of protective waters and instead of hating everything and everyone, youâre suddenly getting all buddy buddy with the tourists trying to get some trinkets. I know youâre old but are you really getting that desperate?âÂ
You frowned, âIâm not that old.âÂ
Iarere rested his face on the cool surface of the rock, prodding at one of the particularly flashy necklaces. âYouâre old to me.â Â
Your frown deepened. Not just because your brother was calling you old, but because Luochaâs weekly visit was coming up and you hadnât managed to gather up nearly as much as you wouldâve wanted.  For your kind, caring, doctor husband who was already well off, a few necklaces and a handful of rings and earrings wouldnât be anywhere near enough to woo him. âI guess I am getting towards the end of the usual age people get married at.âÂ
The younger man nodded, humming, âYeah, so do you have anyone in mind?âÂ
You bit your lip. Â
I mean, yes, you were married.Â
But it felt inauthentic if you didnât present your husband with some kind of dowry first.Â
Yes, Luocha only presented you with one of his old rings, but he also paid a hefty sum to rescue you from certain doom. He also nursed you back to good health, refused to take any payment for any of the medical treatments or the food thatâd been wasted making sure youâd retain your strength throughout your recovery.Â
In your mind, maybe human dowries were just a little bit different.Â
Despite opening your mouth to voice your dissent, your little brother jumped up at the opportunity to tease you. âSo you do have someone youâre thinking about!âÂ
âI-âÂ
âWhat are they like?â Iarere gripped your shoulders, tearing your attention away from your inner dilemma. âWhat do they look like? Do I know them?â He gasped, shaking you back and forth and he demanded to know, âDid you meet them while you were outside?!âÂ
You gripped at his shoulders in return, âI didnât say I had anyone in mind!âÂ
â...â
â...â
He pursed his lips, âYeah, Iâm not buying it.âÂ
You groaned, bringing your hands up to your face.
He only got more excited, leaning in way too close for comfort as he squealed, âSo I was right?!âÂ
âRight about what?âÂ
Your eyes darted over to the side, watching one of the few friends youâd managed to retain at your grown age. âThank the gods, Akahata, get Iarere off me before he gives me whiplash.âÂ
He hummed, âWell, Iâm more interested in what exactly you guys were talking about before.â You watched as his eyes flitted from you and your brother to all the precious metal and gems youâd laid out. âActually donât tell me, let me guess.â He pointed at the rock, âYouâre setting up a dowry, but youâre upset because you know no amount of jewelry would ever get anyone in the pod to consider settling down with your ugly mug.â
âHAH!âÂ
Your ears fluttered in irritation. âThatâs a horrible guess.âÂ
Akahata shrugged, âWell, I mean, your mugâs only ugly cause you frown all the time. If you actually made an effort to smile more, youâd probably have a lot more people thatâd be willing to accept you with no dowry.âÂ
Your frown tugged at the corners of your lips as you massaged your temples, âFor your information, Iâm making a dowry cause I already got married.âÂ
â...â
â...â
â...â
âYou WHAT?!âÂ
Iarereâs fists clenched even tighter around your biceps, âYou told me you lost momâs earring, not that you got married-âÂ
âItâs a long story-â You started,Â
âNot long enough to not tell either of us!â Your best friend screamed in abject horror. âThe moment Ngaio and I started courting each other I told you immediately-â You grimaced when he pushed your brother out of the way to be the one to shake you back and forth, â-and you get married and you donât tell me until afterwards?!âÂ
âIt wasnât planned! I didnât even realize he was courting me until he gave me his ring-â You countered, face lighting up pink.
âSo itâs a himâŚâ Iarere mumbled, putting his hand to his chin. His expression lit up as the pieces started clicking together in his head. âIs that where youâre going tomorrow?!âÂ
âYOUâRE GOING TO MEET HIM TOMORROW?!âÂ
You were growing more overwhelmed by the minute, averting eye contact. âYeah, so what? Weâve been meeting up every week while I was looking for you guys. Is it weird for husbands to spend time together?âÂ
Akahata abruptly let go of you, leaving red imprints of his hands on your arms. âThatâs not that problem, that problem-â he paused for dramatic effect, â-is that youâre planning on meeting up with him after returning and youâre not even telling us who he is!âÂ
Iarere put a hand over his heart, feigning his disappointment as he let himself sink into the sand below. âI think Iâm going to faint.âÂ
You sighed, âWell-â
Akahata jabbed an accusatory finger in your chest again, âIs he even good looking enough for you? Is he any good at providing? What was his dowry like? What pod is he even from?!â
âHeâs not from a pod-â
Your brother hummed, âSo is he a lone wanderer out beyond the boundaries of protected waters saving pretty mermen he wants to marry?âÂ
Your face twisted into one of disgust, âKeep your fantasies to yourself.âÂ
Iarere huffed, âWell, what else am I supposed to think when you say heâs not from a pod? He obviously has so be some kind of lone wolf, PLUS you got married before you made it back.âÂ
Akahata put a contemplative hand under his chin, âI mean he has a point.âÂ
You shook your head, âHeâs a human.âÂ
â...âÂ
â...âÂ
â...â
âYouâre joking.âÂ
âIâm not.âÂ
âYouâre jokingâŚâÂ
You held up your hand, gesturing towards the ring on your finger.Â
âOh my god, youâre not actually joking.âÂ
Your younger brother squealed, âOh my god this is like something out of all those movies on the surface! Tell me all about it!âÂ
You frowned, pushing through both your peers to make it back to your makeshift table top. âHeâs⌠a doctor, but he was working as a trader on a big ship.  He was there the night I got caught and he ended up buying me off the boat and he patched me up and released me.âÂ
Your best friend sighed, âOnly you can make a story that romantic sound like a business deal.âÂ
Iarere furrowed his brows, âWait, wait, wait, when did he propose?âÂ
âWell-â You fumbled over your words, âI caught feelings and I thought I might as well start the courtship process-âÂ
âYOU made the first move?!âÂ
âShut up!â You pushed your overly eager younger brotherâs face away, âI didnât know if he even knew about mermaid courting so if I was going to start courting him, I had to do it then.â
â...go on.â
You sighed, âI gave him momâs old earring, but instead of just taking it, he gave me one of the rings he was wearing.â You covered your face, feeling another wave of crimson wash everywhere from your neck to the tips of your ears. You still couldnât get the memory of him showing off the earring out of your fucking head. âI mean- I- I even asked if he knew what offering me his ring meant and he just put it in my hand.âÂ
Your younger brother kicked around on the sand eagerly, waving his hands around excitedly. âThat is actually one of THE most romantic proposals Iâve ever heard of!âÂ
Akahata crossed his arms, âDamn, I feel like mine was lacking.âÂ
You huffed, âWell, Ngaio is still your wife.âÂ
âAnd whatever his face is still managed to wife you--of all people--up.â
âTouche.â
âOh wow, you brought more than you usually do.âÂ
Luocha chuckled behind his hand, his own little bag of purchased trinkets hanging loosely at his side.Â
You hummed, thumbing over the beautiful glistening stone of a diamond necklace youâd managed to get off of a rather infamous regular. âYouâre one to talk.âÂ
He gave a small grunt of exertion as he sat next to you on the sand, letting the bag fall to the side, âYouâve got me there.â He couldnât help the pleasant swell of warmth in his face as you gestured for him to turn around.Â
I mean, maybe you werenât the best at communicating what you were feeling or what you wanted from him, but youâd been getting better.  Instead of just grunting a yes or no to the questions heâd ask, youâd actually make time for some conversation with him. Be it from your annoying younger brother to the changes in the pod since youâd returned, it seemed you shared what little woes you had with Luocha. Â
You also seemed to share endless amounts of little golden treasures with him. From old, worn gold, oxidized iron, anything really that you could find, you provided it to him and put it on him with the most delicate touch your rough, scarred hands could muster. Maybe it was nothing, maybe it was something. He couldnât control the way his heart sped up whenever you leaned in to help him put on a new pair of earrings youâd gifted him. He surmised gift giving was some kind of love language that was common among merfolk. Perhaps youâd also enjoy it if he brought you gifts of equal value!Â
Still, the pounding in his heart was not helped when youâd started smiling at him.Â
Everytime he managed to catch one of the rare glimpses of your smileâeven worse when youâd laughâhe almost felt like he was looking at something forbidden. Something he wasnât worthy of, right in front of him. For someone who had been through so much, you really opened up to him remarkably quickly after youâd been released. Perhaps before release youâd been scared of being sold off? The familiar feeling of the waters mustâve don wonders to make you relax this much.Â
Even worse when the physical affection began. It started as simple as reaching out to the side of his face to brush the hair away from his ear so you could catch sight of the golden hoop heâd taken to wearing.  It transitioned to taking his gloves off so you could look at the rings you ended up gifting him.  Before he could really process how quickly the two of you were moving, you were pressed up against him at every opportunity. Â
He knew it was natural for merfolk to not wear clothing, but did you have to have such a muscular chest?Â
Even now, as you fumbled with the clasp of the absolutely beautiful diamond necklace, you wrapped an equally muscular aquatic tail around his leg. He didnât exactly know if this was normal between merfamily-could he call them that?--, being overly affectionate.  Even if it felt like a little more than just normal bonding, he did his best to still the pounding of his heart when your fingers brushed his hair out of the way so you could make sure the gem was oriented correctly. Â
Trying his hardest to quell the tide of warmth surging up to the tips of his ears, he put a hand over his erratic heartbeat. He prayed to the Aeons above you couldnât feel it as your chest pressed against his back. Â
You wrapped your arms snug around his torso, pulling him further into your stomach. Resting your chin on top of his blonde hair, you found the gloved hand resting over his heart to hold in your own.  The two of you let the silence hang in the air for a moment.Â
â...â
â...â
You gave a quiet huff before you moved your chin from on top of his head to bury itself into the crook of his neck. As his fingers interlocked with yours, he found himself looking at all the gold rings heâd adorned your fingers with. Each and every one, he could put a time and day to.Â
But then, his eyes landed on your ring finger.Â
âOh, you still wear that old thing?â
â...hm?â
You glanced down at your hand, raising a brow. His finger was tracing over the ring heâd exchanged when he was releasing you back into the open water.
âYou still wear the same earring I gave you,â you murmured, flicking it with your freehand. âIâve given you countless pairs of earrings since, yet even when you wear one stud, youâll always wear the same one every time I see you.âÂ
His chest rumbled with a bout of laughter, âI suppose youâre right.â He perked up suddenly, âOh, that reminds me, speaking of this earringâŚâ He reached towards the rather large bag of gifts heâd brought with him. He threw a few of the boxes of gold ornaments heâd purchased before finally fishing the box he was looking for out of the bottom. âI went shopping and when I saw this pair, I simply knew youâd love it.âÂ
You hummed, looking at the little navy blue box in his hand.
He made quick work of the bow wrapped around the holding case, nimble fingers peeling open the little box before he presented you with his gift on their signature velvet cushion. It looked likeâŚÂ
âŚa replica of your motherâs earrings.Â
He offered them up to you with a bashful smile, watching in silent amusement when your ears flicked back and forth in some kind of excitement.Â
Delicately, gently, you picked up one of the hoops and twirled it around your fingers.Â
â...â
â...â
â...Well? Do you like it?â
You didnât respond, reaching up to your right ear to remove the little stud youâd chosen to wear to this outing. Fidgeting with the clasp of the loop, you threaded it with a calculated ease through your piercing.  Â
âI like it.âÂ
He clasped his hands together, âGood, Iâm more than glad.âÂ
â...â
â...â
âShe wouldâve loved to meet you.âÂ
âHm?â
You paused, âMy mother, I mean,â Your thumb fidgeted with the back of the earring. âShe always wanted to see her sons get married, but she passed before she could.âÂ
Luocha blinked. Â
âPardon?âÂ
You tilted your head to the side, âMy mother; she wouldâve loved to meet you.âÂ
âNo, no,â Luocha could feel the deep claret paint his face a messy red as he scooted to face you, âWhat did you mean by seeing her sons get married?â
â...
âŚDid you not know?âÂ
Luocha blinked.Â
âWeâre married.âÂ
Another blink.Â
âYou⌠Is that whyâŚ?â He gestured towards the gifts strewn across the sand. He looked back towards his own bag of gifts.Â
âOh for crying out loud-â
âI-â he cleared his throat, âI apologize, I seem to have⌠entered this marriage under false pretenses.â He put his hands on his temples, âHow- Where- When exactly did this happen?â
You hummed, âWhen you let me back out into the water. When I gifted you my motherâs earring, that was the signal I wanted to start courting you. When you gift something back, thatâs an officiation of marriage.âÂ
He coughed into his hand, trying to think through this situation logically.Â
Okay, so he accidentally got married.
What the fuck.Â
The train of thought seemed to end there.Â
âŚ
He was, however, plagued with another train of thought.Â
âWell, you have been making eyes at him for a few months now.âÂ
âŚ
Those thoughts were not helping. Â
â...â
â...â
âIf you want to end the marriage, itâs as simple as saying so,â you added, âI thought you knew what my intentions were-â
âNO!â
Luocha covered the bottom half of his mouth. âIâm fine with the arrangement as is, but it appears human marriage and merfolk marriage are officiated in very different ways.âÂ
Your brows furrowed.Â
â...â
â...â
â...Are you saying you want to officiate the marriage as humans would?â
The tips of Luochaâs ears burned with embarrassment. âI-âÂ
You held one of his hands in yours, eyes seemingly boring holes into his face, âWhatever it is, as long as you want to do it, I will do it to the best of my ability.âÂ
Any complaints were silenced when he was confronted with such sincerity. âWellâŚâ
You waited patiently, folding your hands in your lap. Â
Finally, it seemed your âhusbandâ made up his mind. Â
âClose your eyes.âÂ
You paused, seemingly surprised, but nonetheless your eyes fluttered shut moments after.Â
Luocha urged himself to breathe, flexing and unflexing his hands. Â
He leaned forward, closing his eyes as heâŚ
âŚplanted an innocent peck on your lips.
there's a note on the side of the phone booth, read it?
" idk how to describe it but now being on the other side of this, i'm feeling something similar to post nut clarity "
first post since losing literally everything on my first account yay !!
yes guys, luocha and his mermaid husband were openly cuddling on the beach for months and he's wondering "is he into me or am i bro-zoned"
that being said, losing my tumblr has now forced me to realize how many people genuinely like my writing hey guys I went scrolling through user kamisatoelogy's blog to look for their modern ayato fic and i found out someone dedicated time and effort into archiving my works???? and you guys went looks for me????
i fr feel like getting on my hands and knees and thanking everyone for all their support and love over this process and apologizing for scaring you guys so bad
you guys are so sweet and so many of you have been so helpful in getting my blog back up and running again :((
i started drafting my fics in google docs to make sure it isn't all GONE if i get shit on again so this chapter is brought to you by font: unica one, it was 27 pages total (i am insane)
shout out to Chappell Roan cause she really put me in my tunnel vision work zone while i was writing this
if u guys r looking for a writing hack, i trained myself like a sleeper agent to start writing when i play songs on hour loop it puts me in a work rut
- love, operator t-19
#honkai star rail#hsr#honkai#luocha#luocha x you#luocha x reader#luocha x male reader#honkai x male reader#hsr x male reader#sub hsr#x reader#x male reader#male reader#x male y/n#fanfiction#fanfic#hsr fanfic#honkai star rail fanfic#mermaid#merfolk#merpeople#mermaid reader#â đĽđ˘đ§đ đ đđ
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How to go about writing tics? I have tics but I never know how to write them naturally, especially cause I often forget I even have them. To me it's like describing blinking or something? But I of course want the character to notably have tics, even though my internal experience of tics isn't very noticeable to me? If that makes sense?
Hello!
Jerk, California by Jonathan Friesen is a book about a character (Sam) with Tourette's syndrome, written by an author who also has Tourette's. One of the things I really appreciated about the book was that it described Sam's tics in a way that made sense with how they felt as somebody with Tourette's.
In the book, Sam's tics are generally described when they're relevant. Usually, this is either to show that he's upset/otherwise worked up about something or as a way to build tension within the narrative itself. Although it doesn't necessarily mean that Sam isn't ticcing otherwise, it came across as the tics being more noticeable in those moments -- which I felt was a nice touch.
Consider the following passage from the book:
I glance around. My muscles don't jerk, and I close my eyes. I breathe deep, and like the third runner who finally catches up, the overtakes me. Slowly at firstâa hard eyeblink. But that's not enough; there's more that has to work its way out, and my teeth grind. Movement spreads to my shoulder, and soon my whole body springs to twitchy life.
Even without the rest of the context of the scene, the description of his tics is enough to convey how he's feeling in the moment.
In the more mellow portions of the book, his tics aren't generally described at all, which helps it to feel more calm.
Another thing I liked it that they're described in the same way as any other action or movement.
This is another passage from the book:
The class groans, Heather swears, and my shoulder jumps. My elbow knocks my textbook to the floor with a thump.
Although the author doesn't explicitly say that Sam is ticcing, we as readers can get that idea from the way it's described. Essentially, this is to say that you don't need to explicitly specify when something is a tic or not â your audience will generally pick up on it.
With verbal tics (Especially ones that involve speech), it can be a bit harder. There's a kind of balance you want to strike between showing the tics and still making sure that the dialogue is readable.
While discussing verbal tics that occur outside of dialogue (i.e. Not interrupting the character's speech), I'd suggest marking the tic as such through dialogue tags. Words such as "blurted" or "exclaimed" can imply an unintentional aspect to the speech.
You could also describe how the character is experiencing the tic themself (If it's from their POV).
This is another passage from Jerk, California:
"No thanks, Jace. I'll stay with Sam." "Hah!" The word fires from my mouth. I purse my lips and bite my swollen tongue, but my vocal cords are locked and there's nothing I can do. "Stay with Sam! Stay with Sam!"
If you're writing in the POV of another character, you could describe how it looks from their perspective. Though I'd be careful with this, as it can come across as mockery if it's not done well.
With verbal tics that do interrupt dialogue, be careful to ensure it's not too frequent as it can make it difficult to read. I'd also suggest using some sort of formatting to identify tics vs general dialogue.
An example could be: (Note: This is not from the book)
"You know, I don't thinkâhey!âthat would be a good idea."
That said, you would have to establish that the character has tics beforehand (And, ideally, establish this speech pattern as such), otherwise it can look more like an interruption or something similar.
I'd definitely suggest taking a glance through some books about characters with tics, just to see the format that other authors use. There's a wide range of options out there and the book I referenced here is just one of many ways to do it.
Cheers,
~ Mod Icarus
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dating kozume kenma headcanons - part 2
masterlist
navigation
warnings: not proofread, movie and timeskip spoilers, very self indulgent
a/n: EHEHEHEHEH I LOVE MY INTROVERTED GAMER BABY | word vomit. this is just pure word vomit.
during nationals when they were away, kenma always texted you before and after a game(kinda shocking since he's dry asl)
he would be a little clingy, especially when he was sleepy since he had no filter then
but he literally like slept so late there...(THAT ONE SCENE OF HIM WAKING UP WITH BEDHEAD <3)
before their match with karasuno, he sent you a gif of a happy dancing cat(it was him trying to convey emotion)
after the match, he sent you a text that read 'i guess i'm coming home'
which made you happy he was coming back, but also sad that they lost
right when they got back home, you went over to his house to give him some congratulatory apple pie and cuddles
obviously he got a fever and was literally bedridden for a couple of days, so you had to wait a little while before seeing the poor boy
but when you did, he was still a little sick so he just clung onto you(
when he's sleepy, i headcanon he likes his hair to be played with and when you do it he just falls asleep
timeskip to the future, and its been like what, 7 years? you've moved in with him into his house, and it's pretty casual at this point
he always comes to bed late since he stays up on stream, and he ends up waking up so late
but before you go to bed, he's almost always taking a break from his stream to kiss you goodnight
sometimes if you're feeling clingy AND sleepy, he'll let you sit on his lap and sleep there while he's on stream
guys everyone writes kenma as if he's someone who's lazy as hell, and cant cook
BUT NOT ME!!! i know kenma can cook because he isn't that self-negligent, like if he moved out by himself then surely he knows how to somewhat provide for himself
he doesn't cook much because he doesn't like how much effort it takes, but when he cooks its kinda fire
you guys alternate, but its usually you cooking
i know he doesn't eat much canonly but loves seeing you in the kitchen its so domestic
when you catch him staring his lil bitch ass smirks at you and is like 'you look good in my kitchen.'
EPHASIS ON "MY KITCHEN" LIKE AODJSAOLDJASJDL
guys stop he's so cute when hes posessive
SPEAKING OF POSESSIVENESS OMG
ok now kenma's posessiveness varies from day to day
if he sees another guy with you, he doesn't rage immediately but when he sees them holding you in a way how he does? that's when he slides between you guys and takes you back
but also sometimes when you're about to go out in revealing clothes, he gets all pouty and clingy
he doesn't let go of you and looks up you with such pleading eyes(im so weak. im so weak for him omg)
guys he ALWAYS goes to pick you up himself
most likely he's going to bed by the time youre done, he can spare a couple minutes getting you
and plus i know he may not act like it, but your safety is like one of his top priorities
especially since you're the partner of a famous streamer, he does his best to make you comfortable
whether that's having you sit out of frame when he's on stream, or keeping you hidden
the media's really mean, and he'd do anything to prevent you from seeing or witnessing something hurtful just because you're dating him
he takes all the necessary precautions he knows of, and always tries to keep your identity anonymous
but when you felt comfortable enough, you slowly started to creep into his streams
at first it would just be a hand popping into frame, to you literally napping on his lap while he streamed
he told his fans that he was taken before and they thought he was lying, but since they've seen you they're amazed that he actually pulled
overall, his audience loves you and they literally see how kenma lights up when he looks at you
like his eyes are so soft and glassy and hazed with love(im gonna cry. why isn't he real. please i want him so bad)
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2nd a/n: guys this is literally not proofread this is such shit work like im not even processing these thoughts in my brain IM LITERALLY JUST WORD VOMITTING RN ok im done thank you for listening to my ted talk GOODNIGHT
#kenma x reader#kozume kenma x reader#kenma kozume#kozume kenma#kenma kozume x reader#nekoma#haikyuu#miruac#haikyuu fluff#i love him#kenma fluff#kozume kenma fluff#kenma headcanons#kozume kenma headcanons#haikyuu headcanons
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Japanese Linguistic Observations in Spy x Family - part 4
Part 4 - Furigana and double meanings
I discussed in Part 2 how Japanese is comprised of three different alphabets: hiragana and katakana (together referred to as "kana") which represent pronunciation, and kanji which represent meaning. With there being over 2,000 kanji in common use, as well as various ways to pronounce any one kanji character depending on the word it's in, children learn kanji gradually throughout their school years. So manga and books aimed at a younger audience will typically have kanji "translations." These are comprised of small kana called furigana which are printed to the right of the kanji to show how to pronounce it. In the below panel for example, the one word that has a kanji is the ĺŹ in ĺŹăă. The furigana shows that ĺŹ is pronounced ăă ("ure") to make the adjective "ureshii" (happy).
Sometimes manga authors will use furigana+kanji in creative ways to convey different meanings to words that specifically suit their story/characters. This alternate way of translating kanji is called ĺ˝ăŚĺ (ateji). One way of using ateji is to help introduce fictional terminology. In SxF for example, Ostania and Westalis are made-up words, but Endo assigns them their own kanji: ćąĺ˝ for Ostania and čĽżĺ˝ for Westalis. The second kanji for both of them is ĺ˝ which means "country," and the first kanji for Ostania is ćą which means "east" while 輿 for Westalis means "west." However, to differentiate them from the actual words these kanji represent ("toukoku" and "saikoku," which mean "eastern country" and "western country" respectively), Endo writes out their pronunciations in katakana next to the kanji. You can see this in the panels below.
Even though they're not real words, by assigning them kanji that represent what they are â "east country" and "west country" â even without any context, Japanese readers get more information about these terms than English readers do thanks to the use of kanji and furigana.
Another way manga authors can use ateji to suit their needs is by telling readers to pronounce otherwise normal Japanese words in the "language" they want. For example, the word used for "codename" in SxF is ćĺˇĺ, which is a real word that is pronounced "angoumei." However, when we look at the furigana that Endo assigns to it, he specifically tells us to pronounce it like the English word "codename" (ăłăźăăăźă ).
Since SxF is a series that takes place in a fictional version of Europe, Endo must have found it more fitting to use English for specific keywords like this.
While the above examples are fairly common throughout all manga, especially those that have a lot of fictional terminology, Endo also gets creative with using ateji to form double meanings that lend insight into the characters' thoughts/feelings. And we get one of the best examples of this in the very first chapter:
This is the scene where Twilight's saying that he became a spy to create a world where children don't have to cry. The word for children, ĺăŠă, should be pronounced "kodomo," however, the furigana is telling us to pronounce it as ăăśă (jibun), which means "self." By creating this double meaning of Twilight saying he'll make a world where children and/or he himself doesn't have to cry, points out in a subtle yet poignant way just how much Twilight's trauma as a child shaped his determination to make sure other children don't have to suffer the same fate. It's a brilliant way of showing a deeper side of the character that he wouldn't outwardly show.
A similar example occurs in chapter 49 during the cruise arc, in the scene where Yor is guarding the room at night, thinking about how she was dragging her feet during the Barnaby fight. Her last thought during that scene is wondering what she's fighting for, however, even though the word used is ăă°ă姍 (ibarahime), which means "Thorn Princess," the furigana tells us to pronounce it as ăăă, which is the "I"/"me" pronoun that Yor uses.
The ambiguity of reading the word as "I" or as "Thorn Princess" emphasizes how she's struggling with her Thorn Princess identity at that time. It can almost have a different meaning when reading it one way or the other. For example, reading it as ăăăăŻä˝ăŽăă ("For what reason am I [doing this]âŚ) or as ăă°ă姍ăŻä˝ăŽăă ("For what reason is Thorn Princess [doing this]âŚ) gives the impression that she's trying to distance herself from "Thorn Princess"âŚthat she's unconsciously seeing herself and "Thorn Princess" as different people.
Another example that's not as deep but still interesting is from chapter 87, where Sylvia visits Fiona in the hospital and tells her not to push herself so hard, even for his sake, with "his" referring to Twilight. The kanji used is éťć (tasogare) which means "Twilight," but the furigana translation is ăă㤠(aitsu) which means "that guy/that person."
This is a clever way to use kanji/furigana to indicate that Sylvia is indeed aware of Fiona's feelings for Twilight by having her not refer to him by name, but also informing the reader that she definitely knows who she's talking about.
I also find it interesting that all three of these examples are spoken from a character we're viewing from behind. I think it's just a coincidence, but still interesting đ
I'll wrap up with one more example from chapter 58, where Loid notes that his understanding of Bond is lacking, just like Anya. Once again, the word for children, ĺăŠă (kodomo) is used (Loid likes making double meanings with that word, doesn't he?) but the furigana translates it to ă˘ăźăăŁ(Anya).
I interpret this as him saying he needs to understand children better, but he specifically means Anya (even though he doesn't want to admit his particular yearning to understand her).
If you're wondering how the anime handles these ateji, it seems to vary. In the anime version of the chapter 1 example, Loid says the correct kanji translation "kodomo," but in the chapter 49 example, Yor says the furigana translation "watashi."
The anime seems to use the reading that would make the most sense if spoken out loud by the character.
I haven't read enough manga in Japanese to say that this use of furigana+kanji to create double meanings is a common thing, but even if it is, I'm sure Endo has his own unique style of doing it. I know there's more examples in SxF that I missed, and unfortunately I don't have the time to look through every chapter to find them. But if you happen to come across any others, feel free to let me know đ I may amend this post or create another one if more interesting examples pop up.
Continue to Part 5 ->
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#spy x family#sxf#spy family#spyxfamily#loid forger#yor forger#anya forger#bond forger#sxf manga#sxf manga spoilers#sxf analysis#sxf meta#sylvia sherwood#sxf spoilers
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How Did It End?
Post Prison! Spencer x Fem!Fiancee Reader
Summary: Almost four months since Spencer came home and the fairytale that once was your life has come crashing down around you.
Warnings: âšď¸ ouch. Angst. PTSD. Taylor Swift âHow did it end?â coded. hurt/comfort. this hurt to write, donât hate me. Reid my poor baby has some stuff to work out.
W.H. Auden once wrote,
âWere all stars to disappear or die, I should learn to look at an empty sky and feel its total dark sublime, though this might take a little time.â
Poetry was something you were no stranger to, given the fact you taught an advanced creative writing class at the local high school.
You once enjoyed poetry.
But now, when the words feel like knives aimed at you, you canât bear to indulge in the afternoon readings like you used to.
Instead, afternoons are spent in an apartment that somehow lost its warmth. Before, youâd claim itâs because Spencer was gone, that things would be brighter when you brought him home. Heâs been home for three months, a little longer, the weather has begun to change, warping into a melancholy winter. You sit at your desk, staring at your computer screen, spinning your engagement ring around your finger.
Youâve been trying to get back into writing, trying to revisit your archived story. Though, itâs hard to revisit a fictional romance mystery when thereâs nothing to inspire it.
Groaning, you delete half of the last paragraph youâve written and try to type something that isnât cliche. Pushing through the urge to stop, you write until the words flow thoroughly and thereâs a key turning in the door.
There he was, the love of your life.
Spencer trudges into the apartment and drops his bag by the door, his shoes find a home beside it. The circles under his eyes are darker than they were this morning when he left, he runs a hand through his hair and glances over at you when you stand with a grin.
âHi.â You do your best to beam, conveying just how much it excites you to see him.
âHi.â He mumbles, tossing you a tight lipped smile as he walks towards the bedroom.
Trying to push away the sick feeling in your gut, you turn back to your blind optimism and take your glasses off.
It takes eight steps from the bedroom door to the closet, it takes him three steps to pace and grab casual clothes. In about a minute, he takes off his day clothes and pulls on something that doesnât feel constricting. You memorized every foot step he makes in this home, itâs easy to focus on when you spent some time not hearing it.
By the time he comes back out to retrieve his bag and sit on the couch, you grab up your laptop and sit on the other end of the sofa.
Paperwork and files soon lay on the coffee table and you watch him organize and complete end of the day tasks. Patiently waiting your turn, when Spencer finally relaxes back into the cushions, you slide closer.
âHow was your day?â You ask.
He grunts. âNothing worth talking about. Oh, Iâm going to Connecticut next week to do a seminar, Iâll be gone two days.â
You nod. âThatâs exciting, right?â
He shrugs, then thereâs silence.
You scoot closer. âI was working on some things, I think Iâm finally getting back into the groove of it. You want to read the last chapter I made?â
He motions to the coffee table. âYeah, just leave it there and Iâll take a glance later. Iâm debating on if I want to shower before dinner or after.â
âI was thinking we could go out for dinner, we havenât in a while.â You offer with a hopeful smile.
Spencer frowns. âIâm not really feeling a social scene right now.â
âOh, yeah, no, of course.â You quickly say. âWe could do take out then, Italian maybe?â
He shakes his head. âWe shouldnât do take out anymore, itâs basically inviting a serial killer into our home, giving him some place to come back later when Iâm not around.â
Right. The paranoia.
You knew things were going to be different when Spencer came home, and you did your best to adjust with an open mind. Sleepless nights consoling him, countless days spent trying to pull him from his own mind. Through tears and breaking points and a few instances where he utterly scares you, you know heâs still your same Spence, but just a little hardened now. Heâs still the man who spent too much on a ring, still the dorky guy you fell for those years ago.
Things are justâŚa little rough.
âOkay.â You say to his statement. âIâll whip something up then.â
At the sight of your willingness to give something up, he feels immensely bad.
âNo.â He sighs, shaking his head. âNo, Iâm being stupid. Italian sounds fine.â
The bad habit of being too harsh on himself has been hard to kick, but itâs getting better⌠you think.
So you order Italian and eat in front of the television while Spencer fact checks what the characters are saying, criticizing the antics of these fictional people. It feels so normal, the whole situation, it makes you momentarily have amnesia, as if the two of you are exactly like before. You lean into his side and laugh at the sitcom, thinking that this Spencer hasnât experienced what he has, that everyone around the two of you still feel the happy affects of your love, that you test wedding cakes and look for a bigger place. A place the two of you can buy together and start a family.
âIâm gonna shower.â He says, rubbing your shoulder.
Looking up at him, you smile playfully. âWant company?â
There it was, that reminder that things werenât like before.
He kind of just shakes his head with a smile and leaves without anything else.
You know he doesnât mean to, but sometimes he makes you feel about an inch tall. He used to look at you with this heavy gaze, something needy, something that never failed to make you feel like the prettiest girl in the world. His hands would find a home on your skin, he used to kiss for fun.
You donât remember exactly when he last gripped you in a way that wasnât just polite.
You know he has fears, he has it in his head that he is a danger to himself and you, that his hands are murderous, but it doesnât feel the best when youâre constantly rejected by the man youâre going to marry.
Rubbing your eyes, you clean up the dinner mess and then go to the bedroom to slip into pajamas. The floor length mirror shines your reflection, you stop to stare.
Maybe you werenât the first pick, maybe you hated what you saw sometimes, but the thing about Spencer was he was so sure that no one could ever do it like you. A slew of compliments heâd give you, the fever of his love was scorching.
You give the girl in the mirror a smile, then comb her hair with your fingers and smooth your tank top.
Silly enough, you turn to the side, wrapping your arms around an invisible bump, and you smile fondly at the thought. Two kids. A boy and a girl. Little geniuses. Thatâs what he and you would talk about. The next thing after he marries you, the next thing heâd do was give you a baby. He swore up and down at night when you laid with your head on his beating heart, heâd give you the family you craved and your face would hurt from smiling so much.
All plans are at a stand still now.
And thatâs okay, wasnât it? This was a rough patch and youâre helping Spencer get through it because youâd help him with anything-
The bedroom door opens, Spencer walks in and you step away from the looking glass.
âIâm going to get ready for bed.â You mumble, walking past him, cheeks burning red.
To say the least, Spencer feels horrible. Here you were, giving him your undying loyalty, holding his hand through all of it, and heâs the reason life has stopped. Youâre so brave about it, always patient and understanding.
He hates it.
You should be angry, you should be arguing. He knows his bad moods kill you, he knows youâre waiting for things to be normal again and they wonât. You get up in the middle of the night when heâs asleep and put on your wedding dress, just to smile at yourself and promise that soon, itâll be better. You think he doesnât realize, that heâs passed out, but from the bed he watches you turn in front of the mirror and bite your lip, the way you always do when youâre too pleased with something. Then he sees you cry, softly, hand pressed to lips so you donât make any noise and inconvenience him. You only let the break happen for a fee minutes, then you wipe your tears, take off the dress and tell yourself that itâs all alright.
Things will be okay.
What if they wonât?
What if it all just crumbles, every wall of the castles built?
Itâs not a matter of âwhat ifâsâ anymore, is it? Not when the two of you argue into the morning about things. Youâre trying so hard to give him the benefit of the doubt but when he isnât giving you anything at all, it makes for situations like this one.
Head in your hands, you pause for a brief moment and breathe before looking back up at Spencer. The two of you have been at this for about an hour and a half, all because you mentioned how unfair heâs being. Here you were, taking the scraps he throws to you like youâre a dog, and heâs saying itâs you who is unfair.
âI know you want things to go back to the way they were, but itâs not gonna happen.â He says in that bitter tone you hate, looking down at you, sitting on the mattress.
âI know things are different, Spencer.â You claim. âBut I didnât think I had to be okay with you hardly looking at me, or-or not baring to ask me a simple question like how my day was.â
He scoffs at you, running a hand through his unruly hair. âIâm sorry if my attention isnât devoted to you now.â
You stand to match his position. âDonât make me seem selfish.â You shout.
âIâm- youâre not selfish, I justâŚwhat do you want from me?â He questions, throwing his arms out and staring at you with absolutely no love in his eyes.
âWhat do I want?â You reword. âWhat I want is some progress. Every day I wake up, and I do my best to convince you that youâre not something evil, that these unforeseen circumstances donât define you, and itâs like Iâm stuck in a loop. I canât help you if you donât help yourself.â
A lump forms in your throat, your eyes burn but you canât find it in yourself to let those tears fall.
âThatâs the problem!â Spencer shouts. âYouâre looking at me like Iâm some sort of sick animal and I canât stand it!â
âYouâre looking at me like Iâm not the love of your life anymore, so I suppose some things change.â
Silence.
Spencerâs at a loss for words.
Your tears start falling now. You wipe at them with fever.
âIâm trying to give you time, Spence.â
âAngel-â He tries to interrupt, only to be stopped with the movement of your hand in the air, halting him.
âDonât. Donât be like this. I know this hasnât been easy for you, but I have felt so alone.â You say with a squeak. âAnd you just⌠donât care.â
He shakes his head, demeanor changing. âOf course I care!â
âReally? Because it feels like you gave up on me when you gave up on yourself.â You gasp lightly, trying to calm your shaking hands. âAnd thatâs mean, baby. I know you have been through so much and you lost the game of chance, and Iâm sorry- I am so sorry, but you canât toss me aside like I havenât formed my whole life around you!â
Itâs strange, standing in a room that once knew laughter and the warmth of your escapades. Only now, itâs ghostly and tired and blue. Spencer wants to defend it, wants to shout that youâre just not understanding him but itâs wrong. You understand him better than anyone ever has, and youâre immensely right, heâs abusing the situation. He knows all of this and canât help but back peddle like his life depends on it.
âIâm not trying to toss you aside, Iâm sorry.â He says, reaching out to grab you, deciding his touch canât be your downfall.
But you side step him. âBut you are, do you not understand? Use that smart head of yours to realize the instance here.â You plead. âIf youâre done trying, then I am to because I have no more to give. Iâm empty, you took it all from me, Spence. What do I get in return? Nothing, not even a fucking marriage.â
Thereâs a certain level of hurt that mixes with the anger and creates something crazy in your brain, makes it malfunction and all your repressed thoughts come out.
As you go to leave the bedroom, Spencer follows after. âWhat does that mean?â He asks.
You need to get out, these walls are whispering with your promises of a future, theyâre getting louder.
âYou arenât going to marry me.â You state, searching for some place to hide and sink away.
âOf course I am.â He claims, calling your name to stop you.
âYou canât even pretend like you love me, Spencer, you arenât going to marry me.â
A hand catches your arm and spins you to face him. His eyes are confused and reeling.
âI do love you, I always have.â
Thereâs a waver in his voice, is there?
I swallow. âSay it again. With feeling.â
âI love you!â
As the air leaves your lungs in a death rattle sort of way, you just canât feel the warmth. It makes sense, ghosts have no heat, no matter how beloved they are. You know he expects you to give a different statement than what you do, and it hurts when you tell him the truth.
âI donât think thatâs enough now.â
âDonât say that.â His tone comes out angrier than intended.
âI just did.â
One might describe him as a scared dog, one who lashes out now like he never used to.
âItâs not enough? Then why donât you just spare yourself?â He spits, resembling a man youâve never known, tossing your arm aside, probably too harshly.
The knife twists in your chest, youâre convinced youâre bleeding. Slowly, you nod. The ring seems to hold on for dear life, but you still pull it from your finger and offer it forward.
Everything inside of him feels sick as he reaches out his hand, watching as you drop the diamond into his palm.
With your heartbeat in your ears, you go to the door, sliding into your shoes and grabbing your heavy coat to brave into the weather. With Spencer calling your name, you shut the door on his impending questions of where youâre going.
Spencer stares at the door, and for a moment he canât believe it all happened like it did. But he said the words and you followed his lead like the faithful partner you are and now youâre gone.
It takes him twenty two minutes before he begins to really panic. What if youâre gone forever? What if some force is going to take you now? Where did you go? Are you cold?
And if you left, that meant heâs alone for good, alone like heâs always been. How could he do this to you? Heâs horrible, heâs a monster, all of those things heâs thought about are true.
He sets the ring on the counter, then throws the dirty coffee mug into the sink with such force, it breaks.
He paces the apartment while you stand at Penelopeâs door, your dearest friend you only know because of Spencer, trying to hold it together until she comes to find you.
âWhat happened?â She asks, taking in your appearance.
âI donâtâ know.â You sob out.
Two weeks laterâŚ
âŚ
âŚ
âŚItâs a weird feeling, having your spine split in half from carrying so much weight uphill for so long. You know a lot about weird feelings now, that empty space in your chest, Spencer sized, thatâs your new lover.
Penelope sets a duffel bag by the pullout couch where you hardly move from, sheâs been making trips to the apartment over the days to retrieve what you need.
âHey, lovebug.â She coos softly, sitting by your knees, petting your mess of hair. âHow was work?â
You open your mouth to tell her it was fine, that today was actually a good day, all the way up until Spencer texted you and asked if you wanted to move all of your things out.
A strangled sigh leaves your cracked lips.
This sums up how the last two weeks have been, and you wonder if Pen is a little embarrassed for you yet, the way you can hardly get out of bed.
âEmily and JJ and I are going outâŚwhy donât you take a shower and come with us? Itâll make you feel better.â She says in such a gentle tone, one sheâs learned that can get you to do anything.
It drags you to the shower, where you sag against the wall and do your daily crying. Then you get dressed and tame your hair and somehow make it to the bar.
Emily and JJ look at you with pity and you have no energy to be upset.
âReidâs not enjoying it either.â Emily offers in a corner booth, because the conversation has turned to discussing the loss of your life.
Pen and JJ nod in agreement.
The BAU feels like theyâre going through this break up at the way Spencerâs moods affect all of them. Theyâve never known his anger like they do now, how heâs quick to snap, how the littlest thing sets him off. Theyâll spare you, they wonât tell you how he swiped the picture frames off his desk, the ones of you and him. They wonât mention the fact that he hasnât smiled once, that he looks like he doesnât sleep.
They wonât tell you any of this but theyâll offer words of condolence or comfort, neither work.
âItâs going to be alright.â Emily encourages, squeezing your hand from across the table. âHeartache doesnât stay forever.â
JJ nods like itâs going to fix the way youâre as empty as a drum.
âWe all know how youâre feeling, donât worry.â She says, her perfect, Barbie doll smile.
It makes you sick. You really shouldnât take the anger out on anyone, but you do because thereâs so much of it and you canât stop it from flowing.
âYou know what Iâm going through?â You question her.
âYes, Iâve had heartaches too.â
You suddenly canât stand being here, you need to leave.
âYou can go home to a husband, Jennifer, you donât know how I feel.â
With those as your parting words, you flee, you tell Penelope you need air and youâll see her at her apartment.
While you brave the cold city, the three women ask themselves how it could have possibly ended like this, with the greatest love of all in shambles. JJ calls Reid, of course she does.
âYou need to fix this.â She tells him.
ââŚHow is she?â He asks, sitting on the sofa, eyeing the framed pictures on the wall.
âSheâsâŚlost. Sheâs ghostly, she-âŚSpencer, she loves you and she canât stop. Fix it.â
âI donât know how.â He says, monotone.
âHow did it end, anyway?â She asks, seeing Emily and Penelope return with more drinks.
Spencer sort of sighs, though itâs sad and broken.
âI donât know.â
- - - -
The air bites, itâs as cold as you feel, makes your bones ache. You wander in hopes of getting lost permanently, but to no avail, you know your city. Your city that feels so harsh and cruel, itâs one big reminder that you used to not walk the sidewalks alone, that you once stole kisses under streetlights. And as youâre walking down fifth avenue and memory lane, your feet drag you to the place you really want to go. In the time you left the bar and got frostbite from the early stages of falling snow, youâve worked yourself up enough to believe you could stand your ground. Your anger has made a platform to stand on, youâre at the top of the fucking podium by the time you knock on the apartment door.
Why are you knocking?
Your name is on the fucking lease.
You shove the key in the lock and barge in, mouth agape, ready to fire.
And then you see it.
The bedroom door is only halfway shut, but you see movement. In the room that is gray and sullen, Spencer stands with his back to the door, staring at the cascade of white that he has laid on the bed like a memorial, like it was an open casket viewing.
Your podium shrinks.
âI was going to wear my hair up.â You say, causing him to turn and face you.
Heâs tired, hair messy, unshaven, and those round brown eyes are the saddest things youâve ever seen.
âI like your hair up.â He says, the words echo off exposed brick walls.
Heart beats pass, ba-bum ba-bum in your ears and you quickly huff and bush melted snow through your hair.
âIâll get my things out now, if you want.â You say, choosing words carefully, eyes watching the way his avoid you.
âI donât have any boxes.â He says, fingers brushing satin and lace before he picks the dress back up, puts it in the dust bag and death marches it to you. âYou wouldâve looked beautifulâŚyou always look beautiful.â
How is it he can be so blissfully unaware? The smartest man youâve ever known and heâs saying things to break your heart, with no clue that heâs doing it. You take that dress- that beautiful, vintage gown with the hundred fabric buttons running down the back, and lay it over your arm, then rock back on your heels.
âI can grab what I can and come by when youâre at work to get the rest.â You offer, wishing heâd say all the things you want him to say, like stay and Iâm an idiot and I love you.
Spencer only nods. âYeah. That works.â
âOkayâŚâ You whisper, then drape the dress over the reading chair in the corner, the one too small for the both of you. You used to curl as small as possible on his lap with your legs over the arm and your head on his shoulder.
Every corner of this place is haunted.
In the closet, you pull the string and the lightbulb burns orange. You grab the two handheld suitcases, the ones you came home to find on the bed one day with Spencer telling you he was taking you to London while your school was on Spring Break.
When you come back out, Spencerâs left the room. There was no way he could watch you pull open the drawers where your things sat beside his.
With a knot in your throat, you fold and place things neatly and keep your cool like the mature adult you are.
That is until you grab the MIT t-shirt youâve worn in. Itâs a light gray color now, the neckline stretched so it only hangs right on you and not Spencer. Holding the ratty shirt you refuse to let him toss, thatâs when you decide you donât want to be a mature adult.
Youâre a teenager with a broken heart is what it feels like, the world is ending and your soul has been split in half.
One tear comes, and then another, and one more until your face is soaked with your desperation and mourning. You ball that silly t shirt up at toss it away, and decide those suitcases are insufferable and onto the floor they go.
You stare at them, the clatter they made did nothing for comfort. With a raspy sigh, you sink to your knees to put everything back inside, and your blurry eyes drift to Spencerâs socks that appear in front of you after he hears the bang.
Wordlessly and gentle, he lowers his tall frame to crouch in front of you. The look in his eye is fools gold, it makes you think heâs the Spencer he was before everything.
You look at him, sure you look like a mess but you donât care. Your chapped lips part and heâs prepared for the scolding, for your temper.
It doesnât come.
âWe were supposed to grow old together.â You sob out. âIt was gonna be you and me, Spence, wearing matching outfits when weâre eighty, going to senior discount days at the theater.â
Those are the words that bring him back to reality, and the fall is harsh and heâs mortified that heâs done this to you.
You hiccup for air, pushing his hand away that tries to grab the suitcase. âI was going to walk down the aisle to an instrumental version of Heartbeat by The Fray, itâs unconventional but itâs my favorite song.â
âI know.â He whispers sadly.
âWe didnât make a deposit on that little venue with the pond, they gave our spot away but thatâs okay, we were going to figure it out because we always do. We always do, Spencer.â
Youâre not even sure youâre making sense but he understands, you could go mute completely and heâd understand because youâre his person, who heâs ruined.
âI know. I know, baby, I know.â He keeps repeating, adjusting to pull you away from the mess and into him.
With no strength left, you have no fuel for the fight. You fall into him, face in his chest as he sits against the bed and hugs you like heâs not seen you in years. Itâs what it feels like, he hasnât had you this close in too long. His fingers press into your skin, the warmth is almost groundbreaking in feeling, makes him unsure of where to hold you because he wants to touch everywhere, all at once. A lifeless frame full of hunger, you canât move as you feel his caring grip in your hair, his lips to your crown as you canât seem to get a solid breath in.
âDonât make me leave you.â You plead, curling into him like a whimpering dog, clutching his chest to make sure thereâs still a heart in there that beats for you.
Spencerâs crying now, the familiar feeling of fear in his lungs that donât want to expand if youâre not around. He drags hair out of your face and presses his forehead to yours.
âI donât want you to leave. Donât leave me, donât leave me.â He says with the emotion of the man before.
And just like that, you waltz right back into each other, you know the steps. Sitting in your fairytale, on the cold hardwood floor, listening to the steady beat of his heart, you both determine this isnât the end of the greatest love affair theyâve ever seen.
Youâre not sure how long you stay like this, in his lap, face red and salty as you stare at your bare left hand, but eventually the tears stop for the both of you. Spencer is the first to speak, he gently shifts, his hand sliding up your arm and shoulder to rest on the side of your neck, as if heâs checking your pulse.
âIâm sorry.â He rasps. âIâm sorry for everything, all of it, every single thing I did and said and ruined. Iâm an idiot, angel, and you donât know how lovely you are.â
Like water to a flame, those words are cooling. The grief and remorse in his tone makes you grab that hand checking your lifeline, and hold it.
âIâm sorry too.â You say. âFor everything that went wrong and the fact I couldnât do anything about it.â
His chest shudders, he leans down and kisses your forehead. âIt doesnât matter, itâs over now.â
You tilt your gaze up to meet his eye. âIs it?â
Bless you and the ground you walk on that he should worship better. Spencer gently runs his finger down your cheek and across your jawline. He nods then. âYeah, baby, it is.â
#spencer reid x fem!reader#spencer reid hurt/comfort#spencer reid x fanfiction#spencer reid x you#spencer reid x reader#spencer reid fluff#spencer reid fanfiction#criminal minds#criminal minds fanfiction#hurt/comfort#spencer reid#matthew gray gubler
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Hi hi friend,
If it is not too much trouble I would like to make a request for your event? I think I would like Floyd with prompt 14- âI'd rather have the thorniest, pesticide ridden roses grow in my mouth before I'd ever admit having any sort of affection for them!â
They/them for Yuu is fine with me, I was thinking romantic? Where maybe it's obvious to everyone but Yuu how requited their feelings are.
I've really liked reading your writing and hope you continue to have fun doing it (âĄÂ°â˝Â°âĄ)
floyd leech x gn!reader [tags] â fluff, mutual pining [wc} â 3,659 prompt 14: âI'd rather have the thorniest, pesticide ridden roses grow in my mouth before I'd ever admit having any sort of affection for them!â note - hahahahahhahahahahaha i did not mean to write so much but i went a little buckwild and i think floyd deserves to be allowed to be soft sometimes a floral inconvenience
Lavender roses - Introduced in 1900, lavender roses represent love at first sight. Theyâre often given to someone to convey that the giver was immediately smitten and fell in love.Â
Youâd decided to attend a karaoke event the Mostro Lounge was hosting to introduce the new spring menu. It was meant to be a nice, relaxing hangout with your friends from Heartslaybul as you listened to your friends attempt to show off their mediocre singing skills.Â
Ace was in an especially good mood, happy to tease you as you waved happily at Floyd, whoâd returned your affections.Â
âOi, oi, oiiiiiii, Prefect? When you gonna say something? Kinda tired of dealing with you puking petals everyâOW!â
You snorted as Deuce smacked Ace upside the head, muttering about him being an asshole.Â
âLeave them alone Ace, unless you want to be collared for harassing a member of the student body?â Riddle reprimanded, giving Ace a harsh glare as he turned to you instead.Â
âYou can ignore him, Prefect, you donât have to say anything to that good-for-nothing merman! Iâm sure you could do much better anyways.â
You chuckled, enjoying the soft banter between the group. It was particularly nice seeing Riddle interact more casually with his peers, even if you werenât able to convince him to sing with you.Â
âAre you sure you do want to go up with me?â You pouted leaning in close to the red-headed housewarden. âIâll even let you pick the songââ
âOut of the question.â
You sighed, resting against the plush cushions of the booth while Ace and Deuce bicker about which song would be better for a duet. This was nice.Â
It was nice, up until Floyd decided to take part in the festivities. Somehow heâd snuck behind you and Riddle, snatching up your friend with a gleeful cackle as he screeched.Â
âFLOYD! PUT ME DOWN THIS INSTANTââ
âNah, itâs fine Goldfishie, I need ya for just a sec!â
Floyd placed Riddle in a seat, front and center at the stage, as he climbed up. The cool blue spotlight suited Floydâs features as he grinned.Â
Picking up the mic from its stand, Floyd announced, âAlright! This song is for my favorite little fishie in the whole entire school, so you all better enjoy it!â
You expected him to start singing a silly pop song, one with high energy and beats. Or one that became a meme on Magicam last week, something about flamingos and turning pink.Â
Instead, the upbeat, suave tunes of a familiar song started playing. A familiar love song.Â
âIsâŚis this ABBA?â
âWho?â Cater asked, recording the scene with a stifling giggle as Riddle turned redder and redder in embarrassment (and most likely rage) as Floyd continued to serenade him.Â
âThis is âLay Your Loveâ by BABA, a classic from the 80sââ
âNo itâs called ABBA back homeâwait, WHY IS FLOYD SINGING A LOVE SONG TO RIDDLE!?â
Your screech startled the surrounding tables, drawing attention that you were too jealous to focus on. Floyd made eye contact with you, hearing your yelling. Continuing to singâquite nicely youâd hate to admitâthe eel mer winked and smirked, drawing an ire that you didnât know you had.Â
âWhat the hell? Floyd!â With the vindication of a scorned lover, you stomped to the stage and swiped the microphone from Floydâs hands.Â
âFloyd, what are you doing?â you spoke into the mic, glaring daggers at the tall beanpole of an eel turned man, who looked unbothered at your angry presence.
Floyd took the mic back and answered, âIâm trying to win my mate backâDONâT GO WASTINGââ
âWhat mate?â You yanked the mic back while Floyd followed suit, though this time you kept both hands on. It became a tugging match as you both tried speaking into the mic before the other took it back.Â
âGoldfishie.â You could hear Riddle scream at that.Â
âRiddleâs not your mate! Iâm your mateââ You snapped your mouth shut, the mic feedback and your last words echoing through the lounge, mocking you.Â
Floyd had a large, smug grin on his face, his sharp teeth gleaming under the bright lights of the stage. You were now very aware of the packed lounge, and of the students spectating.Â
The mic was slowly pulled back to Floyd, who gleefully asked âOh~ Say that again?â
âNuh-uh.âÂ
You shook your head furiously, trying to pull back in order to run off and curl into a hole from embarrassment. Floydâs grip on the mic and your hands tightened, preventing your escape.Â
âThatâs fiiine,â Floyd pulled out a small device from his pocket, lightly tapping it on the mic. âI have it riiiight âere.âÂ
Suddenly, a recording of your voice looped into the mic:Â
âIâm your mateâIâm your mateâIâm your mateââ
He recorded it.Â
âOh my godâŚâ You looked at Floyd in horror, who was still grinning ear to ear, like a cat that got the mouse.Â
âHehehehehehahahAHAHA!â Floydâs giggle turned into a cackle as he launched at you, mic and recorder abandoned on the floor. Between the ear-splitting squeal of the mic hitting the ground and a 6â2â man tackling you, there was little time for you to defend yourself as your lips clashed, teeth clattering against one another from the brute force.
His long arms wrapped themselves tightly around your waist, dipping you down dramatically as he broke your kiss to instead leave wet kisses on your cheeks, nose, forehead, and every other piece of skin not covered by clothes.Â
Ace and Caterâs cackles could be heard amongst the now growing laughter, whistles, and jeers of the crowd. You think you could even make out someone yelling at your two to get a room.Â
ââoff the stage! Get off the stage, both of you!âÂ
Ah, it was Azul. Who was stomping over the shoo you both off the stage, giving Floyd a particularly harsh whack on the head with his staff.Â
âOw, fuck that hurt!â Floyd whined, scooping you up with his left hand and cradling you to his chest. âCool it Azul, donât harsh my vibeââ
âI donât care! Go make out in your room! This is a lounge not a brothel!â
âFiiiiiine,â Floyd adjusted his grip to instead throw you over his shoulder, amused by how limp youâd gone in his grasp. âCome on Shrimpy! I got something fun in mind~â
His sentence and teasing tone made you flush, images of you and him in bed flashing through your mind.Â
âW-wait, Floyd, what are we gonna do?â
âYouâll see, ahahahehe!â Floydâs giggled echoed through the hallway as he quickened his pace. It was only a few minutes before you realized that you two had made it to the dormitory halls.Â
Floyd kicked open his door, the hinges squeaking from the force. He marched over to his bed, grabbing at your waist to no doubt throw you on it before pausing.Â
âOh yeah.â Like a sudden realization hitting him, Floyd grabbed the corner of his bedsheets and shook them, clothing, books, and crumbs no doubtedly flying off.Â
Once satisfied, Floyd hummed and once again grabbed your waist, this time committing to throwing you on the bed, which bounced under you.Â
âAaaAaaAAAahâFLOYD!â You yelped, face turning redder as Floyd caged you to the bed. He looked at you with a hungry expression, licking his lips at the sight of you.Â
âWait-wait Floyd, gimme a secââ you stammered, crawling backwards until your back hit the headboard. ââthis is all very very sudden, Iâwait!â
Floyd crawled after you, trapping you with his long arms, leaning down until his lips were lingering over yours. You shut your eyes in anticipation, waiting for his hands to grab at your clothes and tear them off.Â
A soft, tender meeting of the lips. Floyd pressed his mouth against yours, swiping his tongue into your mouth, to which you returned with flustered confusion. The kiss was with such gentleness that you had to open your eyes to confirm that it was indeed Floyd kissing you.Â
Olive and yellow eyes were closed, a blissful smile on his lips as he broke your kiss, instead pressing almost chaste pecks to your cheeks, down, your neck, and over your shirt where your heart was beating away.Â
Floyd pressed his right ear to your chest, listening to the increasingly rapid pounding against your rib cage. His arms moved from trapping you against the bed to trapping you against his body, wrapping around your back and tightening while his lanky legs tangled between yours.Â
You werenât sure what to do with your own hands, once he had settled laying on you. Hesitantly, you reached to lace them through his hair, pushing the strands back to get a better view of his peaceful face. Admittedly, seeing Floyd in such a state, blissful and sweet, was beautiful.Â
His smile grew slightly as you combed through his hair, nuzzling his nose into your chest. Into your heart really.Â
âHmm? Whatâs wrong?â Floyd opened his yellow eye, gleaming at you in amusement. âI just wanted to cuddle, did ya have somethinâ else in mind? Haha!â
He moved to prop up his chin, smirking at you as he teased, âDidnât think ya had sucha dirty mind, if you wanna âdo itâ, all you had to do was askââ
You shoved his face back into your chest looking away in embarrassment, feeling his giggles vibrate through you.Â
âShut up, ugh!â You pouted, grumbling, âYou set me up! Ugh! Howâd you even know that would work?â
âI heard you.â
âHuh?â
âTalkinâ to Lil Goldfishie,â Floyd moved so that instead of laying on top of you, he was curled into your side with his head nestled at the crook of your neck. âWhen you got the flower sickness.âÂ
You looked at him with shock. That conversation with Riddle happened nearly three months ago in between classes.Â
Specifically, it happened a few weeks after winter break, when you were catching up Riddle to your âadventureâ in Scarabia, after which small lavender roses started blooming along your freckles, their thorns scratching your skin.
âAnd then, he launched us waaaaaay into the desert!â You animatedly waved your arms around as you recounted your fiasco over winter break. âWe were trapped, but then Kalim used his unique magic to fill a dry riverbed with water and then!â
Riddle raised a brow at you as you began gigging with a soft blush. âJade and Floyd had to turn into their merforms, so me and Kalim had to hold on to his back, but when I wrapped my arms around his chest, and he held my hand to steady me! â
Your friend rolled his eyes as you started to silently squealed in your seat, sighing.
âAre you going to finish? I have better things to do than listen to you babble about Floyd of all people. Honestly,â Riddle huffed, âI donât understand what you see in that riffraff!â
âHeâs not a riffraff!â You quipped, frowning as you crossed your arms. âHeâs actually really sweet if you give him the time of day, Floyd just likes being able to have fun with others you know!â
âEven then, his mood swings donât terrify you? He gets rather violent sometimes.â Riddle took a sip of his tea as you shook your head.Â
âNo, I mean if you just go with the flow itâs fine, plus that just makes him more exciting to be around! Plus weâve been getting closer ever since Azulâs overblotâŚâ
You smiled softly as you looked down at your lap, fondness growing in your heart like blooms on a warm spring day.Â
âHe can actually be quite sweet, once you get to know himâŚyou just have to give him a chance.â
The two of you remained quiet, the only coming from the distant chatter of other students in the more populated areas of the guest lounge.
âIâm safe to assume then that he is the reason youâve started sprouting the roses?â
Your soft pink blush deepened as you nodded, picking at the small flower that began blooming on your cheek.Â
âYeahâŚâ
âWhen will you confess, then?â You looked at Riddle in shock, who seemed confused at your distress. âWhat? Itâs obvious that you have strong feelings for him, and even I notice how especially clingy he is around you.â
You shook your head, stuttering, âWell, yeah but thatâsââ
âIâve even heard him refer to you by name, he only does that with Jade and Azul you know?â
âYou donât understand Riddle.â You tried to interject, growing more flustered by the second. âI donât think I couldââ
Riddle continued, âAs much as I disapprove, it does seem that you two genuinely bring out the best in each other, he does seem softer when youâre aroundââ
âOh myâRiddle, stopââ
ââAnd youâve gotten more outspoken, I remember how shy you wereââ
âIâm begging youââ
ââBesides, according to the Queen of Heartâs rule number 478, any romantic feelings must be confessed approximately 12 days upon their discovery or the individual in question obligated to denyââ
âI said stop, Riddle!â You yelled at the top of your lungs before choking on rather large bouquet of lavender roses. Leaves and petals fluttered all around you as you continued to let out rough coughs, phlegm and saliva making a mess.Â
Your yell startled the red-head so much that he simply started at you with a red face and thinned lips, too shocked to properly yell back at you for raising your voice indoors.Â
Instead, he carefully placed his tea cup on the table between you two, folded his hands in his lap, closed his eyes, and took a deep breath. You on the other hand, peaked around the dividers separating your nook from the rest of the lounge.Â
Ace and Deuce looked over in concern as you continued to cough out more roses, walking over before you shook your head and gave them a thumbs up before shooing them away and turning back to Riddle.Â
â...sorry Riddle.â You whispered, looking at him nervously. âI didnât mean to yell, donât be mad?â
âItâsâŚfine.â He replied with a strained voice, taking a final inhale before opening his eyes again and making eye contact. âYou shouldnât have yelled, and I shouldnât have pushed.â
Riddle sighed, relaxing into the soft lounge chair. Though he would deny when asked, the chair that he helped you pick for the guest room was is favorite spot to sit in, as it surprising comfortable.Â
âMay I ask why you refused? Itâs quite obvious to anyone that you care for him immensely, for some forsaken reason, and I would even say itâs quite mutual.â
You avoided eye contact as he resumes sipping from his tea, a lemon tea with 2 sugar cubes for his post meal tea.Â
âYeahâŚthatâs what the other first-years say too. Even Jadeâs been dropping hints on mer courtship gifts.â
âThen? Whatâs stopping you?Â
A pregnant pause was in the air as you open and closed your mouth, attempting to figure out what it was that scared you.Â
âWhat ifâŚhe gets bored?âÂ
Riddle furrowed his eyebrows as he leaned in, barely able to hear you.Â
âWhat if he what?â He sighed, a bit irritated. âSpeak up Prefect, I know you can, you just did earlier.â
You groaned out, âWhat if he gets bored with me? Iâm fun and interesting now, yeah!â
Your friend watched, and you began pacing around the room, holding his head in his hand as he watched and listened to you vent.Â
âIâm just a silly little magicless human that got transported from another world! Big whoop! What happens when that novelty wears off? You've heard him, he only likes to do things that are fun and interesting to him, but I wonât always be fun and interesting, eventually heâll get used to me and get bored.â
You turned to look at Riddle with a teary-eyed, but firm look. âHeâs get bored and leave me. I canât handle that! So I just wonât be with him. In fact, I'd rather have the thorniest, pesticide ridden roses grow in my mouth before I'd ever admit having any sort of affection for him!â
Your voice began to crack as you stated your final sentence, snapping your mouth shut before you got begun crying. Riddle stood up and walked over to grasp your shoulders, looking at you with an understanding smile.Â
âThe sort of person that would abandon a lover simply because theyâre bored never deserved one in the first place.âÂ
Riddle hummed in agreement as you sqeaked out a âreally?â, giving you a soft pat on your shoulder.Â
âOf course, I canât say I donât understand your hesitance, Floyd isâŚFloyd, after all. However, he is not my friend, you are. If you choose to forfeit your right to confess, then so be it.â
You smiled as he dragged you back to your seats, giggling as he continued, âI personally would say itâs no lost on your part, heâs not exactly the most prime candidate for your life partner should you be stuck here in Twisted Wonderland, may I suggest one of the many more suitable providers?â
âPfft-like who? You?â you cackled as Riddle looked at you in mild horror.Â
âOh dear, of course not! I admire you as a friend, but I have much stricter standards for a partner.â He snapped his fingers in revelation. âPerhaps Ace or Deuce, you are rather close to themââ
âEwwwww, pass. Theyâre like annoying brothers!âÂ
Riddle snorted before covering it up with a cough. âTrue. Trey?â
âIf youâre just going to suggest your dorm members, maybe we should switch the conversation to something else.â
âWell I think my dorm produces only the best and most gentlemanly mages of all of NRC, so excuse me if Iâm simply trying to give you the best options!âÂ
You and Riddle shared some laughter, a flash of teal catching the corner of your eye. But you saw nothing, so instead you focused back on Riddle as he began recounting his own winter break activities.
You remained quiet as you processed your thoughts, finding the lilac ceiling to be particularly interesting.Â
Floyd also stayed quiet, still curled into your side as he breathed in your scent. Youâre sure that with all of the flowers youâd started coughing up in the last few minutes, you smelled strongly of the lavender roses.Â
âYou knowâŚI was gettinâ real mad when you wouldnât confess to me.â Floyd whined, propping his head up with his hand to look at you and your pink face.Â
âI thought it would be nice to get a cute confession out of my little shrimp,â He pinched your nose and forced you to look at him. âIt be real fun! Like those cringy romcoms landfolk like so much!â
You replied, nasally due to your pinched nose, âWait, is that why Jade was telling me about mer courting methods?â
âHaha! Yeah, I was hopinâ that youâd bring me a pretty seashell or somethinâ cute so Icould make fun of ya for later.â
You let out an indigent huff, smacking Floydâs hand away as he laughed.Â
âReally? So what made you change your mind?â
âHearing ya talk to Goldfishie. It pissed me off that youâd think Iâd toss you out like humans at sea with their trash.â
Floydâs tone changed, looking visibly annoyed as he continued.Â
âMers mate for life, and I wouldnât choose someone Iâd get bored with.â He sat up as his mood continued to sour. âIt pissed me off, and it hurt, that my Little Shrimpy would think about me like that.â
âOh, Floyd,â you sat up with him, guilt seeping in your bones as you looked at his angry face. Though, with the small tears forming in his eyes, Floyd looked more frustrated than anything.Â
âIâm sorry, I-I didnât thinkâit didnât occur to me that you felt the sameââ
âWell I do, and itâs not fair to me that you wouldnât even give me a chance.â The way Floyd said that so matter of factly made you snap your mouth shut again, looking down at your lap instead.Â
âIâmâŚsorry, Floyd. I wish I could make it up to youââ
Floyd interrupted, moody demeanor brightening suddenly. âNo worries, I got just the solution!â
Crawling over back to you so that your back met the headboard again, Floyd grinned maliciously at your curled form.Â
âSay it.â
âHuh?â
âSay it. Those three little words.â Floyd held up three fingers to emphasize his point. âThe ones that will make all those little flower go right away, the ones you need to say to me.â
You stiffened, leaning away from Floyd as he leaned in. âI donât know if I canââ
âSay it, Y/N.â The use of your name startled your attention back to his face. He looked unusually serious, peering his heterochromic eyes into your own. If you didnât know any better, you couldâve mistaken him for his twin.Â
You whispered, prolonging the inevitable, âWhat happened to Shrimpy?â
âShrimpy was Shrimpy, but now your Y/N. And Y/N is Y/NâŚâ
The two of you shared a smile as the distance between you two continued to close. You couldnât remember what was so pressing earlier, why you were so anxious when the yellow eye of the man in front of you produced nothing but adoration from your heart.Â
âPleaseâŚâ From the uncharacteristic soft murmur to the eyes darting down to your lips and back to your eyes, Floyd drew you back in with a hypnotic ease that only the most alluring of mythical creatures could even hope to imitate.Â
The two of you leaned in as you placed a hand on his chest, his own left hand coming to cradle your own.Â
You craned your head back to hover your lips under his, uttering the words you swore to never let leave your mouth.Â
âI-IâŚlove you, Floyd Leech.â
A single lavender rose grew between your palms, as two longing hearts met as one.
#twst#twisted wonderland#twst floyd#floyd leech#floyd leech x reader#twst floyd x reader#twst x reader#twisted wonderland x reader#a floral inconvenience#big advocate for softie floyd leech#its what he deserves
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How to write good dialogue
Almost every story needs dialogue - obvious right? Well, this post is about the not-so-obvious sides of conversations. I've struggled a LOT with snappy and realistic speech, so I've made it my mission to collect some handy directives. Here is what I found:
Contents
Information Dumps
Setup And Payoff
Characterization Through Dialogue
Three Simple Questions
Four-Sides Model
Depth
About Answers
Sources And Credits
⎎ Let's go! (^â˝^) ⎯
Information Dumps
Everybody knows them, everybody hates reading them. But how do we avoid them? Something really clicked for me when I understood context. If your character talks about something that happened in the past, they don't need to explain what happened. They were there. Here's an example:
"It would be nice if we at least got a B for that paper. Since I will go to college next year, I feel that this is important to me."
The speaker and the listener should be aware of the exposition (regarding their last year at high school). During dialogue, these conditions go without saying.
Setup And Payoff
Instead of dumping everything at once, let the reader guess what's happening. This is done by mentioning something that is not answered right away. Also dropping hints can increase tension.
Scene 1 "Why do you always carry that with you?" she asked and pointed at the box cutter. Her friend eyed her with suspicion. "For cutting." "Yeah, but why?" "Might come in handy sometime." Scene 2 An ice cold shiver ran down her spine as her fingers felt around the bag, searching for the familiar shape. There was nothing. The other tossed the thing onto the floor between them. "Care to elaborate?" She couldn't have known. "How could you!"
Someone definitely has a secret here that they don't want uncovered. It makes the reader speculate: Does she carry the knife to defend herself or does she plan on hurting someone with it?
Characterization Through Dialogue
The general rule of thumb is: Show not tell. If a character is shy, self-absorbed or chaotic, make them act like it. Also, readers take part in the characterization of your protagonists. Make them guess why a character acts a certain way.
"C- can I have your pen?" She twirled her thumbs and looked at the ground. "What the hell, no!" Disgusted, he brushed off his hands on the front of his jeans. "I'mma better disinfect that."
Notice how the girl is stuttering and the boy has a loose tongue. Mannerisms help identifying traits in a character. Everyone has a distinct way to speak (e.g. relaxed, polite, malignly) which makes it easier to tell them apart. Sometimes there is a difference between speech and behavior. This can be quite useful to highlight conflict inside a character.
Three Simple Questions
Who wants what from who?
Why now?
What happens if they don't get it?
These questions ensure plot consistency. For question 3 the only other outcome is conflict. Conversations thrive off of conflict and it is of benefit to have a supplicant and potential provider for a solution. It's basically intention versus obstacle.
1. She wants to be his wife. He doesn't want a marriage. 2. She is pregnant. 3. She needs to provide for a baby all on her own.
Tadaa, a conflict ensues.
Four-Sides Model
The four-sides model is a theory on communication. It assumes that a message has four distinct ways of being conveyed:
Facts -> data, facts, truth and relevance
Self-Disclosure -> explicit and implicit information about the own mindset; likes, dislikes, opinions
Relationship -> information about whether the person is liked or detested; approval and disapproval; "I assume you have [this] opinion of me"; body language
Want -> a direct attempt to influence the behavior of another person; advice, desire or instruction
Since this is highly technical stuff, I'll provide you with an example:
Customer: "I always drink my coffee black." 1. Fact: The coffee I drink is black. 2. Self-Disclosure: I like black coffee. 3. Relationship (POV of the waiter): Did I do something wrong? OR It's their fault! They ordered the wrong thing! 4. Want: Bring me black coffee.
Controlling the message through sender and receiver gives a new level of influence to an author. The relationship-level is the bottleneck in a conversation that holds the most potential for misunderstandings. I'm trying to be aware of it when I write subtext (see below).
Depth
On the nose dialogue is what we want to avoid at all costs. For this reason subtext is created in stories. Read this:
Scene 1 A: "I like you." B: "Nah, I don't like you back. You're so annoying." A: "Ouch, that hurts. I'm not sure if I heard that right." B: "We were never friends. Go away."
This is not how conversations work. Thankfully, dialogue like this is not entirely useless. It conveys what the characters really want to say. The challenge is to think of a way to not say the thing but keep a similar meaning.
The true meaning behind the dialogue is called subtext (scene 1). If I don't know how to continue after a certain line, I write down the subtext first before I decide on how to paraphrase it.
Finally, I add a fitting description of expression and body language if needed. I try to keep it short and simple.
Check this out:
Scene 2 She tucked her hair behind her ear. "I need a ride home later. Are you free?" -> I like you. "Sorry, all seats' re taken," he said without looking at her. -> Nah, I don't like you back. You're so annoying. "Uhm, okay. But I'm small. You could fit me in the footwell, honestly." -> Ouch, that hurts. I'm not sure if I heard that right. He leaned forward as if he had the urge to stand. "Ha, funny. But no, I'm not planning on doing something illegal tonight." -> We were never friends. Go away.
A character's action depends on their own intention and the other's response. I feel it is easier to keep track of what's happening behind the curtains when it's written alongside the dialogue.
Simultaneously, you can keep habits and traits in check. Does the the character apply all criticism to themselves? Are they disregarding or constantly marginalizing others? Do they worry only for themselves or solely for others? Subtext truly is the most powerful tool in conversation-writing.
About Answers
Did you know that you don't have to answer every single question? In fact, there are two other ways to show an emotion without telling it.
The first one is called sidestepping. The character ignores the posed question and carries on with an entirely different topic.
A: "Do you still love me?" B: "We should get going."
It's very obvious, right? By sidestepping the question, we can assume that the character is uncomfortable or angry with the other person.
The other way to answer is actually a bit paradoxical. Through silence, a great variety of emotions can be displayed. It is recommended to refrain from actually describing silence with words like "he remained silent", "he refused to say anything", "he never responded".
- The laptop hummed. - The birds chirped in the trees. - She felt her legs going numb from sitting in an uncomfortable position. - His eyes wandered around, searching the parking lot for a familiar face.
It feels more natural to explain the things that grab our attention when we sit in silence.
This is it, folks. That's all I could find on the topic - for now. If there's anything missing, I'd love to hear it.
â§ÍâşË*シŕźâž Anyway, thanks for reading, I hope this helped â˝ŕźď˝Ľ*Ëâşâ§Í
My sources are this and this video as well as this article.
Also a big thank you to @zoropookie for helping me with the colors â¸(ď˝ĄË áľ Ë )â¸âĄ
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So I stated reading the IWTV book and itâs really jarring how different Lestat is the show. I have heard that the character takes a big shift in book two and I think the show really did an amazing job setting that up and making him more nuanced even through Louisâs point of view. Yes Lestat can be very cold & calculating at certain points you see him being really vulnerable & soft. One of my favorite examples of this in season 1 in during episode 6 when Louis is very clearly struggling mentally Lestat stops and whispers I love you which makes Louis smile. Itâs such a small moment but I feel like it shows us some context of the Loustat relationship that is missing.
I think having small moments like these really sets up for the revisited scenes in 2.07. We know Lestat is capable of being more vulnerable & emotional so when you see those scenes through a new lens, it makes sense it doesnât feel jarring. Those scenes literally made me go back and rewatch all of season one to catch all the smaller moments that they really set up that Lestat isnât as cold as Louis is trying to convey and I think thatâs the point. The story Louis is telling is colored by his anger towards Lestat. He wants him to only be cold & calculating because itâs easier to continue hating him that way, but theyâre still moments where the love between Louis & Lestat bleed through Louisâs anger
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About the Lucanis Romance
(this is a long ass post ok so bear with me)
So I've been meaning to adress some of the complaints/criticisms of Lucanis's romance and I was thinking on how to do it and I finally figured it out. While I don't like making comparisons because I think they're somewhat unfair, but this time, I'm gonna do it to show why I have some many complaints about the Lucanis romance.
And I'm gonna compare it to Fenris's romance arc in DA2. The main reason for that is that 1) they're both very troubled man who brood and went through A Lot tm and 2) considering DA2 also doesn't allow you to just talk to the companions whenever and doesn't have a spam kiss button and is a shorter game, it feels the fairest comparison.
'Lack of reactivity when it comes to the flirting dialogue options'
One of the biggest complaints when it comes to Lucanis romance is his lack of reaction to the flirting dialogue lines. I've seen the argument that 'oh but he's awakward, he doesn't know how to react'. I'm not the biggest fan of this because there are ways to better portray a character being bad with flirting than having 0 reaction.
During Switch and Bait, the quest where Fenris is recruited, you can flirt with him. And how does he react? He gives a nervous laugh, because he's not used to do. But that conveys that he listened to the flirt line and is responding to it, even if he doesn't actually say anything. There are other moments where his reaction is looking away, smirking, and a few times he does flirt back.
Even if small, I never felt that Fenris wasn't reacting to what was being said. Meanwhile, Lucanis has a painful moment where Rook tells him "I'm here" and he, with the straightest face ever, responds with "We need to talk about Ilario". And this is not the only time where it feels like there was no response to the flirting, its just the most egregious of them.
So, while I can understand what people mean by the fact that he's awkward, there are better ways to portray this. It's important to remember that this is a video game, which is an interactive media, and on top of that, it's an RPG. The player HAS to feel like what they're doing matters, because if it doesn't, it's easiert to just read a book.
'Not enough romance scenes'
I think this is a criticism that has been misunderstood by many people. Romance scenes do not mean just sex. I'm asexual, the sex scenes are the thing that least matter to me. Like, Fenris only has 1 sex scenes and it's a fade to black where he immediatly dumps Hawke after, so clearly, sex is not what I care about.
What does matter are scenes that establish a connection between the two character.
And while Lucanis has them, and I think they're great (the coffee scene and the almost kiss one are the highlights for me), due to the way these scenes are spread out, it feels like there's something missing.
DA2 also doesn't have a shitton of romance scenes, and considering the fact that Fenris breaks up with Hawke halfway through, its understandable. But the difference is that DA2 is a much shorter game than Veilguard, or, at the very least, Act 2 of DA2 is waaaay more concise than Act 2 of Veilguard, which is where most of the romance is happening.
That means that, even if there aren't that many romance scenes, they are better splayed out, so you don't feel like you're missing stuff. Another thing that I think happens is that you can really dive in and just ask the companion a lot of things.
Take Fenris's Questioning Beliefs quest in Act 2, which is a really important scene for the romance. Much like veilguard, its a scene that doesn't begin as a romance one but if you have been picking the flirting options, it can turn into Fenris and Hawke discussing about being intimate in the future. And in this scene, Fenris confesses to not having been with anyone in long, and doesn't remember if he actually ever has been with anyone.
This can be made so much longer by the fact that Hawke can ask multiple follow up questions from there, and that helps in both creating a connection between the two and also establishing the romance. Even if they don't do anything then, Fenris will say 'another time'.
And this happens in the act 3 version of Questioning Beliefs, which has the culmination of Fenris's and Hawke's romance, where their relationship is rekindled. And I think they do what Veilguard should have done: they let the player adress Fenris leaving Hawke.
One thing that bothered me, and that other people have brought up is that after Lucanis's runs away from the almost kiss, it's never adressed again. And I think if they could have had a moment where Rook and Lucanis talk about this, it could have been great to understand Lucanis and his history with relationships, how he feels internally about what's going on with them, heck maybe even apologize. Just something to feel that that wasn't a random scene, that was something important that happened.
Also, because you can interrogate Fenris so much in those scenes, the feeling that he was yearning for Hawke but all his trauma was stopping him felt more natural/real/explicit. I remember getting to the endgame portion of Veilguard and Lucanis pulling out the 'when i wanted to be with you but was scared' and thinking this is a lovely sentiment but why it hasn't been shown before? Because yes, the almost kiss is a good way to establish this, but if it had been actually delved in, that feeling could have been made more explicit.
I also wanted to add that, while the gift giving in DA2 is nowhere near the mechanic it was in DAO, it still helped with establishing that connection, and it gave even more chances for characters to flirt, and if DATV had used this opportunity, it could have helped a lot, instead of just having the character go "for me? thanks"
'Banter'
I'm gonna adress two issues here at once. The first is Neve.
Out of the gate, hating on Neve just because she flirts with Lucanis and gets with him if you don't romance either of them is weird, and at the very least, sexist.
So, what I want to talk about is that if you're romancing either of them, for some reason, their flirting banters still trigger and that can be uncomfortable. It sure is weird to be romancing a character and have them still flirt with another, because it comes across as 'oh maybe the choice to romance them doesn't change much' which isn't good for an RPG.
DA2 also has a couple that flirts through banter and gets together if Hawke doesn't romance them, and those are Isabela and Fenris. The difference is that, if you romance either of them, those flirty lines of banter do not trigger. At all. So much so I had no idea they got together because I've only romanced Fenris so far in DA2, so i never even knew of these banters until I looked at the wiki.
So, truly, lucanis and neve getting together is fine (i think neve should have been with bellara but that's another story) but these flirting line should not trigger if either of them are being romanced by Rook.
Still on the topic of banter, maybe I was unlucky and didn't get it to trigger often, but I felt as if, even though everyone was living together, the fact that Rook and Lucanis were in a relationship was not really ever addressed by anyone else? Like, I know these banters exist because I've seen them online, but I feel like there were just too little of them?
In comparison, the DA2 characters have a LOT to say about Hawke's choice of partner (and again, I'm focusing on Fenris here). Merrill adresses the romance through banter ('you make sad puppy eyes whenever Hawke looks away'), Varric, Isabela and Anders have specific scenes where they talk to Hawke about Fenris and give their opinions on the two of them together. Heck, in Aveline's quest where she gets with Donnic, she can briefly mention the two of them. And these all of them also have banter in which they adress the romance.
And its this sort of thing that really helps filling in the gaps of the romance scenes but also showing that these characters know what is happening. And the DA2 gang doesn't even live together!
And for Lucanis in specific, if there always was going to be less scenes with him due to how he is a person, having a few scenes where the other companions talk to Rook about it would have helped bridge that gap, in my opnion. Again, considering you can't directly talk to this characters (as in, click on them and start a dialogue), this would have been a nice touch.
And now a very personal complait of mine
'Kisses and the Commit to Romance scene'
While I stated at the very begging that I don't care about sex scenes, that is another story when it comes to kissing scenes, and I'm sorry, but it's WILD to put the ONLY kissing scene in the romance AT THE ENDGAME PORTION OF THE GAME.
Give it or take, kissing is an intimate act and it can be used, in my opinion, to show that a character is comfortable with that sort of physical touch. And for a character like Lucanis, who is just so troubled, maybe one kiss before the grand finale would have been really fucking welcomed. In fact, I know the scene they could have added that - the one in the cafĂŠ after Ilario is taken down.
It could have been a short, sweet kiss, that was just a follow up to the almost kiss scene. Just something to hammer in more that these characters are together.
Because let me tell you, it is not a good sign when people say they thought the game was bugged after the dessert scene.
That scene, while lovely on its own, does a bad job of making it clear that yeah, these characters are dating now, and that's due to the fact that that is not something really said out loud.
I'm rewatching this scene as I type this out and at no point, is it made clear through dialogue that Rook and Lucanis are agreeing to being together. In fact, Lucanis says that what he's doing is not enough, and Rook disagreed with the sentiment and says they're easily bribed. That's it.
Meanwhile, in DA2, not only in act 2, do Fenris and Hawke lowkey make plans about being intimate at a later date, and Fenris explicitly says he wants Hawke, but in act 3, he once again makes it clear that he wants to be with Hawke, and I feel like this only really happens with Lucanis at the endgame portion of the game.
This is all to say that: The Lucanis romance is lacking, and that Bioware has done something like this before and they did a better job then than now.
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The Heart Killers EP8: The Significance of Kantbison's Safe Word
This scene is one that I like the more and more I think about it. The safe word was established in EP3 where Kant convinces Bison to try out BDSM on him. In a sub/dom dynamic, trust is essential. The sub needs to be able to trust the dom not to hurt them or push too far. Equally, the dom needs to trust that the sub will let them know when to stop or what the limits are by using an agreed safe word.
More can be read into Kant's use of the safe word and the sentiment he's try to convey, beyond that of it's literal function: 'you're hurting me, please stop'. What's being inferred is: 'It hurts me to see you hurting and I want that to stop'. We've seen proof of this, Kant has been visibly guilt-ridden and pained throughout the deception. He doesn't want Bison to hurt anymore, especially knowing he caused it. Bison's whole initiative to punish him is not providing any relief in any way. It's externalising his pain but not resolving it. Ordinarily, a safe word would protect the person saying it, but Kant's used it with the desire to protect them both from any further suffering.
The other way this scene can be read is: 'I trust that you won't actually hurt me, (and you'll respect the safe word), because you love me'. Kant has always known Bison is capable of killing, of inflicting pain, but he also knows Bison is capable of choosing not to. The way Bison takes care of the stray cat outside their burger joint. The way Bison sabotages a mission to save Babe. The way Bison rescues Kant after forcing him to jump. Yes, Bison is trained to be ruthless but Kant is appealing to the part of him that can also be merciful.
Kant's never seen Bison as only a killer. That was how he was able to fall in love with him. And Bison's whole character is based so heavily on a desire to be his authentic self and to live a normal life. Kant sees him for him, which is how Bison desperately wants to be seen. When Kant states, "I wasn't fully myself when I really wanted to be" Bison can acutely relate to how that feels. It's impossible for him not to sympathise with that.
This all helps culminate to their heart-to-heart on the beach, and an invitation to start afresh. Underneath it all, you still love me and I still love you, despite what we've done to each other. We're not capable of killing one another for the sake of our own missions, so where does that leave us? Kant's only priority at this point is to lay himself bare in an attempt to inspire the same in Bison: 'then let's be honest with and to ourselves, I grew tired of pretending and I'm sure you have too.'
A/N: Did anyone else forget the 'penguin' reference when they initially watched the episode? Because I couldn't for the life of me remember when exactly it was brought up, which made watching this scene without that context particularly hysterical.
You can keep tabs on bird-inacageâs BL meta directory for my other long-form posts around The Heart Killers, which Iâll be updating in real time as the show airs.
#the heart killers#the heart killers the series#THK#THK meta#kantbison#firstkhao#first kanaphan#khaotung thanawat#UGH the angst in 'don't hurt yourself because it's hurting me'#i eat that shit up#be still my heart#bison is sad lil kitten#i laughed though when kant held that log up as if he was ever going to be capable of pummeling bison over the head with it - be for real#the number of opportunities bison had to kill kant and he could never bring himself to do it
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