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darkmatilda · 5 days ago

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ׂ╰┈➤ the pumpkin reaper

part 1: first day of investigation

part 2 here!

in which you and the BAU are handling the case of a murderer in a small, sleepy town

tw: decapitation, description of a crime scene etc, mention of a suicide attempt, mental illness

contents: spencer reid x fem!bau!reader, solving a criminal mystery, angst, slow burn

words: 4k

“And how's school?”

There was silence on the other end of the phone.

“It could be worse,” said Jeremy after a moment, in an indifferent tone. You sighed, wondering if, as a teenager, you also answered everything, even more serious, open questions with vague remarks, driving the person asking how you were doing to frustration.

Answering that question, no, you didn’t do that. When you were a teenager, you didn’t have anyone who cared about you. Precisely for this reason that you practically tormented your brother with phone conversations, feeling immense guilt for leaving him with your parents. The same parents with whom you ultimately decided to cut off contact. You had never faced a more difficult decision — cutting them off or continuing a relationship that tragically affected your mental health? After each interaction with them, you felt weak, defenseless, insignificant, and above all, exhausted. It wasn’t even about your mother’s illness. They were just terrible people.

Your sixteen-year-old brother didn’t have that option. He had to deal with them until he turned eighteen and moved out. You regularly made sure he was okay. However, lately, you had the impression that his voice was becoming more and more devoid of emotion. Depressed. And you couldn’t do anything about it.

Prentiss appeared right in front of you. She noticed you were on the phone, so to avoid interrupting you, she tried to convey something silently. With her thumb, she pointed toward the main deck of the jet. From the movements of her lips, you were able to read, “Hotch is calling everyone.”

“Don’t think I’m going to let this topic go,” you said again to your brother. You could imagine him rolling his green eyes. “I have to get back to work; I’ll call as soon as I have time. Don’t get into trouble and take care. I love you.”

“I love you too.”

You ended the call and noticed a smile on the brunette’s face. Together, you joined the rest of the team.

“I heard part of your conversation,” she confessed. “Don’t tell me you have a kid that you’re hiding from us?”

“Who’s hiding what from whom?” Morgan chimed in as he walked in, holding two huge cups of coffee. He handed one of them to Reid.

Prentiss nodded in your direction.

“Did you know that y/n has a kid?”

You nudged her.

“I don’t have any kids. I was just talking to my brother,” you explained briefly. You didn’t like discussing your family, even with friends. In fact, you were often accused of being too secretive.

“I didn’t even know you had a brother,” Reid added, frowning.

He, along with the rest of them, looked at you with mild surprise. You muttered something under your breath, shrugging. You felt a bit embarrassed that your family was the center of the discussion. You were saved from the awkwardness by your own boss.

“Can we start?”

JJ handed out the case files. As soon as you opened yours, you were met with an exceptionally graphic scene.

“ The bodies were discovered by someone from the forestry service, but according to the local police, anyone could have found them. It wasn’t hidden very carefully, as if someone didn’t care about it being discovered. A man and a woman, both decapitated. Before you ask, the heads were found in the same place as the rest of the bodies. Except for that, no serious injuries, just a few minor bruises and scratches. As if they were trying to defend themselves while they still could. “

No one spoke; the only sound was the turning of pages as the whole team focused intently on analyzing the photos. Your brows lowered in concentration, your entire face tense. Maybe you looked at things like this every day, but that didn’t mean it had become pleasant or that it didn’t disgust you. Sitting across from you, Reid was the first to speak.

“What do we know about the victims?”

At that same moment, as JJ spoke up again, you flipped the page and were met with two photos that looked like they’d been pulled from a social media account. Both people were alive, happy. The man was crouching next to a young boy who seemed to be pulling away, unwilling to be in the picture with his father. In the background, there was a garden, a tall white fence typical of American suburbs, and a slide. You barely stopped yourself from glancing at Hotch — he had a son around the same age, and this case might hit him particularly hard. The woman in the photo wore square glasses, with a cheerful, friendly gaze peeking out from beneath them. Round cheeks, a wide smile.

"Andrew Ward, 37 years old. He was one of the city councilors. He had a wife and one son, and he’d lived in this town his entire life. Then there's Jessica Larsen, the deputy mayor—she and her husband were both heavily involved in public life."

“A city councilor and the deputy mayor?” Prentiss repeated, thoughtfully resting her elbow on the arm of her seat. “Does anyone else feel like this could be some kind of score-settling? Revenge? Maybe from someone who was wronged by the city council over… I don’t know…”

"Higher bills," you said absentmindedly, blurting out the first thought that came to mind, immediately wincing at your own foolishness. You were still distracted by the conversation with Jeremy. You pinched your arm, trying to force yourself to focus on the case.

"Raising bills doesn’t typically drive people to murder," Reid corrected, pausing to glance at the files again. You never felt embarrassed when he pointed out your mistakes—he had a way of doing it so skillfully and politely. "Prentiss is on the right track; it could be revenge. Our UNSUB might hate authority due to some personal experience, maybe sees themselves as an anarchist, though it's hard to lean in that direction with so little information. Garcia, have you checked if the victims were connected in any way?"

The blonde woman on the laptop screen nodded.

"I’ve checked everything I could find about them, but unfortunately, I couldn’t uncover a single connection that might move the case forward."

Hotch raised a hand, stopping you from further speculation.

"That’s not all," he began, looking at each of you in turn. "Right after those two bodies were found, three more were discovered."

Morgan raised his eyebrows high.

"Five bodies? No wonder they called us in."

"And here’s where our biggest problem arises," your boss continued “Look at the photos. These three bodies were also decapitated but except for that, treated in a completely different way”

You turned the page again, and your heart skipped a beat at the sight. Other victims were killed with much more brutality, all covers in cuts and bruises. It was even hard to define their gender, but when you looked at the description you knew that this time, they were all women."Were two different people responsible for this?" Prentiss asked.

“Two murders cutting their victims' heads in such a small city?” spoke up Rossi, skeptically.

"I don’t think it’s two different killers," you said hesitated, unable to look away from the photos. As you studied them, you absorbed every detail, trying to imagine the murderer inflicting these injuries. If anyone could have peered into your mind at that moment, they might have gotten serious PTSD. “Just…take a look at the wounds. There’s much more on these women and are visibly more brutal. But they look like they were inflicted by the same hand, the same person. The placement is often consistent," you noted. "How much time passed between the murders?"

“We haven’t gotten this information yet" said Hotch. "But based on my experience, I can say we’re looking at a matter of weeks."

You noticed that Reid was watching you closely. It seemed he was doing it unconsciously. When you sent him a questioning glance, he slightly blushed and immediately cleared his throat.

“I’m curious about what y/n said,” he admitted. It was clear to see the many calculations and analyses happening in his mind. This was evident in the increasing pace of his speech. “It really does look like the same person, but in different circumstances, perhaps influenced by different emotions. Maybe even with different motives. I realize the possibility of that is close to zero, but what if we’re dealing with a murderer with multiple personality disorder?”

A silence fell as everyone contemplated Reid's words. You made eye contact with him again — your tracks of thought began to overlap, your conclusions intertwining. Looking at his face, you felt, in a way, smarter and understood; it became easier to connect the fragments of ideas that had surfaced in your mind.

You shook your head.

"No... I'm not sure. I understand what you're saying, but it seems to me that this isn't entirely true in our case. Your theory would suggest that two different personalities of our UNSUB committed these crimes, but in such cases, the crimes usually contrast more with each other. It's much harder to connect them, and here... I immediately noticed that this was the work of the same person."

Reid leaned in with interest over the table. Everyone seemed to look at you encouragingly, waiting for you to continue your theory. Yet you only took on a resigned, apologetic posture — nothing else came to mind. Any potential ideas felt too chaotic; some instincts accompanied you, but it was nothing you wanted to share out loud. You felt that they wouldn't help at all.

"We'll definitely know more after seeing the crime scene," Hotch stated, closing his files. With that, he ended the official discussion, giving you time to review the photos alone and think everything over one more time.

That’s exactly what you focused on for the rest of the meeting. You sat with one leg crossed over the other, a closed folder resting on your lap. You didn’t need to look at the photos anymore; you just needed to close your eyes and listen to your intuition. It definitely had something to say about this case. You just weren’t sure what…

Just before arriving at the scene, Hotch asked to speak with you privately. You couldn't hide it; you felt a bit anxious.

Maybe it was about your recent distraction. Of course, it was about your worry for your brother, but that shouldn’t have been an excuse; nothing should be distracting you. Or maybe he wanted to discuss something completely different, and you had just imagined this whole scenario in your mind. Knowing you and your tendency to overthink, both options seemed equally likely.

"As I mentioned, y/n, I need to talk to you about something. It’s regarding your accommodation."

First, you breathed a sigh of relief that it wasn’t anything more serious. Then, your eyebrows raised in surprise. Accommodation?

"There have been some issues with the hotel we’re planning to stay at," Hotch continued. "We couldn’t secure separate rooms for each of you. You’ve been assigned to share a room with Reid. If that’s a problem for you, we can always look for another place, but that would mean you'd be away from the rest of the team..."

“No, it’s not a problem,” you assured him, perhaps a bit too enthusiastically. You were relieved that the conversation didn’t involve any serious issues, just a trivial problem with the room. Besides, why would it bother you to share a room with Spencer? It was only for a few nights. "I was afraid you wanted to talk to me about something else," you blurted out.

“About what?” he asked suspiciously.

“Oh, nothing,” you replied quickly and somewhat squeakily.

Hotch smiled slightly at your reaction, but his gaze seemed to analyze you closely.

Oh you idiot, why couldn’t you just shut up? you thought to yourself as you walked away.

The weather decided to play a trick on you.

As you were driving to the crime scene, the waterfall was sliding down the windshield, almost making it impossible to see anything. In any case, there wasn't much to look at. After passing the main part of the town, you were surrounded only by forest — trees shimmering in shades of orange.

The view didn’t impress you much. You definitely preferred warm, sunny weather and lounging in the sun, rather than freezing every day after stepping outside and dealing with frizzy hair from the humidity. You liked the town better. It felt small and cozy, as if it were taken straight out of Gilmore Girls.

Prentiss was behind the wheel, and you were sitting next to her in the passenger seat, while JJ was your navigator. The boys took a different car.

“So,” Emily began, turning left at the intersection with her eyes fixed on the road. “You care a lot about your brother, don’t you?”

“Yeah,” you confirmed, sinking deeper into your seat. Why did she have to bring this up again? It wasn't that you didn't trust them; you just didn’t like talking about your family. It wasn't even about being ashamed — why dwell on unpleasant topics? Besides, as was well known, you were private. You had to be incredibly close to someone to open up, and even then, you didn’t lay all your cards on the table.

Together with JJ, they looked at you kindly and encouragingly. You acted like you were fascinated by what was behind the glass. Soon, you arrived at the crime scene.

That means, before you reached your destination, you had to walk quite a distance into the forest. Since it was late October, the days had grown particularly short, and you could already see the first streaks of darkness between the enormous trees that seemed to watch you with their ancient gaze.

If you hadn't had the girls with you, you would have felt a thrill on your spine.

The location where the bodies were found had been secured very thoroughly. Local police cars gathered there, and soon the rest of your team arrived. You glanced at your muddy shoes and made a mental note to start dressing more appropriately for the weather from tomorrow on.

The rain intensified. Emily pulled her hood tighter around her head.

“Working in these conditions...'"

Her sentence was interrupted by the appearance of an incredibly tall man, somewhat resembling a bear. Long hair protruded from under his sheriff's hat, and he seemed to be about the same age as Hotch, with whom he immediately shook hands.

“Agent Hotchner, we're from the FBI.'"

"Sheriff Russell” he introduced himself, pressing his hand to his forehead with concern. 'I've never seen anything like this, and I've seen a lot. I can't believe anyone from this town could do something like this; I know these people and...'"

“Can we see the bodies?" you asked. It was getting dark, and you wanted to get as good a look as possible. There was something intriguing about this case that had unsettled you since the moment you first opened the file.

Without waiting for an answer, you and Emily moved toward the secured area. Despite the circumstances, the corner of her mouth twitched.

"God, I hate this chatter," she sighed in annoyance. "I know these people; they’d never do something like this," she mimicked the sheriff’s deep voice. "Neighbors of serial killers always say that. Someone can be polite in conversation and keep five bodies in their basement — it’s not mutually exclusive."

You stifled a laugh.

"Don’t forget the how could he have done it? He always said good morning in the hallway!"

“Or about kids. Sure, he was killing small animals since he was four and had a knife collection, but deep down, he was polite! I can't believe he shot up half the school…”

Hotch appeared right next to you, so you cut her off with a firm elbow jab. You accidentally hit her in the ribs, causing her to let out a groan. This only intensified your incredibly inappropriate amusement. Your boss was standing so close, so you covered your mouth under the guise of a cough.

In the next thirty minutes, the laughter faded away.

You began by examining the bodies of the first victims, in chronological order. These were the three brutally murdered women. The whole scene seemed to be waiting for your arrival. Not a single detail had been altered, making it easier for you to connect emotionally with the situation. Most of the profilers you knew were meticulous about keeping their feelings detached from their work. It was the only way to endure this job for more than a year without committing suicide. You applied that strategy yourself, but not entirely.

When investigating a case, you tried to imagine yourself in both the shoes of the perpetrator and the victims. Often, you would close your eyes, attempting to visualize and feel it all in vivid detail. To step away from pure theory and let intuition take over.

It was likely the reason that, for the past year since you started this work, you hadn’t imagined a day without at least one tranquilizer and a sleeping pill.

After thoroughly examining the first crime scene, you drove to inspect the next one. This time, the victims were two people connected to the city council. The previous victims had been a teacher, a former resident of the orphanage, and a social worker. When you learned this, a heavy feeling settled at the back of your mind. You were certain there was a connection between these victims.

"Let’s consider what drives the unsub to remove the victim’s head" Rossi suggested.

Before you could even define the meaning of the question, Reid rushed to answer.

"Decapitation is one of the most symbolic acts of violence. The head represents thought, intellect, and control. By removing it, the killer may be expressing a need to destroy those aspects. It could also be a form of humiliation, a metaphorical stripping of their power and authority," he explained in a slightly robotic tone, as if reciting from a Wikipedia entry.

You smiled subtly at the thought. He noticed and gave you a questioning look, which you chose to ignore.

“That would fit for the two later victims," Morgan said, resting his hands thoughtfully on his hips. "They were on the city council — the unsub might have felt he was stripping them of authority and power. But how does that apply to the others? A social worker, a teacher, and an orphanage employee?"

You fixed your gaze on your dirty shoes, Derek’s question echoing in your mind.

What was it all about?

You’d forgotten your sleeping pills.

Once more, you searched your toiletries bag, where you usually kept them. Not a trace.

You pressed your lips tightly together, angry with yourself. Your sleep problems weren’t that serious — were caused mainly by overthinking and constant worry. You didn’t have the motivation to take care of yourself in that regard. It was much easier to rely on the medication, and as long as it worked. Sometimes you forgot that you were even struggling with it at all.

“Is something wrong?” Reid asked, stepping out of the bathroom. Following Hotch’s words, you were sharing a room with him. “You seem upset.”

You shook your head dismissively.

“I just forgot something.”

Only then did you look at him. He was wearing plaid pajama pants and a gray t-shirt. You realized it was the first time you’d seen him in such casual, everyday clothing. He usually wore shirts, blazers, and vests — somewhat grandpa-like, but you thought it suited him well.

You realized you had been staring at each other in silence for quite some time. To break the awkwardness, you cleared your throat and decided to return to one of the exhausting topics.

“There’s something strange about this case. You know, I’ve thought a lot about your theory regarding personality disorder, but something doesn’t sit right with me. Aside from the fact that it’s very, very rare, it’s just… my intuition doesn’t agree with it. I hope I don’t sound like a shaman.

Spencer bursted out and sat on the edge of his bed. In your room, only the standing lamp illuminated the space, casting a dim orange light around. Despite that, you could see the thoughtful expression on his face.

“We once dealt with a case where the unsub was struggling with that very disorder. He was abused as a child and developed a separate personality, Amanda, who harmed men similar to his abuser,” he shared in a quiet, less confident tone than the one he used on the jet. He must have been tired after a long day at work, and like you, frustrated that you hadn’t found anything.

Above all, the circumstances were different. Your conversation had shifted to a more personal level, concerning two friends rather than coworkers.

“Do you see any similarities between these two cases?” you asked, intrigued since you had never dealt with a similar case yourself.

“Not exactly,” he shook his head. “At one time, I read a lot about that disorder. There was another instance where we had an unsub who…” he trailed off, a visibly tense expression crossing his face.

��It’s okay,” you quickly reassured him. You didn’t know what was bothering him, but it was clear he regretted bringing it up at all. You had never been one to push for more; you often felt uncomfortable with certain topics, and you were incredibly grateful when someone recognized your withdrawal and changed the subject. “You don’t have to talk about it if you don’t want to.”

“Thanks” he whispered. But I think there’s something to your intuition. This whole case is exceptionally peculiar.”

““Well, you can call me a shaman now. By the way, are you planning to go to bed already?”

“And you?” he replied with a question of his own. “Actually, I’d prefer to read for a while, but I don’t want to disturb your sleep…”

Your broad smile clearly surprised him.

“I was hoping you’d say that. I wanted to spend some time with a book too”

In fact, it didn’t stem from your desires at all. You loved reading, but your brain was usually too tired for it in the evenings. However, you were aware that falling asleep would take you an unusually long time, and you preferred to make use of that time rather than stare at the ceiling.

You pulled out the only novel you had brought, Kafka on the Shore. You were about halfway through. Then you remembered you had meant to call your brother, but when you glanced at the clock, you realized that due to the time zone difference, it was already late at night for him. You sighed with a pang of guilt. You promised yourself you would do it tomorrow.

“Goodnight, Spencer,” you said when you both agreed it was finally time to go to sleep.

“Goodnight, shaman” he responded.

You smiled in your pillow.

part 2?

#spencer reid x reader #spencer reid x oc #spencer reid fanfic #spencer reid #aaron hotchner #criminal mind #fanfic #criminal minds fanfic #spencer reid criminal minds #criminal minds angst #criminal minds fanfiction #criminal minds x you #criminal minds fic

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waltricia · 6 months ago

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Regardless of whether anyone actually reads this, I need to show appreciation for the writing, blocking, and editing of the last scene of 3x03, “Forces of Nature.”

Recently, I noticed that the LW line “this author is captivated” was very specifically placed over a shot of Colin and I knew it was intentionally done to convey the double meaning of the narration being about her and him.

Since then, I’ve realized that the same thing is happening throughout that entire LW narration. And it is fucking BRILLIANT.

So, first of all, this is the transcript of the narration:

“This author believes that all of man’s greatest inventions are nothing more than a distraction from what is most natural to us. Our instincts. The innate animal impulse that is inside even the most sophisticated of us. For when all is said and done, our nature will always win out. It seems Lord Debling’s instinct has led this man of nature to the most surprising pick of the season in Miss Penelope Featherington. Suffice it to say, this author is captivated. For in the battle between man and nature, it is quite clear that the battle is in fact between man and himself.”

Now I’m going to break it down with captioned stills so that you can see which words line up with which frames and I’ll explain what I believe it all means.

“This author” - When it’s first said, it’s on Pen. The second time it’s on Colin. I think there are several meanings here. Firstly, she’s Whistledown and she’s published. He will be, assuming he publishes his travel journals or whatever. Secondly, I think it highlights how they will be united, in the Whistledown storyline along with everything else. There’s a third meaning, but I’m going to get back to it later, once we get to the second use of “this author.”

This is the Innovations Ball, so on the surface, LW is speaking about man-made technology versus the natural world. But with the introduction of “man,” the shot immediately cuts to Colin, so the second layer of the narration is about him. All of Colin’s invented personality traits are a cover, hiding his true self- his sensitivity and his feelings for Pen. Obviously, this echoes what she wrote about him in 3x01, but it’s different. The context is the same, but this time, she’s not speaking directly about him, and really, she may very well not be thinking about him at all in writing it. After all, she still doesn’t know about his feelings for her. But we know. And the feeling of what she’s saying this time is less jarring; more, fittingly, natural. Because he’s starting to confront all of it as well.

In this shot, Colin has been walking across the room to get to Pen. There were people on his right, obstructing his view of her, but as LW says “natural,” Colin passes those people and, though we cannot yet see Pen, we can tell from Colin’s face that he finally clearly can. She is what is most natural to him.

He comes up to her and says that he has a question for her. The narration starts again. But on this shot, it’s only the one word, “our.” Aside from this just being romantic, I think it highlights that the narration is about both of them. But I also think that it’s not just about them. It feels to me as if, metaphorically, it’s written by both of them. Hence, my emphasis on the importance of “this author.”

We cut to our first close-up of Colin in this particular intimate sequence of close-ups. And we’re really in his perspective now, as he’s struggling to manage his feelings.

Again, he had been masking, trying to be like the other “sophisticated” gentlemen.

But a shift is occurring within him.

And this where I really hope there is at least one other person out there paying attention because all of the elements are coming together to tell us something incredible here. We have our beloved Julie Andrews delivering the line with a profound heaviness. We have Kris Bowers’ “Call Me Simon” coming to a close, sounding like a clock striking midnight. And we have the decisive sentiment of the words themselves. I'm convinced that the words “done” and “win out” being said on Pen speak to the finality of Colin’s feelings. If there was uncertainty before, it is gone now and there is no turning back. He is in love with Pen.

But before Colin can say anything else, Debling steps in and takes Pen away to dance.

Side note: Amazingly, I can back up my theory with this shot and another one of my theories:

I had said, when the trailer came out, that when true red shows up behind Colin, that indicates his love for Pen. This is the first time we see that happen.

But anyway, back to Whistledown…

Debling is the literal “man of nature,” while Colin is the metaphoric “man of nature.” Both have picked Pen.

We’ve finally come to the second “this author” and here’s the third thing I wanted to say about it: Possibly my favorite thing about this sequence, is that it acts as a vehicle for the representation of the Polin role reversal. From one end of the Whistledown narration to the other, Pen and Colin literally and metaphorically switch places, seamlessly. They exchange their physical places in the room. She’s the wallflower, then he’s the wallflower. She’s the author, then he’s the author. In a metaphorical sense, they’re both writing this Whistledown piece. This whole sequence serves to show us how Colin and Pen have really been equal this whole time. They’re just star-crossed. It’s like what Luke has been saying in interviews, Colin and Pen keep missing each other. They have brief moments where they eclipse each other and then they slip right past until the next time they orbit around to each other again.

Ok, here’s the final stretch, and it is a fucking fascinating maneuver:

The battle isn’t between Colin and Debling. In fact, Debling doesn’t signify at all here. I’d say there are actually three other battles being referenced: Colin and himself, Pen and herself, and Colin and Pen. The first “man” of that sentence is said on Colin, while “nature” is said on Pen. So in the battle between Colin and Pen- for there is a battle, as Cressida will mention in 3x04 when she says “Eros and Psyche, battling it out”, and also there will be more blatant battling in part 2- the real battles Colin and Pen are facing are the ones within themselves.

Of course I’ve already written about Colin’s battle with himself.

The reference to Pen’s battle with herself is particularly interesting to me. At first, I didn’t see it and I didn’t understand why that bit of the narration was spoken over the Pen and Debling dance instead of over Colin. Then I realized that the second “man” of that sentence is said directly on top of this shot where, again, it’s not about Debling; it’s her face we’re seeing. Then, Debling spins her and the “himself” is on Pen too. And I know I’m right about this because the shot was in the trailer and I watched it so many times. And I noticed that Sam Phillips is very specifically looking away from the camera in this moment. I figured it was because we had to know that the moment was about her. And I was right.

Pen’s journey is her reconciliation with herself. Colin and Pen really have the same inner battles. They both need to drop their masks. That’s why the mirror scene is going to be so important- it’s about exposing and embracing the bare parts of both of them. They are already equal and united. They just need to see it.

Ok that’s it. I’m done. I got it out. And I literally can’t add any more images to this post. To anyone who will have read this fuckin novel I just wrote, thanks for sticking around. These ballroom sequences are particularly difficult for the cast and crew to do, and there is obviously so much complexity in this one, so I feel like it should all be acknowledged. Someone has to acknowledge it, and if that has to be me, I will gladly continue using up my Friday afternoons to do so.

To the cast and crew, to the captain of the season 3 ship, Jess Brownell, to the director, Andrew Ahn, and writer, Eli Wilson Pelton, to everyone’s favorite choreographer/movement director, Jack Murphy, to Luke, Nic, and Julie fuckin Andrews, I see you and I love you. Please keep doing what you’re doing. It’s all worth it. ♥️

#my obsession with this show and specifically this episode is unlike anything i’ve ever experienced before #forces of nature #innovations ball #hawkins ball #polin #lady whistledown #bridgerton #bridgerton season 3 #netflix #andrew ahn #jack murphy #jess brownell #eli wilson pelton #obsessive bridgerton things #bridgerton analysis

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bigtedbear · 3 months ago

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" 𝐚 𝐦𝐞𝐫𝐦𝐚𝐧'𝐬 𝐠𝐮𝐢𝐝𝐞 𝐭𝐨 𝐬𝐞𝐝𝐮𝐜𝐭𝐢𝐨𝐧 "

𝐩𝐫𝐨𝐦𝐩𝐭: 𝐥𝐮𝐨𝐜𝐡𝐚 𝐢𝐬 𝐜𝐨𝐦𝐩𝐥𝐞𝐭𝐞𝐥𝐲 𝐨𝐛𝐥𝐢𝐯𝐢𝐨𝐮𝐬 𝐭𝐨 𝐭𝐡𝐞 𝐢𝐧𝐭𝐫𝐢𝐜𝐚𝐜𝐢𝐞𝐬 𝐨𝐟 𝐦𝐞𝐫𝐦𝐚𝐢𝐝 𝐜𝐨𝐮𝐫𝐭𝐬𝐡𝐢𝐩

content warnings: gay relationship, descriptions of grevious bodily injury, implied self-mutilation/self-harm, male reader, monster x human relationship, hurt/comfort writing, hey this starts out really dark please take care of your mental health, arguments, misunderstood feelings, mermaid courtship, alternate universe where luocha is a traveling doctor who's studying biology and anatomy across the universe blah blah blah, luocha is pretty genuine in this even though i know he is in fact a snake let me idealize for a moment okay, luocha puts a ring on it without realizing he is literally putting a ring on it

full admittance you'll probably find parallels with @/havanilla's merventurine au at the start of this cause it was one of the last things I read on my old tumblr account before it died on me and i fear i DO have brainrot

to add to my earlier warning about this chapter beginning out dark, there will be a marker for the cuter, mermaid courtship section of the fic!! look for a marker like the one below VV

" welcome back caller 🪷! connecting your line as we speak! "

" new contact noted! caller luocha has been added to your phonebook - love, 𝑜��𝑒𝑟𝑎𝑡𝑜𝑟 𝑡-19 “

A pained scream ripped through the air.

It was a shame it couldn’t be distinguished from the sound of other yells and shouting from all over the deck. In fact, it seemed the anguish was completely drowned out by the noise of an older man beginning to bark orders from the side of the fishing boat. Gravelly with age and experience, sets and more sets of hands seemed to jump to action, rushing over to that specific side of the deck.

In the crew’s haste, they didn’t seem to notice they had also woken up the residential cabin. Things were more than hectic; the experienced crew themselves were in a frenzy. There was something that demanded urgent attention and it seemed none of the regular passengers were privy to what exactly it was.

Still, in the curious sea of civilian passengers renting their rooms in the bowels of the ship, a tall blonde head of hair peered over the crowd straight to the source of the fuss. Over the sea of yellow rain jackets adorning the working fishermen, he caught sight of some kind of reflective surface… what many wrote off as an oversized fish, Luocha continued to strain his eyes at.

Should he have been anyone else, perhaps he wouldn’t have noticed. But Luocha was a doctor, he was more than familiar with noises of distress; with the scent of blood. Something in the very core of his body shook with each of the pained and weak motions of an equally pained, weak patient. The vibrations crept up his spine from the wooden boards of the ship, whispering into his ears.

Something was wrong.

Something was terribly wrong.

Despite the protests of one of the tour guides, urging him to go back to sleep, he rushed towards the scene. The same pained screams; the sounds of the body on the deck; the reflection of the “oversized fish”, they became clearer and clearer the closer he closed in.

Before he could make it into the crowd of men at work, he was caught by one of their coworkers. Clad in a yellow raincoat, shadow cast across his face in the rain, the obviously displeased grimace all over his face only further sent Luocha into a state of panic. A tense grip on his elbow, the man spoke in a language he didn’t understand. Even if he didn’t understand the words themselves, Luocha was more than smart enough to understand the message the worker was trying to convey. Before he could be pulled away, he made one last attempt to see what exactly was going on.

When he did manage to catch a glimpse, he froze.

Perfect, round tears running down flushed, red cheeks.

The skin was pulled taut in another scream. Based on the shaking motion of the face, he could only really come to the conclusion the body was being jerked in every direction possible.

“Stop… STOP!” He yanked his elbow out of the man’s grasp, crashing directly into the back of another worker. In his haste, he shoved the man out of the way only to find his path blocked by even more yellow raincoats. “You’re only going to worsen the injuries! I’m a doctor!”

Despite not considering himself to be very physically fit, something about the situation discarded that reality entirely. An unknown strength washed over him as he forced his way through the clusterfuck of workers trying to wrestle the screamer into place.

He didn’t understand, Luocha didn’t understand.

There was an injured crew member on the deck, screaming–what kind of idiot would continue to pull and stress the skin around the wound? Was that why the team leader seemed to screaming with such vigor? Was he equally concerned about one of his staff suddenly being sent into debilitating agony?

But no, not even in the slightest.

Through the crowd, a wet mop of hair thrashing against the backdrop of a barbed fishing net came into view. The urgency only further sent Luocha wrestling through the crowd of men, all but screaming himself as he watched the injured man on the ground contort his facial muscles in abject horror.

“Stop it, you’re hurting him!”

He could hear his own vocal chords start to tear as he shrieked for the poor victim. With each passing moment, fear and anxiety seized the doctor in his entirety before he finally managed to part the crowd like the red sea.

In the end,

he wasn’t faced with a crew member.

...

A merman.

Something he’d only heard of in the planet’s folklore.

It seemed well-known the small surviving population hardly ever ventured out of protected waters for fear of predators.

What was this one doing so far out…?

With the opportunity making itself known, the unknown merman continued to thrash but harder, lips curling upwards as another shrill cry of agony streaked the night air. From up close, the doctor could only watch the formerly smooth, unmarred skin become tainted with red. Washed with your own blood, you looked more similar to some kind of horror movie monster than a person.

But even in the face of monstrosity, his inner doctor only saw the blown out pupils, the senseless aggression, the fear written all over his patient’s face in their own claret stain.

“You’ll end up killing him, stop, STOP!”

He completely ignored his own pain as the barbs in the net ripped into the fabric of his pajamas, cutting open his knees when he threw his body on top of yours. His hands flew around carelessly in an attempt to unlatch the hands that seemed determined to pull at you from every direction.

At the loss of the hands all over your body, your screams died down into pitiful hyperventilation, curling in on yourself in an attempt to cover the wounds weeping crimson all over the formerly white net.

Instead of relief, instead of some kind of graditude, it seemed he was only met with friction.

“Oy, blondie, paws off, do you understand how much money you’ve got your hands on right now?”

The thick accent confused him at first, then the words themselves didn’t seem to compute.

“Excuse me?”

You yelped again when one of the men pulled at the net. The cold metal tore sore flesh in chunks.

“Mermaid scales are priceless. So are the pearls they cry, we caught the bastard fair and square so. Step. Off.”

His mind scrambled to understand the sentence, thoughts muddling together in a blender of pain and panic. “I- I-”

“You?” Another crew member chimed in, crossing his arms, “You’ll what, doctor? You can either get off of him and wrap up your cuts yourself or we’ll drag you off and the barbs can teach you to keep your nose out of other people’s business.”

“I-” his breathing picked up drastically, suddenly confronted with such a terrible moral dilemma.

When prying hands began to make grabby motions for the edges of the ropes, he choked out his final answer.

“I'll pay for him!"

“...”

He swept his rain-soaked bangs out of his face, his voice shaking, “You were planning on selling him, right?” He fumbled with his sleeves, “I make good money, I swear, I-,” he swallowed, “I can afford it. Just take as much as you want out of the account I used to pay for my cabin.”

“...”

Things were a little bit awkward, to say the least.

Despite an attempt being made to cooperate while you were awake, it seemed the pressure and the mounting stress of nearly dying made it unable for you to accept the fact that Luocha was not, in fact, going to hurt you.

The attempt to deal with the various injuries littered all over formerly smooth, silky skin was unproductive at best. In fact, it only created more problems. Trying to operate while you were largely unreceptive to anything he was saying was by far the worst decision he could’ve made given the circumstances.

Point blank, he needed to get the barbed hooks out of your skin. If he didn’t, the wounds would be at increased risk of infection. After all, based on the cruel treatment he’d seen on deck, he knew the metal was most likely unsanitized. Doing this while you were awake was easily the worst decision he could've made.

Promising not to hurt you while continually yanking pieces of metal out of your tender flesh was not a good way to build trust.

"..."

You poked at the “strange” bowl that’d been set in front of you. It was some kind of clam-fish hybrid soup. I mean, Luocha was trying to be considerate of your regular diet. Surely, since you were living out in open waters, you were pretty used to eating fish right?

He, however, failed to realize you weren’t exactly in a spot to ever enjoy the luxuries of cooked food… or soup. He’d laid out some utensils for you to use on top of that; it was a shame you didn’t know how to use them.

"..."

You realized pretty early on that he’d saved you from becoming a victim to death by blood loss. After all, when you were dropped in a holding tank until the ship arrived at the port, the water went cloudy from the dirt, debris, and blood all over your body. In your little waist-high tank, he’d done his best to make sure you’d actually survive through the night.

Despite your reservations about him, you did your best not to scream while you were confined to a glorified holding cell. Nails digging into the glass, biting down hard enough on the towel to tear, you tried your best to stay still while he fished countless little hooks from your back, arms, and chest.

Removing the large hook in your shoulder was the most painful part of the process for the both of you. You, for obvious reasons. The hook made a clean cut through the muscle--scraping up against the bone--by the time you were awake enough to realize you were wrapped up in a barbed net. Luocha, on the other hand, was the one that had to deal with the struggle while trying to complete a very tricky operation.

Eventually, the problem dealt with itself when you passed out. Really, he should’ve sedated you to start with, and he cursed at himself for not thinking of it sooner. After you went out, he did his best to stitch everything up–hell, he wrapped you up in enough bandages to look like a mummy.

But, since the two of you actually arrived on the island, there wasn’t so much as a word shared from either party.

You woke up in a little bathtub, in a little bathroom, feeling like your arms were falling off and you couldn’t breathe because of how tight all of the bandages were wrapped around you. Eventually the giant bandages changed to smaller ones attached with some medical tape. The only bulky one left was the one wrapped around your shoulder.

"..."

With some trepidation, you grabbed at one of the fishtails sticking out of the mystery liquid, digging a finger in between the meat and the ribs to peel it off the bone. Carefully, you used one of your freshly trimmed nails to remove the thick, scaly skin, then biting off a chunk to chew and swallow.

The longer you stared at the bowl, the more confused you became.

Yes, you knew how to eat a fish.

Yes, you knew how to eat a mussel.

No, you didn’t know what to do with whatever else was in the bowl.

You paused eating when the man sitting across from the bathtub cleared his throat. He made a vague gesture towards your lap, “Would you…?”

‘...mind if I showed you how to eat a bowl of soup?’

Without much hesitation, you offered up your meal again, much more interested in the chunk of fish in your hand. Biting off another piece, you drank in the pleasant familiarity in just having some tilapia for once.

He picked up the spoon. Deciding not to embarrass you further, he decided to taste test the food himself instead of trying to feed you. He let the silver spoon clatter back into the bowl, passing it over to you again. Despite the clear demonstration he’d given you, you opted to pick at one of the mussels hiding underneath the broth.

“...”

He cleared his throat again, seemingly averting eye contact as he stared at the tiled walls.

You diverted your attention from your bowl back to the blonde doctor.

“I don’t mean to be rude or pry in any way,” he swallowed, “but what exactly were you doing so far from protected waters?"

You didn’t seem surprised in the slightest by his question, grabbing at the other fish tail in the bowl, “Smuggling and poaching.”

He tilted his head curiously.

“Protective waters have attendants to track general pod health, they have the authority to temporarily remove merfolk from the water to do routine health checks." You finally wrapped your hand around the spoon awkwardly, bringing some broth up to your lips. "Smugglers get jobs as attendants cause only tagged mermaids are considered protected.” You wiggled one of your finned ears, your left ear. Notably, there was a small tear in one of the fins. “It only takes a couple minutes for an attendant to catch a mermaid, sedate them, get them into a vehicle, remove their tag and throw them out into the right spots for a couple grand.”

“I see.”

You hummed, finally bringing the soup up to your lips, “Speaking of, how much did you end up having to pay for me?”

"..."

“Excuse me?” Luocha’s hands rested in his lap.

“How much did you end up paying for me?” You picked up another mussel, “I’m pretty good about keeping up with the price of scales and pearls. I know you bought me as some kind of pity project, but I'm pretty eager to go back out to open waters. Just name your price and I can start trying to pay off the debt.”

The doctor blinked a couple times. “Oh… oh my god, absolutely not!” He shook his head, bringing his hands up in front of his chest defensively, “There is no need to pay me back in the slightest. Please, just rest well and remain healthy. That would be the best payment.”

“What’s this?”

He rolled the small iridescent pearl between his gloved fingers.

“It’s a pearl.”

He cracked a smile at that. It was gone as quick as it arrived as he brought the little treasure to his face to take a closer look. “Well yes, but where did you get this? Did you have it stashed on you somewhere?”

You twirled your finger in a circle on the surface of the water. “No,” absentmindedly you observed the little whirlpool it made, “I made it.”

He blinked a couple of times, hand dropping back to his side. “Pardon?”

You finally looked up from the surface of the water, “I made it.”

He cocked his head to the side, “You… made a pearl?”

You looked at him, bored, “Well, yeah, did you not know mermaids make pearls?”

He looked from you, to the pearl, and then back at you. “No… I’m afraid I didn’t know.” His palm closed into a fist around the pearl, “How?”

“...hm?”

He gestured towards his closed hand, “How did you make it?”

You gave a huff, “Well, you’ve seen me make them before.”

He frowned, “I… have?”

‘-and I didn’t notice?’

You nodded, shifting around in the bathtub to try and stretch your long tail out a little bit. "The night I got caught on the boat-" Your jaw tensed, a sudden pang of soreness shooting up from your extremities. "-they were all over the deck, there were a bunch in the little tank they had me in.”

His frown only deepened as he did his best to recall, “I don’t think I remember seeing them…? Does your blood crystalize into them or something of the sort?”

You rested your head on the porcelain of the tub, bringing your arms up to cushion your cranium. “Tears,” you murmured, “Merfolk tears turn into pearls.”

‘Ah… so that’s why you mentioned there being so many on the ship.’

But then it hit him.

“Why were you crying?”

You shrugged, “Most mermaids in protected waters can cry on command. We get a lot of tourists that give us gifts, sometimes if we’re interested we’ll give them a pearl in return.”

He nodded like he understood, but suddenly the beautiful gem felt heavy in his fist. He opened his hand and offered it back, “As beautiful as it is, I don’t wish to see you shedding any tears while you’re under my care.”

You pushed his outstretched hand away, “Well, I already made it. There’s no use trying to return it.”

“Still, I feel terrible receiving a gift with such painful origins,” he sat down on the stool that’d become his usual spot. “I’m a doctor. My goal is to make sure you’re in the least amount of pain possible.”

“You should feel honored, you’re really the first person I’ve ever given a pearl to,” you raised your head from its spot on your arms, “I usually only gave them to little kids that didn’t bring me gifts so I’d give them something.” You sank further into the water in the shallow tub.

“My concern is why you believe you should be giving me gifts in the first place,” he crossed his left leg over his right, scooting in closer, “I’ve already told you that taking care of you has always been of my own volition. It is quite literally my job. If you’re giving this to me as a gift and not repayment, I might be more inclined to accept it.”

You huffed, “Well, I guess you caught me.”

His brows furrowed, “So I was right, you’re trying to pay back a debt again.”

“...”

This time, he sighed. “I’ve already told you, your health and wellbeing are both priceless. I would never ask a patient I forced into care to pay me any sum of money-”

“That’s what I don’t understand,” The water rippled when you sat up suddenly, “Why don’t you want to accept any kind of payment? I’m tired of talking to you as property and owner. You bought ownership, legally I’m your property. I don’t want to be your property.”

“You aren’t my property-” He quipped, expression growing displeased.

“But I am,” you cut him off. “You signed paperwork, you exchanged a certain sum of money. Even if you thought I couldn’t hear you doesn’t mean I didn’t.” You crossed your arms across your chest, “I still heard the captain of the ship talking about sale prices with you. I know I was considered a higher quality product, I know I was expensive.”

The doctor opened his mouth; and closed it and opened it again. He struggled to find the correct words to use. “I didn’t consider that an exchange for ownership of you, I considered that to be the price of your wellbeing. I’ve never considered you to be anything but an equal to me.”

You drew your lips into a tight line, “Well, if I was an equal, you’d let me contribute to the cost somehow. You wouldn’t treat me like some helpless baby.” You gestured to his closed palm, “The pearl in your hand is priceless, sealing a handful of them would recuperate the money you wasted-”

Luocha held up his hand, “Stop-”

But you insisted, “Hell, if I ripped a couple of scales out you could more than pay for me. You’d have enough money to buy another sorry sack of shit to take care of-”

“Don’t EVER-” he cut you off aggressively, “EVER, suggest such ludacris things to me again. I refuse to even think about it.”

“..."

Luocha shook his head, getting his gloves wet when he reached into the water to hold your hands in his own, “I would never ask you to do something like that to yourself. I would never ask you to hurt yourself to please me and I would never ask you to hurt yourself because you needed my help.” He gave your palms a gentle squeeze, “You did not ask to be put in the position you’re in now, I am the one that chose to do this and I will be the one to set the price on my help; that price-” he paused, making sure you were looking him in the eyes, “-will always be no price at all.” He pushed the pearl back into your hands. “Give this pearl to one of the children that visit the waters after you’ve healed up in my stead, yes?”

“It’s not exactly how I remember it.”

You squirmed against the sensation of the water, arms still looped around Luocha’s neck.

“Any discomfort?” The doctor asked, “Tell me if anything hurts.”

“No, no, nothing like that,” You shuffled around to try and make yourself comfortable. You did your best to find the familiar rhythm of the waves, but your tail felt as useless as it had the entire time you’d been confined to the bathtub. “It’s… cold.”

Luocha nodded... even though he couldn't quite understand. “If you aren’t straining any of your injuries, you can hang on for as long as you need to.”

You mumbled, trying to draw your elbows closer to your chest, “I’m not.”

“...”

It’d only been a week since the last time you’d tried to repay your imaginary debt to Luocha. Things got… less tense between the two of you.

You didn’t put up a fuss when he put some ointment on the scars that formed all over your skin. You didn’t squirm when he unwrapped your shoulder bandage. You’d usually bide your time silently in the bathtub. Mostly, you’d nap. But that got old quickly, especially since a bathtub isn’t the most convenient spot for sleeping.

Luocha could tell you were bored out of your mind all on your lonesome. To satiate this, he’d usually sit with you in the bathroom and try to teach you things like how to play cards. You were a little apprehensive with him, like you always were, but it seemed you opened up to him a lot more towards the end of your stay in his temporary residence.

You’d become a pretty competent blackjack player all things considered.

You opened up more and more about your life down below. Usually, you’d be afraid to tell anyone about that information. Smugglers often targeted specific pods if one of the products happened to be particularly pricy. But Luocha wasn't at any risk, was he?

“...”

Eventually, as the water started to feel more natural on your skin, you let your grip loosen from around his neck. As the welcoming embrace of the ocean seemed to envelop more and more of your body, you could feel the former tension in your muscles start to melt away.

You laid yourself horizontal to the surface of the water, tentatively starting to create your own ripples in the vast expanses of blue. Maybe it didn’t feel exactly as you remembered, but the gentle pressure of the cool, cool sea against your skin felt like home.

Your arms splayed out in the waves like an angel, basking in the familiarity of it all. “You can let go now.”

Slowly, surely, pale arms lowered you into the arms of the same waters you’d been in a little over two months ago. You shocked yourself when you chased after his hands. Still, as slick as an eel, you slid away from him into the open ocean, finding a boyish glee in the pure ecstasy of true freedom.

You took off like a little jet, head first into the deep end.

Luocha could only really watch with a small smile while you explored the vast array of little treasures hidden beneath the horizon line.

It felt like only fifteen minutes had passed when you re-emerged from beneath the ocean blue, but to your shock, the sun was starting to set and Luocha was off on dry land, wringing the water out of his hair.

In all of your fun, it seemed you’d forgotten about that man who’d made all of this possible for you.

“...”

You pursued him onto the sand, watching him characteristically tilt his head to the side to express his curiosity. You pushed your own wet mop of hair out of your face with your hand, suddenly feeling a little less confident in your choices. Despite your trepidation, you felt you at least owed him this much.

That didn't make it any easier.

“I-” you swallowed, curling in on yourself, “What if I wanted to give you a gift? If it wasn’t some kind of repayment?”

He smiled, flipping a soaked lock of hair over his shoulder, “As long as you aren’t lying to me about repayment, then I would gladly accept.”

You suddenly felt a new wave of confidence wash over you, your chest puffing up a little bit, “Well, I have a gift for you.” Even though you failed to notice your little finned ears wiggling in excitement, Luocha did not.

You reached up to your right ear, unhooking the beautiful golden earring that’d you'd been wearing since you’d been thrown out of protective waters.

His eyes widened.

“It-” You offered the hoop to him, “It was my mom’s.”

Luocha blinked a couple times, staring at the bangle before looking back up at your face instead.

“Well? You said you’d accept it if it was a gift.” You pushed it into his face, feeling a red hot flush wash over your features, “This is a gift; from me to you, no strings attached.”

He carefully took the thin gold loop in his fingers. He noticed the signs of oxidation and the water damage.

It was already far less valuable than the pearl you’d tried to offer him.

Yet its sentimental value was unrivaled.

“...”

“Did... your mother like jewelry?”

You shrugged, looking away from him, “Yeah, she had a lot of it from my dad.”

Luocha nodded. “Well, did she have a favorite kind of jewelry?”

At this, you paused. “I mean… I guess she did. She wore a lot of rings… why?”

“Well, since this is a gift I won’t refuse it,- Luocha slid one of the golden bands wrapped around his fingers off, “-but if you can’t have her earring anymore, then you can at least have a piece of jewelry your mother would’ve liked to wear.”

You felt your face transition from an embarrassed pink to a much deeper red. “You… you know what you’re offering me, r-right?”

He didn’t respond in the way you expected. Instead of his usual confusion, he pushed the ring towards you again with one hand. The other went to work, looping the clasp of the earring through a piercing that was just a little bit too close to closing.

It felt like your brain was melting.

‘Is he… flirting with me?’

You took the golden ring between your fingers, watching him use his newly freed hand to further force the earring through the piercing hole. You could only feel the heat creep up your neck to your ears; fuck, it felt like you were going to burn alive on the sand.

When he finally got it in, he flipped a chunk of wet hair over his shoulder. He framed the golden hoop with his palm. Playfully, he asked, “How does it look?”

‘...’

‘He’s definitely flirting.’

You immediately ripped your gaze from his face to the ring that suddenly felt like a hundred pounds in your palm.

‘...What fingers do humans usually put the ring on again?’

Shakily you slid the golden ring onto your left hand, examining the way it glinted in the light of the sunset.

‘...holy shit, did I just get married?’

“[name]?”

You blinked a couple times, suddenly ripping your gaze away from the shiny metal. “Sorry, sorry.”

He chuckled at your expense, enjoying the little fluttering of your ears everytime he seemed to catch your attention again. “Thank you for the gift, I’ll cherish it dearly.”

You nodded.

“...”

The silence was interrupted with a quiet sniffle.

“...[name]?”

You aggressively wiped the tear off your face, watching the consequent pearl roll across the grains of sand. “H-Hey, you can’t just give me this ring and leave-” You took a deep breath, “-That’s not fair, that’s not fair at all.”

He was a little taken aback at the sudden resurgence of emotion, “Would…” he paused. He thought it over before tentatively putting a hand on your shoulder, “Would it help if I stayed a little longer?”

You shook your head, putting your hand over the one on your shoulder to hold it between both of your own hands. “You have to promise to visit me a lot. It’s going to take me a long time to find my family, so if you don’t visit I’m going to be lonely.”

He, once again caught off guard, nodded, “O-Of course!” His own cheeks tinted a pale pink.

“You promise?”

He nodded again, this time using his other hand to clasp your hand in both of his. “I promise I’ll visit.”

a side note for this upcoming section: i did a lot of world-building for this fic behind the scenes, the current planet they're on is largely submerged beneath the waters and they live on a bunch of island nations. To link up with that idea, my idea of the mermaid smuggling industry is to do with the concept of foreigners coming in and destroying local ecosystems. (Colonization)

Long story short, the planet is loosely based on Polynesian Islands so I chose Māori names for our supporting cast but keep in mind I am FAR from an expert and I mean literally no disrespect at all to anyone at all. Only the names are Māori in nature because I feel like no matter how much research I do, I would be unable to capture the essence of the rich culture of New Zealand. I'm a little gay fanfic writer I have not done nearly enough research to claim I know ANYTHING, I just thought it'd be cool and help with world-building in case people want a part-two or something

“What’s got you so worked up?”

“Shut the fuck up Iarere, this is like the seventh time in the same hour.”

Your younger brother held his hands up defensively, “Well, things got boring around here without you!” He let himself fall towards the ground next to the boulder you’d splayed out all the little pieces of gold you’d managed to scrounge up. “You manage to make it back from outside of protective waters and instead of hating everything and everyone, you’re suddenly getting all buddy buddy with the tourists trying to get some trinkets. I know you’re old but are you really getting that desperate?”

You frowned, “I’m not that old.”��

Iarere rested his face on the cool surface of the rock, prodding at one of the particularly flashy necklaces. “You’re old to me.”

Your frown deepened. Not just because your brother was calling you old, but because Luocha’s weekly visit was coming up and you hadn’t managed to gather up nearly as much as you would’ve wanted. For your kind, caring, doctor husband who was already well off, a few necklaces and a handful of rings and earrings wouldn’t be anywhere near enough to woo him. “I guess I am getting towards the end of the usual age people get married at.”

The younger man nodded, humming, “Yeah, so do you have anyone in mind?”

You bit your lip.

I mean, yes, you were married.

But it felt inauthentic if you didn’t present your husband with some kind of dowry first.

Yes, Luocha only presented you with one of his old rings, but he also paid a hefty sum to rescue you from certain doom. He also nursed you back to good health, refused to take any payment for any of the medical treatments or the food that’d been wasted making sure you’d retain your strength throughout your recovery.

In your mind, maybe human dowries were just a little bit different.

Despite opening your mouth to voice your dissent, your little brother jumped up at the opportunity to tease you. “So you do have someone you’re thinking about!”

“I-”

“What are they like?” Iarere gripped your shoulders, tearing your attention away from your inner dilemma. “What do they look like? Do I know them?” He gasped, shaking you back and forth and he demanded to know, “Did you meet them while you were outside?!”

You gripped at his shoulders in return, “I didn’t say I had anyone in mind!”

“...”

He pursed his lips, “Yeah, I’m not buying it.”

You groaned, bringing your hands up to your face.

He only got more excited, leaning in way too close for comfort as he squealed, “So I was right?!”

“Right about what?”

Your eyes darted over to the side, watching one of the few friends you’d managed to retain at your grown age. “Thank the gods, Akahata, get Iarere off me before he gives me whiplash.”

He hummed, “Well, I’m more interested in what exactly you guys were talking about before.” You watched as his eyes flitted from you and your brother to all the precious metal and gems you’d laid out. “Actually don’t tell me, let me guess.” He pointed at the rock, “You’re setting up a dowry, but you’re upset because you know no amount of jewelry would ever get anyone in the pod to consider settling down with your ugly mug.”

“HAH!”

Your ears fluttered in irritation. “That’s a horrible guess.”

Akahata shrugged, “Well, I mean, your mug’s only ugly cause you frown all the time. If you actually made an effort to smile more, you’d probably have a lot more people that’d be willing to accept you with no dowry.”

Your frown tugged at the corners of your lips as you massaged your temples, “For your information, I’m making a dowry cause I already got married.”

“...”

“...’

“...”

“You WHAT?!”

Iarere’s fists clenched even tighter around your biceps, “You told me you lost mom’s earring, not that you got married-”

“It’s a long story-” You started,

“Not long enough to not tell either of us!” Your best friend screamed in abject horror. “The moment Ngaio and I started courting each other I told you immediately-” You grimaced when he pushed your brother out of the way to be the one to shake you back and forth, “-and you get married and you don’t tell me until afterwards?!”

“It wasn’t planned! I didn’t even realize he was courting me until he gave me his ring-” You countered, face lighting up pink.

“So it’s a him…” Iarere mumbled, putting his hand to his chin. His expression lit up as the pieces started clicking together in his head. “Is that where you’re going tomorrow?!”

“YOU’RE GOING TO MEET HIM TOMORROW?!”

You were growing more overwhelmed by the minute, averting eye contact. “Yeah, so what? We’ve been meeting up every week while I was looking for you guys. Is it weird for husbands to spend time together?”

Akahata abruptly let go of you, leaving red imprints of his hands on your arms. “That’s not that problem, that problem-” he paused for dramatic effect, “-is that you’re planning on meeting up with him after returning and you’re not even telling us who he is!”

Iarere put a hand over his heart, feigning his disappointment as he let himself sink into the sand below. “I think I’m going to faint.”

You sighed, “Well-”

Akahata jabbed an accusatory finger in your chest again, “Is he even good looking enough for you? Is he any good at providing? What was his dowry like? What pod is he even from?!”

“He’s not from a pod-”

Your brother hummed, “So is he a lone wanderer out beyond the boundaries of protected waters saving pretty mermen he wants to marry?”

Your face twisted into one of disgust, “Keep your fantasies to yourself.”

Iarere huffed, “Well, what else am I supposed to think when you say he’s not from a pod? He obviously has so be some kind of lone wolf, PLUS you got married before you made it back.”

Akahata put a contemplative hand under his chin, “I mean he has a point.”

You shook your head, “He’s a human.”

“...”

“You’re joking.”

“I’m not.”

“You’re joking…”

You held up your hand, gesturing towards the ring on your finger.

“Oh my god, you’re not actually joking.”

Your younger brother squealed, “Oh my god this is like something out of all those movies on the surface! Tell me all about it!”

You frowned, pushing through both your peers to make it back to your makeshift table top. “He’s… a doctor, but he was working as a trader on a big ship. He was there the night I got caught and he ended up buying me off the boat and he patched me up and released me.”

Your best friend sighed, “Only you can make a story that romantic sound like a business deal.”

Iarere furrowed his brows, “Wait, wait, wait, when did he propose?”

“Well-” You fumbled over your words, “I caught feelings and I thought I might as well start the courtship process-”

“YOU made the first move?!”

“Shut up!” You pushed your overly eager younger brother’s face away, “I didn’t know if he even knew about mermaid courting so if I was going to start courting him, I had to do it then.”

“...go on.”

You sighed, “I gave him mom’s old earring, but instead of just taking it, he gave me one of the rings he was wearing.” You covered your face, feeling another wave of crimson wash everywhere from your neck to the tips of your ears. You still couldn’t get the memory of him showing off the earring out of your fucking head. “I mean- I- I even asked if he knew what offering me his ring meant and he just put it in my hand.”

Your younger brother kicked around on the sand eagerly, waving his hands around excitedly. “That is actually one of THE most romantic proposals I’ve ever heard of!”

Akahata crossed his arms, “Damn, I feel like mine was lacking.”

You huffed, “Well, Ngaio is still your wife.”

“And whatever his face is still managed to wife you--of all people--up.”

“Touche.”

“Oh wow, you brought more than you usually do.”

Luocha chuckled behind his hand, his own little bag of purchased trinkets hanging loosely at his side.

You hummed, thumbing over the beautiful glistening stone of a diamond necklace you’d managed to get off of a rather infamous regular. “You’re one to talk.”

He gave a small grunt of exertion as he sat next to you on the sand, letting the bag fall to the side, “You’ve got me there.” He couldn’t help the pleasant swell of warmth in his face as you gestured for him to turn around.

I mean, maybe you weren’t the best at communicating what you were feeling or what you wanted from him, but you’d been getting better. Instead of just grunting a yes or no to the questions he’d ask, you’d actually make time for some conversation with him. Be it from your annoying younger brother to the changes in the pod since you’d returned, it seemed you shared what little woes you had with Luocha.

You also seemed to share endless amounts of little golden treasures with him. From old, worn gold, oxidized iron, anything really that you could find, you provided it to him and put it on him with the most delicate touch your rough, scarred hands could muster. Maybe it was nothing, maybe it was something. He couldn’t control the way his heart sped up whenever you leaned in to help him put on a new pair of earrings you’d gifted him. He surmised gift giving was some kind of love language that was common among merfolk. Perhaps you’d also enjoy it if he brought you gifts of equal value!

Still, the pounding in his heart was not helped when you’d started smiling at him.

Everytime he managed to catch one of the rare glimpses of your smile–even worse when you’d laugh–he almost felt like he was looking at something forbidden. Something he wasn’t worthy of, right in front of him. For someone who had been through so much, you really opened up to him remarkably quickly after you’d been released. Perhaps before release you’d been scared of being sold off? The familiar feeling of the waters must’ve don wonders to make you relax this much.

Even worse when the physical affection began. It started as simple as reaching out to the side of his face to brush the hair away from his ear so you could catch sight of the golden hoop he’d taken to wearing. It transitioned to taking his gloves off so you could look at the rings you ended up gifting him. Before he could really process how quickly the two of you were moving, you were pressed up against him at every opportunity.

He knew it was natural for merfolk to not wear clothing, but did you have to have such a muscular chest?

Even now, as you fumbled with the clasp of the absolutely beautiful diamond necklace, you wrapped an equally muscular aquatic tail around his leg. He didn’t exactly know if this was normal between merfamily-could he call them that?--, being overly affectionate. Even if it felt like a little more than just normal bonding, he did his best to still the pounding of his heart when your fingers brushed his hair out of the way so you could make sure the gem was oriented correctly.

Trying his hardest to quell the tide of warmth surging up to the tips of his ears, he put a hand over his erratic heartbeat. He prayed to the Aeons above you couldn’t feel it as your chest pressed against his back.

You wrapped your arms snug around his torso, pulling him further into your stomach. Resting your chin on top of his blonde hair, you found the gloved hand resting over his heart to hold in your own. The two of you let the silence hang in the air for a moment.

“...”

You gave a quiet huff before you moved your chin from on top of his head to bury itself into the crook of his neck. As his fingers interlocked with yours, he found himself looking at all the gold rings he’d adorned your fingers with. Each and every one, he could put a time and day to.

But then, his eyes landed on your ring finger.

“Oh, you still wear that old thing?”

“...hm?”

You glanced down at your hand, raising a brow. His finger was tracing over the ring he’d exchanged when he was releasing you back into the open water.

“You still wear the same earring I gave you,” you murmured, flicking it with your freehand. “I’ve given you countless pairs of earrings since, yet even when you wear one stud, you’ll always wear the same one every time I see you.”

His chest rumbled with a bout of laughter, “I suppose you’re right.” He perked up suddenly, “Oh, that reminds me, speaking of this earring…” He reached towards the rather large bag of gifts he’d brought with him. He threw a few of the boxes of gold ornaments he’d purchased before finally fishing the box he was looking for out of the bottom. “I went shopping and when I saw this pair, I simply knew you’d love it.”

You hummed, looking at the little navy blue box in his hand.

He made quick work of the bow wrapped around the holding case, nimble fingers peeling open the little box before he presented you with his gift on their signature velvet cushion. It looked like…

…a replica of your mother’s earrings.

He offered them up to you with a bashful smile, watching in silent amusement when your ears flicked back and forth in some kind of excitement.

Delicately, gently, you picked up one of the hoops and twirled it around your fingers.

“...”

“...Well? Do you like it?”

You didn’t respond, reaching up to your right ear to remove the little stud you’d chosen to wear to this outing. Fidgeting with the clasp of the loop, you threaded it with a calculated ease through your piercing.

“I like it.”

He clasped his hands together, “Good, I’m more than glad.”

“...”

“She would’ve loved to meet you.”

“Hm?”

You paused, “My mother, I mean,” Your thumb fidgeted with the back of the earring. “She always wanted to see her sons get married, but she passed before she could.”

Luocha blinked.

“Pardon?”

You tilted your head to the side, “My mother; she would’ve loved to meet you.”

“No, no,” Luocha could feel the deep claret paint his face a messy red as he scooted to face you, “What did you mean by seeing her sons get married?”

“...

…Did you not know?”

Luocha blinked.

“We’re married.”

Another blink.

“You… Is that why…?” He gestured towards the gifts strewn across the sand. He looked back towards his own bag of gifts.

‘Oh for crying out loud-’

“I-” he cleared his throat, “I apologize, I seem to have… entered this marriage under false pretenses.” He put his hands on his temples, “How- Where- When exactly did this happen?”

You hummed, “When you let me back out into the water. When I gifted you my mother’s earring, that was the signal I wanted to start courting you. When you gift something back, that’s an officiation of marriage.”

He coughed into his hand, trying to think through this situation logically.

Okay, so he accidentally got married.

What the fuck.

The train of thought seemed to end there.

…

He was, however, plagued with another train of thought.

‘Well, you have been making eyes at him for a few months now.’

…

Those thoughts were not helping.

“...”

“If you want to end the marriage, it’s as simple as saying so,” you added, “I thought you knew what my intentions were-”

“NO!”

Luocha covered the bottom half of his mouth. “I’m fine with the arrangement as is, but it appears human marriage and merfolk marriage are officiated in very different ways.”

Your brows furrowed.

“...”

“...Are you saying you want to officiate the marriage as humans would?”

The tips of Luocha’s ears burned with embarrassment. “I-”

You held one of his hands in yours, eyes seemingly boring holes into his face, “Whatever it is, as long as you want to do it, I will do it to the best of my ability.”

Any complaints were silenced when he was confronted with such sincerity. “Well…”

You waited patiently, folding your hands in your lap.

Finally, it seemed your “husband” made up his mind.

“Close your eyes.”

You paused, seemingly surprised, but nonetheless your eyes fluttered shut moments after.

Luocha urged himself to breathe, flexing and unflexing his hands.

He leaned forward, closing his eyes as he…

…planted an innocent peck on your lips.

there's a note on the side of the phone booth, read it?

" idk how to describe it but now being on the other side of this, i'm feeling something similar to post nut clarity "

first post since losing literally everything on my first account yay !!

yes guys, luocha and his mermaid husband were openly cuddling on the beach for months and he's wondering "is he into me or am i bro-zoned"

that being said, losing my tumblr has now forced me to realize how many people genuinely like my writing hey guys I went scrolling through user kamisatoelogy's blog to look for their modern ayato fic and i found out someone dedicated time and effort into archiving my works???? and you guys went looks for me????

i fr feel like getting on my hands and knees and thanking everyone for all their support and love over this process and apologizing for scaring you guys so bad

you guys are so sweet and so many of you have been so helpful in getting my blog back up and running again :((

i started drafting my fics in google docs to make sure it isn't all GONE if i get shit on again so this chapter is brought to you by font: unica one, it was 27 pages total (i am insane)

shout out to Chappell Roan cause she really put me in my tunnel vision work zone while i was writing this

if u guys r looking for a writing hack, i trained myself like a sleeper agent to start writing when i play songs on hour loop it puts me in a work rut

- love, operator t-19

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miruac · 3 months ago

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dating kozume kenma headcanons - part 2

masterlist

navigation

warnings: not proofread, movie and timeskip spoilers, very self indulgent

a/n: EHEHEHEHEH I LOVE MY INTROVERTED GAMER BABY | word vomit. this is just pure word vomit.

during nationals when they were away, kenma always texted you before and after a game(kinda shocking since he's dry asl)

he would be a little clingy, especially when he was sleepy since he had no filter then

but he literally like slept so late there...(THAT ONE SCENE OF HIM WAKING UP WITH BEDHEAD <3)

before their match with karasuno, he sent you a gif of a happy dancing cat(it was him trying to convey emotion)

after the match, he sent you a text that read 'i guess i'm coming home'

which made you happy he was coming back, but also sad that they lost

right when they got back home, you went over to his house to give him some congratulatory apple pie and cuddles

obviously he got a fever and was literally bedridden for a couple of days, so you had to wait a little while before seeing the poor boy

but when you did, he was still a little sick so he just clung onto you(

when he's sleepy, i headcanon he likes his hair to be played with and when you do it he just falls asleep

timeskip to the future, and its been like what, 7 years? you've moved in with him into his house, and it's pretty casual at this point

he always comes to bed late since he stays up on stream, and he ends up waking up so late

but before you go to bed, he's almost always taking a break from his stream to kiss you goodnight

sometimes if you're feeling clingy AND sleepy, he'll let you sit on his lap and sleep there while he's on stream

guys everyone writes kenma as if he's someone who's lazy as hell, and cant cook

BUT NOT ME!!! i know kenma can cook because he isn't that self-negligent, like if he moved out by himself then surely he knows how to somewhat provide for himself

he doesn't cook much because he doesn't like how much effort it takes, but when he cooks its kinda fire

you guys alternate, but its usually you cooking

i know he doesn't eat much canonly but loves seeing you in the kitchen its so domestic

when you catch him staring his lil bitch ass smirks at you and is like 'you look good in my kitchen.'

EPHASIS ON "MY KITCHEN" LIKE AODJSAOLDJASJDL

guys stop he's so cute when hes posessive

SPEAKING OF POSESSIVENESS OMG

ok now kenma's posessiveness varies from day to day

if he sees another guy with you, he doesn't rage immediately but when he sees them holding you in a way how he does? that's when he slides between you guys and takes you back

but also sometimes when you're about to go out in revealing clothes, he gets all pouty and clingy

he doesn't let go of you and looks up you with such pleading eyes(im so weak. im so weak for him omg)

guys he ALWAYS goes to pick you up himself

most likely he's going to bed by the time youre done, he can spare a couple minutes getting you

and plus i know he may not act like it, but your safety is like one of his top priorities

especially since you're the partner of a famous streamer, he does his best to make you comfortable

whether that's having you sit out of frame when he's on stream, or keeping you hidden

the media's really mean, and he'd do anything to prevent you from seeing or witnessing something hurtful just because you're dating him

he takes all the necessary precautions he knows of, and always tries to keep your identity anonymous

but when you felt comfortable enough, you slowly started to creep into his streams

at first it would just be a hand popping into frame, to you literally napping on his lap while he streamed

he told his fans that he was taken before and they thought he was lying, but since they've seen you they're amazed that he actually pulled

overall, his audience loves you and they literally see how kenma lights up when he looks at you

like his eyes are so soft and glassy and hazed with love(im gonna cry. why isn't he real. please i want him so bad)

-----------------------------------------------------------------------

2nd a/n: guys this is literally not proofread this is such shit work like im not even processing these thoughts in my brain IM LITERALLY JUST WORD VOMITTING RN ok im done thank you for listening to my ted talk GOODNIGHT

#kenma x reader #kozume kenma x reader #kenma kozume #kozume kenma #kenma kozume x reader #nekoma #haikyuu #miruac #haikyuu fluff #i love him #kenma fluff #kozume kenma fluff #kenma headcanons #kozume kenma headcanons #haikyuu headcanons

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sendothetaurus · 7 months ago

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How to write good dialogue

Almost every story needs dialogue - obvious right? Well, this post is about the not-so-obvious sides of conversations. I've struggled a LOT with snappy and realistic speech, so I've made it my mission to collect some handy directives. Here is what I found:

Contents

Information Dumps

Setup And Payoff

Characterization Through Dialogue

Three Simple Questions

Four-Sides Model

Depth

About Answers

Sources And Credits

⮮ Let's go! (^▽^) ⮯

Information Dumps

Everybody knows them, everybody hates reading them. But how do we avoid them? Something really clicked for me when I understood context. If your character talks about something that happened in the past, they don't need to explain what happened. They were there. Here's an example:

"It would be nice if we at least got a B for that paper. Since I will go to college next year, I feel that this is important to me."

The speaker and the listener should be aware of the exposition (regarding their last year at high school). During dialogue, these conditions go without saying.

Setup And Payoff

Instead of dumping everything at once, let the reader guess what's happening. This is done by mentioning something that is not answered right away. Also dropping hints can increase tension.

Scene 1 "Why do you always carry that with you?" she asked and pointed at the box cutter. Her friend eyed her with suspicion. "For cutting." "Yeah, but why?" "Might come in handy sometime." Scene 2 An ice cold shiver ran down her spine as her fingers felt around the bag, searching for the familiar shape. There was nothing. The other tossed the thing onto the floor between them. "Care to elaborate?" She couldn't have known. "How could you!"

Someone definitely has a secret here that they don't want uncovered. It makes the reader speculate: Does she carry the knife to defend herself or does she plan on hurting someone with it?

Characterization Through Dialogue

The general rule of thumb is: Show not tell. If a character is shy, self-absorbed or chaotic, make them act like it. Also, readers take part in the characterization of your protagonists. Make them guess why a character acts a certain way.

"C- can I have your pen?" She twirled her thumbs and looked at the ground. "What the hell, no!" Disgusted, he brushed off his hands on the front of his jeans. "I'mma better disinfect that."

Notice how the girl is stuttering and the boy has a loose tongue. Mannerisms help identifying traits in a character. Everyone has a distinct way to speak (e.g. relaxed, polite, malignly) which makes it easier to tell them apart. Sometimes there is a difference between speech and behavior. This can be quite useful to highlight conflict inside a character.

Three Simple Questions

Who wants what from who?

Why now?

What happens if they don't get it?

These questions ensure plot consistency. For question 3 the only other outcome is conflict. Conversations thrive off of conflict and it is of benefit to have a supplicant and potential provider for a solution. It's basically intention versus obstacle.

1. She wants to be his wife. He doesn't want a marriage. 2. She is pregnant. 3. She needs to provide for a baby all on her own.

Tadaa, a conflict ensues.

Four-Sides Model

The four-sides model is a theory on communication. It assumes that a message has four distinct ways of being conveyed:

Facts -> data, facts, truth and relevance

Self-Disclosure -> explicit and implicit information about the own mindset; likes, dislikes, opinions

Relationship -> information about whether the person is liked or detested; approval and disapproval; "I assume you have [this] opinion of me"; body language

Want -> a direct attempt to influence the behavior of another person; advice, desire or instruction

Since this is highly technical stuff, I'll provide you with an example:

Customer: "I always drink my coffee black." 1. Fact: The coffee I drink is black. 2. Self-Disclosure: I like black coffee. 3. Relationship (POV of the waiter): Did I do something wrong? OR It's their fault! They ordered the wrong thing! 4. Want: Bring me black coffee.

Controlling the message through sender and receiver gives a new level of influence to an author. The relationship-level is the bottleneck in a conversation that holds the most potential for misunderstandings. I'm trying to be aware of it when I write subtext (see below).

Depth

On the nose dialogue is what we want to avoid at all costs. For this reason subtext is created in stories. Read this:

Scene 1 A: "I like you." B: "Nah, I don't like you back. You're so annoying." A: "Ouch, that hurts. I'm not sure if I heard that right." B: "We were never friends. Go away."

This is not how conversations work. Thankfully, dialogue like this is not entirely useless. It conveys what the characters really want to say. The challenge is to think of a way to not say the thing but keep a similar meaning.

The true meaning behind the dialogue is called subtext (scene 1). If I don't know how to continue after a certain line, I write down the subtext first before I decide on how to paraphrase it.

Finally, I add a fitting description of expression and body language if needed. I try to keep it short and simple.

Check this out:

Scene 2 She tucked her hair behind her ear. "I need a ride home later. Are you free?" -> I like you. "Sorry, all seats' re taken," he said without looking at her. -> Nah, I don't like you back. You're so annoying. "Uhm, okay. But I'm small. You could fit me in the footwell, honestly." -> Ouch, that hurts. I'm not sure if I heard that right. He leaned forward as if he had the urge to stand. "Ha, funny. But no, I'm not planning on doing something illegal tonight." -> We were never friends. Go away.

A character's action depends on their own intention and the other's response. I feel it is easier to keep track of what's happening behind the curtains when it's written alongside the dialogue.

Simultaneously, you can keep habits and traits in check. Does the the character apply all criticism to themselves? Are they disregarding or constantly marginalizing others? Do they worry only for themselves or solely for others? Subtext truly is the most powerful tool in conversation-writing.

About Answers

Did you know that you don't have to answer every single question? In fact, there are two other ways to show an emotion without telling it.

The first one is called sidestepping. The character ignores the posed question and carries on with an entirely different topic.

A: "Do you still love me?" B: "We should get going."

It's very obvious, right? By sidestepping the question, we can assume that the character is uncomfortable or angry with the other person.

The other way to answer is actually a bit paradoxical. Through silence, a great variety of emotions can be displayed. It is recommended to refrain from actually describing silence with words like "he remained silent", "he refused to say anything", "he never responded".

- The laptop hummed. - The birds chirped in the trees. - She felt her legs going numb from sitting in an uncomfortable position. - His eyes wandered around, searching the parking lot for a familiar face.

It feels more natural to explain the things that grab our attention when we sit in silence.

This is it, folks. That's all I could find on the topic - for now. If there's anything missing, I'd love to hear it.

‧͙⁺˚*･༓☾ Anyway, thanks for reading, I hope this helped ☽༓･*˚⁺‧͙

My sources are this and this video as well as this article.

Also a big thank you to @zoropookie for helping me with the colors ⸜(｡˃ ᵕ ˂ )⸝♡

#writing dialogue #writing tips #writing #writing advice

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alwaysalir · 2 months ago

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So I stated reading the IWTV book and it’s really jarring how different Lestat is the show. I have heard that the character takes a big shift in book two and I think the show really did an amazing job setting that up and making him more nuanced even through Louis’s point of view. Yes Lestat can be very cold & calculating at certain points you see him being really vulnerable & soft. One of my favorite examples of this in season 1 in during episode 6 when Louis is very clearly struggling mentally Lestat stops and whispers I love you which makes Louis smile. It’s such a small moment but I feel like it shows us some context of the Loustat relationship that is missing.

I think having small moments like these really sets up for the revisited scenes in 2.07. We know Lestat is capable of being more vulnerable & emotional so when you see those scenes through a new lens, it makes sense it doesn’t feel jarring. Those scenes literally made me go back and rewatch all of season one to catch all the smaller moments that they really set up that Lestat isn’t as cold as Louis is trying to convey and I think that’s the point. The story Louis is telling is colored by his anger towards Lestat. He wants him to only be cold & calculating because it’s easier to continue hating him that way, but they’re still moments where the love between Louis & Lestat bleed through Louis’s anger

#interview with the vampire #iwtv #loustat #lestat de lioncourt #me rambling

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mochinomnoms · 1 year ago

Note

Hi hi friend,

If it is not too much trouble I would like to make a request for your event? I think I would like Floyd with prompt 14- “I'd rather have the thorniest, pesticide ridden roses grow in my mouth before I'd ever admit having any sort of affection for them!”

They/them for Yuu is fine with me, I was thinking romantic? Where maybe it's obvious to everyone but Yuu how requited their feelings are.

I've really liked reading your writing and hope you continue to have fun doing it (♡°▽°♡)

floyd leech x gn!reader [tags] – fluff, mutual pining [wc} – 3,659 prompt 14: “I'd rather have the thorniest, pesticide ridden roses grow in my mouth before I'd ever admit having any sort of affection for them!” note - hahahahahhahahahahaha i did not mean to write so much but i went a little buckwild and i think floyd deserves to be allowed to be soft sometimes a floral inconvenience

Lavender roses - Introduced in 1900, lavender roses represent love at first sight. They’re often given to someone to convey that the giver was immediately smitten and fell in love.

You’d decided to attend a karaoke event the Mostro Lounge was hosting to introduce the new spring menu. It was meant to be a nice, relaxing hangout with your friends from Heartslaybul as you listened to your friends attempt to show off their mediocre singing skills.

Ace was in an especially good mood, happy to tease you as you waved happily at Floyd, who’d returned your affections.

“Oi, oi, oiiiiiii, Prefect? When you gonna say something? Kinda tired of dealing with you puking petals every—OW!”

You snorted as Deuce smacked Ace upside the head, muttering about him being an asshole.

“Leave them alone Ace, unless you want to be collared for harassing a member of the student body?” Riddle reprimanded, giving Ace a harsh glare as he turned to you instead.

“You can ignore him, Prefect, you don’t have to say anything to that good-for-nothing merman! I’m sure you could do much better anyways.”

You chuckled, enjoying the soft banter between the group. It was particularly nice seeing Riddle interact more casually with his peers, even if you weren’t able to convince him to sing with you.

“Are you sure you do want to go up with me?” You pouted leaning in close to the red-headed housewarden. “I’ll even let you pick the song—”

“Out of the question.”

You sighed, resting against the plush cushions of the booth while Ace and Deuce bicker about which song would be better for a duet. This was nice.

It was nice, up until Floyd decided to take part in the festivities. Somehow he’d snuck behind you and Riddle, snatching up your friend with a gleeful cackle as he screeched.

“FLOYD! PUT ME DOWN THIS INSTANT—”

“Nah, it’s fine Goldfishie, I need ya for just a sec!”

Floyd placed Riddle in a seat, front and center at the stage, as he climbed up. The cool blue spotlight suited Floyd’s features as he grinned.

Picking up the mic from its stand, Floyd announced, “Alright! This song is for my favorite little fishie in the whole entire school, so you all better enjoy it!”

You expected him to start singing a silly pop song, one with high energy and beats. Or one that became a meme on Magicam last week, something about flamingos and turning pink.

Instead, the upbeat, suave tunes of a familiar song started playing. A familiar love song.

“Is…is this ABBA?”

“Who?” Cater asked, recording the scene with a stifling giggle as Riddle turned redder and redder in embarrassment (and most likely rage) as Floyd continued to serenade him.

“This is ‘Lay Your Love’ by BABA, a classic from the 80s—”

“No it’s called ABBA back home—wait, WHY IS FLOYD SINGING A LOVE SONG TO RIDDLE!?”

Your screech startled the surrounding tables, drawing attention that you were too jealous to focus on. Floyd made eye contact with you, hearing your yelling. Continuing to sing—quite nicely you’d hate to admit—the eel mer winked and smirked, drawing an ire that you didn’t know you had.

“What the hell? Floyd!” With the vindication of a scorned lover, you stomped to the stage and swiped the microphone from Floyd’s hands.

“Floyd, what are you doing?” you spoke into the mic, glaring daggers at the tall beanpole of an eel turned man, who looked unbothered at your angry presence.

Floyd took the mic back and answered, “I’m trying to win my mate back—DON’T GO WASTING—”

“What mate?” You yanked the mic back while Floyd followed suit, though this time you kept both hands on. It became a tugging match as you both tried speaking into the mic before the other took it back.

“Goldfishie.” You could hear Riddle scream at that.

“Riddle’s not your mate! I’m your mate—” You snapped your mouth shut, the mic feedback and your last words echoing through the lounge, mocking you.

Floyd had a large, smug grin on his face, his sharp teeth gleaming under the bright lights of the stage. You were now very aware of the packed lounge, and of the students spectating.

The mic was slowly pulled back to Floyd, who gleefully asked “Oh~ Say that again?”

“Nuh-uh.”

You shook your head furiously, trying to pull back in order to run off and curl into a hole from embarrassment. Floyd’s grip on the mic and your hands tightened, preventing your escape.

“That’s fiiine,” Floyd pulled out a small device from his pocket, lightly tapping it on the mic. “I have it riiiight ‘ere.”

Suddenly, a recording of your voice looped into the mic:

“I’m your mate—I’m your mate—I’m your mate—”

He recorded it.

“Oh my god…” You looked at Floyd in horror, who was still grinning ear to ear, like a cat that got the mouse.

“HehehehehehahahAHAHA!” Floyd’s giggle turned into a cackle as he launched at you, mic and recorder abandoned on the floor. Between the ear-splitting squeal of the mic hitting the ground and a 6’2” man tackling you, there was little time for you to defend yourself as your lips clashed, teeth clattering against one another from the brute force.

His long arms wrapped themselves tightly around your waist, dipping you down dramatically as he broke your kiss to instead leave wet kisses on your cheeks, nose, forehead, and every other piece of skin not covered by clothes.

Ace and Cater’s cackles could be heard amongst the now growing laughter, whistles, and jeers of the crowd. You think you could even make out someone yelling at your two to get a room.

“—off the stage! Get off the stage, both of you!”

Ah, it was Azul. Who was stomping over the shoo you both off the stage, giving Floyd a particularly harsh whack on the head with his staff.

“Ow, fuck that hurt!” Floyd whined, scooping you up with his left hand and cradling you to his chest. “Cool it Azul, don’t harsh my vibe—”

“I don’t care! Go make out in your room! This is a lounge not a brothel!”

“Fiiiiiine,” Floyd adjusted his grip to instead throw you over his shoulder, amused by how limp you’d gone in his grasp. “Come on Shrimpy! I got something fun in mind~”

His sentence and teasing tone made you flush, images of you and him in bed flashing through your mind.

“W-wait, Floyd, what are we gonna do?”

“You’ll see, ahahahehe!” Floyd’s giggled echoed through the hallway as he quickened his pace. It was only a few minutes before you realized that you two had made it to the dormitory halls.

Floyd kicked open his door, the hinges squeaking from the force. He marched over to his bed, grabbing at your waist to no doubt throw you on it before pausing.

“Oh yeah.” Like a sudden realization hitting him, Floyd grabbed the corner of his bedsheets and shook them, clothing, books, and crumbs no doubtedly flying off.

Once satisfied, Floyd hummed and once again grabbed your waist, this time committing to throwing you on the bed, which bounced under you.

“AaaAaaAAAah—FLOYD!” You yelped, face turning redder as Floyd caged you to the bed. He looked at you with a hungry expression, licking his lips at the sight of you.

“Wait-wait Floyd, gimme a sec—” you stammered, crawling backwards until your back hit the headboard. “—this is all very very sudden, I—wait!”

Floyd crawled after you, trapping you with his long arms, leaning down until his lips were lingering over yours. You shut your eyes in anticipation, waiting for his hands to grab at your clothes and tear them off.

A soft, tender meeting of the lips. Floyd pressed his mouth against yours, swiping his tongue into your mouth, to which you returned with flustered confusion. The kiss was with such gentleness that you had to open your eyes to confirm that it was indeed Floyd kissing you.

Olive and yellow eyes were closed, a blissful smile on his lips as he broke your kiss, instead pressing almost chaste pecks to your cheeks, down, your neck, and over your shirt where your heart was beating away.

Floyd pressed his right ear to your chest, listening to the increasingly rapid pounding against your rib cage. His arms moved from trapping you against the bed to trapping you against his body, wrapping around your back and tightening while his lanky legs tangled between yours.

You weren’t sure what to do with your own hands, once he had settled laying on you. Hesitantly, you reached to lace them through his hair, pushing the strands back to get a better view of his peaceful face. Admittedly, seeing Floyd in such a state, blissful and sweet, was beautiful.

His smile grew slightly as you combed through his hair, nuzzling his nose into your chest. Into your heart really.

“Hmm? What’s wrong?” Floyd opened his yellow eye, gleaming at you in amusement. “I just wanted to cuddle, did ya have somethin’ else in mind? Haha!”

He moved to prop up his chin, smirking at you as he teased, “Didn’t think ya had sucha dirty mind, if you wanna ‘do it’, all you had to do was ask—”

You shoved his face back into your chest looking away in embarrassment, feeling his giggles vibrate through you.

“Shut up, ugh!” You pouted, grumbling, “You set me up! Ugh! How’d you even know that would work?”

“I heard you.”

“Huh?”

“Talkin’ to Lil Goldfishie,” Floyd moved so that instead of laying on top of you, he was curled into your side with his head nestled at the crook of your neck. “When you got the flower sickness.”

You looked at him with shock. That conversation with Riddle happened nearly three months ago in between classes.

Specifically, it happened a few weeks after winter break, when you were catching up Riddle to your “adventure” in Scarabia, after which small lavender roses started blooming along your freckles, their thorns scratching your skin.

“And then, he launched us waaaaaay into the desert!” You animatedly waved your arms around as you recounted your fiasco over winter break. “We were trapped, but then Kalim used his unique magic to fill a dry riverbed with water and then!”

Riddle raised a brow at you as you began gigging with a soft blush. “Jade and Floyd had to turn into their merforms, so me and Kalim had to hold on to his back, but when I wrapped my arms around his chest, and he held my hand to steady me! ”

Your friend rolled his eyes as you started to silently squealed in your seat, sighing.

“Are you going to finish? I have better things to do than listen to you babble about Floyd of all people. Honestly,” Riddle huffed, “I don’t understand what you see in that riffraff!”

“He’s not a riffraff!” You quipped, frowning as you crossed your arms. “He’s actually really sweet if you give him the time of day, Floyd just likes being able to have fun with others you know!”

“Even then, his mood swings don’t terrify you? He gets rather violent sometimes.” Riddle took a sip of his tea as you shook your head.

“No, I mean if you just go with the flow it’s fine, plus that just makes him more exciting to be around! Plus we’ve been getting closer ever since Azul’s overblot…”

You smiled softly as you looked down at your lap, fondness growing in your heart like blooms on a warm spring day.

“He can actually be quite sweet, once you get to know him…you just have to give him a chance.”

The two of you remained quiet, the only coming from the distant chatter of other students in the more populated areas of the guest lounge.

“I’m safe to assume then that he is the reason you’ve started sprouting the roses?”

Your soft pink blush deepened as you nodded, picking at the small flower that began blooming on your cheek.

“Yeah…”

“When will you confess, then?” You looked at Riddle in shock, who seemed confused at your distress. “What? It’s obvious that you have strong feelings for him, and even I notice how especially clingy he is around you.”

You shook your head, stuttering, “Well, yeah but that’s—”

“I’ve even heard him refer to you by name, he only does that with Jade and Azul you know?”

“You don’t understand Riddle.” You tried to interject, growing more flustered by the second. “I don’t think I could—”

Riddle continued, “As much as I disapprove, it does seem that you two genuinely bring out the best in each other, he does seem softer when you’re around—”

“Oh my—Riddle, stop—”

“—And you’ve gotten more outspoken, I remember how shy you were—”

“I’m begging you—”

“—Besides, according to the Queen of Heart’s rule number 478, any romantic feelings must be confessed approximately 12 days upon their discovery or the individual in question obligated to deny—”

“I said stop, Riddle!” You yelled at the top of your lungs before choking on rather large bouquet of lavender roses. Leaves and petals fluttered all around you as you continued to let out rough coughs, phlegm and saliva making a mess.

Your yell startled the red-head so much that he simply started at you with a red face and thinned lips, too shocked to properly yell back at you for raising your voice indoors.

Instead, he carefully placed his tea cup on the table between you two, folded his hands in his lap, closed his eyes, and took a deep breath. You on the other hand, peaked around the dividers separating your nook from the rest of the lounge.

Ace and Deuce looked over in concern as you continued to cough out more roses, walking over before you shook your head and gave them a thumbs up before shooing them away and turning back to Riddle.

“...sorry Riddle.” You whispered, looking at him nervously. “I didn’t mean to yell, don’t be mad?”

“It’s…fine.” He replied with a strained voice, taking a final inhale before opening his eyes again and making eye contact. “You shouldn’t have yelled, and I shouldn’t have pushed.”

Riddle sighed, relaxing into the soft lounge chair. Though he would deny when asked, the chair that he helped you pick for the guest room was is favorite spot to sit in, as it surprising comfortable.

“May I ask why you refused? It’s quite obvious to anyone that you care for him immensely, for some forsaken reason, and I would even say it’s quite mutual.”

You avoided eye contact as he resumes sipping from his tea, a lemon tea with 2 sugar cubes for his post meal tea.

“Yeah…that’s what the other first-years say too. Even Jade’s been dropping hints on mer courtship gifts.”

“Then? What’s stopping you?

A pregnant pause was in the air as you open and closed your mouth, attempting to figure out what it was that scared you.

“What if…he gets bored?”

Riddle furrowed his eyebrows as he leaned in, barely able to hear you.

“What if he what?” He sighed, a bit irritated. “Speak up Prefect, I know you can, you just did earlier.”

You groaned out, “What if he gets bored with me? I’m fun and interesting now, yeah!”

Your friend watched, and you began pacing around the room, holding his head in his hand as he watched and listened to you vent.

“I’m just a silly little magicless human that got transported from another world! Big whoop! What happens when that novelty wears off? You've heard him, he only likes to do things that are fun and interesting to him, but I won’t always be fun and interesting, eventually he’ll get used to me and get bored.”

You turned to look at Riddle with a teary-eyed, but firm look. “He’s get bored and leave me. I can’t handle that! So I just won’t be with him. In fact, I'd rather have the thorniest, pesticide ridden roses grow in my mouth before I'd ever admit having any sort of affection for him!”

Your voice began to crack as you stated your final sentence, snapping your mouth shut before you got begun crying. Riddle stood up and walked over to grasp your shoulders, looking at you with an understanding smile.

“The sort of person that would abandon a lover simply because they’re bored never deserved one in the first place.”

Riddle hummed in agreement as you sqeaked out a ‘really?’, giving you a soft pat on your shoulder.

“Of course, I can’t say I don’t understand your hesitance, Floyd is…Floyd, after all. However, he is not my friend, you are. If you choose to forfeit your right to confess, then so be it.”

You smiled as he dragged you back to your seats, giggling as he continued, “I personally would say it’s no lost on your part, he’s not exactly the most prime candidate for your life partner should you be stuck here in Twisted Wonderland, may I suggest one of the many more suitable providers?”

“Pfft-like who? You?” you cackled as Riddle looked at you in mild horror.

“Oh dear, of course not! I admire you as a friend, but I have much stricter standards for a partner.” He snapped his fingers in revelation. “Perhaps Ace or Deuce, you are rather close to them—”

“Ewwwww, pass. They’re like annoying brothers!”

Riddle snorted before covering it up with a cough. “True. Trey?”

“If you’re just going to suggest your dorm members, maybe we should switch the conversation to something else.”

“Well I think my dorm produces only the best and most gentlemanly mages of all of NRC, so excuse me if I’m simply trying to give you the best options!”

You and Riddle shared some laughter, a flash of teal catching the corner of your eye. But you saw nothing, so instead you focused back on Riddle as he began recounting his own winter break activities.

You remained quiet as you processed your thoughts, finding the lilac ceiling to be particularly interesting.

Floyd also stayed quiet, still curled into your side as he breathed in your scent. You’re sure that with all of the flowers you’d started coughing up in the last few minutes, you smelled strongly of the lavender roses.

“You know…I was gettin’ real mad when you wouldn’t confess to me.” Floyd whined, propping his head up with his hand to look at you and your pink face.

“I thought it would be nice to get a cute confession out of my little shrimp,” He pinched your nose and forced you to look at him. “It be real fun! Like those cringy romcoms landfolk like so much!”

You replied, nasally due to your pinched nose, “Wait, is that why Jade was telling me about mer courting methods?”

“Haha! Yeah, I was hopin’ that you’d bring me a pretty seashell or somethin’ cute so Icould make fun of ya for later.”

You let out an indigent huff, smacking Floyd’s hand away as he laughed.

“Really? So what made you change your mind?”

“Hearing ya talk to Goldfishie. It pissed me off that you’d think I’d toss you out like humans at sea with their trash.”

Floyd’s tone changed, looking visibly annoyed as he continued.

“Mers mate for life, and I wouldn’t choose someone I’d get bored with.” He sat up as his mood continued to sour. “It pissed me off, and it hurt, that my Little Shrimpy would think about me like that.”

“Oh, Floyd,” you sat up with him, guilt seeping in your bones as you looked at his angry face. Though, with the small tears forming in his eyes, Floyd looked more frustrated than anything.

“I’m sorry, I-I didn’t think—it didn’t occur to me that you felt the same—”

“Well I do, and it’s not fair to me that you wouldn’t even give me a chance.” The way Floyd said that so matter of factly made you snap your mouth shut again, looking down at your lap instead.

“I’m…sorry, Floyd. I wish I could make it up to you—”

Floyd interrupted, moody demeanor brightening suddenly. “No worries, I got just the solution!”

Crawling over back to you so that your back met the headboard again, Floyd grinned maliciously at your curled form.

“Say it.”

“Huh?”

“Say it. Those three little words.” Floyd held up three fingers to emphasize his point. “The ones that will make all those little flower go right away, the ones you need to say to me.”

You stiffened, leaning away from Floyd as he leaned in. “I don’t know if I can—”

“Say it, Y/N.” The use of your name startled your attention back to his face. He looked unusually serious, peering his heterochromic eyes into your own. If you didn’t know any better, you could’ve mistaken him for his twin.

You whispered, prolonging the inevitable, “What happened to Shrimpy?”

“Shrimpy was Shrimpy, but now your Y/N. And Y/N is Y/N…”

The two of you shared a smile as the distance between you two continued to close. You couldn’t remember what was so pressing earlier, why you were so anxious when the yellow eye of the man in front of you produced nothing but adoration from your heart.

“Please…” From the uncharacteristic soft murmur to the eyes darting down to your lips and back to your eyes, Floyd drew you back in with a hypnotic ease that only the most alluring of mythical creatures could even hope to imitate.

The two of you leaned in as you placed a hand on his chest, his own left hand coming to cradle your own.

You craned your head back to hover your lips under his, uttering the words you swore to never let leave your mouth.

“I-I…love you, Floyd Leech.”

A single lavender rose grew between your palms, as two longing hearts met as one.

#twst #twisted wonderland #twst floyd #floyd leech #floyd leech x reader #twst floyd x reader #twst x reader #twisted wonderland x reader #a floral inconvenience #big advocate for softie floyd leech #its what he deserves

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cripplecharacters · 3 months ago

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How to go about writing tics? I have tics but I never know how to write them naturally, especially cause I often forget I even have them. To me it's like describing blinking or something? But I of course want the character to notably have tics, even though my internal experience of tics isn't very noticeable to me? If that makes sense?

Hello!

Jerk, California by Jonathan Friesen is a book about a character (Sam) with Tourette's syndrome, written by an author who also has Tourette's. One of the things I really appreciated about the book was that it described Sam's tics in a way that made sense with how they felt as somebody with Tourette's.

In the book, Sam's tics are generally described when they're relevant. Usually, this is either to show that he's upset/otherwise worked up about something or as a way to build tension within the narrative itself. Although it doesn't necessarily mean that Sam isn't ticcing otherwise, it came across as the tics being more noticeable in those moments -- which I felt was a nice touch.

Consider the following passage from the book:

I glance around. My muscles don't jerk, and I close my eyes. I breathe deep, and like the third runner who finally catches up, the overtakes me. Slowly at first–a hard eyeblink. But that's not enough; there's more that has to work its way out, and my teeth grind. Movement spreads to my shoulder, and soon my whole body springs to twitchy life.

Even without the rest of the context of the scene, the description of his tics is enough to convey how he's feeling in the moment.

In the more mellow portions of the book, his tics aren't generally described at all, which helps it to feel more calm.

Another thing I liked it that they're described in the same way as any other action or movement.

This is another passage from the book:

The class groans, Heather swears, and my shoulder jumps. My elbow knocks my textbook to the floor with a thump.

Although the author doesn't explicitly say that Sam is ticcing, we as readers can get that idea from the way it's described. Essentially, this is to say that you don't need to explicitly specify when something is a tic or not – your audience will generally pick up on it.

With verbal tics (Especially ones that involve speech), it can be a bit harder. There's a kind of balance you want to strike between showing the tics and still making sure that the dialogue is readable.

While discussing verbal tics that occur outside of dialogue (i.e. Not interrupting the character's speech), I'd suggest marking the tic as such through dialogue tags. Words such as "blurted" or "exclaimed" can imply an unintentional aspect to the speech.

You could also describe how the character is experiencing the tic themself (If it's from their POV).

This is another passage from Jerk, California:

"No thanks, Jace. I'll stay with Sam." "Hah!" The word fires from my mouth. I purse my lips and bite my swollen tongue, but my vocal cords are locked and there's nothing I can do. "Stay with Sam! Stay with Sam!"

If you're writing in the POV of another character, you could describe how it looks from their perspective. Though I'd be careful with this, as it can come across as mockery if it's not done well.

With verbal tics that do interrupt dialogue, be careful to ensure it's not too frequent as it can make it difficult to read. I'd also suggest using some sort of formatting to identify tics vs general dialogue.

An example could be: (Note: This is not from the book)

"You know, I don't think–hey!–that would be a good idea."

That said, you would have to establish that the character has tics beforehand (And, ideally, establish this speech pattern as such), otherwise it can look more like an interruption or something similar.

I'd definitely suggest taking a glance through some books about characters with tics, just to see the format that other authors use. There's a wide range of options out there and the book I referenced here is just one of many ways to do it.

Cheers,

~ Mod Icarus

#mod icarus #anonymous #tics

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greeneyed-thestral · 8 months ago

Text

I MET MICHAEL SHEEN. 16/03/24, National Theatre

So, if you've read my post about booking tickets to see Michael, you know all about my what-ifs. But the day was finally here.

I arrived at the National Theatre, followed all the Nye signs and here's the Olivier Theatre. I made my sister buy me the show's programme, hoping I would be able to get it signed.

I find my seat, I'm not in the centre but the stage still feels very close and you can see everything (amphitheatres are always the best).

Lights out. The audience is in religious silence. Can't believe I'm actually here, this is happening.

[skip this part in smaller font, if you want to avoid spoilers] In the words of Staged, he really loses himself in his roles. First of all, it's great to hear him speak in a Welsh accent.

But then we also see him turning back into a child, and you can totally believe he's young and innocent again. His stutter feels so real, his struggle and sadness too. The entire ensamble is great during the classroom scene, where they all help Nye against their bullying teacher (using those big canes to make him look scary really works). Hearing young Nye confessing that at times he thinks he 'shouldn't exist' because of who he is was a gut punch; Michael's delivery of that whole part is incredible, in that moment he really becomes a little boy that allows himself to feel vulnerable and says something dark to a friend. The way he jumps while saying "I can visualise and enunciate!" made me wanna jump too, he was ready to give up and then he found the solution through books, it's the joy and relief you feel when you realise that there is another way and your life is not over.

Now, I've watched musicals all my life and let me tell you that man is meant to be in one. He opened his mouth and all I could see was someone that had been waiting a long time for the occasion to show his talent, truly showstopping. He was so free and happy and confident, singing and dancing spectacularly. I couldn't stop smiling and giggling, we all clapped.

It's clear he means every word he says, and when he points and shouts his political arguments at the audience, those who feel called out must be shaking; I thought 'This is how people in Ancient Greece must have felt everytime they went to the theatre'. His Nye is inspiring, passionate, someone you'd want to follow, he stands up for what he believes in and lets nothing get in his way.

We get to watch him flirt, on all fours, waggling his 'tail'; everytime we think we've seen all he's capable of, he does something like this and surprises us.

But most of all, we see him being scared, first of having to do something, and then of not being able to do enough for all of us. At one point everyone has requests for Nye and I was expecting him to shout "Heal yourselves!" like Jesus in JCS, it totally conveyed what it must have been like to be in his role at the time, overwhelmed with daunting responsibilities.

In general, I appreciated the fact that it wasn't a linear biography, they chose life moments that have universal situations everyone can relate too, like they do in bio-musicals. I loved the staging. The colour palette is so recognisable; the curtains and the beds are used in many different ways so everything is explored at its full potential.

He is on stage basically all the time for more than two hours (sometimes twice a day, can you imagine?). Also barefoot and in his pajamas from start to finish, he looks like a teddy bear you just want to hug and protect.

He bows, looks at Nye's achievements, then leaves the stage.

Standing ovation, applause. I go back to the theatre lobby, I was supposed to wait for my sister, but she's late. Meanwhile, a fan asks me how to get to the Stage Door. I start too fear that I'm going to miss my chance if I keep waiting inside, so I decide to go on my own. After no more than 5 minutes, he's outside with us. Forget Nye, I am living my fever dream. He has just finished his second show of the day and yet he's smiling and listening to each and every one, signing and taking pictures. I know many have said this, but he really is an angel.

My sister arrives, and as soon as I'm sure she has the camera ready, I make my way to him. The two girls next to me who were speaking to him needed a pen and I lent them my sharpie, so I got my chance to look generous in front of him.

And suddently it was my turn. This is as much as my scrambled mind allows me to remember: I tell him I'm Francesca and I'm from Italy, he asks me how long I am going to stay, I confess that I had arrived that morning and just to see him, that I would be leaving already the following morning. I can't even focus while he's signing my programme, I just want to find the right words. I manage to say how I enjoyed seeing his passion, all these different sides of him and how watching him sing and dance has been the highlight of my evening. We take a picture together, I feel his hand on my shoulder and I realise my arm is around the waist of this person I love. I had to thank him again, telling him that he only deserves good things and that we are so lucky to have him. He wishes me a safe trip home, and I melt. I leave and I can't stop trembling. On my way back to the hotel I hold on tight to my signed programme and the sharpie that was in his hands just moments earlier. Only later I will realise that he's also written 'Ciao!', 'love' and 'X', without me asking for it or anything! Seeing him act live was a big gift already, but what followed outside was beyond my dreams. I can't look at the photos without blushing, the way he looks at me in the video and then also strokes my arm for a moment, I mean pinch me now.

The more I think about it, the more I can't believe it happened.

I want to thank everyone that under my first post pushed me and encouraged me to see the pros of doing this, I share this beautiful moment of my life with all of you. <3

#michael sheen #nye #national theatre #london #btw I was also wearing one of david's headbands

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yumeka-sxf · 5 months ago

Text

Japanese Linguistic Observations in Spy x Family - part 4

Part 4 - Furigana and double meanings

I discussed in Part 2 how Japanese is comprised of three different alphabets: hiragana and katakana (together referred to as "kana") which represent pronunciation, and kanji which represent meaning. With there being over 2,000 kanji in common use, as well as various ways to pronounce any one kanji character depending on the word it's in, children learn kanji gradually throughout their school years. So manga and books aimed at a younger audience will typically have kanji "translations." These are comprised of small kana called furigana which are printed to the right of the kanji to show how to pronounce it. In the below panel for example, the one word that has a kanji is the 嬉 in 嬉しい. The furigana shows that 嬉 is pronounced うれ ("ure") to make the adjective "ureshii" (happy).

Sometimes manga authors will use furigana+kanji in creative ways to convey different meanings to words that specifically suit their story/characters. This alternate way of translating kanji is called 当て字 (ateji). One way of using ateji is to help introduce fictional terminology. In SxF for example, Ostania and Westalis are made-up words, but Endo assigns them their own kanji: 東国 for Ostania and 西国 for Westalis. The second kanji for both of them is 国 which means "country," and the first kanji for Ostania is 東 which means "east" while 西 for Westalis means "west." However, to differentiate them from the actual words these kanji represent ("toukoku" and "saikoku," which mean "eastern country" and "western country" respectively), Endo writes out their pronunciations in katakana next to the kanji. You can see this in the panels below.

Even though they're not real words, by assigning them kanji that represent what they are – "east country" and "west country" – even without any context, Japanese readers get more information about these terms than English readers do thanks to the use of kanji and furigana.

Another way manga authors can use ateji to suit their needs is by telling readers to pronounce otherwise normal Japanese words in the "language" they want. For example, the word used for "codename" in SxF is 暗号名, which is a real word that is pronounced "angoumei." However, when we look at the furigana that Endo assigns to it, he specifically tells us to pronounce it like the English word "codename" (コードネーム).

Since SxF is a series that takes place in a fictional version of Europe, Endo must have found it more fitting to use English for specific keywords like this.

While the above examples are fairly common throughout all manga, especially those that have a lot of fictional terminology, Endo also gets creative with using ateji to form double meanings that lend insight into the characters' thoughts/feelings. And we get one of the best examples of this in the very first chapter:

This is the scene where Twilight's saying that he became a spy to create a world where children don't have to cry. The word for children, 子ども, should be pronounced "kodomo," however, the furigana is telling us to pronounce it as じぶん (jibun), which means "self." By creating this double meaning of Twilight saying he'll make a world where children and/or he himself doesn't have to cry, points out in a subtle yet poignant way just how much Twilight's trauma as a child shaped his determination to make sure other children don't have to suffer the same fate. It's a brilliant way of showing a deeper side of the character that he wouldn't outwardly show.

A similar example occurs in chapter 49 during the cruise arc, in the scene where Yor is guarding the room at night, thinking about how she was dragging her feet during the Barnaby fight. Her last thought during that scene is wondering what she's fighting for, however, even though the word used is いばら姫 (ibarahime), which means "Thorn Princess," the furigana tells us to pronounce it as わたし, which is the "I"/"me" pronoun that Yor uses.

The ambiguity of reading the word as "I" or as "Thorn Princess" emphasizes how she's struggling with her Thorn Princess identity at that time. It can almost have a different meaning when reading it one way or the other. For example, reading it as わたしは何のため ("For what reason am I [doing this]…) or as いばら姫は何のため ("For what reason is Thorn Princess [doing this]…) gives the impression that she's trying to distance herself from "Thorn Princess"…that she's unconsciously seeing herself and "Thorn Princess" as different people.

Another example that's not as deep but still interesting is from chapter 87, where Sylvia visits Fiona in the hospital and tells her not to push herself so hard, even for his sake, with "his" referring to Twilight. The kanji used is 黄昏 (tasogare) which means "Twilight," but the furigana translation is あいつ (aitsu) which means "that guy/that person."

This is a clever way to use kanji/furigana to indicate that Sylvia is indeed aware of Fiona's feelings for Twilight by having her not refer to him by name, but also informing the reader that she definitely knows who she's talking about.

I also find it interesting that all three of these examples are spoken from a character we're viewing from behind. I think it's just a coincidence, but still interesting 😅

I'll wrap up with one more example from chapter 58, where Loid notes that his understanding of Bond is lacking, just like Anya. Once again, the word for children, 子ども (kodomo) is used (Loid likes making double meanings with that word, doesn't he?) but the furigana translates it to アーニャ(Anya).

I interpret this as him saying he needs to understand children better, but he specifically means Anya (even though he doesn't want to admit his particular yearning to understand her).

If you're wondering how the anime handles these ateji, it seems to vary. In the anime version of the chapter 1 example, Loid says the correct kanji translation "kodomo," but in the chapter 49 example, Yor says the furigana translation "watashi."

The anime seems to use the reading that would make the most sense if spoken out loud by the character.

I haven't read enough manga in Japanese to say that this use of furigana+kanji to create double meanings is a common thing, but even if it is, I'm sure Endo has his own unique style of doing it. I know there's more examples in SxF that I missed, and unfortunately I don't have the time to look through every chapter to find them. But if you happen to come across any others, feel free to let me know 😃 I may amend this post or create another one if more interesting examples pop up.

Continue to Part 5 ->

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#spy x family #sxf #spy family #spyxfamily #loid forger #yor forger #anya forger #bond forger #sxf manga #sxf manga spoilers #sxf analysis #sxf meta #sylvia sherwood #sxf spoilers

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shaunashipman · 2 months ago

Text

Writing vs. Character

yes i am terribly at coming up with titles

the problem with most criticism of tommy and bucktommy is that, it's coming from a point of view of criticizing the character instead of criticizing the writing. the characters don’t exist in a vacuum, if you dislike a character, it’s either because you are supposed to dislike the character, or the writer/s didn’t do a proper job with conveying what they wanted with the character.

(there is, of course, the third option, where you simply just don’t like a character with no objective reasoning, which is perfectly valid but consistently denied as the reason for the dislike, so for the sake of these writings, we’ll be disregarding this reason)

the writers haven’t succeeded in convincing them about tommy, but instead of blaming the writing, they have decided that their negative perceptions are instead the writers’ intentions.

instead of "tommy's redemption felt unearned because we didn't see enough of the work and I would like to see it addressed" it becomes "tommy was never shown apologizing, so he's still racist"

instead of "the joke felt ill-timed and out of place in what was otherwise a serious emotional conversation, and took me out of the moment" it becomes "tommy made a sex joke during a serious conversation, he's clearly a sex-crazed predator"

instead of "it doesn't fit with previous characterization for tommy calling buck 'evan'" it becomes "buck doesn't like tommy calling him 'evan' and tommy is disrespectful for doing it"

instead of “we haven’t seen or been told much about buck and tommy’s relationship so it seems he put more effort into his friendship with eddie than he does his relationship with buck” it becomes “tommy doesn’t actually care about buck and was trying to get with eddie first”

instead of “buck didn’t seem committed when he said ‘I guess so’ and the realization scene was confusing as a result” it becomes “buck is confused about his own feelings and doesn’t actually like tommy”

I think it's because they feel they can't criticise the writers? cause the writers—tim—are supposed to be the ones giving them this epic slow-burn romance, so they can't be bad writers. it must be intentional. but then they ignore how it doesn't fit with the writing of the other characters.

"hen never forgave him and still hates him"

there's a difference between not liking your friend's boyfriend, and thinking your friend's boyfriend is a racist misogynist. hen has never been shy about telling her friends what she thinks of their SO's, why would she hesitate for a second to tell buck what she thinks of tommy? and the "what are your intentions" scene doesn't count, whatever your reading of it. I mean, why would she not have gone over to his loft, or approached him at the firehouse, and said "hey, this is how your boyfriend was towards me, he's never apologized, and I don't believe he's changed". buck highly values hen's opinion, I'd go as far as to say he values her opinion most after maddie and bobby. hen always has the answers, hen doesn't follow others' leads, she marches to the beat of her own drum. it would take one conversation with her for buck to go and end things with tommy. so saying hen still hates him does not fit with her characterization or the writing.

"tommy ignored buck's vulnerability and made a sex joke"

then why didn't we see that reflected in buck? if we were meant to come away from that scene thinking that tommy was being inappropriate and buck felt grossed out by him making a sex joke during talks of their father figures, why is the last shot we have of buck's face on the date a grin? if that's what they wanted us to come away from the scene thinking, they would have ended the scene with a shot of buck frowning, of him looking vaguely uncomfortable. it would have made a good mirroring of him being uncomfortable less than a minute before about something that tommy said, and tommy noticing and asking about it, if they had shown buck making a similar face when tommy looked away after the comment, but they chose to have the last shot be of his grin.

“buck doesn’t like tommy calling him ‘evan’”

there is no evidence of buck disliking it when anyone except his parents call him evan. maddie regularly uses it, eddie has used, and ali used it. the only people he’s ever objected to calling him that is his parents. we have also seen, in 6x10, his reaction to being called ‘evan’ by someone he expects and prefers to call him ‘buck’, when chimney refers to him as ‘evan’ to pre-emptively keep the parental visit cordial. buck reacts with confusion and amusement, as evidenced by his face at the initial naming, and by him jokingly referring to chimney as “howie”, done so with a smile. no sign of upset in his response. to argue that buck doesn’t like tommy calling him ‘evan’ also doesn’t account for buck never objecting. buck has been shown to be perfectly capable of standing up for himself, and it goes directly against his growth in relationships. he’s not going to settle anymore, and that would include settling for someone calling him a name he doesn’t like. furthermore, tim said they were going for a “rom-com” with bucktommy, and a significant other using their real name while everyone else calls them a nickname is a rom-com staple.

“tommy doesn’t care about buck and was trying to get with eddie first”

all of tommy and eddie’s hang outs were average ‘bro’ hangouts. the only one that required any ‘effort’ on tommy’s part was the fight, which, considering tommy got the tickets from a friend, may be something he does regularly and not anything special; the same could be assumed of karaoke trivia. basketball is canonically something that eddie does regularly, and invites other friends to. there is no textual basis for believing that tommy had romantic/sexual feeling for eddie at any point, which we can see as we have textual evidence of how tommy behaves when he has feelings for someone, buck, for comparison. tommy shows he cares for for buck when he goes to buck’s to clear the air and make sure buck knew he wasn’t intentionally being excluded. he didn’t have to do it, but even as an acquaintance he was concerned about buck��s feelings. while at buck’s he offered to teach him muay thai, and his prior offer of flight lessons was explicitly referenced as something he still wants to do, showing that tommy wanted to spend more time with buck, even prior to confirming the feelings are romantic. after the failed date, if tommy didn’t actually care about buck, he could have either simply not agreed to meet for coffee, or turned buck down when asked to the wedding. a wedding, especially one for the family of your date, is an extremely hectic emotional affair. many people would not go with someone they had only been dating for a few months to a close family member’s wedding. before the wedding, tommy attended the bachelor party despite being on call. first responders on call generally spend that time resting in anticipation of being called in, as unless something happens to a responder on the clock whose position needs covering, being called in means there is an emergency that won’t allow much if any rest. which is exactly what happened. from context, people including tommy, left the bachelor party somewhere between 9pm and midnight. the hospital wedding couldn’t have happened any sooner than early evening, even at exaggerated tv speeds. with tommy coming to the hospital in his turnouts, so directly from the fire, that means he was fighting the fire for between 20-24 hours. that is in addition the being awake for at least 2-3 hours before being called in. it would be perfectly understandable, especially to a wedding full of first responders, if he simply went home, showered and slept. but he had a chance to show up for at least some it, so he did. if we were meant to believe that tommy didn’t care for buck, they would not have had him show up, and they wouldn’t have shown how much of an effort it was for him to show up.

“buck is confused about his own feelings and doesn’t actually like tommy”

buck wasn’t confused about liking tommy, he was initially confused about the nature of his feeling for tommy, platonic vs romantic, as he was not aware that romantic feelings for men were an option for him. but after the failed date when speaking to maddie, he responds first generally about men—that he checks out men’s asses—then, unprompted, he begins listing things he likes about tommy—that he’s confident, interesting, and has a cleft—both physical and personality-wise. if we were meant to believe buck didn’t actually like tommy and was just caught up in realizing he’s bisexual, then they would have had buck stay to generic things about men. by the time of his talk with eddie, at least 3 days have passed since the failed date, and almost a week since tommy kissed him. and yet when asked, he says he can’t stop thinking about tommy. they could have had him say something non-committal, something that could be read as him liking tommy while still being ambiguous, but they had him explicitly state that he has been thinking about tommy frequently since the kiss. and finally, the coffee date. a date that buck initiates, where he states that he thinks he and tommy could have something. while he uses the word “thinks”, that language is in line with many rom-com love declarations, and tim has stated he wrote the storyline with rom-coms in mind. buck then invites tommy to maddie’s wedding, which was not spontaneous as he would have had to clear the invite with maddie. all of which would reasonably lead the audience to understand that buck has in fact examined his feelings for tommy over the course of several days, and settled any confusion he made have initially had.

the writers may or may not have done a good job, that is always up to interpretation, but it is undeniable what their intentions were

#cleo.txt #911 #bucktommy #911 meta #*meta #as always when i finish typing up some big thing #if that makes sense #the amount i deleted from this because it wasn't fitting what i was saying

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