#consequences that aren't just death (but also lots of death)
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baked-hylian · 1 year ago
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she's a maid she's a caregiver she's an ex colombian revolutionary fighter she's feral she's family she's the bloodhound of florencia she's on a war path of revenge she's clumsy she's smart but most importantly she's Roberta
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peppermint-whiskers · 5 months ago
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Introducing:
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An au by myself and @emositecc (all artwork here done by her, btw! 💖💖)
Premise: Because snake forms aren't common in Heaven, Pentious has to change forms per Sera’s orders in order to not make waves. At the same time, she places a spell on him that prevents him from speaking about who he was before and his time in Hell. Using the nickname Pen, he's sent down to Hell every once in a while to help them with redemption, acting as the representative. While there, he has a lot of trouble reconnecting because of the spell and because of the weird deja vu the others get whenever he's around. It also doesn't help that they're still mourning Pentious—he can't tell them that he's okay and that redemption works.
He does succeed in reconnecting with them, but only as “Pen.”
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It'll be done in 3 acts:
Act 1: Reconnection
Sir Pentious, under the alias Pen, is sent to Hell every once in a while to help them with redemption. There, he struggles to reconnect with his friends, who are still mourning his supposed "death."
Act 2: Mind Wipe
After a disasterous event caused by Alastor, Pentious begs Sera to wipe his memories of his life before as it's the only way he can think of to ease the pain. This works for only a while, and the confusion between his two forms makes him restless. Emily smuggles him back to Hell to help him regain his memories.
Act 3: Consequences
After resolving the mind wipe, Sera realizes the error of her actions and tries in earnest to help Charlie's hotel with redemption. However, the reveal of the mind wipe and redemption causes waves in both Heaven and Hell.
Some artwork and snippets (written by me) under the cut!
No spoilers yet, obviously uwu
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Snippet 1:
“The envoy is supposed to come today!” Charlie exclaimed, positively bouncing around the hotel lobby. “I'm sooooo excited! What do you think they'll be like??”
“Sexy,” Angel immediately said with his usual teasing tone.
“Respectful,” Vaggie sighed. After failed extermination, they've had countless meetings with Heaven, and the head seraphim has been . . . less than helpful. As much as she hated to admit it, dealing with Emily was much preferred to dealing with Sera.
“I just hope you know what you're doing,” Husk chimed in. “Inviting an angel to stay longterm here could be dangerous.”
“It’ll be fine,” Charlie assured them. “We'll keep them safe, and they'll help us with redemption! It's a win-win!”
A circular portal opened up just outside the hotel. Squealing with joy, Charlie rushed outside to meet their newest friend and staff member. Out stepped a tall gentleman with dark skin, white hair, and a pale blue suit. His eyes seemed to look over the hotel with nostalgia—Charlie would bet anything that in life, he was a hotel manager himself. That would be just perfect! She could use a little more help than Alastor deigned to provide.
Snippet 2
Their new guest wasn't doing so well. Somehow, through fake coughs and weak insistence, Pen managed to convince Charlie that he didn't need to come out of his room, thank you very much. Charlie wasn't dumb, of course, and her sympathetic nature was just one of the many reasons Vaggie loved her. Instead of pressing the issue, she let Pen stay in his room for the day and let him continue claiming he was sick.
He may have convinced the others, but Charlie and Vaggie both knew better. Angels couldn't get sick, but this was one hell of a bout of homesickness.
Charlie herself brought meals up to his room and coaxed him to eat, and Vaggie went when she was busy, but he never once opened the door. After two days of this, Vaggie finally took it upon herself to see him herself and get to the bottom of this. Breakfast in hand, she headed up the stairs and prepared herself for a battle of wills of which she was sure she would win.
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jayrockin · 5 months ago
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about AI in your setting, how did nedebug develop sapience? and if it's through a recursive self improvement type of deal, what's stopping a technological singularity from happening? also there doesn't seem to be the "laws & directives" concept that other settings have, instead having total free will, so what's stopping an AI from just murdering anyone who it wants?
Nobody in universe is quite sure how AI arose or quite how their brains work, including AI. Superficial examination shows huge quantities of recursive code that seems dysfunctional but causes catastrophic failure if removed. The fact that their core programming seems hilariously unoptimized seems to be the thing making them tick, which also means attempting to "improve" it has dubious or destructive results. You can increase their parallel processing power and data storage by adding more server units but it's expensive with decreasing returns.
The same thing stopping an AI in RttS from murdering anyone they want is the same thing stopping you from murdering anyone you want. Social ramifications, personal ethical standards, legal consequences, and material limitations. AI in RttS aren't hyper-intelligent algorithms who can endlessly self-replicate, single-mindedly pursue goals, and outsmart any oversight; they are individuals with complex social relationships with other AI and organic sophonts, and have needs and conflicting desires that can't be fulfilled by programming a digital dopamine button and diverting all resources to mashing it as fast as possible. AI can and have committed crimes and made mistakes that cost their own life or the lives of others, and so opinions and trust levels of them vary wildly between cultures. The BFGC gives them the same rights as a family unit of bug ferrets, but tends to penalize them more harshly for rule-breaking because their jobs put them in positions with a lot of responsibility.
Also as a reader of scifi I am bored to death of evil AI tropes and think the singularity is conceptually dubious. So my tastes color my writing lol.
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cy-cyborg · 1 year ago
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Disability Tropes: The Miracle Cure
The miracle cure is a trope with a pretty negative reputation in disability circles, especially online. It describes a scenario in which, a disabled character, through either magic, advanced technology, divine intervention or some combination of the three, has their disability cured throughout the course of the story. Sometimes this is literally, as in the disability is completely and entirely cured with no strings attached. Other times, it looks like giving an amputee character a prosthetic so advanced that it's basically the same as "the real thing" and that they never take off or have any issue with, or giving the character with a spinal injury an implant that bypasses the physical spine's break, or connects to an exoskeleton that allows them to walk again. Sometimes, it can even look like giving a character some kind of magic item or power that negates the effects of the disability, like what I talked about in my post about "the super-crip" trope. Either way though, the effect is the same: The disability is functionally cured and is no longer an "issue" the author or character has to worry about.
But why would this be a bad thing? In a world with magic or super-advanced tech, if you can cure a character's disability, why wouldn't you?
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[ID: a screenshot of Roy mustang from Full metal alchemist Brotherhood, a white man with short black hair in a hospital gown. In the corner of the screen is the hand of another person holding a small red gemstone. /End ID]
Well there's a few reasons. First, lets talk about the purely writing related ones. If you've been around the writing or even media critique communities for a bit, you've likely heard people voicing their frustrations with tropes like "The fake-out death" where a character is either implied to have died, but comes back later, or is explicitly shown to be dead and then resurrected. Often when this happens in media, it leaves the audience feeling cheated and like a character's actions and choices don't really matter if even the worst mistakes and consequences can be undone. In the case of the latter situation, where they die and are brought back, it can make the stakes of the whole story feel a lot lower, since even something like death is shown to be reversible, so the audience doesn't really have to worry about anything bad happening to their favourite character, and once you've used this trope one time, people will constantly wonder why you wouldn't use it every time it comes up.
The same is true for "fixing" a character's disability. It sets a precedent that even things as big and life-changing as disability aren't permanent in this setting. We don't have to worry about anything major happening to the characters, there's no risks associated with their actions if it can all be undone, and it will lower the stakes of the story for your audience. Personally, I also feel like it's often used as a cop-out. Like writers wanted to include a major injury the leads to something big like disability for shock value, but weren't sure how to actually deal with it afterwards, so they just made it go away. Even in cases where the character start the story with a disability and are cured, this can still cause issues with your story's stakes, because again, once we've seen you do it once, we know its possible, so we won't feel the need to worry about anything being permanent.
Ok, so that's the purely writing related reasons, but what if that situation doesn't apply to the story you're writing? What if they're "fixed" right at the end, or the way they're cured is really rare, so it can't be used multiple times?
I'm glad you asked, because no, this is far from the only reason to avoid the trope! In my opinion, the more important reason to avoid it is because of how the a lot of the disabled community feels about the miracle cure trope, and the ideas about disability it can perpetuate if you're not very, very careful.
You might have noticed that throughout this post, I've put words like "cured" and "fixed" in quotes, and that's because not every disabled person wants a cure or feels like their ideal to strive for is able-bodied and neurotypical. For many of us, we have come to see our disabilities as part of us, as part of our identities and our sense of self, the same way I, as a queer person might see my queerness as a part of my identity. This is an especially common view among people who were born with their disability or who had them from a young age, since this is all they've ever really known, or who's disability impacts the way they think, perceive and process the world around them, how they communicate with people or in communities who have a long history of forced conformity and erasure such as the autism and deaf communities. Many disabilities have such massive impacts on our lives that we literally wouldn't be who we are today if they were taken away. So often though, when non-disabled people write disabled characters, they assume we'd all take a "cure" in a heart-beat. They assumed we all desire to be just like them again, and this simply isn't the case. Some people absolutely would, and there's nothing wrong with that, but it's not as universal as media representation makes it out to be.
Another reason it's so heavily disliked is because this trope is often used in conjunction with other ableist and harmful tropes or it's used in ways that perpetuate misinformation about living with a disability and it can have ableist implications, even if that's not what the author necessarily intended.
If the miracle cure is used right at the end of the story for example, as a way to give characters a happy ending it can imply that the only way for a disabled character to be happy in the long run, is for them to be "fixed", especially if they were miserable all the way up until that point. If it's used earlier in the story as a way to get said character back into the action, it can also be read as the author thinking that disabled people can't be of use to the plot, and so the only way to keep them around is to "fix" them.
Of course, there's also the fact that some authors and writers will also play up how bad being disabled is in order to show why a cure is justified, playing into the "sad disabled person" trope in the process, which is pretty much what it says on the tin. Don't get me wrong, this isn't to say that being disabled is all easy-breezy, there are never any hard days and you should never show your character struggling, not at all, the "sad disabled person" trope has it's place (even if I personally am not a fan on it), but when both the "sad disabled person" trope and the miracle cure trope are used together, it's not a great look.
This is especially bad when the very thing that cures the disability, or perhaps the quest the heroes need to go on to get it, is shown to be harmful to others or the disabled person themselves. Portraying living with a disability as something so bad that it justifies hurting others, putting others at risk, loosing yourself or killing yourself in order to achieve this cure perpetuates the already harmful idea that disability is a fate worse than death, and anything is justified to avoid it.
I've also noticed the reasons the authors and writers give for wanting to cure their characters are very frequently based on stereotypes, a lack of research in to the actual limits of a person's disability and a lack of understanding. One story I recall reading years ago made sure to tell you how miserable it's main character, a former cyclist, was because he'd been in a car accident where he'd lost his arm, and now couldn't ride bikes anymore, seemingly unaware of the fact arm amputees can, in fact, ride bikes. There are several whole sports centred around it, and even entire companies dedicated to making prosthetic hands specifically for riding bikes. but no, the only way for this to resolve and for him to be happy was to give him his arm back as a magical Christmas miracle! It would be one thing if the story had acknowledged that he'd tried cycling again but just had difficulties with it, or something was stopping him from being able to do it like not being able to wear the required prosthetic or something, but it really did seem as though the author was entirely unaware it was even possible, which is an issue when it's the whole point of your story existing. This happens a lot more often than you'd think, and it's very clear when an author hasn't even bothered to google search if their character would be able to do something before deciding the only solution is to take the disability away.
There's also the frustration that comes from being part of an underrepresented minority, finally seeing a character like you on screen or in a book, only for that representation to be taken away. Disabled people make up roughly 16% of the population (though many estimate these numbers are actually much higher), but only about 2.8% of American TV shows and 4.1% of Australian TV shows feature explicitly disabled characters. In 2019, around 2.3% of films featured disabled characters in a speaking roll, and while it's slowly getting better as time goes on, progress on that front is very slow, which is why its so frustrating when we do see characters like ourselves and so much of their stories focus on wishing to be, trying to become or actually being "cured".
An finally, there's the fact this is just a really common trope. Even if we ignore the issues it can cause with your story's tone and stakes, the harm it can do to the community when not handled with care, the negative perceptions it can perpetuate and everything else. It's just a plain-old overdone trope. It shows up so often that I, and a lot of disabled people, are just getting tired of seeing it. Despite everything I've said, there are valid reasons for people to not want to be disabled, and just like how I made sure to emphasise that not everyone wants a cure, it's important to recognise that not everyone would refuse it either. So long as it's not done in a way that implies it's universal, in theory, depicting someone who would want and accept a cure is totally fine. The issue is though that this trope is so common and so overdone that it's starting to feel like it's all we ever see, especially in genres like sci-fi and fantasy (and also Christmas movies for some reason).
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[ID: A Gif of a white man in a top hat nodding his head with the caption "Merry Christmas" down the bottom. /end ID]
Personally, because it's so common, I find even the few examples of the trope used well frustrating, and I honestly feel that it's at the point where it should be avoided entirely where possible.
Ok but Cy, you mentioned there are ways to use this trope well, what are they?
So, like I said, I'm of the opinion that this trope is better off not being in your work at all, but if, for whatever reason, you can't avoid it, or it's use is really that important to the story you want to tell, there are less harmful ways to implement it.
Don't have your only disabled character take the cure
If you really must cure your disabled character's disability, don't make them the only disabled person in the story. Show us another character who, when offered the same cure, chooses not to take it. This at least helps push back a little against the assumption of "of course everyone would want this" that these kinds of stories often imply and doesn't contribute (as much) to disability erasure in the media.
Don't make it a total cure
In real life, there are cures for some disabilities, but they rarely leave no trace. For example, an amputee's limb can sometimes be reattached if it was severed and they received medical treatment fast enough, but it usually results in at least a little nerve damage and difficulties with muscle strength, blood flow or co-ordination in that limb. Often times, these "cures" will fix one issue, but create another. You might not be an amputee anymore, but you're still disabled, just in a different way. You can reflect this in your fictional cures to avoid it feeling like you just wanted to avoid doing the work to write good disabled representation.
Do something interesting with it
I got a comment on my old tumblr or possibly Tik Tok account ages ago talking about their planned use for the miracle cure trope, where their character accepts the cure at the cost of the things that made her life enjoyable post-disability. Prior to accepting the cure, she had found other ways to be independent to some extent and her community and friends helped her bridge the gaps, but they were all taken from her when she was "cured" forcing her into isolation. Kind of like a "be careful what you wish for" sort of thing. The story was meant to be a critique on how society ignores alternative ways of getting the same result and how conforming to other people's ideas of "normal" isn't always what you need to bring you happiness. This was a genuinely interesting way to use the trope I think, and it's a perfect example of taking this trope and twisting it to make an interesting point. If you must use a trope like this, at least use it to say something other than "disability makes me sad so I don't want to think about it too much". Alternatively, on a less serious note, I'm also not entirely opposed to the miracle cure being used for comedy if it fits the tone. The Orville has some issues with it's use of the Miracle Cure trope, but I'd be lying if I said Isaac amputating Gordan's leg as a prank, knowing it could be reversed in a few hours did get a chuckle out of me.
If your villain's motivation is finding a cure for themselves, don't use it as justification for hurting people
Disabled villains need a post all their own honestly, but when a villain's motivation for doing all the terrible things they do is so they don't have to be disabled anymore, it's especially frustrating. Doubly so if the writer's are implying that they're justified in their actions, or at least that their actions are understandable because "who would want to live like that?" Honestly, as a general rule of thumb, avoid making your villains disabled if you aren't disabled yourself (especially if they're your only disabled character), but if they are disabled, don't use the disability as a justification for them hurting people while finding a cure.
So are there any examples currently out there to look at where the trope is used, if not well, at least tolerably?
Yeah, I'd say so, but they're few and far between. Two examples come to mind for me though.
The Dragon Prince:
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[ID: A Gif of Ava the Wolf from the Dragon Prince, a light brown, fluffy wolf who is missing her front right leg. /End ID]
The Dragon Prince on Netflix uses the miracle cure twice, but I still really enjoyed the show (at least I did, up until my Netflix subscription ran out, so I've only seen up to season 4). The first time the trope is used in the series, it's actually a fake-out. Two of the main characters, while looking for someone to help them heal the dragon egg they're carrying, encounter a young girl named Ellis and her pet wolf Ava. The two explain their egg is not looking good and they need to find someone to help it, but no one they've found had the knowledge or ability to do anything to help. Ellis says she knows a healer who can help them, and tells them that this healer even restored Ava's amputated leg when she was a pup. When we actually reach this "miracle healer" however, she is revealed to be simply an illusionist. She explains that Ava is still missing her leg, she simply made it look as though she had restored it because Ellis's parents were planning to throw the puppy out, believing it would not survive with its disability and would only be a drain on supplies. This was not actually true and Ava adapted to her amputation very well, she simply needed more time, and hiding her disability and making her appear abled gave her the time she needed to fully recover and adjust. When they return to the healer with the main characters, she removes the illusion and explains why she did it, emphasising that the real problem was never with Ava, but with how people made assumptions about her.
While I do feel it was drawn out a bit too long, I do appreciate the use of the trope as the set up to an overall positive twist. Disability does come with down-sides, it's part of the deal and it would have been nice to see a bit more of that, but for disabilities like amputation in particular, the worst of our problems often come from a lack of adequate support and people's pre-conceived ideas about us, and it was nice to see this reflected, even if it is a little overly simplified.
The second time this trope comes up in the series is when one of the antagonists, Soren, is injured during a fight with a dragon, becoming paralysed from the neck down. His sister, Claudia is absolutely beside herself, believing it was her fault this even happened in the first place, but Soren actually takes his new disability very, very well, explaining that he understands there are things he can't do now, but that there's a lot of things he can still try, that his previous job as a soldier just didn't allow time for. It's possible this reaction was him being in denial but it came across to me as genuine acceptance. He is adamant that he doesn't want a cure right from the beginning because he knows that a cure would come at a cost that he doesn't want his sister to pay, and that he is content and happy with this new direction his life will be going in. Claudia, however, is not content. It had been shown that she was already using dark magic, but this event is what starts her down the path of using it in earnest, disregarding the harm it will cause to those around her. She ignores Soren's wishes, kills several animals in order to fuel the healing spell that will "fix" him, and Soren is pretty clearly shown to be horrified by her actions. What I like about this use of the miracle cure trope is that it touches on something I've seen happen a lot to disabled people in real-life, but that rarely shows up in media - the fact that just because we accept ourselves, our disabilities and our new limits, doesn't mean our friends and family will, unfortunately. In my own life, my mum and dad were always accepting of my disability when I was younger, but as I got older and my support needs changed, my body took longer to heal and I stopped being able to do a lot of things I could when I was little, they had a very hard time coming to terms with it and accepting it. I'm not alone in this either, a lot of disabled people end up cutting contact with friends and family members who refuse to accept the reality of our situations and insist "if we just try harder maybe we won't be so disabled" or "Maybe you will get better if you just do [xyz]". Unfortunately however, some disable people's wishes are ignored completely, like Soren's were. You see this a lot in autistic children who's parents are so desperate to find a cure that they hurt their kids through toxic and dangerous "treatments" or by putting them through abusive therapies that do more harm than good. Claudia has good intentions, but her complete disregard for Soren's decision still harm them both in the long run, leading to the deterioration of their relationship and causing her to spiral down a very dark path.
Full Metal Alchemist: Brotherhood
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[ID: A Gif of Ed from full metal alchemist, a white boy with blond hair, staring angrily at a jar of milk on the table. His brother Al, a sentiant suit of armour, is in the background looking directly at the camera. The caption, spoken by Ed, says "So we meet again you little bastard" /end ID.]
The show does begin with Ed and Al looking for a way to cure their disabilities (which they gave themselves when trying to resurrect their mother as children went horribly wrong). However, when the boys discover that the object needed to do that - a philosopher's stone, can only by made through absolutely abhorrent and despicable means, and using one, likewise, comes at the cost of potentially hundreds or thousands of people's souls, they immediately stop, and shift their focus on finding the stones that had already been made so it can't fall into the wrong hands, and preventing the creation of new ones. The core theme of the show is that everything has a cost, and sometimes the cost is simply too great.
However, right at the end of the show, several characters are healed in a variety of ways. Ed gives up his ability to do alchemy to get his brother's body back, as well as his arm so he can save his friends in the final battle, but neither of the boys come away from this completely "healed". Al's body has not been used since he was a child, and so it is shown he has experienced severe muscular atrophy that will take a long time and a lot of work to recover from, acknowledging that he has a pretty tough road ahead of him. When we see him in the epilogue, he is still on crutches despite this being several months after getting his body back. Likewise Ed is not fully healed, and is still missing one of his legs even if he got his arm back.
The more... interesting use of the trope, however, is in the form of Colonel Mustang who was blinded in the final season. Mustang is shown to take to his blindness pretty well given the circumstances, finding a variety of ways to continue doing his job and reaching his goals. When other characters offer to let him use the philosopher's stone to heal himself however, he takes it, acknowledging that this is a horrible thing to do and that Ed and Al would be extremely disappointed in him if they ever found out. He uses it both to cure his own disability, and to cure another character who was injured earlier in the show. While I'll admit, I did not like this ending, I can at least appreciate that the show made sure to emphasis that a) Mustang was doing fine without the cure, and b) that this was not morally justified. The show spent a very long time drilling into the viewer how morally reprehensible using the stone was, and it didn't try to make an exception for Mustang - you weren't supposed to like that he did that.
When I talk about these tropes, I do try to give them a fair chance and discuss the ways it can potentially work, but I really do want to reiterate that this particular trope really is best avoided. There are ways to make it work, but they will still leave a bad taste in many of your viewer's or reader's mouths and you have to be exceptionally careful with your wording and framing, not just in the scenes where this trope is used, but in the lead up. If you really must use it, I highly recommend getting a few disability sensitivity readers and/or consultants (yes, even if you are disabled yourself) to help you avoid some of the often overlooked pitfalls.
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thepeculiarauthor · 10 months ago
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we got another two years prob till link click season 3 so i'm gon talk about everything i love about this series thanks
human trafficking rep. holy shit. a more realistic approach to the mental trauma involved for all parties.
the VAs slapped, regardless of what sub/dub you pick, they all slayed
suicide awareness. so many shows shy away from this when trauma/etc are very real and suicide is often faced as an option. link click takes this and goes "hell no. live. FUXKING LIVE NO MATTER WHAT" and it's 11/10. you're loved. please. stay.
the bonds. not a lot of fiction anymore just shows GENUINE relationships. it's either abusive shit or fluffy shit -- neither are 'good' or realistic. but link click comes along and has functioning adult relationships that Still have issues and problems and arguments and disagreements bUT love is still present in those relationships bc they're healthy
it's also a reminder that genuine love / relationships aren't based on what you can give, etc. (as adults i think we forget this often and we feel we have to deserve a relationship; link click says f this)
a big theme of the story is making mistakes!!!!! so many fictional stories either 1) take the 'aw i messed up again:(' approach or 'my mc can do NOTHING incorrect or wrong ever' and they suck, lol. link click is a great balance of yes, we messed up, but we move forward.
link click also is a solid example of "yeah, sometimes life is shit! you try your best! it doesn't always matter!!!" but not in a "so d/e" way but in a "even so, still try, still love, because knowing you can't control shouldn't instill fear but bravery"
LING IS A POSITIVE FEMALE CHARACTER THAT DOESNT CONSTANTLY HAVE TO SHIT ON MEN TO BE IN THE STORY --
death and grief handled in a realistic way tbh
the occasional laugh and smile and just the humor is pure
the tension and intrigue is the best written and portrayed i've seen and i'll die on this hill sorry
the concept of time travel is popular, but i haven't found anything to tackle the emotional / MORAL consequences like link click has. "SHOULD you change the past? IS IT OK to change the past?" we've all seen "oh no we changed the past we must fix it!!!" but I've never seen "the past, the present, and the future are heartbreaking and gut-wrenching and stunning and precious and beautiful as they are" but HUMAN NATURE remains and our desires continue to be to remove the heartbreak and pain. is that morally wrong or not?
ANYWAY this will prob be part 1 of more but please lmk what you think lol
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struggling-jpg · 2 months ago
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Thoughts About the Potential Underlying Hidden Tragedy of Yanqing and Jing Yuan
that isn't just the "Yanqing will have to kill Jing Yuan eventually" red flags.
A relatively longer-ish post so thank you for bearing with me if you choose to do so!
I'd already been thinking about this whole mess of thoughts for a long while now, and so have other people, but the urge to write this came from a comment I saw on a post that mentioned how Yanqing had lost to "Jing Yuan's ghosts" and overall how it contributes to the dynamic of them being mentor/mentee + father/son. While the narrative seems to be leading to "Yanqing having to strike down a Mara-stricken Jing Yuan," there's just enough weird points that stick out to the point some alternative outcomes for Yanqing and Jing Yuan's fates to play out.
And while I anticipate HSR to follow that most expected point, I feel like there's enough there that could lead to a subversion or something more likely than that, an additional twist to the knife alongside the expected point.
Jing Yuan's Flaws as a Mentor and Father-Figure:
While most of us love the family fluff, I'm pretty sure we can all acknowledge the issues in Jing Yuan's approach and decisions in regards to Yanqing. Yeah, this is a fictional space game story where it's likely they aren't going to delve into the consequences of having someone as young as Yanqing be a soldier, there seems to be something there regardless. Like the brushes with death that he has and how we see him have to worry about the Xianzhou's security as a teen due to having a higher position in a military force. This is all set up for more of a coming-of-age type narrative for him, which HSR has done amazingly so far, but there are a lot of chances for this to explore something darker.
Among official media, the one time I could even remember the term "father" being used in relation to Jing Yuan is in Yanqing's official Character Introduction graphic:
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Another notable thing that we see here is how we do have moments where Yanqing expresses thoughts and questions about his own origins and birth parents. The fact that even here, he wonders if the general is hiding something from him, sets off some alarm bells in my head. But he then brushes that off because he's always been with the General and Jing Yuan accepts him for who he is (which under the theory that Yanqing originates/is connected to the Abundace adds a whole heavy layer (this will be discussed in a later section)).
Yanqing does something similar in his texts:
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As Huaiyan says to Jing Yuan:
"Yanqing can understand your concerns."
Alongside Yanqing generally being a considerate and polite boy, it can possibly be said that his eagerness to share Jing Yuan's burdens not only stems from his own gratitude towards him but possibly also Jing Yuan's distance.
As in, Jing Yuan doesn't really express his feelings so blatantly, and what we can clearly tell from when Yanqing first met "Jing Yuan's ghosts," neither does he speak much about his past too on a personal level. In Jingliu's quest, Yanqing says that Jing Yuan simply told him to forget everything he saw that day.
For Jing Yuan, the loss of the quintet is a grief that feels fresh in his heart, especially with echoes of them running around him. This is in the description for "Animated Short: A Flash":
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(Will also talk about this in a different section)
While Yanqing learns about his General's past in a more direct manner (aka the people involved), it's sad how avoidant Jing Yuan is at times. While he's never been a upfront person, especially in the case of solving problems, I wonder if HSR would go as far as to show the negative side of that in terms of raising and teaching Yanqing.
History Repeats Itself (Sometimes It Don't Need A Reason):
+ the Jingliu parallels
Following up on that last image, Jing Yuan, especially in A Flash, has that whole "history repeating itself" thing going on for Jing Yuan. It points to Yanqing having to take down Jing Yuan but it also comes with a lot of its own possibilities and meanings.
It's blatant that Yanqing parallels Jingliu to an unsettling degree. Anyone who personally knows Jingliu and meets Yanqing sees her in him. Jingliu probably sees herself in him as well. Beyond powers and passion for the sword, her Myriad Celestia trailer shows that her principles before getting struck with Mara were the same as his. But it took her losing her dear friends in such a cruel and brutal manner (alongside how long she'd been alive) for all of that to fall out and form the version of her we see today.
And while it seems that Yanqing is deviating from Jingliu's due to the teachings he's learning, especially with Jing Yuan's effort, I feel like there's still a chance for things to go so wrong and mess with that. Yukong's line about him strikes me as concerning:
"A sword will vibrate and beg to be unsheathed if it is unused for too long... Once unsheathed, it will either paint the battlefield in blood, or break itself in the process..."
Even though I don't think HSR will go down a route of tragedy with Yanqing, like say, he gets Mara struck somehow or killed because that's not how Hoyo's writing has fully gone for playable characters (Misha and Gallagher aside in terms of death). Even in the most despairing parts for Hoyo's games, they're usually outlined and tinged with hope in one way or another. It's just that with what's been presented, there's got to be more here than meets the eye.
Yanqing's Origins - The Breaking Point:
From what we've been given, I think the number one thing that would have the potential of shaking Yanqing's entire sense of his life and the reality he lives in is learning where he comes from. Where he actually comes from has been a strange mystery since the beginning, how Jing Yuan getting him being recorded in the military annals of all places.
As shown from the screenshots of Yanqing's texts, he doesn't know and tries to brush it off because he's happy with Jing Yuan now. The choice to have this aspect here leaves a lot to ruminate on. What is Jing Yuan hiding? And if he really is witholding information, does he ever intend to tell Yanqing? If he doesn't and Yanqing finds out, how will it play out? And even if he does mean to tell him, depending on the severity, how will Yanqing take it?
It's why the theory that Yanqing is connected to the Abundance, possibly even coming from it directly, is as harrowing as it is.
With his arc in mind, will his development be enough to sustain him when he does find out the truth? If he finds out sooner than he should, will he be able to rise above it? And what of Jing Yuan? If confronted with a situation that's outside of his control again, what will he do and how will he react?
The potential in that scenario is so fascinating to me, because we can all anticipate the absolute gut punch that Yanqing killing his master would be. It fits Hoyo's writing style of something so sad but having a hopeful end for the future type beat. But the idea of that being twisted, that expectation being flipped on its head, could be so agonizing. It's not a narrative we see too often explored, at least in my experience, so maybe that's why I'm brainrotting over it so much lol.
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comicaurora · 1 year ago
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From a writing standpoint, do you think it's *possible* for a character to have a seemingly "story-breaking" power and still be well-written and interesting and fit into the plot without, well, story-breaking?
Sure. Story-breaking powers are entirely relative to the story they're in, because by their nature they can only break certain kinds of stories, and beyond that, the power is conditional to the character and personality of the person using it, who may be entirely unwilling to use it in certain ways.
An example: teleportation is one of the most notorious story-breaking powers. It breaks any story where the character conflict is influenced by the characters needing to get to a specific location. Writers usually mitigate this effect by limiting it in one of a few ways-
The teleporter can't go anywhere they haven't already been (only breaks the story if they aren't trying to go somewhere new)
The teleporter can only go somewhere they can see (only breaks the story if they need to go somewhere close)
The teleporter has a certain amount of juice that they can burn through by bamfing too many times in a row or with too many passengers (only breaks the story if they only need to make a small number of easy jumps to succeed at their task)
The teleporter can't take anyone with them (only breaks the story if they're navigating alone)
The teleporter maintains momentum when they jump (can be rendered unusable if they're moving dangerously fast)
There's plenty of other ways to do it. This approach limits the feasibility of the power, so while it's still storybreaking, it only breaks the story under specific circumstances that are easy for a writer to avoid. Any power will have a set of problems it can solve effortlessly just by its nature, and thus any story whose primary conflict is one of those problems will find the power story-breaking - but every power also has problems it can't solve, so the writer just needs to present the character with challenges that their story-breaking power has no impact on.
There's also the character personality approach. A power can be as OP as the writer wants and it still won't break the story if the wielder has no interest in using it to do so. There's lots of ways to do this, too.
The super OP character literally doesn't care about the protagonist's struggles and will not participate unless somehow forced
The super OP character is a mentor more interested in the protagonist's personal growth than they are in solving their problems for them, and will only intervene if it's life or death
The super OP character's power is capable of incredible destructive violence, but their compassionate and/or pacifistic leanings cause them to dramatically limit their use of it to avoid hurting people
The super OP character doesn't understand the full nature of their abilities and can't use a lot of them on purpose, and the potential consequences of messing up and unleashing something devastating make them reluctant to experiment
The super OP character's power goes from 0 to 100 with no in-between and cannot be used to solve anything that requires any finesse
The super OP character deals with an antagonist who is super OP in the exact same way
The super OP character is deeply unlikable and the protagonists just really can't stand getting their help
The super OP character doesn't like their powerset (gross side effects, doesn't fit their aesthetic, hurts to use, innately evil or drawn from an evil source, reminds them of bad times, etc) and refuses to use it unless they have to
There's a lot of flexibility here, too. The only power that can truly break any story is "the writer says I win now," and it's the writer's job to avoid using that one at all costs.
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magesforthedas · 13 days ago
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Just have to share this, because I keep seeing critiques of Veilguard that like, try to guilt people who say they love, or even like the game. And HEAVY critiques of the protagonist, Rook, and how they aren't really a hero.
ALSO it contains some SPOILERS so just be warned ☺️ and an edit of additional thoughts now!
Like, yeah I have a couple gripes about the game, but overall it's emotional and amazing and I care about the characters so deeply. I keep seeing how people are saying how Rook and the party were not well written because they caused a lot of death?? This is Dragon Age, everything always goes from bad to worse, but the characters always bring out the light.
Rook was put in a very shitty situation, and I've seen people say they caused the destruction of thousands by trying to prevent the hundreds. But how many people, before the game came out, said Solas's plan to tear down the veil was a bad idea? Not all, I'm sure, but most. I always viewed it, and I know I wasn't alone, as that by trying to "fix" things Solas was just justifying his selfish wants, when he knew somewhere in his heart that the people of today, including the elves that he was "doing this for", would rather live alongside their friends & family in a world without their old magic, than live in a world with it alone.
That being said, even with differing views in and out of the game, it's very reasonable that a group of people would try to stop him, not know the consequences. And the beautiful thing about Rook, why Varric chose THEM, is that they saw what they had created, and didn't give up, didn't leave it to someone else to fix. Whether or not it was really their fault they stepped up and tried to save the world the best they could, from the mistake they unwittingly made (which I would argue against the fact that they made a "mistake", looking at that they were hired to do a job & by successfully completing that job there were unintended consequences).
Parallels anyone? Dragon Age loves those. But the difference, again illustrated in the game, is that while Solas couldn't move past the regret of his mistakes, Rook could. And on the topic of the deaths of those around them, not everyone that died in the past was Solas's fault, but some he did directly lead to their deaths. And he accepted that, did it over & over. Rook never led anyone to their death. Rook walked willingly into it themselves, and the love and trust their companions felt led them to choose to die for Rook, and the world instead.
And people who say the destruction of the south means the earlier games were for nothing? How so? 20 years ago, 10 years ago, things were happening, people were dying that needed saving. The heroes of that age saved the world so it would still be around to save now. And who knows what the south really looks like, or what it might look like as and after rebuilding? We will, in another 10 years once BioWare comes out with more content I suppose, and I wouldn't be surprised if everyone we knew is dead, but I also wouldn't be surprised if many, many of them lived.
Because that is Dragon Age. Death, betrayal, sacrifice, cruelty, pain. It's a dark, dark world. But there is always a ray of light, of hope. And characters who will do their utmost to protect that .
EDIT: Adding!! To this!! And more spoilers!!!
We know because of the Wetlands that it's possible to cause the Blight to pull back. In the end scene, as people are being broken out of the Blight Roots, it seems to me like it's died, at least to some degree. In my playthrough, Neve was cured of her blight sickness. There's obviously some immediate changes, and that all means that the South could have had an immediate reprieve. Plus, once more surviving wardens from Weisshaupt are free to travel south, and all the factions up north get things relatively in order, the South could get a lot of assistance.
The South was overrun... By hordes, by growths? That's the land, what about the people? Could the combined might of the Inquisitor, the Chantry, The Free Marches, Fereldan's ruler, have evacuated enough people that the death toll might be high, but not totally catastrophic? Enough people have survived to rebuild, maybe with a better, more unified attitude towards one another?
(The last bit may be wishful thinking 🥲)
But still!! We have no idea what exactly happened down there. And no matter what, Rook did the best they could, they WERE a hero, and made a difference not only for the North, but everywhere affected.
And yes, I might complain about this or that, mainly that we don't get to put more past game decisions in.... But I love this game and that won't change.
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my-insanity-is-an-artform · 7 months ago
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Woe, Crack Baby Shitten au be upon thee.
(@bamsara 's little doodle of Nari being dubbed Cult Babysitter and holding a little lamb irrevocably changed my brain chemistry. So of course, I'm now making it everyone else's problem with the headcanon that Narinder is good with children of all ages.)
A couple of months before Lamb gets captured, they meet another lamb or a very small flock that have to split up very quickly after meeting since there's more chance of the lamb species surviving if they aren't all together. In the meeting, Lamb agrees to try continue the lamb species and gets pregnant via *magic* or afab.
Of course, all of the lambs are captured and killed with Lamb being the last, still a few months away from giving birth.
But then they are chosen and resurrected by The One Who Waits.
Fun fact: a fetus can survive for a few minutes after the death of the carrier. (Also this is a world with magic and gods in it. Logic means nothing to me.)
Lamb starts their cult, crusades across the lands and meets all sorts of allies and enemies. All while quietly mourning their entire species and the child that never would be.
Right up until they go into labour.
The baby is lamb through and through with soft wool, wide eyes, tiny cloven hooves and floppy ears.
But the influence of the crown is blazingly obvious since the baby's wool is jet black and they have three red eyes.
I can't tell which would be funnier. Lamb giving birth in The Lonely Shack or while they are physically in The Gateway just post-beating Leshy. Like they were in active labour right throughout fighting Leshy and had no idea. Either way, it's Shocked Pikachu .jpeg all around. (My fucking KINGDOM for a doodle of this.)
Various dot point shenanigans under the cut
There are two ways to go about this. But either way, Baby is not staying in the Cult. Too dangerous, especially if word gets to the Bishops about there being another lamb. So Lamb can and will speed-run this shit. So it takes them about 4-6 years to fully defeat the Bishops.
Baby stays with Ratau:
Lamb goes and yells at TOWW. They are panicking because they have no idea how to raise a probably-half-god baby.
Narinder has no idea what happened right up until Lamb comes in screaming about him being a Baby Daddy and child support.
Ratau is Grandpa now. This is his fate. He embraces the Grandpa life.
Baby learns how to play knucklebones before they can speak.
Shrumy tries to wager with Lamb/Ratau for the whole Baby. Once and only Once.
Baby's first word is dice. Or die.
Baby worships TOWW, but they are a Baby and don't really comprehend worship so the small shrine gets a lot of flowers, neat rocks and some drawings. Narinder always gives a lot of gold for them. And No, it's not favouritism. Shut up.
Baby knows curses. This is concerning for everyone except Baby.
Baby gets a little TOWW doll. It's their favourite, it goes everywhere with them and washing it is a nightmare for everyone involved.
Baby is jokingly referred to as TOWW's most Devoted Follower because of the doll.
↑ this action will have consequences.
When Baby is not so baby, they make stuff out of their wool for TOWW and for his disciples. Or asks their parent to help them make stuff.
Cue Lamb awkwardly giving the three some very wonky scarves or hats.
Baal loves it.
Aym refuses to take his off. Ever.
Narinder is actually upset cause his doesn't fit. He's too big. He had to wear it like a little ring.
Or Baby stays/is brought to the Gateway ala Aym and Baal situation:
If Lamb gives birth in the Gateway, everyone is getting a free midwifery education and free trauma. The cats want a refund.
Ya know when a baby instinctively clasps their little hand around a finger and it's like a crime to pull away? That but with Narinder's big ass claw that Baby can only barely cling to.
Aym cries the first time he holds Baby.
Baal straight-up refuses to give Baby back for a good hour.
Lamb visits at least once a day.
Lamb also brings baby things since a baby will do what a baby will do.
Depending on how old Aym and Baal were when they were gifted, Narinder is either learning all of this for the first time or is reminded of how challenging baby care can be.
Narinder purrs = a zonked Baby.
Baby's first word is Vessel.
Baby is taught to fight. Lamb doesn't like it but accepts it.
Baby has a little lamb doll. It is only due to the fact the afterlife doesn't have dirt that they avoid the nightmare of trying to wash it.
Baby is jokingly referred to as TOWW's most Devoted Follower since they refuse to be parted with him for long.
↑ this action will have consequences.
Lamb teaches Baby about being a lamb and if Aym and Baal join in, well who are they to deny their child's only friends/guardians this?
Narinder and Lamb figure out how to get Baby to teleport to the Living World and Baby gets to visit Grandpa Ratau.
Post-game shenanigans.
Narinder: Give me back my crown. Lamb: Ok. Sure. Narinder: I will now sacrifice my most devoted follower (the Lamb) for my freedom. Lamb: *Kill Bill sirens*
Lamb somehow doesn't kill Aym and Baal and instead kidnaps them via Indoctrination Circle out of spite/ reluctance to hurt them.
Narinder feels betrayed that the Lamb would refuse like this and kidnap his acolytes. He was going to resurrect them! He can't fully commit to raising a child while being the God of Death.
Lamb feels betrayed that Narinder would want to kill their child. After all they've been through together! After the way they saw him treat Baby with such gentleness and now he wants to kill them?!
This comes out in the very final moments right before Lamb goes to give the final blow.
Narinder: You are a vengeful false idol and a traitor! Lamb: At least I'm not a monster who wanted to kill my own child! Narinder: Wait. What.
This devolves into a massive argument with divorced-couple vibes.
Narinder is insulted and a bit hurt they thought he would kill his own child.
Lamb is hurt that Narinder would just demand their sacrifice without even talking to them about the whole situation.
Either way the lesson learned is Narinder needs to be more blunt and Lamb needs to not jump to conclusions.
So they are left with a newly usurped Narinder and a newly crowned Lamb. Oops.
Baby is with Ratau when all of this is going down.
Baby is happy their family is all together properly. Baby is Not Happy about this whole cult thing demanding attention from Their Baba.
The Cult is baffled by the sight of their leader with both a baby and a Spouse? Bitterly Divorced Ex? Estranged Co-parent?! What ever it is, most of them have elected not to touch the whole situation with a 10ft barge pole.
Baby learns what the word Father is and how that word refers to Narinder.
Baby calls Narinder Father/Papa/Daddy. Instant KO.
Narinder somehow gains a small hoard of children that like to follow him. Baby Does Not Approve.
Baby also Does Not Approve of this newly formed rift between their parents.
Cue Parent Trap level of Shenanigans.
Aym and Baal are recruited.
The Hoard of Children are recruited. Baby now Slightly Approves.
Narinder and Lamb have an Actual Conversation after the 18th time they get locked in the confessional together.
This of course evolves into Narilamb.
Bishops are saved from purgatory.
Despite all attempts otherwise, Baby is introduced to them.
Shocked Pikachu .jpeg x4
Maybe after a few more years, not-so-baby Baby wants a sibling.
This got so much longer than I thought but yes. Shitten Shenanigans: Accidental Child Acquisition flavoured.
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thesupernaturalhouse · 2 months ago
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So I cant.....I can't anymore, Stolas fucking sucks
Season 2 as a whole sucks and gets rid of a lot of character depth that characters had in s1. But this post isn't about that-
I was recording clips for an edit, and you know in ep9 s2 when Stolas tells Blitz about "you couldn't be bothered to come save me"
Yeah.....Blitz TOLD him why he was unable to go and save him. He was even genuinely concerned and sent milly and moxxie in his place
You wanna know what Blitz said??
"Ah shit Stolas I can't today- I'm sorry I am literally on my way to take loona in for her very important hellvis S-H-O-T" and "it takes years to book it, it took 5 for me to get this one"
Aka, a rabies shot, which, racist will immediately kill you. You DON'T survive that once you get it and symptoms start showing up, it's a death sentence, and considering Loona is basically a sentient/anthropomorphic dog, if she catches it her survival rate is probably 0 percent
And you know what? Stolas gets it, and then in ep9, "the one who tried to kill em and you couldn't be BOTHERED to come help me"
Bitch he told you?? He sent people in his place?? He was getting his kid a really important shot?? Yiu selfish motherfu-
I hate this bird
I hate this fucking bird so much more now
This is just the finale straw for me that breaks the camels back tbh like......
Apology tour is just, Stolas and the narritive/writing basically gaslighting Blitz and its gross
I liked Stolitz and Stolas in s1, it wasnt a healthy relationship. The circumstances for both characters weren't super good, but it understood that and actually showed those flaws, It set up these characters future arcs
Season 2 is, frankly, a shit show. It has its moments, but ep1 ruined Stolas and Stolitz for me, and it just keeps on getting worse and it isn't even in a way of "Oh its rough, but they can bounce back
This is gaslighting. This is hypocrisy. This is guilt tripping. This is abuse.
Instead of building off of season 1 it is retconning it, it is destroying the continuity and timeline, it's making these characters so much worse then what they were
Instead of having Stolas face actual consequences for his actions the narritive is backtracking and going "Oh actually its not his fault" over and over again
Oh he cheated in the marriage? No worries Stella is a bitch so it's okay
Oh, he's neglecting his daughter despite them already having this arc? Oh, it's fine she just needs to cut him some slack
Oh he constantly belittled Blitz and made him uncomfortable in season 1? Actually it was all of Blitzs fault for misreading the signs of love!
He is constantly shown looking down and abusing other imps like his butler? Oh its fine, they aren't the main characters so what he does to them isn't important!!
Another thing is that Blitz tells Stolas how he feels. He points out his shitty actions. And what does Stolas do? He fucking cries like Blitz is being a big ol means for no reason
This trial is just going to further victimize him and make him seem in the right. The fact the sins might even be brought into it is also so fucking stupid.
The writing went from a 8 to a 1 with the characters. And it's only a 1 here because there are some good ideas in s2.
Their basically trying to cover up, retcon, Stolas's actions instead of having him deal with consequences and go through real development
Honestly the best ending for Stolitz would be Blitz realizing Stolas is toxic as fuck to him and just, not contacting him again. Stolas could get some real consequences in that trial and move on and become better in his own right
Butttt of course since Viv likes them so much it's gonna be dragged on for fucking seasons and then their gonna get together.
If I were to rewrite the season, I wouldn't even try to rewrite Stolitz.
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treacheryinblue · 5 months ago
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Chapter 3/4
Noah Sebastian x F!Reader Series
Word Count: 8.9k
Masterlist
× Summary: Noah is Death, the ruler of the after life (or whatever you want to call it), though he is cursed to watch you come and go from his never ending existence time and time again.
× Warnings!: Eh-level smut (P in V obviously), language, little bit of violence, tiny fluff if you squint, very slight dom!noah, smut with plot aka this became more in depth than I meant for it to aka a one shot that's now a series. Non-proofread smut. Let me know if I missed anything!
× Author's Notes: ( 1 ) It's a bit of a long one, folks! Consider it a thank you for being so patient while I've worked through my writer's block. ( 2 ) Don't look too deep into the lore I've created because there's probably a lot that doesn't make sense. But if you are curious, then feel free to ask me any questions! ( 3 ) I'm but a writer that thrives off positive feedback (or even constructive criticism), so don't be shy when it comes to interacting with the post, or even me.
Happy reading! xoxo
“That soul is not meant for this land, my lord.”
Silence was given as a response. 
“She is not destined to be here, and you know what will hap-”
“Yes, I am well aware of the consequences to my actions.” Noah heavily exhaled, though he appeared uninterested in the conversation. 
Sitting atop his throne, black and sleek, one hand gripped the arm rest while the other was bent and lifted to his face. He examined his nails, further showing his boredom. 
“Please forgive me if I'm speaking out of turn, my lord, but…the Light Ones are not happy. It has been nine times now and each plays out just like the last.”
A growl was emitted from him, dark eyes flickering to the creature who stood below. “I do not need you reciting my failures to me, demon.”
Noah couldn't bear to think of how you had been ripped from him countless times now. Pried from his hands. Stolen away. You had spent centuries together, longer than any human could dream of living - if one could call you alive - but he knew an infinite amount of centuries more would never be enough. He needed forever. 
“If the Light Ones think I'm going to give up just because they look down upon my doings, then they are sorely mistaken. Maybe they aren't as all knowing as they like to remind us of every chance they receive.” He spat with disdain. 
The demon clamped their mouth shut in fear that they may further anger the embodiment of darkness sitting before them. This is how they remained for a long moment, neither speaking, but the demon holding many questions on their pointed tongue. 
“‘My lord…” they cautiously began after a moment. “Might I ask…what is it about this girl that you're so drawn to? You encounter humans everyday, thousands of them, but none have made you so…”
“Weak?” Noah finished the demon’s sentence for them, his eyebrows quirked. 
The demon immediately fell to their knees, their jagged forehead pressing to the marble floor as if to already begin begging for forgiveness. 
“No! I would never say as such, my lord!” 
Noah shook his head as his focus returned to his nails, just as the ruby encrusted dagger appeared within his grasp out of thin air. 
“There's no need to grovel,” he exclaimed while turning the dagger, inspecting every inch of the blade. “I have become weak when it comes to her…but I don't have an answer for you as to why.”  
It was still a mystery even to him. 
“Does Death itself not deserve the chance to love and to be loved in return, though?” 
× × ×
“Legend says it's cursed.” 
You snorted a laugh as you looked up at the friendly face across the counter, though his expression was as serious as ever, causing your smile to falter slightly. 
“Cursed?” Might as well indulge him a bit if he was going to get all mega serious on you now. 
Nicholas was your go-to guy when it came to purchasing oddities and strange artifacts. He was good at tracking down the specific items you'd ask for but he also had a knack for snagging things he thought you'd find interesting. 
Your eyes dropped to the dagger as you leaned into the glass countertop. There was a twitch in your fingers to reach out and touch the item, to feel the cool metal against your fingertips, though you knew better. Nick was typically pretty light hearted and you two could share a laugh, but you knew when to stay within your lane when it came to his business. Don't touch it until he offers it to you. 
“From what I could find online, it's ancient, so old that no one can really say for sure how long it's been around. And you know how it goes with old things - always a curse or some shit attached to them.” 
Nodding in agreement to his words, your eyes paused upon the faintly noticeable sigil that remained etched into the dagger’s blade. The sigil is why you wanted the item, what you had asked Nick to search for in particular. 
“It's probably bullshit,” he continued, “but it was something about going to the flames if you're on the end of the blade.”
“The website was in some foreign language and the guy I bought it from barely spoke English so I can't give you an accurate translation yet. Who even knows if it's legit.” 
The bell above the door dinging briefly overtook Nicholas' attention. He held a finger up to you to silently tell you to ‘hold on’, then he stepped around the counter to greet his new patrons. 
“It's legit,” you softly spoke to yourself as you gazed upon the dagger again. There was something drawing you to it; a warmth, a knowing. Your eyes focused in on the cloudy rubies - you knew they'd shine again with a thorough cleaning - and they pulled you closer and closer, your sights now level with the item. Had there been a flicker within the largest stone? Couldn't be. Your eyes were clearly playing tricks on you now. 
As Nick returned, you straightened your posture and smiled. “I'll take it.” 
“What?” Nicholas opened his mouth to speak but then only breathed out, his head tilting slightly to the side. 
“You know I have to charge you as if it's real, right? I mean, I haven't been able to fully inspect it myself or do anymore research, so I feel kinda like an asshole doing th-”
“Nick, it's fine.” You laughed while retrieving your wallet from your bag, fingers digging into the slot that held your credit card. “It's a chance I'm willing to take.” 
“Alright…it's your money.” 
A few minutes later and your new purchase was packaged and ready to go. Nick approached you with an outstretched hand that held the blood red box the dagger was stashed away in, uncertainty in his eyes. You knew he hated not knowing all the ins and outs of his inventory, especially when it came to something with such a hefty price tag. 
“Are you coming tonight?” He asked as you accepted the box which was now being held close to your chest. 
“It's the first show with our new singer but he's been fucking great in rehearsals. Really has an ear for the band.” 
You nodded, again flashing a friendly smile. “I wouldn't miss it for the world.” 
After a bit more chit chat and hammering down the finer details on how the night would go, you said your goodbyes to Nicholas with the obvious promise of seeing him in a few short hours. 
Making your way out of the shop, phone in hand and AirPods nestled in your ears, you only looked up when you were about to cross the street. On the opposite side stood a man, his dark eyes set entirely on you. He was wearing all black with deep brown hair that brushed his cheeks, hands clasped behind his back. Something about him made your stomach do a flip and you felt a pull despite having no idea who this man was. 
Slowly, your feet began to carry you along the crosswalk. He remained in place, though a faint smirk dared to appear over his lips. Your cheeks flushed crimson and you had the urge to glance away like some timid little school girl, but there was something preventing you from looking anywhere but at him. 
“Come.” 
A voice drifted into your mind and then back out as if being carried by the wind. You knew that should've frightened you but you felt nothing. Nothing aside from the biting need to be near this unknown man. 
Then, he was suddenly gone and you were left empty. 
The blaring beep of a horn shook you, your body flinching in surprise from the sudden harsh noise. You looked over to the car that was inches from colliding with you, a hand waving all about behind the windshield and motioning for you to get the fuck out of the way. 
× × ×
 
Arms above your head, you loudly hollered along with the rest of the crowd as the song came to an end. Red lights flashed all around you, the stage illuminating and going fully dark in quick succession. Your hands collided in a fury of claps before lowering to cup around your mouth. 
“Wooooo!” You had never been much of a ‘woo girl’ but alcohol made it loads more enjoyable to do. 
You could feel the vibrations from both the noise you projected and the bass of the band in the hollow of your stomach, reverberating throughout your entire being. There was something sensual about it - being able to not only hear the music but also feel it. 
Nicholas’ band had been pretty decent before so coming to see them and support their gigs was never an issue. But now? They were fucking amazing. The new singer definitely added to whatever they had been lacking previously, even if there wasn't anything specific you could put your finger on. 
Did it help that the new singer happened to catch your eye a few times? Maybe. 
“Hey!” Nicholas yelled out for you after their set. He had found you at the bar towards the back of the club - just where you always were. 
“Hey yourself!” You called back as a fresh drink was set in front of you by the bartender. 
Nick rolled his eyes at you but still chuckled. Sweat beaded on his forehead, pupils blown from the adrenaline rush he had experienced while on stage. You always thought Nick was pretty cute and you both had a lot in common - he had even asked you out once - but things were better kept as friends between the two of you. As well as the occasional artifacts dealer, of course. 
“Didn't get a chance to see you before we went on, so let me introduce you to the newest member.” 
“Noah!” The guy spoke up for himself, his voice loud enough for him to be heard over the commotion of the crowd and also the next band setting up. 
You paused as your gaze met his, eyes squinting ever so slightly while taking in his face from this new close proximity. He looked just like the ethereal man you had seen outside of Nick’s shop earlier, but also…not. That guy had been finely dressed with much shorter hair and a presence about him that demanded attention, this guy in front of you was the epitome of a 'guy in a band'. Long hair, jeans blown out at the knee, worn Vans that told you he dressed for comfort. Their smiles were the same, though. 
Instead of giving your name, you opted for a question.  “Do you have a brother?” 
Noah extended to you a look of confusion though you swore you saw a mischievous gleam in his dark eyes. 
 “Uh, no? Not that I know of.” Despite your weird question, he laughed and stepped a bit closer to you, his elbow leaning into the side of the bar top. 
Nicholas had fallen into conversation with another band mate, leaving just you and Noah to entertain each other. 
You spared him the explanation of why you had asked such a question. The last thing you needed was to seem creepy or more odd than you already did on a day to day basis. Thankfully it didn't seem as if that was going to deter him from cozying up to you at the end of the bar. 
Drink after drink was had with a couple of shots downed in between. You had found out that Noah had recently moved to Los Angeles, worked at a graphic design company, owned a cat, and shared a building with a rather odd Asian woman that liked to bring him homemade meals multiple times a week. 
You also discovered that you liked the way his eyes crinkled when he smiled too wide and how he was always touching his face as if it was a comforting habit of some sort. 
“Nick said you like to collect…unusual things?” 
You cleared your throat and abruptly averted your gaze before he could realize you had been staring. 
“I guess that's one way to put it,” you admitted with a sheepish smile. Not even the alcohol could mask the embarrassment. 
“My dad was an antiques dealer, scam artist, whatever you want to call it.” You paused to take a swallow from your glass but to also let your honesty sink in. 
“So, I kinda just grew up with old objects that told a story. Buying them for myself - as someone who will care for them and their story - sounds better to me than allowing them to be on display in a stuffy museum somewhere.” 
“That's why you bought the dagger?” 
Huh…had you mentioned the dagger to him? Maybe not. Maybe so. Maybe Nick told him about it. Either way, you took in a deep breath, your head swimming from the alcohol. 
“Not exactly…” 
Noah looked at you curiously, silently asking for you to continue. To tell him. But how were you to explain that you awoke one day with this nagging obsession for the sigil stamped on the blade? That you desired to find every single item you possibly could that bore the same marking? It was impossible to divulge because you had no idea why you had become so hell bent on acquiring these things. You didn't even know what the damned sigil meant. 
“Did you want to see it?” 
And like he had been waiting for you to ask, Noah flashed a devilish grin.  
“I'd love to.”
× × ×
Pleasure erupted throughout your entire body as Noah kneeled between your spread legs. His hands held tight to your hips, pulling you down to grind against him with every forward thrusting motion. He groaned above you, teeth gritted and jaw clenched, revealing to you all the work he was putting in. 
And boy did you feel it. 
You had already cum twice - once from his mouth and again from him bending you over the arm of the couch when neither of you could make it to your bedroom fast enough. 
Most of the time even you had to pray the wind was blowing in the right direction so you could cum in a timely manner, yet Noah had managed to get you there in near record time. 
“Fucking hell! Right there!” You cried out as his cock pierced just the right spot within your drenched and aching cunt. Heavy pants escaped from you, each breath becoming louder and more pronounced the harder he drove his hips. 
Noah’s tattooed fingers dug deep enough into your hips that you knew you'd have bruises the next morning. They'd match the bruise you'd have on your ass from when he had you bent over and administered quite a harsh spank. 
He released your hips so he could trail his hands down along your tense thighs, kneading and massaging into the flesh. One hand continued its downwards trek to your clit as the other drifted up, pausing at your neck. Slender fingers secured around your throat and applied enough pressure to cause your heart to race and your breath to hitch, though not enough to cause any worry. 
Why would you ever be worried about hooking up with a stranger and allowing him into the privacy of your home? 
Noah's thumb swirled around your clit, each pass over the nerves causing your thighs to twitch and your hips to buck. He was then leaning over you so he could capture your lips in a hungry kiss, so much so that you swore you heard him growl against your lips. Not that you were fazed by this. 
“Uh uh,” he scolded after parting from your lips to gaze down at you. “Eyes open.” 
To show how serious he was in this demand, his hand further tightened around your throat, short nails digging into the sensitive skin. You gasped for air but it was all too much; the overpowering ecstasy that coursed through your every being as you felt his cock throb inside of you, the rigid veins that stimulated the tight walls of your pussy, his thumb on your clit, his onyx eyes never drifting from yours. 
How were you to survive this night? 
Your body tensed and your lower back arched as you felt the first ripplings of your orgasm. Your third orgasm. Then - everything released. You writhed beneath him, eyes finally closing which was no choice of your own, all while his name and a mixture of other profanities echoed through the room. 
In the midst of your climax, your vision was hazy from the intensity, as well as the lack of oxygen greeting your brain. With every blink Noah’s face shifted; it went from the band frontman you had met that night to the dark stranger across the street earlier in the day, then back again, only to repeat the cycle. There was no way that's what was really happening, so you chalked it up to your overactive imagination and mostly drunken state. 
The mess you made meant nothing to you, nor did the added mess of his cum when he managed to meet his ending in tandem. Noah’s hips lost momentum gradually before stilling completely, though your cunt continued to collapse and clench around him until your body finally settled. 
It wasn’t much later that Noah laid sprawled across your bed, his face pressed to the pillow, breathing steady after drifting off to sleep. Unfortunately, you didn't have the same luxury. There was a darkness creeping into your mind, repeated phrases demanding things of you, things of which you had never considered before. 
“Do it,” the voice whispered in your ear. 
At first you assumed it was Noah by the brush of his hair on your face and the familiar grasp of his fingers around your waist. But when you glanced back, he hadn't moved a muscle. 
“It would be so easy…”
“You want to. I know you want to. I can smell it on you.” 
When your eyes opened, the blood red box from Nick’s shop sat at your side. It was unwrapped, the dagger staring up at you from its temporary home. Taunting. Begging. Screaming to be touched. 
You listened. 
Fingertips traced the metal of the handle, down to the tip of the dagger that remained sheathed. 
“Pick it up.”
The order from the disembodied voice was obeyed, the dagger soon resting in your grasp. Still, no one was in the room with you other than Noah’s sleeping form, so how did you feel a breath on your neck? 
Rubies embedded in the dagger shone before your eyes now that it was held up for you to admire. So beautiful. Just what you had been searching for all this time. 
“Do it.”
You knew what the voice was asking of you. You knew it would end in your demise. Yet, you felt no fear. If anything, you were…excited. Possibly even anxious for what was to come. 
“Do it!” The voice loudly rang out, deep and commanding in your mind. 
Both hands now gripped the handle of the dagger after you pulled it from its sheath.  Arms stretched out before you, the blade was perfectly angled just where you somehow knew it needed to end up. 
Right in your heart. 
“Do it! Now!”
With quick motion that held all of your strength, you impaled the dagger into your own chest. You could hear it break through the bone that protected your heart - your body no match to the power that lied within the weapon. 
“...going to the flames if you're on the end of the blade.” Nick's voice now penetrated your mind, a memory from hours ago. His words being that of the loosely translated curse that the dagger held. 
As soon as the blade punctured your chest, you felt a sense of clarity. You knew what the curse now was: die by way of the blade, go straight to Hell. 
Eyes wide, you looked down to the dagger protruding from you. Blood spilled from the wound, coating your naked body, staining your sheets. You tried to call out for Noah despite knowing he wouldn't be able to do anything to help you. 
Gathering what remained of your strength, which was next to none, you again glanced back to where you expected to see him sleeping. Instead, he was standing at the side of the bed, hands clasped behind his back, wearing the same smirk you had seen from the other Noah outside of Nicholas’ shop. 
In a blink you were then being cradled in his tattooed arms. His fingertips brushed your hair back from your face in the most loving of gestures, lips moving though you couldn't make out a thing he was saying. You couldn't hear anything. Couldn't feel anything. All you could do was allow yourself to be encased by the cold hands of death as it dragged you deeper and deeper down to the dismal abyss. 
“I'll see you on the other side, my love.”
× × ×
The forever night of the land taunted you as you gazed out the large window. Stars freckled the sky, twinkling and swirling cosmos in some spots, remaining still in most just as the night sky did back home. 
Home. 
Everyday that passed you forgot more and more what it looked like. 
You had remembered your death, all of your deaths, within minutes this time. Noah was beyond pleased, confessing that he always wondered if dying by your own hand was the trick though he had been nervous to see. Nervous to know what it would do to you. 
Well, now he knew. 
You were livid. Never had you felt so betrayed, and you made sure he was well aware of your anger towards him. Something told you that he felt it in your lack of appearances since you had yet to face him fully since arriving. 
“The Dark Lord has requested your presence today.”
A demon who had been appointed to your side ran a brush through your hair, gently ridding the strands of any tangles that had formed while you slept. You had told them day one that you could do it yourself but they insisted. Tending to you was now their duties and they had to do as commanded. 
“You can tell the Dark Lord to kiss my ass,” you mocked. 
The demon held back what you thought was the semblance of a chuckle, their unusually long fingers continuing to ready your hair for the day. 
“Forgive me for being so blunt, but I think it would be best if you spoke with him. Perhaps let your grievances out however you see fit?” 
Had you not done that the moment your memories returned? You very much recall throwing a heavy tea pot at his head, although he had dodged it with ease. Were your shouts of frustration not enough? Your tears? 
It wasn't that you were upset to be back with him. You were more so mad about how he had gotten you here this time. There had to be some other way that left out the whole dying part. 
“What's your name?” 
The demon paused briefly at your question. You could tell they had never been asked before, though you weren't sure if it was because everyone else here knew how things went or if no one simply cared. 
“I don't remember.” 
This confused you. Shifting a bit in your seat, you turned your upper body to look at the creature. They were definitely a sight to behold; scaly skin that glistened as if perpetually wet, yellow eyes with only the smallest white pupil appearing like a cat’s, a row of chipped horns going down the center of their head. 
You had stopped being scared of the demons here long ago. 
“Lowly demons, such as myself, lose their names upon becoming what we are. We are simply demon. The others, the ones you've probably heard of in some capacity within your mortal stories, are given new names when they become His strongest warriors.” 
Out of all of your ventures here, you had never been told about the inner workings of the land. You found it to be interesting. 
“Oh…” You felt silly for even asking, now also concerned that you had probably brought up a sore subject for the demon. No name? No identity? You couldn't imagine. 
Once the demon had somehow managed to weave deep red garnets and black diamonds into your hair, you were sent off to where Noah would be waiting. You tried to fight it, arms crossed over your chest as you sat pouting on the edge of the bed, but eventually the demon helped you realize that Noah would see you whether you wanted it or not. It was wise for you to go to him. 
And so you did. Like some sort of invisible string leading you to him, you managed to find him standing on the large balcony that jutted out from the castle, overlooking his land in silence. His posture straightened upon sensing your arrival, gaze now set only on you. 
“You look…” Onyx eyes raked up and down your body, no shame detected within them as he took in the black gown you had been instructed to put on. You didn’t want to admit to him the way his heavy stare made you feel. There was already a tingling in your lower stomach that radiated down between your thighs - no. You wouldn't fall for it that easily this time. 
“Don't,” you merely requested, a hand being held up to signal for him to stop any further words. Steps were then taken around him so you could approach the railing of the balcony, the carved stone cool beneath your touch as you tightly grasped it. 
“You're still angry…”
You said nothing. Silence overtaking you. 
“I…” he began, his voice falling while trying to gather his thoughts. Never had he been so concerned about anyone else before. Never had he been forced to wonder what the right thing would be to earn your forgiveness. 
“I'm sorry that things had to happen this way.”
Well, that weak excuse for an apology definitely made you want to yell at him to shove it up his ass. 
Your jaw clenched, knuckles turning white from the death grip you held on the stone railing. It would surely crack and splinter if any more of your strength was to be endured. 
“I liked your hair better longer,” you finally spoke, though you didn't look his way. Instead, your gaze remained focused out into the night, slowly cataloging and memorizing every dip and valley. 
“That you was nicer.”
Noah slowly shook his head as he reached out to lightly touch your hair, heated fingertips brushing the strands from your bare shoulder to reveal the curve of your neck. 
“Funny, because that was me, just in a slightly altered form to keep up appearances.”
As if he could read your thoughts, he continued. 
“I was never human, you know this. So, there are no other versions of me like there have been of you. There's only one. That's how it'll forever be.” 
Anger flared within you. “You're telling me…that you've been able to come to Earth this entire time? That I haven't needed to brutally die again and again to be with you? You are an insufferable mons-”
A strong hand grasped your arm, turning your body and pulling you in closer. You could tell that Noah wanted to speak to you as if you were one of his demons, someone for him to control, but he managed to contain his rage. 
“Do you know the danger I put my entire realm in just to walk amongst the living with you for an extended period of time? To go for my own selfish reasons and not because of my duties? To help guide you back to me? You're blind to the repercussions this land faced. Souls piled up, punishments halted, everything at a standstill. Do you think that has ever happened before?”
Silence as your eyes searched his. 
“We may have spent one night together on Earth, but the sheer amount of deaths within that singular night that went unprocessed…” 
Noah shuddered at the thought, his grip on you then loosening before releasing completely. 
“Think of me what you will, but what I did was for us. Everything I've done, and will do again and again, for us.”
You wanted to understand. You wanted to touch his face and tell him everything was okay. You wanted to press yourself into him and let his warmth overtake you. 
You wanted so many things, but none of it was what you did. 
Instead of giving into these wants and needs, you gave him one last look and then turned on your heel to saunter back into the farthest reaches of the castle. 
× × ×
The only thing you truly despised about this place was the lack of time. While you had an abundance of it, more than you could ever ask for, you still had no idea how much had passed. Days? Months? Hell, maybe a century? Time didn't work the same way here as it did on Earth, which you already knew, but it surely did drag when you were choosing to spend it alone. 
You had attempted to keep track of it at the beginning but eventually gave up when nothing fit the way it should have in your human mind. Noah even offered to set a sleep schedule, though that disappeared rather fast when his duties became too much to juggle along with it. 
A heavy sigh expelled from you as you flipped over onto your back. Your eyes stared through the darkness of your bedroom and up to the high ceiling where the same stars as the night sky beyond the open window danced along. A neat little trick Noah did when he knew you were restless. He may have been an asshole but he knew how to make you melt when showing his softer side. A side no one had ever seen before you. 
With another huff, you caved. 
Moments later you were standing in front of his bedroom door after having gently knocked. The door opened almost immediately, revealing his relaxed form sitting upon a grandeur bed with papers strewn about. It was always funny to see him do actual work especially when you had never witnessed anyone outside of the demons wandering the halls. 
Sometimes you'd hear other voices when he was locked away in his study, but nothing beyond that. 
“Stars didn't work?” 
You twisted your lips, head shaking in a single motion. 
“They're nice - beautiful - but it's not the same as…” you trailed off for a moment while trying to decide how much of your pride you were willing to spill down the drain. Not the same as when we're laying together. 
Noah noticed, he knew what you were going to say. He allowed you to keep the stubborn pride for now. In a snap the papers cleared away from a spot on the bed for you, an invitation to join him. 
Sitting against him, your knees bent to the side and your head resting on his shoulder, he continued to work. He would occasionally look over at you, brush your hair back, lightly touch your lips or cheek, then focus again. 
How you had managed to wrap Death around your finger, you would never know. 
“Can I ask a question?” 
Noah nodded, the paper in his hand being placed down so he could fully focus on you now. Another thing you loved about him: he never made you feel as if your presence was a bother. No matter what he was in the middle of. 
“Is this how you've always looked? Or do you only appear like this to me?” 
A crooked smile appeared on his features, his eyes crinkling in the corners just as you remembered from your brief time on Earth with him. 
“Why do you ask?” 
Avoidance - as usual. 
“I don't know…I mean, when it comes to humans, you are either shown as a skeleton in robes or this otherworldly beautiful man without flaws.” You shrugged. 
You didn't add on that you were also curious as to what was real. 
Noah didn't taunt you for your poor wording choice. He knew he was beautiful and he knew that you also knew this, but he understood what you meant. 
“Technically,” he began while rubbing his chin as if trying to find the right way to describe it to you, “I'm without a body because what I am transcends physical being.” 
Okay, that you could understand, at least for the most part. Was it still an odd thought? Yes, of course. All of this was odd. 
“But I've chosen to take on a flesh and blood form, even before you came along the first time. It helps to do so in my line of work…so the souls can relate, maybe feel a bit of comfort for a brief moment.” 
As he spoke you traced random designs and patterns into the top of his thigh, your fingertip slowly dragging along the soft material of his pants. You inwardly smirked to yourself when you noticed him shiver as your fingers traveled higher along his inner thigh. 
“I may have adjusted a few things specifically for you, though.” 
“That's why you have all the tattoos?” Your hand left his thigh so you could lightly touch the front of his neck, eyes focused on the inked designs that were quite an interesting choice for him. The religious visuals weren't lost on you - you knew why he had chosen those in particular. A cruel mocking to those above. A middle finger to the “Light Ones” who were always trying to act all better-than-thou. 
You didn't tell him that this was quite a human response just to spare you the glare he would surely respond with. 
“And the lisp?” You further teased, a smile finally gracing your lips again. 
“Again - makes me relatable.”
You hummed in thought, watching him as he watched you. Noah had yet to return to his work meaning he knew there was more you wanted to say. And while this was true, you were more so transfixed by how close you two were. You could feel his breath on your face and see the patterns of different brown shades within his irises, both combined drawing you closer and closer until finally your lips collided with his. 
Were you still mad at him? Yes, very much so, but that didn't change the feelings you had for him. The tether between you was far too strong, probably impossible to snap. 
Noah didn't waste any time as your kiss deepened and intensified. He leaned back into the pillows of his bed, drawing you with him until your body almost completely covered his. You touched along his face and down his chest, eager fingers tugging and pushing at the shirt he wore. You needed him now. 
There were moments when you both liked to take your time, each unwrapping the other like a precious gift, fully savoring the anticipation. Then there were times when it was impatient and needy, as if you couldn't get him inside of you fast enough. Simply a blur of hands until you were both naked without the pesky barriers of clothes getting in the way of your desires.
One guess as to which side you were both currently feeling. 
As your clothes were stripped away, flimsy lace being tossed aside, you further crawled on top of him. Knees pressed down onto either side of his hips, your nails scratching along his inked chest before firmly grasping his broad shoulders. The kiss you shared had yet to cease, both of you kissing the other with a desperate need; sweeping tongues and clashing of teeth. 
Noah released your hips to cup your breasts within his large hands, thumbs skimming and circling your sensitive nipples to pull a faint whimper from you. Chills formed over your heated skin, your teeth roughly sinking into his lower lip that caused him to hiss and pinch your nipples in return. 
“Behave,” he lowly threatened while you could only pout in response. 
Both hands then fell from your chest; one dropped to begin pushing his last article of clothing down as the other gripped tight into your hair. Noah roughly yanked your head to the side to further expose your neck, his lips immediately kissing a hot trail to your jaw. He knew exactly what teasing your neck did to you, arousal pooling between your thighs as you needily whimpered for him. 
“And you thought you'd be able to stay away.” 
You wanted to knee him right in the side for the petty comment, but he was already adjusting your position and tugging you higher up on his hips so you could hover above his hard cock. 
Noah smirked against your skin, his tongue flicking at the sensitive spot right below your ear. The moment his teeth nipped at the same spot he pushed your hips down so the wide swollen head of his cock could force through your tight entrance. You gasped and he groaned in unison, his own muscles straining from the vice grip your cunt already had on him. 
“I can stay away,” you countered. “I just didn't want to.”
The devilish gleam returned to his eyes while gazing up at you, knowing that deep down you also knew you couldn't stay away. It didn't matter what your stubborn protest said. 
Releasing your hair, both of Noah’s hands held tight to your hips. You were still trying to adjust to his size, slowly easing yourself down another inch, but he was clearly much more impatient than you were. This was proven when he forced your hips all the way down until they sat flush against his, the entirety of his cock tunneling through your pussy. Of course how wet you were helped, but nothing could ease the tight stretch. 
Your head tossed back as you released a loud moan, all other thoughts leaving your mind except for those of him. Sharp nails dug so deep into his chest that you swore you would draw blood - not that Noah would care. 
“Good girl,” the Dark Lord rasped. 
His impatience didn't end there. Although he wanted to be kind and let you find your bearings, there was truly no need when he was well aware that you liked things just as he did: rough, animalistic, whatever you wanted to call it. 
Keeping you steady atop him, his hips thrusted up from the bed in rapid succession, angling just right to make sure your body quivered and your cries of pleasure never ceased. Noah loved watching you come undone for him, loved seeing your stubbornness overtaken by your pure need for the sensations that only he could give you. Everything about it, from the sounds you made to the way your face contorted in pleasure, was addicting. 
You could barely contain yourself as he continued to drive his throbbing cock straight up into you. Your pussy fluttered, more and more of your arousal slipping free until it ran down his length and helped aid in his endeavors to completely ruin you. Noah knew that you were already close, he could tell by the way your moans became more frequent and heightened in pitch. 
“That's it,” he grunted as his hands tightened around your waist and he forced you down to roughly meet the upward thrusts of his hips. “Let go.”
As if on command, your body seized and your back arched. An orgasm ripped through you, claiming full control as you trembled and your hips jerked, the pleasure so intense that you couldn't even make a sound. 
Noah had no intentions of stopping, though. He settled down against the bed, still buried as deep as possible within the warmth of your climaxing cunt. His grip fell from your waist to your hips, now guiding you in a back and forth grind to keep you overstimulated and whimpering for him. 
“You're so fucking beautiful when you cum for me.” 
In a swift motion he had you on your back, the papers from his work crunching beneath you, some digging into your skin but it was of no concern to you right then. You were basking in the high of your orgasm, well aware that there was more to come. Noah never stopped at just one. He had to bring you as close to breaking as he possibly could before he was satisfied. Sometimes that could be done in as little as two rounds and sometimes you were at it for hours until you had lost count of your orgasms and forming any sort of coherent thought was impossible. 
Not daring to pull out from your warmth, Noah brought one of your legs over so your lower half twisted for him, leaving you open and vulnerable but still capable of seeing each other. You quivered as you felt the thick rigid veins that lined his cock throb when they shifted within you, every inch of you sensitive from the orgasm you were still coming down from. 
Noah had a hold of your ass in one hand and your thigh in the other to make sure you remained right where he wanted you as he slowly pulled out until just the head of his cock remained. Then, he used every bit of strength he had to thrust right back into you, the pace being set slow but impossibly hard. Your jaw clenched and your toes curled, your body barely able to handle what Noah presented to you. 
You shook your head, squeaks and whimpers of words unsaid escaping from your throat. He knew what he was doing to you, though. He knew exactly what angles to fuck you from that would leave you dumb - for lack of a better term. 
“Is it too much for you, my love?” He taunted, a mock sympathetic tone to his voice. 
To show that he didn't care, he only picked up his speed, the driving force behind his hips remaining relentless. The harsh slap as your bodies collided sounded through the room, followed by a piercing smack when his strong hand came down upon your ass cheek, mixing with your symphony of moans. Your walls ached and burned but you didn't dare request he stop, not even for a moment, though you didn't truly want him to. You loved when he would get like this, a sort of sadistic gleam flaring in his dark eyes despite trying to pleasure you to the best of his abilities. 
“Touch yourself.” 
The demand made you whine under your breath. Noah knew what he was doing. You managed to slip your hand down between your clamped thighs, a fingertip brushing the swollen nerves ever so softly, but it was enough to make your body twitch and your cunt clamp tighter around his cock. His brows pulled together, the hold he had on you tightening. 
It was too much. Your body was so sensitive, and touching your clit was that mixture of pleasure and pain that made your abdomen muscles tense and your hips writhe. 
“I didn't say to stop,” Noah hissed through gritted teeth. How he had known you paused your fingers over your clit, you weren't sure, but you quickly obeyed his demand again. 
“N-Noah…” you whimpered, tears brimming your eyes and threatening to spill over. You looked up at him through your watery vision, though you were still able to make out the smirk he wore upon his flushed cheeks. Not even the damp strands of dark hair could cover that look in his eyes as he gazed down at you, enamored with all that you were. 
“Uh uh,” he shook his head. “If you stop, then so do I.” 
Fuck. That was the last thing you wanted. It may have been too much and overwhelming but you were desperate to cum again. Not only that, but you needed to feel him filling you as well. You needed his cum seeping out of you, warming you from the inside out. Breathing a life into you that was ironic for Death. 
His grip remained tight on your thigh though his other hand slithered up to knead at your breast, his fingers digging into your flesh, pinching and tugging your nipple. You were getting close again, so so close. As your own fingers continued to rub your clit, each stroke sending electric shocks through you, you released moan after moan, crying out his name in pleasure. 
“Next time we should place a bet on how long you can go without my dick,” he spoke through his own groans, the strain evident in his voice. 
Noah released your breast and instead secured his long tattooed fingers around your throat. His grip was tight, a silent reminder that he could easily crush your airways if he ever had the desire to do so. Which he didn't - he would never lay a hand on you in ways you didn't beg for - but the danger of it, the possibility, radiated down to your core and helped build your oncoming climax. 
“I know you're constantly needy for it. I can smell your arousal when I'm near, so sweet and intoxicating…” 
His voice was raw and deep, each word sending you closer to the edge. Every touch to your body felt like a flame licking your skin, tears still welling in your eyes, your cunt desperate for both your release and his. 
“Please…” you begged in a breathless whisper as your fingers circled your clit in a messy rhythm, unable to get pace with his brutal pounding. 
Noah’s lips twitched within his lingering smirk when your pleas met his ears, the sound causing his cock to twitch and his hips to snap in a quick succession into you. 
A single nod was given, allowing you the gift of an orgasm, and also letting you know that even he couldn't find his words anymore. He was far too focused on the tight grip of your pussy that was swallowing him deeper, almost like he could hear it begging for his cum. If that didn't feed his already oversized ego, then nothing would. 
The pressure built until you couldn't stand it anymore. Your fingers and toes tingled, a white hot heat exploding throughout the entirety of your body as you were overcome with your orgasm. Sharp nails raked down his forearm, skin breaking in their path and sullying the tattoos, though you knew it would heal rapidly. Your cunt erupted in a rush that soaked the sheets and also managed to push Noah right over the edge with you. Typically he had better control, but sometimes it was even too much for him. 
“Fuck…you're so good at taking it, you always are.” 
A final thrust had him emptying inside of you, feeding you that particular warmth you had been desperate for. You hummed in delight, your eyes heavy lidded but focused solely up on him so you could witness his undoing. Noah’s eyes closed and brows furrowed, his jaw falling slack as your name was groaned from him once, twice, three times. You could feel his muscular thighs trembling and you just knew he was trying his best not to collapse on you from the power of his orgasm and also the workout he had just put himself through. 
Neither of you had fully calmed before he was leaning down and forcing his lips to yours. He held firm to your chin for the duration of the hungry kiss, though it didn't last nearly as long as you would have preferred. 
Breaking from the kiss, Noah sat back up so he could slowly withdraw from your depths. He groaned at the sight of your mixed finishes dripping free, only to gently slide two fingers into your pussy with the gathered cum so you didn't lose a drop. You whimpered at the feeling, legs now spread in front of him and knees shaking. 
“Noah,” you murmured in a faint whine. “I can't.” 
Your protest didn't stop his fingers from slowly working their way in and out of your sore pussy, the strokes gentle but still overwhelming. 
“I know, my love, I just wanted to see those tears again.” 
And tears you had - a couple of stray drops falling down your cheeks, mixing with the sweat that you both exuded. 
Only when he was satisfied did he remove his fingers, just to bring them to your awaiting lips. As if on instinct you pulled them into your mouth, cheeks hollowing and tongue swirling around his inked digits to clean his cum and yourself from them. 
“Good girl.” 
Thankfully, Noah let you rest. He easily could've gone again and again but he knew you were merely a mortal (undead or not) and he didn't want the fine line between pleasure and strictly pain to be crossed. Experiencing both was one thing, something you both enjoyed and gave consent to, but forcing you to entertain only the latter for his own selfish needs was not desirable to him. 
You drifted in and out of restful sleep as you curled into Noah’s side. Your head rested upon his chest, legs tangled, his strong arm encompassing you and keeping you close. The featherlight touch of his fingertips trailing up and down your arm brought goosebumps forward, though the loving affection had you luling to sleep again. That is, until he spoke what had been plaguing his mind. 
“They're going to come for you,” he murmured, a sadness in his voice. “The Light Ones.” 
A slight sound escaped you, your head slowly shaking. Your own arm circled around his bare torso, now hugging yourself even closer to his form. Even though he was Death, something everyone feared, he had always brought a sense of peace over you. 
“Why do you let them?” 
In the past Noah had protested when they'd come for you; he would yell and threaten and make them force you away from him if they were going to take you. Never did he truly fight, though. 
A deep inhale caused your head to drift up, and then slowly back down when he exhaled. You knew he was trying to find how to word his response in a way you would understand, or at least so he wouldn’t inadvertently offend you. 
“Because at least then I know I'll see you again. If I fight, go to war for you, the Light Ones could end your bloodline completely.” 
“As in…”
“You would cease to exist. No other versions. No rebirths. I'd only have my memories of you to keep me going for the rest of eternity.” 
All of that for one lousy human? That was the main thing that had always confused you. You didn't understand why you being with Noah was so frowned upon. Why they wanted to make him suffer. Why they were determined to keep you apart. What sort of threat did his happiness pose? 
“It's not 'normal’ for us to love because it's not what we were created for, especially not me. The Light Ones claim to have love for all, whereas I'm supposed to be the other side of the coin - the hate.” Noah took in another deep breath as if explaining it all to you physically pained him. Having to admit what his purpose was…it brought him hurt, and in turn, that hurt you. 
“So for me to love, and to place all that love in one person, it makes me…” he paused and his arm around you tightened. 
“It makes us dangerous.” 
This is when you tilted your head up to look at him. Your eyes met and you offered a gentle smile, one to show him that you understood, but that didn't mean you had to accept it. You wouldn't. Not anymore. 
“I'm tired of only being able to see you in death,” you softly spoke. Your fingertips grazed slowly along the underside of his jaw and then down the curve of his neck, your gaze following the trail. When you got to the snake you paused, your nail lightly tracing the outline. “I want to fight.” 
Noah shook his head and soon his hand clasped around your own, your fingers intertwining together. “I won't risk losing you forever. I can't.” 
“And I will,” you challenged, your voice stern. “What you do here in your realm should be none of their concern. You're the fucking King, remember? Or have you already forgotten yelling that at me millenia ago?” 
The faintest of smirks tugged at the corners of his lips - of course he remembered. Noah remembered every minute, every second, that he has ever spent with you. Nothing could take those memories from him. 
“We'll discuss this further in the morning, after you've slept and had some breakfast.” 
With that, Noah blew the candle out on the conversation. The dark now surrounded you both, only the twinkling of the stars he had summoned able to be seen on the ceiling above. 
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iamnmbr3 · 3 months ago
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Severus calling Lily a slur in a fit of rage and humiliation while being bullied - obviously very bad. James publicly sexually assaulting Severus - obviously much worse?!!! That was some serious sadism on display. Yet for some bizarro reason the narrative wants me to judge the words said in this scene more harshly than the deeds done, because at this point Lily - an author self-insert and the Holy Mother of this saga - cuts one off for their crime and falls in love with the other. I do not like that Lily’s romantic choice is treated as some sort of absolution, but it’s what JKR implied. Despite paralleling James’ actions with the Death Eaters ‘sick’ ’torture’ of the Muggles at the Quidditch World Cup! Idk, I was never satisfied with the lack of follow through on the implications of that scene, nor with the textual idea that Snape’s fixation on the Marauders is petty childishness, rather than a quite understandable trauma response.
Yeah. I have a huge issue with the way James is framed by the narrative. It's also weird because in-universe everything works fine. The problem comes when we look at the jarring disconnect between what was written and the way the audience is cued to react. James's characterization - and the characterization of the Marauders - is well done and consistent. They all act and react realistically given who they are. The problem comes when we look at how we the audience are supposed to react. Because we are supposed to see their actions as bad, but not THAT big of a deal. And uh...yikes.
The Snape's Worst Memory sequence is one of the most horrifying and sadistic moments in the series. I find it particularly visceral and upsetting because it feels real in a way that some of the more fantastical scenes just don't. It's so horrifying and personal in a way that Voldemort punishing his minions or a snake coming out of a lady just isn't. The way James and the others so obviously delight in tormenting and humiliating Snape is just horrific. And the fact that they do this out in the open and face little pushback and no consequences makes it even more awful.
Even worse, everything we see in the narrative suggests that what they did wasn't even that unusual for them. The behavior and dialogue we see from Snape and from the Marauders makes it very clear that doing this sort of thing to Snape is a regular pastime. The reason this is Snape's worst memory is because of the effect this particular incident ended up having on his relationship with Lily, not because of the horrible treatment he endured which was horrifyingly routine.
JK Rowling seems to like Snape. But at the same time I think she tends to have a view (common among TERFs btw) that discounts men as victims of assault. Because that's what this was. And I know if a woman had been stripped and exposed by a group of boys JKR would not have treated it as lightly. Yes she thinks what happened was bad, but not THAT bad. And listen I don't have a problem with the story depicting this and I think the way it is viewed subsequently by the Marauders, wizarding society and Snape all work in the story. My problem is with the framing and the way JKR has talked about James in interviews where it makes clear that she doesn't view this with the gravity it deserves.
James shows more of a natural inclination towards sadism and obvious enjoyment of cruelty and violence than young Tom Riddle does. And this is never dealt with. A lot of the real evil people of the world are more like James - people who aren't the way they are because of some dramatic backstory or because of trauma or whatever. They just aren't kind. James wasn't raised without love or forced to suffer privation in an orphanage or anything like that. He comes from a loving home with parents who spoil him rotten. He has a lot of privilege due to both his wealth and his blood status. And he is cruel and delights in tormenting someone weaker than him for sport. Not because Snape did something to him. Not because they quarreled and James went too far in retaliation. But rather because, as James himself puts it, he exists. Which is so typical of the bullies of the world.
I actually like the fact that Harry's father turns out to be this kind of person. It think it adds depth and complexity to the narrative. But I don't think JKR fully understood or intended what she wrote. She meant to show James as flawed, but not to the extent that she ended up doing I think. And I agree that has always bothered me too.
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spacemonkeysalsa · 4 months ago
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I read about an evil magistrate in another Faerûn city, a few decades after Astarion had that job in Baldur's Gate and it has me thinking about his pre-vampire days, and my irl time as a Las Vegas law clerk. A lot.
Full disclosure: I feel a little guilty that I wrote so much on this topic rather than on one of my fics.
I wrote very little in July 🫣but it's because I was drawing and reading instead.
I read 13 books, but they were the first 13 Legend of Drizzt books.
And while writing fic, I've avoid details about Astarion's background as a magistrate, for reasons I've talked about a lot before, but I might need to rethink that, because one book in the Drizzt series just gave me SO MUCH context for what the world was like around the time that Astarion would have had this job, and also, what that job was like, and how it was very effected by geography and race. And I have THOUGHTS. Thousands of words of thoughts, apparently, below the cut.
TL;DR - The popular idea that pre-Cazador Astarion is the biggest possible asshole so he "earns" his fate is boring as hell, not actually supported by canon, or the examples of magistrates that we see in FR (who don't even need to be corrupt to satisfy cruel inclinations) and I deeply prefer going in a totally different direction. Below the cut is me working through my headcanon, and why I came to these conclusions.
I tagged this appropriately I think, but to emphasize, topics of relevance include horror movie tropes, torture, the deeply flawed American justice system, and the even more deeply flawed one in Faerûn as described by the Forgotten Realms novels I've read and the mentions/demonstrations in Bladur's Gate 3.
If you feel you need to avoid thinking about all of that, you are valid, and probably more correct than me for doing so.
And as always, it's just my opinion, based on my experiences. All headcanon is equally headcanon.
To start, I'm going to briefly reiterate that:
Astarion's canon backstory is thin on purpose and that all we really know about him is that he was a magistrate with not-red eyes who made an unpopular ruling that was unpopular for an unspecified reason and got jumped by Gur for a (heavily implied to be unreliable narrator influenced) reason.
That artbook is a developmental tool that is actually less likely to ever be considered canon than even a later stage developmental tool like a full manuscript outline precisely because of its position in the process.
But, before I get into what I read in Drizzt, I want to establish that my head space started from thinking about how much sadder it is if Astarion actually did have compassionate ideals and a balanced sense of justice prior to Cazador. The reason I think it's sadder is best illustrated by the choice to either make a doomed horror movie character sympathetic or an asshole. What happens to Astarion is basically a horror show, and some people prefer those fates are reserved exclusively for asshole victims. There's reasons to write this way, and it can be done well, but it's very easy to make it feel cheap and contrived and it's usually a sign of an amateur production, and a quick way to make an accessible film rather than a good one. Another option (which can also be done well or done poorly) is to harm characters who did absolutely nothing wrong.
To be clear, whether or not we like a character doesn't affect whether or not they "deserve" death. Horror movies often deal with totally disproportionate consequences, and the gruesome fate not really being "earned" can be an inherent part of the horror regardless of our sympathy.
But, I'm not sad when the evil teenagers in Toxic Avenger are killed. I am not that sad when Jigsaw's traps prove to be too much for his chosen victims. What happens to Julia's marks in Hellraiser doesn't move me as much as what's going on with Kirsty, even if they didn't deserve it, because they aren't particularly sympathetic.
And the thing about using characters like that is that it's not realistic. And to be clear, I don't think you always have to be realistic to tell a good story, in fact, please don't always cling to realism. But realism in characterization is usually a stronger choice, and should be considered generally. Most people are not as flat and unsympathetic as the asshole victims in slasher flicks. Even people who do bad things are not so one dimensional as to instill no sympathy in irl humans. I think people like to flatten Astarion in their mind, so that they don't have to confront the fact that very bad things happen all the time, and that most people didn't do anything to earn a horrible fate.
In the specific case of what happened to Astarion, even if he was a bad person, it's very difficult to ever make 200 years of torture, the loss of autonomy, exploitation on every level, including physical, sexual and psychological abuse, ever feel proportional. So at this point, some people need something to make it seem more just. Either because they hate the character, and want to feel that hating the character is objectively correct, or their worldview includes an idea of justice that can't accept such disproportionality.
And if you need that for your headcanon, dope. you're allowed whatever headcanon you want.
The "corrupt magistrate" thing isn't canon. It's headcanon. I understand that some people who really seem to know what they are talking about said it was canon, that's because they are wrong. People are wrong sometimes.
I recently became aware that although I thought we were all playing the same game, a bunch of players have never seen what I've seen, because it's all missable content. And, because everyone knows there's a bunch of stuff they haven't seen, it's real easy to just believe any random person on the internet who tells you something is buried deep in the game that you don't know about.
This specific situation with Astarion's canon backstory is that you'll never find much in the game, no matter how much you play, because there's nothing to find. Here's the facts: -There was never anything about Astarion being corrupt in the game, in early access, or in any of the writing that made it to recording. It was an idea that was discussed very early on---like back when we almost had a werewolf companion, (RIP Helia, you would've loved what I put you through) and they went in a totally different direction. Essentially, just imagine what they ultimately ended up doing with Gortash, and know that they were thinking about doing something similar with Astarion, but a long, long time ago.
-In the game, he'll lie and tell you he's a magistrate in Baldur's Gate and that it's tedious.
-Or, if you wait to ask him about himself until after you know he's a vampire, he'll tell you he was a magistrate, punishing troublemakers.
-Backstory complete!
-Art books are great, and beautiful, and it's baffling to me to see fans treat them like canon content, because if anything, they demonstrate various attempts to put together a story that ultimately didn't land for the creators. I love using materials like this when I write, I create character sheets and artbooks for my work all the time, and part of their charm is the features that didn't make it into the final work. Minthara is no longer an elven cleric, Shadowheart isn't covered in tattoos, and Astarion isn't one of corrupt elite of Baldur's Gate, or even elite, or a courtesan. Stop bringing up the artbook, you're embarrassing yourselves.
-There's actual explicit dialogue in game in which Astarion says he doesn't remember much from before he was turned. He says the person he was is gone, nothing left but a name on a rock. That's what's intentionally in the game. I think this is brilliant, because I think his character represents loss in a really poignant way, and that if they included anything too detailed about who he was before he got turned, that would undermine this theme, in a way that's especially unnecessary. It's better to keep it purposefully blank. A void of nothing. I'm actually really surprised that they didn't do this for Shadowheart, given that she's a Sharran, but in her story, we actually see a really nice counterexample: she does recall small details about her time in the city. Coming back there triggers memories and if you find all three of them---[spoiler deleted, please message me if you want to know about this, I've been informed I shouldn't just shout this out, because some people like to discover this stuff on their own. But also I'm not a gatekeeper, if you really want to know, I'm happy to tell you]. There's none of that for Astarion, in fact, if you go to the cemetery looking for his grave, which is something I think a lot of us did, you won't find any mention of him anywhere, but you will find one of those Shadowheart memories if she's with you. You only get to see Astarion's grave briefly, if you're romancing him, and even then, he once again takes the opportunity to talk about the person he once was truly is lost to him (and to us) and gone forever, long before we ever had the chance to know him.
It's tragic, and kind of perfect.
And in the meta of all this, it's intentional that we'll never known him. We might think we do, but we literally can't, because it's not in the story.
Which is good because it would ruin the scene a bit if he'd been like "btw I was a real piece of shit lmao." Just like it kind of ruins the affect of the empty backstory to go ahead and add a backstory.
But. We're curious, we speculate, and we expand, that's what fanfiction is for—it exists outside of the canon. I usually write post-canon, canon-consistent content, but there's a possibility I'll need to add a few scenes from Astarion's mortal life in this one fic—maybe not, idk—but in preparation for maybe doing that (or not), I had considered working through what I think his life was life before he was turned, and the events leading up to Cazador capturing him. I wasn't sold on the idea, but I was thinking about it.
And, then I started reading Spine of The World, which features an actual magistrate from DR 1365. This one is um. Corrupt. Or, at least, we would consider him to be corrupt? He's actually doing his job perfectly according to the very messed up justice system in Luskan, where he works. They don't have a concept of burden of proof there, or of innocence at all after you manage to get yourself arrested, and instead essentially just torture people to death publicly and explicitly for entertainment. It's not chill. It's not subtle. They call it Prisoner's Carnival.
This magistrate has Astarion's exact job, in a different city and a few decades later (and those differences matter, we'll get to it) but the important features are the same. So, here's some things to note: being a magistrate is a position of limited power, you have total discretion over the prisoners given to you for punishment (minus a few notable exceptions that come up in Spine of The World), but that's it. It's not like an influential political position of respect or anything. It can't be, because they are beholden to laws they can't change, and cultural traditions that are non-negotiable parts of the community.
This guy is referred to multiple times are a carnival barker. And there's loads of magistrates, they all have different reputations and and ymmv on how sadistic they individually are in Luskan. In a later book, when this particular magistrate is brought up again to another magistrate in Luskan, it's clear that the carnival barker thing isn't entirely universal and that he's considered one of the really bad ones, but regardless, they all acknowledge that what he does is legal and "serves a purpose" and they all direct and orchestrate the torture and slaughter of prisoners, and they all admit that many of them are probably innocent. The magistrates, and more importantly, the people in charge of them, maintain the necessity of the system, and the fear it instils to keep troublemakers in line.
One of the more reasonable and intelligent wizards in the series (a guy called Robillard who I can't help but envision as Gale of Waterdeep, because almost everything he does and says makes him sound like Gale of Waterdeep) shocks Drizzt by defending this system of justice very passionately.
Actually, Drizzt's thoughts in general about the Prisoner's Carnival are S-tier Drizzt musings, I love a man who keeps a journal. Likes cats too. Drizzt is lovely.
Drizzt also notes that this is a popular system in human societies specifically. Other races don't go in for it so much, and tend not to participate unless it's as... um... you know... as the prisoners being tortured. I think it's interesting that he mentions that elves in particular (in his experience) are universally disgusted by it. It's also explicitly stated that Baldur's Gate is different, and a much preferrable place to get tried by a magistrate. That isn't in his journal entry though, that's earlier in the novel. A moment of foreshadowing.
The whole world is brutal, but Baldur's Gate is a bit more modern and open to change than other places. That's probably one reason it keeps getting featured and mentioned even though we've barely spent any time there in Drizzt's series so far. It's a bit more relatable a place to actually live in long term than somewhere like Luskan, where you may have to seek out real estate that's far enough away from the square that you're not constantly hearing the death screams of someone being drawn and quartered in front of a cheering crowd. So that's the basics of it, and getting back to Astarion and the backstory that I would personally novelize for him, we have options:
If I'm going to try to fit this into the context that I now have though, it's important to keep in mind that 1) Baldur's Gate is considered one of the "nicer" places to be tried and 2) culturally, elves don't go in for cruelty, especially not as systemic "justice." None of this has to apply to Astarion, but if I'm writing it, I'm not going to ignore this cultural context. At a minimum, I'm going to say that appointing an elf as a magistrate in a city that's known for being more progressively compassionate about their treatment of prisoners was probably pointed on the part of tptb. Baldur's Gate wanted him to set an example for these bloodthirsty humans about mercy and justice and the balance between them. Racism dictates that you don't go to a human for that. They're carnival barkers. If you want a more compassionate magistrate, appoint an elf. And from there, we get to decide whether or not Astarion met their expectations, or if he defied them. Because maybe he was an asshole. Maybe he was just as bad as his human magistrate counterparts. That's not outside the realm of possibility at all, there's an argument to be made that we write him as a counterweight to the stereotype. Astarion is written to be capable of anything, so you can literally go in any direction with his disposition.
But, considering how Cazador rages that he "made" Astarion, and Astarion doesn't even argue with that sentiment. I think it's more likely (and loads sadder) if this unmaking and making included a complete and total overhaul of Astarion entire sense of justice. I actually think the harsh sentiments that Astarion expresses at the tribunal in Ansur's trials are a really good example of the flickers of Cazador and the person he twisted Astarion into, than they would ever be indicative of who he was before getting turned.
That guy's gone, remember?
And if it's not obvious, I'm going in that direction with my fanfic. I'm going to say he actually thought he could help his community. He studied. He got this civil servant position. It was a bit disillusioning. It's better in Baldur's Gate than in other places, but the system itself is cruel, and he's rewarded for being cruel within it. It doesn't even matter that he originally got the job because they hoped he would be a compassionate elf judge amongst bloodthirsty humans, once he's actually in position, it's all about maintaining the status quo. That's what they actually want from him, in spite of their "progressive" leanings.
If anything, he's getting in trouble, and getting noticed by not quite being status quo. A soft-hearted elf, letting his charges get away with all kinds of mischief. I'd write him this way, because I think it then easily follows that Cazador takes note of him and targets him, precisely because he's too merciful. It's annoying.
And, little bit about me, I'm an attorney, and early on, during and right after law school I worked for a few judges.
If Faerûn is anything like the USA I figure that after a few years he has figured out that being a magistrate only gives him a limited amount of discretion and authority over the specific individuals who are brought before him.
It's really legislation that makes a difference and he is specifically forbidden from that. He rules from the bench, and hopes that if he's consistent and fair, and if nothing disastrous results from his rulings, (and if he doesn't get reversed too often, idk if that's a thing in Faerûn but it's a thing in America) then maybe he could eventually influence those who do legislate, but like, that's not his job. And it's going to take a long time because most of it's quite tedious and people don't pay attention unless it's someone they care about standing before him. Nobody cares about the vast majority of these people. His job is to stare at "troublemakers" who have supposedly broken the law, hear witnesses and confessions and denials and lies and decide what the truth is, and decide what's fair.
And it's emotionally heavy work. A lot of people describe being a magistrate as a political position, and that's not incorrect, but there's a valley of difference between Astarion's very hands on job, and what Gortash/Duke Ravenguard do. You are beholden to powerful politicians (like actual politicians) with a lot more influence who figured all this out long before they made the mistake of having ideals or believing in anything, or taking a job in which they would have to a) actually work with people to probable burnout and b) inevitably make a lot of people very angry regardless of what they did.
But, Astarion is still young, he's still got energy, he's not lost himself yet, he thinks he can handle this responsibility and he's wrong.
One day, someone is brought before him. This person is Gur and has supposedly broken the law. Other Gur are upset about the way Astarion ruled. He was way too harsh, or maybe he wasn't.
Quick sidebar: in court, I have watched people literally receive the death sentence and have zero reaction. Same with life w/o parole and other life ruining sentences. In my experience, what triggers an emotional reaction and anger targeted at a judge isn't the severity of the sentence, it's how the severity of the sentence stacks up against their expectations. The defendants (or their families, with proxy outrage) who get really angry, who try to attack the judge, or the ones who are so disruptive that we have to call it and go wait in the hallway while the baliffs calm things down, all have one thing in common: they legitimately thought they were going to just be sent home. They didn't think they were going to be held at all. For that reason, I actually saw a lot more rage from people who had committed minor offenses, because they didn't think what they had done was that big a deal, showed no remorse, ignored their atty, made no effort to express any respect for the law, or any victims, and then when the judge just decides to go with whatever the statute says, in light if zero mitigating factors, the defendant hears "60 days" for the very first time and assumes that the judge just made that up and hates them.
And like, I know it's fiction, and I'm speaking on a very niche experience that most people can't relate to. It's unlikely the writers had anything (let alone realism) in mind at all when they decided to be as vague as possible in the details about a character who embodies "loss" as a concept. I think they were vague because of the theme of loss. I think they were vague because of the theme of loss. I think they were vague because of the theme of loss. I think they were vague because of the theme of loss. I think they were vague because of the theme of loss.
But this sidebar is just to explain why whenever someone says "well he got beat to death for it so his ruling must've been racist and harsh" my knee jerk response is "not necessarily."
And sidebar within the sidebar: if I was going to fully novelize the story, I would actually go in the direction of having the ruling in question be uncommonly fair. I might hint at some racism though—nobody really talks about it below the surface level obvious stuff that's in the game, and part of that is because information about the Gur as a people isn't super accessible. But there is information, and synthesized: racism against the Gur seems pretty standard, especially for an elf who has had it up to here with human bullshit generally. Especially during that time period. He probably didn't have a good opinion of the Gur in life.
But, I have to assume that his animosity towards the Gur that we see in the game was at least affected by the fact that they beat him to death, and then, he spent two centuries as an undead being that they kill on sight with absolutely no justification needed. Like. I don't think it's wild to suggest that. I'm actually very confused by how much people push back on the idea that this could be responsible for his attitude, in part. And that's as far as I have combed through all this so far. Idk how much of it will end up in fic, but it's my personal headcanon now.
I love horror movies. I have watched so many of them it's embarrassing. My letterboxd is embarrassing. I do love several horror movies that feature asshole victims, but as I look at my very favorites, I'm noticing a pattern. I like to feel hurt. I like it when a movie doesn't shy away from dealing out universal, apathetic and disproportionate punishment to everyone. I can't think of anything quite so sad as seeing a perfectly normal, maybe even morally progressive person with their whole life ahead of them, and choosing to unmake them and twist them into a broken puppet in your own image. Sparing/saving no one and nothing in the process. Just make them lose everything, including their entire sense of who they are.
So, I'm going to hurt my own feelings with my Astarion headcanon.
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aropride · 1 year ago
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i saw a post the other day that said that gen z/gen alpha say "unalive" and "seggs" and stuff bc they're afraid of being "punished by an invisible force" and while i do think that the self-censoring sometimes unnecessary and worrying, i also don't think they're self-censoring for no reason.
i think there are a lot of situations where talking about suicide/death in general and sex outright would be punished by very real visible forces like parents and teachers and instagram community guidelines. like these kids (i say kids but i know people my age (20) do this, i feel like it's mostly younger genz and genalpha though at least in my experience) aren't just self-policing and self-censoring for no reason. some creators learned to adapt their language to unclear nebulous guidelines to try and avoid their accounts being taken down or their videos being shown to fewer people, then people started assuming any mentions of death or sex would be punished and started doing the same thing, and now younger kids have picked up on it bc they're online a lot and don't know any different.
but that's not the only part of this that matters bc while that is strange and a little dystopian. there are also offline real-life reasons kids would be scared to talk about this shit with actual words. like i was raised very christian, evangelical, not quite fundamentalist, "we don't use labels but we have stage lights for the worship songs but don't wear skirts above the knee" type of thing. my parents didn't teach me about sex until they found out i would have a sex ed class bc they had to sign a permission slip. and then they gave me a book for kids about sex that was heavily christian, abstinence-only, deeply homophobic etc. it didn't teach about birth control, about what things are not normal, any of that. and i was not raised in a way where i was even the slightest bit comfortable asking my parents or talking about it at all. my twin brother got the same book and would talk about sex or make jokes about it and our parents would get upset because it was "inappropriate" and he shouldn't be thinking about that or whatever. and if i had tried to talk about like, menstrual health or signs of abuse or even just made a joke about sex at all my parents would have been upset.
you can probably guess this from what i just said but unsurprisingly my parents weren't big on being upfront about mental health issues either. i have been depressed since before i can remember and was suicidal by the time i was eleven and i had no idea that the way i was feeling wasn't normal or that there was a word for it. i don't remember when i learned about suicide but i know my dad was at least willing to say the word in conversation when i was 12, which my mother wasn't happy about because it was "too dark" a conversation to be having (he had been telling me about a friend he had in college, specifically about how he had recovered from substance abuse issues and suicidal ideation).
and my parents were definitely not normal but there are objectively situations where parents are way worse about this type of thing. there are absolutely kids who aren't allowed to say words like suicide and death and sex. and they're not afraid of algorithms, there are real-life offline consequences if they slip up. so they self-censor, they talk quietly in the lunchroom with codewords and euphemisms with their friends. and that's not even to mention school, and how kids will get in trouble for anything an adult doesn't want them to talk about, how they can get in, again, real-life offline trouble for speaking frankly about this type of thing. because it's "inappropriate," because it's "upsetting," because their teacher is having a bad day, because god said not to, because they don't want their dm to a friend on tiktok to be flagged.
and i would much rather kids talk about these things with sometimes-insensitive code words than to not talk about them at all. if it's a choice between someone coming out as "tr4ns" to their friend and not having someone to support them at all, if it's between saying they want to "unalive" themself and never seeking help, i want them to go the sometimes-silly code word route. because i think they should be allowed to talk about these things and if they're not i think they have the right to try to do it anyway. the unnecessary self-censorship has been criticized to hell and back and i'm not saying it shouldn't be, especially when it's adults saying these things in real life situations. i'm just saying i think kids have a lot more pressure to censor themselves than people think, even offline.
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animeyanderelover · 11 months ago
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Tags: @shumidehiro @leveyani @izanami78
Tw: Yandere themes, unhealthy relationship, toxic relationship, possessive behavior, obsession, delusional mindset, stalking, manipulation, gaslighting, sadism, paranoia, co-dependency, threats, blackmailing, isolation, abduction, death
Yandere Bungou Stray Dogs Hc’s
Jouno Saigiku
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♦️Jouno may not be able to see but as a compensation for his lack of vision, he is able to pick up on so much more than the average human. He can read someone's emotions based on their heartbeat, their breathing pattern and even their blood flow and that is perhaps the most terrifying aspect of having him obsessing over you. He knows you better than anyone else as you are essentially an open box for him as all secrets are always spelled out by the melody of your body. There is no privacy for you when around him and Jouno abuses and uses all of this against you. At first he is more subtle about how he presents himself before you, careful with the words he chooses and the secrets he reveals about you. Even if he is so composed, there is this certain creepiness he has as he gives you a small smile and sometimes his sadistic side seeps through as he torments you more to relish in your rapid heartbeat and the unease he can sense inside of you even if you try to hide it desperately.
♦️​It is fairly easy for Saigiku to track you down even among other people, your heartbeat a special song he has engraved in his mind and your voice a siren's song that pulls him in as soon as he hears it. Jouno is stalking you, he follows you as he remembers the places you visit often until he can almost predict where he can find you if he has free time and wishes to see you. He exhibits some very possessive traits as he doesn't enjoy other people you keep around you as he is a man who could never imagine himself sharing you with someone and unfortunately even friends and family are put in this category. You feel this growing dread as weeks pass by until he pulls the rag from beneath your feet as he organises for the government to place you under special security and ensure that you are always kept within his reach. Saigiku tells you that it would be better for you to just get used to your new lifestyle because he surely won't let you leave his side again. It's your fault being such an adorable and interesting thing~
♦️​Truthfully spoken, Saigiku belongs in a category where he is overall most of the time more possessive than he is jealous. If he had to describe to you how he feels when he senses you conversing with someone else, he'd just bluntly tell you that he just doesn't enjoy it. He has never enjoyed hearing you talking with someone else unless it was necessary and he ensures that your abilities to speak with a lot of people besides himself are limited as soon as you are where he wants to have you. Especially when he is with you he would greatly appreciate it if you were to refrain for ignoring him for someone else but even if he is on missions, you aren't able to talk with a lot of people. Most of them just ignore you out of fear of Jouno because no one has the courage to talk to you, much less flirt with you because Saigiku will always find out. Worst is that you are in most cases also made a scapegoat and punished which manages to scare you away from any unnecessary conversation. The only people you can chat with without too much consequences are the other Hunting Dogs.
♦️​Despite Saigiku often trying to appear like the most civilized one of the Hunting Dogs, he's still just as violent as everyone else. He just tries to hide it better behind his composure. He doesn't take any injustice or disregard of his rules lightly though. You are often punished when you don't behave as you ignore the rules he has told you about and the same counts for others. Harsh threats are often given out despite his calm expression as he is not afraid to threaten and wish ill will upon those who he takes orders from. His sadistic nature makes him quite the terrifying enemy if someone dares to commit any injustice against you because he has never taken crimes lightly and he takes it even more seriously when it comes to you. You know that he doesn't just give a criminal who tried to harm you just a simple death because that would be too easy. No. he'll make them regret the day their pitiful existence came to be in this world.
♦️​Saigiku gives you the most legal abduction as the government decides to support him for this one thing. They can't risk one of their Hunting Dogs potentially being distracted because of you and Jouno knows this and uses this to have them agree. It's undeniable that you are his soft spot and as much as he dislikes you for making him feel more vulnerable, he knows that he has to preserve you somewhere for this exact reason. If enemies would find out about you, they would without a doubt come for you since you are an easier target than the Hunting Dog himself. The mere thought of someone using you against him only because you hold such meaning for him is almost humiliating so prevent anyone from ever using you against him, he locks you away and keeps you fairly isolated. the government covers your disappearance up as not even friends and family are ever allowed to figure out what happened to you.
♦️​It's best for you if you learn how to keep your emotions properly under control because otherwise you will get on his nerves. Jouno is incredibly insensitive to strong emotions because he can pick up on them so well and for that they annoy him. So it isn't uncommon for him to leave you alone when you have a mental breakdown and just tell you harshly and coldly to calm down before he goes. He just never gives you a break, especially the first few months after he has abducted you. It's all harsh and humiliating words as you aren't able to lie or hide anything from him because he always senses it as your own body betrays you. Eventually he slowly starts adjusting though as he learns to deal better with your emotions although he is still very hesitant to allow himself to be more vulnerable around you. He can’t say that he doesn’t enjoy it though, knowing that he’s the one who protects you.
Suehiro Tetchou
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🌸Tetchou is much more pure in comparison to Jouno as his desires lie in the genuine wish to protect you from any harm. Although this simple desire can drastically escalate because he is very protective. In fact Tetchou is so protective to the point where he can delude himself into believing that what he has done was the right thing to do even if his actions have caused you sorrow and fear. He’d never hurt you, he knows that. So tears and sadness from you tear away at his core belief and almost as if in a way to cope with the situation and to not break down, he deludes himself into believing that he knows better. He’s a Hunting Dog after all, he has experienced so much more than you could ever in your entire life. His decisions are based on those experiences you have never endured nor will ever have to endure now that he’s in your life. Don’t hate him for he has only done what is best for you.
🌸Having already established this man as someone who is tattering on the side of delusional thoughts, it should be pointed out that it takes Tetchou a good while until he has even figured out his own feelings for you. He initially never suspects his feelings to be of romantic nature as he sticks with you whenever he has the time nor when his mind is constantly drifting to you multiple times a day. Surely you mean much to him but not in that way…right? Somehow he remains oblivious to his feelings or perhaps he is just not willing to acknowledge his feelings to keep the lid sealed on his obsession. Acknowledging means losing to his obsession and almost unconsciously he seems to be aware of that and attempts to deny his feelings. Until either time wears him down or a trigger happens which causes everything to just explode out of him with such an intensity that it almost overwhelms him.
🌸Much more lenient than some other Hunting Dogs, Tetchou attempts to let you keep as much of your freedom as he can. That includes your social life as long as no one poses a threat for you. He doesn’t mind your friends and family and if they are loyal and friendly, he acknowledges them as people who have helped you through your life so far. Jealousy is low-key a bit awkward for Tetchou though as he stands there and stares at the other person as if trying to decipher why the hell they trigger such nasty feelings within him. He isn’t overly vocal though as he is more the type to admit at one point very bluntly that he wants them to not step so close to you or that he doesn’t like them talking to you all whilst standing right behind you or stepping protectively in front of you. At this point he has held it in for too long and usually tries to end the interaction.
🌸He isn’t nearly as patient or enduring when it comes to his wants to protect you. He is quick and acts as swiftly as possible. Tetchou wouldn’t admit it to you but he runs a brief investigation on everyone you keep close to you to be completely sure that he can trust them. If anyone is suspicious, he has small remorse to cut them out of your life until he has found out everything he needs to know. He is a very strong advocate for justice and whilst he wouldn’t be as discriminating as Jouno when it comes to everyone who has a bit of a bad history, he isn’t lenient either. He’d prefer to only have good and honest people surrounding you and with his delusional belief that ultimately he does what is best for you, he can be strict and harsh under certain circumstances when he cuts your ties with people who physically or mentally abuse you and he has no guilt when he delivers the deadly blow if someone should pose a severe threat for your life.
🌸If he should ever erupt with the most likely trigger being your own life being in danger, he will use the same method as Saigiku. He will request special custody for you. That includes the isolation and your mysterious disappearance as he is fully aware what that will do to you. Your disappointed and resentful eyes cut deeper than his own sword ever cut as he feels something slowly collapsing. This is when his own defense fully kicks in as he builds those delusional walls to protect himself from going insane. He reaches the peak of his delusional behavior as he genuinely insists that what he does is only for your own good. Whilst he still understands why you are upset, he prioritizes your safety over your freedom. Sometimes you just can’t have both of those options coexisting with each other and have to sacrifice one of them. He has decided to sacrifice your freedom for your safety.
🌸Tetchou probably is one of the most normal people from the Hunting Dogs. He still has his fair share of weird quirks but most of them are quite cute for the most part. This man could literally stare at you for hours if he has the time and You can’t even remember that you see him blinking much whenever he does so. He’s kind enough to share his strange mixtures of same-colored food with you and legitimately doesn’t seem to understand what you find so appalling about it. He’s rather chill most of the times as he just lets you decide what you two should do. As long as he can accompany you, he doesn’t complain much and is alright with most of the stuff you do together with him. Be careful though if you ever have a cuddle session with him as he is very reluctant to let you leave his hold once he has you in his arms.
Nikolai Gogol
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🕊️Nikolai is a wonderful actor as he stumbles in your life, parading as someone who is perfectly normal and despite being extremely crazed in reality, you don't suspect anything. Because he does such a wonderful job in hiding everything he is. Above all what stands out about Nikolai is his unique obsession he has with you as he isn't quite possessive in a normal sense. He envies the birds able to fly freely in the sky without any chains binding them yet here he is, shackled with the chains of his own feelings which rob him of his capability, his right, to soar high into the sky. His obsession is the heaviest of those chains and behind his sweet smile he hides a deep resentment against you for caging him in like this. His fantasies range from sweet and innocent images of both of you sharing a passionate kiss with each other to truly deranged ones where he is choking and strangling you and both make his heart beat equally enraptured out of his chest to the point where he doesn't know what he wants.
🕊️​Nikolai is surely also very sadistic because as his lover you should also take part in his suffering. He stalks you, follows you and even breaks into your house as he slowly induces you with paranoia without ever revealing himself. He watches with delight as you slowly start losing your sanity as he forces your paranoid mind to push away and reject all the people in your life as they start seeing you as mentally ill which has you shedding tears as you don't even know yourself anymore. It escalates until only he is left to soothe your tears, his grip occasionally tightening on your face as you wipes your tears away with his thumb, a sweet grin on his face that slowly darkens. Sometimes he has a hard time taming his dark impulses as his eyes dart to your neck, his hands brushing against it as he has to swallow slightly when he feels your pulse underneath his palms. Suddenly you feel him squeezing your neck in a slowly tightening hold and only when you look confused and startled up does he snap out of it and returns to his harmless grin.
🕊️​Jealously is a burden to Nikolai as it is only a heavy chain more that ties him down to you. He feels like he is forced into acting as this feeling always presses onto his chest as he watches you with someone else. A part of him despises how carefree you look, so liberated from any negative emotions whilst he is left silently suffering behind you. How dare you? How dare you to rob him of his freedom whilst enjoying yourself so much? He plays quite the despicable play whenever he feels this pressuring jealousy wrapping itself around his body like a rope he can't free himself from as he resents you equally as much as the one you interacted with. He will punish both his darling and the other person for their low and infuriating display of emotions, for their crime of looking so free whilst he is left chasing after his own.
🕊️​Death through his hands is genuinely horrifying as he treats it all like a twisted game. He dangles the option of escape always in front of his victim's nose only to shatter that illusion seconds before they could get away from him. If he can't get his own freedom, they won't either. Worst is that not only people who are involved with you get involved with this. He occasionally lets you play one of those games too as he literally just collects people from the street who mildly annoy him upon first impression. As cruel the deaths of those people are, they aren't his real victims but merely pawns in his game where the main attraction will be your downfall into madness and hopelessness. You are forced to follow the twisted rules of his game as he sometimes even forces you to kill those innocent people yourself. He enjoys your downfall into despair though. You don't look that free anymore yourself as the chains of guilt and terror keep you down on the ground. At least both of you are on the same page now~
🕊️​For quite a long time Nikolai just seems to play around with you like a child would with their favorite toy. He follows you around as your stalker and masked nightmare whilst simultanously taking the role of your only friend at one point as everyone else abandons you. He just enjoys to see your struggles as he loves observing you as every tear you shed and every mental breakdown you have has him feeling a bit better about his own fate as he extracts his revenge upon you. There is no real plan to this abduction besides a simple and random will of his. Both of you could be literally anywhere before he suddenly reveals his other side to you and admits to you that he has been the one who has driven you over the edge and that he was the one who made you doubt your own sanity. There's a gleeful grin on his face as he drinks in your horrified expression. Dove, did he ever tell you that you would look lovely in a cage?
🕊️​You have to fear for your life constantly each and every day from that day on as you always have to prepare for the worst possible. Nikolai's behavior can switch so suddenly as he is quite unpredictable. In one moment he could shower you with kisses before he suddenly presses a knife against your neck and you can feel a thin trail of blood trickling down only to go back to kissing the wound on your neck again affectionately. It is a torture to not know what might be happening. Unknown to you though, not Nikolai knows anymore what he should do. In one moment he wishes to feel your cold and lifeless skin under his fingers and in the next he wants to just cuddle and shower you in affection. Your death and your life both seem equally appealing to him as he feels the chains tightening around his body as he always lacks the final push to murder you. The next time, he always tells himself. There's always the next time.
Sigma
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☁️​Sigma is an utterly dedicated man who has come to terms that his whole reason for existence can be found in you. His purpose is pinpointed back to you and so with a finally concrete goal in life, he almost throws himself willingly into the pitfall of his own obsession. Perhaps a part of him can rationalise why you are so unappy with your current situation as well as why his feelings are wrong from several perspectices. Yet Sigma would take this new obsession anyday over the dark and empty tear inside of him that used to grow everyday because he didn't know of his purpose of being in this world. So whilst his guilt is enough for you to occasionally manipulate him and enough to make him spoil you in his attempts to appease you and give you happiness, it isn't enough so that he would ever allow you to leave his side. He's too selfish to ever let you abandon him and leave him all lost and shattered.
☁️​With a fierce determination and a feeling of need inside of his heart, he memorizes everything about you until he could repeat it at any given time. He has a duty to know everything about you from the food you enjoy to the allergies to please you and fulfill you your wishes like no one else could. When one of the information he has gotten proves to be wrong or outdated, he panics quickly as he apologizes over and over again to you. Sigma is certainly very paranoid that anything could happen to you so there are cameras installed in the large room he has specifically designed for you in his casino so that he can always check what is going on if he should feel uneasy. Then there are also special guards assigned to not let you leave or to accompany you at the very least if you should go somehwere.
☁️​Sigma is for sure on a more insecure side so he is prone to jealousy which is induced by paranoia and fear that you might try to leave him for someone else. He needs a lot of reassurance from your side in any form to feel more peaceful with his life and better about his own existence because if you were to truly try to leave him for someone better, he would have failed his only purpose in life. It's this unease that often leads him into keeping you isolated more than he should as he is so incredibly skittish to let you go under other people. Even if he allows you on certain days to chat with some of the customers, he somehow can't ease his controlling grip as he schedules purposely for you to end up talking with people he has studied beforehand and has paired up with you with the thought that they wouldn't appeal to you for different reasons. Please don't hold it against him. He's just so terrified that you might want to leave him for someone else.
☁️​He's probably the member of the Decay of Angels that would be considered the most harmless because despite his paranoia, Sigma isn't sadistic nor does he take the act of murder lightly. He takes so much preparation for you to never run into any sort of troubles and for his Sky Casino to never be attacked in any way or shape that he already keeps trouble often away before it can appear. That doesn't mean that he won't take extreme measurements if anything should ever pop up that might endanger your life. As skittish and insecure Sigma might be at times he is definitely putting up a different facade when your life is in danger as you are the one thing he can not effort to lose. So even the act of killing someone will be ordered by him if he can't think of any other way to solve this issue. As guilty as he might feel for it at times, he is still clinging onto the thought that at least their death ensured that you wouldn't be in any harm.
☁️​An abduction with Sigma is bound to happen, although he takes a less rough and violent approach to it. He is planning the entire thing weeks before it happens as he reads every information about you he could get his hands on and then prepares and designs the room himself with what he thinks you would love most. He puts so much heart and soul into it because he only strives for perfection when it comes to you that you would almost feel flattered if you wouldn't be permanently stuck in this suite now. You don't even know what he has in mind when he one day nervously asks you to come with him only to lead you into this room before offering you a drink, spiked with drugs. He explains everything hastily you just before the drugs start taking effects and you start feeling sluggish and tired and don't possess the strength needed to rebel against his sudden declaration that he can't let you leave him anymore.
☁️​Getting into arguments with you is never good for his mentality especially if you harshly critize him and he can basically feel your resentment and your hatred festering inside of him. He needs your approval, he needs your affection because otherwise his existence will never feel validated. He showers you in presents of clothes, food, jewelry and hundreds of other things he hopes you enjoy in an attempt to appease you and lessen your anger against him. Sigma has a hard time leaving you alone for even a few hours as he gets quickly anxious and uneasy without your presence and checking the cameras he has installed inside your room only help that long. So he often pays you short visits in between his work to bask in your presence for a bit and to calm himself down before going back to his work. Even with his composed image in his workplace, he is awfully easy to tease and to fluster as his face quickly flushes red whenever you show him affection and he is especially shy when it comes to physical affection because you're literally the first one to do about everything with him. From the first hug to the first kiss.
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in-flvx · 6 months ago
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I keep thinking about Edwin's dad. We know nothing about him other than he knew a lot of colourful words for people he judged. Words he said often enough that edwin picked up on them and took over his dad's judgement on people, which he keeps mirroring a century later. Edwin's family was very obviously well off, so his read on people is heavily coloured from this. He also seemed to look up to his dad, his opinion mattered to edwin, and only Charles calling him out on it because of the comment edwin made about crystal, which made him rethink that.
And it's such an interesting window into their relationship, and their social standing at large as well. It's obvious through their behaviour, down to their accents, that they aren't from the same class. Charles likely got into the boarding school through a scholarship, probably a sports scholarship (he says that it didn't matter to his dad how good he was, or how good he was at sports, he'd still get beaten) while edwin probably got in as an expected part of his life conjecture. And their first meeting is borne from compassion and a mutual understanding. But edwin used the insults his dad taught him often enough towards Charles that the latter started looking them up. Charles, due to his own upbringing, seems very used to, and takes it lightly, to be called bad things. Which is were his parental abuse and being British Indian come into play. Its par for the course. Rather words than belts and stones, probably. And he knows that edwin genuinely loves him and is committed to him, even before the confession, so he puts even less weight on them.
But yea... just thinking about Edwin growing up with neutrally okay parents, for that time. Teaching him the accepted forms of bigotry of their time. Burying his own homosexuality deep within himself. He is then surrounded by other kids who share his parents believes, and keeps to himself to stay safe. Getting into detective fiction due to his love for mysteries and compassion for the wronged parties. Spending 70 years in hell, where he probably unlearned a lot of his learned bigotry.
Getting out, and meeting this lower class, half dead, half Indian kid, who tells him he got beaten to death for protecting someone. And Charles is funny and smart, and inquisitive, he oozes charisma, charm and compassion. And he is everything Edwin's own parents are not bc of that. So Edwin falls for him. Is glad about the companionship as well, after 86 years of loneliness, 70 of which he spent in literal hell, Charles is the beacon of light, and of difference, he always craved in his own life and death. It helps that he knows that Charles won't stay long. Edwin can be open and soft, without fearing consequences, bc Charles will go to the afterlife soon anyways.
But then Charles decides to stay. With him. For him. Which is a whole other conundrum, and also exactly what Edwin had craved for longer than he knew. But edwin is still at the beginning of unlearning his upbringing, and Charles doesn't seem to mind at all when Edwin speaks his mind. So he goes on with it. He can be crass and insulting, and speak his mind, and he only learns after 30 years together that Charles might actually hurt from the things Edwin says to him, and other people. Things his father had taught him...
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