#colour script
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skywerse · 3 months ago
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I think I’ve finally stopped cringing enough to share some of the stuff I worked on for my short film, “Heirloom” and this is the colour script!! :D
The colours carry a lot of the emotional weight in the film, pulling you through each stage of the story and making you feel every shift the characters experience!! This was especially crucial since there's no dialogue or narration to lean on... So let me yapp a bit about that—
The first act features vibrant yellows, greens, and oranges—warm, lively tones that signify peace and stability. This palette establishes a sense of calm and familiarity, but as the act progresses, darker hues begin to infiltrate the scene.
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In the latter part of the first act, the colour scheme shifts dramatically to dark, gritty reds and oranges. This transition introduces this tangible intensity, this foreboding feeling, highlighting a surge of anger and tension. The dominance of these reds signals a significant change in the narrative.
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The second act dives into violets and purples, evoking a sense of novelty and uncertainty. These colours effectively illustrate the protagonist’s struggle to find his footing in a world that has moved on without him.
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The third act is divided into two parts! Initially, deep blues dominate as the protagonist returns to a home that's long gone. These dark, sombre tones represent profound sadness and loss.
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The final part of the film transitions back to these bright, saturated yellows, concluding on a very hopeful note. This return to vibrant colours signifies a resolution and a full-circle moment, reflecting the protagonist's journey and his redemption :)
if you have 7 mins to spare to watch my short film, look under the cut!!
youtube
(BEWARE!!! I was on a tight deadline for this, the audio is SHIT)
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talesfromskycountry · 1 year ago
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A benefit to getting to make a comic slowly and deliberately - colour scripts! I get to kepe an eye on the flow and purpose of colour in a single episode of the comic. Hold on tight to see which colours come next!
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backgroundpropinspro · 10 months ago
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ARTIST: pegushi_
LINK: CLICK ME
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saintzaby · 10 months ago
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poorly-drawn-mdzs · 5 months ago
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The Quest Continues...
(part 1- part 2)
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kriskukko · 1 year ago
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garden II // 1912 based on an autochrome by reino pietinen
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puckpocketed · 3 days ago
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15/11/2024 - WSH @ COL
Dubois when asked about linemate Connor McMichael -> (˵ ‘• v •`˵)
You've got a front row seat to what Connor's done. What's gone into him having the heater that he's on right now? Yeah, it's - I don't want it to stop, nobody does, especially me and - and Tom, I think, so, whatever he needs we're there for him. Um, I had my hands up in the air, I thought he had that one at the end, but, when you're hot it's just a matter of time, so, y'know he missed that one but he'll get one - hopefully he'll get one next game.
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gd-dollopole · 1 month ago
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I cannot stop thinking about the comparison between BBC Merlin and Smallville.
As the directors of BBC Merlin have said, an inspiration has been taken from the ten long seasons of Smallville, an US TV show I always loved, and literally grew up with, and since a few months back, I also made a re-watch of Smallville, I can’t stop thinking about the potential BBC Merlin could have had, if it actually followed some bits of the storyline of Smallville.
We can already see some of the similarities between the shows:
Merlin wears a red neckerchief with a blue tunic and viceversa, like Clark Kent, and whenever he’s hopeless or sad or angry, he wears worn out grey colours, and as an avid fan of Smallville, I can assure you that Clark Kent wears the same things;
Clark Kent has to hide his powers in a world that would hurt him, kill him, or experiment on him, if he let on his deepest secret, and for that, he not only loses the people he cares about the most, much like Merlin does, which are his father, his friends, his lovers, and almost even his mother, but forbids himself to fall in love, and therefore pursue any kind of relationship;
he’s witty, yes, like Merlin, but also shy and brave and lonely.
But the difference between Smallville and Merlin is that in Smallville, there is the closure I would have liked to see in Merlin:
Clark kent does hide his secrets, and he is good at it, until everyone else finds out about him, all on their own.
We’re talking about everyone (maybe because Clark/Merlin are not as sly as they think):
Lex and Lionel and Luthessa Luthor, Lana Leng, Chloe Sullivan, Pete Ross, Oliver Queen and so many others, either because they already had their suspicions or because someone else showed them.
And this brings the right amount of angst in the show, mixed with the betrayal and the lies and the secrets and the love triangles and the tropes that come out of them.
But where is Arthur in this picture?
Oh, this is the good bit.
For very obvious reasons, apart from the fact that he doesn’t talk as much as her, Arthur is definitely Lois Lane.
FROM THIS MOMENT ON, SPOILERS AHEAD FOR THOSE WHO HAVEN’T WATCHED SMALLVILLE:
Lois Lane makes her appearance as a main character in the later seasons, after Clark understands that he has officially lost Lana, and starts working at the Daily Planet, in the same office as Lois.
But, unlike Arthur, Lois loves Superman (or The Blur, as he’s called for the entire ten seasons of Smallville, because he’s always caught on camera, but just as a blur). She talks to him in secret, and Clark masks his voice through the phone, he helps her and she helps him, he saves her innumerable times (does this remind you of anything?), and each time Lois compliments The Blur, Clark gets angry, because it’s his alter ego who gets the praise for a job well done, and not him, the clumsy idiot of the Daily Planet, much like everyone else in Merlin’s life has always got the credit for saving Arthur’s life, instead of him.
But what they should have given us in Merlin is what they gave us in Smallville, and it would have honestly made for the biggest magic reveal:
once Clark needs to fend off another enemy of the year, and thinks he’s going to officially die, he goes to say goodbye to his friends and his most loved ones, Lois included (“I’m happy to be your servant, until the day I die”).
Although, unlike in Merlin, where Arthur is a sweet himbo, who doesn’t inspect, and who doesn’t suspect anything, Lois had her suspicions, given that she and Clark had not only started falling in love, but now worked together too, and since she cared a whole lot about him, she follows Clark.
In the Smallville TV show, Lois hides behind a building from where, minutes later, Clark falls from. Lois believes he’s dead (Clark is immortal, and this begs the questions again: does he remind you of anyone?), and notices that he’s been stabbed in the chest with a blue crystal (context: the blue kryptonite removes Clark’s powers, and renders him human, and therefore mortal, unless the kryptonite, much like the green one, gets away from him). Following her guts, and sad and desperate that the man she loves the most might die, and believing in her suspicions and instinct, Lois pulls the crystal from Clark’s body, but the moment she hears some clutter, probably thinking they’re the enemies, she runs away, and goes back hiding.
And there, she sees him.
Clark grunts, gets up, completely safe ad healthy, sees that the crystal may have fallen by itself, or simply disappeared (and actually asks himself how that could have happened) and runs away:
by using his super fast power.
And Lois sees him.
Now, what could have been perfect was, if Arthur did the same.
After an attack gone wrong in the woods and losing sight of Merlin, he goes searching for the idiot, yelling something very along the lines of, “Where’s that useless buffoon?”, when he’s actually worried sick, and finds Merlin stabbed in the middle of a clearing.
Now, Arthur despises magic. He loathes it, he doesn’t trust it, yet, bless him, he still tries to understand it. This could have happened after Uther’s death, the moment Arthur’s reign begins.
He watches Merlin.
Arthur’s alone and shocked and scared and sick, so he drops to his knees next to him. He does not cry, he does not scream, he does not faint, that’s not really him at the end of the day, right? (Lois is the same. She grew up in a strict household with a strict solider father, and has lost her mother, and she had to be the parent to her older sister… Very, very much like Arthur). Or that’s what he thinks, and out of pure desperation, and something that sounds a bit like love, just like Lois Lane, since Merlin flinches, when he should be dead, for goodness’ sake, and out of instics and probably destiny, Arthur pulls whatever has stabbed Merlin out of his abdomen.
But as soon as he does, and as soon as he hears the knights coming close to him, and not to alarm anyone, and because he does not want them to see him in this sort of shocked state, Arthur hides behind a tree.
And there, he watches as Merlin, half dead and half alive, calls for Kilgharrah.
And Arthur has the same reaction of the finale.
He does not act on what he just discoveres.
At first, he’s sceptical, once Merlin comes back like he always does (and now he knows why and how), so he avoids him, he makes awful jokes, or hints about magic and about how powerful and dangerous it can be.
But once he’s sort of gone over this phase, noticing that Merlin hasn’t done anything with his big powers, like showing him off or anything of the likes (because Arthur has always known, magic or not, that Merlin would have never hurt him or Camelot), Arthur becomes… Curious.
And here comes the part that aligns with Smallville (we can also add the sexuality/gender identity/coming out metaphor):
much like in Smallville, and with magic and superpowers, and like in real life, someone does not force this information out of people, but Arthur, like Lois, is dying of curiosity, and just wants Merlin/Clark to trust him/her and tell him/her his secret, because he/she already knows of it.
So Arthur starts doing what Lois did.
The day after everything is well, and Lois now certainly knows about Clark’s superpowers, and the fact that he is The Blur, she goes to work, until Clark arrives too, and tells her that he must be quick for something, and needs some documents for a research. Lois stalls, and pretends she’s being SUDDENLY clumsy and a bit of an idiot (this would go perfectly well with Arthur, because he is an idiot, and he is also smitten with Merlin), and let her pen fall under the desk, to see what Clark would do.
And he uses his powers.
So imagine a wild Arthur in his natural habitat (his chambers), bored like no one else, and on the verge of imploding, because his manservant and best friend and love of his life he’s being stubborn and an oaf and an idiot and a toad.
He lets the apples or the sword or the belt fall under the table, pretends he’s keen to an act of kindness, and picks up the items himself, instead of letting Merlin do it, while he instructs said servant to do something else in the meantime.
Shocked at first, but following through with the orders, Merlin does as he’s being told, after throwing several sceptical looks at his prat of a king, and as soon as Arthur gets up from his crouched down position on the floor, the bed is already done, and the clothes are already folded, and Arthur goes mad, because, oh, he was right, and what else can Merlin do?
The curiosity gets him as much as his developing feelings for the cretin, with apparently super magical powers, who could also break a neck with a flick of his eyes, if he wanted to, and Arthur starts pretending to be even more of an idiot to see more magic, without Merlin knowing that he’s actually showing Arthur his abilities.
And the best part of it all?
The magic reveal.
I love Smallville, because the way Clark confesses his secret to Lois isn’t anything grand or majestic.
Yes, Clark does take Lois flying; yes, he also shags the living brains out of her, IN THEIR FARMS IN THE MIDDLE OF NOWHERE (I must do this again but, does this remind you of ANYONE/ANYTHING IN PARTICULAR?), but he’s just built and hot and intelligent, but also very, very shy and a bit silly.
That’s why I love Clark the most as the best version of Superman, and Merlin as the best version of the famous wizard.
So Clark calls Lois to meet him in one of the Daily Planets departments, where documents and papers are stashed and kept there, on the last floor of the building, and where no one ever goes, and he fidgets a bit with his fingers, and he stammers a lot, and Lois is about to lose it, because still, after all these years, and our love? And how can Clark not tell me? Does he not trust me? Does he not want me like I want him? And all these emotions are well encompassed on her face, because Clark fails to tell her, and he says that he’s sorry, he can’t lose her, he can’t take that risk, he has lost so many loved ones already, and what does Lois do?
She understands, because she loves Clark, and she does not want to force him.
She gulps her tears, she miles brokenly, she nods, she tells Clark that it’s fine, but when she’s about to turn on the elevator, Clark realises that the love of his life is about to slip away from his fingers, and just blurts his secret out like a bloody moron.
Much like Merlin would do.
“I’m The Blur.”, he says, and Lois smiles, she turns around, and she runs to him, and literally jumps him, until they both fall back together, and laugh and stutter out their words and yes… They end up snogging.
Now, I want you to imagine a wild Arthur standing on one of the towers or balconies in the Camelot castle, while Merlin is being the usual insecure, oblivious man Arthur’s known for over ten years, and he turns around at the confession, and he runs to Merlin, and he pulls him to him, and while in this version, Arthur gives Merlin a concussion, as he hits the stone floor (because they are romantic, but also more stupid than Lois and Clark, since they’re, you know, a bloody gay disaster), he snogs the shit out of him too, and they start working together, and getting rid of the enemies together, and form a bond that is even deeper than the one they had before already, and Arthur meets Hunith’s mother as someone else entirely, while the chaos ensue, and so do the messy feelings:
like it happened in Smallville, but did not, because Lord forbid the gays, happened in BBC Merlin.
The knights of The Round table are the other DC superheros, and Guinevere could either be a superhero of her own or the wise and smart counsellor, who would be the journalist in Smallville, and Morgana is still Arthur’ sister, good or evil, it does not matter (she could either be after Merlin or after him, the options are innumerable).
Morgana is basically the obnoxious sister Lois’ has always had, who even gets a fake crush on Clark/Merlin to manipulate the two (these TV shows are too similar, I swear).
But I’m not done.
Oh, no, I’m not.
Because imagine all of this, imagine Smallville, but as a literal crossover with Merlin:
a fanfic where Merlin is the apparent imbecile employee at the Daily Planet, who actually has so many super powers, and he’s invincible, and his boss is Arthur Prat Pendragon, who is sceptical of superheroes, and his father Uther haunts them down, and is the owner of said Daily Planet, and loathes Merlin, because he talks about superheroes in his newspapers, and about his dad, because sodding fucking hell, he could control dragons.
Imagine the mess as these two fall in love, even if Merlin thinks he hates the rich, twat boss, whose order he has to follow, while Arthur treats him like a servant, rather than a journalist; Gwen could be either Chloe or Lana Leng, the best friend or the past lover, and Lancelot becomes Guinevere’s Jimmy or Oliver Queen, and Pete Ross is Will for Merlin, and Uther, is still the mad man they have to defy.
Merlin could have had so much potential, and a plethora of ways to have the magic reveal happen, and yet it was not used, and yes, if you didn’t notice, I’m still so mad over it.
I cannot fathom the amount of happiness I would have felt if they actually merged two of my favourite TV shows ever together, a good crossover between Smallville and the Arthuriana, in this case, BBC Merlin in particular.
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laesas · 2 years ago
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Lets write a song together next time || KimChay + A Happy Ending
Jeff Satur and Barcode Tinnasit as Kim and Chay || KinnPorsche the Series World Tour 2023
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diosmaden · 1 year ago
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now in colour :)
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wogot3 · 5 months ago
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i dont remember if i ever shared that polaroid/compliant is conductor but yea here you go
spoilery concept stuff but i dont careeeeeeeeeee
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pyromaniac-cyndaquil · 1 year ago
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after a couple of weeks of working on it on and off, here's what i have on the pmd deltarune hack so far! There's four and a half minutes of cutscene from the start leading up to beach cave 👀
(and yes, the other dialogue options have different lines too :3c)
shiny ralts and fuecoco sprites courtesy of the pmd sprite repository!
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backgroundpropinspro · 10 months ago
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ARTIST: Lindenpaints
LINK: CLICK ME
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lollytea · 1 year ago
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Tbh I think the Barbie movie handled its theme of existentialism better than the feminism.
#the feminism of the barbie movie is nothing new#its nothing you wouldnt have seen in a 2016 tumblr post#and in its efforts to platform the struggle of misogyny it unintentionally shrinks the issue of other forms of bigotry#like it IS about a cis conventionally attractive white woman and the prejudice that she applies to her#because shes a woman. so is not on the TOP of the privilege scale and is going to face bigotry as a result#like Greta Gerwig clearly wrote what she knew#and she didnt feel she was educated enough to touch any other topics#the mistreatment of women is a layered topic and it is a complex matter depending on the varied range of women in this world#queer women trans women women of colour#they dont all experience misogyny in the same way that Barbie does#so its definitely not a very rounded discussion#like even Gloria focuses entirely on the pressure of just women in general#like you can claim that shes speaking from her own experience but. its very mouthpiece-ish#her speech is for the purpose of whacking you over the head with the film's message#yknow i think the focus leans too heavily as ''look what we as girls have in common''#but doesnt touch enough on ''but look how we differ too.'' a balance between those two concepts would have been nice#i feel like Sasha being like ''hell yeah white saviour barbie!'' was like a lazy acknowledgement that theyre AWARE of this issue#but like. theyre too deep into the script now#anyway yeah i was just thinking about this cuz of that gifset#Barbie feeling unsafe and being objectified in a public space#while Ken faces no issues whatsoever. even tho he is a loudly colourful flamboyantly dressed man on rollerskates#because we are going for a misogyny message here. so we need to poof homophobia out of existence for a bit okay??#like this is basically what i mean. putting misogyny under the spotlight#and as a result quietly pretending other social disadvantages dont apply right now. bending reality to reinforce the message that we want#this isnt like. a scathing criticism on barbie btw. i dont have a film critic brain#im dumb and i love everything#also im really not the person whos qualified to talk about this#this is just some word vomit because i cant stop thinking about it#anyway i think the themes of what it means to be human and live and breathe fucked royally#i loved that stuff
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groundbreakingdot872 · 1 year ago
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sorry. but the idea of old man merlin puttering around in his kitchen in the early morning, fussing over the seating and chair logistics at his (round) kitchen table, and then getting frustrated with himself at coming up short- and having the bitter realization that he’ll always come up short, by a whole table actually, kills me.
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julie-finlay · 5 months ago
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Finlay Friday
13x21: “Ghosts of the Past", script extracts pt. 1/2
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