#coaching culture
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uexcelerate · 10 days ago
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Executive Summary: Debunking Myths: Building successful coaching cultures
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Coaching culture refers to an organizational environment where coaching is embraced and integrated into everyday practices. It is a mindset that values continuous learning, growth, and development through coaching conversations. A coaching culture is important because it promotes employee engagement, enhances communication and collaboration, fosters individual and team performance, supports talent development and retention, and drives a positive work environment. It empowers individuals to take ownership of their growth, facilitates open dialogue, and builds strong relationships based on trust and support. Ultimately, a coaching culture contributes to the overall success and effectiveness of an organization. This webinar talks about building a coaching culture and also discusses uExcelerate’s initiatives in helping organizations form a successful coaching culture.
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executive-coaching-programs · 6 months ago
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Top 5 Ways to Improve Coaching Culture in Your Organization
Are you facing challenges to develop a coaching culture? In today’s highly competitive environment, coaching is beneficial to all employees but developing coaching culture requires dedication and focus. This blog looks into top ways to make coaching a part of your organizational culture.
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ratatatastic · 9 months ago
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"we're skatin' matt, we're skatin'! you're good, you're good! runnin' her out, goes hard, loves to talk! youre good! BREATHE BABY BREATHE!!!"
always have a mic on paul at all times if this is how he talks to his players after their shift ends oh my god
edmonton oilers @ florida panthers game 2 | 6.10.24 (x)
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littleolfandomblog · 1 year ago
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a head cannon that i genuinely don't see enough of is coach wymack being polynesian. like it was the first thing i thought of when i heard about his tribal tattoos. idk it just always made sense to me that wymack and kevin were either maori or samoan
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savhearts087 · 22 days ago
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aesterblaster · 7 months ago
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Shidou is the one who teaches Sae that it's okay to have boundaries in relationships and helps him feel safe, if you even care. Sae is used to being hit on, touched by fans and interviewers since he was 11. Sae is used to people wanting him and his body and his fame. He can handle that aspect of Shidou.
What really gets him is when Shidou starts asking questions. There's no expectations and yet he asks if this or that is okay, he calls him just to ask how he's doing. Sae gets this throbbing anxiety in his chest whenever he wants something as simple as a hug. Afterall, he's the badass soccer prodigy. He shouldn't crave affection when he has such a fulfilling career. Or at least that's what he believes until his new boyfriend gently slips his hand into his at a cafe. And suddenly he's remembering all the time he spent denying his sexuality, all the times men and women so much more experienced than him told him to just suck up his pain because this was all the love he was going to get. All the times he felt unsafe expressing the slightest bit of affection for another man in public and intentionally distanced himself.
It's like you don't even like me, his past flings would whine. Why do you flinch away, his exes chided. They simply hadn't seen what he had, hadn't heard the locker room talk about what one of his teammates would do if he found out he was on a team with a queer person. Shidou scares Sae sometimes with his loud makeup and dyed hair. But damn, does he feel like home. His hand is warm too, feeding Sae's skin hunger. That comfort doesn't stop him from slipping out of his grasp and shoving his hand in his pocket though, glancing around to see who saw them.
Shidou just smiles and leans back. Sae doesn't have to apologize or say anything. He doesn't know what Sae's been through yet, but he can feel the anxiety coming off of him in waves. He doesn't know this yet, but he's the first person who's been gentle with Sae. Who understands that jumping hugs and private comments look much different off the field. No, he doesn't take offense when Sae flinches at pda, and that just makes Sae want him more.
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thomascott · 9 months ago
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Good morning ☀️wishing everyone a Wonderful and Blessed day 🌈❤️💐
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deathbysports · 8 months ago
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currently thinking of how abusive some hockey coaches are and how players are supposed to act like that sort of stuff is normal
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kemetic-dreams · 1 year ago
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African American celebrities and their African Ancestral doppelganger
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Lol I don't look like no African LoL.
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uexcelerate · 11 days ago
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bitter69uk · 15 days ago
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“(Anna Magnani was) an ordinary Roman who was anything but ordinary. Magnani was a volcano, a tempest, a devastating performer who seemed to live and breathe her art and whose best performances would rank among the most vivid and immediate and emotion-rich ever filmed. She was born in Rome in 1908 (and would die there in 1973), and she was a living symbol of the city: its she-wolf, its spirit goddess, the voice of its streets, the face and body of its native population … The piazzas of Rome may have been filled with women like Magnani but on screen, particularly among leading ladies, there was nobody to compare. She would never be mistaken for a beauty pageant contestant or some producer’s girl on the side: she was full-bodied, shaggy-maned, often slightly disheveled, with a long nose and a tendency to sport bags under her eyes. She projected no vanity and few pretenses. But she had a raw, titanic talent, especially for screen acting, where the camera could get close in on her and reveal her wondrous ability to channel the disparate emotions of a moment.”
/ From Dolce Vita Confidential: Fellini, Loren, Pucci, Paparazzi and the Swinging High Life of 1950s Rome (2017) by Shawn Levy /
Born on this day: the fiercely sensual, temperamental and magnetic earth mother of Italian cinema and paragon of Mediterranean womanhood, Anna Magnani (7 March 1908 - 26 September 1973). I particularly treasure Magnani’s force-of-nature performances in L’Amore (1948), The Golden Coach (1952), Bellissima (1952), Wild is the Wind (1957), The Fugitive Kind (1960) and Mamma Roma (1962). Anna Magnani was a torrent of raw emotion! As John Waters concludes, ���She was earthy. God knows she was earthy!”
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f1ygrl · 3 months ago
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coach shoes
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aro-culture-is · 2 years ago
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Aro culture is being the romance expert of the group because of years of reading fanfictions and being more observant.
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kingofthewilderwest · 1 year ago
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Formula for tumblr post:
This thing is morally reprehensible and destructive because [lists extremely extreme example that isn't how most people engage with it] therefore we should [pendulums to the opposite without moderation]. And anyone who tells you otherwise is dangerous!
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coachtfd · 2 days ago
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Just going to leave this here. 👍🏾
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uexcelerate · 11 days ago
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