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#cinematorgraphy
k12academics · 8 months
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More than 17 years of education, experience & offering training in 10+ fields with In-depth Knowledge of Client Servicing, Sales, Engineering-Software(s), Construction and Remodeling, Human Resource, Information Technology Staffing & Development, CRM, SAAS, ERP, B2b, B2c, Microsoft Products, Project Management, Backend Sales & Marketing, Training-Development, Business-Mergers & Acquisitions, Immigration & Documentation, Commerce & Industry, Business Processes & Infrastructure, Corporate Leadership, Organizational Leadership, Personnel Management. Proficient to handle all softwares & applications because of education in Information Technology. A successful 28 years in business, 39 years in performing arts with record breaking success in all the activities of performing arts and its related fields with more than 50 specialities - https://www.hetaln.com/all-workshops. The count of my stats in each activity is conviniently listed with activated links - https://www.hetaln.com/statsandsocialmedia
I have worked with more than 12 ISD/charter/private schools for upper elementary, middle or high school.
Successfully delivered programs such as building programs for fundraising programs for schools for new buildings or equipments, school activities, awareness programs, personality, character building, compliance, diversity awareness and inclusion, special diets and meal plans for charter and private schools such as vegan/vegetarians/non vegetarians with restrictions, therapy programs with strict doctors' prescriptions.
I have offered workshops in more than 6 universities and educational institutes as well as govt programs such as senior living, teen speciality programs, pre teen speciality programs, montessori programs, elementary scouts.
Available and fully support to take any certifications if needed for any premises or project if required or as required such as drug tests, smoking tests, physical fitness tests, cpr or aed or any other if required by the school or institute as required with list of "must have" trainings - often arranged by schools or institutes themselves-we just attend it.
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sizefourteen · 2 years
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Such a great story of surf legend Jerry Lopez. Directed by Stacy Peralta (Dog Town and Z-Boys), the cinematorgraphy, beautiful archival surfing footage, and a rich and open telling of Lopez’s life story is told with detail and emotion. Watch for free on Patagonia’s YouTube. 
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dw guys im getting cultured tonite (slimbo put on Drive in the background while we are drawing)(im not watching the screen at all cus im drawing so i am missing all the cinematorgraphy)(but i am enjoy listening to ryan gosling be silent and thinking hes just like me fr)
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radiosilenced · 4 years
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Films watched in 2021: Fantastic Mr. Fox (2009) dir. Wes Anderson [2/?]
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parallelmovies · 4 years
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Kiss Me Deadly (1955)  dir.: Robert Aldrich
Pulp Fiction (1994) dir.: Quentin Tarantino
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headlesssamurai · 5 years
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“You have never seen the look of war. You have no idea. No idea what it does to a man.”
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emilykalvels · 5 years
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I’m long overdue to show you my reel. 
I’ve shot all of the images on this reel, but I also worked on other aspects of many of the films. You can see a compilation of films I’ve shot here and films I’ve worked on here. 
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mateo393 · 4 years
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herramientas de extraccion 
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herassmentdoc-blog · 7 years
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Meet Imani Belser!
Our cinematographer. Imani was born and raised in Brooklyn New York. “Growing up in one of the most diverse cities in the world in poverty, I got a lot of perspective from being exposed to so many different people and cultures. This definitely influences my style as a DP when it comes to framing and composition. My goal is to be able to influence kids like me, who grew up in the hood, by creating a platform and opportunities for them through my success. I will start a production company one day. By us and for us!”-Imani
Meet the rest of our team here!
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dxnaves-blog · 7 years
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EVALUATION
The aim of the brief was to explore the relationship between the viewer and the artwork I create. In this project we were asked to produce 6 illustrated frames from a chosen film that showed a range of techniques and processes. The context of the assignment was to develop an understanding of the relationship between art and film and the link between still and moving images. When we received the brief we straight away looked at Edward Hopper. We used this a case study to research a artist known for the cinematic quality of his artwork. Before this project i hadn’t looked at any of his artwork, what i found interesting was the way he communicated the story of the character through his paintings and drawings. This would then become more relevant as then we would explore some of his techniques to develop our own ideas. I found working from a case study quite challenging as some of the techniques and processes are out of my comfort zone. We have been introduced to artists such as Edward Hopper, Jean-Michel Basquiet, Paul Rand and Saul Bass, however I feel The artist that most inspires me is Paul Rand because he is a logo designer and he uses simple and solid colours to still symbolise meaning, he has designed logos for ABC, NEXT, UPS and IBM, these are all well know logos and still used to this day, I use his technique because I think if something can be simple but communicate a complex meaning then that makes it just as successful as a complex graphic that only tells its audience one meaning or no meaning at all. the value of this research helped me understand the basics of how to send a message using simplification as a primary graphic technique.
His use of solid colours have influenced me to work with digital processes and experiment more with colour and techniques In my illustrations, so that I can create effective pieces of work. For example in one of my developments I made a simple illustration using Adobe Illustrator to create a cartooned version of Sarah Connor, the protagonist of the terminator (1984). I drew round the image of Sarah Connor using the pen tool and added a stroke, I then used the colour picker to pick just one solid colour to be applied to the different shapes e.g. her face and hair. The overall effect of the image was quite flat and the use of solid colours made the the image quite boring, I then wondered how I could implement this with a analogue process. I found that mixing inks in over the top of a print out still created quite a dull, boring piece of art, but the process allowed me to test and prove that I could mix the two processes to possibly create a communicative piece of artwork.
Edward Hopper has also inspired me to try more analogue processes that I wasn’t confident in before, for example dry point. When we started dry pointing I wasn’t confident but seeing his work and seeing what effect it communicates and the message it gives and also the texture it has, seeing his work do this has made me want to push myself out of my comfort zone and try more techniques and give my work the same effect and meaning. I think I was quite experimental with visual language within my work for example I used ‘line’ in my work by adding strokes to images, this gives the effect that whatever is using a stroke is something that you want the audience to focus on. I’ve used ‘tone’ by using drawing ink on tracing paper to paint all the dark tonal points within the frame, after I then scanned it in and manipulated it because I could then change what ever I wanted about the image so it was more understandable to the audience.
I’ve used ‘texture’ also in my artwork by making my own textures using processing such as marbling and using water colours this will add vibrancy to my work and add life to frame of my chosen film.
In my work I have used materials such as cartridge paper, tracing paper, watercolour, drawing ink and oil based ink, the effect of using these materials is I can create a natural looking piece of work using ink, paper or watercolours, in my work I have used dry point, mono printing, painting, carbon transferring and also I have used tracing, the effect you get from using these is that because they’re all analogue processes you cant control what happens so it allows you create an effect thats works but you didn’t mean to make it, this makes it more unique, I also used drawing ink with a quill and traced my close up of terminator and when the ink bonded with itself it created a dark and light separation and a gradient effect. 
I have used a collection of processes, analogue and digital these are both successful ways, because with analogue sometimes you cant control the effect it gives, however with digital you can scan the analog process in and change it using hue, saturation, levels. Therefore it affected my creative decisions because before trying out all these different analogue processes I wanted to do just do digital, but now I’ve tried these new processes I will use them more often within my work. Also all these materials and techniques I will also use within my work.
I selected both digital and analogue processes because they can both be used to create one outcome for example in one of my developments I made a rough simplified version of Sarah Connor from terminator and printed her onto cartridge paper, then I used the process known as marbling to make the background, however on my next development I did the opposite of what I did on the simplified image, for this one I used drawing ink and quill to draw all the dark toned places on the image then I used carbon transfer to draw outlines and go over the dark points on the image, I then photocopied the image I was working from and put a red overlay onto from the printer, after I did this I scanned everything I done into photoshop and multiplied each layer this allowed all of them to overlap and I put them together and it came out really well, because I used both analogue and digital processed to create the outcome. My work has effective qualities because it uses a mixture of visual language such as on my latest frame design the effect it gives to the audience is that because the image is separated using triangles it reflects a robotic and futuristic style this links to ‘shape’ out of the visual language elements, also it links to ‘colour’ because the triangles use the average colour of the image this shows that because they’re all solid colours they build up a complicated image but also builds up ‘tone’, ’texture’ which are also visual language elements.
In my work i’d like improve my range of techniques within digital, i’d like to learn new things on photoshop and illustrated such as double exposure, to use within my work to make it as effective as possible.
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highonsoundwaves · 7 years
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dukeofriven · 3 years
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Remember how in Captain Marvel Carol Danvers asks the little girl to pick the colours of her costume, and the scene is shot at night on a dark front porch backlit by an extremely yellow hall light, rendering the entire scene murky and desaturated? Because I think about the choices made in that scene all the time.
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weswam-archive · 4 years
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i want to make movies so bad
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minijenn · 4 years
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So I’m watching this live stream of the Hunger Games that’s on YoutTube right now and first of all 1. Nostalgia Bomb because I was obsessed with the Hunger Games back in high school like that was 100% My Shit right there and I LOVED it and 2. how the fuck was I allowed to be obsessed with this dark shit that involved a fuckton of children violently dying in the deeply conservative home I grew up in like wtf I must have snuck my obsession around my mom cause if she knew I had been into this kinda shit she would have been LIVID 
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classic-rock-roller · 7 years
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These are for @diamondsinrust , I hope you like them! :)
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jalopeura · 7 years
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i like the costume design a lot. i’m about 40 minutes in and its been very exposition filled so far. i think it might bother me a little less if i didn’t know what was going on? hmmmmm. 
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