#characters go. their stories are over in canon !!!!!!! we cannot keep doing this to them LET MY BOY REST !!!!!

[simcardiac-arrested]

i'm curious, how do you feel abt the whole uuh, Michael reincarnated/his soul is stuck in glamrock freddy theory? if you've seen it floating around :0

yeah i’ve seen it around, my thoughts are that as an actual canon theory: it doesn’t make a lot of sense and just isn’t very interesting or compelling. like why exactly would mike be possessing freddy when they’ve never had any relation??? there’s no actual proof for it in the game or ANYTHING. glambear doesnt even act like mike At All people just came up with that theory because gregory looks like evan . but listen we have GOT TO LET THE AFTON FAMILY REST FOR REAL !!!! WE HAVE GOT TO LET MICHAEL REST HE HAS TO GOOOO !!!!!!! as an AU concept: sure why not. it can be interesting but also honestly i think a lot of people just Dont Understand how mike would act if he was actually possessing glamrock freddy. he would not be doing all that niceys fixing his mistakes and projecting shit he would be in the fucking torture labyrinth. having to deal with a kid that looks like his dead brother? Yeah he’s in the torture labyrinth. everyone include this in your mike is glamrock freddy au

[starcurtain]

Comparing Phaidei and Other Hoyo MLM Ships (Part 1)

I barely know how to begin, honestly, because I'm still so taken aback by the absolute Phaidei feast that was 3.1. But perhaps because we were so overfed by the patch, I was actually jarred a little out of the story itself--too busy turning over the broader ramifications of such blatant queer-coding of two male characters in a modern Hoyoverse game.

Of course, Hoyo isn't remotely new to queer-coding their characters (or to queer-baiting, either, gacha games gotta hustle at all times). They absolutely have a history of hinting at both WLW and MLM ships and of including fanservice between the player's MC and other playable characters regardless of gender. Strangely enough, due to the unique confluence of their target audiences' tastes, the Hoyoverse team has an active profit motive to create gay characters:

WLW ships are appealing to heterosexual male players.

MLM ships are appealing to heterosexual female players.

Simultaneously, WLW and MLM ships are appealing to queer players.

Heterosexual ships with characters other than the MC are unappealing to a large percentage of the game's playerbase, particularly to heterosexual male players who want to keep their waifus to themselves but also to female yumeshippers.

Hoyo's market is literally telling them that 1) male characters sell better when they're ship-baited with other male characters, and 2) players don't actually want heterosexual ships between playable characters if the MC isn't involved. (Hell, look at Firefly--players hate romances with the MC too lol!)

But at the same time as the market is telling the devs to keep making queer characters, Hoyoverse also faces immense social pressure to avoid including actual queer content.

Let me hold off on the political and legal consequences of including gay characters in Chinese media for just a second, and look at the situation from the perspective of Hoyo's target audiences first:

Take this data with a grain of salt though; I'm not sure where they got their numbers.

First, Hoyoverse games are increasingly global and surprisingly popular in conservative/religious countries such as Russia, Malaysia, and the UAE. The western world as a whole is shifting increasingly right on LGBT+ issues. For the games to be marketed well across the globe, they've got to avoid challenging the morals of these highly varied audiences. (Perhaps this is why past Hoyoverse titles seemed more open to LGBT+ content than present Hoyoverse games do; a broader audience actually means more restrictions on content.)

Second, even though conservative heterosexual male players are actually surprisingly fine with MLM ship tease, that only applies so long as it stays at the level of "I can pretend I don't see it." As long as anti-LGBT+ players can write off any MLM content as "just close friends," the dev team can get away with frankly shocking amounts of queer interaction between male characters. (I'm sorry to any straight male fans reading this [could there possibly be any?], but half of y'all could win gold medals if mental gymnastics were a sport. The lengths I have seen some male Genshin players go to try to explain away Haikaveh are honestly awe-inspiring. 😂) However, the boundary must be respected. The moment a male character's queerness exceeds subtext and becomes text, when even mental gymnastics cannot come up with a heterosexual explanation, and the plausible deniability goes out the window, it is no longer acceptable to anti-LGBT+ players, and they will be "turned off" from pulling that male character en masse. In essence, the market is telling the devs: 1) Huge amounts of queer-coding = a-okay, but 2) Actual canon queer content = that's gayyyy, no wayyyy.

And third, the obvious: China's stance on LGBT+ people is weirdly stricter in media than it is in "real" life. It is not illegal to be gay in China but it is illegal to be gay in a video game in China. Restrictions on media portrayals of gayness are significantly more strict than restrictions on actually being gay (which is interesting cognitive dissonance for those from outside the country, but that's an essay for another day). Hoyoverse legally cannot show characters engaged in any explicitly queer behaviors--at least that can't be explained away.

Furthermore, the rules apply very differently for male and female characters. WLW content gets way more of a pass from the censors. Bronya and Seele can blush at each other, but Alhaitham and Kaveh cannot. You would never see "Rondo Across Countless Kalpas" happening with male Hoyoverse characters. The censors literally would not allow it, strictly because Chinese standards for portrayals of men are different--and more strict!--than standards for portraying women. Legally, there are strong and serious limitations on what Hoyo can do with their male characters.

Summing all of this up, in trying to create their male characters and content, Hoyoverse is actually fighting a battle of conflicting pressures: Male characters sell better when they are queer-coded, but their interactions can never rise to the level of being canonically gay.

Everything must exist in the realm of implication.

(Yes, I can hear you: "Can you please get to Phaidei already?" 😂)

All of this foreword was to lay a foundation for the actual point I want to make about Phaidei: Because Hoyoverse can only queer-code and not actually queer their male characters, they have (in their modern games), fallen into a sort of pattern with their MLM ship bait. Certain plots and personalities keeps reappearing again and again. They've developed a sort of short-hand set of traits to give to their male characters--the Hoyoverse "queer-coded MLM starter pack" if you will lol.

While not every popular MLM ship in Hoyo's games has the same traits (obviously not), certain elements seem central to creating the delicate necessary gray area between "They're just baiting fangirls" and "The devs intended these two characters to be canonically gay but just couldn't state that textually."

And yet... And yet...

You're not imagining things: Phaidei is actually different.

To demonstrate just how different though, I wanted to take the time to compare Phaidei with other popular Hoyoverse MLM ships, looking at both the similarities (the patterns that Hoyo relies on to reliably queer-code their characters) and the noticeable differences (where Hoyo pushed their own boundaries in surprising ways).

Unfortunately, in the interest of full transparency, my own Hoyoverse experience is limited, so I can only use examples from Star Rail and Genshin Impact. I just haven't played HI3 or ZZZ, so I don't feel comfortable trying to use examples from those games, although I think there may be many ships that fall into similar patterns in those games as well. (Maybe some people can share in the comments?)

Anyway, let's start with similarities:

1. A Pair of Equals

The number one "rule" for popular Hoyoverse queer-coded MLM ships is that the two characters must be evenly matched. This isn't to say they have to have identical levels of physical strength (although that is also often the case); instead, the audience needs to perceive them as being on equal footing in some way. They must either be intellectual equals (Alhaitham and Kaveh), political equals (Ratio and Aventurine; Neuvillette and Wriothesley), equal in social standing (Tighnari and Cyno), or, yes, actually physically equal their capability for going toe-to-toe against each other (Blade and Dan Heng; possibly Zhongli and Childe; for those who ship it, Diluc and Kaeya).

For modern Hoyo games, queer-coded MLM ships with noticeable discrepancies in power dynamics are particularly rare; possibly the only one that comes to mind is Ayato/Thoma (though this is mitigated by the game deliberately telling us that Ayato treats Thoma like family, rather than like a servant). And I think this actually says a lot about the devs' thought process: They are deliberately avoiding scenarios in which one male character seems capable of "preying" on another, where the queer-coding could accidentally be perceived as sexual perversion due to a discrepancy in power dynamics.

They're intentionally averting the "depraved homosexual" trope by--sometimes literally--spelling out for the players that both male characters in their queer-coded MLM ships perceive each other as, and are interested in each other as, equals.

We see this explicitly with Ratio and Aventurine in Star Rail:

And Alhaitham and Kaveh in Genshin:

Even Blade and Dan Heng are likened to "a pair" of identical objects:

So of course, Phainon and Mydei push this to an extreme. Phainon describes himself and Mydei as "friends and foes," and the game goes out of it way to reiterate over and over that they are perfect equals. Although they compete in everything they do, there is never a clear victor; their score card is constantly balancing out because they match each other's skill and power perfectly.

But there are even hints in the game that this isn't just happening naturally, but also by choice: Even when one of them triumphs over the other, they both backtrack and insist on getting on equal standing again. Whether you win or lose the "competition" in Kremnos in 3.0, the outcome is the same:

Phainon and Mydei perceive each other as perfectly matched (in strength, right, right...) and are actively working to keep it that way.

The game also goes out of its way to insist that Mydei and Phainon aren't just equals in terms of strength but also in social standing. It theoretically should be impossible to match Mydei's place on the social ladder--he's the literal crown prince of an entire nation of world-renowned conquerors. Even Aglaea is not a queen; we see her on screen being forced to contend with Okhema's Council who are fighting her for power. There technically isn't anyone in Amphoreus (at least that we've met so far) who should be able to stand on equal political or administrative footing to Mydei.

Except, of course, for Phainon, who supersedes all others by virtue of being the literal prodigal son, the "Chosen One."

The game insists on putting this in our faces over and over again: Mydei may be a king in the making, but Phainon is the "Deliverer." They are equally matched in terms of authority.

The game even goes out of its way to tell us they're perfect mirrors in personality too:

Hoyo, in the kitchen cooking up another gay ship: LISTEN GUYS, they're equals, do you understand me? A MATCHING SET.

But also...

2. Diametrically Opposed

It isn't enough for the queer-coded men to be each other's perfect equals. They also have to be opposites, typically in terms of their personalities. This is the pattern that repeats itself most consistently across Hoyoverse MLM ships with strong textual support: the two men may be equal, but they're also nothing alike. (At least on the surface.)

Alhaitham and Kaveh's entire plot hinges on their directly opposing personalities and morals, representing the clash between rationality and sensibility. Dan Feng was reserved and cool-tempered, while Yingxing was "arrogant" and brash. Hell, Xingqiu and Chongyun are "refined and clever" versus "forthright and trusting." I actually think Zhongli and Childe, despite being the most popular Hoyoverse ship in the western fandom, have very little canonical support, yet they still fit this pattern, with Zhongli as the refined gentleman to Tartaglia's blood knight tendencies.

We know how Ratio sees himself and Aventurine:

Hoyo really said "Opposites attract" and ran with it for every single MLM ship they ever teased.

And there's a logical reason for this. Making the two male characters dead opposites actually slightly decreases people's ability to argue that they're "just friends"--if they have next to nothing in common, they're not usually bonding over mutual hobbies or basing their connection on shared similarities. It becomes harder to portray two male characters as "bros who just get along great" when they're deliberately written with opposing tastes and personalities. (Real friends can sometimes be dead opposites, obviously, but most friendships are built on mutual interests rather than opposing ones, while romantic relationships hilariously have the "opposites attract" stereotype.)

There's no reason to shove polar opposites together again and again except to watch the sparks fly.

Even Hoyo's male characters' color schemes are often perfectly opposite. Plenty of people have figured out if you palette swap Alhaitham and Kaveh, Dan Heng and Blade, and Ratio and Aventurine, you end up with the same colors. Ayato and Thoma match the pattern here too ("red and blue gays" is a well-known trope).

But once again, the devs pulled out ALL the stops for Phaidei:

They're red versus blue. They're sun and moon. They're outgoing versus introverted. They're a king and a peasant (if we believe what Phainon's telling us about Aedes Elysiae). They're the "outsider" and the "golden boy." One fights with strength and the other with technique, brains versus brawn (actually they're both kind of idiots though, so take this one lightly lol).

However, what I think is most interesting about Hoyo's pairs of MLM opposites that is that the devs deliberately subvert expectations by assigning the opposing traits to the "unexpected" character. In both Haikaveh and Ratiorine, it's the rational scholar who is more overtly caring and attuned to their partner's feelings. In Renheng, it's the kind-hearted Yingxing who is consumed by anger, while the aloof, expressionless Dan Heng's voice trembles in wonder at the mere mention of Yingxing's name.

For Phainon and Mydei, this inversion of opposite traits occurs with their personalities specifically. People expected Mydei to be a gruff, hot-headed, battle-hungry berserker with a sarcastic or arrogant personality at best.

Instead, Mydei is an extremely thoughtful person, who struggles with his fate not because of what will happen to himself but because of a desire to bring the greatest good to the greatest number of his people. He's a respectful, gentle (when he needs to be), and even sentimental young man who continues to hold on to love for those who have long passed away. He's reserved around strangers but generous and warm to his companions, and struggles to express himself but has a clear desire to be considerate of others.

We also know he's deeply aware of and emotionally affected by the racism his people are experiencing in Okhema; one NPC in Okhema reports how Mydei, despite being new to Okhema himself, stood up to the very council still plaguing Aglaea in order to protect his people:

Despite having difficulties expressing his own thoughts, he even scolds Phainon for approaching their farewell with a nonchalant expression--Mydei doesn't reject emotions or shy away from becoming close with people he cares for.

Instead, it's Phainon who actually struggles to be honest. While he might connect easily with others on the surface, seeming outgoing and kind-hearted, he is actually a much more private person, one who is reluctant to show his true feelings and dismissive of questions about his past and identity. As opposed to Mydei's desire to avoid Nikador's power, Phainon is (despite his doubts) eager to prove himself, spurned on by the pressure of the prophecy telling him he needs to achieve greatness. We're told that he craved the power of strife specifically, while Mydei summarily wishes to reject it.

It's Phainon who frequently has to be reined in by others--he was ready to kill Oronyx for delaying his rescue of Mydei--and Phainon who fails to let go of his hatred and desire for revenge, causing him to fail Nikador's trial, which Mydei easily clears.

By inverting the traits of the characters, creating designs which visually oppose each other while assigning the actual opposing personality traits to the "mismatched" character, the devs hammer home an implicit message: These two characters complete each other. They fill in each other's gaps. What you expected to find in one of these men, you will instead find in the other. What they wish to be, they will be drawn to in each other.

(Frequently bought together, do not separate!)

3. The Distance is Artificial

Okay, so if they're so obviously written as a "pair," being perfect equals and perfect opposites, how are they just "queer-coded" and not explicitly queer? How is Hoyo keeping up the illusion of the characters not being an obvious couple when they're literally written to complete each other?

Hoyo has one major tool in their arsenal to do this: Prickly personalities.

With the exception of Renheng, which I'll get to in a second, Hoyo has a favorite method for enforcing the rule of plausible deniability, the idea that "Nooo, we promise, they're not in love; they don't even like each other, see??"--and that's giving one of the characters an intractable personality.

This can manifest, like Alhaitham and Kaveh, as constant bickering, where the pair's main method of communication is to devolve into petty arguments or sarcastic quips.

Fans who support the ship can view this as an "old married couple" dynamic; but for those who do not support the ship and choose to insist that Hoyo isn't actually queer-coding their male characters, they can lean on these arguments as "proof" that the characters don't actually love each other.

A similar pattern was recently repeated with Sethos/Wanderer, with Wanderer's prickly personality being used to keep Sethos at bay.

By placing the characters at odds with each other through bickering, Hoyo introduces just enough doubt to make the "They're only friends/roommates, we promise" argument hold some water. This allows them to get--quite honestly--a lot of queer content past the censors and past homophobic audiences too.

We see them repeat this trope with Aventurine and Ratio in Star Rail, introducing the two characters as initially "at odds" with each other and trying to pass it off as Ratio despising Aventurine.

Even after revealing that they were plotting together, the game insists on introducing some lingering doubts, suggesting that Aventurine fears Ratio would actually betray him.

This creates the necessary "gray area," the gap that Hoyo can use to hide in--no, Aventurine doesn't trust Ratio at all, see? Maybe they don't even like each other? Who knows! The doubt doesn't exist because the story particularly needs it, but simply so that Hoyo has a shield to hide behind if people begin to question how close the two male characters are.

Even in comedic material, Hoyo intentionally keeps this "necessary distance" in order to allow themselves wiggle room. Is Ratio an enamored tsundere who can't spit his real feelings out, or does he actually think Aventurine is illogical, mediocre, and ridiculous? Was the "Keeping Up With Star Rail" video an example of Hoyo deliberately baiting by making Ratio flustered over Aventurine "on air," or is he being Aventurine's biggest hater in this clip?

It's just questionable enough that those players who hate MLM to interpret it as the latter, and provides just enough doubt to help Hoyo slip queer-coding under the radar. Those who want to see it will see, while it's written just vaguely enough that those who don't want to see it will not see it.

(That's the point Owlbert, that's the point.)

When in doubt, and when stuck with a pair of characters who aren't likely to bicker with words, Hoyo sometimes has to progress to the next level: making them actual enemies.

What's better for creating plausible deniability than one of them trying to kill the other? (They definitely were not fooling around in a past life. We promise.) In an ironic twist with Renheng in particular, the fandom seems to have somehow come to the (mistaken) consensus that Dan Feng and Yingxing were "confirmed canon" (truly, I see this stated everywhere; we love when reading comprehension fails in the right direction for once lol), leaving only Dan Heng/Blade as being of questionable "canonicity." However, this still works as far as Hoyo is concerned, because only Dan Heng and Blade are left on screen.

By insisting on their present inability to reconcile, Blade and Dan Heng are able to introduce just enough doubt into the equation to offset even significant ship tease for Dan Feng/Yingxing.

Enemies to lovers 150k+ slow burn, please look forward to it.

Okay, but back to Phaidei. At first, it seems like Phaidei is going to follow this pattern to a T: When Phainon first introduces Trailblazer to Mydei, the two seem to be at odds, bickering over how Mydei is choosing to confront the enemy. Mydei even calls Phainon out for an unintentionally insensitive statement (when Phainon demands to know why Mydei isn't "protecting the citizens," Mydei asks "Who are you implying is not a citizen here?" i.e., "Are you saying because I'm Kremnoan I don't count as a citizen?" You can see Phainon practically bite his tongue to take back his words.)

Also known as: Mydei experiences a microaggression.

Mydei's very first line directly to the Trailblazer is to insult Phainon's hospitality, and we know they definitely have plenty of silly insults to lob at each other while competing.

But this is actually where we see the first deviation from the pattern for Phaidei. Although there's a few cursory lines throughout their early dialogue, that's all there ever is--just cursory attempts at suggesting the two bicker and don't get along.

Within one scene, the "tension" present in their first meeting entirely devolves into purely playful banter, and it is clear by the time we finish 3.0 that Phainon and Mydei are actually very close and get along well, with virtually none of Haikaveh's biting comments, Blade and Dan Heng's violence, or Aventurine and Ratio's questions of loyalty. Phainon and Mydei took one look at the rest of Hoyoverse's MLM ships and said "How about we skip that will they-won't they?" lol.

But I'm not quite ready to talk about the places where Phaidei departs from the normal pattern yet, so I'll leave this point by just saying that Hoyo did start Phaidei on the same path as a majority of their other MLM ships, making a vague attempt at using their rivalry to suggest they wouldn't get along--thereby allowing for the alternative interpretation to quiet the haters (and the censors).

4. The (Physical) Distance is Non-Existent

Okay, but if Hoyo uses personalities to inject just enough distance into their queer-coded pairings to avoid crossing any boundaries, then what do they do to tantalize the audience, to make it seem like the characters might actually like each other?

They use body language!

First, just to reiterate a basic video game design principle: All animations and character placements have to be programmed by someone, and that means that all animations and the physical locations of characters in scenes are intentional. Nothing happens in cutscenes by accident.

Designers are constantly making a series of choices any time they have to put together a cutscene, and one of the key choices they have to make is how to express each character through their movements and their positions relative to other characters. (I've talked before, for example, about how Aventurine frequently turns his back on people, forcing their eyes to follow him throughout his cutscenes, taking physical control of the reactions of people around him.)

Hoyoverse games have somewhat standardized scene layouts for conversation cutscenes, with characters typically being placed at different distances from each other depending on their relationships. A majority of conversations happen from a generally cordial conversational distance, which means that any time characters cross this gap and close the distance, the dev team is intentionally sending the players a message.

Like, no one mistook what this was about, right?

Heterosexual jumpscare in my queer post; I'm sorry, I was just too tired to find a video with Lumine lol.

Repeating for good measure: Unless it is with a male playable main character (where the presence of the female main character is what lends the deniability), Hoyo legally cannot show their male characters engaging in physical contact that could be construed as romantic. Male characters can't hold hands; they can't even really hug unless it's "caught you as you fell after battle" (props to Dan Heng for being the only male character in Star Rail to get a "hug" with Jing Yuan lol.) There's a boundary that Hoyo male characters do not cross, and that's almost universally the realm of physical touch.

But Hoyo can place their queer-coded male characters into scenarios of physical closeness that they don't typically show among other characters.

Alhaitham and Kaveh's table says hello.

So does Tighnari and Cyno's single tent from this same quest; Cyno's Story 2, truly the quest that kept on giving.

Aventurine, a character who traditionally keeps half a room's distance between himself and the people he's talking to, suddenly doesn't seem to mind closing the distance with Ratio:

And even Renheng, the eternal enemies, are depicted as crossing physical boundaries, explicitly "getting in each other's faces." Yes it's a battle, but also, I've seen yaoi with less domineering poses lol.

You might think these lightcone examples are a stretch, but seriously: Go look at all the lightcones in the game. Does a single heterosexual couple have a lightcone where they are in each other's space in this manner? No, because physical closeness is actually a tool Hoyo is consistently using to queer-code. (Well, there would probably be more heterosexual closeness too if the incels weren't so weird...)

Anyway, when I saw the devs might be heading the direction of baiting Phaidei, I fully expected that we would see them side-by-side more consistently and with less of a gap between them than between other characters. But I wasn't remotely ready for the degree to which Hoyo would take that.

Here is an example of Phaidei exhibiting the "normal" Star Rail conversational distance:

Andddd... here's where they spend the other 90% of their scenes together:

The unnecessarily large distance between them and the Trailblazer gets me every time. Like they are not leaving room for Jesus Kephale.

Even when they aren't standing practically on top of each other, the devs deliberately choose camera angles that frame them both in the cutscene at the same time, which is relatively rare for Star Rail (not unheard of, but usually the camera will just go for the "first person POV" when two people are speaking, allowing for a close up of the speaking character). Instead of back-and-forth close ups, many of Mydei and Phainon's conversations are framed from a "behind-the-shoulder" angle, to catch them both in the frame. This creates the illusion that they're standing closer together than they are, and also reinforces a sense of intimacy in their conversations--the camera (and thus the player) becomes an "outsider" while their bodies turn toward each other.

Again, Hoyoverse is under pressure to avoid showing physical contact between male characters that could be construed romantically. They can't show Mydei and Phainon tangoing like Black Swan and Acheron. When it comes to queer-coding male characters, they have to use the tools available to them, and their primary tool for visually signifying the possibility of romantic closeness is physical closeness.

The camera is telling you that Mydei and Phainon are close.

Anyway, just one more point I wanted to make before moving on to discussing how Phaidei completely crushed the mold for Hoyoverse queer-coding, but...

5. Oh God, We're Turning Into Your Parents

Listen, I'm a reasonable person. I can fully accept that I play games with LGBT+ goggles on at all times. Despite being fantastically aroace myself, I love yaoi. I love yuri. I even like plenty of straight ships. I'm a fangirl first, academic second, so believe me when I say that I understand how skeptics might view some of the points above. "You're just fangirling. Being equals and opposites doesn't automatically imply romance. The devs might have intended close friendship, not a relationship." This counter-argument is valid!

So I want to end with one more point which I think is actually the lynch pin to proving that Hoyoverse isn't "accidentally" making their male characters come across as queer. Hoyo's queer-coding for certain ships is very intentional and even sometimes very overt. In a few cases prior to Phaidei, they were already skirting the upper limits of plausible deniability, and I think the modern ship that previously pushed the boundary the most is Haikaveh.

You can say what you want about other Hoyo MLM ships and their lack of canon textual support (I love you ZhongChi, even if the devs actually hate you lol), but I believe people who unironically say "The devs are not baiting Alhaitham and Kaveh as a ship" are so media illiterate that it's actually embarrassing to share air with them. Whether you think the devs are just doing it to cash in on yaoi fangirls or because they actually want to depict gay characters, it is indisputable at this point that Alhaitham and Kaveh have in-game ship tease. They just do, and one of the most obvious and unmistakable instances of this is when Kaveh's hangout paralleled Kaveh's relationship with Alhaitham to the heterosexual marriage between Kaveh's mother and father.

To draw a direct connection between Kaveh's father and Alhaitham, who is repeatedly described as not being able to understand Kaveh's artistic sensibilities and idealistic world view but nevertheless chooses to stay by Kaveh's side through his many troubles, while simultaneously reinforcing the idea that Kaveh is his mother's spitting image, both physically and emotionally, can really not be interpreted in any other way.

Hoyoverse took a queer relationship and made a one-for-one analogy to a heterosexual relationship--Alhaitham and Kaveh are a direct reflection of Kaveh's very married parents.

This isn't something that can happen on accident. This is deliberate and unmistakable queer-coding.

Which makes it absolutely wild that it happened twice.

I've posted already about the obvious parallels between Mydei's parents and Phaidei, and I'm actually almost out of room for new images here, so I can't post the images again, but I hardly need to at this point: Mydei's parents met when Gorgo challenged Eurypon at the Kremnos Festival. They fought for ten rounds, determined that they were (what do you know) perfect equals, and Eurypon proposed on the spot. Eurypon is explicitly described as a swordmaster, while Gorgo used a spear.

Later, the game repeatedly (and in various separate instances), emphasizes that Mydei and Phainon's first meeting consisted of a duel lasting ten days and ten nights, where neither of them could secure the victory, proving them to also be each other's perfect equals. Phainon's role as Okhema's swordmaster is emphasized, while Mydei wields a spear just like his mother when killing his father and after taking on Nikador's divinity.

Then there's... everything that came after. Eurypon betrayed Gorgo, effectively stabbing her in the back, and took her life. The foreshadowing that Phainon will do this exact same thing to Mydei is unmissable.

Phainon has even expressed an explicit desire to take part in the same competition where Mydei's father crowned the winner his wife:

In the (very limited) Kremnoan dictionary, I'm pretty sure this is how you say "I'm down to fuck."

Just as in the case with Haikaveh, there is no way that this parallel could have occurred by accident. The devs did not go out of their way to give us entire flashbacks of Gorgo and Eurypon's meeting and downfall for no reason. You're supposed to see the one-for-one connection between Mydei's very heterosexual, married parents and Phainon and Mydei's relationship.

Simultaneously, the devs also parallel their MLM ships to heterosexual relations by incorporating shades of domesticity normally reserved for "traditional" male-female relationships into their MLM ships--including levels of domesticity that heterosexual ships in Genshin and Star Rail usually don't rise to. One of Genshin's most popular MLM ships shares a single-family home and has a chore chart. Thoma is Ayato's housekeeper. Tighnari and Cyno are just flat-out joint raising a child. Jiaoqiu cooks and Moze cleans. Yingxing and Dan Feng accidentally(?) made a baby.

And Phainon and Mydei aren't any exception. They live an apocalyptic world that is constantly calling them away to battle, but the devs went out of their way to tell us Mydei is an extremely good cook who prepares everyone's food and deliberately ruins Phainon's when he's annoying, which is definitely old married couple behavior lol. Mydei is framed repeatedly as being good with children, not just in the distant fatherly way but in the "plays house" and follows-along-after-unaccompanied-kids-like-a-mother-hen way. Yet when Mydei has to leave, taking the classic "I'm going off to war" ancient Greek exit, he doesn't depart without leaving Phainon his people--with the camera panning specifically to the little Kremnoans. Phainon got the kids in the divorce. D; The tragic domesticity is already off the charts, and then they hit you the second punch when Mydei's last question (just one or two lines later) confirms that it was Phainon who got the ring for him. Hoyo couldn't actually have given us a more heavy-handed "parting husband and wife" parallel if someone held them at gunpoint. That whole thing was some Odyssey level bullshit. I see you devs, I see you.

You might be tempted to say that is just heteronormativity, which it could be, but I actually think it serves a very specific place in Hoyo's queer-coding repertoire. In comparing gay relationships to heterosexual marriages, the devs effectively "legitimize" their queer characters, suggesting that the relationships between gay male characters are no less real or valid than those between men and women. In demonstrating that male characters can achieve stable and healthy domestic lives with each other, the devs reiterate that players are not supposed to notice a difference between gay and heterosexual relationships.

There isn't any clearer way for Hoyoverse to legally say "We want you to think of these two men as romantic partners" than to say "Wow, isn't it interesting that their relationship is identical to a married couple's." It's on purpose; at this point, you really can't say the queer-coding isn't deliberate without looking like you can't read, and if it was intentional when Haikaveh paralleled Kaveh's parents, then it was doubly so the second time Hoyoverse pulled this trick to parallel Phaidei to Mydei's parents.

PHEW! Okay, I finally made it through the foundational traits for Hoyoverse MLM ship-bait and where Phaidei fits in with those. Thanks for coming to my Ted Talk! 😂

But... the whole reason I started this post was actually because I wanted to talk about differences between Phaidei and other Hoyoverse MLM ships, and particularly how bold Hoyo actually was in 3.1, pushing the envelop to an extreme degree to ship-tease Phainon and Mydei.

So, since the post was way, way too long, I've spit the rest of my point off into a second post.

Check out Part 2 over here. ->

[dailymothanon]

Was way too busy today to draw anything but this is how it feels to get my millionth Soundwave plot that is either cassette harm or something maybe a little interesting just for it to never actually be explored and end up tossed aside 😔(of course, I’m just over exaggerating for fun;) warning for a rant btw—

I think most if not all Soundwaves have been handled pretty solidly? Kinda? I guess 90% of the stuff he does as a character is just be an asset to keep the overall plot moving which is fair, but also mostly him just aura farming all the time lmao like girl we get it 😭 but also go off… but also I do heavily wish his character was explored more, different dynamics, change the formula! As mostly Megatron and maybe Starscream and to an extent Shockwave are often changed story and personality wise much more prominently or noticeably. Part of me also feels like 🤔 maybe the lack of change in Soundwaves (design wise? He certainly Does Change a lot) is partially because it’s hard to explore a character that tends to not be really expressive or talk much, so I don’t blame anyone… just wish that he has more juice yaknow 😌 something more filling than just stoic mech who practically carries the whole faction on his back, known to be loyal, and also has cassettes that he seems to care for a ton.. sure, you can say these are essentials to his character, but I guess like, isn’t that the point of different continuities? Endless possibilities that are all technically canon in their own regards (for example the folks who don’t like TfOne Shockwave cuz he’s very expressive and emotional, who think “he doesn’t have emotions why is he like this” well, yea, he doesn’t have emotions in THAT continuity, but in THIS continuity, he does! It’s a fun new way of seeing him!). Maybe TFA Soundwave is a good example to me of like, this is an interesting new idea of a story for him! But then it’s not really explored ever 😭 but don’t get me wrong, this does Not mean I don’t like other Soundwaves from the lack of story, I love them all very dearly!! Tfp was also an interesting and cool concept of him! Most Soundwaves have had great aspects about them to me which is why I cannot pick a definitive favorite! But one thing I think they all collectively lack a little in is exploration of character that’s past him just being a tool to keep things moving, which to me, even that within itself is something that may be explored, him being seen more as a tool than an individual, but I still completely understand why he isn’t touched on cuz obviously he won’t be the main character or anything 😛 important character Sure, but he’s almost treated like a side character at times which again, is also fine and valid, I don’t have expectations that the story would consider him cuz there’s usually not really reason to; though in comparison to the rest of the high command getting many new analyzations and different directions to go, it is a little disappointing to me when I think about it too much 📼 but I still love him a lot regardless!

[verdantwyrm]

In Defense of Curly (Again)

This post is not about absolving Curly of his “sins” or anything, Curly is not an innocent angel that has done no wrong, no, he is morally grey as they come. But I will not stand for slander on my wife NO MORE. Curly is not as guilty as you would think, but neither is he Innocent. Anya is so much more than a victim, Curly is so much more than a bystander, and Jimmy is so much more than a rapist, they are multifaceted characters in a very multidimensional game. They’re all characters that have been individually crafted to tell a story, and everyone is avoiding that by reducing them to a singular note of events rather than their entire personality and even going as far to twist their dialogue and character to fit their own bias, ignoring whats actual factual and canon for the sake of projection.

So with that out of the way, let us begin.

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A sense of timeline for better understanding.

Curly's Psych Eval (and by extension, Jimmys) was 7 Days before the crash. Curly does not know Anya is pregnant here. 

The birthday Party is 6 Days before the crash. Curly doesn't know here either. 

The Dead Pixel scene is 2 Days before the Crash. Curly doesn't know here either. 

Anya stealing the gun is 1 Day Before the Crash. Curly Finds out Anya is pregnant here and that Jimmy is responsible. Anya tells Jimmy about the pregnancy and tells Curly about it. 0 Days before the crash (The Same Day)

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Pony Express’ Abuse

As for the first subject, I want to make it very clear about Pony Express’ Failure to comply and have any standard safety measures (most noticeably in the lack of locks) and the fact that they very often penalize their employees by taking from their pay and that they’re extremely lazy and known to cut corners for everything. The poster in-game tells us a lot about this if not backed up directly by the dialogue.

"Proper preparation prevents accidents, it is your responsibility to keep yourself and the crew safe. Medical expenses will be docked from person credits."

"Punctual delivery is our pride and promise- No matter where you are! Late deliveries will be docked from personal credits."

"Teamwork is the soul of success! When you have completed your tasks, always check on other tasks! HR complaints about poor team synergy may result in collective punishment"

"Sleep is the best rest after a long day of work, earn that rest! Don't overdo it or fall behind! Do not indulge in over 5 hours of forest, including leisure time. Sleeping over the allowed budget will result in disciplinary actions."

Neither Curly nor Jimmy are getting anything close to the required amount of rest for such a demanding job, with only 5 hours compared to the IRL guidelines for pilots to get an average of 10 hours of rest between shifts with 8 hours of sleep, it's also implied by Anya and Curly's own dialogue that he struggles to sleep. Which all together implies that they're both working 19-hour shifts every day. Every. Single. Day.

We see them both on shift at the same time multiple times during the game and Curly is the only one with clearance to make certain extremely important navigation decisions (like turning off the autopilot) and we can easily come to the conclusion that they are both extremely overworked, Curly Especially.

We can easily see that Pony Express are not shy to punish their employees and even goes as far as to routinely engage in collective punishment, and this is shown to be the drive behind a lot of Curly's decisions in particular, especially with how he reassures Anya that her stealing the gun case will not go on the performance log and reducing the chances of her being punished at all and to probably put the pressure onto himself in case Pony Express does find out. Given her precarious financial situation, she literally cannot afford to have her pay docked and Curly knows this.

Pony Express is known for its laziness, negligence and its ability to cut corners, they are also seen to not trust its employees by making everything have to go through him from axe usage to making a cake. To not supplying enough medical equipment, a fifth cryogenic pod to account for Daisuke or even to account for him at all. Curly himself even commented on how he should have made a bigger “stink” about the situation of Daisuke being thrown on the Tulpar last minute, which implies that he did raise this as an issue and a safety risk and was ignored.

I'm not going to take this as seriously but it is worth mentioning regardless because it is just absolutely Kafkaesque levels of absurd, They actively make it borderline impossible to report anything, so even if Curly or Anya were able to get ahold of Pony Express to send in a report, they never could due to the requirements and the prerequisites. It also implies that if you apply for a job there but refuse the medical evaluation, they can fine you despite the fact that you don't even actually work there yet.

Another classic example of Marx's theory is of the alienation in capitalism, wherein workers are estranged and separated from the products of their own labour. The crew had absolutely no idea what they were delivering, and judging by how much was put in place, they were never supposed to.

Marx's theory, the implementation of automation would negatively impact workers by depriving them of job opportunities that could have been filled by humans. This is strongly suggested to be the primary reason for the downfall of Pony Express and why the crew was fired.

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Anya’s Assault

Anya being assaulted is never outright said, with an intentional layer of vagueness layered over the top with how she talks about it and how she mentions it to Curly. The words “Assault” “Rape” or even “Attacked” are not mentioned at any point, we only learn this through visual imagery and subtext of Anya mentioning the lack of locks on the doors, how unsafe she feels around Jimmy, and she would rather him not have the gun at all—fawning at his every response in a panic of upsetting him or escalating the situation. The words are never explicitly said as many other victims can sympathise with, saying the words out loud can be very difficult sometimes, and Anya’s vagueness was intentional on the happenchance that Curly did take Jimmy’s side. She was trying to put distance between herself and that possibility by being as cautious and as vague as she could, in hopes that Curly would pick up on the signs himself and come to that conclusion himself instead of Anya babying him and dumbing down the situation.

This is a believable reaction, especially when your abuser has any kind of power over you or other people, and he isn’t the only one either. Curly has just as much power, if not significantly more over her, which adds more to the fear of even mentioning such a thing, as mentioned earlier in my section of Pony Express' Abuse towards them, the possibility of being penalized with her– and everyone else –pay being docked because she made a simple complaint, was a very real threat, and even more dangerous after finding out about the whole crew being laid off. Jimmy tears her down every chance he gets, makes her feel little and even compares her to Polle in his hallucinations. And Anya knows that he and Curly have a very lengthy history, so her caution and anxiety about even mentioning the incident, let alone saying the word “rape” is borderline impossible for her. It’s a manifestation, it’s a verbal acceptance and confession that it’s even happened. Something she has been trying to avoid coming to terms with.

And when she does eventually tell Swansea what happened, as much as you want to think she told him- she most likely told him to not do anything, to try and keep the peace for as long as possible.

Again, her vagueness is not her fault, nor is it her responsibility. It was Jimmy’s responsibility to not abuse and rape her.

It’s also very present that Jimmy is verbally abusive to her, putting her down at every opportunity by ignoring her very talented medical skills by saying Pony Express only hired her to cut corners in an attempt to reduce costs because she failed Medical School and that she’s not a “real nurse” because of that, and how he constantly questions her skills despite keeping Curly alive for such a long time in such a state.

After being insulted by him multiple times, she fawns to get him to actually do something beneficial because she knows he responds well to praise, and he complies, all while still insulting and belittling her for being "weak" and "sentimental"

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The Dead Pixel In The Room

Going to immediately preface this with a very big obvious “Curly did not know Anya was raped” warning sign to hopefully weed out the weak that don’t want to actually read this. You can leave now if you’d like, no hard feelings. This scene is supposed to be your first clue as a player, as well as Curly's. It's intentional to be like that, it makes the most sense chronologically as well because up until that point, we don't even know.

Okay, we can start now. First, off the bat, I want to talk about that dead pixel scene. And how both Anya and Curly have their own individual meanings behind It, and how both play into each character’s relationship with Jimmy. With Anya’s being a constant reminder of Jimmy’s presence, how it affected her and how it’ll always be there no matter what. And Curly’s is something that he knows exists, but cannot see for himself, because he’s too busy looking at the bigger picture. Even if he knows it's fake, even if he knows it’s an illusion.

He doesn’t doubt her here either, and even though he admits he cannot see it. He believes that it's there, despite this, and that it doesn’t ruin the image. Choosing to see the good, the beauty, of the bigger picture. The Dead pixel scene isn’t just about Anya, it’s about the both of them. And you’re probably asking how Curly hasn’t gotten the point Anya is trying to make, and thats again because she’s being intentionally vague here, and her comment about the lack of locks ties up pretty well with the previous two conversations she’s had with Curly directly. Complaining about Jimmy being weird during the psych evaluation and then her pithy comment about Pony Express’ cutting back expenses on their food and the comment she makes about the code scanner during the birthday party.

All of her previous conversations with Curly have been about their work or something going on in the ship or even with Pony Express directly. So it’s not unusual for her comment about the lack of locks on the sleeping quarters, it’s not random, it’s pretty on theme with the direction of how their conversations go, Curly wouldn’t pick up on that alone because it’s not a strange thing to say.

It's also very much shown that Anya trusts Curly, trusts him enough to not only confide in him first about the pregnancy but also allow herself to be open and friendly with him, even going as far as to try and get him to open up to her during his psych evaluation. She is also hiding behind his seat when she steals the gun. She feels the safest when she is with the real captain and how uncomfortable she is listening to Jimmy's orders to strip Curly of that title.

Every single time that Curly and Anya speak directly, he is always reassuring her, attempting to calm her down and her safety is the first thing he's concerned about when he finds out she's taken the gun.

And once she mentions the pregnancy, his priorities flip, again to her safety, reassuring her that she won't get punished for this. Once again telling her that everything is going to work out, that WE will fix this, WE WILL figure this out TOGETHER. He and Anya.

A key important word here is "what would you have done"

Would. Not, what will you do, no she's asking in past tense. The assault has already happened, she is reassuring herself here before telling him about the pregnancy that he is on her side, that he believes her and that her trust in him isn't misplaced.

And when he does find out she's pregnant, he still doesn't know exactly how. And it's important because it reflects back onto how Curly does ultimately behave when he does approach Jimmy. He doesn't know he's confronting a rapist, and his dialogue here proves that he does just think it was ultimately her choice, her decision. And the most painful part Is the very blatant unwanted pregnancy, not anything else.

Anya is still being intentionally vague here as well, as mentioned earlier. Curly did not actually know that Anya was raped, as the only thing that's mentioned is the pregnancy and that Jimmy is involved. Which is absolutely something to be worried about, regardless of how it happened, because they're on a ship. In the middle of Space.

Someone who knew would not react like that. Curly never once doubts Anya's words or her truth. And after Anya tells Culy about how she told Jimmy about her pregnancy, Curly says that she should have waited for him because he wanted to be there just in case.

Curly even does it literally. The most important part that everybody overlooks is how determined he is to get to the cockpit as the ship is crashing. He knows it's crashing but all he can do is try, he could have run away, but he didn't.

Curly took responsibility multiple different times which is easily overlooked because so much happens in such a short time span that people literally think he had months between knowing about Anya being raped and then the crash when it was barely a day. Just like how people easily overlook the dead pixel scene and how it also represents something to Curly as well, and just like how people overlook Anya's "I told you so"

Curly's kind, forgiving and trusting nature is not inherently bad. It was how it was used against him in an extremely difficult situation, which is exactly what Abusers do time and time again. He failed Anya in such a delicate way and in such a difficult situation, but it's something to understand that Pony Express failed her first, failed her in all the most important ways by even allowing a situation like this to happen. It was Jimmy's responsibility to not be a rapist, but it was Pony Express's fault for even enabling that in the first place.

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Curly's Trauma

A very common thing that people tend to overlook, and this is either because they subconsciously forget that men can be victims of abuse, or simply because they don’t care enough to consider Curly to be one– his relationship with Jimmy and what we can glean from is very abusive, emotionally and verbally and then soon later on physically. Curly is just as much a victim of Jimmy's mistreatment and abuse as Anya is, in their own unique and parallel ways, they both had everything taken from them. We can tell in Jimmy’s behaviour and the way he intentionally isolates Curly in the Birthday scene and the Psychological evaluation in the cockpit, Jimmy takes Curly’s weakness and anxieties and twists them around to isolate him from receiving any help or support from others.

Curly’s biggest weakness is his forgiving nature. We all talk about how Anya is a victim of Jimmy, and she absolutely is, but so is Curly. His first immediate response Jimmy's reaction to Anya announcing her pregnancy is met with immense fear and anxiety with the added soundtrack of what could be equivalent to the sound of Curly's heart racing. He freezes, he fawns, he panics.

Curly's good-natured heart, being lax, trusting and a constant mediator isn't inherently a problem. It was the circumstances that turned that so volatile. If Jimmy wasn't who he was and so readily abusive then Curly's character would not be that detrimental, and his actions would not have such a catastrophic impact. And everyone immediately boiling down those harmless traits and villainising them does much more harm than good, especially since the character they should be targeting is Jimmy, not Curly.

He is beyond terrified, and when he does finally get to Jimmy, he immediately fawns and freezes. He makes absolutely no mention of Anya or anyone else because all that mattered in that panicked situation was easing Jimmy down and resolving the situation. There was truly, absolutely nothing that Curly could have done that wouldn't have resulted in either direct consequences or collective punishment. All of Curly's thoughts, behaviour and actions were as carefully thought out as he possibly could in the short 24 hours or so that he was made aware of Anya's pregnancy and Jimmy's involvement.

He is trying to eliminate all potential problems in the situation so Curly can take the full front of Jimmy's rage. This again furthers the point of exactly why Curly wouldn't recognise the signs of Anya being abused as well because this is all so normal for him. He’s terrified of Jimmy, and an abuser's main tactic is to make sure that their victims never feel confident to speak up against them, or to ever seek out help from others. It’s why he never rushes to defend himself, he just lets Jimmy do and say all of these horrible things.

And Jimmy immediately stabs back putting him down. Twisting the blame and putting it into Curly. Like he somehow was a part of it all and that it was his fault.

Curly was and has been a victim of Jimmy's abuse for a very long time on an emotional and mental aspect that clouded his judgements and perceptions in the scenario which devolved into physical and medical abuse very quickly once Jimmy got his chance. And it is also true that Curly had a responsibility to protect Anya as a crew mate and Captain that he failed due to bias towards his abusers, and his kind and forgiving nature of simply wanting to see the good in Jimmy, which is also another aspect of what victims believe. Curly enables Jimmy's behaviour towards himself and even goes as far to completely blame himself for everything that happened in How Fish Is Made.

A lot of victims tend to surround themselves with excuses of why they’re abused, that it’s somehow their fault and that he’s done something awful to deserve it, that this a normal thing that happens, that Jimmy has his reasons to be like this and it isn’t his fault. People argue that Curly should have done more and that he "failed" in any regard is putting a huge expectation onto a victim like him of someone like Jimmy's relentless abuse and how it takes such an impactful toll on someone like Curly. Everyone who plays or watches the game looks over the very easy and subtle warning signs of this abuse and is too busy claiming Curly to be the antagonist here and holding him responsible instead of Jimmy.

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Conclusion + Other Comments

Curly is not perfect, but he is not as guilty as everyone wants him to be. If you go into mouthwashing anticipating Curly as a cruel, selfish monster, of course, you're going to interpret him that way and twist everything he ever does or says to fit your narrative although he very obviously isn't that way at all and get upset when someone tells you you're wrong. You need to remember that he had a whole crew to think of, Curly is not judgement, nor is he the executioner. His hands were absolutely tied and for one reason only: Because Pony Express does, did, and will not care. Pony Express has it explicitly like this so you cannot do anything. So people like Jimmy who manipulate the vulnerable can prey upon his co-workers and get away with it.

The situation on the Tulpar is not as straightforward as people would like, I understand it's extremely cathartic to think of a situation where Jimmy gets what he deserves but it isn't realistic, and thats what this game is trying to say. Abusive corporations, exhausting capitalism, this environment breeds Abusers like Jimmy and victims like Anya and Curly. There was nothing that could be done. Pony Express is what doomed them all, they're the catalyst.

At some point, you have to understand and accept the fact that certain scenarios are simply just cathartic fantasies that simply couldn't have happened. They were all doomed, right from the start. It wasn't just Jimmy's actions (Although they significantly influenced the outcome), and it sure as hell wasn't Curly's inaction. It was Pony Express. I think something that a lot of people get mixed up in their interpretations of Curly is that he's not us, and we're not supposed to be him. Constantly projecting your own fears and experiences onto him to sway your interpretation of his words takes away from the already written-in-stone character he is. You saying "He didn't mean it" when talking about Curly saying he cares about Anya is not only incorrect, but it's YOUR projection onto a character that is already extremely upfront and honest about his intentions and kind personality. He is not malicious, evil, cruel, selfish or misogynistic, so saying that because you interpreted his words to be half-truths or him lying through his teeth to Anya and that his kindness is fake is literally obstructing his character.

Everyone wants them both to be perfect examples of victims and refuses to understand or even believe Curly's situation. Curly DID fail Anya but not for the reason everyone thinks he did.

They're both victims to the same man, they both believe in the best of people (although to their own detriment in a way) they want to find peace, and fulfilment in their career and life. They're so alike in such delicate and intimate ways, that trying to constantly paint Curly as this great, horrible oppressor over her does way more harm than good.

Curly's character is painfully obvious, very very upfront and honest. He is kind, constantly weighed down by guilt and anxiety about his future and career and is being abused by his so-called friend and the company he's working himself to death for that he absolutely hates that just discarded him like he was nothing. Like a lame horse.

Thank you so much to the Mouthwashing Mania Discord server for helping me with this thread! Specifically Mogs for their amazing analysis on Capitalism which can be found here!

Thank you for reaching the end of the thread, please don't be scared to share your thoughts in the tags or in my inbox, I'd love to hear them! good job! (っ˘з(˘⌣˘ ) ♡

[alegendoftomorrow]

The Gift

Summery: Fives and the 501's civilian medic are friends and possibly more if they weren't in the middle of a war. After another long day with far too much pain for the both of them, Fives finds a way to bring a little holiday magic to your lives, even in the middle of a war zone.

Characters: Arc Trooper Fives x Fem!Reader (no use of y/n)

Words: 2,947 Words

Warning: Injury (very minor), brief peril and canon typical violence, mentions of loss, grief, war, injuries, slights angst. Mostly teasing, slightly suggestive (just hinting at it).

A/N: This is my entry for the incredible Life Day exchange hosted by @cloneficgiftexchange . Thank you so much for always hosting such fun events that push me to get out of my comfort zone and write again. This piece is for the awesome @arliganzey I really hope you like this fun little adventure I went on. It was my first time writing for Fives and I hope I captured his essence for you :)

“You know we cannot keep meeting like this.”

You freeze halfway to reaching into your rapidly emptying medic bag. Groaning through hard pressed lips as you spin in your chair to see a very cocky smile pulled up on a very familiar face.

“People are bound to start talking.”

“Fives,” you groaned. Pinching the bridge of your nose and counting to…. well, five before you risk looking back up at the arc trooper leaning against the doorway. Suspiciously standing off his right ankle.

You already know there’s going to be a story. There’s always a story with Fives. Before you knew any better you used to think he was getting hurt just to come and see you. Now the war has dragged on for longer than you were prepared for, and you’ve buried far more men than it feels like you ever save. Seen more planets and systems torn apart than you ever thought possible. Things like crushes and love seem like silly things reserved for storybooks rather than your day-to-day life.

Doesn’t mean it isn’t fun to flirt back with the man who walks through your door almost once a day with some injury or another. Battle related or not.

“What is it this time? Echo dare you to jump off the bridge or did Jesse kick your butt sparring again?” You asked. Standing from your desk and walking over to an exam table. Raising a brow when Fives doesn’t move from the doorway.

“Can’t I just come say hi to my favorite medic without there being an injury?” He asked. In a tone that almost sounded innocent, and perhaps a little hurt that you’d suggested such a thing.

You flashed him another eye roll and crossed your arms. “You can but, Kix isn’t here right now.”

Fives actually snorted at that. Dropping his arms to his side and doing his best not to limp on what was clearly an injured ankle. “Kix is not my favorite medic.”

“Mhm why’s that?” You asked. Already moving down to undo the plastoid armor he wore over his boots when he hoped up on the table. Ignoring the warmth that spread over you when you looked back to see Fives grinning down at you with his hands tucked behind his head.

“Because he doesn’t look half as pretty as you do,” he said with a smirk. “And he’s not as nice to me as you are.”

Now it was your turn to snort at him, Maker he is insufferable, you thought. And the best part of every day, another part of your mind added rather unhelpfully. You went back to examining his ankle before you said something ridiculous. Taking off his sock and hissing through your teeth at the purple bruise already spreading around his scarred ankle.

“Maker what happened here?!” You asked. Looking up at Fives again with genuine worry this time.

He waved a hand dismissively and puffed his chest up a bit in a way you’d come to learn meant he was hiding pain and quite proud of something he definitely shouldn’t be proud of.

“I came here with a blaster bolt to the knee a few rotations ago. How is this worse?”

You started at him blankly for a minute. Simply blinking up at him and hoping your silence made something click in that incredible thick head of his.

It did not.

“You were shot in an active war zone running to give Captain Rex cover. I honestly expected worse than that. However, we have been flying for three days with no enemy contact. So, you shouldn’t have gotten so much as a cough up here; yet here you are sitting here with a twisted ankle. So, I ask again. How did you get this?”

The smile slipped a little from Fives’s face as he actually looked a little…. embarrassed? Was that something he was capable of feeling? You watched as he bit down on his lip and fidgeted slightly with his shoulders seeming to try and buy time.

“Really, it’s not important. I was…. doing something for someone else and my foot slipped okay? It’s not a big deal,” he said. Very adamantly not making eye contact with you.

You rolled your eyes and threw your hands up in surrender with a sigh. “Fine don’t tell me. I hope this someone was worth it.”

“She is,” Fives said. There was a sincerity in his voice that caught you by surprise. Giving you pause and making your breath catch as he looked at you with something that was almost soft. Something you didn’t dare name floated between the shades of honey and earthen brown of his eyes.

“Right. Well…...good.” You stumbled out. Moving away from the table and back to your medical closet to get some bacta and a wrap for his ankle. Trying hard not to meet his eyes again. The ones you can feel boring a hole through the back of your head as you set his ankle.

He doesn’t even flinch once while you work on it. Even though you’re certain this must hurt, he just sits there and stares back at you while your hands make quick work of their task.

“Alright, that should hold for now. Do you want to do the song and dance where I tell you to stay off it and then you tell me something about being a hero of the Republic who can’t take breaks and must soldier on for the good of the galaxy?” You asked. Crossing your arms over your chest and raising a brow at him.

Fives grind like an idiot again and laughs. Maker that sound… You wish you could bottle it up and keep it with you when he went away again. Listen to it on repeat when the nights pressed in to darkly.

“That’s a terrible impression of me,” Fives laughed. Snapping you out of your thoughts.

“I thought it was very accurate,” you snip back. Your tone bears no bite though.

Fives smirks wider like a loth cat that’s gotten into the cream. Swinging his legs gracefully back over the bed and gripping the edge in a way that makes his biceps flex under his blacks. Not that you’re looking. He leans in a little closer and it takes all of your willpower not to lean in towards him too.

“What’s your excuse then Doc?” He asked lowly.

You tilted your head and furrowed your brows. “My excuse for what?”

“For not resting,” he said. “You said it yourself, I’m a hero of the Republic, but you….”

He trailed off and reached a hand up to tuck back a curl that had come loose from the updo you had it in. Your breath catching in your throat as you swallowed tightly under his touch. Rough fingers brushing so softly over your skin you wanted to melt.

“You need to rest too. The whole ship would fall apart without you.”

You might have laughed if he wasn’t looking at you so seriously. Like he meant every word of it. It made something warm and fuzzy creep up into your chest. Something that felt dangerous and far, far too real.

“I’ll rest when you do,” you bargained.

Fives shook his head. “No, I cannot allow that. I know exactly what that means. You’ll come in here and pretend to lay down then get right back to do work.”

“I could say the same for you,” you shot back. “So how do you suggest either of us rest then?”

The smirk that crawled up his face as he flicked his tongue out to lick his bottom lip almost made your knees wobble.

“Well, it seems we have no choice but to rest together,” he said. Like it was the most obvious answer in the world.

Your mouth fell open as you gaped at him. “What?”

“That way I can make sure you can’t get up to do work, and you can make sure I don’t walk on my ankle.”

Your mind reeled for a moment still all the possibilities that scenario presented before you recovered yourself enough to smirk back. Leaning back on your heels and staring back eye level with the arc trooper with a glint of playfulness in your gaze.

“You know if you wanted to sleep with me, you could have just asked.”

Fives looked taken aback for a moment. He recovered much too quickly though and leaned forward a little more. His breath ghosting over your cheeks as you stood your ground in front of him. Heart racing while his eyes moved over your face, taking in the details like he was trying to memorize you.

“If I asked now, would you say yes?” He asked.

“I—” whatever you were about to say was cut off by the loud screaming of alarms that startled the both of you apart and jerked you out of moment of peace.

“That’s the attack sirens,” Fives warned. Jumping off the bed and hoping towards the door as he pulled his boot back on.

“We can’t be under attack,” he replied. Rushing to the com link in the wall and punching in the code to Captain Rex’s channel. “We haven’t seen any vessels since we left— “

A sudden explosion sounded distantly and the whole ship lurched to the side. Your hands gripping into the handles on the wall to steady yourself while cabinets and shelves clicked locked, so their contents didn’t go everywhere.

“Apparently the separatists don’t know that,” Fives grumbled from the doorway. Looking down the hall both ways once before turning back to you with a brilliant smile that felt far too out of place for this moment. “Don’t worry I’ll handle this; you just sit here and look pretty and we’ll finish this conversation when I get back.”

He winked and then was gone. Running as fast as his weak ankle would allow. You wanted to protest every word he’d just said. Wanted to run after him, yell at him to be careful, maybe smack him for being so cavalier with his words, but he was gone before you could even get his name past your lips.

Be careful Fives.

~~~~~~~~~~~~~~~(Many Hours Later)~~~~~~~~~~~~

We were lucky this time,  that’s what Captain Rex kept saying.

The separatist vessel had only damaged the cargo holds on the lower levels before the captain and his men were able to destroy it. General Skywalker’s plan somehow once again working despite sounding ludicrous to you. You were lucky the casualties had been minimal, but the injuries were heavy. You would have to restock before your next engagement. As it was, you’d already patched supplies together for those less injured than others.

Leaning back against the hallway wall you slid all the way to the floor and pulled your knees to your chest. Leaning your head forward to rest there and forcing yourself to breathe deeply so you didn’t fall apart out here where anyone might see you.

Footsteps approached slowly from your left and you half hoped they’d keep walking. Let you wallow in peace and quiet, but the uneven footfalls stopped just in front of you and a voice cleared their throat above you.

“Hey…you alright?”

Fives.

Jerking your head up you blinked at him through your watery eyes. Staring at his grease smudged cheeks with parted lips. He was breathing heavier than normal and still standing off his foot as best he could. His blacks were stained with blood and smoke, but he looked mostly unharmed.

“You’re, okay?” You asked. Voice trembling.

Fives grinned. “I’m always alright. I’m a hero remember. Heroes can’t die.”

You rolled your eyes and made some kind of half sob half laugh sound. Wiping your eyes with the hell of her hand and sniffling a little.

“Hey, come on love no tears.” He crouched down and grinned softly. Reaching out and brushing the tear that dripped down your cheek gently. “It’s okay. We lived to fight another day, more of us than usual at that. That’s something, and more will live because of you. Yeah?”

Without thinking you leaned into his palm and nodded softly. Closing your eyes and focusing on his words. Clinging to them tightly.

“Besides, you’re in the presence of a hero who saved the day and is about to make yours better,” Fives added proudly.

You laughed at him and shook your head. Blinking your eyes open to stare at him again. The lights giving him a halo around his dark hair. Making his tattoo stand out a little sharper against his skin. “How exactly are you still this cocky after everything?”

“It’s who I am. Come on. Up you go.” He grabbed under your arms and pulled you to your feet.

“Mhm does that hero line ever actually work on anyone?” You asked following after him while he kept his arm wrapped securely around yours.

“I don’t know, I’ll let you know later.”

“You are unbelievable,” you groaned.

“That’s the running theory,” he replied proudly.

Following him down the halls of the ship, letting him lean on you a little more as his ankle began to ache worse, you let the pair of you fall into an easy silence. Even if you were a little nervous about where you were actually going, you didn’t have the energy to ask.

“Alright we’re here. Close your eyes and don’t open them until I say so,” Fives said. Stopping the pair of you in front of a plain dark door.

You looked at him with a raised brow. “Fives is this is an elaborate plan to scare me I’m warning you I—"

His laugh cut you off. Throwing his hands up in a surrendering motion as he shook his head. “I promise, I promise, we’ve both been scared enough for one day. Just cover your eyes. You’ll like it trust me.”

You hesitated only a moment longer before closing your eyes and covering them with your free hand. Feeling Fives take your other hand and weave his fingers together with yours, the door whooshed open, and a warm burst of air hit you as he tugged you forward. Your feet following after him without hesitation. You trusted him, even if he drove you crazy.

“Alright, open your eyes,” he whispered from behind you.

Slowly you lowered your hand and opened your eyes. Gasping at the scene spread out before you.

“Fives….”

Strings of lights blinked in multicolored drops that had been hung around wide windows that showed off the thousands of twinkling stars blinking like spilled jewels across the ebony sky. Looking around the rest of the room there was a small table sat in the middle of the window. The two chairs were tied with bright red ribbons and a small box sat in the middle wrapped with blue paper. Soft holiday music played from some kind of hidden speakers and there was holographic snow drifting down the walls.

“I don’t…. I don’t understand,” you said. Spinning around to face Fives who looked a little sheepish with his hand lifting up to rub at the back of his neck.

“You do so much for everyone here. Keeping us alive and healthy. You care, really care, where most people just…. don’t. I remember you telling Echo your favorite holiday when you were a kid was Life Day but that you hadn’t gotten to celebrate it for a very long time. I had the guys help me research it, so I knew what it was and then I set this up for you,” he explained. Shrugging a shoulder like this wasn’t the most amazing thing anyone had ever done for you. Like all the hours and credits, he must have spent to make this little bit of joy come true wasn’t the most incredible gift ever.

“I know it’s a few days early, but you looked like you needed this today. So, I um….” He trailed off and let his hand drop back to his side. “Do you like it?”

You can’t even bring yourself to answer. Forgetting how tired you are and how sore he probably is, you rush forward and launch yourself into his arms. Gripping him tightly as he stumbles back to catch you. Wrapping you up in a hug just as tight.

“I’ll take that as a yes then?” He teased. Lips brushing beside your ear.

“Yes!” You said into his neck. “I love it Fives. Thank you. This is… this is the best thing anyone has ever done for me. Thank you.”

You feel him smile more than you see it. His arms flexing around you tighter. “You’re welcome love. Happy Life Day.”

“Happy Life Day Fives.”

Pulling away you smile up at him wider, tears brimming in your eyes for a whole different reason now as you reach a hand up to cup his cheek. His fingers curling around your wrist as he turns his head to kiss your palm lightly. Maybe love isn’t just for fairytales and storybooks. Maybe there is hope left in this war after all.

“Fives?” 

“Yeah?”

“Did you roll your ankle putting up the lights?”

He sighs dramatically and then bursts out laughing. Scooping you up into his arms and spinning you both around as best he can before setting you back down and kissing you chastely. The softest press of his lips to yours before he’s pulling away again and winking down at you.

“It was worth it to see you smile,” he said.

You shake your head at him one more time before rising to your toes to kiss him back just as softly.

“My hero.”

“You’re mine too love.”

[raven-at-the-writing-desk]

Hi! I don't speak English, but I hope that the text will be understandable, because the question that haunts me really excited my thoughts! I often read fanfiction about twst, and some of them mention that a student or teacher can easily create a healing potion and legitimately give it to an injured person, but is this mentioned in the game itself? I'm a beginner, but it seems illegal to me to create my own healing potions and give it to someone.

I believe that students and teachers are not able to whip up and administer healing potions whenever they like. However, some adults (such as potion pharmacists) are licensed to do so.

Fanmade content tends to ignore certain aspects of canon for convenience or out of genuinely not knowing what canon says about the matter. For example, many fan arts depict Yuu riding on a broom, even though canon implies one must be able to use magic in order to fly.

Healing potions are generally made in advance and then handed out for usage. For example, Lilia drinks one and then comments that he must still rest to recover from a blow he took.

Characters mention making various potions in class (sleeping potion, burn healing potion, itch relief potion), but under the watchful eye of a skilled instructor (Crewel) and generally not on their own or outside of a classroom setting. Crewel actually reveals in a recent JP event, Wish Lantern, that all potions must be brewed under the supervision of someone holding a professional license in Alchemy and Magical Potions, such as himself. Even if you know the recipe + have the ingredients or the potion is seemingly for something harmless (like hair-lengthening), it's not legal for you to just up and brew whatever you like whenever you want to.

Riddle further elaborates in book 6 that medical mages write prescriptions for certain potions, while potion pharmacists brew said potions. It seems that if you take a transformation potion legally, you will require specialized supervision and should not be taking healing potions from anyone but a licensed medical provider. So this is one situation where you can’t just… make and chug a healing potion indiscriminately.

Potions in general seem to be something akin to medicine, so it’s possible that while some is highly regulated, there are also over the counter/OTC or generic variants easily accessible to the public. For example, Jamil has his own set of potions and medicinal herbs to brew antidotes at a moment’s notice. There wasn’t any indication of him doing something illegal here (though keep in mind that poison antidotes are not exactly the same as potions).

NRC does have an infirmary and a school nurse on staff. There are many vignettes or even instances in the main story where students get sick or injured and go to the infirmary or are advised to do so. Medical mages are also cited as providing post-OB treatment and monitoring the affected parties.

This seems to imply that you need specialized care and cannot just make your own healing potions on the fly. I would also like to stress that it appears healing potions are not always instantaneous or cure-alls. This former is implied through the need of prescriptions (meaning potions must be specific and target certain symptoms). Many of the potions we see the NRC students brewing are also specific, such as painkiller potions being different from anti-itch potions and potions that cure burns. The latter is shown in book 7, as Baur has Lilia drink what appears to be a healing potion, but then we are told Lilia must also rest in order to make a full recovery. Furthermore, he is still too weak to use teleportation magic after taking the potion.

[thr0wnawayy]

Useless Heroes and Hori's spinelessness with setup.

Salutations! I remembered my password.

(Jk, I've been busy)

It's no secret that Japan's heroes in MHA are extremely incompetent, I've pointed out their general disregard towards human life and surrounding infrastructure.

However what some of you might not know is that a majority of heroes in MHA are completely and utterly useless.

And I'm not just talking from a Doylist perspective either, Heroes in MHA are more of an obstacle than the villains they fight.

Take this panel for example:

Originally I was going to crop this to only include (ugh) Birdman, however on a second read I realized how asinine every single hero (not counting All Might) is.

First off the "clean up". I shouldn't need to explain what's wrong with this. The crowd posing a security risk, the minimal security. The fucking plastic bags!?

I mean really, what the hell can Backdraft achieve here, or Kanami or Mount Lady. The list goes on.

(That also ignores how these 4 imbeciles are getting paid for what a clean up crew or police force could do easily. Not to mention this whole incident veing their fault)

Anywho... We then see Death Arms and another "hero" yelling at Midoriya, who was also a victim of the Sludge Villain and actually bought All Might time. Whereas Bakugo failed like a panicked animal and worsened the situation.

It is here we see the first plot point: Heroes are hypocritical and biased towards those with flashy quirks.

They automatically downplay Midoriya while also neglecting to get him checked on by a paramedic.

Even Bakugo doesn't benefit as these so called Heroes swarm him like a vulture. Just so they can use him to boost their own popularity.

(and if I'm honestly speaking, if Birdman were somehow a high ranker. Bakugo would have fallen for it hook, line and sinker)

This subtly introduces a second idea: that Heroes are not as pure as they seem. Perhaps they can even be corrupt.

These two ideas, plotpoints, call them what you will. Do a good job at showing us the cracks in the mirage. Cracks that seemed to be widening come the Sports Festival.

So what happend?

I'm sure we're all familiar with the utter disappointment/disaster that was MHA's epilogue.

Regardless if you believe the initial final chapter to be canonical or the more recent 'improvement'. We can all agree that it bombed in regards to doing the above any justice.

The simple answer is that Hori (in my opinion) is a spineless hack, who can draw really good but for the love of god. Keep him out of the Writers room.

Hori seems to whine about how dissatisfied he is with MHA's direction towards darker themes or even complaining about characters he wrote into the story himself (see Tetsutesu x2.)

Hori lacks any guts when it comes to his own writing, preferring to laze-about in what's comfortable. The problem is he didn't write a comfortable story.

Corruption, Eugenics, Peer Abuse, Negligence and Human Trafficking. These are all things that MHA brings up but Hori refuses to touch on. Despite having wrote them into the world (and plot) himself.

Someone once commented under a post of mine that my W.I.P worked as a story because the events fit, rather than simply existing for shock value.

Now I cannot confirm whether or not the above were added to drive up stakes. However with how MHA ended up, I wouldn't be surprised if it was like the Big Three all over again. Hori adding something, nor knowing what to do with it and then desperately trying to smother it while introducing the "next big thing".

Ultimately, I find it humorous that someone so inspired by comic books and Star wars, is such a coward when it comes to pushing boundaries. Instead choosing to fall in line with what's trending, what the polls say, chasing after something that could never be obtained in the first place.

But hey look at the bright side, at least we have fan-works.

[cdroloisms]

always absolutely fucking hilarious when sbiers in their self-righteous need to assert themselves as better than everyone else in the same way they've done since 2020 even when they're apparently 'out of the fandom' and consider the whole thing cringe and dead (skill issue, methinks) go all um acktually no one cared abt any of the lore except for c!sbi. like well for one thing i don't know of a c!sbi personally speaking i'd like for you to point out to me where character sleepy boys inc ever like, existed, because it certainly wasn't in any dream smp i watched like is there even a single moment where the four of them interact together alone??? and secondly, it's always reeeeeeally obvious when they mean this as a diss on The Other Side Of The Fandom (read, dream team and co) when two-thirds of the dream team just did nawt have any interest in being part of the 'main characters' in the first place and would much rather do their own thing and roleplay in ways that wouldn't get picked apart for ages on twitter dot com, and the other member of the dream team played a character so integral to the lore that even c!inniters will often name him before they name their own goddamn guy because they cannot keep his name out of their mouths (see, the meme i saw like literally just yesterday that boiled down to me, after learning the dream smp lore: i need to kill c!dream). like bro yall are c!inniters you're not fooling anyone you think that the entire story revolves around this one teenager being abused and then completely ignore the months of abuse that was shown on screen for us before exile. "c!sbi" like cmon now guys the ao3 pages are like, right there, we all know who ends up being the villain for ur sbi fanfic that has its foundations in a dynamic that literally never existed in canon.

like "no one cared about anyone's lore except for wilbur and tommy--" well yes they were in fact some of the main fucking characters. imagine someone going up to you and going "well no one cared about the lore in the star wars original trilogy except for luke and leia" like damn really?? (now imagine this same person trying to convince you that darth vader's role was unimportant, actually.) like yeah the dream smp involved a lot of separate storylines and each of those storylines might've had their own "main cast" of characters but i'm also not blind bro, the story that started at the start of the fucking server and the start of the fucking lore was ABSOLUTELY the "wilbur-dream-tommy" triangle that is, in fact, the story that the l'manburg revolution was built on and the story that remains the throughline literally until tommy and dream have their confrontation with a nuke coming down over their heads, something that the characters themselves acknowledge with the repetition of the idea of tommy and tubbo against dream. LIKE ALKJSDFKJSADF yeah bro there were main characters in the tommy-dream-wilbur story an that's also the story that people tended to be invested in in the beginning, to the point where even other self-contained stories in the dream smp absolutely referenced and emulated it (cough cough, las nevadas). like, why are we acting like it's at all groundbreaking for people to be invested in THEEE fucking story the one that first started to exist because at the time basically no one else was part of The Roleplaying Trio and then slowly got padded out and developed as the server developed more and more into the lore server?

and it's the fact that none of these people, too, would deny that they care about ex. c!schlatt in manberg, right, or c!quackity in relation to c!wilbur's deal, etc etc whatever. like breaking news you gaf about The Story as a dream smp fan wow am i supposed to be like, surprised. do you want a medal. LIKE LKJASDJF

[blackkatdraws]

Black and Narry lore! [Narry is owned by @insomniphic and some of the art here were drawn by her too]

[Small Note: None of these are canonical to their stories and were made just FOR FUN.]

As a being of purity and light, Narry was appalled when he first came across Black who appeared to be the very embodiment of darkness and wrongness [at least in Narry's point of view]. Narry sees Black as a waste of potential because of how much power Black ["the bad guy"] has at his disposal.

Black feels indifferent to Narry's existence, as he's already used to similar beings like him. He sees Narry as a waste of power since he's clearly holding it back for the sake of the people he wants to protect.

Because of how much impurity Black's power emits, Narry is incapable of seeing Black normally.

In Narry's perspective, Black is a huge writhing mass of something that's very unpleasant to look at. This appearance is inconsistent and can shift continuously. This effect extends all the way to even photos or depictions of Black.

He physically cannot [refuses to] be in the same room as Black because he can't stand the feeling, the smell, the sight, everything about his power. It sickens him.

There's no context for this comic. This is a What If scenario where Black and Narry are going somewhere together when a group of bad guys come and attack them.

Narry is the type to hold back his true power in order not to hurt the people that are attacking him which annoys Black into stepping in [because he has somewhere else more important to be and Narry is delaying it].

Of course, Narry ends up getting injured and Narry makes Black promise he won't kill the aggressors before passing out.

[Admittedly, this scenario breaks a few canonical lore for both characters but we'll go with it for now.]

As a response to that idea, Insomni drew this.

Narry wakes up after the fight was long over and he sees piles of bloody bodies laying on the floor. He gets upset that Black didn't follow through their promise.

Black does not care. Instead, he laughs at Narry for finally snapping [considering it took a while for Narry to finally loose his cool at Black].

Black did keep his promise. All the aggressors are still alive, but barely.

We talked some more about their dynamic and we both drew these.

In this scenario, Black and Narry are fighting. [Started by Narry, who had the full intent to kill him for (what he perceives as) the greater good.]

He thinks this world would become cleaner without Black around.

Narry is convinced that Black is a monster incapable of feeling or doing anything remotely positive. Even as Black saves Stanley from the attack that Narry himself sent towards Black, he's still in that mentality where he sees everything that Black does as something for negative reasons.

Narry is a good person but his (justified) blind dislike for Black leads him into taking extreme actions at times. Plenty of people dislike Black for what he is, but Narry is the only one with the power to actually do something about it.

[The last drawing is another What If scenario where Black had to take Stanley and flee because he keeps getting in the way of their fight (and Narry is too focused on his task to take other people into account). Black doesn't want Stanley dying because of a stupid scuffle.]

[Note that Narry won't actually hurt anybody EXCEPT Black, he's a good guy who wants to do what's best for other people. Black is just EVILLLLL mwehehehe]

[Then I proposed another What If scenario where Narry won the fight causing Insomni to draw this.]

As Narry was about to strike with a powerful attack to finally end him off, he felt something familiar coming from within Black.

In the ocean of filthy dark energy Black emitted, there was light.

It was small. It flickered weakly in the air as the darkness that kept it safe was falling apart, but it didn't go out. It lit up softly without any signs of extinguishing any time soon.

Narry was in disbelief.

Stanley had done the impossible. His relationship with Black had given birth to a different side of Black's power, tucked away deep inside where only they're allowed to see.

And it was now in full display to Narry.

As a being filled with goodness and empathy, his guilt starts to eat away at him as he finally snaps out of it and sees the extent of what his impulsive actions have done.

[Insomni and I both agree that their fights would probably be settled with a draw or mutual death, so this scenario is not as probable to happen. It's interesting to think about though.]

[Again, breaking a few canonical lores but we like gay people here so it's whatever. I was the one who proposed the idea anyway. (❁´◡`❁)]

-------♦

[Here are fun extra doodles!!]

[redbreastedbird]

Is smut allowed to be written about the mmu characters seeing as in the canon of the books they're now all over 18? A prominent person in the fandom has smut fics up and it's causing debates so I thought I'd ask

I am going to answer this in the same way I’ve answered other asks like this in the past: to tell you that in this case, what I think doesn’t matter. I know what I think as an individual human being, but Robin Stevens the Author does not have a single opinion on the subject, because nothing she has to say matters in this case.

The joy of fandom and fan response is that it happens completely separately to the author or creator of a story. We can engage with fans if we want - I do like to, it delights me to see that you care so much about my books - but we literally can’t guide fan response because we cannot get inside your brains. If your soul moves you to see my characters a particular way, or imagine them doing a particular thing, I can’t stop you. I can think what I think on a personal level - again, I definitely do, there are some fanons and takes that I like more than others - but as Robin the Author it’s not my place to comment publicly on that. I have personally been in fandom for enough years to see other creators try to do that, and see that it always goes horribly wrong for them.

So I could tell you that there are Right Ways and Wrong Ways to interrogate my texts, but it wouldn’t be useful or productive and it would only lead to people getting (correctly!) angry with me. What I am going to do is as always refuse to read fanfics based on my characters (because it feels a bit invasive of the fic authors’ privacy, and also because it keeps me away from any potential legal challenges from fans who feel like a story I write is excessively similar to their fanfic). Then I am going to tell every single one of my fans who gets in contact with me that I think they’re great and valid and brilliant.

I will say that fandom arguments are absolutely soul-destroying when you are part of them. I sympathise entirely! It is hard to disagree about something you love, and hard to realise that the way you see a thing is not the way that other people see it. What I have learned after many years of arguing on the internet is that you can only control your own response to a thing. Other people will be out there having responses you absolutely hate! The only productive thing you can do in this situation is send your friend a private message complaining about it, and then have a really long and satisfying private discussion with them about how right you both are and how wrong everyone else is.

[antianakin]

I think I'm able to perhaps put a few words to why I really dislike that the Ahsoka show had her choose to come to the conclusion that Anakin was GOOD, that he was a good person and good teacher to her, rather than having her refuse to forgive him and just having to let go of him entirely.

Ahsoka is a character who has been, for her ENTIRE RUN on Star Wars, defined by Anakin and her relationship to him. She's never been able to escape that. She was created as an explanation for why Anakin "matured" over the three year gap between AOTC and ROTS, but her lack of existence in the films means she can have no greater impact on Anakin than that. She is wholly irrelevant to his character but she does not EXIST without him. In Rebels, she is only in one season where all of her appearances are fixated on her discovery of Anakin's betrayal and how that impacts her, leading up to their final confrontation where she appears to die fighting him. She comes back only so her relationship with Anakin can be used to help Ezra let go of Kanan. In TOTJ, she has an entire episode dedicated to explaining that the only reason she survived Order 66 was because of some kind of special training Anakin gave her that made her stronger, better, faster than any other Jedi. In The Mandalorian, her appearance was full of subtext about her trauma regarding Anakin and the way she reacts to other Jedi as a result of that. In The Book of Boba Fett appearance, that subtext is still there, primarily in her conversation with Luke where she even tells him how much he reminds her of Anakin. Which leaves us with the Ahsoka show itself and how it REVOLVES around that relationship, from Sabine being turned into Anakin 2.0 to everything in episode 5 to Ahsoka claiming she'll support Sabine in everything because this is what Anakin did for her to Anakin literally showing up in ghost form to Thrawn predicting everything Ahsoka will do because he has some familiarity with Anakin.

Ahsoka CANNOT escape this relationship, she cannot move out from this particular shadow and become her own person because her character seems to ONLY EXIST to be "Anakin's student." She can almost literally not stand on her own at this point. If her story doesn't revolve around Anakin in some way, it doesn't seem to really exist (please keep in mind here that I am mostly looking at HIGH CANON appearances for this because that's what I am familiar with; I'm sure that some comics have probably managed to move away from her relationship to Anakin a little bit sometimes but I haven't read any of them so they're not being counted in this analysis, especially since I don't think they're really impacting her higher canon characterization anyway).

It's even just visible in how other characters perceive her. She is constantly being COMPARED to Anakin, we keep hearing how like Anakin she is. The only time I can think of that she is compared to anyone OTHER than Anakin is when Trace and Rafa tell her that she acts like a Jedi even if she isn't currently calling herself one (bless their SOULS for this moment, they deserved so much better than the hate they got and one single appearance on fucking TBB). We never hear anyone say she reminds them of Obi-Wan, or Yoda, or Plo Koon. It's ALWAYS Anakin even though she's known Yoda and Plo Koon longer and she seems to spend almost as much time with Obi-Wan as she does Anakin.

By having Ahsoka decide to deal with her feelings about Anakin by just... setting aside all the bad shit he did and focusing ONLY on the good moments that he had and letting that define him, it makes it nearly impossible to separate her from him. If he's good, then it's a GOOD thing to compare her to him. If he's good, then his influence on her HAS to have been a good one. For me, it ruins ANY nuance that could have come from going the opposite direction and recognizing that while he had some good moments, he was in fact an overall bad person who was a terrible teacher to her. He betrayed her, he tried to kill her (and only failed because she was saved by someone else), he abandoned her. I don't care WHAT he did before this, this automatically makes him a BAD TEACHER.

And recognizing that Anakin was a bad teacher would force Ahsoka to look at HERSELF more critically, too, to recognize the places where she has made the same mistakes perhaps, where she's started leading herself down a similar path to his, and then choosing to NOT BE LIKE HIM. Anakin should be (like he is with Luke) the personification of her own darkness. Palpatine represented Anakin's greatest demons and personifications, Anakin can represent something similar for Ahsoka. He is an indisputable part of her now, but she doesn't HAVE to become him, she doesn't have to let that CONTROL her. And by making that choice, she frees herself from being defined by him for the rest of her life.

But now, the narrative has bound Ahsoka to Anakin forever. She'll never be anything more than Anakin's student because this has become what defines her as a person and a character. And it just... it sucks. Ahsoka deserved better than that.

[dreadfulgentleman]

what's the story behind knowing & living with the director of meet the robinsons

Time for a long story. I cannot shorten it.

In 2014-2015, I was miserable. I was working at WDW in FL at the time and going through the worst depression of my life. Everything bad that could have happened to me seemed to hit all at once. Losing my fiancee, losing housing, dealing with significant trans-related dysphoria, having work-related issues, having complications with unsupportive relatives, etc. The only thing keeping me going was the movie "Meet the Robinsons". More specifically, it was the character Bowler Hat Guy and the 'keep moving forward' quote that provided a crutch for me as I hung onto life by a single thread. Things came to a head when I thought seriously of taking my own life. I remember being in that moment, going through all the questions in my head of what would happen if I made that choice: What would happen to my stuff? What would my family think? What would happen at work? None of the answers to those questions mattered to me at all. It wasn't until I arrived at the very last question I asked myself that something changed. I asked myself, "If I could choose, what would I put on my tombstone?" Immediately my mind said, "Well, Keep Moving Forward, of course." But no sooner had I said that did I realize the irony of those words. How could I put those words on my tombstone and yet also take my own life? It made no sense. I thought, "What would the director think if I did that?" So I made the decision to put the knife down.

Several months later, I was dressed as Bowler Hat Guy to a Halloween party at Magic Kingdom. Someone came up to me very excitedly explaining that they were so happy to find someone who knew what MTR was. We laughed together and quoted the movie to each other and generally had a silly interaction based on fandom-sharing. Until suddenly she came right up close to me and said, "No, you don't understand, my cousin is the one who directed that movie." Well, of course, I freaked out. Immediately I clasped my hands against her shoulders and told her he and that movie had literally saved my life. I begged her to put me in contact with him in order to thank him directly. She said she absolutely would. Several days later and sure enough, there's the director in my inbox talking to me. I was starstruck. I told him why Meet the Robinsons was so important to me--how it had literally saved my life. As it turned out, he and his family were going to be visiting WDW the following month so he offered to meet up at a starbucks to chat. I was over the moon.

That starbucks meeting was three hours long. The entire time was chatting about how the movie was made, how he felt about it, how I felt about it, etc. I'll never forget that the first thing I asked him was, "What's BHG drinking in the playtime planet cup?" to which Steve replied, "What do YOU think is in the cup?" When I told him I had always imagined it was chocolate milk, he said, "Well, then, I guess it's chocolate milk." It was both a kind and humble thing to say as well as frustrating because that meant there was no canon answer (Ha!).

We inevitably left starbucks that day but remained friends on social media. A few days later was Thanksgiving. Steve's wife Heather found out that I was going to be alone that day so she told Steve they should both go out to dinner with me. So I was promptly invited to a pizza place with just the both of them. That dinner ended up being five hours long--I suppose we just had that good of a time! I was awestruck by their generosity and kindness. They felt like the real Robinsons, being automatically welcoming, encouraging, and supportive. I felt inspired by them and I was overjoyed that they had taken the time out of their vacation to hang out. When I walked out to the parking lot with them, feeling awed and humbled by how incredibly nice these two people were, Heather said something to me that I'll never forget. They both knew by now how many terrible things had occurred in my life up until then. They knew how much the movie meant to me. Heather said, "Would you like to be an Anderson?" Naturally, I cried on the spot and said yes.

The question at the time had simply meant to be one of general support and encouragement. But little did we know what would be coming next.

I was invited out to their house the following spring. It was only meant to be a week-long visit to see what California was like (I had never been before). Well, we were having such a good time that I extended my trip another week....... and then another....... and then suddenly the question was asked: "Would you like to just move in?"

So I did. I packed up all my stuff in FL and drove my car to CA just to be in their tiny guest room. A fresh restart in life. I legally changed my middle name to "Yagoobian" and we often joke that the five hour pizza dinner on Thanksgiving was my adoption interview. (Though for clarity sake, I'm on good terms with my actual relatives and this situation isn't meant to be a literal adoption scenario. My blood family and the "Robinsons" get along very well)

We are now in a bigger house where I have my own upstairs apartment and life is extremely akin to a real life version of The Robinson household. We're all artists so Steve is still working on movies, Heather sews and sometimes works on costumes/cosplay with me, I make short films (that sometimes Steve and Heather both help me with), and we thoroughly enjoy picking apart movies that we all watch together. We most certainly discuss MTR regularly and really enjoy looking at fanart or reading headcanons online (although it's mostly Heather and I, especially on tumblr. Steve unfortunately cannot be told most headcanon things for legal reasons, but we show him fanart all the time). I'm calling her out right now so you can ask her Robinson things if you'd like :P -- @bowler-hat-gal

This scenario sounds stranger than fiction, I know. And it is. I would never have guessed I would be where I am now. I often feel like I'm in the timeline where BHG had taken up the offer to live in the Robinson Household, being given the chance to restart his life and be happy. And I AM happy. I'm really glad to have found the place that feels like home.

All I can say is I'm so glad I put down that knife.

I'm so glad I chose to Keep Moving Forward.

[trying-to-get-somewhere-real]

started following u for Judith Light posts, but now I'm very curious what going on with Marta and Fina?

well, how much time to you have? ;) a fandom friend described it like this: a lyrical, magical, heartbreaking impossible but inevitable love story between a woman who never experienced true love and a woman who was born to love.

but seriously, i'm not going to summarize their entire plot, but at a high level, here are the basic things about them and why they are so special (i'm assuming you have zero knowledge - also anyone interested in watching this in the future with zero spoilers, stop reading now)

marta and fina are characters on a spanish novelita set in 1958 called sueños de libertad. marta's family, the de la reinas, are the core family, and their family business - perfumías de la reina, a perfume and cosmetics manufacturer - the main setting. most of the characters are either in the family or work for the company and live on the company grounds in the "colony". the company sells its products all over spain (and eventually elsewhere) but the flagship store is on the premises with the factory, and it's where marta's and fina's relationship is born.

fina is the daughter of the de la reina family's chauffeur, so she grew up with marta in a way, though they were never close because of the class and age gap (more on that below). but fina, always a little lesbian, definitely had a crush on her since they were young (this is canon - fina actually says it after they get together).

when the show starts, marta, whose role in the company includes overseeing the store, promotes fina from the warehouse to work to the store. she finds out fina is a lesbian when fina tries to kiss a friend (petra) who also works for the company and was competing for that same store promotion, and the friend rats her out to marta. instead of taking petra's side, marta protects fina and fires the friend.

so just to be clear, marta is fina's boss. already a trope i'm obsessed with. they also have an age gap, though in the show it's probably not intended to be more the 5-9 yrs; the actresses are more like 10-11 years, and to me it is evident (and very hot).

from that point, marta starts being really harsh with fina with no explanation BECAUSE SHE LIKES HER. i cannot overstate the shock and awe i felt seeing this trope actually play out in front of my eyeballs and not just in fic.

fina calls marta out for her unfair treatment, and marta actually apologizes and they begin to truly bond and flirt in earnest. this phase also includes so many tropes that i thought only existed for sapphics in fic, and otherwise only for straight ships: marta wipes crumbs off of fina's face when she eats one of the pastries that marta baked for the girls in the store; they pick up a letter off the floor at the same time and tough fingers and have A Significant Electrifying Moment; fina sews marta an apron for her birthday and ties it on her and it's sooooooooo sexually tense; they spray perfume on each other's wrists and smell it; marta asks fina to go to the opera with her for her bday (basically a date, even though marta doesn't fully get what's happening for her; she's just wants to spend time with fina), i could keep going but you get the idea. the rewatch value of these moments is infinite.

fina has always known she was gay and had past relationships. she is maybe the best lesbian character i've ever watched - always standing up for herself and staying true to who she is (and being horny lmao) when it's really dangerous to do so. marta is married, but her husband works as a doctor on a ship, and their relationship is very distant. we don't have to deal with him initially, though he does eventually come back and cause problems. it's spain in 1958 - you can't get divorced. but watching marta realize she's gay because she has never experienced this type of sexual attraction or intense feelings of love before is really magical. watching her try to deny her feelings but ultimately give in because she's never felt this way before--truly happy and alive for the first time--i cannot do it justice in writing. it has to be watched/lived.

once they establish them as two people in love (and lust, very importantly), there are all kinds of ups and downs as you would expect, and i'm not going to get into them here (this is already way longer than you wanted probably) but the constant is that they love each other and want to be together. they are the lead ship on the show - that alone is crazy - and marta in particular is a protagonist and at this point arguably the Main Protagonist of the show. you never question their feelings for each other - it is always only the realities of living in 1950s spain that keep them apart. because they can never truly be together like a normal couple, the yearning and pining and tension never goes away like it usually does for canon ships. all their mundane interactions have a heat beneath the surface. they don't have truly explicit scenes (they kiss and touch a lot and have had a handful of more intimate scenes; i just meant no nudity and largely no bedroom scenes) but everything is suggestive in a way i have never seen for a sapphic ship before. the writers deserve a lot of credit for that. we are a year into this and it still feels like all they want to do every time they're together is get in each other's pants.

they give the actresses a lot of freedom to improv touching and even changing lines - it's obvious to me as a viewer how those touches makes the ship feel super real and lived in. this is not something i have seen much or perhaps at all with my past sapphic ships. the actresses have insane chemistry and bring sooooooooooo much to whatever is on the page. whenever the plot is proving challenging, you can always fall back on them portraying the intense love, attraction, desire, in this world-ending kind of way. again, i absolutely cannot do this justice. the choices they make set this ship apart and you have to see it for yourself to truly Get It. but it's magical.

it is a daily soap, but with a smaller cast that american/british soaps, so mafin is on almost ever day. if not together, than at least one of both of them separately. in this first year, there are sooooooo many incredible scenes; just the sheer volume is unlike anything i've experienced before, and i have watched other sapphic soap ships.

i could say so much more - not sure if you were asking about the current story arc or the kind of open-ended question i answered, but feel free to come back to my inbox if you had a more specific question. they still have time to screw it up, this show could run for many more years, but right now i think it's the best lesbian love story i have ever watched on tv.

[dysfunctional-redemption]

NEW BEGINNINGS.

> You'd think once everyone had escaped, it was finally all better, correct? No more rounds, no more troubles, no more mistreatment from an unknown entity that seemed to know who and what they were.

> Unfortunately, no.

> Things still need to be fixed.

> Three years. Three years of psychological torment all finally ended like this, but things still need adjusting. They still need adjusting. Everybody still needs to recollect everything they had forgotten existed in the world they were taken away from.

> It was a miracle Roblox and the rest of the Builderman copies still managed to keep the servers running...

> So, you think the story's over, huh? No. It's far from it.

> Why don't we check up on them? Everyone, meet the true Survivors of the sick gameshow hosted on the dark web.

!!!AU INFORMATION, RULES, REFERENCES, AND TAGS BELOW CUT!!!

Dysfunctional Redemption focuses on the aftermath of the greatest "jailbreak" of all of Robloxia. After discovering a broken code in the pocket dimension, the survivors and NPCs (despite some difficulties) have managed to escape the dimension, with the retired exploiter in the group returning to his old ways and helping the killers 5 months after the escape to do the same. This au may include heavy topics of grief, abuse, religious trauma, PTSD, mental health, suggestive themes, and the like, so please proceed with caution once you are going through the blog.

(This AU is HEAVILY SELF-INDULGENT!!! If any of the characters act OOC, please inform me. Otherwise, they are characterized as such because of trauma from their former torment. Victims of such can be broken down like paper but can never be returned back to its proper shape.)

RULES:

- OBIVOUS DNI LIST (xeno/trans/homophobes, racist ppl, pedos, etc.)

- Controversial asks are not allowed for obvious reasons. This blog was made in all good fun.

- Keep things SFW. Combat and suggestive content are ok as long as it's within reason and not fully in detail. Full-on NSFW is not allowed.

- OCs, Other AUs, and crossovers are okay.

- You may use Anon/Asker magic. Keep in mind though that they cannot revive anymore as they are now back in the real-world. If there are any magics that can possibly cause the perma-death of a character, the Mod shall take it upon himself to get them out of the situations unscathed. Of course, mental and physical scarring from the situations is still left behind.

- Mod has no affiliations with the Forsaken Dev Team.

- Again, keep in mind the possible triggering content stated above. If you feel uncomfortable with the topics discussed here, feel free to scroll. Your mental health is always important.

- Mod uses He/They. If you would like to address the mod, please refer to them as Sunny.

- If there were ever a case that a canon version of a character talks to someone from this au, it will be mentioned that they are merely walking around the pocket-dimension, searching for survivors and assisting them with their mission. It is not guaranteed they can help you escape. The admins are still trying to figure out how to cease its show. IT KNOWS IT HAS NO POWER OVER THEM ANYMORE, BUT IT STILL HAS POWER OVER YOU.

- Following the above mentioned, if your muse is released from the pocket-dimension the moment you are playing as them, please say so. No harm at all doing that.

REFERENCES:

007n7 and G1337

TAGS:

#🍋reality-is-lemons - Noob

#🔨powering-imagination - Builderman

#🍗the-chicken-who-cant-fly - Shedletsky

#🍔haxxing-complete - 007n7

#🍕special-delivery - Elliot

#👊mamas-strong-soldier - Guest 1337

#🕶️egotistical-gambler - Chance

#🪽third-times-the-charm - Two Time

#🎃divine-pumpkin-man - Dusekkar

#💣silent-demolitionist - Taph

#⚔️i-was-made-to-hate - 1x1x1x1

#👔corrupted-resident - John Doe

#🌷the-residents-bride - Jane Doe

#🔥little-rascal - c00lkidd

#🎧certified-gamer - bluudud

#👑little-heiress - pr3ttyprincess

#🪻friendly-neighborhood-poltergeist - Azure

#🐰your.debth.is.due - Mafioso

#🔻the-internet-is-my-lemonade - Guest 666

#👁you-look-familiar - RP (duplicate) interaction

#👁im-sorry - RP interaction

#🩶who-are-you? - Anon asks

#✉oh-hello-there - User asks

#☀silly-mod-stuff - OOC

[aurora-313]

Heyyy,

I've tried and tried again to find the bright side of the ending and the Canon couples but I just can't. I don't even like the kids and thier designs are lacking. On top of that, I'm also dreading the day we get to see them in the anime🤦‍♀️

I've given up on the anime. It's glorified fanfiction, and honestly, nothing Kubo can do can really salvage it. Short of ripping Bleach apart from the very first arc and rebuilding it from scratch.

Franky the thing that I fail to comprehend is how Bleach went from "Monster of the week", where the monsters were fundamentally human in their hatred, desires, miseries and pains, to "let's kill/overthrow God and destroy reality".

Implausibly massive leap for a world that only consists of 3 towns and an empty void, wouldn't you say?

The dissonance is so jarring that it breaks suspension of disbelief. The cardinal sin of storytelling. That's why I don't enjoy TYBW. That's why the epilogue and the hell arcs make no impression on me.

A damning indictment of TYBW's quality as an arc is how forgettable it is. Remove it from the story entirely, and absolutely nothing would change.

There's a cult following in the west, sure, but that's all it has. Manga sales during TYBW tanked in Japan. Viewing figures in japan are in the toilet. The only thing keeping it afloat are diehard groupies who are easily distracted by shiny lights and crappy effects to hide how poorly composed it is.

The arc was utterly forgotten until the 2020 trailer dropped.

The storytelling is jank AF and the main villains are forgettable crybabies.

It's funny. By and large, I feel more emotional connection to three relative scrub Hollows from the shinigami sub arc, characters that only had a dozen chapters between them and viscerally hate them for how human their sadism is, but my eyes glaze over at the Sternritters. I barely remember any of their names.

The Quincy are boring. Yhwach is boring. There was an opportunity to salvage him by playing into the manga evidence he was a grifter who conquered, cursed, enslaved, and ate his way into power... but no. They replaced that with basic bitch daddy issues.

Then, there's artificially inflating Chad and Orihime's importance. The problem is that they're pathetically powerless humans by comparison.

Observe their first encounter with Quilge. Weak in the grand scheme of things, Quilge was casually stripping chunks of flesh off them. Compared to the feats the other Sternritters pull off, what can Chad and Orihime really do? Realistically. What CAN they do? The answer is nothing and worse than nothing.

Chad and Orihime, civilians who use reishi-based attacks, against an army whose been training for years-to-centuries, who dominate reishi as easily as breathing. No amount of training can change the fact they're a stupendously bad match-up against the Quincy. They realised their presence is pouring oil on a fire and thought the solution was to pour even MORE oil on the fire.

Tbqh. Ichigo should've put his foot down and told them to leave with Riruka and Yukio. Chad and Orihime simply cannot keep up with Ichigo anymore. Ichigo had left them completely in the dirt after Soul Society, and the rest of the series is Chad and Orihime in denial about that.

Why does Ichigo have to go through this exhaustive humiliation of a character arc, thanks to his elders leaving him to stew in ignorance, while Chad and Orihime got a free pass? And are ultimately rewarded for living in denial.

Want them to grow? Have them confront and accept Ichigo simply doesn't need them anymore. Have them accept their place isn't on his battlefield but protecting their mutual home. Have them accept they are mortals tangling with gods and demons, and they are in way over their heads.

The only plausible reason Ichigo DOES keep them around is cannon fodder.

As for the endgame ships; I don't want to talk about them, except that Ichigo should have categorically refused to have children on principle. After the shit his heritage put him through, why would Ichigo subject another child to that?

[boombambaby]

Anonymous asked: ⭐️ ― convincing portrayal of a canon character ( 🐝  *  ―  𝑺𝑯𝑶𝑼𝑻-𝑶𝑼𝑻𝑺 𝑶𝑭 𝑨𝑾𝑬𝑺𝑶𝑴𝑬𝑵𝑬𝑺𝑺.) - accepting!

*If you AREN'T following these amazing writers, my question to you is WHY. They are masters of their craft, and you would be doing yourself a huge favor. <3

@keepmovinjunior I cannot say enough great things about your Meg, I hear her voice in EVERY single one of your posts, whether its a reply, or a smaller dash thing. I absolutely love her. <3

@smartylina Literally ACTUAL Malina, from the show. If you've seen The Emperor's New School, you know exactly what I mean. She's perfect, the writer knows the show backwards, forwards, upside down and right side . . . up? You know what I mean. Seriously, you portray her SO perfectly, and channel her energy and when we get started talking about headcanons and ideas and musing about our characters and everything, you can tell how much you LOVE her and how much effort you put into her portrayal. I just . . I don't know where my Kuzco would be without her. If you aren't writing with her, even if you don't know the show, you are missing out-- she is an integral part to Kuzco's story and adaptable to SO many fandoms, just like Kuzco. Just, do yourself a favor and check her out <3

@musemelodies Timon always and FOREVER cracks me up. You have him so downpat and your replies and posts and everything never fail to make me picture Timon saying them himself. I just love him so much.

@tenebriism Your Howl is AMAZING. We've only written a few times, but before I replied recently I read back through our posts, and he's just-- so perfect! Cheeky and hilarious and I just can't wait to see what him and Kuzco come up with.

@greatgaiusjuliuscaesar If you aren't writing with Gaius, you are seriously missing out. The artistry in their portrayal is just *chefs kiss*. I can picture every reply perfectly, and he's such fun playing against Kuzco-- even when he's trying to take over his Empire. It's just a blast writing with you, and I always look forward to your replies and I love the friendship we developed between Gaius and Kuzco and can't wait to see where it's going. <3

@maaskuline Actually Johnny Bravo. Every single post of yours is a joy to read, and I hear his voice and it's like I'm being transported back to my childhood and watching the show all over him. It's just such a pleasure seeing you on my dash.

@bigspinachpuff I can't even figure out how to put into words how much I adore your Kronk. He's absolutely perfect, he's SO much fun to write with, and I hear his voice like I'm watching the movie or show in every reply. You have his personality so downpat, and I just adore your portrayal so much. <3

@flamesignite I looked up FMA because I was so eager to learn more about it, JUST because of your portrayal. We haven't written much, but your interactions with others on the dash is always so much fun to read, and I can't wait to write more with you and turn Kuzco and Roy into friends! . . . despite the cheek pinching and smugness. heh.

@droplct Your Katara is just *chefs kiss*. I think we've only written like, twice, but every time I see a post of yours on the dash I stop to read it and fangirl a little over one of my favorite characters from my childhood being right there on my screen again. She's amazing, and you can tell how much love you put into her with every reply. Please keep writing. <3