#character study? A little?

[canisalbus]

✦ Freshly ordained ✦

[puppyeared]

these two are so interesting to me

characters belong to @canisalbus

[hinamie]

congrats on your recovery n all yuuji but unfortunately for you I thought the scars were cool >:/

[sparticus2000art]

Behold! One of the scrungliest creatures alive- Spamton G. Spamton, the GOAT himself

I’ve had the rough idea for this for ages, but misplaced the original sketch…. But hey! He’s done now !

[persona-brainrot-real]

Sae Niijima is such a good character it drives me insane a little. She's not a mother nor a maternal or doting older sister but instead a twenty four year old who was thrown into a position of responsibility that she never asked for. She loves Makoto just as much as she resents her and its so apparent every time they talk up until November. "Are you studying?" (I want you to do well) (I need you to get a job and stop making my life harder) "I'll use any method necessary to get this promotion" (Life will be easier for us) (So stop distracting me with your problems) "Focus on your future" (I know that you're capable) (I can't afford to waste my time on you, so stop wasting time on others)

Makoto is not only the sole reason she pushes as hard as she does for a promotion, for success, and the reason that she loses herself in her animosity over her fathers death, but also someone she can't stand for so long. Makoto was 14-15 when their father died. Sae was 21. As soon as she got the career she wanted and things started to look up, her stability was robbed from her and she was disillusioned with the system that her father had taught her to rely on and completely adhere to. How do you manage, the daughter of a cop, following his footsteps towards law enforcement, when you're suddenly reminded of how unfair it is? You can't quit, your little sister relies on you and she's so young and struggling just as badly with this grief. So you pick yourself up and you get moving again. You push harder, press further. You abandon your morals and your ethics because punishing criminals (guilty or not) is almost like punishing the man who killed your father.

And the whole time she's fighting for promotions, going for drinks with the SIU Director to make herself more favourable for promotions, trying to navigate being a woman in a competitive, suffocating, male-dominated field, falling behind despite doing so much where others are promoted for doing so little - all the while your little sister comes back from school and her biggest issues are so small compared to yours.

Persona 5 revolves so heavily around grief and loss and change and Sae embodies all of that so well, all of the sharp and unpleasant and jagged parts of grief.

[minimujina]

wanderer in his season of healing makes me so happy. i love that he is safe enough to become softer again, that he is regaining some of his previously “weak” attributes and finding peace with them. he is becoming measured and introspective, and thinking before he speaks, perhaps a result of both his healing and his melancholy; i think it’s beautiful that he is finally able to safely feel his sadness and process the things that have happened. he is simultaneously finding peace and feeling all the difficult emotions he previously consumed with anger. it is painful, but right.

his sense of humor is still intact, certainly rough around the edges as you’d expect, though much less biting than before. it’s easy to tell that most anything aggressive he says is a front, a front that he is no longer concerned with presenting as absolute truth. perhaps the front is his sense of humor, and his affection is all thinly veiled behind jabs and sour grumbles—he is not willing to divulge the intimate details of that, however, preferring to leave it up to interpretation.

i just think of him and his healing and i feel like if he were to fall in love, it would be such a sweet and gentle and quiet sort of thing, just like his newfound peace. he ponders over many things, brooding by himself as much as he can, though he occasionally allows space for others to brood with him. that, i think, is something unique he may grow in. there are people who cannot tolerate strong emotions in themselves and certainly not in others—but he is the kind of person who can. he is the kind of person you could sit with and exist in your sadness and just be sad, and that’s okay. he’s not offering words of comfort or anything, but he doesn’t need to. anything he’d say would be useless anyways, he knows what it’s like and knows that a presence is enough and existing in your emotions safely is enough. he can appreciate someone who is straightforward about feeling unwell, who doesn’t seek pity, who is alright with sitting in the mud. he will gladly sit with you, then, as long as you don’t expect him to get all mushy about things.

he would do well falling in love quietly, not having to beat around the bush. naturally, pieces would fall into place, and he’d find himself yearning to be in the presence of another in a way he’d never before experienced. he had never really wanted to be around anyone, had never sought out anyone’s presence. but once he has been treated gently, has fallen softly into the arms of a likened soul who has the patience and understanding to touch his rough edges without recoiling, he finds his third space being with this new safe person.

and despite his reluctance to be anything but mysterious and nonchalant, i believe wanderer in his healing season would become quite the romantic. not in the sappy sense, but in the quiet love sense i’ve been talking about. firm and protective, subtle and gentle, almost gentlemanlike if it weren’t for his falsely rotten attitude he enjoyed projecting. romantic in a princely way, in a reverently respectful way, in a grotesquely wholesome way.

only the most chaste touches and kisses; he’s still getting used to affection, and would abhor pda. in private he’s much more open to being touched, because he is safe. if he is not safe, he is deeply conditioned to be conscious of his vulnerabilities, and it’s something that will take a lot of time to override, if even at all. but it’s a massive and beautiful step that he is even willing to receive affection at all, that he would want it from a partner in any amount.

hates eye contact, likes playing with hands. likes tracing veins and creases in skin and freckles and scars; he finds them fascinating, as he has nothing of the sort on his artificial body. one of his unique ways he shows affection is what could be called “studying” you. he likes to brood (with you there; perhaps it could be called parallel brooding) and take your arm and trace all the splotches, imperfections, veins, tendons he can find. he likes to touch more than he likes to be touched i think. perhaps he becomes amusingly selfish in this way. perhaps he is more averse to receiving than giving the affection because his disgust towards himself still lingers. perhaps he still has harmful core beliefs to unlearn.

i think he is full of a love that is strong and quiet, a love that he gives so sparingly, and only in pieces, never all at once. unless, that is, someone comes along and manages to drag it all out like a magnet—his carefully crafted exterior is in pieces, just like that! but oh, once someone is in possession of his love, he begins to know them so intimately, more intimately than he lets on. he so deeply knows who he loves and he knows how to give and to take action and so he does it, silently, for he is adept at perceiving the needs of his loved ones. reading body language and facial expressions is second nature to him at this point; nothing can get past him.

he studies you wordlessly with the expression of a cat who loves and reveres its human, except it’s the kind of cat who believes it owns the human, not the other way around. you’re his responsibility that he has taken on like an extension of himself because he loves you, and you have loved him, and now he hardly wants you out of his sight. his journey of rediscovery and learning self acceptance has been mentally and emotionally arduous, but ever since you came in and made loving him seem so easy, he’s felt much more at peace, and has had the capacity to reflect and process with much more freedom to sincerely feel.

stupid fictional character i hate him i hate him so much he is not real and i hate him

[tea-cat-arts]

Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will

[bread-that-draws]

Flowey’s so funny and has me so fucked up like he’s a talking flower. He tries to kill you upon your first interaction. He is ten years old. He is damaged beyond repair. He’s a flower named Flowey. He’s become friends with every single character. He’s killed all of them countless times. He knows everything about everyone. He doesn’t care anymore. He takes care of his mom when she can’t take care of herself. He’s killed her before. He doesn’t care if you kill her. He thinks she’s trying to replace him. He just wants to be himself again. He wants to destroy everything. He hates you. You’re the only one who understands him. He wants his best friend back. He’s terrified of them. He believes in kill or be killed because he died by giving mercy to the wrong person. He believes himself to be the wrong person. He doesn’t understand when you show him that kindness he showed others, even when you know he could kill you for it. He’s tried every route. He asks you if you have anything better to do when you try to do the same. He’s a direct reflection of the player. He’s a fucking talking flower named flowey and his only voice line is by Ronald McDonald and his officially licensed plush does a little dance for you

[nectardraws]

scared of himself

[image description: Steven in his outfit from the movie standing next to another Steven, his future self, from SU Future. This second Steven is more of a mess, turned away from the first, but looking back at him aggressively. The earlier Steven looks back with fear of what he is to become]

[astrowarr]

“How d’you care so little?” Joel fumes, eyes ablaze as he paces around the shattered glass and splintered wood of his car. It's pretty well decimated, and he's been growling and frothing about it in Gem's ear for an hour now. 

She prods testily at the soft, upturned earth carefully covering their pitfall. “It's not that I don't care,” she huffs, jumping back when the dirt crumbles a little under the toe of her boot. She glances up at Joel, who is practically shaking with rage. He can't keep his eyes off the dumb car. “You know, you really could've fixed it by now.”

Beat of silence. Then, pouting and everything, he grumbles feebly, “Shut up, Gem.” 

There's no heat behind it. If anything, her words seemed to have knocked the wind from his sails of war; he's slumped against the car now, arms crossed as he glares to the side dramatically. God, he sure does put on a show, she thinks with an overwhelming wave of affection. 

It's not that Gem doesn't care. But she can't get this feeling from the four mangrove walls of her stupid barn. She can't even get it from winning. So they can burn down everything she owns, take every last life she has to spare. In the end, none of that is tangible. None of that is what matters. This is a game, and games are meant to be played. That’s what counts for her. Why should she take issue if the universe works as it was so lovingly intended to? 

All she wants to leave behind is a trail of blood and ruin as she puts up a fight. She wants to leave her mark on this world and all the people it holds. She wants to make it hurt, once she's allowed to. She wants to play the game well, exactly how she was made to play it. She cares about that. 

Gem cares, too, about the love she dredges up along the way. She thinks of her hands set to the backdrop of a blood-caked cloak, of long brown hair curling over her fingers as they dig in tight. She thinks of the sharp edge of her sword pressed against pale skin, and the thud of knees hitting the ground. All of that meant something. It still does, she believes, in certain ways. 

“I care,” she says, feeling oddly self-conscious. Maybe it's because she knows Joel now: he can't stop caring. It explodes from every pore in his body, an inescapable curse. It's been his undoing, or so she's heard; he's easy to anger, but if you ask her, he's mostly just… easy to love.

It’s this fact that has her saying quietly, “Just… I gotta pick and choose, you know?”

She's not like Joel. There's only so much room in Gem's chest, and it's permanently occupied with a bleeding, open wound. It takes up a lot of her as she skirts around it, giving its raw, frayed edges a wide berth. Joel has an infected hole in his heart too, but his preferred method of dealing with it is tearing it wider with his bare hands.

“Yeah,” Joel drawls absently, scratching his cheek. “Never been quite good at that, I reckon.”

Gem gets that. It must be hard, holding everything so tight that it rips you apart. The thought of losing that much agency has a venomous, stinging feeling crawling down the center of her back. But… 

“You're doing it right now,” she points out, gesturing vaguely at his poor car. “You could've gone on a rampage, if you wanted.”

He scoffs. “Trust me, I wanted."

“You didn't though.”

Joel blinks. “Guess I didn't.” The answer is simple, but leaden with something that has branches so complex, it nearly consumes his words entirely. Gem can't name the something; she lacks the history she'd need to do so. Even so, his face is remarkably… light? That's a word for it. Maybe he's finally cut the infection from his own wound.

She hums in lieu of response, turning her gaze back to the trap. Whatever is draped over Joel's mind, she hopes it doesn't render him too docile. The game stops for nothing, and it deserves to be played to its fullest, Gem thinks, no matter what's left standing come judgement day. 

[inbabylontheywept]

Would you mind sharing the psalm and why you felt that person was the most humanist Mormon? I'm not religious at all but I find these sort of things very interesting.

In exchange I could offer the reason for my url ?

I'm warning you, this is kind of a mega essay, and it's fucking unhinged. Click at your own risk.

(Alright. You clicked.)

Psalms 137

By the rivers of Babylon we sat and wept

when we remembered Zion.

There on the poplars

we hung our harps,

for there our captors asked us for songs,

our tormentors demanded songs of joy;

they said, “Sing us one of the songs of Zion!”

How can we sing the songs of the Lord

while in a foreign land?

If I forget you, Jerusalem,

may my right hand forget its skill.

May my tongue cling to the roof of my mouth

if I do not remember you,

if I do not consider Jerusalem

my highest joy.

Remember, Lord, what the Edomites did

on the day Jerusalem fell.

“Tear it down,” they cried,

“tear it down to its foundations!”

Daughter Babylon, doomed to destruction,

happy is the one who repays you

according to what you have done to us.

Happy is the one who seizes your infants

and dashes them against the rocks.

———

Mormonism has layers. Different cores of believers, cultures within itself. The largest group of Mormons also dominate its image within the larger culture. You know them as the nerdy, cheerful, bubbly dorks on South Park, or the hopelessly naive childlike weirdos from the Book of Mormon musical. Strangely sanitized, "wholesome" people that are, clearly, unwhole. Missing some essential part of the human experience.

(Pain, maybe?)

I think that embracing this image is letting Mormonism view itself as what it wishes it was. A group with all its rough edges sanded off, all its raw and desperate humanity scrubbed away. A clean and godly and slightly unsettling image of joy.

That isn't how it started.

Now, most people know the story of Joseph Smith. Fourteen year old farm boy starts a cult because the whole world if full of idiots, I won't repeat it because you've probably already got it from South Park. But at some point that weirdo cult did become a religion, and I would point to that moment as the Mormon War of 1838.

I don't know how far after the founding that was. Enough that Joseph Smith was a grown man. Enough that the Mormons had around 15-25 thousand members. They'd moved to the Illinois-Missouri area and were establishing settlements.

(They creeped the locals out. Of course they creeped the locals out.)

Eventually, they got pushed out of the county they'd claimed. Jackson County, it was. The state couldn't actually take that county from the people that expelled them, so to try and make the Mormons "whole" for the land they'd bought (ignoring the houses and farms they'd already set up) it gave them a new county.

Next election that came around, that county was sieged. Voting was blocked. Now, the people of the state were terrified that this weirdo voting block was going to take them over. They probably weren't wrong. Some former Mormons had straggled in from the county revealing a frankly corrupt land dealthat the early church had used to transfer resources to itself, and that served as a tipping point. To prevent their state from becoming a religious basketcase, a mob sieged the Mormon county during the next election.

The state tried to return order by sending the militia in to break up the siege, but the militia mutinied. They joined the siegers. A ground of strange, extremist violent Mormons known as the Danites rode out and attacked local settlements that were known to house the families of the militia members.

The Governor at the time - Lilburn Boggs - sent out an executive decree. The Mormons were traitors, and were to be killed on sight. It is the only religion in the US to have ever had such an order made against it.

The Mormons surrendered their county and went to Nauvoo, Illinois. There were again expelled from that city in 1846, and traveled west.

They died in great numbers and they never forgot the homes they lost.

———

I tried to tell the story as sympathetically to the people of Missouri as I could. The Mormons made messes wherever they went, and they unsettled everyone they interacted with. But they were attacked as well, and had a history of violence against them. It should not be totally surprising that they became insular and strange.

Many (most?) Mormons that learn all of their history wind up leaving the religion. It has twists and turns and knots and it is incredibly, overwhelmingly human. I think that's where the facade of Mormon perfectionism comes from - the shame of that. The desire to be something else. But being human is all I've ever wanted. And occasionally, there are people faithful in the church - layers upon layers deep - that know their history.

And they are angry about it.

I think it's more common than people realize. Did you know that until 1930 Mormons swore literal religious oaths of vengeance against the US government for the deaths of Joseph and Hyrum Smith?

I always felt like these were, in some way, the real Mormons. They knew their history, and they loved their church, and they hated what it had suffered all those years ago.

They scared me, those people. But they seemed complete. More complete than the people that had carved out everything that didn't make them smile. They'd walked into the mirror, and touched their shadow, and danced with. Melded with it.

And I knew a few like that. I was taught by one. And he didn't convince me, but he interested me. Gave me some respect for the people I left behind.

———

In the game Fallout: New Vegas, there is a character named Joshua Graham. He's a Mormon. Not like the silly children in adult bodies that they always use on TV. He has gravitas. He has put away his moral compass before, to pursue the dream of one powerful man. Poured his soul into it, helped that man conquer the whole west in piecemeal. He's a somewhat on the nose analogy of the Mormon people themselves, following Joseph Smith. And when he finally failed, when he fought a battle he could not win on the gates of the Old World Hoover Dam, he was lit on fire and thrown into the Grand Canyon to die.

But he did not die.

He says he survived because the fire in him burned brighter than the fire around him. And it seems that way when you speak with him in game. There is something compellingly bright to him. Not shiny like a new toy, or a Utah teenager that hasn't seem just how grim the world can be. He's something blinding, compelling.

But that brightness casts shadows.

He is vicious. He was saved in the canyon by the family he left, the old Mormons of a new world. And he's trying to find that part of him again, regain the soul he lost pursuing someone else's vision. But that old vicious animal part of the covenant is with him. I see Joshua Graham and I see the animal that the Mormons became to survive the West.

And in the game, there is eventually a choice given.

You can lead the tribe Joshua has joined up with out of their Zion. Their Jackson County Missouri. Peacefully and perfectly and inhumnanly transcendant, the way the Mormons wish they actually were about everything. You can give him the chance to be what Mormonism has always wished it could be. Or you can fight with them and help them reclaim their paradise, but get your hands stuck deep in the muck of this world.

Joshua Graham knows his history. He knows all the homes his people lost. And whatever brightness he's trying to regain, whatever soul he's trying to win back from the world that takes and takes and takes and takes - he wants to give it all up again to let these people keep their home.

He knows his past and he is angry.

And as the player, you help him make peace with one of two things: Being human by being fallen, or keeping his soul at the cost of reliving the ancestral trauma of losing Zion yet again.

Both were pretty visceral decisions for a Mormon teenage Babylon to make.

(Tagging @boonebignaturals in this because I need a witness to my madness.)

[canisalbus]

[0039pf-third-blog-hooray]

chat, what do we think about redesign of my musketeers?

the old ones

here, so as not to jump to another post. it’s only been a month!

and a couple of headshots that i drew while working on references

[destiel-wings]

Dean Winchester & hug dynamic analysis

I was thinking about how whenever Dean hugs someone he's almost always the one hugging the other and how this links to his psychological trauma of always being the caretaker of people, making himself bigger to protect them.

Because that's how Dean sees himself, as a shield for others, and then I thought about how Cas actually is the shield, and he's HIS SHIELD, specifically, the only one who's really there to protect HIM, which is why it hits so much when we see this:

The way Cas wraps his arms around him, trying to protect him with his whole body--that he'd use as a shield and give up in a second if he could spare him from any pain and save him.

(for context: Dean was about to go use the soul bomb on Amara there, it was a suicide mission)

Bobby is another one that hits, he hugs him as the big hugger because he's his father, he loves him and he's actually here to protect him (and Dean LETS him -barely, but he lets him *and Cas* - in a way that he doesn't let Sam)

I watched a compilation of Sam & Dean hugs to check if i was right about it, but it's almost always Dean the big hugger with Sam, except when he's about to die or Sam sees him alive again after losing him.

Even then, Dean mostly tries to hug Sam as the big hugger anyway, with at least one arm, like a way to comfort him, making him feel protected, like his body language is saying "I'm here, I'm okay, I'm still strong, i can still protect you" (because their real father failed and Dean thinks it's his job).

He rarely lets himself be the little one hugged with Sam, unless he's barely conscious. Which is why it kills me so much more now that in this moment (s14, when Dean was going to lock himself in the Ma'lak box cause he was possessed by Michael) and Sam has a desperate breakdown and punches him (to stop him) he forcefully hugs him as the little hugger, the way Dean always kept him, like a way of saying "I still need you to protect me, please don't do this to yourself".

In the scene below he gives Sam his blessing to do a dangerous (possibly suicidal) mission, and one of his arms is down, but the other one tries to stay up--he's forcing himself to do it and he struggles because he still wants to protect him, but (as the seasons progress) he slowly becomes more prone to let go.

So in this view the hug dynamic becomes an indicator of how Dean sees Sam (and himself) and his protector role, how adult and self sufficient he considers Sam, and how much he lets people around him take care of him, lowering his walls and letting himself be hugged.

This is also why i think hugs from characters like Garth or Charlie are so special, because they're just like us: they see Dean and they just know that he needs to be hugged a lot, and that he's not used to it, so they just go for it-- and it's so normal and kind and spontaneous that Dean's just not used to it-- he doesn't know how to respond (especially with Garth, at the beginning, but as the seasons progress, he learns to, and he even initiates the hug eventually).

I love the hugs where they're 50/50 (one arm up, one arm down both), feels like they're equals, both taking care of each other. I feel like with Sam and Dean, this indicates a healthier dynamic, because Dean lets go a little of the role that was imposed to him and manages to see Sam as the strong individual that he is. But the same applies to 50/50 hugs with other characters, like with Cas, where I feel like it testifies how equals they feel in terms of being fighters, there's a show of respect of each other's strength that transpires by the gesture (which is even more astounding considering that Cas is literally a powerful angel).

And just to end on a destiel note, I'd like to note the possessiveness and protectiveness of Dean (rightfully so) whenever he finds Cas after he thought he had lost him, and how that translates into his body/hug language:

[cureskies]

i love your smile, mashiro. so let's part ways smiling!

[sweetgladesofhemlock]

We don’t talk about “booksical” Fiyero enough, like so many aspects of his character from the book (being a POC from a marginalized tribe, experiencing discrimination) give his character and relationship with Elphaba much more depth. But I feel like (especially in fics) people always treat musical and book Fiyero as completely separate characters, but honestly, giving the popular, jockish prince a background of racial discrimination and cultural assimilation could be SO interesting.

(might write a fic tbh)