#character cameo

[darkficsyouneveraskedfor]

The Detour 6

Warnings: non/dubcon, and other dark elements. My username actually says you never asked for any of this.

My warnings are not exhaustive but be aware this is a dark fic and may include potentially triggering topics. Please use your common sense when consuming content. I am not responsible for your decisions.

Characters: Thor

Summary: You find yourself stranded in a small village.

Part of the Backwoods AU

As usual, I would appreciate any and all feedback. I’m happy to once more go on this adventure with all of you! Thank you in advance for your comments and for reblogging.

You refuse to spend your vacation pent up, especially in this place. You put on your most walkable shoes, felt boots with a low heel, and clothes suitable for walking. Cigarette pants and a sleeveless turtleneck. You grab your purse and call down to the front desk to request a taxi.

As you come down to the lobby, you see the preparations for the ridiculous event in full tilt. Ugh. This place is backwards. How can a grown man plan a part akin to that of one half his age. If you were to guess, that cretin is like pushing forty, and that’s being generous.

You roll your eyes and strut down the steps. You tap your heel at the bottom as you wait, hip pushed out with one leg at an angle. Finally, a minivan rolls up and the driver reaches over to the crank down the window.

“You call for a cab?” The man asks.

“Yes, sir,” you hesitate, thinking he might have the decency to open the door for you. When he remains as he is, you do it yourself, sliding open the back and climbing inside. 

“Where are we going, miss?” He prompts as you roll the door shut.

“Hm, I saw in the hotel itinerary there is a bakery in town. They have coffee?”

“Sure do, all those fancy foams and flavours,” he chirps as he shifts into gear, “didn’t know anyone was visiting town.”

“A brief detour,” you assure him and turn your gaze out the window.

“Ah, well, you can call me Paulie. I’m the only taxi in the village.”

You don’t offer your name in return. You aren’t paying for conversation. He’s a driver, not a therapist. You sit in the buzz of the radio, the outdated tunes static as the signal wanes and waxes.

“Just up here,” he announces as he comes to flat ground, steering between the only dense line of buildings, “one with the red sign.”

“Sir,” you pull out a bill and adequate tip for his trouble.

“You have a good one, ma’am. If ya need a ride back, you just call,” he calls after you.

You step out and shove the door closed, quickly marching onto the pavement. You peer up at the bakery, eyeing the facade. It isn’t as nice as your preferred cafe but there are no alternatives. How can people live like this? Is variety not the spice of life?

You’re aware of the looks you get from the village elders on the street. You ignore their sideways glances and enter the bakery. You approach the counter as you browse the menu, chin set. You are dying for a latte.

“Hello, I’d like an oat latte, half pump of vanilla, a quarter teaspoon of cinnamon, and a touch of honey,” you outline your typical order.

“Uh, okay, that was a latte–”

“Oat latte,” you correct, “latte with oat milk…” the girl behind the counter squints and keys in the order, “with cinnamon–”

“Half a teaspoon, don’t cake it on,” you demand.

“Um, alright,” she stops and rips off a piece of blank receipt paper, making a note on it.

“With honey,” you enunciate clearly.

“Honey,” she mumbles as she writes, “anything else, ma’am?”

You sniff and lean back on your heel, looking up and down the display case, “are any of these vegan?”

“Sorry, I don’t think so.”

“Gluten free?” 

“No, I don’t–”

“I might do with the raspberry white chocolate scone,” you step back up to the counter.

“Sure,” she taps the buttons and reads out your total. You pay with your card and cross your arms as you strut to wait at the other end of the counter.

You look around dully. There’s a man sitting by the window. He has frosting on his fingertips as he picks at a cinnamon bun. He gives a goofy grin and wipes his hand on a napkin, several others sticking to him as he tries to tidy himself up. You shake your head and return your attention to the counter.

Your scone is served first on a small plate. It takes some time for the latte. You taste it and suck your teeth. You look at the employee as she watches you nervously. Even if you tell her she added too much cinnamon, you doubt she’ll get it right on a second try. Like everything around here, you’ll settle for it.

You take your order and sit in the corner. You slide out your phone. No bars. This wretched place threatens to bore you to tears. 

A chair scrapes and a throat clears. You narrow your eyes in the messy man’s direction as he approaches you. He’s tall with sandy brownish blond hair and a trim of overgrown stubble along his jaw and cheeks. He wears plaid under a tan vest with too many pockets. Backwoods chic, how gauche.

“Uh, hey, you new in town?”

“Passing through,” you utter tersely.

“Really? You staying up at the B&B? Odinsons are good people.” He nervously plays with the zipper on his vest, “I’m Cole–”

“I don’t want to know your name. The moment I’m free of this place, I hope to forget everything about it,” you spit.

He blanches, “uh, sorry, miss–”

“You will be if you keep bothering me.”

“I was just being friendly,” he begins.

“Let me tell you something, I run circles around friendly men like you. In fact, men like you, beg me to step on them,” you sneer hotly. “And trust me, you can’t handle me, so go on and finish your snack, little boy.”

He stutters and looks around. He nods and backs off, a dumb look on his face. He turns and walks stiffly back to his table. He stares ahead and slowly drops his head into his hands. You scoff.

Does every man in this forsaken place store their brains below their belt? You pick at the scone as your eyes drift over to the barista. She watches the man with a worried look then glances at you and winces, quickly hiding behind the display case.

You turn and peer out the window. This must be purgatory. It is possible you crashed your car and now must wait out your eternity in this hellscape.

[canisalbus]

✦ Picciriddu ✦

[frostedpuffs]

HAHAAAAAAAAAAAAAAAAAAAAA

[livingmeatloaf]

There is only one way to make a truly wonderful Avatar adaptation, not matter how bad it turns out to be:

A professionally shot, full length stage production of the Ember Island Players' Fire Nation propaganda version of the events

[lynxgriffin]

Mightier Than The Sword

Gerson had one regret, but now Alvin has many. A fancomic about my thoughts and theories and who -and what- the Knight is!

While not directly connected, I'd say this one is in the same vein as the Deal With The Devil series! Hope you enjoy!

Alt text for this comic under the read more:

Page 1

Panel 1 - Wide shot of the interior of the Boom household. Several monsters are gathered in a clean-looking hall, dressed in somber clothing and talking quietly in small groups. The monsters include QC, Cat Mom, Toriel, Asgore and Mayor Holiday. Father Alvin stands waiting at a door in the hall as his sister, a red-headed turtle monster in a pink dress, exits through the door and speaks to him. “Alvin…he’s ready for you.”

Panel 2 - Mid shot as Alvin prepares to enter the room. Ms. Boom steps out of the way, and puts a reassuring hand on his shoulder. Both of them look somber. 

Panel 3 - Alvin enters the room, mostly dark and lit by a few candles on a nearby desk. Gerson Boom is lying on a bed ahead of him, watching him enter. Alvin closes the door behind him and says, “Father, I’m here.”

Panel 4 - Alvin approaches his father, lying in bed. The bedroom has a few amenities, including a footstool set off to the side, a large rug bearing the delta rune, and a massive bookcase filling the entire back wall. A few books and papers litter the ground. Alvin bows his head, and says, “The hammer is ready for…for afterwards.”

Gerson just smiles, and responds, “Wa ha, is it? Well, it’ll do fine, I suppose.”

Panel 5 - Closer shot of Gerson extending his right hand towards Alvin. He’s smiling still, content with where he is. “Come here, son.”

Page 2

Panel 1 - Closeup as Alvin takes his father’s hand in his own, and clasps it tight. “Whatever you need…I’m here,” he says from offscreen.

Panel 2 - Alvin kneels by his father’s bedside, still clasping his hands. Gerson says, “Of course you are. Wa ha…you’re such a good and kind man, Alvin.”

Panel 3 - Closeup on Alvin as he just holds on to his father’s hand. Tears prick at the corners of his eyes. 

Panel 4 - Focus on Gerson as he holds up a hand to conspiratorially whisper to Alvin. “And I know I can trust you with a secret, right?”

Panel 5 - Closeup on Alvin as he looks back up, face earnest. “...Of course.”

Panel 6 - Gerson holds up one finger as he speaks to Alvin. “I told your sister I had no regrets, but that was a BIT of a fib! I’m afraid I have one regret…”

Panel 7 - Side view of Alvin as he learns closer, his face now worried. “Father?...”

Page 3

Panel 1 - Focus on Gerson as he leans back on his pillow, looking up at the ceiling. “I wish I had started earlier. Writing stories, I mean. Seein’ you an’ your sister’s eyes light up whenever I read you a new chapter…and then seeing all that joy from so many young folks after those stories were published!” he says, looking wistful.

Panel 2 - Alvin watches on sadly as Gerson continues, “It was the greatest feeling in the world, Alvin. It’s what life’s all about, y’know. Helping the young folks grow.”

Panel 3 - Gerson closes his eyes and looks back towards the ceiling again, still wistful. “So, I wish I’d started writing stories sooner.”

Panel 4 - Closeup on Alvin as he bows his head, still holding Gerson’s hand. “I truly do cherish those times you read to us, father…” he says.

Panel 5 - Closeup on Gerson as he closes his mind with happy memories. “Me too, Alvin. It’s a shame…I’ve still got so many tales to tell! But–”

Panel 6 - Gerson is interrupted by a round of hacking coughs. His time is fast approaching.

Panel 7 - Gerson settles back in to his bed and says, “The Angel’s given me SO many good, happy years. Doesn’t seem fair to ask for more.”

Panel 8 - Closeup on Alvin as he continues to hold his father’s hand tight. “This doesn’t seem fair, either…” he says, tears still pricking at his eyes.

Page 4

Panel 1 -  Insert closeup of Gerson as he smiles at his son. “That’s life, Alvin!” He doesn’t seem bothered by his imminent passing.

Panel 2 - Side view as Gerson leans in closer to Alvin again, hand raised, back to sharing his secrets. “But, knowin’ my secret…there’s something I’d like to ask of you.”

Alvin faces his father with seriousness. “Anything,” he replies.

Panel 3 - Closeup on Gerson, as he looks hopefully at Alvin. “You have a good heart, Alvin. I want you to know this joy, too.”

Panel 4 - Gerson continues in the next panel: “Please try writin’ stories of your own, alright?” Closeup on Alvin as he looks shocked and a bit worried by the request.

Panel 5 - Mid shot as Alvin holds up a hand to Gerson in protest. He says, “Father, I…I have no talent for writing fiction. Not like YOU.”

Panel 6 - Closeup on Gerson as he refutes his son: “Hogwash! I know you can.”

Panel 7 - Wide shot as Alvin stands up, and looks around the room. “No, I…”

In the foreground, there’s Gerson’s desk, currently showing some lit candles, some paper, an inkwell, a notebook, and his favorite fountain pen.

Page 5

Panel 1 - Closeup as Alvin grabs two objects off of the desk: the small notebook and the fountain pen. Offscreen, he says, “If you just…”

Panel 2 - Back at Gerson’s bedside, Alvin pulls up the footstool and puts the pen and notebook in front of him, intending to use it. He faces his father, and says, “Tell me your ideas, I could write them down, and–”

Gerson interrupts him: “‘Fraid it doesn’t work that way, Alvin!”

Panel 3 - Gerson holds up both of his hands and smiles as he explains: “My tales are between my soul and the pen. You’ll need to make your own.”

Panel 4 - Gerson watches as Alvin, tears in his eyes, looks down at the notebook and pen in hand. “I–I cannot…” Alvin starts, looking despondent.

Panel 5 - Side view of Alvin as tears continue to stream from his eyes. He says, “Not without you!” In the background, in grayscale, there is a scene from Alvin’s memory: Gerson reading a book to his two children by the fire. Gerson looks happy, and both kids are enraptured, with Alvin clinging to a cat doll that looks like Seam.

Panel 6 - Closeup on Gerson, his face now more worried and pleading towards Alvin. Gerson says, “Y-you can… It’s all I ask…”

Panel 7 - Gerson turns away as he’s again interrupted by a round of terrible sounding coughs. Alvin stands holding the notebook and pen in the foreground.

Page 6

Panel 1 - Horror comes over Alvin’s face as his father continues to cough loudly, clutching his chest. He realizes that his father might be close to death now.

Panel 2 - Wider overhead shot as Alvin turns away from Gerson, looking frantically around the room. “No! Not yet!--” he says desperately. Gerson is still racked with coughs.

Panel 3 - Closeup as Alvin grabs the candles from the desk–

Panel 4 - And then pulls a book from the bookshelf, with the delta rune on the front –

Panel 5 - And then finally pulls out what appears to be a beaded rosary, with the delta rune made of beads at the end of it.

Panel 6 - Wider shot as Alvin places the objects in front of him, candles to the side, holy book in front of him. Gerson can only lay there as he does so, trying to catch his breath.

Panel 7 - Front view of Alvin as he clasps his hands together in front of his face, the rosary threaded between his fingers. He closes his eyes and bows his head in prayer. “Angel…Angel above! Please, heed your servant’s prayer!”

Page 7

Panel 1 - Closeup on Alvin as he continues to pray, the candles glowing around him. He keeps his eyes shut even as tears well in them. “I know you call back my father’s soul, but please! Please refrain!”

Panel 2 - Gerson desperately reaches a hand out towards his son, shaking, but unable to reach him. In the foreground, the fountain pen sits on the footstool between them. “A-Alvin…” Gerson’s voice is shaky now.

Panel 3 - Aerial shot as Alvin prays over the book, and Gerson is still confined to the bed, only able to watch. “This world still NEEDS his gifts!” Alvin says. “I pray to you, don’t take them from us now!” The shadows around Alvin start to grow strange, not matching the candlelight.

Panel 4 - Gerson continues to hold out a hand, now not looking well. “No…”

Panel 5 - Closeup on the candles as they spark to life, now glowing stronger.

Panel 6 - A strange bright glow begins to emanate from Gerson. Behind him, the books in the bookcase all rattle and shift as if in a localized earthquake. The colors of the room grow brighter and stranger.

Panel 7 - Still reaching out a desperate hand, Gerson lets out a soft breath. His soul, an upside-down white heart, comes up from his body. On the footstool in the foreground, the fountain pen also begins to levitate, as if by magic.

Page 8

Panel 1 - Front shot of Alvin as he continues to pray desperately, his head bowed and hands together. “Grant us the love shown between his soul and the pen!” Behind him, the colors have grown stark and bright, and a shadow resembling the angel looms behind Alvin.

Panel 2 - Alvin looks up to discover something amazing and terrible: Gerson’s soul has been drawn to the fountain pen, and begins to flow down into it.

Panel 3 - Closeup as Gerson’s soul is completely absorbed into the pen, hovering high over the bed.

Panel 4 - The candles turn strange blue and pink colors, and the books in the bookcase shake and rattle relentlessly.

Panel 5 - Extreme closeup on Alvin’s eyes as he sees this miracle; the light of his father’s soul reflected in his eyes.

Panel 6 - Closeup as the pen suddenly drops, and clatters back on to the footstool.

Panel 7 - Wide aerial shot as the room very suddenly goes completely dark and silent, the bright colors and lights now gone. Alvin stands up and backs away from the bed, still clutching the rosary, his face filled with horror. Gerson now lies unmoving in his bed, having passed away.

Page 9

Panel 1 - The same shot as the first panel of the first page, with the other monsters waiting in the hallway. No one says anything as Alvin emerges from the bedroom, leaning on the door for support, his head bowed. Everyone in the room knows that Gerson has just passed, although they don’t know the rest.

Panel 2 - An establishing shot of the forest and mountains surrounding Hometown…the skies are a dark, gloomy gray.

Panel 3 - Above shot of Gerson’s newly dug grave. At the bottom of a small pit lies Gerson’s hammer, covered in his dust. Politics Bear stands over the grave, holding a shovel. 

Panel 4 - Closeup as the shovel begins to dump dirt over the fresh grave.

Panel 5 - Another closeup of Gerson’s headstone, with bundles of fresh funerary flowers laid in front of it.

Panel 6 - Wide shot of Gerson’s funeral. Alvin stands over his father’s grave, reading last rites from one of his books. Lots of monsters are in attendance, including Alphys and Undyne, Napstablook, the Holiday and Dreemurr families, and more. A very young Kris, Noelle and Asriel are present, but Dess is not. Everyone is dressed in dark mourning attire.

Panel 7 - After the funeral, Toriel approaches Alvin and puts a hand on his shoulder. She says, “Beautifully said, Alvin. I know your father is watching proudly by the side of the Angel.” Alvin looks distant and mournful.

Panel 8 - A closeup of the fountain pen laying forgotten on the desk in Gerson’s room. Gerson is, perhaps, not actually with the Angel right now.

Panel 9 - Back at the funeral, Alvin bows his head, eyes closed. “You are too kind, Toriel,” he says.

Page 10

Panels 1-3 - We see the seasons pass through the changing of the trees…from the barren white trees of winter, to colorful pink blooms for spring, to the bright oranges and reds of fall.

Panel 4 - Sometime much later, Alvin again enters his father’s old room, alone.

Panel 5 - Much of Gerson’s room has remained untouched. The fountain pen still sits on his old writing desk in the foreground. Alvin steps inside, and carefully turns on the overhead light. “It’s been years,” he says.

Panel 6 - Alvin cautiously approaches the pen, which seems to loom large ahead of him. He hesitantly picks it up.

Panel 7 - Alvin places some blank pages on the writing desk. “Surely…”

Panel 8 - Alvin sits in front of the blank pages, still holding the pen cautiously. “Surely by now, I can do it.” He’s going to try writing.

Panel 9 - Closeup as Alvin dips the pen in the inkwell, and it comes away full of ink.

Panel 10 - Closeup as Alvin holds the pen over the blank page. The pen trembles slightly in his grip.

Panel 11 - Alvin tries to put pen to paper, but he’s still trembling. He looks down with great anxiety. “I…I…”

Panel 12 - Closeup on Alvin’s face as he looks more panicked, shaking and sweating. In the background, his memory of his father’s soul being absorbed into the pen plays back at him. This is still his fault.

Panel 13 - Closeup again as Alvin’s hand shakes uncontrollably, and the pen with it. Ink spots begin to dapple the blank page–

Page 11

Panel 1 - Alvin’s shaking hand accidentally knocks over the inkwell, and it spills black ink all over the blank page.

Panel 2 - Alvin picks up the ruined paper and folds it in half to try and stem the ink spillage. He quietly curses to himself. 

Panel 3 - Closeup as Alvin holds his head in his hand. It’s clear that this isn’t going to work. “I can’t…” 

Panel 4 - Closeup as Alvin puts the ink-stained paper back on the desk, and quickly grabs up the pen and inkwell.

Panel 5 - Taking the pen and inkwell, Alvin exits his father’s room again, head bowed and expression sad.

Panel 6 - Left behind, the folded paper slowly peels apart and unfolds…

Panel 7 - To reveal that the spilled ink has created a rorschach ink blot image of a titan. 

Page 12

Panel 1 - Wide shot as Alvin trudges down the streets of Hometown, alone. His head his bowed, and he’s still clutching the articles he took with him. It’s almost nighttime, and the sky is dark. “I cannot bear this kind of burden,” he says to himself.

Panel 2 - Shot from behind Alvin as he approaches the school building. It’s dark, and no students or teachers should be there. “Maybe you belong where you always have…”

Panel 3 - Now indoors, Alvin continues down the empty hallway towards a particular destination. “With the youth.”

Panel 4 - Alvin opens the door to the storage closet at the end of the hall. It opens with a soft creak. “Teaching. Telling stories,” Alvin continues to say to himself.

Panel 5 - Alvin places the fountain pen and inkwell on a small shelf in the storage closet. The closet is almost completely black. 

Panel 6 - The inkwell and pen are left on the shelf as Alvin closes the door behind him. His expression is mournful as he locks these reminders of his father away. “Inspiring someone better suited,” he says, hoping this is a suitable escape of his responsibility.

Page 13

Panel 1 - But in the storage closet, the objects are subject to something else already there: the grand Dark Fountain. The pen, ink and papers all fall into the darkness of the fountain–

Panel 2 - And start to change, the pen seemingly turning into liquid itself–

Panel 3 - As the pen falls deeper and deeper into the dark, the liquid begins to reshape into something new, something resembling a person–

Panel 4 - Until it lands on empty ground, now a person in knight’s armor, knelt over and holding his head in his hands.

Panel 5 - The Knight comes to, and starts to become more aware. He’s dressed in armor resembling the dark metallic sheen of the fountain pen, his mask resembling the pen tip. A bright deep red cape flows from his shoulders, and a single red-orange feather tops the helmet. “Where…am I?”

Panel 6 - The Knight again touches his helmet with both hands, as if not sure exactly what he is.

Panel 7 - Interior shot of the helmet, which reveals a figure much like Gerson…but much younger, more idealized-looking, with colors not matching his actual self. A Dark World interpretation. “WHY am I…?”

Panel 8 - A closeup of the Knight’s hand, slightly trembling.

Panel 9 - The Knight stares down at his own hands as realization begins to flood him, or at least something that looks like realization. “Wait. I see why. I KNOW.” he says.

 Page 14

Panel 1 - The Knight holds up his hand, and a sword appears in it in a flash of lights. The sword resembles the tip of a fountain pen, almost split neatly in two. “I serve the Lightners! That is my purpose!” Says the Knight. 

Panel 2 - The Knight draws the sword back with great fervor and determination. His thoughts echo around him in strong letters: “A purpose so bright, so clear…”

Panel 3 - In the final panel, the Knight drives the sword into the ground, causing an eruption of black ink-like material to spew from the ground…the creation of a new Dark Fountain. In the fountain itself, words reflect his purpose: “I EXIST TO GIVE THEM STORIES FOREVER.”

[idolomantises]

>make a quick design for a character intended to have a one off appearance

>people start drawing fanart of her and begging for her to come back

whoopsie lol

[spitedemon]

i really don’t think it’s “typical dragon age fandom nonsense” for people to be genuinely upset about the world state choices. combat, level design, art direction, gameplay gimmicks, those have all varied across each dragon age game. the one thing that’s remained constant are nods to our previous choices.

i wasn’t expecting my HoF to come riding in on a griffon, but i can’t find a monument dedicated to warden tabris somewhere around the anderfels? lucanis couldn’t have some lines about the time that one arainai boy was stirring up trouble in antiva city? you’re gonna tell me that making a mage the new divine wouldn’t have some impact on nevarra and antiva? on the anderfels, the supposed most devout militant andrastian nation in thedas? you’re saying nobody in the north is paying attention to who rules orlais or ferelden? come on.

[sunderwight]

A fun prospect for Superhero-themed SV AU's that I don't often see is genre dissonance. Like, Luo Binghe as this edgy 90's style antihero who just straight up kills his enemies and sleeps around and is driven by selfish motives (revenge, ambition, etc) rather than altruistic morality, vs Shen Qingqiu as this kid-friendly supervillain who is "evil" mostly in terms of aesthetics and his ability to make inconvenient problems that are reasonably safe for child heroes to solve. Something like Punisher vs Team Rocket in terms of vibes.

Maybe the reason they meet is because some big publishing house akin to Marvel or DC just bought up the rights to whole bunch of older, discontinued comics titles, and decided to do a Justice League/Avengers style mash-up with a bunch of nostalgia properties and their most recognizable heroes and villains. Which means lots of crossovers condensing several titles into a handful of series.

Luo Binghe's origin always features him as a teenager, so he reboots as the youngest Avenger-equivalent team member in the new continuity. Even in this reboot, however, the writers still mostly go the gritty and dark route with his plots and stick to the same key developments -- his abandonment as an infant, his adoptive mother's tragic death, his tough life on the streets, abusive mentors and backstabbing "allies", and so on.

But Luo Binghe's life suddenly starts experiencing periods of dramatic change in his life when he's brought in for appearances in the lighter, friendlier world of the Junior Heroes continuity. After all, he's a natural choice for tying the two continuities together thanks to his youthfulness. Luo Binghe isn't consciously aware of the fact that he's moving between different titles and different writers. All he knows is that sometimes, when he hangs out with the bright and talented Ning Yingying, he's drawn into "conflicts" with Shen Qingqiu -- the kind of "villain" who will call for tea breaks, never actually hits anyone when he shoots his ray gun, leaves clues for all of his crimes, and can't seem to stop from imparting genuinely helpful advice in between his witty quips and taunts.

When Luo Binghe fights Shen Qingqiu, somehow he never actually gets hurt. Neither do any of his friends. The world in general seems brighter and lighter, as if there is some secret barrier protecting everyone from all the evils Binghe knows only too well exist in the rest of his life. Luo Binghe is increasingly convinced that Shen Qingqiu is the source of this mystical safety net. After all, for an allegedly powerful genius who is able to fool half the world about his wicked aims, he's never won a single fight against a kindhearted but somewhat ditzy teenager and her ragtag bunch of friends!

So what's he spending his actual energy on?

Luo Binghe is pretty sure it's keeping the real evils at bay. Making himself the biggest bad in town, and in doing that, making it so that the "biggest bad" is nothing worse than a slightly judgmental teacher in a pretty costume.

It's not long before Luo Binghe doesn't want to go back to the Justice League equivalent, to his world of misery and strife, even after his visits with Ning Yingying are supposed to be over. Especially as the global stakes of various heroic activities start getting higher, and it becomes clear that the boundary between Shen Qingqiu's safe world and the grimdark reality of Binghe's usual life are getting thinner...

[egophiliac]

YOU MANIFESTED THE TWEEL CARDS CONGRATS

YOU'RE WELCOME EVERYBODY!

seriously though I was probably like. 60-80% thinking we'd get at least one tweel for chapter 10. but I was NOT expecting it so soon! both of 'em! in August! a shame we're not getting a Coral Sea event after all...but I guess I can be resigned to that and ALSO excited for getting shiny sparkly glowing(!!!!) mertwins along with Azul fighting his inner demons and going right for the eyes! AHHHH I CAN'T WAIT

(also heeeey I recognize that rowboat... 👀)

[jakeperalta]

* e.g. in interviews/social media saying things like "I played this scene as x character being in love with y character" making it canon that x loves y, or "I view x as bisexual" even if they aren't bi within the show itself, or just general statements on backstory/details that aren't included within the show

[smileyobrien]

COUNTDOWN TO LOWER DECKS SEASON 5 4 WEEKS – Cameos

[lazylittledragon]

dood dump <33

[m1ckeyb3rry]

“anri cares about the blue lock boys” “anri is like a mother/sister figure to the blue lock boys” “anri is kind to the blue lock boys” meanwhile this is anri with kunigami:

SHE DOES NOTTTTT GAF ABOUT THEM 😭 they are a means to an end for her!! obviously she doesn’t hate them and of course she was happy they beat the u20s but let’s think critically here…was she truly proud of them as people or was she just happy that the program wouldn’t be shut down??

the narrative (especially via her interactions with ego) treats anri as someone very naive and dumb, but blue lock and hiring ego were HER idea. everything that has happened to the boys is a direct consequence of HER actions, decisions, and dreams of japan winning a world cup. let’s not forget she’s also only 3 years older than aiku, kaiser, and sendou — she has no interest in taking care of a bunch of insane high-school-aged soccer freaks, she literally just wants her country to win the wc because she herself is a soccer freak!!

[zan0tix]

Might have tripped and fell into a new hyperfix Oops.

[cinderduck]

Tale Weaver Part 2

Prev / Refs / Next

[mercuryspit]

I wasn’t going to originally share this but I thought I would since I think the people would like to know these answers SO

I got a cameo/gameoden from George and Jayden and asked about Charles’ protectiveness and how Edwin felt about it, and also the chemistry between Edwin and Charles!!

I don’t mind if you repost this anywhere just make sure to link back to this post and/or me but yeah hope you all enjoyyy (also, Jayden asks where I’m from, unfortunately the very boring answer is I’m American LMAO)

ID/CAPTIONS UNDER THE CUT

[Jayden Revri and George Rexstrew in front of Dead Boy Detectives themed decoration speaking to the camera.

“new request just in from Ringo, absolutely love that name— I’d love to know where you’re from, by the way. You have said ‘was Charles’ instant protectiveness instinctual or did it develop over time?’. No, I think it is instinctual, I think you know, with what was going on at home I think he had a massive protective feeling over his mum. And I think that just kind of carried on. I mean you can tell from the way that he was protecting that boy hence the reason why he died, you know, that boy was the same color as him. He didn’t feel as though that boy should’ve been beaten up because of his race and that protectiveness was there from the get go I think. ‘How did Edwin feel having someone care for him like that’ I think he was extremely— well, probably a little thrown off kilter at first because he probably isn’t used to that level of affection and care. I think he was ultimately very moved by it and it’s one of the reasons why he does feel so connected to Charles. ‘Did the boys’ physical/emotional harmony come naturally? Was the way one picks up where the other leaves off intentional?’, No, to be honest, I think it’s just because of us to be fair. I think mine and George’s physical and emotional harmony run very parallel with each other. We pretty much share one brain. Like for example, when we were filming the pilot just kind of by chance Jayden and I would do this simultaneous— George and Jayden look at each other— and then suddenly down the series they’re saying do the Edwin and Charles look! And we’re like huh? the Edwin and Charles look?? But, thank you for your great questions, Ringo, I hope they satisfied you. Thank you for loving the show, thank you for requesting a cameo, and have a great rest of your week! Bye Ringo! End of ID.]