#changing the past or future

[butchfalin]

the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

[caffeinatedopossum]

Me when I remember something I said ages ago that was wrong or my values no longer align with

[egsoon]

X-Men: Days of Future Past

لإنقاذ المستقبل ، يجب عليهم تغيير الماضي. تخوض فرقة X-Men النهائية حربا من أجل بقاء الأنواع عبر فترتين زمنيتين حيث يوحدون قواهم مع أنفسهم الأصغر سنا في معركة ملحمية يجب أن تغير الماضي – لإنقاذ مستقبلنا.

[illusioncanthurtme--art]

Physically? I am sitting in my bedroom. Mentally? Spiritually? I AM DEAD ON THE FLOOR!!!!! THESE TWO HAVE KILLED ME!!!!

(Another drawing! This was originally attempt #1 at drawing stan, and then fiddleford just showed up. Kinda feels like them five minutes after the above acting like nothing happened though, so it works sdjkgkjfshj)

[ulkaralakbarova]

Powerful businessman Russ Duritz is self-absorbed and immersed in his work. But by the magic of the moon, he meets Rusty, a chubby, charming 8-year-old version of himself who can’t believe he could turn out so badly – with no life and no dog. With Rusty’s help, Russ is able to reconcile the person he used to dream of being with the man he’s actually become. Credits: TheMovieDb. Film Cast: Russ Duritz: Bruce Willis Rusty Duritz: Spencer Breslin Amy: Emily Mortimer Janet: Lily Tomlin Deirdre Lefever: Jean Smart Kenny: Chi McBride Sam Duritz: Daniel von Bargen Dr. Alexander: Dana Ivey Bob Riley: Stanley Anderson Kenny’s Grandmother: Juanita Moore Giselle: Susan Dalian Clarissa: Esther Scott Governor: Deborah May Newsstand Cashier: Vernee Watson-Johnson Newsstand Tourist: Jan Hoag Sky King Waitress: Melissa McCarthy Gloria Duritz: Elizabeth Arlen Flight Attendant: Alexandra Barreto Hot Dog Vendor: John Apicella Vince: Brian McGregor Mark: Reiley McClendon Herbert: Brian Tibbetts George: Brian McLaughlin Lawyer Bruce: Steve Tom Lawyer Jim: Marc Copage Lawyer Seamus: Rod McLachlan Wedding Guest: Scott Mosenson Governor’s Aide: Brian Fenwick Governor’s Other Aide: Duke Faeger Sushi Chef: Toshiya Agata Josh: Joshua Finkel General Manager: Lou Beatty Jr. Principal: E.J. Callahan Janet’s Husband: Daryl Anderson Best Man: Darrell Foster Security Guard: Michael Wajacs Chef Mike: John Travis Larry King: Larry King Larry King’s Guest: Jeri Ryan Larry King’s Guest: Nick Chinlund Ritch Eisen: Stuart Scott Stuart Scott: Rich Eisen Wedding Singer: Kevon Edmonds Backup Singer: Julia Waters Backup Singer: Maxine Waters Willard Backup Singer: Stephanie Spruill Bridesmaid (uncredited): Tanisha Grant (uncredited): Glüme Harlow Car Driver (uncredited): Paul Moncrief Mr. Vivian (uncredited): Matthew Perry Tim (uncredited): Luigi Francis Shorty Rossi Russ’ Son (uncredited): Gary Weeks Harold Greene: Harold Greene Film Crew: Producer: Hunt Lowry Executive Producer: Arnold Rifkin Producer: Christina Steinberg Director of Photography: Peter Menzies Jr. Producer: Jon Turteltaub Executive Producer: David Willis Assistant Editor: Michael Trent Writer: Audrey Wells Co-Producer: William M. Elvin Stunts: Terry Jackson Utility Stunts: Pat Romano Grip: R. Dana Harlow Orchestrator: Pete Anthony Orchestrator: Jon Kull Stand In: Duke Faeger Stand In: Luigi Francis Shorty Rossi Original Music Composer: Jason White Art Department Coordinator: Al Lewis Digital Compositor: Michael Miller Transportation Captain: Douglas Miller Production Design: Garreth Stover Makeup Artist: Mike Smithson Co-Producer: Bill Johnson Utility Stunts: Eddy Donno Utility Stunts: Manny Perry Stunts: Deep Roy Production Coordinator: Daren Hicks Script Supervisor: Thomas Johnston Supervising Sound Editor: Mark A. Mangini Editor: Peter Honess Editor: David Rennie Art Direction: David Lazan Set Decoration: Larry Dias Costume Design: Gloria Gresham Sound Effects Editor: Richard L. Anderson Supervising Sound Editor: Kelly Cabral Sound Effects Editor: James Christopher Sound Effects Editor: Donald Flick Visual Effects Supervisor: James E. Price Associate Producer: Stephen J. Eads Original Music Composer: Marc Shaiman Second Unit Director: David R. Ellis Utility Stunts: Annie Ellis Stunt Coordinator: Jack Gill Utility Stunts: Matt McColm Utility Stunts: Janet Brady Utility Stunts: Kenny Endoso Utility Stunts: Tommy J. Huff Movie Reviews: r96sk: What a pleasant surprise. I wasn’t expecting to enjoy ‘The Kid’ as much as I did. Bruce Willis and Spencer Breslin team up to solid effect, in a film that produces amusement and wholesomeness. I find the premise very interesting, it’s a cool concept. While they might not executed to 100% perfection, what’s given is entertaining to see unfold. There are some very sweet scenes, also. Willis is, as you’d expect, the best part of this, but I think Breslin does a grand job too. The latter tended to do these sorta roles a lot, but there’s a reason for that as he played them convincingly. Emily Mortimer (Amy) is als...

[puppetmaster13u]

Prompt 198

Now Bruce was not expecting to reincarnate upon his death. At least he thinks he died, he’s pretty sure he did. There wasn’t any other reason for him to be a well, literal baby. Around two he thinks, which fits well with the fact that it’s around that time that babies start forming memory recall, if he, well, remembered correctly. 

But while he knew about reincarnation thanks to Shayera and Carter, he’d never exactly given it much thought towards himself. Because seriously, what were the chances of such a thing as him being given another chance? 

So he was quite surprised at his situation, experimentally opening and closing pudgy hands that looked well, just a tiny bit off. He’d never been that pale before, he thinks, even back when he never went outside like, ever. 

He turned his gaze towards the mobile above him with a sort of idle curiosity- a mixture of bats (ha) and other trinkets he wasn’t familiar with. It also caused him to get his first good look at his parent, asleep on a rocking chair right next to the crib. 

Huh. They had the same pale skin he did, albeit in the light it looked like it was slightly tinted blue, and while their hair was white they didn’t exactly look old. They looked surprisingly well rested for raising a toddler too, unless they had a nanny or something similar… He rolled over, managing to very shakily push himself to his feet with the help of the crib. 

Why was standing so hard as a toddler? And why did he have his memories of everything except how he had died anyway? 

His head whipped up from where they were staring at his feet when he heard a snort, finding his parent awake and standing. Somehow silently enough that he hadn’t noticed- or he was that easily distracted by the unfamiliar giddiness bursting in his chest. 

“Morning little bat,” his parent easily picked him up and held him while he inwardly sighed at the nickname. Of course his bat motif would follow him into this life. A low rumbling almost caused him to jump, his body relaxing before he could fully register the sound. The… purring? 

Oh. 

He wasn’t human this time around. 

[thresholdbb]

what's the threshold theory

There was a post about how Tom is the only crew member who isn't really affected by the Borg, and there's a theory that he has so much luck because he saw the past and the future when he crossed the transwarp threshold. He saw the past and the future, all of time and space. There's some subconscious part of him that remembers that experience. In fact, Tom refused to play a part in Chakotay indulging Annorax's temporal incursions, probably because a part of him knew nothing good could come of it.

If we extend that same theory to Janeway, some of her wild luck with time travel and other crack plans starts to make sense. She doesn't verbally hate time travel until after the events of Threshold, since it happens in Time and Again without complaint. Janeway has an uncanny knack for time travel, as evidenced every time she deals with it. She hates time travel, but it might be because part of her knows exactly how to manipulate the timeline. She manages to avoid the "inevitable" temporal explosion in Future's End, saving both Voyager and Braxton. She resets the entire timeline in Year of Hell, and no one else followed her reasoning. She pulled it off flawlessly. In Relativity, she senses the incidents are all related, despite it being just one reading that connects them. By the time she's involved, she has a temporal incursion factor of .0036 and a time travel protocol named after her, even if that may just be Braxton's personal grudge. Then there's Endgame, where she intentionally changes the timeline. Up until this point, she has been dragged into time travel, but for the first time, she jumps in on purpose. How does Admiral Janeway know how to get them home sooner in a way that completely avoids the Temporal Integrity Commission? It's because she has seen all of time, and part of her knows exactly what needs to happen so she can get Voyager home and do it in a way that becomes baked into the prime timeline. Maybe she doesn't consciously remember what happened during her transformation, but the experience lives in her mind somewhere, guiding her decisions.

[delyth88]

Parallels. Charles Xavier, X-Men First Class 2011, X-Men Days of Future Past 2014

[wings-of-flying]

chip, jay, gillion. past, present, future. continue

[crystallizedtwilight]

Ok so this is very silly. But.

Crochawk getting completely and utterly done with the Shuggy drama so they have a strategy meeting (date).

Croc: something must be done.

Mihawk: agreed. Obviously the first choice would be to kill one of them, but we have already committed to the clown as our figurehead, and akagami…

Croc: it would not be simple. Akagami is also the only emperor beyond our own who can be reasoned with. It seems a waste to do away with her, and/or get rid of the clown this early in the game.

Mihawk: but this…pining is intolerable. I have already been forced to offer advice.

Croc: yes. And I fear that creating more strife between them would only increase it. Which leaves us with one available option.

(cue a romcom of errors in which Crochawk try to get Shuggy back together, except Shuggy are Like That and Crochawk are completely, utterly insane and have NO idea of what normal romance is like)

S1E1:

"What is more romantic than a life or death situation?" - Hawk "Brilliant." - Croc (cut to shuggy screaming)

S Finale:

Shanks delivers a heartfelt confession. After a dramatic pause, sparkling eyes, and sweeping music Buggy answers, "hmph, no...I'm still mad at you" and crochawk SHOVE them together like oh no you DON'T we've worked too hard—and rat Buggy out about how much she's cried to them about missing Shanks

[respectthepetty]

Both Ming and Joe are stuck in the past.

Wanting something they lost.

And being miserable about it.

But old habits die hard.

And love is a habit.

Which makes it the hardest to kill.

[1loer]

open question, jonny bolduc

[egsoon]

العودة إلى المستقبل

أُعيد مراهق الثمانينيات مارتي ماكفلي بطريق الخطأ إلى عام 1955 ، مما أدى عن غير قصد إلى تعطيل الاجتماع الأول لوالديه وجذب اهتمام والدته العاطفي. يجب على مارتي إصلاح الضرر الذي لحق بالتاريخ من خلال إحياء الرومانسية بين والديه ، وبمساعدة صديقه المخترع غريب الأطوار دوك براون – يعود إلى عام 1985.

[luxvinova]

I had a vision... an idea...

[ulkaralakbarova]

A young wizard accidentally conjures a spell that puts her family in jeopardy. Credits: TheMovieDb. Film Cast: Alex Russo: Selena Gomez Max Russo: Jake T. Austin Justin Russo: David Henrie Theresa Russo: Maria Canals-Barrera Jerry Russo: David DeLuise Harper Finkle: Jennifer Stone Archie: Steve Valentine Giselle: Jennifer Alden Bartender: Jazmin Caratini Javier: Xavier Torres Activities Director: Jonathan Dwayne Greeter: Marisé Álvarez Woman in Village #1: Bettina Mercado Woman in Village #2: Veraalba Santa Flirting Woman: Nicole Díaz Village Girl: Gabriela Rosario Film Crew: Co-Producer: Dan Berendsen Director: Lev L. Spiro Co-Producer: Todd J. Greenwald Local Casting: Tere López Producer: Kevin Lafferty Executive Producer: Peter Murrieta Director of Photography: David A. Makin Second Unit Director of Photography: Raphy Molinary Editor: Matthew Colonna Casting: Ruth Lambert Casting: Robert McGee Production Design: Mark Hofeling Art Direction: Wing Lee Set Decoration: Zina Torres Costume Design: Mona May Makeup Department Head: Dominique Borrel Key Hairdresser: Loida E. Jeannot First Assistant Director: José Gilberto Molinari Rosaly Second Assistant Director: Colleen Comer Second Second Assistant Director: Jana Camacho Original Music Composer: Kenneth Burgomaster Movie Reviews:

[michelle-jacksons-art-blog]

To be loved is to be changed.