the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again
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Me when I remember something I said ages ago that was wrong or my values no longer align with
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Powerful businessman Russ Duritz is self-absorbed and immersed in his work. But by the magic of the moon, he meets Rusty, a chubby, charming 8-year-old version of himself who can’t believe he could turn out so badly – with no life and no dog. With Rusty’s help, Russ is able to reconcile the person he used to dream of being with the man he’s actually become.
Credits: TheMovieDb.
Film Cast:
Russ Duritz: Bruce Willis
Rusty Duritz: Spencer Breslin
Amy: Emily Mortimer
Janet: Lily Tomlin
Deirdre Lefever: Jean Smart
Kenny: Chi McBride
Sam Duritz: Daniel von Bargen
Dr. Alexander: Dana Ivey
Bob Riley: Stanley Anderson
Kenny’s Grandmother: Juanita Moore
Giselle: Susan Dalian
Clarissa: Esther Scott
Governor: Deborah May
Newsstand Cashier: Vernee Watson-Johnson
Newsstand Tourist: Jan Hoag
Sky King Waitress: Melissa McCarthy
Gloria Duritz: Elizabeth Arlen
Flight Attendant: Alexandra Barreto
Hot Dog Vendor: John Apicella
Vince: Brian McGregor
Mark: Reiley McClendon
Herbert: Brian Tibbetts
George: Brian McLaughlin
Lawyer Bruce: Steve Tom
Lawyer Jim: Marc Copage
Lawyer Seamus: Rod McLachlan
Wedding Guest: Scott Mosenson
Governor’s Aide: Brian Fenwick
Governor’s Other Aide: Duke Faeger
Sushi Chef: Toshiya Agata
Josh: Joshua Finkel
General Manager: Lou Beatty Jr.
Principal: E.J. Callahan
Janet’s Husband: Daryl Anderson
Best Man: Darrell Foster
Security Guard: Michael Wajacs
Chef Mike: John Travis
Larry King: Larry King
Larry King’s Guest: Jeri Ryan
Larry King’s Guest: Nick Chinlund
Ritch Eisen: Stuart Scott
Stuart Scott: Rich Eisen
Wedding Singer: Kevon Edmonds
Backup Singer: Julia Waters
Backup Singer: Maxine Waters Willard
Backup Singer: Stephanie Spruill
Bridesmaid (uncredited): Tanisha Grant
(uncredited): Glüme Harlow
Car Driver (uncredited): Paul Moncrief
Mr. Vivian (uncredited): Matthew Perry
Tim (uncredited): Luigi Francis Shorty Rossi
Russ’ Son (uncredited): Gary Weeks
Harold Greene: Harold Greene
Film Crew:
Producer: Hunt Lowry
Executive Producer: Arnold Rifkin
Producer: Christina Steinberg
Director of Photography: Peter Menzies Jr.
Producer: Jon Turteltaub
Executive Producer: David Willis
Assistant Editor: Michael Trent
Writer: Audrey Wells
Co-Producer: William M. Elvin
Stunts: Terry Jackson
Utility Stunts: Pat Romano
Grip: R. Dana Harlow
Orchestrator: Pete Anthony
Orchestrator: Jon Kull
Stand In: Duke Faeger
Stand In: Luigi Francis Shorty Rossi
Original Music Composer: Jason White
Art Department Coordinator: Al Lewis
Digital Compositor: Michael Miller
Transportation Captain: Douglas Miller
Production Design: Garreth Stover
Makeup Artist: Mike Smithson
Co-Producer: Bill Johnson
Utility Stunts: Eddy Donno
Utility Stunts: Manny Perry
Stunts: Deep Roy
Production Coordinator: Daren Hicks
Script Supervisor: Thomas Johnston
Supervising Sound Editor: Mark A. Mangini
Editor: Peter Honess
Editor: David Rennie
Art Direction: David Lazan
Set Decoration: Larry Dias
Costume Design: Gloria Gresham
Sound Effects Editor: Richard L. Anderson
Supervising Sound Editor: Kelly Cabral
Sound Effects Editor: James Christopher
Sound Effects Editor: Donald Flick
Visual Effects Supervisor: James E. Price
Associate Producer: Stephen J. Eads
Original Music Composer: Marc Shaiman
Second Unit Director: David R. Ellis
Utility Stunts: Annie Ellis
Stunt Coordinator: Jack Gill
Utility Stunts: Matt McColm
Utility Stunts: Janet Brady
Utility Stunts: Kenny Endoso
Utility Stunts: Tommy J. Huff
Movie Reviews:
r96sk: What a pleasant surprise. I wasn’t expecting to enjoy ‘The Kid’ as much as I did.
Bruce Willis and Spencer Breslin team up to solid effect, in a film that produces amusement and wholesomeness. I find the premise very interesting, it’s a cool concept. While they might not executed to 100% perfection, what’s given is entertaining to see unfold. There are some very sweet scenes, also.
Willis is, as you’d expect, the best part of this, but I think Breslin does a grand job too. The latter tended to do these sorta roles a lot, but there’s a reason for that as he played them convincingly. Emily Mortimer (Amy) is als...
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Prompt 198
Now Bruce was not expecting to reincarnate upon his death. At least he thinks he died, he’s pretty sure he did. There wasn’t any other reason for him to be a well, literal baby. Around two he thinks, which fits well with the fact that it’s around that time that babies start forming memory recall, if he, well, remembered correctly.
But while he knew about reincarnation thanks to Shayera and Carter, he’d never exactly given it much thought towards himself. Because seriously, what were the chances of such a thing as him being given another chance?
So he was quite surprised at his situation, experimentally opening and closing pudgy hands that looked well, just a tiny bit off. He’d never been that pale before, he thinks, even back when he never went outside like, ever.
He turned his gaze towards the mobile above him with a sort of idle curiosity- a mixture of bats (ha) and other trinkets he wasn’t familiar with. It also caused him to get his first good look at his parent, asleep on a rocking chair right next to the crib.
Huh. They had the same pale skin he did, albeit in the light it looked like it was slightly tinted blue, and while their hair was white they didn’t exactly look old. They looked surprisingly well rested for raising a toddler too, unless they had a nanny or something similar… He rolled over, managing to very shakily push himself to his feet with the help of the crib.
Why was standing so hard as a toddler? And why did he have his memories of everything except how he had died anyway?
His head whipped up from where they were staring at his feet when he heard a snort, finding his parent awake and standing. Somehow silently enough that he hadn’t noticed- or he was that easily distracted by the unfamiliar giddiness bursting in his chest.
“Morning little bat,” his parent easily picked him up and held him while he inwardly sighed at the nickname. Of course his bat motif would follow him into this life. A low rumbling almost caused him to jump, his body relaxing before he could fully register the sound. The… purring?
Oh.
He wasn’t human this time around.
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what's the threshold theory
There was a post about how Tom is the only crew member who isn't really affected by the Borg, and there's a theory that he has so much luck because he saw the past and the future when he crossed the transwarp threshold. He saw the past and the future, all of time and space. There's some subconscious part of him that remembers that experience. In fact, Tom refused to play a part in Chakotay indulging Annorax's temporal incursions, probably because a part of him knew nothing good could come of it.
If we extend that same theory to Janeway, some of her wild luck with time travel and other crack plans starts to make sense. She doesn't verbally hate time travel until after the events of Threshold, since it happens in Time and Again without complaint. Janeway has an uncanny knack for time travel, as evidenced every time she deals with it. She hates time travel, but it might be because part of her knows exactly how to manipulate the timeline. She manages to avoid the "inevitable" temporal explosion in Future's End, saving both Voyager and Braxton. She resets the entire timeline in Year of Hell, and no one else followed her reasoning. She pulled it off flawlessly. In Relativity, she senses the incidents are all related, despite it being just one reading that connects them. By the time she's involved, she has a temporal incursion factor of .0036 and a time travel protocol named after her, even if that may just be Braxton's personal grudge. Then there's Endgame, where she intentionally changes the timeline. Up until this point, she has been dragged into time travel, but for the first time, she jumps in on purpose. How does Admiral Janeway know how to get them home sooner in a way that completely avoids the Temporal Integrity Commission? It's because she has seen all of time, and part of her knows exactly what needs to happen so she can get Voyager home and do it in a way that becomes baked into the prime timeline. Maybe she doesn't consciously remember what happened during her transformation, but the experience lives in her mind somewhere, guiding her decisions.
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Ok so this is very silly. But.
Crochawk getting completely and utterly done with the Shuggy drama so they have a strategy meeting (date).
Croc: something must be done.
Mihawk: agreed. Obviously the first choice would be to kill one of them, but we have already committed to the clown as our figurehead, and akagami…
Croc: it would not be simple. Akagami is also the only emperor beyond our own who can be reasoned with. It seems a waste to do away with her, and/or get rid of the clown this early in the game.
Mihawk: but this…pining is intolerable. I have already been forced to offer advice.
Croc: yes. And I fear that creating more strife between them would only increase it. Which leaves us with one available option.
(cue a romcom of errors in which Crochawk try to get Shuggy back together, except Shuggy are Like That and Crochawk are completely, utterly insane and have NO idea of what normal romance is like)
S1E1:
"What is more romantic than a life or death situation?" - Hawk
"Brilliant." - Croc
(cut to shuggy screaming)
S Finale:
Shanks delivers a heartfelt confession. After a dramatic pause, sparkling eyes, and sweeping music Buggy answers, "hmph, no...I'm still mad at you" and crochawk SHOVE them together like oh no you DON'T we've worked too hard—and rat Buggy out about how much she's cried to them about missing Shanks
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I had a vision... an idea...
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To be loved is to be changed.
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FinalFest was announced for Splatoon 3!
And with that
I am on my hands and knees BEGGING with the player base to understand
This is not "Who's the best/your favorite idol group"
Do not make it into that
Nintendo didn't make it Idol V Idol on purpose because of how toxic and sometimes outright VIOLENT FinalFest has been
Pick your preferred team for whatever reason, but keep in mind the theme is NOT Idol centered
Train up, train hard, but remember to HAVE FUN
and may Cod have mercy on us all 😔
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The headaches aren't leaving me alone so I'm manifesting them onto the blorbo instead
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A young wizard accidentally conjures a spell that puts her family in jeopardy.
Credits: TheMovieDb.
Film Cast:
Alex Russo: Selena Gomez
Max Russo: Jake T. Austin
Justin Russo: David Henrie
Theresa Russo: Maria Canals-Barrera
Jerry Russo: David DeLuise
Harper Finkle: Jennifer Stone
Archie: Steve Valentine
Giselle: Jennifer Alden
Bartender: Jazmin Caratini
Javier: Xavier Torres
Activities Director: Jonathan Dwayne
Greeter: Marisé Álvarez
Woman in Village #1: Bettina Mercado
Woman in Village #2: Veraalba Santa
Flirting Woman: Nicole Díaz
Village Girl: Gabriela Rosario
Film Crew:
Co-Producer: Dan Berendsen
Director: Lev L. Spiro
Co-Producer: Todd J. Greenwald
Local Casting: Tere López
Producer: Kevin Lafferty
Executive Producer: Peter Murrieta
Director of Photography: David A. Makin
Second Unit Director of Photography: Raphy Molinary
Editor: Matthew Colonna
Casting: Ruth Lambert
Casting: Robert McGee
Production Design: Mark Hofeling
Art Direction: Wing Lee
Set Decoration: Zina Torres
Costume Design: Mona May
Makeup Department Head: Dominique Borrel
Key Hairdresser: Loida E. Jeannot
First Assistant Director: José Gilberto Molinari Rosaly
Second Assistant Director: Colleen Comer
Second Second Assistant Director: Jana Camacho
Original Music Composer: Kenneth Burgomaster
Movie Reviews:
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ghhhhh the love, the weight, the tragedy, of looking at someone and saying "something bad will happen. we cant stop it. but come find us, after, and we will help." you cannot prevent the hurt, you cannot go back in time, you cannot reach into the pasts of your loved ones and turn the clock back. all you can do is promise to be there, after, all you can do is say "i will be here, after, okay? find us, we will be here, we will help you, we will be here to help. we'll be here to bring you home."
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I think ao3 needs more scogan fics, maybe it's my time
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"meridell was destroyed in the war with darigan until lisha changed the timeline" but why is it in the future now. why is it in the future now. Why is it In The Future Now. Lisha saved it in the past X00 years in the past but why is everyone from the past in the future now at the same age and we go there. we walk into meridell
Alternatively the ? The Spell? That was in the ruins just did This?
if there's an actual explanation for this please tell me for the love of god help me this haunts me every time i think about it
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