#casting was good I loved the added diversity but I felt like it came with a little loss in spirit
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gothic-chicanery · 1 year ago
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Almost reblogged fanart someone sent Neil gaiman of their design of death from sandman with like “I wish that was what she had actually looked like in the show” but realized that’s probably a mean thing to do to the guy who like. Made it
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annakie · 5 months ago
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Okay so I just finished season 2 of Prodigy.
I woke up early this morning and got a few episodes in.
I WFH so I worked all morning getting shit done, and then watched at lunch, and then my normal Monday afternoon work is work that can easily be done while multitasking watching things, so I actually got a ton of work done while watching straight through the afternoon and finished the last 5 or so episodes after work/dinner.
I posted a few posts today with some thoughts but hey let's make it more coherent.
Heavy spoilers!
I loved this season so, so much from start to finish. It somehow never felt like there was a lull. Every episode either did something interesting or pushed the story forward in an important way.
So many shows do that "one story in a long season" thing and the show really suffers for it in the middle, especially. But I, personally, never felt that, even when they were taking diversions like getting Zero a body, that and the Tribble episodes might have been the "slowest" and still, I really enjoyed those.
Digging deep into the tropes and finding something new.
And the arc actually came together so well and nothing felt forced. It was a complex arc, too. So many moving parts, and it would have been easy to lose some threads and let things drop, but it actually felt like every element was important and it all tied together nicely.
They did a great job giving recaps where needed to reinforce what was going on in the storyline and why they were doing what they were doing, which was appreciated. I never felt lost. No arc felt like it dragged on too long.
Everyone got their moments to shine. Some of the characters had more of an arc in the season, like Zero, and some had less, like Jankum, but no one felt left behind from the main cast. I think it would have been easy, especially with adding in a new major character to the group, Ma'jel, but they really made her fit in. I especially love that they used Wesley to help cement her part in the group.
And yeah, the cast was huge. Seven main "kids" now. Janeway, Chakotay, Wesley, and the Doctor all felt like main cast throughout the season, plus Ascencia, Dreadnok, Ilthuran, Tysess and Noum... the cast is huge but everyone had a place. With 20 episodes they had some time to breathe, and I loved that.
The kids each had a lesson to learn, something to contribute. Gwyn was at the center of it all even more than last year, but she's such a fantastic character that holds the story up so well.
Of course there's a contrivance in things like... them not getting thrown in the brig in the first couple of episodes, and the fact that the ending was something allowed at all when they literally just said because of the Synth attack on Mars ships were in short supply but I mean, all easy to overlook in the name of the Story needs to happen. None of it really bothered me.
But as much as I love the kids, what they did with the legacy adult characters this season meant the most to me.
The Doctor fit right into this show, and was such a great inclusion. Still the same egotistical but loveable hologram. It was so good to have him back. And that scene with him and Holo-Janeway was adorable. I was glad to see that their rights weren't affected in the Synth attack -- at least not yet!?
I don't know if ANYONE would expect Wesley Crusher. That hit me in the face like a ton of bricks, seeing Wes again, and it was amazing. He's now been in Picard, Lower Decks and now Prodigy and every time I'm just delighted to see him.
But this was definitely his best re-appearance so far. A Wesley Crusher at his full Traveler powers. He was so smart, and funny, and a little manic with his big brain running at a thousand miles an hour. It really felt like this was what Wesley always had the potential to be, a real logical progression in the best way from the Wes we saw at the end of TNG. Space, Time and Thought all coming together and he had awesome magical powers to go along with it.
I was hoping after his initial two episodes that he'd be back! They dropped some decent hints about it, and they mentioned him almost every episode while he was gone, so having him in the final handful of episodes was amazing. And it seems like he might have a place in the future of the show, if we get that future! (and GOD I hope so.)
But my absolute favorite part was the MOST unexpected. I was hoping we'd get to see a bit of him calling Beverly. But then the hug, he went and saw her and Wil's voice breaking when he said Hi to her and gave her the hug broke me, and I cried.
Then, holy shit, they closed the loop on that burning question so many of us had at the end of Picard S3, if Wesley ever met Jack. Wes met his brother, and spent time with Beverly, and that meant so much to me.
It's crazy that the ending of this season tied up loose ends from other shows, and integrated those shows into the universe with fewer seams. It was amazing.
---
And as great as all of everything else was... I just want to be more coherent about Janeway and Chakotay.
Not going to lie -- the fact that there wasn't a kiss, or an obvious love confession did sting a little, but what we got was so, so good, and it was enough.
I do get it -- this is a kid's show and as much as we love them and how important they were to the season, this show is about the kids and not J/C as much as some of us are watching for J/C reasons. I'm not mad about it.
We got fed. More than Voyager.
You'd have to be blind to not admit that there was love there, on both sides. They never gave up on each other, they both looked forward to that reunion, they were terrified of losing each other again but did their duty. There was a little tiny bit of hand holding and quite a bit of touching. It's enough, it's canon enough for those of us who have been shipping it since Season 1 of Voyager.
And like I said in that previous post, they did so much more for Chakotay than Voyager did. This post summed it up better than I could. This season took two of the most maligned and neglected characters from their initial iterations -- Wesley and Chakotay -- and not only did them justice but made them the best versions of themselves. I felt like I was seeing the Chakotay from the Beyer novels on screen, the character he always should have been.
His relationship with Dal was an unexpected delight and I very much hope that in season 3 that mentorship continues.
I need more of that Chakotay. I need more of Janeway and Chakotay together. I just need so much more of this show.
---
I love every Trek. Yes, even that one that isn't that popular, or that other one that people forget exists. But this was without a doubt one of my favorite seasons of any Trek ever.
I'm so mad at Paramount's treatment of this show.
I'm so glad that Netflix stepped in and let us get this one.
I need at least one more season, y'all.
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coulsons-fullmetal-cellist · 8 months ago
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When Javi met Dieter
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(Dieter x horror loving female)
Words: 3, 135
Summary: same story as this one but from a different point of view. Also read this story to get some background on Javi. Please read both before reading this one!
Warnings: lots of adorable fluffiness, people being cute and nerdy, talk of past medical procedures and post-partum issues. Reece is an original non-binary character created @cevans-is-classic by so please use they/them pronouns
Check out masterlist here
Javi was excited but also extremely nervous. Powerpuff was his first big production since his film that relaunched Nic Cage’s career. And this was his first big production with his own production company. All his small independent films had gotten critical acclaim but the bigger the production, the bigger the stakes.
The script, written by his partner Reece, was funny and heartwarming, the cast and crew were diverse and talented. Already there was outrage over some of the casting. Some made highly negative comments over casting a woman of colour to play Blossom. There were no complaints on casting a Japanese actress as Buttercup until they found out she would be dressed in baggy clothes being uncomfortable with her body and didn’t want to wear a skirt. They were the loudest complaints sadly, but he was shown the positive comments from children who were excited for the film and the film was for children and women of all ages. And he wanted his daughter to be proud of him. Ari was only two, so she was more impressed with Spiderman than her father. She was also more impressed with her godfather Nic Cage but that was understandable.
He was looking at the set now which felt like it came out of the animated show.
“Oh wow, it’s like Colour Out of Space!” he said to himself.
“It is,” he turned to the person who just said that. “Wait, you’ve seen that film?”
“Of course.”
You were shocked that you finally met someone who had seen the film. “And you liked it?”
“Who wouldn’t?”
“I know some people thought it was too brightly coloured, but I think it added to the Eldritch horror.”
“It definitely added something new to the horror genre.”
“I love it when horror does something new!”
“My partner loves horror and has introduced me to some amazing films I never would have thought of watching.”
Filming was starting back up, so you had to go back to your duties. You gave your new friend your name before you left.
“I’m Javi,” he shook your hand. “Just Javi.”
*****
Reece was absolutely thankful their partner Javi agreed to set up an on-set daycare. Before their daughter Ari, they would be up all hours and living on very little sleep. With a toddler, they were still living on very little sleep, but they were now responsible for this little life, and they felt guilty leaving Ari with nannies all the time. This way made them feel less guilty as they could still see their child while working. The on-set daycare also opened up the opportunity to other workers in the film industry. One of them was Dieter Bravo as Professor Utonium. Javi was less enthused at the choice but agreed he was the best actor for the part.
As they made their way to the on-set daycare to drop off their daughter, Reece saw Dieter carrying his own little girl. Reece had yet to meet the actor in person, so they made their way over and introduced themselves.
Dieter shook their hand, “You’re the writer? I loved your script, my wife cried reading it so that means it was good.”
“Oh yeah, I heard the infamous Dieter Bravo had settled down and produced offspring, I just didn’t realise she was so stinking cute!”
“Hey!” a sleepy Ari mumbled.
“Don’t worry rascal, you’re still my favourite.”
After leaving their precious babies in the daycare, and after many kisses and cuddles, they both made their way to the sound stage.
“Hey,” said Dieter. “Do you know whose idea the on-set daycare was? I’d really like to thank them.”
“Uh, that was my idea.”
“It was? That’s awesome because my wife and I couldn’t work together much since the baby as one of us would always stay home to look after her. I really like being close to both of them. So thanks.”
“She’s working on the film?”
“Yeah, she’s doing the makeup for Mojo Jojo.”
“Oh yeah,” Reece tried not to smack their forehead. “I’m so glad she’s on board. She’s amazing.”
“Yeah she is.” He smiled warmly as they both reached the set. He saw you in the distance helping Jack Black put on his giant brain helmet.
“There she is,” Dieter proudly pointed you out. “My one true love.”
The lovestruck look on his face was one so familiar to Reece they couldn’t help but sigh at the adorableness of it all. They knew it was the loving gaze Javi gave to Nicolas Cage, but he now gave to them.
*****
The end of the first working day went well and Dieter was hoping Clara wasn’t missing them too much. As he walked in, he saw his little girl with two other little girls. You’d say they look like a little coven of witches, and he smiled at the thought.
Clara didn’t notice him as she was deep in conversation with the little girl with the same curly brown hair. But the other little girl with honey golden curls looked up and saw him.
“Papa?” she looked up at him with familiar eyes. “Tu barba?”
He ran a hand over his shaven face. “Lo siento patita. No soy tu papa.”
Reece came up next to him and looked at their daughter, “Hey rebel!”
Picking her up, Ari continued to look at Dieter with confusion. “Not papa?” she pointed at him.
“That’s right,” said Reece. “You remember Dieter from earlier.”
Clara finally realised her father was here and ran over to him, demanding to be picked up.
“Hey cupcake, did you make friends?” she nodded eagerly.
“Ari,” she pointed up then down, “Twin!”
“Twin?” Dieter asked. “So how do I know you’re really Clara?”
Both girls started to giggle. He looked down at Bianca. “Are you the real Clara?”
“I’m Bianca!”
She then saw her father approaching which solved the problem over who was which twin. Her father introduced himself before telling his daughter that her mother was waiting for them. Reece and Dieter both gave him an admirable look as he waved them goodbye.
“Hm,” mused Reece. “I wonder if he’s ever dressed as King T’challa?”
“That’s Marvel isn’t it?
Reece nodded, “Iron Man is my favourite and I’d hope this one would be the same but no. Who’s your favourite?”
“Spiderman!” exclaimed Ari.
“Oh,” mused Deiter. “No wonder you and Clara get along. She takes after her mum and likes spiders.”
*****
“Look Javi, all I’m saying is that if it didn’t have the same title, and if it wasn’t a remake, The Wicker Man 2006 would have been a passable film.”
“Passable?” Javi looked at his mug like a hurt puppy which would have worked on you if not for the fact that you dealt with that sort of eyes everyday with your husband and daughter.
“I’m just saying this as a fan of the original film.”
“The original is a masterpiece so nothing will ever hold a candle to it,” you nodded. “This was intended more as a dark comedy.”
“They should have made that more obvious.”
Javi sighed, “They should have. At least we get that memorable not-the-bees scene.”
“Um, they cut out that scene.”
“They what? Does Mr. Cage know?” He was momentarily stunned and changed the subject so he wouldn’t linger on it for too long. “I’m sorry, I never really got your answer before but, what is your favourite film?”
“The question really should be what is my favourite film at the moment?”
He hadn’t been asked such a profound question in a while, “Wow, no one has ever asked me that before.”
“I always thought just narrowing it down to just a handful makes it really hard to decide.”
“Exactly!”
You both paused in the nerdiness. After a small sigh, you asked. “I didn’t know you were the producer.”
Javi shrugged, “I don’t go around announcing myself.”
“I do. I have to because they always get my career wrong: I do special effects makeup, not just regular makeup. My husband always corrects people, he proudly shows me off.”
“He seems like a good man.”
“He is.”
*****
“Hey Reece, what is your favourite film at the moment?”
“Huh?”
“No one’s ever asked me that before. It’s always what are your favourite or top favourite and it’s always so hard to narrow it down.”
Reece just put their head on Javi’s shoulder, “Aw, I’m so glad you’ve made a friend who isn’t Nic Cage.”
*****
Javi had decided to pick up his daughter from the on-set daycare that day. He was too busy looking for Ari to notice another little girl ran up to him.
“Daddy?”
He looked down and saw a girl who almost looked like his daughter. “I’m sorry bonita,” he said kneeling down. “I’m not your father.”
“Papa!” He was welcomed his daughter with open arms while the other little girl gave him as big a death stare as a two-year-old could.
He saw you enter the daycare and you found Clara giving her biggest death glare. She managed to break her glaring when you picked her up. She pointed at the man, “Not daddy?”
“That’s right, it’s not daddy. He looks nothing like him.”
But Clara went back to her evil glaring. The man who looked like her father but was not her father could only result in one conclusion.
“Evil daddy.”
“Why do you think he’s evil? He’s a very nice man.”
“I’m sorry,” you said to him. “Usually her dad picks her up, so she thinks you’re her dad. But he had to shave his beard and she must be missing it and saw yours so...” you shrugged.
“Oh no, that’s fine,” he turned to the girl in his arms. “Is this your friend?”
She nodded, “Spider.”
He knew Ari had this funny way of remembering her new friends and called them by their favourite bugs. Bianca was named Bee.
You properly introduced your daughter, “This is Clara.”
*****
“I met Ari’s friend today,” Javi told Reece after their day of filming.
“Oh, she’s a cutie, isn’t she?”
“Yeah, although she kept calling me evil for some reason.”
“Were you doing your Nic Cage impression?”
“No,” he got a hard glare. “I wasn’t. Not even subconsciously.”
*****
“I’m sorry, I didn’t mean to intrude your reading, but I couldn’t help but admire your book.”
Javi always loved books about films, he read them more than actual books. You lifted up the book to show the full cover: Golem, Caligari, Nosferatu; A Chronicle of German Film Fantasy.
“My husband got it for me because he knew I’d love it. And I do.”
“So you’ve seen The Cabinet of Doctor Caligari?” he asked.
“Oh yes. Old films just have a certain quality to them modern films can’t replicate.”
“I completely agree. Is it one of your favourite films at the moment?”
“It is but I really like Nosferatu, mainly because it’s an early depiction of vampires. Oh, do you know the film Shadow of the Vampire?”
“Of course, a masterpiece to honour its original film,” you nodded in agreement. “Nicolas Cage produced that film.”
“He did?”
“Yes, he grew up with all those silent films.”
“How did I not notice?”
*****
“We ended up having this amazing discussion about German silent films.”
“Wow, I’m so happy you found someone other than your boyfriend who’ seen Caligari.”
Javi either didn’t notice the quip or chose to ignore it. “She must be married to someone amazing.”
“Yeah, Dieter is a pretty nice guy.”
“Yes and, wait who?”
“Dieter Bravo,” said Reece.
“What do you mean Dieter Bravo?” he asked more sternly.
“I mean Dieter Bravo is her husband.”
“You’re telling me that smart sophisticated woman is married to that…” he couldn’t think of an appropriate word, “…man?”
Sometime in the middle of the night, Javi bolted upright in bed.
“Oh Dios Mio!” he exclaimed; startling Reece awake in the process.
“Javi,” they grumbled. “There had better be a fire or I’m setting you on fire.”
“Dieter Bravo has offspring!”
“Yes he has offspring. You’ve met the offspring.”
“I can’t believe that adorable little girl is the offspring of…” again he couldn’t find the appropriate word, “…him!”
“Were you expecting horns? Or a forked tongue?”
*****
Reece wandered into the on-set daycare as usual to pick up Ari and noticed you following after.
They held out their hand to you, “Hi, I’m Reece. I’ve made friends with your husband Dieter. Also, you’ve made friends with my partner Javi.”
“Oh hi!” You shook hands and introduced yourself. “Is it weird to say I loved your script?”
“No, not at all.”
“I teared up the way I would a Mike Flanagan series.”
“I still cry over Bly Manor.”
You would have had a fangirl moment with the screenwriter, but you were both interrupted by two little girls running up to you.
“Noma!” Ari did her usual upsie hands.
Juggling a boisterous toddler in their hands, Reece explained, “I’m non-binary so Noma is an alternative to mum or dad.”
“Oh, so you prefer they/them pronouns?” Reece raised an eyebrow in surprise. “Dieter’s assistant is the same.”
They were rather impressed at the casual acceptance, “Hey, do you want to go get a coffee?”
“No coffee!” came the cry from Ari.
“Oh, that’s right. I need to seriously cut back on the coffee. I was practically living off it, getting the script done.”
“Are you into tea? I know a place that does great chai,” you suggested. “And they make a really good chocolate milk.”
Both girls immediately perked up.
“Should have led with that.”
The café was cosy and quaint with comfortable benches. After ordering masala chai, chocolate milk and cookies for the girls, you both settled in.
“So how did you and Javi meet?”
“Oh, I was hired to do rewrites for What’s It About and that’s how we met.”
“I loved that film!”
“I’m proud of that one. How did you meet Dieter?”
“We met while doing Sap of Justice.”
“Wait, you did the makeup for it?” you nodded. “Oh, that part where his skin came off and the blood was like tree sap? I loved that!”
“Are people still talking about that?”
“Well, it was awesome!”
You both looked over at Clara and Ari having so much fun being in a new play area.
“I love that they’ve made friends,” you hummed in agreement. “They seem close in age. Ari’s birthday is the 21st of September, when is Clara’s?”
“Halloween.”
“Her birthday is Halloween?” you nodded. “Was that planned?”
“Oh no, Clara wasn’t planned at all. All we knew was that she’d be due mid-November, but I guess she loves Halloween as much as me so,” you flourished your hands in a shrug.
“Ari wasn’t planned either. But if we were planning, Javi would have tried to plan the conception, so she’d be born around Nic Cage’s birthday as close as possible.”
“Seriously?”
“You have no idea how much he loves the man.”
“So if you had another child would he try to do that?”
“Oh, I can’t have any more children.”
“I’m sorry.”
They put a reassuring hand on you, “Don’t worry about it hon, you didn’t know. Ari was an emergency c-section and that’s when doctors found a lump,” you gasped. “The option was either go through months of chemo and miss out on so much of my baby’s life or just have all the organs removed and only miss a little bit. So, I’m happy we had Ari when we did. Would you want more children?”
“I love Clara to bits, but I hated being pregnant,” Reece sighed in sympathy. “I was sick for most of it, and I didn’t cope well afterwards. Honestly if I was by myself, I wouldn’t have survived it. Dieter was one hundred percent there for me and he won’t admit it but he’s an amazing father and I’ve fallen more in love with him.”
You both just sat there in a comfortable silence until refreshments arrived. The girls were called back from their playing. Clara wanted to sit on your lap, so you moved her there and she kissed your cheek.
“She’s a cuddler, like her father,” you explained to Reece.
“Daddy huggy!”
“Yes he is!” you kissed her pudgy little cheek.
*****
“Oh, I met your new best friend today!” Reece informed Javi. “She’s adorable! I can see why Dieter loves her.” They gritted their teeth as that name was accidentally said out loud and Javi groaned in annoyance.
“The whole family is adorable,” Reece continued. “We should adopt them!’
“We are not adopting a family. Especially if that includes Dieter Bravo.”
“Javi, why the animosity? Did he say something rude to you on set?”
“No,” Javi shifted. “He’s never said anything to me. We’ve never talked.”
“What the hell? How can you say you know him when you’ve never talked to him?” Reece held Javi’s face, “The Dieter I know is a sweetheart; he’s mad about his wife and he adores his little girl. He’s a genuine good guy. He’s not going to play Mr. Nice Guy and then stab you in the back like-”
“That prick Jagar Aldritch.”
“Still hung up on that?”
“Wouldn’t you be? He ruined my film.”
“And he tried to flirt with me.”
“What? Why haven’t you told me this before?”
“It was just the once. I think my pronouns confused him,” they changed the subject. “Anyways, you should just talk to him. Who knows, it might be the start of a beautiful friendship.”
*****
Javi was happy to see you after the weekend. He promised Reece he’d make an effort with Dieter and would at least talk to him. If it came about naturally, he wasn’t going to walk up to him because it might seem too straightforward.
He hated to admit it, but he liked the actor’s work ethic; he’d always be on time and too the role seriously enough without going method. The scene where Jack Black was playing on a grand piano and Dieter was lying supine across it while singing the big musical number Sugar and Spice: A Bitter Taste was insanely hilarious and anyone else wouldn’t have pulled it off as well.
Javi praised the performance while you were once again deep in conversation. You saw Dieter approaching the two of you and finally Javi had to talk to the actor.
“Oh, hey Dieter. Have you met the producer?”
He held out his hand, Dieter reluctantly took it.
“Hi, I’m Javi Gutierrez.”
Dieter mumbled his name.
“So what’s your favourite Nic Cage film?” Dieter raised an eyebrow in question. “Well I keep having interesting conversations with your wife over several of Mr. Cage’s films so I assumed…”
“Oh, I don’t like Nic Cage.”
This was not going to be the start of a beautiful friendship.
Lovingly tagging @boliv-jenta @simpingcowboy @ellenmunn @o-sacra-virgo-laudes-tibi @chaithetics @myloveistoolittle @glshmbl @gswizzsstuff @cupcakehp @nicolethered @blueeyesatnight
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whypolar · 1 year ago
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Gundam Unicorn OVA 1: Day of the Unicorn
I enjoyed this quite a lot.
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Banagher is a responsible father. Stick a "baby on board" decal on the back of his work mech.
I think it's probably pretty rare for fans who don't know Japanese to read the Unicorn novels before watching the anime. They weren't even fully translated until well after the anime finished airing. Even nowadays, when we have the full fan TL available, I doubt many people decide "Yes, I will read an edited machine translation of ten light novels, even though I know the series has been adapted into seven anime episodes of movie length and quality and I have never watched them". It was novel-only character information that first caught my interest, though, so I get to do it the unusual way.
Will this make a difference in my perception of the anime? Who knows. I don't actually know much about what fan reception was like back in 2010-2014, in either the west or Japan.
Thoughts below.
I'll start with complaints first, since I have only one:
👎 Removed all textual and visual indication of Banagher being multiracial / Syam being Middle Eastern.
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Why did they do this. I was genuinely surprised and disappointed to see this from Gundam, since the franchise has a history of diverse casts all the way back to 1979. Gundam 00 would have finished airing just a year before this came out, and that had two brown-skinned Middle Eastern protagonists. Did they hit a quota or something?
Things I really liked:
👍 Everything is beautiful.
It's so pretty. The way characters and expressions are drawn is pretty. The mechs are pretty. The death lasers and the resulting explosions are pretty.
The backgrounds! Ship interiors, industrial sites, the signs and posters in the city. It's all gorgeous.
👍 Robot Status: Wow, Cool
I looove the design of the cockpits and UI. I'd already seen the same setup used in Hathaway's Flash, but it’s not any less impressive here. It's so cool. It's SO cool. I love watching the little markers for the funnels pop up.
The mixing of 3D and 2D for complex scenes is pretty seamless, except for the bit at the very end where the Unicorn transforms. My suspension of disbelief can easily survive a few seconds of recognizable CGI.
God, the robots are cool. I love seeing the Kshatriya in motion.
👍Great use of one of my favourite little Gundam things: characters moving around in zero / reduced gravity.
There are some real weird shots in this one.
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I love specialized architecture and infrastructure for low gravity environments! I love characters who are accustomed to living in space being strangely indifferent to the concept of up and down! I love deliberately confusing or unsettling camera angles! Raaaaah!!!
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👍👍👍👍👍 MUSIC
It's good music.
The part of the score where the violins start going sour while Cardeas threatens Banagher, until it's just an ugly atonal mess? Love that.
I like that spooky echo sound they use sometimes-- I'm genuinely not sure whether it's built into the music tracks or an added sound effect? I interpreted it at first as an indication of Newtype Shenanigans, but it also seemed to show up in other moments that were dramatic or had a lot of deaths. Though I suppose a lot of people dying is something newtypes would pick up, so maybe it still is meant to represent that. I don't know. The sound is cool.
Some miscellaneous commentary, mostly but not exclusively about comparisons the novels:
Things move more quickly in the OVA than the novels, and the audience knows less about the characters. This is an inherent difference of medium and format. We spend less time inside the characters' heads, and this can give a very different first impression-- particularly of Banagher as the protagonist.
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My impression of OVA Banagher is that he's a daydreamer, longing for something he can't place. Novel Banagher can also be described this way, but at least to me he felt more worn down and resigned in his detachment. The anime version has more of a wistful, almost romantic vibe. Maybe it's just those big ol' eyes.
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Once he's seen the Unicorn, OVA Banagher has some kind of switch flip in his brain. From that point on, as soon as he gets an impulse, he is GOING. We aren't privy to any of his internal deliberation, just the snap decisions as they happen. He seems a lot more confident without his internal thoughts narrating everything, but also less socially aware.
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Here's an actual change for you: in the OVA, Banagher actively volunteers to help Audrey get to the colony builder when she starts to leave. In the novel, she directly asks for his help-- and he says no!
He felt a pull to help when he saw she was in danger, but after they crashed he could hear police sirens. He didn't want to get in any more trouble after his little stunt, so she called him spineless and ran off. He has a whole little arc where he tries to just go back to school like nothing happened until Marida shows up and literally twists his arm. The guilt of ratting Audrey out is the push that makes him change his mind and go after her.
Some of the scenes this change skips were cute, but getting more of Banagher hanging out with Mineva when they aren't being actively chased is nice. It's also just a smartly economical use of time. I do think the change makes Banagher feel meaningfully different, though.
I was fond of him being a little more conflicted and moody, but there's also something really funny about a guy who so single-mindedly barrels into situations. He really does seem supernaturally compelled.
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Just a laser guided missile of a boy. Hyperfocus: maximum.
Knowing a bit less about characters like Audrey and Marida works very well. We know about as much as Banagher.
Audrey is obviously someone important, but they don't even say the word "princess" until the VERY end-- like four minutes left on the runtime. They never drop her real name. We get all that through narration long before this in the novels (as well as a lot more direct discussion of the Sleeves and Zeon in general).
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We get ZERO interiority or backstory for Riddhe in this first one. His first introduction is saving Audrey and Banagher's friends. They pointedly show you his little airplane charm with a special sound effect for like, two seconds maybe, so quickly you can barely process what it is. Very interesting.
We also know less about Banagher's mom… not necessarily a LOT less, but enough to feel like she's being kept a mystery.
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Trust the process, Banagher.
This whole scene-- especially the face journey Banagher goes through-- is lovely.
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Marida's civilian disguise is better in this version. Like, in-universe, I mean. She's serious and imposing at a glance in this coat look, which is important when we don't get to see her terrorize and physically overpower Banagher. Probably the right choice to redesign the look, but I did like the novel's gag of her being dressed like sharp-dressed secretary except conspicuously wearing sports shoes so she can still run and fight.
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Very fun framing here of Cardeas' dramatic lore dump about newtypes, where it's being told over cool mech combat for the audience, but then they cut back to Zinnerman, who is already sick to bastard death of this guy. Stop expositing, old man, I'm here for a business transaction.
I always love when characters see a Gundam and just say "Gundam". It's good every time.
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Gundam.
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rouiettes · 4 years ago
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raya and the ugliest fucking dragon i've ever seen holy fuck who the hell thought to give a dragon fuckiNG EYEBROWS WHY WHY—
aka the musings of a filo non-binary bisexual who feels victimized by the dragon designs of this fucking movie supposedly centred around THE LAST DRAGON???? MAYBE THEY SHOULD HAVE STAYED STONE GDI WHAT THE FUCK SERIOUSLY WHY DO THE DRAGONS LOOK LIKE THAT
let's get one thing straight.
none of the characters in this movie. rest assured. not a single straight person was in this movie. trust me.
raya and the last dragon had all the foundations of a good movie
IT COULD HAVE BEEN SO GREAT
BUT IT WASNT
AND HERE'S WHY
(in my humble opinion okay pls dont come for me)
a disney movie with sea culture at its heart and soul, i was so hyped to finally watch this movie
(not as hyped as i could have been tho bc let's be honest DISNEY DID SHIT WITH RAYA'S MARKETING)
(AND PERHAPS FOR GOOD REASON LOL I SWEAR I DONT HATE THIS MOVIE OKAY)
you had the amazing score, the amazing concepts for plot and characters, the solid solid worldbuilding???
if you just told me about how raya's setting and premise, i'd probably be "wow this movie sound like the whole package"
and then i'll actually watch the movie and have just as much trust issue as raya did :/
but i digress
A DISNEY MOVIE WITH SEA CULTURE AT ITS HEART AND SOUL
do you know how diverse sea culture is??? VERY
and one thing i was very happy to see was how raya handled it
it was by no means perfect but
the subtle shows of culture in the way the characters acted, and the environment of the movie was just CHEF'S KISS
not only that but the ideas the movie had in terms of its world and the people in it felt genuine, it felt alive
a dragon that isn't the typical fire-breathing lizard
characters who look like they could easily be my neighbours or children i've played with
instead of pandering to this movie felt like an actual homage to sea cultures
and for good reason bc seeing all those familiar names rolling in the credits had me feeling some type of way :")
also that fucking soundtrack gave me chills throughout my watch of the movie
okay now that we've got the things i actually like about the movie, let's talk about what i don't like
if there's one word i could use to describe disney's raya it would be: rushed
like i said in the beginning, all the groundwork for an astounding disney movie were already there
but all of it just goes to waste bc the plot and it's characters feel so Unfinished
the movie felt like a bullet-point presentation of the story
WHICH IS SO FUCKING DISAPPOINTING BC THE CHARACTERS SEEMED SO INTERESTING but all we got were shadows of what they could have been
cardboard cutouts of the archetypes they filled
i'm not asking for a bottomless well of depth, but i at least wanted more for the cast than just: angry misunderstood princess, angry misunderstood princess with an undercut, that one dancing kid from moana but with more spice, boss baby, and the mountain
and i get that they had to sacrifice some of their depth to keep the run time of the movie short but you have got to be better than this disney
i hate to compare but it felt like this movie tried to go beyond what moana gave us, and shot so far that it ended up back to where it started, and then stumbled back a few steps
AND IM NOT EVEN SAYING A DRAGON MOVIE WITH A BIG CAST IS IMPOSSIBLE
BC IT'S ALREADY BEEN DONE
HOW TO TRAIN YOUR DRAGON DID IT THREE TIMES
and you'd think the plot for one of the few disney movies with a non-western setting would have more than just a macguffin considering how batshit sea folk tales can be
but you'd think wrong folks.
GENUINELY IT FELT LIKE THEY WERE ATTEMPTING SOMETHING BUT WERE SHORT OF BRINGING IT TO FRUITION
sure moana had a macguffin too with the heart of te fiti, but the heart itself wasn't the heart of the movie
it was the journey of moana and maui
it was that BEAUTIFUL TWIST WITH TE KA AND TE FITI
ALL DELIVERED WITH A NATURAL FINESSE THAT HAD YOU ON THE EDGE OF YOUR SEAT
YOU WERE ALONG FOR THE RIDE OF THE STORY INSTEAD OF QUESTIONING EVERYTHING THAT WAS GOING ON LIKE I WAS
maybe this was just me but like, i felt so bad for the friend who watched this movie with me bc all i could go on and on was how the plot felt like it was getting in the way of itself
why didn't the different kingdoms (??) kept the gem in rotation or smth, when did they decide that heart would keep it and then get mad at heart for keeping it????
why didn't awkwafina dragon just show herself to the kingdoms bc everyone seems to be in agreement that dragons good right? that they would be the key to getting rid of the druun right??? SO THEY'D ALL AT LEAST HEAR HER OUT OR SMTH RIGHT????????
and yes raya has trust issues but it seems to only spring up at the most convenient times plot-wise, we didn't really see her learn to trust other people again OTHER THAN THE TIMES WHERE SISU WOULD HAMFISTEDLY SHOVE IT DOWN OUR THROATS THAT SOME PEOPLE ARE GOOD SOMETIMES RAYA
we see it with boun, but then she just trusts noi, her monkeys, and tong THE GUY WHO STRUNG THEM UP AND WAS THREATENING TO TORTURE THEM????????
i'm gonna be honest and say that if it weren't for namaari i'd have absconded the moment sisu came on screen
as far as i'm considered the actual plot of the movie is just the entire sword fight scene between her and raya
and finally
we get to the part i will be erasing from my brain for my own mental well-being
WHAT THE FUCK WAS THAT DRAGON DESIGN
WHY OH WHY TH  E FUCK DOES SISU SOUND AND LOOK LIKE THAT
my friend said they looked like the ponies from mlp in 3d AND NOW I CAN NEVER UNSEE IT
THEY HAVE EYEBROWS THEY HAVE HUMAN FACES
HUMAN FACES ON MAJESTIC DRAGON BODIES
THE INTERNET HAS COLLECTIVELY DECIDED THAT SISU IS BASICALLY FURRY ELSA
every time we got a sisu close up i lost 5 years to my life
disney i am suing for damages
if you want me to drop the charges i demand raya 2: electric boogaloo but it’s just raya and namaari enemies to friends to lovers ark
and also for them to never say dragon nerds ever again
AGAIN. HOW TO TRAIN YOUR DRAGON GAVE US BEAUTIFUL DRAGON DESIGNS. HELL IF YOU WANTED MORE EASTERN LOOKING DRAGONS FUCKING SPIRITED AWAY??? HAKU??????????
AND YKNOW WHAT. SISU WOULDN'T EVEN LOOK THAT HORRIFIC IF THE MOVIE WAS IN 2D
im not the first person to be side-eying disney's decision to keep pumping out these 3d movies but like.
no amount of added dimensions could ever make that dragon design okay
and there so many more points i could go off on to show how this movie was rushed
how the other dragons, and even sisu's siblings whom she had been missing for the entire movie DIDNT MAKE A SINGLE SOUND???? NOT EVEN A FUCKING GROWL DISNEY???? DID YOU EVEN TRY WITH THE DRAGONS AT ALL??? THE SUPPOSED CENTRE OF THIS MOVIE'S PLOT?????????
HOW THE CHIEFS OF THE OTHER KINGDOMS WERE BASICALLY PLOT DEVICES????
THAT ONE CHIEF'S SKELETON WAS MORE INTERESTING THAN ANY OF THEM COMBINED ALIVE
kudos to that one granny chief though
u can never have enough bad ass old ladies
AND GOD THE RELATIONSHIP BETWEEN ANY OF THE CHARACTERS JUST FELT SO FORCED
ALONG WITH WHATEVER LESSON SISU WANTED TO IMPART ABOUT TRUST
LOVE THESE CHARACTERS THEY ARE FUNNY THEY ARE FRIENDS FOUND FAMILY
TRUST PEOPLE IF U WANT THEM TO TRUST U
TRUST PEOPLE OR ILL LITERALLY FUCKING KILL U
children aren't stupid disney. if you tell your story well enough, they'll pick up on the messages you want to give them. YOU DONT HAVE TO THRUST EVERYTHING IN OUR FACES
i was exhausted by the time i finished this movie
bc i really wanted to love it. i wanted to feel more for it than just: well, it's a movie :)
i dont hate this movie though like it's not even worth the energy for that
i think that ultimately, despite all my issues with it, this movie was a step in the right direction when it comes to having non-western stories being told by non-western people in big name productions
i'm glad raya and the last dragon exists
i just can't help but be dissapointed though bc this movie put so much effort into putting my people and culture at its forefront but at what cost???
good characters and story for a good setting and design????
does it have to be one or the other?????
DOES THE DRAGON HAVE TO HAVE EYEBROWS??????
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hello-im-not-a-possum · 3 years ago
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YEEHAW IT’S MIDNIGHT WHICH MEANS IT’S AUGUST 1ST WHICH MEANS INK DEMONTH SO I CAN FINALLY POST THIS NOW:
1. Pride
Diversity win! There is not a single cishet in the hivemind of ink creatures (To their knowledge) that you slaughter on a daily basis to make yourself beautiful! AKA: Possum has a fuck ton of LBGT+ headcanons regarding the BATIM cast and is happy to use this DeMonth prompt to indulge them. (Set before the loop starts, but after Buddy Boris meets/befriends the lost ones.)
Malice flicked through the channels of her cameras, trying to find more prey in her territory, and stopped when she saw a gathering of the lost and the searching (and exactly one Boris, the most perfect one she had ever seen.) in the Heavenly toy’s lobby, their prophet was brazenly sitting on the side of the waterfall as if he did not fear the ink when he should have.
Her ears steamed with anger as she saw that group, it was far too large for her to deal with on her own and too far away from the Projectionist’s grounds for her to manage to lure him to them. But on the bright side, she could learn some important information from them, after all, with how casually the prophet was sitting and gesturing and how the other freaks in the crowd were responding, this was clearly not one of his normal sermons.
(“I still find it rather funny that almost none of us are straight and that the few straight ones among us are trans, it’s like all this time we thought we were sheep hiding away in wolves’ clothing among wolves, unaware that the “wolves” were simply other sheep in hiding as well!”)
[Funnily enough, I’d rather be a sheep than a wolf, I think it makes more sense for me to be an animal that’s helpful to others but also easily scared.] The Boris wrote on a typewriter. [Or at least, I wish I had some kind of input on what I am, but I doubt I’d make myself an animal…]
(“Speaking of which...”) The lost one next to the wolf whispered in his ear as she looked over his typing. (“How are you holding up, Buddy?”)
Instead of typing, the wolf drew himself shrugging and put a bunch of question marks around him, then stuck the drawn-on paper in his typewriter and added to it.
[It’s hard to think most of the time, Boris always seems stronger when I’m alone, but I know the Ink demon will find us if I stay with you, this hunger is driving me crazy, and I just wanna go home. But on the bright side, I don’t have to deal with periods, chest pain from binding, or people condescendingly calling me ‘Miss Lewek’ anymore.]
She turned on the sound in that room, watching them like one would watch a Tv drama, but what she heard caught her off guard.
“So as long as we’re being honest about ourselves with each other…” The lost one stood up and pointed accusingly at Sammy. “Were you and Joey and a thing all along before the machine came into the picture!?”
If she was drinking water, she would’ve spat it right back out. Sammy, with Joey?! In the latter’s dreams, maybe! Even a few of the other lost ones looked shocked at the question, the Boris even gasped loud enough for it to be audible.
“Technically yes, but not by choice, mind you.”
“WHAT THE FUCK?!”
What the fuck indeed random lost one. The angel wished that she didn’t hear that, but now that she couldn’t unsee it, at least it made a little bit of sense in hindsight. After all, in her eyes, they were awful enough to deserve each other.
“...Why?”
“It’s just, well... somebody had to keep his eyes from wandering to the lambs- err- younger, more naive, less experienced employees, not children (to my knowledge). And at the time, I really thought that he did at least care about me beyond our work relationships, at least a little bit…  But from what I’ve seen, I believe the only things he had ever truly loved were himself, and the idealized versions he had made of other people. His ‘dream versions’ of them, if you will.”
“And this whole time, I thought he was running off with Susie with all those lunch dates! Or where the three of you all… yaknow, *together* together?”
 “Not knowingly… However I wouldn’t put it past Joey to cheat on people. As for Susie... I did like her, maybe even love her in a way, but I doubt I could ever love her in the way she wanted me to love her, and-or love her carnally. I don’t even think I could fake it like I could for Joey, she was never signing my checks and wasn’t holding that over my head so I’d be too disgusted to even try.”
Malice was almost about to march down there herself and push him into the ink, but she knew this troupe all too well, and knew that sometimes this place worked on story logic, he’s now going to say something that alters the context of that statement enough to not justify her going over there and slam dunking him into the ink.
“Now that I think of it, I don’t think that I’ve ever loved… anyone in that sense. I can’t think of a single person or situation where the idea of doing that is anything other than gross at best. In fact, there was someone who was close to me a long time ago, someone who, while I have long forgotten now, would perhaps even be what one could consider a soulmate. Even then, the mere thought of doing that with them still makes me queasy…” The prophet sighed. “I suppose I am simply meant to remain alone in religious celibacy. A relationship of that kind would interfere too much with my worship anyway.”
"Ahh fahr foehck's sake... I can't believe dat it's dis foehckin stupid..." A more lucid, absolute giant of a searcher in the back of the crowd slapped his forehead.
“It?” Malice repeated curiously. “Huh… maybe it and I had more in common than we thought.”
“You're clearly a sex-repoehlsed asexual, you doehmbass! literally everyahne who's ever been in de dark poehddles at de same time as you figured dis ooeht befahre you ded!” He shouted through cupped hands. “celibate people are people who WANT sex, boeht dahn't poehrsue it fahr variooehs reasahns, dey ARE NAHT people who are desgoehsted wit sex to de point where dey legitimately throw oehp and feel 'ahrreble after doin de nahrmal vanella stoehff! Stahp foehckin foehckin people when you're clearly naht cahmfortable wit it, and you and future partner..s? 'll be 'appier wit yooehr rahmantic poehrsuits!”
The searcher, upon realizing that he had furiously sworn at the Prophet, their leader, the one who does not fear anything within the studio, not even the deepest depths of the dark puddles, and most terrifyingly of all; the former music director, he slinked into a puddle within the crowd in fear of being the target of reawakened ancient wrath. Everybody else looked back and forth to the prophet and back at the searcher who spoke out as they remained in stunned silence, even their eavesdropper was worried for his fate, even if in her case she feared how the show would end rather than his outcome. Surprisingly, and luckily for him, the Prophet broke the tense silence by laughing in that caught-off-guard tone of it.
“While you were rather… crude about it, what you’ve said does make a lot more sense then Joey being so bad at sex that he turned me away from men altogether, even if it is funny to assume that he was.”
“A-aye… and I can't believe dat you wrahte an entire foehckin sahng abooeht it! 'ow ded you naht get fired fahr dat?!”
“Good question, I wish I could remember the answer…”
[Maybe you had blackmail on Drew?] The Boris typed out and handed to Sammy.
“Yeah, maybe because you used to be so close to him, you saw skeletons that Joey would want to keep in the closet” His lost-one friend added.
“Like HIMSELF!” A voice from the back added, making the others in the room burst into laughter.
With the tension in the room gone, the group just went back to talking about either journeys they took to become comfortable with themselves, or the various past relationships that they had, or wished they had or in some peoples’ cases, all three.
Malice continued to watch them bitterly. It was as if they had either forgotten what the outside world was like to people like them or they simply didn’t care, and she wasn’t thinking about the ink that made up their bodies. Part of her envied how freely they had talked about themselves and each other, part of her felt like she had been smacked across the face, and a third part of her felt lonely. All of them seemed so happy telling their stories and building each other up, and here she was hiding away with her own story that she had wished to bury.
However, there was no iron clad law stating that she couldn’t tell them her own story. In fact, maybe if she came out of her own cage, made Sammy understand that big part of why voicing Alice was so important to her, made sure that it understood that as the very first explicitly female character she voiced, that Alice Angel was more than a beloved character to her, that she was a part of her, the biggest symbol of her own femininity, then maybe it would recognize the error of its ways. Maybe it would see how devastating it would be to be shunted aside without notice in favor of someone newer, prettier, ‘more feminine’...
She shut off the camera and thought it over, and she made up her mind. While she still didn’t want to share her story with everyone, Sammy needed to know it. Whether the Prophet liked it or not, she was going to pay it a visit.
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tmascfatal · 3 years ago
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Resident Evil: Welcome To Raccoon City movie rant/analysis (if you can call it that?) -because I just finished watching it and I have A LOT to say
SPOILERS!! obv
Let’s start off with the good!
Overall, I think it was a decent movie. The pacing was surprisingly decent and it introduced all the characters and gave them a foundation that the watcher could build off very efficiently. The story telling was great, the transitions from one chapter to another wasn’t smooth but decent enough for the watcher to not be confused or annoyed. And the character designs for the monsters!! I could not tell you how honestly scared I was (though I have an irregular fear of zombies). Not only that but they didn’t entirely rely on jumpscares! They use tension instead, which is what most horror enthusiasts look for! Especially with that scene where Chris is trying to light up his lighter and the zombie moves closer with every flick. If someone watched this without ever playing or knowing about the resident evil games, I think they would somewhat enjoy it. And I love this 90s/80s vibe they have going on, it really fit into the cheesiness of the Resident Evil games though I wished they leaned onto more because I felt like that would’ve make-up for the ridiculousness of the games. I loved Avan Jogia as Leon, I know many people didn’t like that change but I think he really fits the role of Leon plus diversity is always good! And Hannah John-Kamen is an amazing actress, that betrayal scene with Wesker really made me really felt her anger. Along with Kaya Scodelario, who I think is the best movie adaptation Claire we’ll see. Having this very fiery attitude that doesn’t mock her in a way.
But it has its flaws, more so than it’s positives. The story was a bit weird, it disregarded a lot of the original storyline from the games and canon lore. I think trying to shove 2 (3 so I’ve heard?) games into a hour and a half movie isn’t the best idea. A lot of perspectives are completely disregarded, such as Jill’s and Leon’s. Most of the movie is told from Claire’s perspective but they still do a good job in intertwining them. Jill is barely even given some screen time for herself, she feels more like a background character if anything. They also added this weird orphanage storyline that I understand was supposed to show us how fucked up Umbrella Corp is but doesn’t play much into the rest of the movie or the characters at all. I feel like they didn’t need to go into Chris’ and Claire’s childhood. Also the additional of Sherry Berkin felt forced, like they had to do it cause it was in the games. We weren’t introduced to her until the near end and we honestly never had a reason to even see her in the first place (which they also do in the game but a personal pet peeve). I understand that adaptation movies aren’t always 100% but they really changed up a lot. Chris’ and Claire’s relationship was bitter, they seemed to resent each other. Which in the game is completely different, the reason she even came to Raccoon City was because of Chris. And let’s talk about Wesker, they gave him a totally new personality. A cheery hunk that was a complete opposite from his stoic in-game character. His betrayal didn’t have a motive, his character seemed like he saw his friends as family not as expendables nor as someone who turns into a full fledge villain. Tom Hopper is an amazing actor but not the right one for this character. He isn’t the only one that’s wrong with the cast. As much as the actors were amazing, I think they didn’t fit the part. I don’t think Hannah John-Kamen made a great Jill, maybe the writing is to blame or the lack of screen time but I couldn’t recognize her as Jill at all. Along with Robbie Amell though he doesn’t capture Chris at all, I felt like Tom Hopper would’ve fit Chris way more than Robbie Amell did. Not only that but we’re barely introduced to the characters other than Claire and Chris. We get a whole backstory about Claire’s experience with Umbrella Corp and why she ran away but nothing on for the rest of the cast. They could’ve explained why Leon chose to join RPD or go into more depth with Chris’ personal experience with Umbrella Corp but there was nothing. For someone going in blind, it’d be very boring to watch these characters you know nothing about for an hour and a half. Last but not least, the cgi was giving off 2000s vibes but not in a good way. The Licker was very CLEARLY cgi, and it really took away the immersion from the movie especially with it being mostly practical. They did in amazing job of doing the make-up on zombies. And William Berkin’s final form at the end was just so out of place. Though I really loved the effects when he first started transforming. I understand it wasn’t a big production but they could’ve gone with more practical effects like look at Scary Stories To Tell in the Dark!
To summarize, the way it was directed and choreographed was honestly better than expected but the story along with the characters were disappointing. I don’t think it deserve it’s harsh rating of 1 stars but it’s no where near a 7 star. I’d say it’s a 3.5 star out of 10 because I can see how someone who doesn’t know Resident Evil at all getting confused and a fan of RE being very disappointed of the character + story adaptations.
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gladerimaginex · 4 years ago
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Greenie (Part 3)
Request: OMG! I had spent the last 5 hours to read your writing and honestly I think you are one of the best! And I was wondering if you could write a part 3 of « Greenie »? (maybe with a very sassy Minho and an annoyed Thomas *who will anyway be in for Minho’s idea*?) Feel free to do so or not! If you do: a massive THANKS!^^
TWs: Nothing really; more of a general warning though- in the past I never wrote anything spicy, but I think I may start doing some of that because why not
Author’s note: picking back up after literal years because my old coping mechanisms are the only thing left for me now :)))  
Y/n’s first day with the runners had been a whirlwind of rules, tips, sprinting, and exhaustion. Despite that, by the time a few weeks had passed, she had fallen in love with her new job. It was the only thing that actually made her feel like she was accomplishing something in the glade, actually getting them closer to freedom. Sure, the diversions of the glade with the other boys kept her busy, but she only felt useful when she was running. 
Ever since her first day in the glade, Y/n had stuck close to Minho, Thomas, and Newt. The three boys were all intensely committed to protecting and freeing gladers, but otherwise seemed to bring out the best in each other. Minho and Thomas constantly joked and tried to make the quieter, gentler Newt laugh. Y/n felt like she fit right in. She too constantly longed to see Newt’s face light up with a smile. 
“How was it in the maze today?” Newt’s voice called from the homestead and Y/n pulled the hair tie from her sweaty locks. 
Y/n turned and shrugged. “Same answer as every single other day. Very grey. A few vines.”
Newt rolled his soft brown eyes as he limped up to her. “Yeah, yeah, no need to be a smartass.” 
“You know, sometimes I just can’t help it,” she chuckled, gently elbowing Newt in the ribs. “Besides, I can’t help it that you ask me the exact same question every day within minutes of my arrival back in the glade. I only have so much creativity!” 
Newt rolled his eyes again, but this time with a slight scowl. “Yeah, whatever. So sorry for worrying about you doing the most dangerous job in the glade,” he muttered before heading back towards the homestead. 
“Newt!” Y/n called out to him in confusion, but he just kept walking.
Minho slid into the bench seat beside Y/n and across from Thomas with his dinner plate full. “Hey hey Y/n. What’s with Newt today?” he said, eyeing where the blonde boy sat by himself at a table across the room. He always sat with them and only ate alone when second-in-command duties called him away during mealtimes. 
Y/n shrugged. “Your guess is as good as mine, he was totally fine earlier until his mood just… flipped.” 
“Well did he say anything after your run? I saw you two chatting,” Thomas pointed out around a mouthful of food. 
Y/n wrinkled her nose at his table manners but shrugged again. “Nah, we were just messin’ around as usual and then he just stomped off. I mean I know he’s a bit more sensitive than the two of you, but I didn’t even say anything bad! I dunno, maybe we’ve just been a bit too hard on him lately?” 
“Eh, just give him some time to cool down then, Y/n. I’m sure he’s fine, just wants a bit of alone time,” he suggested with a dismissive wave of his hand. “Besides,” he added, grinning cheekily, “I think we could all use some alone time with your annoying ass around sometimes.” 
“Hey!” Y/n shouted with a laugh, pretending to throw a punch at Minho. 
He laughed with glee and dramatically dodged her fake punch, jumping from his seat, bending low at the waist, and barreling towards her midsection. She squealed as he threw her over his shoulder and started running towards the door, shouting “You know the rules, Greenie! Off to the slammer you go!” 
Thinking quickly, even with all the blood rushing to her head, Y/n reached out as best she could and started tickling Minho. 
“Shuck it, Y/n, you’re gonna make me drop you!” he gasped through all the laughter and wiggling, desperately trying to escape Y/n’s fingers. 
“That’s the idea-AHHH!” she shouted as Minho finally lost his grip and she plummeted to the floor. He collapsed beside her, the both of them breathless with laughter, while Thomas stood over them, looking down with a grin. 
“If you guys wanted to start a regular fight night, why didn’t you just say so? I’m sure we could get Gally on board,” Thomas laughed, sticking his hand out to help y/n to her feet. 
“Better watch out! You’re next!” she shouted, hopping to her feet without Thomas’s assistance and putting her fists in front of her face as though beginning a boxing match. Minho accepted Thomas’s hand and slapped him on the shoulder. 
“No offense, man, but my money’s on Y/n.” 
She opened her mouth to gloat, but before a word could pass her lips, she heard a sharp “huff!” and felt someone swoop by her, booking it towards the door. She spun around just in time to see Newt’s back stalk away from dinner alone. 
Thomas gave a low whistle. “Okay, something really pissed him off.” 
Y/n dropped her hands to her sides and rolled her eyes. “Honestly what’s his problem?” she scoffed, feeling annoyance rise in herself. Being frustrated is one thing, but taking it out on your friends is quite another. 
“Should someone go talk to him?” Minho asked slowly. By the time Y/n had turned back around to face Minho and Thomas, they were both looking at her expectantly. 
“Me?! Why do I always have to talk to people when they’re pissed?”
Minho shrugged. “You’re gentler than us. And cuter.”
You let out a sharp laugh. “Aww, I think you guys are cute,” you said, pinching each of their cheeks while they attempted to bat you away. 
Y/n eventually found Newt wandering the gardens alone in the dark. His head was drooping towards his chest so that his blonde hair fell into his face. Y/n had thought he was pissed, but now he looked… sad. Sad and lonely. 
She knew the feeling well. 
“You gonna walk around alone all night?” she called, watching Newt jump at her words, but he didn’t spin around. 
“If you’ll let me,” he grumbled, only just loud enough for Y/n to hear. 
She stepped right up beside him, ignoring the way he ever so slightly leaned away from her. “Well looks like you’re out of luck then.” She firmly planted her feet in the ground and stuck her hands on her hips. “Cause you’re stuck with me. So you can tell me what’s goin’ through your head or you can keep moping.” 
Newt scoffed. “You’re kind of the last person I need to comfort me right now.” 
Taken aback, Y/n recoiled. “Okay, wow. You don’t have to be such a jerk about it, Newt.��
“Me?!” he nearly shouted, finally turning to face her, his eyes wide. “Me being a jerk?! You practically make fun of me for being concerned about your safety and-
“That’s the same teasing we’ve both ALWAYS done-”
 “-then you and Minho and Thomas rub it in my face-”
“Rub WHAT in your face exactly?” Y/n said, exasperation causing her to raise her voice. 
Newt cast his eyes down, finally pausing. “You with Minho and Thomas. You can’t keep your hands off them and they certainly can’t keep their hands off you,” he muttered, absently kicking at the ground. 
Y/n let out a heavy sigh. So that was what all this was about. “Newt, are you serious? That’s the way we’ve always been- we mess around. It’s all just jokes. And what do you care anyway? You’ve never… you’ve never made a move or anything,” she sputters out, finally getting embarrassed herself. Maybe because she felt like the argument was stupid, or maybe because she didn’t want to admit that she had been waiting for him to make a move, and maybe she had always been a bit disappointed that he never had. 
Newt threw his hands up, equally as exasperated. “Well what was I supposed to do? Just assume you were into me, when you treated me only *slightly* *LESS* friendly than Thomas and Minho? I was just supposed to assume and hope you liked me?” 
“Well what was I supposed to do?” she shot back. “Assume that you liked me even though you treated me just like ‘one of the boys’?!” 
Newt cocked an eyebrow. “I do NOT treat you like one of the boys.” His voice was quieter now, but far firmer. He almost sounded… harsh. 
“How so?” she demanded, not ready to ease up. 
“For starters, I think about you first thing every morning. And all throughout the day. And when you’re supposed to be getting back from the maze. And right before I fall asleep every night. I don’t think about the other boys that often.”
Y/n opened her mouth to retort, but no words came out. Her brain was still trying to catch up with what Newt had said. “And everytime I see you, I can’t take my eyes off of you, and I can’t help but think about the way it would feel to touch you- not like the way we nudge and high-five, but to *really* touch you- to kiss you and smell your hair and feel your skin under my fingers… to hear you whisper my name back to me... “ he trailed off, staring intently into Y/n’s eyes for the first time that night. His face was no longer a scowl of annoyance, but now there was a flicker of desire behind his eyes. “I don’t think about anyone else that way,” he finally finished, hoarsely. 
“Newt... “ She whispered, nearly choking on her own words, feeling her face flush hotter by the second and the rest of her body erupt in tingles. 
“Yeah, exactly like that baby,” he said as he lunged forward and roughly pushed his lips against Y/n’s, gripping her waist. 
The shock didn’t slow her down; she immediately wrapped her arms around him, tangling her fingers in his gorgeous blonde hair. 
He was kissing her harder than she imagined possible, taking her breath away in every way possible. HIs fingers slid up under her shirt and gripped the bare skin on her waist. He pulled away from her lips and kissed her neck, behind her ear, burying his face in her neck and hair, squeezing her even tighter. “This is how I wanted to feel your skin, this is how I wanted to smell your hair. This is how I wanted to kiss you,” he muttered before returning hungerly to her lips. 
She pulled back for just long enough for a cheeky grin and to say, “Well why didn’t you say so?”
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thewraith8 · 4 years ago
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Shadow and Bone Netflix Show - Brief Analysis
In this post I am going to break down the things I liked, the things I did not like, and just a general overview of my thoughts on the Shadow and Bone Netflix show. This is coming from someone who has read the Shadow and Bone trilogy about three years ago, the Six of Crows duology about a year ago, and has just recently watched the show when it premiered. I am a big fan of the duology and I did find the trilogy decently enjoyable at the time that I read it. 
I would like to preface this by saying that, as this is an overview, I will not be going into a lot of detail with regards to every scene. I may do something like that in future posts where I discuss each scene or character separately but this is more of a general overview. I would also like to clarify that I will not be addressing anything super in depth about the racism in the show as I am not very educated on the topic. I know that a lot of people have many different views on it and as someone who is Asian, my personal view is that it was fine. Some pieces of dialogue would occasionally feel a little forced but I personally do not believe it was a bad idea to make Alina a mixed race character. I know sometimes it can really feel like the producers and writers are trying to be diverse by adding POC to the cast and having the character face some form of discrimination every other scene but this show did not feel like it was pushing it super hard. There was so much else going on in the show that I did not mind those few scenes where they did address racism. 
So this is going to be divided into three parts. The first is production quality. The second is casting, acting, and character portrayals. And third is the writing and storytelling. So now let’s get into it.
Production quality: 
This was one of the biggest things I feared would be terrible about the show and would greatly impact my opinion of it because in a visual medium it is very difficult to get past bad visual effects, sets, etc. I knew it would be the first thing I would notice upon starting the show and I was very pleasantly surprised to see that money was clearly spent in the production with the incredible effects, costumes, props, set designs, and cinematography. I will say I am not educated on the subject of filmmaking and cinematography but from the little I do understand I think it was done very well.
There were also certain aspects I noticed when comparing the filming of scenes between the two storylines.  Mal and Alina’s scenes such as when they are writing letters to each other or when we get flashbacks of them at the orphanage, are more slow and soothing almost like gentle waves swaying back and forth on a beach. Their voices and dialogue are also soft and warm and this really gives a good sense of their relationship and dynamic. In contrast, when you look at scenes involving the crows, the filming is a lot quicker and snappier and things are generally more fast paced. Their dialogue, which involves a lot of banter or back and forths, is also great in showing their dynamic as well as their own individual character. 
Moving on to set designs and costumes, I think these were done really well. The throne room of the Little Palace was almost exactly as I had imagined it to look and the palace in general with the rooms and hallways did appear to be high quality. The Fold was also very well done though something I found a little strange was the occasional bursts of lightning in the sky. I think that sort of defeats the purpose of it being this completely dark place. Other than that it was exactly as I would imagine it to look. Ketterdam was also exactly as I imagined it to be with the dark alleys and dingy streets. With regards to the costumes, I think they were beautiful. Alina’s costumes in particular were really well done. I loved the way they did her hair and make up in certain scenes like when they go through the Fold that last time. The Keftas that the Grisha wore were incredible and accurate to the books with the different colours of each for the different kinds of Grisha. The crows’ costumes were also exactly what I imagined each of them to look like and felt really connected to their characters. Overall I think the set designs and costumes were fantastic.
All in all I would give production a 9.5/10. 
2. Casting, acting, and character portrayals:
Casting was also one of my fears for this show since the characters for me are the most important part of any story and if the cast is not good then the characters will not come across in the best way possible. I was once again so pleasantly surprised with the actors and actresses chosen for each role. I was worried about cringy acting as well and I am so glad there was no point at which I was cringing at any of the acting. The actors all appeared to have great chemistry and it came across wonderfully on screen. I’m going to briefly go through each of the main characters and the actor or actress that plays them and my thoughts on the acting and character portrayals alone. Later in the thrid section of this long post I will talk about each character with regards to how they were written.  
Alina: I personally believe Jessie Mei Li played a perfect Alina Starkov. She really gave off the vibe of being this important figure, a Sun Summoner, without it feeling annoying or as though she knows she is the main character of the story. I think her acting and expressions were generally well done. 
Mal: Though Archie Renaux was not how I imagined Mal to look, I think he did a great job of portraying the character. His interactions with Jessie Mei Li also felt very natural and they definitely had good chemistry. 
Darkling: Again, I think Ben Barnes was the perfect casting for the Darkling and his portrayal of the character was very well done. There were times where he would get teary eyed when talking to Alina and I understand that it was part of his character in being manipulative but it looked just a bit weird because crying is just something that almost humanizes him which I think does not fit with the idea and aesthetic of his character. You can still have him be manipulative and appear a victim to Alina without him crying or getting teary eyed. I think he would be able to get that across better with a tragic expression and tone of voice. But overall I think he made a great Darkling.
Kaz: Once again perfect casting with Freddy Carter. And really for this one, props to the directors and others who cast him for this role because this was a diffcult character to get the perfect casting for. Kaz’s character is probably the one that I have the biggest problem with but that has more to do with the writing aspect of his character. With regards to the casting and acting, I think Freddy Carter was amazing. First of all, he looks exactly as I would imagine Kaz to look. Second, his expressions and mannerisms were on point. And third, he had really good chemistry with Amita Suman (Inej) and Kit Young (Jesper). 
Inej: I feel like I keep repeating myself but once again I think this casting was perfect. Amita Suman as Inej just felt very right. Her portrayal of the character was amazing, she looked just as I imagined Inej would, and her chemistry with the other actors was incredible. 
Jesper: Once again great casting with Kit Young as Jesper. He got across that charisma and humour that Jesper is known for extremely well through his expressions and body language. He also appeared to have great chemistry with the rest of the cast. 
Nina: Another great choice to cast Danielle Galligan as Nina. I think she captured Nina’s energy or “vibe” perfectly with her voice and body language. 
Matthias: Calahan Skogman is exactly as I pictured Matthias to look so I think he was a great choice as well. 
Overall I think the casting, acting, and character portrayals in this show were spectacular so I would give it a 10/10.
3. Writing and storytelling/ How it was as an adaptation:
This is, in my opinion, the section with the most issues even though they were very few. 
Overall I think the writing was great. There were a few cliche pieces of a dialogue but those were very few. The dialogue for each of the characters felt natural and never felt out of character. As I mentioned previously, Mal and Alina’s dialogue had a warmth to it and their dynamic of childhood best friends came across really well through their dialogue. It did not feel as though they were trying really hard to have that dynamic. I also think it was a great decision to have the letters they wrote to each other be narration for many of the scenes that we saw them in. This was a great method of really getting across what they were feeling while they were apart and allowing the viewer to empathize with them. On the other hand a similar sort of technique was used with the crows. Whenever they were carrying out some sort of heist or mission, Kaz would be narrating the plan while we were watching it physically play out on screen. The dialogue between the crows was generally good and mostly in character. Their dynamic came across really well in a lot of their banter. 
With regards to the storytelling and as an adaptation, I also think the show did a pretty great job. Alina’s storyline was coherent and had a logical progression from beginning to end, following the major plot beats of the book. The main issue I have with it is that it felt rushed. I think adding an episode or two may really have helped with the pacing. It felt as though Alina learns about her powers and is taken to the Little Palace where she’s conflicted for maybe an episode and then suddenly she feels at home and like she belongs. We barely get to see her training at the Little Palace with Baghra or Botkin or see the development of her friendships with Marie and Nadia as well as with Genya. That part of her arc, which was a major part of it, felt rushed. Other than that I think the show did a good job of getting her from point A to B in a cohesive way.  
The crows storyline, I thought, was incredible because, since I am a big fan of the duology, I loved getting to see the crows and how they were before the events of Six of Crows. I think it was fun seeing their lives in Ketterdam and the way they worked before Nina, Matthias, or Wylan joined them. I was worried about how they would be incorporated in the story and that it would not feel natural but I think the decision to make their goal be to get Alina was a great way to tie them into the main storyline. It made sense with their characters that they would do something like that to get money and it made Alina’s storyline even more interesting. Getting to see interactions between the characters of both the trilogy and duology was one of the best parts of the show for me. Think about it. These were interactions we could only have hoped to see in the books and the show brought that to life and gave us those interactions. The crows’ storyline did feel a little less cohesive than Alina’s but this also made sense with their characters and the mission they had to carry out. There were many parts of the plan that needed to be completed, different heists and side missions, in order for them to reach their end goal which was kidnapping Alina from the Little Palace so it made sense that their storyline was a little less straightforward. Overall I think they had a very interesting and captivating story.
As an adaptation I think the show did quite well. Further down in this post I am going to discuss the major issues I had with the show as part of this section where I am discussing writing, storytelling, and the show as an adaptation. But in general I think the show did well in adapting the characters as well as Alina’s storyline. The crows’ storyline was obviously something that was not taken from the books but something that I could definitely see them doing. I think the show also did a great job of adapting the world and all of its intricacies as well as giving off that atmosphere that you get a sense of when reading the books. I also liked that there were many pieces of dialogue taken straight from the books which really made the characters of the show feel exactly like those of the book. 
Okay, now breaking down the few issues I had:
Kaz’s character: I think if we look at Kaz in the books, we can break his character down into two parts, the two defining parts:
His intelligence, wit, and strategic mind.
His cruel and brutal nature.
I think the show got both of these wrong on different levels. One of these can be explained while the other cannot. In the show, Kaz is not nearly as intelligent or strategic as he is shown to be in the books. We see on a number of occasions in the show that he has been taken advantage of or that he is not in the upperhand of a situation. I think that is a major change from his character in the book where one of the things you remembered about Kaz was how he was always ten steps ahead of his opponent. But this is an issue that can be explained and given depth by considering that the crows’ storyline in the show takes place prior to the events of Six of Crows and that at this point in time, Kaz hasn’t become that quick-witted, mastermind, strategist we know him to be in the books. We can see the beginnings of that character in the way he is portrayed in the show and can understand that his natural progression would be to the character from the books in the aspect of his intelligence. On the other hand however, there is still the second major part of his character and that part is a little bit of a bigger problem. That has to do with his completely cruel and brutal nature from the books. This was one of his major defining features and was very strongly rooted in his backstory. It was his past with Pekka Rollins and the death of his brother Jordie that brought about this ruthlessness in him. And what made his character so interesting and dynamic was how he was very slowly becoming a more caring person. It was a very slow progression but it was there nonetheless. You could see it in the way he cared for Inej and the rest of the crew. By the end he was still no where near being a gentleman, but there was still a change in him from the beginning to end. This is where I think the show messed up a little and it is an issue that I don’t really think can be resolved. The show made Kaz more soft and kind in nature. He definitely wasn’t entirely nice but you could tell he was a lot nicer compared to his book counterpart. Certain scenes in which he is talking to Inej felt a little too soft in particular the scene in which it almost seems as though he is about to confess something to her when she rushes out of the room and he calls after her. I don’t imagine book Kaz would ever do that. Or when he tells her that no one is like her. These are all moments where he appears to be much softer compared to the Kaz in the books that was cold and cruel. This is also an issue that cannot really be fixed in future seasons because the natural progression for the show then would be that he gets softer then he already is which means we will not get to see the Kaz from the books at all or with any accuracy.  If future seasons do make him exactly as he is in the duology then there will be the issue of it not feeling consistent with the character he was made to be in the shows. However I will end off by saying that even despite his character not being entirely accurate to that of the books, I still very much enjoyed watching every scene he was in and this issue did not ruin the overall experience of the show for me. I think what they did with his character still worked really well with the story, so overall it was not a major issue for me in changing my opinion of the show. 
Nina telling Matthias why she got him imprisoned as a slaver: This I find to be a greater problem that could have so easily been fixed by taking out just a few pieces of dialogue. I think a big part of what made Nina and Matthias’ story so heartbreaking was this pivotal moment when Nina turns him in as a slaver to save his life. And he doesn’t learn the truth until they reunite in the present day of Six of Crows. He spends that time in Hellgate believing that she betrayed him and that she really was the deceitful and dishonest witch he believed her and all other Grisha to be. Then when he finally does learn the truth, it is this big moment and then he has a slow progression to eventually believing it. The show eliminated the entire part of what made their story so tragic by having Nina tell him the truth of what happened immediately after she has him captured. So there is no possibility of this slow journey that Matthias has of accepting that truth. In the show he almost seems mean now for not believing or at least trying to believe what Nina tells him. Overall this is probably one of my biggest gripes with the whole show.
The Darkling creating the Fold: Another issue that could quite easily have been fixed is how the Darkling created the fold. The show made it to be that he came across a small slip of paper, he read what was on it, and then he gained the ability to create the Fold. That is too simple of an explanation for how something as grand as the Shadow Fold was created. I think this could have rather easily have been fixed so that even if it was still easy it wouldn’t be as easy as just happening upon a slip of paper. They could have done it by showing a montage of him looking through all the books in the archive and figuring out that there is some sort of code that he needed to put together and when he does piece it together and perform some sort of ritual, then he gains this ability to create the Fold. That would have made it more believable and the scene would only have been slightly longer than what it was in the show. 
Crows letting Alina escape: This was another issue I had that sort of adds to how they changed Kaz’s character because book Kaz would never have allowed Alina to escape so easily. Even the Kaz in the show would not have been outsmarted by Alina. This was one thing that felt a little out of character for the crows because, fine, I can understand that Alina blinded them for those few seconds with her light and Inej was not in on the plan of capturing her anymore, but how was Alina able to run out of sight so fast that neither Kaz nor Jesper saw where she went. Then on top of that, they aren’t discreet about finding her, as Kaz is always careful to be. Instead they go around the streets describing how she looks and asking people if they’ve seen her. I am not entirely sure what they could have done to solve this issue but I don’t believe the solution was very difficult. Maybe they could have explained through a short piece of dialogue that Alina used her power in a way that blinded them for more than thirty seconds which gave Alina enough time to get out of sight. Whatever the reason, I think this should not have been an issue because, despite seeming small, I think it says a lot about the crows’ characters. And I definitely don’t think this was a bad scene at all because I loved seeing this interaction and seeing Inej’s reaction to Alina. I just think the issue of Alina escaping so easily should have been addressed. 
For now, after watching the show just once, those were the major issues in writing and storytelling that I had with the show. If I have more thoughts about this after watching it again, I will make another post about it. Now I want to talk about some things that the show added that were not in the books and what was changed or kept from the books, that I liked. 
Mal’s character: The change that was made to Mal’s character in the show was probably the biggest and best change that could have been made. One of the major reasons I do not like the Shadow and Bone trilogy anywhere near as much as the Six of Crows duology is the characters. Sure, I found the world and plot interesting when I read the trilogy a few years back and even at times the characters were good, but a lot of the time I was either annoyed with Alina or with Mal. Most of the time it was Mal because he didn’t really feel like he was a great friend to Alina because of the way he treated her for being Grisha. I think a lot of my frustration with him also came from the story being entirely in Alina’s perspective so we never got to see any of what Mal was going through. The times that we did see him, he was either angry at or overly protective of Alina and there were only few occasions where he was being a good friend. The show really changed that with allowing us to see his perspective and all the difficulty and trauma he was going through to be with Alina. The show succeeded in making him an empathetic character and I think that is one of the most necessary things in creating a likeable character. Through his dialogue and actions, we were able to see how much he really cared for Alina. There were never any long stretches of time where he was angry with her or, on the other hand, where he was being overly protective of her. He was continuously being a good and supportive friend and that made the biggest difference in my liking his character. It is also what made me really enjoy Alina’s storyline as well because there was no point at which I found either Alina or Mal or any other character involved in their story, annoying to watch. 
No mourners no funerals: I was overjoyed when this line came up in the show because it is such an iconic line from the duology that I absolutely love and it was great to see it said on screen. Similarly, I was so glad that we also got to see Kaz say the line, “The deal is the deal.” and say it to Alina. 
Interactions between S&B and SoC characters: This was probably one of my favourite things about the show. It really felt like watching two worlds collide. I loved watching Kaz and Inej posing as guards and trying to escort Alina so they can take her. Watching Inej’s reactions to Alina was one of the best things. Then, Mal teaming up with the crows when they are in the Fold was one of the strangest but coolest interactions. Alina giving Inej the knife that she later names Sankta Alina was one of the best interactions I could have hoped for with the crossing of these two casts of characters. And to end it with Alina giving Kaz that valuable piece of jewelry, an interaction I never thought I would see, was incredible. 
Conductor: The addition of this character I think was a great idea. He definitely added to the storyline of the crows and was an interesting character on his own. He was the cause of a lot of the funniest dialogue and moments in the show like when the crows are crossing the fold for the first time. Overall, I think it was a good decision to add him in. 
Now last but not least, the thing that stole the show and beat everything else by far was:
(Drum roll)
Milo the goat!
And with nothing more to say about that, we’ve reached the conclusion of this very long post. My overall rating for this third and last section, which is regarding the writing and storytelling, would be an 8.5/10, a very good score. 
If I were to rate the show over all, I would give it a 9.3/10 because I think it was spectacular in many aspects. The few gripes I did have were not anything too major, though if those aspects were fixed I think this would be a top-tier show and adaptation for me. 
What do you think about everything that I said? Do you agree or disagree? I’d love to have a discussion so feel free to reach out and comment!
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border-spam · 4 years ago
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I wish Clay had gotten more screen time.
Hell yes, and I’m REALLY hoping he’ll be returning in the future:
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There wasn’t many dark skinned POC in BL3 that weren’t villains or ended up dead, it was something that scratched at the back of my brain a bit as I was playing. 
The cast was diverse and fun but you really could not have gone wrong by adding more surviving/protagonist POC to it, so I’m really hoping that’s a direction that will continue in the future, you know? It would be great!
Clay came outta nowhere to really staunch some of the more boring sections of Eden-6. I don’t know about everyone, but I felt that while that planet had some of the best content, it also had some of the most drawn out and bloated parts. He was a saving grace that kept some of the slower segments interesting, and he did something I LOVE to see a well developed side character do - he actually padded out the entire universe a little. 
BL3 gave us the most expansive look at the BL world that we’ve gotten, but it was still limited to the specific areas we visited/planets etc. 
When background/side characters give you small bits of info that help you understand there’s *more* than what you are seeing, they pad out your experience. Your horizons and understanding of the world your being immersed in improve, and Clay was fantastic for that! 
Not only was he a well written, funny, charming and witty character, he had a REASON to exist.
An ex intergalactic smuggler turned lawmaker having been caught redhanded by Jacobs and given a chance to better himself, who’s loyalty to the family meant turning down the massive bribe offered by Aurelia. 
Think about that, think about how much that tells us about facets of the BL universe in such a great package:
We know that intergalactic smuggling is a real thing, and likely involves junk / valuable components from crafts and stations destroyed during the corporate wars considering Clay was found scavenging.
We know that what we heard about Montgomery Jacobs is not just hearsay, he was a good man who wasn’t blinded by his own power and authority, that chose to give this smuggler a hand up rather than gunning him down. 
We know that even in a universe where everyone is the hero of their own story, there are people who are genuinely loyal to a cause. They do exist, even in this harsh a life.
I think we could have done with having a lot more of Clay, weather that was more side story with him as the game progressed ( his mission line that slowly made you think *he* was going to end up being the enemy then red-herringed you was fantastic ), or for him to end up on Sanctuary 3 as part of the crew. 
Sanc 3 was a massive waste in general, I think a lot of people can agree on that and have raised it already. It was implied in marketing that the B team and many past characters would be joining us on it, but it remained noticeably empty in places for the majority of the game. 
Sanc had a huge amount of potential and having new characters constantly join us on it and bulk it out as we progressed through the story would have added a much, MUCH needed level of camaraderie to the raiders and given us something to really want to fight to protect. 
I’m genuinely hoping we see a lot more of Clay in the future, I thought considering the setting that he would have been a clear fave to show up in DLC3, so was surprised he didn’t. 
Definitely deserves to be as well liked a character as he is though, lets keep our fingers crossed we get to meet him again.
Asks are open!
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meandmypagancrew · 4 years ago
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hey Katie! hope this isn’t too much of a bother but if you feel like answering - how did the LA Tigers characterizations most differ from the off-broadway portrayals? I know pretty much nothing about the earlier productions and wondered how certain facets of the characters changed/evolved (and I hope you’re doing well!!)
Hi, nonny! Sorry for the late response, I really wanted time to sit with the question until I felt confident that I was answering it in the most honest way I could. So let’s jump into it!
1. RIley
Callandra Olivia seemed more aware of everything than Lauren Zakrin. Like when Annleigh says “He came to propose!”, she still had the “Congratulations!”, and she started it almost as enthusiastically as Lauren, but midway through trailed off when she remembered Clark’s dead. It also felt a lot less pre-meditated. I continue to hold that she came up with the idea during Before the Breakdown to kill them, because you could just see it in her eyes. Also, Callandra was lovely and kind and passionate and... never got all of the words right. For example, in Wallflower one night she said “The type of high school girl who is rarely seen at parties with her pants off”. Also, she didn’t have a knife in the breakdown. 
2. Cairo
Wonu is wonderful, but Jade really seemed like she just... cared more? Which is interesting, because the script had more Cairo quips, but she just seemed to care more about the other girls. What comes to mind is the “God, I have done nothing with my life!” “You won a lot of dressage medals!” “I did!”. The way that line was delivered was very comforting. In my memory, Cairo even has an arm around Annleigh as she delivers it, and it wasn’t snarky at all. Cairo didn’t become the captain in LA, but it would have made so much sense with her characterization if she had. In LA, Annleigh also brought her the phone and she made the call to the police herself, which I really liked because it showed her stepping up and actively playing a part in getting things right.
3. Kate
Kate was not queercoded in LA. She wasn’t explicitly straight, but the idea that was in love with Chess didn’t even cross my mind until I saw Jenny in the role. I don’t have any specific examples of this, it just seemed less like she didn’t want Chess to leave because she was in love with her and more that she didn’t want her to leave because she had spent so long as her best friend that she didn’t know how to be herself without her.
4. Annleigh
Rachel King took things much more seriously than Kaitlyn Frank. The gesture of good will never killed anyone line was added into the workshop, so after LA but before Off-Broadway, which Rachel swooped in to save the day in, and where Kaitlyn is just so bright and sunny and whatnot, that is not the case with Rachel. Rachel said it with a completely straight face, and slowly nodded while she said ‘Jesus’, like she just really seemed to take her beliefs a lot more seriously than Kaitlyn.
5. Reese
The word that comes to mind for Gabi’s Reese is exhausted. Like, in Worst Team Ever, when Cairo stops her from entering, the line “I’m part of the team” wasn’t said with her head held high and drawing on some source of inner strength, or at least pretending to, it was more of a “We’re still going over this?”, like she actually said “C’mon, I’m part of the team.” Like she still desperately wanted to belong and fit in, but she had long since given up hope that she ever would. But also her Captain of the Team was just 10/10 god tier.
6. Eva
Eva did not make an appearance in act one of LA, which gave her a lot more distance from the events. She wasn’t a suspect, more just a bystander, which made her just 100% done with all of this nonsense. There were two lines that I felt describe this best that were cut- after Riley said “Do you really think I couldn’t replace you all with another ‘diversity scholarship’ in two seconds?” she interrupted to be like “I’m maaaaaybe a quarter Puerto Rican?” and after she plays back the confession, she was asked how long she was recording and she said “This whole time. Y’all are crazy.”
7. Chess
I actually was lucky enough to see two Chesses, Cait Fairbanks and swing Katie DeShan, and they had very different takes. Cait’s was closer to Celeste, but Katie. Oh, Katie. I could write an essay on Katie’s Chess. In all the different productions and casts I’ve seen, Katie isn’t just my favorite Chess, she’s my favorite performer from the show. She played Chess as very playful, and she smiled a lot... until Before the Breakdown, which was made so, so much sadder by the way her facade broke apart and you saw how truly deeply miserable she was and how she felt like there was nothing she could control. I had already seen the show twice by the time I saw her, and she just broken my heart so, so much even though you’d think I would be worn out because it was the third time I was seeing it in as many days,
8. Farrah
I was also lucky enough to see a second Farrah, but her characterization didn’t differ much so we don’t need to focus in one that. But up above, where I said Cairo was a lot more empathetic? Farrah was way less. I think the biggest thing for her was that the failed stunt didn’t exist, so there was no explanation for why she felt like the team wasn’t supporting her or that she would always be linked to what she already was and would never be anything better. Also, Cairo’s line Off-Broadway of “Is [Farrah] raiding Riley’s parents’ liquor cabinet again?” would actually have been based in truth if the line was there in LA because that was exactly what she was doing, she had found the alcohol in the house and was sitting on the kitchen floor, drinking it straight from the bottle.
9 & 10. Clark and Mattie
Did technically exist and that’s about all I can tell you about them because there wasn’t anything they did that stood out enough to stay with me still.
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Wicked Game
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Another round of the 5sos fic writing collab brought to you by @maluminspace​ and @h0tsos​. There are so many amazing writers involved and I highly recommend checking out the event master list linked below. Thank you to the Sagittarius sorceress  @sexgodashton​ for being very caring, patient, and kind while helping me tame this monster.  Massive shout out to @ghostofmashton​ for the photo edits, especially Ashton’s eye. that’s my favorite. You’re a rock star. Texas girls forever, love you to bits!
Event Master List
Prompt: Chef AU with Cashton
Dialogue Prompt: “Kissing you is all I’ve thought about since the moment we met” First person to spot it in the fic and send me a screenshot gets a personalized blurb request.
Word Count: 20K+ Team Long Winded Bitch strikes again, this will be posted in multiple parts over the next couple of days. This first part is about 5K
Rating: 18+ Slash fic Strong language, alcohol and drug use, and a misogynistic and racist comment. Sexual scenes including masturbation, toys, voyeurism, oral, and anal sex.
Summary: Ashton is ready to move on with his life after his painful divorce from Luke and the demise of the restaurant they’d built together. With the help of his protegee and sous chef Hima Singh, Ashton is ready to take on opening weekend of his new restaurant Anne-Marie’s. Calum is a reporter filling in on an assignment and is surprised when his past comes back to haunt him. Hima arranges an interview that takes an unexpected turn between the two men.
Part 1
"Great job, guys, we couldn't have had a better opening weekend. Thank you so much for making it happen," Ashton told the two staff members in the kitchen who'd closed as he unlocked the back door.
"No problem boss, glad to be here. We made money this weekend. See ya tomorrow," DeSean told him as he left.
Ashton locked the door behind them and walked out into the empty dining room, his steel-toed boots echoing heavily on the distressed blonde faux hardwood floors. He stopped to adjust a few tables, double-checking sightlines and looking over the layout of the tables. The upside-down chair legs cast long shadows in the soft pink neon glow. 
He looked up at the sign above the bar that read "Anne-Marie's." He smiled, not caring if anyone thought it was cheesy to name his restaurant after his mother.  His mom had always been his lucky star, and he couldn't have gotten through the last couple of years without her. 
"You look so serious,' a voice behind him startled him out of his thoughts.
"What the fuck Hima," Ashton yelped, clutching his chest dramatically. "I thought you were still in the kitchen." 
"The guys didn't leave me anything to do so I decided to change and have a drink with you before my brother gets here," she tossed her bag and chef's coat onto a stool grinning at Ashton. She hopped up to sit on the bar before swinging her legs around as she pushed off. Landing without a wobble she reached under the bar and grabbed a bottle of black label Bushmill's Irish Whiskey and two short glasses. 
"Straight for the good stuff, I like the way you think," Ashton smirked, taking a seat at the bar. 
"To simply mark the occasion, of course" she poured them each a shot before adding a splash of water.  She raised her glass, "Cheers to you, Boss, and to Anne-Marie's." 
They clinked glasses. "Couldn't have done it without you," he replied before taking a sip.
"Awwwwww thanks Ashtton, " she grinned at him. "Damn that's good, the whiskey makes me forgive the Irish for how dreadful Guinness is. Did you see Kevin Mackie snuck in last night? I expect a write up in the Metro on Tuesday and I know you saw Patricia Bennett," she rolled her eyes at the name.
"She makes herself hard to miss," he snorted. "I missed Mackie though. Why didn't you tell me?" 
"Because we were busy and I didn't have time for you to get all giggly and nervous. He got the crab puffs and the Mac and Brie and inhaled them. You were right about the nutmeg; I thought he was going to lick the plate."  She opened two bottles of beer before hopping back over the bar and taking a seat next to Ashton. 
"How did this weekend compare to the opening of ‘Lune Rouge’? Was it as good as the first time?" Hima finished her whiskey before shaking a pack of Camel Crush cigarettes out of her bag. 
"If you get ashes on the bar Paloma will flip her shit," Ashton warned. 
"I'm not afraid of her," Hima snipped, but she made sure to be careful. No sense in antagonizing their temperamental main bartender. 
"This opening was definitely smoother than the first one. We didn't know what the hell we were doing. The first night we ran out of duck fat and gorgonzola before the dinner rush was over. My sous chef's sister had to run to Whole Foods for emergency supplies. We got lucky the press ignored us for a couple weeks until we got a little buzz going. This time I knew what to expect but there was also more pressure," he paused, taking a pull on the bottle of beer. "This time I  expected to succeed right out of the gate." 
"You succeeded there," Hima stubbed her cigarette out in her empty glass. "I really need to quit." 
"You could get a puff bar and start vaping," he teased.
"I'm not a fucking junior varsity cheerleader. I can take my cancer like a big girl." She checked her phone. "Ugh it's almost nine, and it's gonna take me at least thirty minutes to get home. You're closing tomorrow with me right?" 
"Yeah, I'll be in around 11 all this week. Rafi is handling brunch with Gloria but I want to be here," Ashton double-checked his phone. "Tuesday I have that interview with Men's Life and they just emailed me." 
Hima saw his nose scrunch up as he read.  "What's wrong?" 
"I thought they were sending Taj, but instead of rescheduling the interview, they're sending Calum Hood," Ashton sneered. 
"Chill dude, it's not that bad," Hima was confused by the venom in his voice. "Yeah he's a bit of a goof, but he's hot and not a pretentious dickhead. They could've sent Felipe." 
"True, true," he grumbled as he saw a black Honda pull up outside. "Kabir is here." 
"Shit, ok see you tomorrow, Boss," she grabbed her stuff, gave him a quick kiss on the cheek, and ran out the door, locking it behind her. 
Ashton walked through once again. He made sure the lights were off in the employee lounge. Since many of his staff members used public transport or worked two jobs, Rafi had convinced Ashton to provide his staff with a decent place to take a break and get ready before or after work.  He built a small shower stall, lockers, and provided clean towels, and as his new kitchen manager, Rafi took responsibility for maintaining the space. Ashton took a last look at the bar, double-checking for any stray ashes Hima might have missed before setting the alarm, locking up, and heading home. 
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Calum opened the email from his editor and swore loud enough to wake the scruffy brown terrier mix snoozing at his feet.
Hey Cal,
Sorry it's such short notice but Taj's mom had an emergency and I need you to cover for him. He's interviewing Ashton Irwin, remember him? He had the Lune Rouge a few years ago. Well, he's got a new place, diverse staff and we're doing a feature. Maybe even the cover if he's really pretty. Tuesday at 2 pm I'll send you the address and details after I talk to Taj. Oh, and my friend Nick is coming into town and I told him you'd show him around. It's been a while since you had a date but you'll like him. He's kinda short, but he's got big muscles, huge dick, perfect credit. You could do a lot worse.
Call me tomorrow
Sham
This isn't good, this isn't good. Calum's mind was racing. He rubbed his temples trying to think. Taj was notoriously reliable and responsible, so if he was taking off on short notice, it must be serious. It was just his bad luck it was Ashton Irwin. 
He usually covered travel and sports for Men's Life while Taj handled food and fashion. Calum didn't mind taking back food and dining for the time being. He'd started in that industry, working as a line cook while he went to school for journalism. He'd quit both when a flirty, older professor recommended him for an internship at California Culture and he managed to land a real job. Professor Davis had been highly disappointed to lose him as a student and catch him making out with her son who went to the same college. He'd found a tiny shitty apartment, spent his life on the road for work, and sent every penny he didn't need to live on to his family. He didn't even date for the longest time until he met a handsome blonde with sharp features and a sharper tongue.
He couldn't remember if it was four years ago or five, but he clearly recalled his review of Lune Rouge had not been nice. Calum was in a toxic relationship with the restaurant's sous chef at the time. He'd let his personal life spill over into his work for the first and only time. It wasn't something Calum was proud of and while he felt he owed Ashton an apology, the right time and place hadn't presented itself yet. He'd run into Ashton twice since then. The first time he was with his husband, and Calum wasn't about to humble himself in front of Luke. The second encounter came not long after their marriage broke up. Calum was dating a photographer at the time, when Ashton came to the photographer’s art show. They were briefly introduced but Ashton's chilly demeanor discouraged any further conversation, so Calum avoided him the rest of the evening. He remembered being unable to stop staring at the handsome chef with the sad eyes. He'd always hoped they'd bump into each other under better circumstances. I guess an interview will have to do.
********
Ashton sat out on his condo balcony overlooking Echo Park, taking in the night air and enjoying a second bottle of IPA. Hima was right, the opening had been a smash. Anne-Marie's had the best staff he'd ever had the pleasure of working with, and aside from a small mix up between gruyere and Havarti cheese, the opening had been smooth. The alcohol hummed in his veins as he allowed his mind to wander back five years. 
Lune Rouge's opening had been a chaotic mess of brilliance, balls, and blind luck. He was a year out of culinary school, newly married, and ecstatically in love with his husband. Luke was a trust fund baby; his dad ran a major studio. He put up the funding for their restaurant which procured a prime spot in trendy West Hollywood. Ashton had the idea of taking traditional French cuisine and turning it into "pub grub." Luke created a kitschy tacky cool interior with the ambiance of fairy light curtains, vintage 90's movie posters, an eye-popping pink and aqua come scheme.  Featuring a bartender who doubled as a DJ, the restaurant became an immediate hot spot.  
 The culinary press treated them like rock stars and it went to their head.  Ashton was portrayed as the mysterious boy genius, boisterous and foul-mouthed, he ran the back of the house, oversaw the business and created the menu. Luke, who's blonde-haired blue-eyed good looks were regularly described as "angelic", was the frontman, often schmoozing in the dining room, taking song requests, or slinging drinks behind the bar. They worked so well together until they didn't. 
Ashton shook his head, not allowing himself to linger on negative thoughts, not when he'd fought to regain balance. He'd spent the last year freeing himself from the wreckage of his partnership with Luke. Still, tonight after the opening, alone and overlooking the city lights, his mind kept going back to the exhilaration of that first opening night. After they stayed late with the crew for a drink to celebrate, Luke's hand wandered up Ashton's thigh causing him to almost choke on his tequila. Soon Luke started whining about all the paperwork he had to do before they could go home. The crew quickly bagged it out of there, not wanting to get roped into more work. 
Ashton swallowed at the memory before glancing around at the other balconies. It was late enough most of his neighbors should be asleep. Already hard, he reached down and squeezed his bulge through the thin fabric of his pajama pants. 
After letting everyone else out of Lune Rouge that first night he'd been puzzled to find Luke no longer at the bar. He heard noises coming from the office. When he opened the door, he found his husband, shirtless, and waiting for him. 
Ashton slid his hand into his pants swiping his thumb across the leaking tip. He heard a sliding glass door open and froze in place until he realized it was his neighbor below him chatting on the phone. He stroked himself and let his mind wander back to Luke. It had been too long since Ashton got laid, and Luke was still the best sex he'd ever had. He shuddered and bit his lip thinking about the way Luke grinned at him as he opened the office door. Before Ashton could say a word, Luke was sinking to his knees. A bit awkward given his long legs, but it didn't take long before he was letting Ashton fuck his throat. The thought of those blue eyes looking up at him as Ash's hands tangled in those blonde curls caused a moan to slip out, and his neighbor stopped talking at the sound. 
"I think somebody is having sex," he heard her whisper. He almost laughed. 
His dick was twitching flat against his stomach as he ducked back inside his bedroom, kicked off his pants, and grabbed a small tube of lube. Ashton shut off the light and stepped back outside. 
The breeze cooled his fevered skin as he stood there looking out at the city and stroking his dick. The idea that he could possibly be seen turned him on almost as much as his trip down memory lane.  He swallowed another moan thinking about how Luke's lips felt against his, their tongues tangled until he pulled back looking at Ashton with mischief and love before giving him a wink and turning around. 
Ashton's breath caught in his throat as he worked his cock thinking about it. The red and white striped pants his husband pranced around in that night had been blissful torment working him up until the moment he slid those pants down and bent over the desk.
"Come take what's yours, my love, I've been wanting you all night," he cooed, wiggling his hips. 
Luke was a whiny boy when he was getting pounded, and the memory sent Ashton closer to the edge. He felt his knees tremble as he increased his speed, the city lights becoming starbursts in his vision as he edged himself closer. At the moment of release, he swore he could feel Luke pushing back against him taking him in as deep as he could go. 
When Ashton opened his eyes, he found himself sweaty and streaked with his own seed. He was amazed he'd managed to stay quiet, but his neighbor was chatting away obliviously. He went back inside, cracked another beer, and took it with him into the shower, trying to focus on his day tomorrow.
 It was after midnight by the time he went to bed. His body was exhausted but the adrenaline from the opening weekend hadn't quite worn off. He found himself still restless and playing on his phone. After scrolling through Instagram, he found himself looking at the page belonging to the Galway Grill-- Ashton cringed at the name-- an Irish pub and microbrewery very recently opened by Luke and his boyfriend Finn. 
Ashton simmered with resentment perusing the menu; they'd recycled at least half of the Lune Rouge recipes, his creations. He'd heard they'd rushed their opening to launch the week before Anne-Marie's, and even with Daddy's deep pockets the decor looked slapped together, all flash no class. He came to a picture of the happy couple and couldn't help but notice how thin and tired Luke looked despite his huge smile. He felt a twinge of concern for his ex before pushing his phone away in disgust. Rolling out of bed, he headed to the bathroom and fished an orange prescription bottle out of the cabinet. He broke a valium in half and swallowed the smaller piece with a gulp of water straight from the faucet. He scrolled through different sounds on his phone before settling on crashing waves. He spent the next ten minutes stretching and practicing deep breathing to push out any lingering negativity and troubling thoughts. It was too late to drag up the past and there was nothing to be gained. Ashton crawled back under the duvet and sank into a deep sleep dreaming of blue eyes.
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*********
Hima rolled into work a little after one, pleased to see a decent lunch crowd and multiple delivery orders going out. She ordered a chicken mojito wrap for her lunch and headed back to the office to find Ashton. She found him in his chair with his laptop open on his desk, a notebook in his lap while scrolling through his phone. 
"So what's the Monday morning report, Boss?" She asked, taking a seat across from him. 
Ashton was beaming as he spun the laptop around to show her. "We made 30% over our projected sales. We came in right at payroll, actually a little under if you can believe that." 
"I've checked the reservation book," she responded, flashing her phone. "We're booked solid for dinner Friday and Saturday and will call is 3 pm-7 pm. We're probably going to have to do that all week." 
"Whatever you need. This weekend is going to be bonkers. If you have any suggestions, I'd like to do something for the staff. That reminds me, I've got to talk to Maisie." He scribbled down a quick note.
"She's already on it," Hima laughed. "The servers who struggled are coming in for extra training with her and Dakota. I have no doubt she'll straighten them up or ship them out."  
Ashton nodded as Daniel knocked on the office door to bring their lunch. 
"How's it going out there? Let us know if you need anything," Ashton told him.
"We've got this, Boss, enjoy your lunch," Daniel closed the door behind him.
"He's Rafi's brother?" Hima asked before taking a big bite. 
"Cousin, Gloria is his sister," Ashton replied tucking into his roasted corn and quinoa salad with queso fresco. 
"Are you ready for this interview tomorrow? You look tired," Hima looked concerned. 
"I am tired," he shrugged. "I just wanna get this over with. I'm thrilled we're doing so well, but that's not what the press wants to talk about." 
"Don't think about it like that. Anne-Marie's will stand on her own. You've just gotta get through this week. I know it's a lot," her words were half-muffled by a napkin.
"Tomorrow is the worst of it. Mackie called and is available Tuesday at one or Thursday for dinner around four. Since he's already been here for dinner, I thought I'd let Rafi wow him this time," he told her.
"Good idea, try to keep it short because if he drinks he gets super chatty. He gave a lecture at school and came to the bar afterward; he would not shut up," she warned.
"Chatty bastard, got it," he replied and they both laughed. 
Anne-Marie's was his restaurant, but he couldn't have done it without Hima.  She was fresh out of culinary school working as a line cook at the Hilton when he'd discovered her a little over a year ago. Ashton only lasted four months before chafing under the corporate yoke and deciding to strike out on his own. She'd been the first person he'd hired for the restaurant, guaranteeing her first year's salary out of his own pocket. Rafi and DeSean were excellent managers for the kitchen, but Hima was a coach: she understood the business as a whole. He'd let her handle most of the press and promotion, and she'd scored two big interviews.
Gourmet Table had interviewed him last Thursday The piece wouldn't be that in-depth, but they'd spent three hours photographing food. He expected the Men's Life article to focus more on him and his personal life. Calum Hood was known for his sharp pen and take-no-prisoners style.  He'd given Lune Rouge two stars and a biting review during a brief stint at California Culture before he'd become known. It was five years ago, but Ashton still had the clipping somewhere. Calum had branded Lune's food as tasty and imaginative but thought the presentation was lacking in creativity. He'd ripped into the decor, calling it "somewhere between art house and frat house," and labeled Luke and Ashton "spoiled pretty boys pretending to be chefs." Luke had brushed it off with a laugh, but it still bothered Ashton. 
Unlike the Hemmings’, Ashton’s family didn't have money to throw around. He'd started at sixteen, washing dishes and peeling vegetables for Chef François at Bordeaux on Hollywood. He'd taken culinary classes after high school while working full time. Sadly, Chef François had a heart attack and retired around the time he met Luke. 
"You're not listening again," Hima complained, licking her fingers. "Rafi killed it with this wrap. The chicken is amazing, but the cucumber-mint salad and the tamarind chili mayo are next fucking level." 
"You're right, I'm not. Sorry about that," he pushed his plate aside.
"Ok, what's got you so rattled? You've handled the press like a champ up until now. Is it Mackie or Hood? Who needs to catch these hands?" Hima stood and assumed a fighter's stance, bouncing on her toes. 
"Easy there killer, I can defend my own honor. Mackie is an irritating little mosquito. He just wants gossip, but he's got enough readers so we all have to kiss his ass. Hood gave me one of the few bad reviews we got at Lune, and it stuck. He called us frat boys and said we were trying too hard," Ashton rubbed the back of his neck, embarrassed by saying it out loud. 
Hima raised her eyebrows and smirked, "I love it when you're petty. You're always so perfect and Zen, it's annoying." 
"My therapist would disagree. Oh shit, that reminds me," he straightened up in his chair and grabbed his phone. "I've got an appointment at 2:30. I'll be back before 4," he dropped his eyes to the floor. 
"Ashton," her voice was soft but commanding, and he looked up. "I don't know what's going on, and if you don't want to tell me that's fine. I want you to take care of yourself, whatever that takes. Ok?" He nodded and she smiled, "You can tell Dr. Claire that I've confirmed her for 8 pm Saturday, and you're going to personally cook her dinner. We've got the 50th anniversary that night so maybe you could flex and make your Pavlova's? I'll get the berries myself." 
"It's a deal; we can comp them champagne, too. I'd better get going before I get yelled at. She's a stickler for punctuality, I think it's a British thing."  
"I'll hold things down until you get back," Hima gathered up the dishes and headed out with Ashton right behind her. 
*********
Ashton drew a deep breath and exhaled through his nose as the reporter settled in the chair across from him.  Kevin Mackie's column in L.A. Metro was the definitive opinion for restaurants on the West Coast. His readers loved the snarky tone, celeb sightings, and bitchy gossip that peppered his column. His reviews could make or break new restaurants. 
"Let me start off by saying I love the decor of this place. It's rustic, but not in that played out, hipster-in-the-woods nonsense," he leaned in and lowered his voice towards the end of the comment with a coy smirk. 
"You'll find no Mason jars here," Ashton replied, taking the bait. Kevin liked people who liked him, and his most recent column was a snarky takedown of "Pinterest style interiors." Ashton found the article tedious and uninspired, but there was no need to be antagonistic right out of the gate. 
Ashton watched as the reporter ordered his lunch from their server Zia. He guessed Kevin to be in his forties, and he thought he could see fresh hair plugs, bleached blonde, and a bit of Botox. Rumor had it, he'd recently split with his long-time girlfriend over a fling with a much younger waiter. Ashton tried not to pay attention to industry gossip. However, his personal problems made their way into the column more than once, and he couldn't help but feel the tiniest bit of satisfaction at the other man's problems. 
After they'd both ordered, Kevin sat back and took a sip of his Pellegrino water and smacked his lips. "I was here the other night and I have to admit I was prepared to be underwhelmed. A menu based on sandwiches and comfort food sounded like an upscale Applebee's, but I really liked it despite myself. I was surprised to see your main girl was on the mature side, but she's efficient as hell so I get the trade-off." 
Ashton's body tensed at the insult to Maisie, and he took a deep breath. Exhaling through his nose he forced a smile that didn't reach his eyes. Kevin was prattling on with some bit of gossip as Ashton sipped on his iced coffee. 
"So let's start with something simple and ease our way into the rough stuff," Kevin set his voice recorder on the table between them. "Tell me how you formulated your top-secret house coffee blend." 
Ashton broke into a wide grin as he described taking two months to travel and sample different beans, learn more about the roasting and blending process. Kevin sipped his coffee and nodded as if deep in thought, but his eyes kept wandering to Ashton's biceps. He'd been baking this morning so he smelled of cinnamon, his black t-shirt damp and clingy from sweating under his chef coat.
"So we sell the house blend all year, but we have single-source coffee that's seasonal, all of it fair trade," Ashton finished proudly. 
"Coffee has always been your thing if I remember correctly," Kevin said.
"True, true, and once I started roasting my own beans it became a true obsession." 
Kevin followed it up with a couple more softball questions about menu details and sandwiches. Ashton expounded on his love of food. "Cooking for someone is a simple way to show care, to be enjoyed almost as much as dining should be. Food is caring and comfort; it sustains us. It brings people together in a shared experience."
 "Ooh that's a nice pull quote," Mackie chuckled. "I love when y'all have media training. It makes the bullshit flow much smoother.
Ashton seethed but said nothing. He'd watched this man's pettiness wreck a good opening, and Ashton couldn't do that to his crew. Zia brought their lunch. Ashton noticed Kevin had also ordered the chicken mojito wrap. 
"This looks delicious. I think it's a nice touch that you've got so much, let's say diversity, in your restaurant. That you're actually letting them make their own food makes your menu more interesting. Not all restaurants get it. Please tell me you've seen how horribly Finn ripped you off for that tacky Irish pub," Kevin glanced up at him a tiny smirk playing on
"I haven't paid any attention to that," Ashton wanted to end the interview right there. 
"Oh come on, you've had to see how much he's trying to recreate the magic you and Luke once had. The menu is tired, I don't give a fuck if he is Irish. Finn has no imagination yet fancies himself an impresario. Luke's still got it though. He even asked when I was coming here. I didn't tell him of course, I'm a professional after all." 
"Of course," Ashton nodded checking out of the conversation. The reporter talked as he ate which given the wrap he was eating proved especially messy and little flecks of food kept flying his way. Ashton watched the door, nodding at customers, silently willing someone to come and save him. Kevin was still talking about himself when Hima and Zia came out of the kitchen. Ashton tried to catch their eye when he felt a hand on his arm. 
"I wanna ask you about that one," Kevin leaned in so he could almost whisper.
"Who? Hima? What about her?" Ashton was pretty sure he wasn't going to like the answer. 
"What's the deal? I've only ever seen you with Luke. Did your palette change that much? India must've been a real spiritual awakening for you huh?" Kevin winked at him, thinking he was clever. 
Ashton controlled his breathing trying to keep his temper in check. He looked over at the reporter who kept talking oblivious to the situation. 
"Who doesn't like trying something exotic. She seems like a smart cookie. She's darker than most Indian girls you see, like a rich brown butter sauce. I bet she tastes like tumeric though." 
"Get out of my restaurant" Ashton hissed, his hands gripping the table to restrain himself from physical violence. "You are not going to insult my staff, my friends, in their restaurant." 
Kevin started to speak but Ashton cut him off.
"Not another fucking word" he kept his voice at a low growl so as not to cause a scene. He noticed a couple of the closest tables were already watching them. "You've said enough and I'm barely holding back as it is. Get out of my restaurant, don't ever come back, don't ever speak to me again, and if you trash me in this review I promise you I will find you and fuck you up personally." Ashton stood up and Kevin flinched, the sight would have made him laugh if he hadn't been so furious. He stepped back and the reporter scrambled out of his seat leaving his lunch unfinished. Ashton walked back into the kitchen, Hima fast on his heels. He kicked the door open to the break room and headed for the speed bag hanging in the corner. He'd learned the hard way punching walls usually resulted in the wall winning the fight so he'd given himself something easier on his hands. 
Hima watched him from the door, his back and biceps rippling as he went two minutes at full speed. When he finally turned around she could see the anger had cooled somewhat. She hated that her boss looked incredibly sexy when he was angry. 
"Are you gonna tell me what happened?" She asked when he turned back around. 
"Nope, it'll just piss me off all over again, and I gotta get ready for another fucking interview. With a guy who already doesn't like me," Ashton put this coat back on and headed into the line to check on Rafi. 
At least the second interview can't be worse, she thought, wishing she believed it. 
*********
Calum eased his beat up Range Rover into the parking lot of Anne-Marie's amongst the Mercedes, Audi's, and Teslas. He cursed the traffic when he checked the time. He was late, and they were busy. Not a good look he thought, grabbing his bag. 
He smiled at the ladies waiting for a table before introducing himself to the impossibly serene hostess. He was quickly led to a table in an alcove not far from the kitchen. As he pulled out his voice recorder and notebook, he noticed a young woman heading his way. Her black hair was knotted tightly in a bun on top of her head, and her chef's coat had a large streak of what might be hollandaise sauce. He remembered his editor, Jacqueline, telling him Anne-Marie's had a female sous chef. He checked the notes she'd given him quickly as she was stopped by a server. Hima, Culinary Institute of America graduate, 23, Indian maybe? 
"Hello I'm Hima Singh, you must be Calum Hood," she greeted him. From up close, he noticed that her eyes were a rich golden brown and that her smile didn't reach her eyes. He chalked it up to her youth; his editor said she was 23 but she looked like a teenager. He mentally stopped himself there. He'd become jaded by one too many husband/wife teams in recent years trying to rebrand a post-divorce startup as a "new adventure." While the divorce was true, Calum knew Ashton's history.
"Yup that's me, it's a pleasure to meet you, Miss Hima," he shook her hand, relieved to see her relax a bit. 
"Chef Irwin will be out shortly. He's helping with a problem in the back" she glanced towards the kitchen, and Calum had a feeling she was lying.
"Can I get you something while you wait? Do you like coffee? We have a house blend cold brew Chef Irwin selected himself that we roast and grind on-site," she asked motioning towards the sign listing the daily selection of teas and coffee. 
"Thanks, but maybe not coffee. I'm nervous enough without more caffeine," he admitted, "but the lavender and blackberry infused lemonade sounds amazing." He smiled and her face softened. 
"Absolutely," she signaled to Zia who brought Calum his drink and a basket of warm, fluffy yeast rolls with Anne Marie's cinnamon honey butter. The smell reminded Calum he'd skipped breakfast as his stomach began to rumble. 
"So you're Chef Irwin's sous chef? I heard a rumor you were a partner as well," he asked, almost drooling as he tore into the soft bread, watching the steam escape. 
"Yes sir," Hima's smile finally reached her eyes, and she sat down across from him. "When he got his core team together for Anne Marie's, there's three of us total. Desean and Rafi are his kitchen managers, and he gave us the opportunity to buy in as minority investors, no pun intended." 
"These rolls are incredible. Please take one before I finish this whole basket and ruin my lunch. How long have the three of you worked for Ashton, excuse me, Chef Irwin?" He asked.
"Desean and Rafi were part of his Lune Rouge crew. They go way back, but he met me fresh out of school and took me under his wing," she told him.
"Did you go to CIA?" Calum was jotting down notes, getting a feel for the story.
"I wish, it's so pretty up there. My twin brother attended Brown, and I went to Johnson and Wales so we could stay close." 
"You're a twin? Is he a chef as well?" Calum asked.
"Are you kidding? He's a lawyer, of course, my parents had to have one in the family," Hima laughed. 
Zia appeared beside their table. "I'm sorry to interrupt, but Rafi is looking for you, Hima." 
A worried frown replaced her warm smile and Calum felt his nerves bubbling back up. He glanced around and caught sight of Ashton, flushed and sweaty from the heat of the kitchen, poking his head around the corner. Their eyes met, and Calum felt like he'd been hit by lightning.  
Hima saw his reaction and whipped around to see what Calum was looking at. Spotting her boss she quickly excused herself and hurried to the back. 
Zia cleared her throat and Calum realized she was still standing next to his table.
"Would you like to try Rafi's plantain skewers while you wait? It's my favorite thing here, and it'll leave room for whatever these geniuses cook up," she asked with a smile and a wink. 
He nodded and she headed to the server station to put the order in. Calum looked around and started taking notes.  The most striking thing about the decor was how they'd used diffused skylights for soft lighting to accent the Nakashima-style crafted wooden furniture.  Thanks to his Mom’s love of Antiques Roadshow when he was younger Calum discovered his preference for natural grain wood and bespoke pieces. He liked the use of pastel neon signs to complement the muted green and blue tones of the mosaic tile floors and he thought the framed pictures of what he assumed were family photos of the staff provided a really nice personal touch. The largest photo was in the bar of Ashton and his mother, the restaurant's namesake, Anne Marie. 
Zia set a plate down in front of him. "The boss will be out in a minute., Let me get you some more tea," she told him. 
The skewers consisted of chunks of pineapple, plantain, red onion, and sweet potato grilled and dusted with chili powder and brown sugar served with a yogurt sauce for dipping. 
Calum was almost finished with the first one when Ashton came out of the back, making his way towards him. The chef stopped to talk to several customers, the hostess, and Zia before he made it to Calum's table. Cal licked his fingers, wiping his hands clean with a Sani-wipe before standing up and offering a handshake. 
Ashton took his hand and Calum wasn't expecting it to feel so soft. Caught off guard Calum stammered out an introduction as he sat, but he noticed Ashton just nodded, barely listening. 
"If today isn't a good day we can reschedule," Calum sipped his tea, his throat suddenly dry.
"I'm here aren't I?" Ashton snapped. He folded his arms across his chest, his hazel eyes narrowing at Calum. "I still remember your first review you know."
Calum's pulse was racing. He hated confrontation, and he hadn't expected Ashton to kick off right away. He knew he'd better suck it up and apologize if this wasn't going to go completely off the rails. 
"Listen, I wanted to apologize. I shouldn't have been such a dickhead."  As he spoke Ashton scoffed at him and Calum felt his cheeks get warm.  "I was young and stupid. I let something personal affect that review. I'm sorry." 
"Personal? With Luke? What do you mean by that?" Ashton went from annoyed to hostile.
Calum realized he'd said something wrong but wasn't sure what exactly. He was floundering trying to think of what to say next. 
"Nothing with Luke, no no no. I was involved with Finn and we weren't getting along. It's so stupid I know, but I think you're a great chef. The new place looks incredible, and Hima is a delight." 
The anger drained from Ashton's face, leaving him looking empty and sad. His head dropped to his chest, and Calum held his breath waiting for him to speak. 
"I'm really sorry, it's not you, but I can't do this right now. Maybe we can reschedule or something. My apologies, but I have to get back to work," Ashton mumbled, standing up. 
Calum spotted Hima watching them from the podium, chewing on her lip, her black eyes wide with concern as Ashton hurried back to the kitchen. Calum started to get up but she was too quick for him. 
"Well, aren't you lucky. I'm going on my lunch and I hate to eat alone," she slid back into the seat across from him. "Please forgive my boss. He's had a rough day, but I'm better company anyway." She waved to Zia who headed their way. "You gotta try the toasted gnocchi with gorgonzola cream sauce if you like cheese, but if you want something lighter the apple carrot kale wrap is excellent too," she smiled at him, and to her relief he smiled back, both of them realizing the situation might be salvageable after all.
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(A/N: y’all my tag list, much like my life, is a hot mess. I know some of what I write isn’t for everyone. If you want tagged in part 2 of this fic or my upcoming smuts, pink kink series, or dad!calum series please let me know. I apologize for my previous mistake)
@sublimehood​ @tea4sykes​ @be-ready-when-i-say-go​ @scribblesos​ @kiiiimberlyriiiicker1995​ @wildmichaelflower​ @castaway-cashton​ @damselindistressanu​ @notinthesameguey​ @cashtonasfuck​ @irwinkitten​ @mermaidcashton​ @malumsmermaid​
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thesecondcircleofkel · 5 years ago
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Forever
Kenpachi x Reader
1.5K
Summary: One of the 1000 Follower Event winners. The prompt was ‘Forever’ and the summary was ‘I’m about to blow y’all minds, but how about some fluffy smut? Kenpachi tends to be really intense during sex, maybe even wild at times, but the reader has yet to really experience his passionate and romantic side. Of course, they’ll get to experience that during this scenario, and there will be plenty of fluff and feelings to go around.’ 
Notes: In honor of the return of the anime, have this scenario. 
Warnings: NSFW, vaginal fingering, vaginal sex
You were starting to see why your lover avoided the Fourth Division like his life depended on it, even though the opposite should be true instead. You were bored and frustrated out of your mind, sore and stiff,  miserable in every way. A two week stint in the Fourth Division had left you this way; it wasn't like the healers had treated you poorly or anything, but one could only handle so much, no matter how cordial their captors were.
It didn't help that the Eleventh Division had been deployed out to Rukongai, some Hollow outbreak requiring their attention, and as the Division's Captain, your lover had gone right along with them, no doubt terrifying everyone in the vicinity with how menacing he was when he was looking for a good fight. He hadn't visited you the entire time, and while you weren't mad at him for that (it wasn't like you were on your deathbed or anything, and you knew how he felt about the place), it had made your hospital stay that much more unbearable.
You were relieved when you were finally discharged. You looked forward to seeing Kenpachi again, but you didn't even know if he was back yet. Gossip was already in short supply in the Fourth Division thanks to Unohana's distaste for it, and with the hostilities between the Fourth and Eleventh Divisions added to that, you hadn't been able to get a word out of anyone on the Eleventh Division's status. It irked you to no end because it was so petty and pointless, but in the end it didn't really matter, because you would soon find out yourself, anyway.
Your walk back to the Eleventh Division made you feel a little better. You still had various aches all over your body, but you felt a little less stiff than you had. It would probably be a while before you limbered up completely, but it was a start. The fresh air was also doing wonders to clear your head, and when that was combined with the bright day around you, you were definitely starting to feel a bit more upbeat and your mood was improving considerably. The only thing that you needed now was Kenpachi and you'd truly feel alive again, and as luck would have it, he had already made it home.
Your shared quarters were dim when you entered them, only a few candles lighting casting out their light while the windows were covered. There were a few articles of clothing slung haphazardly around the room, and on the futon lay your lover. Based on how the covers were pulled down just enough for you to see his exposed chest and the dip of his bare hip, you were guessing that all of his clothes were on the floor. Meaning that he was naked.
You were suddenly feeling much more exuberant, soreness be damned, and you were firmly of the belief that the specimen in front of you would be the perfect diversion for that newfound energy. You just had to wake the sleeping giant up.
After stripping down to your underwear, you made your way over to Kenpachi, easing yourself down beside him and wedging yourself between his extended arm and his torso. He was still sound asleep. You laid your head against his chest, bringing one of your hands up to his stomach where your fingers started to trace, dipping into the crease of every muscle, memorizing each line. That got a sleepy hum out of him, and the arm that you were wedged against lifted up to wrap around you, a sure sign that he was awake.
Suddenly, you felt yourself being pulled over, and you found yourself lying completely on top of Kenpachi, who was groggy but still awake enough to haul you around. His gaze was already lazy as he tried to focus on you, but it softened even more as his grip tightened on you. Your mind was probably playing tricks on you, but you could have sworn that you saw a glimmer of guilt flickering in his eye.
"Missed you."
His voice was even rougher than it usually was, and that had you clenching your thighs together. You always loved his voice, and it never failed to inspire the filthiest of thoughts in your mind.
"They didn't give you too much trouble, did they?"
You couldn't help but laugh a little.
"No, Kenny, the people who were healing me didn't give me too much trouble. What about you? How'd that mission go?"
"Too easy."
"Hm, I'm shocked, really."
"Sorry I didn't make it around."
"It's fine, I know how you feel about going there."
"Doesn't matter, I still should've-"
"Shh."
You held your finger to his lips.
"It's fine, I promise. Although, if you feel bad about it, I've got a few ideas about how you could make it up to me."
He certainly looked tempted, but confliction was also etched into his sfeatures, and you had a pretty good guess as to why.
"You won't hurt me, Kenny."
He seemed to think about it for a moment longer.
"No, I won't."
You were disappointed at first, thinking that he was going to wait until you healed a bit more, but then he adjusted you until your hips were balanced over his, the evidence of how tempted he was by your suggestion pressing along your core, and then he leaned down to kiss you.
It wasn't like how he usually kissed you. Normally, he was always so unrestrained, wild even, intense in a way that always made your body and soul burn for him, but he was much more tame with this kiss. His kiss was calm and slow, his lips taking their time as they memorized the feeling of your own, his movements gentle as his thumbs massaged into your hips. It was so different from what you were used to with him, but that was hardly a bad thing. Your toes still curled at the sweetness of his kiss, and you still yearned for him so strongly that it made your whole body ache.
Kenpachi helped you finish undressing, his hand immediately slipping between your thighs so his fingers could caress your core. You moaned as he brushed his thumb against your clit, a fire slowly starting to kindle in your core as he slipped two fingers inside of you, your sex already slick enough for him to do so with ease. His lips never left yours the entire time, and his free hand began to roam your back, lightly kneading as he went. By the time that he gently stroked your neck, you were desperate for him, more than ready to take him.
Kenpachi made you wait, though, not stopping until he had worked a third finger into your core and made you come on his hand. The orgasm was sweet, washing over you gently as you ground your hips into your lover's hand. You groaned when that hand was taken away from you, feeling empty in its absence, but that groan of disappointment quickly turned into a moan of anticipation when you saw Kenpachi pumping himself with that same hand, spreading your slickness doing his thick, engorged cock.
You soon found yourself hovering over that same cock, the tip of it prodding your waiting entrance, and then your lover lowered you, slowly, easing his cock into you in a way that had you squirming in pleasure. He kept you steady, though, and you were almost in tears by the time that he bottomed out inside of you, so desperate to come on his cock.
If you had been able to ride him like you wanted to, like your body craved to, you would have been frantic, but Kenpachi's pace was anything but that. His hands held your hips in a grip that was as sturdy as it was loving, and he worked you along his cock, keeping your movements show and steady so he wouldn't hurt your prone body. It was as frustrating as it was magnificent, the slow build to your second meeting with euphoria overwhelming in every way, but no matter how much you pleaded, Kenpachi maintained that careful pace.
When you finally came, you cried out your lover's name, the waves of ecstasy washing over you relentlessly and leaving your body limp. Kenpachi kept moving you, chasing after his own satisfaction as you fell against his chest, unable to hold yourself up any longer. You whimpered at the overstimulation, your body sensitive thanks to your lover, but there were still embers of pleasure burning in your belly, and by the time that Kenpachi finally reached his own orgasm, bursting deep inside of you, you came again.
Your third orgasm wasn't as intense as the other two, but it still thrummed through every fiber of your being, leaving you prone and vulnerable as you went through its aftermath. Kenpachi held you close, though, protecting you while you needed him to, something that he swore he would always do, no matter what, forever until the end of time.
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clevervonskelli · 4 years ago
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The Liberator (2020)
I have been excited about this project since the very first hints about it were released, so in full disclosure I have to admit that I approached this with high hopes. I also have to disclose that – despite being a huge military history nerd and a fan of reading source material before adaptions are made – I have not had a chance to read The Liberator: One World War II Soldier's 500-Day Odyssey from the Beaches of Sicily to the Gates of Dachau by Alex Kershaw, so I cannot speak to how accurate anything is, nor can I comment on the quality of the original material either. Here are my thoughts on the visual choices, the characterizations and narrative structure, and the approach to diversity and representation. 
The hybrid-animated style is something that I was a bit surprised by because even after watching the trailers that were released my poor grad-school-addled brain processed it as a marketing choice just for promo. Everything looked like a comic page done by an awesome colourist and it I was :O but also :D Since I love comics, especially those that use muted palettes and a realistic style, I think I adapted to watching something that didn’t look like every other war drama out there a lot faster than my parents, who were watching with me. Comics and war (and WWII in particular) have a fascinating and interconnected history, so although it is a unique way of styling the show it also fits it so well! At times I did find myself wanting to see the characters faces in a bit more detail but, in fact, closeups were better than farther shots. Facial ticks and micro expressions came through well in most scenes and I was impressed all over again with the work the animations teams must have done as well as by the voice work and performances by the actors. I’m so familiar with Bradley James’ face and movements that I was never worried about missing something in his performance because of the show’s visual aesthetics and I feel like all the other cast members were just as transparent to me despite having never had the pleasure of watching them before. Overall, the visual style of the series gave it a certain charm and I imagine it helped to mitigate effects costs on what I don’t THINK was a project with a big budget.
The story itself is one that I really enjoyed. The character Felix Sparks is such a central hero, and I can certainly see how he could come off as too good to be true. The same can be said for most of the characters, from Sergeant Sam Coldfoot’s tenacity and escape from death to the German soldiers who show mercy and do not shoot Sparks while collecting his dead and wounded men from the mountain. **[This in particular seemed odd to me since they were from an SS unit and those dudes were generally some of the nastiest Nazis to ever serve but maybe its from the book, idk. It also underlines the “ugh, officers, ammirite? Except you Sparks, you’re an okay guy” vibe that is so common for military dramas by showing that on both sides there are men who are just soldiers being soldiers. Similar to the events in Aschaffenburg and at Dachau, we are purposefully reminded that there are good and bad people on both sides].                                                                                                                      I think that the heroic portrayals of the characters (while a tiny bit one-dimensional) mostly speak to what the real men must have been like. Or, perhaps more relevantly, to how they have been remembered. This is where I think the source material and how it is used becomes a big factor. Kershaw’s book uses historical research and interviews with Sparks, some of his men, and even some German soldiers. As I said, I have not read it but knowing his style a lot of the elements in the show that feel quite ‘all hail the conquering heroes’, or that are so focussed on the brotherhood of the unit, likely come from his narrative choices. I’m willing to believe that the members of the Thunderbirds were brave and caring men who did what was best for the outcome of the war and for each other, regardless of the personal cost or the expectations of the American military/society at large. We see some of their ‘faults’ in the series – something that is often only possible when it comes to accounts of small-unit fighting – and they are not actually perfect; it just happens to be that those faults have favourable outcomes or are mediated in the particular context of WWII, especially when we are looking back on them decades later. If the character’s representation largely reflects how they have been remembered it seems simplistic to forsake stories expressing awe and hope for daring to do so when the limitations or biases inherent to memory are also at fault. I believe it will always be important to tell the stories of individuals who inspire us to be better, which I think The Liberator does in a few different ways. All the same, having more time to dig deeper into the characters would have made them much more dynamic and would have been amazing.
On that note, it is important to be critical of how the ethnic/racial differences were addressed. The focus of the series narrows quite a bit by the end of the first episode to follow Sparks. I believe that the Kershaw book uses him as a primary interviewee, so that plays into it, but this is also where having the series be longer would have made a difference. Following a central character is a model of historical narrative that works and has worked for quite some time. It is essentially a safe bet for a project like this that I’m sure did not have the luxury of taking chances, but it didn’t allow for us to really dive into the other characters beyond what see of them through Sparks’ eyes. As the 2ndLt and later Captain of the battalion I think it’s fair to have a significant portion of the story told from his perspective or with him as a focal point because his position affords him the most information to share, but adding more variation of voices could have been so good! Instances of other characters talking about him in the series are great moments that give the other characters more ‘screen-time’ and also nicely back up the claims of brotherhood and togetherness that the overall story is making about the men. Having them speak about themselves too would have been even more awesome. The elements of simplification or Nationalism that can be felt when Sparks whips the men into shape and they become a fine fighting unit made up of usually segregated Native American/Indigenous, Mexican American, and white cowboy soldiers would be mediated by this more equal sharing of perspective. I have little doubt that the real men came together in an unexpected but inspirational way that discarded (most) of the prejudices that existed outside of their little bubble in order to fight a common enemy – at the very least their strategic accomplishments and survival would suggest as much. The portrayal of their coming-together would benefit from being a tad less contrived or solely laid on Sparks’ shoulders.
Overall, I really enjoyed the series and I hope more people watch it. It’s not perfect by any means but it does do a nice job of making a small but important chunk of history more accessible and it attempts to provide a realistic representation of events that border the unimaginable.
I would love to hear what anyone else thought of it.
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gongju-juice · 5 years ago
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1. Once Upon A Southern Night
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Not So Bad After All
Warnings: None that I can think of
“You look lovely, Y/N, why don’t you try to be more optimistic?”
You looked up at your mother’s hopeful features. Carmine Robynson was an exceptional surgeon with national and international awards in her field. She was also the most beautiful woman you’d ever see. Her skin was a glittering porcelain white, and she had pale pink lips and caramel colored eyes that seemed to change color every now and again. Today, her long blonde hair was pinned up in a bun—perfect for a long day at her new job at the hospital.
“I’m trying to be, mom,” you whined as she ran her fingers through your hair, bringing your curls to life. “But I’m so worried. I’ve barely ventured outside the state of Alabama, how am I supposed to fit in with people from Washington State?”
Carmine rolled her eyes. “How do you think I felt when I traveled all the way from England to the States? It was terrifying, dear. Much more terrifying than you moving to a new state. I promise, you’ll be fine.”
You grabbed her things, and she locked down the house. The new house was Victorian style, like one of the houses you see in the movies. You and your mom spent months picking out the perfect furniture and decor to make your new residence come to life. It was one of the positives about the move.
In the driveway, the car hummed quietly. It was a sleek silver Mercedes, perks of a surgeon salary. You climbed in and slumped in the seat.
The drive to the school was fairly pleasant. The long, winding road was flanked on either side by towering jade green trees that cast blue shadows on the ground. The sky, as it had always been since your arrival, was gray and overcast. It was quite a difference from your sunny home back south. 
The school was small, just about the size of your old school. Except this time, it was even. . .less diverse than back home. At your old school, you were normally the only black girl in most of your classes. However, there were still others in your school that made you feel less isolated. But here, everybody was white as a wedding gown, and it made you nervous. Growing up with a white mother, you’d think you wouldn’t have that issue. But if anything, your experience as an adopted black kid made it quite clear what it was like to feel different from everyone—from black and white kids alike.
“Love you. Have a good day,” she said with a kiss to your forehead.
You climbed out of the car, and immediately shivered from the morning air. It was September, and already it felt like winter. Sixty degrees back at home was December weather.
Your first class was homeroom. The teacher, Mrs, Bobbins, made you introduce yourself to the class. Everyone was very interested in the new girl on campus—the new girl who also happened to be the only black girl in class. This interaction did lessen your nerves some, but you were still anxious to get the day over with.
Second period was Advanced Chemistry. Honestly speaking, you hated the first Chemistry. But as a part of your advanced trek, you had no choice but to take the class. It wasn’t that difficult—not when you had a full on surgeon to help you out living in the house—but still, it was not your favorite subject by a long shot.
The space between the second and third period was strange. The school was allowed to have “break”—a period of time where the staff and students alike could chill for fifteen minutes and do whatever they wanted. 
Not knowing where to go or who to talk to, you stumbled to the canopied walkway on the side of the building. Here, there were fewer students. However, at the end of the walkway by the blue double doors, a group of gorgeous looking teenagers stood conversing quietly amongst themselves.
“Hello, Y/N, isn’t it?” called a voice beside you. It was a curly-head ginger girl with the prettiest ice blue eyes and freckled skin. She was very tall, and wore athletic tights and a long volleyball shirt with the school’s Spartan mascot.
“Oh, yes. It’s me,” you said, pushing up your thin-rimmed glasses. “I’m sorry, but what’s your name?”
“Amelia Bloom. You probably didn’t notice me, but I’m in your homeroom. You’re a new student, aren’t you? Your mom is Dr. Robynson that was just hired at the hospital?”
You were impressed by how much she knew. It always took time for people to figure out that Camille was your mother. And you thought Satsuma, the town you came from, was small. But Forks hit a whole new level of “everyone knows one another.”
“Yeah, we just moved here. Sorry if I seem a little antsy or what have you. I’m just a little nervous, that’s all.” You offered your hand. “I hope we can be friends, though.”
You swore you saw the blond hair boy of the group flinch. But just as quickly as she glanced at him, you saw he had never even moved. Great. Now your mind was playing tricks on you.
“Those are the Cullens,” Amelia explained, judging you wanted an answer by the spooked expression on your face. “The most coveted teens in all of Forks. They were adopted by Dr. Carlisle and his wife Esme, who are both pretty young themselves. Don’t try to make friends with them though, they’re pretty stuck up.”
You couldn’t help but feel disappointed by that, though it was quickly replaced with a wave of optimism. 
“Well, I don’t like to judge people before I meet them, but I won’t bother them then, if that’s the case.”
The bell rang loudly just then, and Amelia showed you to your next class.
Interestingly enough, your next class was history, and in it was three of the Cullen siblings. You wanted to sit near the front of the class like you always did (on the account of your poor vision), but lamented to find that the seats were assigned. Confused and anxious to blend in, you turned to the teacher for help.
“Ah, Ms. Robynson. Lovely of you to join us today,” said the man, who informed his name was Mr. Howard. “You can take the empty seat by Jasper. Jasper, please raise your hand.”
To your surprise, the blond Cullen boy lifted his hand in the air. Just then, all of the confidence left your body. You were intimidated by utterly attractive he looked—like a daffodil in a field of weeds.
You slowly walked to your seat, which he had already pulled out. Oh God, you thought. You would have to sit by him. You would be within a foot of his presence, and you’d have to act like everything was fine.
You brushed your skirt down as you took your seat and pulled out your notebook. Already, the lavender covered book had been used. However, you loved history and couldn’t bear to throw away your pretty notes from the beginning of your old class.
The first page you turned to was marked in postage stamps from the antebellum period. You had a picture of the Oakleigh Plantation Mansion from Mobile, one of your favorite southern pieces of history.
“Okay class, it’s going to be a sensitive unit, but we are moving on to the Pre-Civil era, also known as the Antebellum Era. It’s important to know the important parts President Andrew Jackson and James Buchanan played in shaping the tensions and economic standings that inevitably led to the Civil War. So for your bellringer, you’re going to be listing some factors that led to these said tensions. You have five minutes. Begin.”
You turned to a fresh sheet of paper and took out your calligraphy pens. 
Factors that led to Pre-Civil War Tensions:
Jackson left the country in an economic depression by his withdrawal of federal funds from the National Bank in 1832, thus causing the Panic of 1837 which heavily impacted cotton exports and revenue for the Southern economy.
The expansion West caused an imbalance of power between states which made Southern states feel they had no authority in the federal government. It was an intense competition between slave states and free states.
Events such as Bleeding Kansas, Harper’s Ferry, and the Dredd-Scott Supreme Court ruling caused many across the nation to become angered.
“Does anybody have any ideas?” Mr. Howard asked.
The class was silent, and you realized it was much different from what you were used to. Where you were from, everybody knew about the Civil War—no matter how skewed or racist their beliefs were.
Beside you, Jasper raised his hand. 
“Yes, Mr. Hale.”
“James Buchanan did virtually nothing to stop the wave of seceding Southern states, and although he believed secession was wrong, he didn’t believe he had the Constitutional power to stop them. Had he quelled the fears of the slave states, the war could have been prolonged another few years.”
“Right, as always, Mr. Hale. Would anyone else like to attempt?”
“May I?” 
Mr. Howard looked at you excitedly. “Of course. Have a go, Ms. Robynson.”
“The Southern states believed that they had done nothing Constitutionally wrong. According to them, they’d only joined the Union in the first place due to the Fugitive Clause added to the Constitution for the sake of the Southern states voting on the new Constitution after the Articles of Confederation. Because Northern states violated this clause, they felt that they were breaking the so-called “contract”, and that only they, as independent states, had the power to decide if their end of the bargain was being upheld. Even though the Fugitive Clause was not a part of the immediate Pre-Civil War Era, I feel it’s the most important aspect to mention when evaluating the factors that led to the war.”
Mr. Howard clapped loudly, waking up the rest of the class. “An amazing answer. I couldn’t have said it better myself. Now, without further ado, let us begin today’s lesson.”
Beside you, the Cullen boy shifted. “Not bad,” he murmured before gazing back forward.
Your heart leapt within you.
That night, your mom arrived home at seven. You had already eaten, knowing your mom only ate late at night. She was a strict dieter and pretty much only drank the tea concoctions from her thermal cup. But you were an avid omnivore and didn’t mind eating without her.
“How was your first day at school?” she asked, setting her things down on the couch.
“It was better than I honestly expected. I even met a new friend. Her name is Amelia, and she’s the captain of the varsity volleyball team and even plays softball and golf.”
“Wow!” she exclaimed. “See, I told you everything would be fine. How’s history?”
“Mr. Howard seems to know what he’s talking about. Not nearly as biased as Mr. Davis was, but very sympathetic to the North.”
“I guess now that you’re up here, you won’t have to worry about an abundant amount of hot-head racists. But if something does happen—”
“I know, Mom. I know.”
You dressed in your silk nightgown and headed for bed. On the middle shelf of your bookcase was a model of the Oakleigh Mansion. You didn’t know what it was about it, but the antebellum era intrigued you. And this house in particular. . .
You turned on the lights inside the little house and turned off the lamp. Now it was dark in your room except for the tiny chandelier lights glittering inside the white home. 
Sighing, you turned on your side. The curtains fluttered in the light breeze from your slightly open window. This gorgeous house, and quaint little town was your home. You’d have to come to accept the changes—which were not all bad. You miss your friends, you missed the warmth and sunshine, but the world was not over.
And maybe, just maybe, you’d have the opportunity to see Jasper Hale more often.
I hate the fact I can write faster for my fanfics than my actual real-life projects but you can thank sTePhEnIe MeYeR for that.
Part Two    Part Three   Part Four
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latibulesims · 4 years ago
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I wanted to let you know that I find your comments towards other creators about lack of diversity a bit disrespectful. Especially when it comes to the LGBTQA+ scene. Directors should not have to plaster and make characters sexuality publicly known from the get go to get approval. It makes the characters less authentic and seem more as if they are only there to be the LGBTQA+ personality instead of just existing like everyone else.
Ah, there it is. Years of being very upfront about the importance of including LGBTQ+ and POC representation, in a community that shames people who try to do so, have finally caught up with me. Good thing I have the time today: 
First of all... When and where have I EVER said or done anything to imply that I believe in  “making characters sexuality publicly known from the get go to get approval”.................? Let’s look at my own projects for a second:
I’ll start off by mentioning the obvious: Epiphany. Epiphany is a coming of age plot about a girl discovering and coming to terms with her sexuality. Sort of like Love, Simon. Obviously, a series like that references sexuality. But the thing is: They’re not token characters, or characters added to feel ‘accepted’ or ‘to gain points’. It’s an LGBTQ+ series, with 90% of its characters being LGBTQ+. So, for the sake of not making you sound stupid, I’m going to assume you’re not talking about this series, and move on to my other projects where LGBTQ+ characters are a minority and could therefore be interpreted as token characters.
That brings us to my two running projects: The Rivers and The Foundlings:
For The Rivers, Raign’s sexuality isn’t revealed until the 5th episode, a year after the series premiered (not very get-go of me, but I digress). If you actually watched the series (which I’ll assume you did, given the bold assumptions), you’d know that her sexuality was revealed as a way to show how disconnected Jonah was from the rest of his family (For Tresor, he didn’t know she was engaged, and for Noah he didn’t know he had a heart disease), and not as a means to “plaster” her sexuality. Her sexuality is explicitly mentioned for literally 30 seconds and never again in the series - instead revealed through her relationships and who she’s attracted to, similar to every other character. Bellamy and Isla’s sexualities have never even been explicitly mentioned FOUR years into the series, because there wasn’t a need for it. How in the hell is that me plastering my characters’ sexualities? 
As for The Foundlings, I included the characters’ sexualities in their casting call because I wanted them to be voiced by voice actors that identify with that sexuality. This is for two reasons: 1) to give LGBTQ+ actors the opportunity to play roles they identify with, 2) to avoid a cishet voice actor backing down from a role after they find out their character isn’t cishet out of respect for non-cishet voice actors or because they’re homophobic/transphobic. Both of which I’ve seen happen before. . If you knew anything about being LGBTQ+ or POC inclusive, you’d know that that is a factor you need to take into consideration when casting. I’m not surprised that you don’t.
Neither The Rivers nor The Foundlings have or will have LGBTQ+ characters whose entire plot revolves around their sexuality. You couldn’t have possibly drawn the conclusion that I include LGBTQ+ people purely for diversity points from watching The Rivers or The Foundlings, since The Foundlings isn’t out yet and The Rivers explicitly refers to Raign’s sexuality in one fleeting scene from an episode 3 years ago. So, I’m assuming you came to this conclusion from stalking my tumblr or my twitter. So let me make myself absolutely clear:
I don’t tell people to parade their character’s sexualities. In fact, I have explicitly and repeatedly warned against doing so because we’re not here to be your token characters. Same with including people of color. I answered an ask with quick tips to writing in people of color without it coming off as asking for diversity points. I talked about developing lgbtq+ characters’ likes, dislikes, interests, past, future. About developing them as they would any of their white cishet characters. About avoiding 2 dimensional characters and stereotypes. If you’re a writer, who got “plaster your characters’ sexuality” from all of that, then I do sincerely hope your writing skills are better than your reading comprehension skills because yikes, lmfao.
I will say, I felt qualified to do so as a queer person of color myself, but of course, I can’t speak on behalf of all of people of color, and people of different sexualities. I'll admit the answer is inadequate, I didn’t write a whole damned article about it because... I didn’t/don’t want to. If you want fuller, more flushed out answers, then do some research since there’s a fuckton of articles about this specific topic out there. I am not claiming to have all the answers. I am just one of the handful of directors that actually speaks up on this topic, so you think I assume that I do.
And finally, 
If you can’t help but feel like you’re adding lgbtq+ characters “for points” when you write them in then you need to reevaluate your views. Being inclusive shouldn’t be such a controversial, hot topic. Any director that makes it seem like it is, is the one at fault. If I’ve offended you or anyone you know by calling out your lack of diversity, then good. I will never not shame people for not making others feel included or represented when they have the platform and the vessel to do so with their stories :).
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