#carrot has an opinion
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virtualcarrot · 4 months ago
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Always sparring a thought for how essentialist racism discourse has become, but especially today as I think of this guy that I met two days ago, whom I sincerely believed had origins from the Maghreb/Middle East, and who it turns out is merely part Spanish--with all that entails of historical intermingling, sure, but far away enough that he didn't have anyone to point to as a reference of racialization
Anyway, that "white" dude keeps getting stopped and frisked whenever he's in an airport
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virtualcarrot · 3 months ago
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Okay but this and the notes drive me up the proverbial wall because I remember when this was an actual conversation that needed to be had. Like, a legit issue. Because there was (still is, to a different, more insidious extent) a need to call out the discriminatory practices that take place when hiring actors for minority roles that known minority actors themselves weren't even considered for.
But the point was never to out queer people, or even attack individuals. The point was very much to call ATTENTION to a WIDER DYNAMIC.
And I feel like I'm losing my mind that we're forgetting this, and reducing it to a B&W frame of view that pits "EVERYBODY MUST BE LABELLED TO GET AN ACCORDING ROLE" against the "ACTORS SHOULD BE HIRED ON MERIT ALONE WHO CARES WHAT THEY ARE" crowd.
The first enacts violence against people's rightful privacy, the second ignores that in a system that disadvantages minorities, the "better", most practiced actors will tend to be members of the majority, since they get the most opportunities. Why do you think quotas* (as arguable as they can be) exist?
You know, that weird thing called: the world is complex? Nuance?
*I'm not saying quotas are the solution for casting purposes, I have no idea, this isn't my area of expertise, I'm providing an example
"u don't know my alphabet" is changing my brain chemistry as we speak i will start saying that every time someone wants me to label my sexuality despite me saying i don't fw that
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mybrainproblems · 6 months ago
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can you expand on what you mean about 12x22 and berens? i’ve never really looked at the writer patterns before but i’m intrigued
so jensen did a solo panel at JIB 8 in 2017 and an earlier question prompted him to recount his experience having difficulty connecting with the mary & dean relationship in s12 and the character motivation behind it. (and i think he's correct in saying that fans picked up on him not gelling with it which actually works in some episodes but feels off in others.)
anyway! berens was on-set when they were filming 12x22 "who we are" and jensen told him "oh god i get it now!" with the "i hate you, i forgive you" speech (that dean's character arc was him needing to forgive mary) and berens had no idea what he was talking about.
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hopefully this embedded correctly to start at the right time code, but if not, he starts talking about it at 19:45
which yes, there's the possibility that berens was just yanking jensen's chain* about not realizing the "i hate you, i forgive you" was the thesis of mary & dean's relationship arc in s12. but also i really am inclined to believe he didn't realize he'd tied up the whole arc bc berens has been such a chronic dean misunderstander over the years. like folks will talk about dean as the "angry man" in late seasons and... that's mostly berens, baby!**
and i know you didn't ask but this is why the confession falls so flat for me. it rings hollow bc this is the writer who has done more than anyone else in the last few seasons to make dean an un-likeable prick. i do like the confession as a radical act of self-love (that "having" doesn't matter and "being" is more important) but as cas confessing his love to dean? yeah, i just can't buy it given the other stuff berens wrote over the years and the narrative framing is just off. much like the finale, it's tragedy wearing an ill-fitting ballgown and looking in a fun house mirror.
so, in summary (x)
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* this is a bit unkind, but jensen is such a consummate pro that i would not be surprised if the "maybe he was yanking my chain" was a way to save face for berens since jensen has disagreed with him on his episodes before.
** i did not jive with 14x20 "moriah" until i re-watched it without the baggage of 14x18 before it (14x19 isn't great but does set up the "logic" of dean's actions in 14x20; never 5get that cas wanted to put jack in the cage... how is that different from a ma'lak box?). i think berens was just not a good fit for spn and especially not the direction they were going in during dabb era. i'm not a big fan of him in carver era either but he fit the vibes and direction way better.
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ask-andrew-montrose · 2 months ago
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Hey, Andrew? I've heard that there should never be any candles in carrot cakes, is that true?
A good question. The carrot cakes I like to sample do not appreciate burning wax ruining their frosting....but perhaps another carrot cake out there might enjoy them. You never know.
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virtualcarrot · 2 years ago
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You tagged this "common sense" and "priorities" and I'm sorry to say, but the asker has got their priorities straight. Far from being a passive media consumer, they're respectfully asking a question in order to figure out a balance between their ethical considerations and their media enjoyment. Kudos to the asker. Respect to the asker.
It's the "common sense" and "priorities" of someone instrumentalizing workers' rights to come to the simple, but honest, conclusion that "personally, I'm in it for [my show]" that I'd tend to be more ambivalent about.
Hey is there any chance that good omens will be streamed somewhere other than Amazon prime? I'd really like to watch the show (and read the book but that's just an I need to go to a bookstore thing than anything else) but I'd really prefer not to give money to the bezos boi.
Sorry if you get asked this a lot or smth
Season 1 was also streamed on the BBC as it was a co-production. Season 2 may be streamed on the BBC, I don't know. It was made for Amazon by BBC Studios. We will see.
Otherwise, your best bet may be to wait and buy a DVD.
I get the idea of not wanting to give Amazon money. But you are using Amazon services all the time. (They make vast amounts of money from Amazon Cloud Storage, and as far as I know, that's where Tumblr keeps its data.) Why not find someone who has Amazon Prime and watch Good Omens legitimately on their account? It increases the chances of more things like Good Omens being made in the future.
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smartass-hoot · 10 months ago
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published stories have such a no-nonsense and cutthroat kind of pacing like,,, where are the grocery runs? the casual moments of gay panic? the slowburn that edges the living fuck outta you? the sideplots that are borderline crack but written so well? LIKE FUCK THE PLOT, GIVE ME CHARACTERS
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thelastspeecher · 11 months ago
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btw of the Discworld books I've been reading over the last couple weeks, by far my favorite is Men at Arms and the reason is 50% there's really excellent writing, and 50% HOLY SHIT ANGUA AND CARROT ARE SO GOOD TOGETHER
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iliveinprocrasti-nationn · 1 year ago
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ate an entire vegetable party platter in two days. ate 3/4 of it tonight alone. it was a decision
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old-stoneface · 1 year ago
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im listening to the audiobook for making money (ive read the book but it was a couple years ago now) and my review is that the antagonists for this book are my least favorite out of all of the city books ive read. they completely lack charm and theyre mostly just horribly annoying
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virtualcarrot · 4 months ago
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I think stanning them is the single most boring thing you can do to a character.
Like, I love Iruka. Iruka's my blorbo from my manga since my teens. He's a caring adult who used to be a conflicted kid hiding his sorrow with laughter, what's there not to like? Him speaking his mind about the chuunin exam spoke to me for extremely relatable reasons. He's my projection character.
And you know what? There's nothing more interesting to me than exploring his faults. Please let's discuss his lack of self-control, getting so riled up during the chuunin exam nominations. Let's talk about his failures with regards to Sasuke, who had good grades and didn't act out so Iruka didn't pay him much mind even though Sasuke should have been flagged as a traumatized child. Iruka playing favorites. Iruka using his connections to keep playing favorites because he's worried... about his favorite. Iruka not fitting the shinobi mold. Iruka being lame. Iruka who spent years being a stern teacher to Naruto and apparently didn't think worth mentioning that he saw and appreciated Naruto's efforts until it was almost too late. Iruka failing.
Anyway, stanning is the single most boring and unproductive and dishonest thing you can do to a character
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lucysarah-c · 6 months ago
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“Then Lauren said—”
“Stop eating my carrots!” Levi slapped her hand away from the bowl.
“Ouch!” she exclaimed, pouting at him as she remained seated on the countertop. She caressed her hand, but the pain wasn't real. “Why?” she complained, playfully pretending to be hurt.
“Because I’m trying to make myself dinner,” he replied, continuing to slice up the vegetables. He momentarily pointed with his knife toward the boiling stew on the stove. “And when I asked if you were hungry, you said no,” Levi added, pushing the chopped vegetables into the bowl.
His stern gaze was quick to return when she grabbed another carrot slice. “I’m not hungry,” she insisted with her mouth full.
Levi maintained his stoic expression, one hand resting on his hip. “Is this going to be one of those times where I ask if you want something to eat, you say you’re not hungry, and then you end up eating half of my meal?”
There was a brief, intense silence until she swallowed her food and replied, “I never do that.”
Levi simply sighed and bent to pick up an extra batch of ingredients.
“Where’s your squad?” Y/N asked as she swung her legs on the countertop. Levi kept cooking, both of them enveloped in the dim light of the almost deserted kitchen.
“No idea,” Levi replied quickly. “Until tomorrow’s morning practice at 6, they’re not my responsibility.”
His girlfriend chuckled. “I bet they’re getting drunk downtown.”
“Good for them. As long as they don’t break anything that belongs to me and they’re on time tomorrow, they can get as shit-faced as they please.”
“What if they break something in the barracks?” she insisted playfully.
“Those budget issues are Erwin’s problems,” Levi said.
She laughed softly, her laughter echoing in the empty, massive room meant to hold many more soldiers than just the two of them. “I went downtown. I met up with friends from other divisions, had lunch, went shopping, had tea, saw a theater presentation, and then had dinner. What did you do all day?”
“I did a deep cleaning of our chambers,” Levi replied, a hint of resentment in his voice. “Something you were obviously not going to do. I did laundry, cleaned everything—even the clothes I was wearing. So, I lounged in my boxers in my desk chair, catching up with a book and drinking tea. When it got dark, I turned on a light, swapped the tea for whiskey, and kept reading. I spent my free day reading, having zero human interactions, and not dealing with anyone’s shitty problems. Best free day I’ve had in months.”
“Does that mean you’re done with your tasks for the day?” she asked playfully, giving him a sly look despite him being engrossed in his cooking.
Levi quickly replied, “Don’t worry, I still have plenty of time to do you, girly.” The words didn’t match his uninterested tone and expression.
But it made her chuckle anyway, mostly out of embarrassment. She softly hit his arm and complained, “Levi! A cadet might hear you.”
A subtle smirk appeared on his face, but not much more. There was a brief, comfortable silence as he put the ingredients into the boiling water and stirred them around.
“You know, I want your opinion about something Juliet told me. So I want you to be honest, be yourself,” Y/N commented. Levi simply hummed in agreement, his eyes fixed on his upcoming dinner. “But be nice,” she warned him.
Levi stopped stirring his meal, looked up at her, and said, “I can’t be both.”
She rolled her eyes. “Fine, whatever. She’s dating a new guy… and I don’t think he’s good for her.”
“Like the last ten guys,” he interrupted her, “in the last eight months?”
Levi wasn’t a social person, but he was certainly up to date with his girlfriend’s gossip.
“Hey! Are you slut-shaming my friend?”
“No, your friend can sleep with the entire male population of the walls if she pleases,” Levi said casually as he moved around the kitchen. “But she has this tendency to think each one is the love of her life, and they last two weeks.”
Y/N couldn’t deny it. She sighed loudly. “She’s… a hopeless romantic.”
“Daddy issues.”
She snorted and then chuckled. “Hey! She’s my friend!” Y/N tried to defend her, but there was no conviction in her words. “…She used to have a crush on Erwin, remember?”
“Exactly. Having a crush on Erwin is the definition of daddy issues,” Levi said with a playful smile as his girlfriend burst into laughter. “Am I wrong?”
“No, no.”
Returning to stirring before heading back to the kitchen board to cut the potatoes, Levi asked, “So?”
“Oh yes,” Y/N caught herself and continued, “Well… she’s seeing this new guy. He’s in his mid-thirties, and the way she described him made me realize he’s a fuckboy and—”
“A fuckboy?” Levi quickly snapped, looking at his girlfriend, who simply hummed back, not understanding his reaction. “God,” Levi raised his hand to press on the bridge of his nose and slightly shook his head. “Your friend really has a radar for choosing the worst dudes out there.”
“I haven’t even said anything yet!” she complained. “Let me finish!”
“There’s nothing to finish,” he said. “A fuckboy, for fuck’s sake,” Levi repeated under his breath, almost cursing at the idea.
“What’s wrong with it?”
“A fuckboy, Y/N, really?” He repeated, louder this time, as if trying to make her see reason. Not sensing her understanding, he sighed loudly. “I was a fuckboy when I was 18, maybe even into my mid 20s. Yeah, maybe I fought the MPs in the underground, smoked around, got drunk, had a bunch of casual sex, and got high with Farlan. But I was 18!”
“What does that have to do with any of this—”
Levi quickly interrupted, “18! You can be a fuckboy at 18, maybe until your mid-20s,” he said. “You can’t be a shitty fuckboy in your mid-thirties! That’s not a fuckboy, that’s an unstable, immature, stupid dude,” Levi explained as his girlfriend burst into laughter, with him continuing to curse under his breath. “At this rate, he’s having a fucking midlife crisis, not being a fuckboy.”
Her girlfriend kept laughing, and he looked at her from the corner of his eye. "So. What is the fucking issue? Don't tell me your shitty friend got knocked up by that idiot."
Y/N kept laughing, tears running down her cheeks as she tried to calm down. “No,” she whispered out of breath between laughs, “it’s the opposite.”
Levi raised an eyebrow silently, questioning what she meant.
“He couldn’t get it up.”
It was Levi’s turn to chuckle. “Well… you definitely can’t be a fuckboy if you can’t get it hard… that’s for sure.”
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voidwithtoomanygooglyeyes · 6 months ago
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That and it just seems really out of character for Senshi to do this, not the blending veggies into a sauce part, but the not telling Izutsumi before. Every time he makes food he is very open about what he is doing with it, narrating the cooking process so that the others know what he is doing and what is being put in their food.
Even if Senshi thought that doing this would be the only way for her to eat vegetables, he probably wouldn't hide it from her, or at least he wouldn't hide it on purpose.
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Silly
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ohnoitstbskyen · 9 months ago
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What are your thoughts and the same-face-syndrome Oda has going on with Nami, Vivi, Rebecca, and Shirahoshi?
Oda is kind of a frustrating artist in this regard, as he is in many regards.
Because on the one hand he demonstrates, to a greater extent than almost any of his peers, the ability to design interesting, varied, creative, compelling and fun characters, with a huge variety in presentation and body type, and without the dehumanizing distancing that a lot of artists employ when depicting non-normative bodies.
Charlotte Lola for example, one of my favourites, is a character who is extremely caricatured, and depicted as stocky, broad, and rough around the edges, with a missing tooth and odd proportions. But the story consistently treats her interiority with respect and depicts her as complex and interesting beyond her sillier surface traits.
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... and then up AGAINST that you have the Infinite Leggy Busty Beauty Brigade, which includes Nami, Robin, Carrot, Pudding, Doll, Domino, Boa Hancock, Vivi, Kalifa, Shakuyaku, Alivda, and on and on and on and on.
And it's this frustrating binary where Oda seems to know exactly ONE way to visually present feminine beauty: thin, curvy, busty, with long legs and a round face, and he repeats it over and over and over again like his only two modes of design are either Copy Paste Pin-Up or Crazy Caricature.
The same face syndrome comes out of that, I think. Because the gamut of what A Beautiful Woman™ can look like in One Piece is so narrow and has so few traits available to it, repetition becomes inevitable.
And idk if this is just Oda's personal indulgence, maybe he just draws the kinds of women he's attracted to, and fair enough I guess, people have the right to be self-indulgent in their art, but it is consistently one of his biggest weaknesses as an artist and designer that he just can't seem to stop reproducing the same hot babe design over and over again.
I will say that Oda is not noticeably any worse in this regard than most anime and manga - copy pasted normative bodies with same-face syndrome is the norm, not the exception, especially for female characters. And that doesn't make it not a flaw in Oda's work, just a flaw that should be understood and assessed within its context, where Oda's repetitive babes are (at least in my opinion) still more distinct and interesting than how most of the industry treats its Hot Babe characters visually.
Still wish he would incorporate, like, ONE new idea for what a beautiful woman can look like, though.
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that1nkyone · 10 months ago
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Unpopular opinion:
I like Fourchenault. He sucks.
Imagine being an emotionally-stunted man who's in this society that's all about peace and nonintervention and Knowledge, so obviously you know better than anyone else in the world and their petty conflicts.
And then you get told that the world will end in your lifetime - and then you get two kids, which makes you panic about it all the more. So when your kids come of age and go off to explore this world while you're figuring out the Evacuation Plan for End Times, and then come back having involved themselves in almost all the petty conflicts you've heard about, you get mad.
You think they're being rebellious children who don't know any better, so you decide the best course of action is to disown them of the family name so they're suitably punished, don't get support, or don't get in the way if they ever rock up to your doorstep. And then you can shove them kicking and screaming onto the Noah's Ark you're making when it's time to scoot off this planet. Flawless plan. Cool.
Within, let's say, a month - your kids, with their very powerful friends, rock up to your front doorstep just as your promoted to the leader of your life's work. And after agreeing that they won't work against your plans, your kids proceed to systematically hijack your entire life's work, using all the knowledge, allies and experience they have accumulated during their trip into the rest of the world. Everything that you have lacked.
You're actually proud, but you are struck dumb because every single thing you thought was right has been flipped on its head. Because your kids (and your wife) are too smart for you to comprehend. So, you swallow your pride and you relinquish the wheel to your whole operation. And the Doomsday Evac plan never happens. It doesn't need to. Your children and their friends do the impossible - they stop the world from ending.
You're lucky that your family is willing to give you forgiveness in the face of all this - because you will forever be plagued by the looming presence of the Warrior of Light, whose attitude will range from "Fuck the narrative, these are my kids now," to "I respect your kids' decision to forgive you, and I will work with you, but you are on Thin Fucking Ice."
The cherry on the top is that if your Doomsday Evac plan had actually happened, your distant collaborators would have only been able to provide food in the form of carrots.
You would have been stuck eating your most hated food for perhaps the rest of your life.
Just, mwah. Poetry.
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fangsandfeels · 1 year ago
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I've seen the "Non-ascended Astarion ending is bad for him because you have to persuade him to reject the ritual" opinion...
..implying that he never really wanted not to ascend, it's you the player who selfishly forces him to give up on his goal. To prove their point, they state that you can get a good ending out of all other companion's quests without using Persuasion at all, except for Astarion.
And boy did I want to talk about this...
(In fact, everything I wanted to say has already been told in this amazing meta post, but I still gotta ramble)
First of all, Astarion was going through an intense PTSD. The game gave him a debuff to show how badly going back to the place of his torment was affecting him. Larian couldn't make it more obvious that he wasn't thinking clearly.
Second, there is one thing all abusers have in common: they destroy their victim's feelings of self-worth to the point, the victim no longer wants or knows how to ask for help or have relationships outside their abusive circle.
Who would want you like this? Look at yourself, you think you're better than me? You're nothing. Who would want to waste their time on you? You think somebody else would treat you better?
Since entering the Cazador's palace, Astarion is reliving his worst moments. Initially, he takes it in stride, hiding his discomfort underneath performative and emotional expressiveness. He talks about how he spent time in the bedrooms where he never did any sleeping, about the kennels where he was tortured, about the barracks where he was sent to when he "deserved neither carrot nor stick". Bad memories, but he shares them with Tav because he trusts them with his scars already. They might as well know the rest.
But after descending into the dungeon, Astarion starts spiraling into self-loathing at a break-neck speed. He used to think that all Cazador victims he ever brought to him were long gone, drained, and discarded. A horrible, undeserved death, yet the thought of them not having to suffer for too long was a small consolation, one of the threads holding his sanity together.
But then it turns out that they weren't dead. They were turned. Locked away deep underground, alone with their new selves, with the hunger and isolation. They did suffer. All these years, they suffered, buried in this tomb - because of him. Cazador may have turned them, but it was Astarion who brought them to him. And they remembered it. They recognized him. The monster who stole them from their home. The monster who ruined their life. Monster. Just like Cazador.
So, as if his PTSD wasn't enough, this revelation was another blow to his grip on himself, his perception of himself. His confident facade was shattering - and in his head, he was starting to think that Tav's idea of him, of who he is, was shattering as well. He tried to warn them before. He said he couldn't be what they saw in him. Whatever person they believed him to be had never existed - and Tav was finally coming to realize that as they walked through the gallery of his sins, looking his victims in the eyes and hearing out what they had to say. Of course, Tav hated him now. They had to. How could they not?
So, at the end, he is scared. Terrified. He bit off more than he could chew by walking into the manor and thinking he had only six fellow spawns to deal with. He saw their lives as a small price to pay because Cazador made sure to erase any solidarity between them. He made them torture each other and compete with each other. He twisted the very meaning of family bonds to his perverted liking, and he knew that by doing so, he would make sure every single one of them would get a whiplash from anyone trying to mention family in a positive connotation. Astarion takes no issue with getting rid of his "brothers" and "sisters" because he is fully aware that had the roles been reversed, they would have sacrificed him without a second thought. And he was certain that Tav would change their mind once they learned more about his brethren.
But the spawns in the dungeon...All the faces he remembered. All the lovers he lured. They did nothing wrong. They never hurt him. They never tortured him. Their only mistake was to trust him.
The revelation horrifies him. His first response is to be shocked, overwhelmed with emotion - and then he has to remind himself that sacrifices must be made. He feigns indifference. He tries to cover his internal conflict with gallows humor. But his flippant mask keeps slipping as he lapses from indifference to anger, to guilt, to begging Tav not to hate him as his greatest crimes glare back at him and claw at him, shouting out threats and seething with hatred.
He can't bear the thought of dealing with all the people whose lives he helped to destroy. He can't do anything for them. Just killing Cazador won't undo what he did to them. He will never be anything but a monster in their eyes. And this is what he deserves to be. He will always be reminded of what he is.
He has no choice but to do the Ritual.
He has no idea what will happen to him after he is done - he isn't a planner. He has never been. But at this point, he doesn't see his soul as something worthy of preserving - and by association, he extends that to other spawns. He knows it all too well because he remembers how it felt. He dissociates, projecting everything he hated about himself onto Cazador's victims, trying to rationalize why he should live and why they must die while he actively avoids the truth.
Completing the ritual is no longer about being free. Or protecting himself and his lover. It's about running away. Even when Astarion has Cazador at his mercy, he still thinks of running away. Getting lost forever. So nobody could ever hurt him.
A part of him even realizes that it means running away from Tav too. But Tav can leave, he naively thinks, not knowing the full consequences of the ritual. Tav will leave to find someone else, someone better, and he will start everything anew, a king of his castle.
So, of course, Tav has to reach out to him through that thick haze of fear, anger, and self-hatred. Persuasion isn't about strongarming someone into doing what you want. It's not subjugation or emotional blackmail. It's reasoning with someone. And that is exactly what Tav does - reasons with Astarion after watching him mentally struggle, after seeing his genuine shock and fear, after understanding that he isn't fully on board with the idea.
It's true, vampire spawns tend to gravitate toward power, especially if nothing is pulling them back. A vampire spawn is a feared and scorned creature - it no longer matters whether they were an unwilling victim, forcefully taken and turned. They are seen not as an individual but as the extension of their master - and the only natural transition for them is to get on the top of the food chain. The only way to make a name and become treated as something more.
Astarion saw power as the mean to safety and freedom, first and foremost. Ironically, he never planned beyond securing these two priorities. He never saw himself after accomplishing his goals, and it's kinda amazing how people can make conclusions about his hedonism because he misses petty vanities, wants to drink blood from a goblet, and sleep on silken sheets. The man who was held and tortured in the kennels, fed rats, and had to stitch and fix his only set of clothes over and over to keep it presentable, the man who has never felt happy for most of his conscious non-life is called hedonistic for wanting nice things. For still wanting to take care of himself for once.
He wasn't harboring any grand plans, conquests, or schemes. Even his idea of taking control of the Absolute was abstract and shapeless because he didn't care about getting control over the most influential people as much as he was afraid of breaking whatever protected him from Cazador's domination. He never really knew what to do with power aside from keeping Cazador and the likes of him at bay.
The way Astarion behaves in a relationship also speaks tons of how controlling he really is...or how he isn't controlling at all. When his romance with Tav transforms into something real, and he enters a new territory, Astarion is empowered to make decisions and think about what he wants instead of pleasuring others. It's clear that he and Tav don't have sex after they come clear about their feelings. Tav respects his comfort and boundaries, gives him all the time he needs, and lets him take the lead. Whether they will have sex again or not is entirely up to Astarion. Whatever he decides, it won't change Tav's feelings for him. He doesn't have to do anything he doesn't want to do.
Astarion enjoys this new autonomy. He is playful, affectionate, outspoken...and afraid of messing everything up. If Tav mentions breaking up, Astarion thinks he is the problem. If there is another potential love interest showing they have eyes for Tav, Astarion encourages Tav to be with them because he believes they can give Tav everything he can't. When Tav says "I choose you," Astarion is taken aback, needing a moment to hide his genuine confusion at Tav actually wanting to be with him rather than Gale, Karlach, or Halsin.
For all his talks of control and dominating others, once Astarion finds himself with a lover who values his autonomy more than getting power at the cost of his dignity, who makes it safe for him to be honest, and who listens to him, he almost stops mentioning control. He merely lives in the moment, happy not to know, not to pretend, not to manipulate. Just to be.
What Astarion truly craves - not wants on a superficial level, not conditioned to want - is not to be a vampire lord. He wants the freedom to be anything. Anything he wants. Little does he know that true vampires rarely get to be anything they want, even if they gain the ability to walk in the sun -- we see it in his Ascended path as, instead of acting up on his supposed freedom to be anything, Astarion repeats Cazador's rules step by step. Just like Cazador did. Just like Verlioth did. He isn't anything he wants. He is the replica of his former master.
Astarion never had the luxury to explore who he wanted to be outside what Cazador made him. He only makes his first steps once he is free. We see glimpses of that deep-seated aspiration to be seen as a person. Treated like a person. Loved like a person. To be reflected in someone's eyes. He wants to know if there is someone beneath his usual mask, something his, not tainted by Cazador. Someone real. And at the same time, he dreads to know the answer. Because that part of him knows regret. Knows shame. Knows guilt. Confronting it posed the risk of realizing he didn't deserve love, kindness, or a future. What if real him truly doesn't amount to anything? What else for him to do?
So, he tells himself that he has no choice, and he expects Tav to affirm it -- not because he wants them to, but because he believes that Tav has seen enough to make the same conclusion. However, Tav objects, trying to be louder than all the inner demons hissing into his ears. Tav speaks to the Astarion, who asked them what they saw when they looked at him. The Astarion, who thanked them for standing by his side when he said "No" to Araj. The Astarion one who stood frozen in their hug before returning it tentatively. The Astarion who diligently, dedicatedly, caringly kept pulling himself together instead of letting himself unravel completely.
Tav reminds him that this Astarion, right here, right now, is worth fighting for. That he didn't survive all these years of torture, pain, humiliation, and dehumanization to give himself up now. He already has the power to avenge himself, avenge all Cazador's victims. He can end everything right here, right now - and this is the only power to free him. He has the power (and responsibility) of having a choice.
Tav empathizes with other spawns as victims not because they're more "innocent" than Astarion, but because associating with them doesn't brand Astarion as weak or broken. These spawns aren't horrible wretches, and neither is he. They don't deserve this, and neither did he.
The only one who deserves to die today is Cazador - the vampire, the monster, the pathetic piece of shit.
Astarion Ancunin deserves to live.
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gotholdladywithadhd · 8 months ago
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Unpopular opinion, probably.
So I've read many metas, and thought a lot about it and have come to my own personal conclusion about the final 15.
I'm taking it at face value.
Because it was the most human Crowley and Aziraphale have probably ever been and I think that is at least part of the point. Love makes people stupid and they are navigating a very human thing in very unhuman circumstances, and it's hard enough to do as a human in human circumstances!
I think Aziraphale believed the Metatron about Crowley bc he was expecting the worst when TM mentioned Crowley but instead got the one thing he wanted most (him and Crowley together and safe, not Crowley being an angel. ) Crowley was absolutely the carrot here. (and no I do not think Crowley would have been safe or happy, but that's besides the point.) I can't tell you how many times I've believed patently ridiculous things because I wanted to believe them so badly even though if I was looking at the same situation objectively from an outside POV I would see how ridiculous it was, so I totally get it. This isn't to say I think Azi had a real choice to go to Heaven or not and I think he did understand that as well, but I get the temptation the Metatron threw out to him, I really do.
As for Aziraphale literally saying all the wrong things to try and get Crowley to come with him? Um yeah been there done that too, the nerves take over, the brain shuts off, the mouth goes into autopilot pulling stuff out its ass, and "WITAF did I just say?" happens.
Crowley not taking any of it well and only hearing what he expected to hear (I'm not good enough for you bc I'm a demon and you only really want me if I can be an angel) *and* also being more able to see through heavens bullshit bc he has lived it, and can see it from the outside, *and* all whilst being the most honest and vulnerable he has ever been with Aziraphale in 6,000 plus years (or in fact possibly to anyone, ever. the closest before this admitting he was lonely to Azi during the Job minisode,) *then* hearing what he took to be the same Heaven will save us line from Azi was enough to trigger a massive bout of RSD and a broken heart. Everything was supposed to "vavoom and sorted! " and instead the stupid awning broke and everything went wrong. I think I've said it before that at this point Crowley can't hear anything over the sound of his heart breaking into a million pieces.
That's a whole lot to pack into the brief moments before Azi has to leave with the Metatron (who let's be honest was rushing him before he could change his mind) esp when neither of them are used to discussing their relationship openly. They didn't have time to think, to ask questions, to share information, (like hey guess what really happened to Gabriel?) Crowley tried to communicate as much as he could about his feelings with the kiss but Azi didn't have the time to properly process all that and said the wrong thing again and Crowley was rejected (he thought) again and it all just went so very wrong. You can't fix a 6,000 year relationship in 15 minutes, you just can't no matter what the story books say.
It's about two people wanting the same thing but not being able to get it (yet) because of circumstances and personalities. All of S2 was about them seeming to be closer than ever (and in many ways they were) but really they were opposed at almost every turn. (in RL not the minisodes, those actually showed them working together and coming out okay mostly, if you don't count wee Morag or Crowley getting dragged to hell) The way they both handled the Gabriel situation, how they both worked to solve the mystery, even how they tried to make Nina and Maggie fall in love were all either done alone, or in opposite ways. I've said it before and I'll say it again, as it was pointed out right in ep1, their exactlies aren't the same and until they are, they aren't going to be able to be together. The one time they did work together in the season, they produced a 25 lazuri miracle. That is the point of the final 15, and the whole season 2 in my opinion.
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They'll get there in the end though!
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