#my reasoning for this is that most of the interesting dynamics are removed by that point

[old-stoneface]

im listening to the audiobook for making money (ive read the book but it was a couple years ago now) and my review is that the antagonists for this book are my least favorite out of all of the city books ive read. they completely lack charm and theyre mostly just horribly annoying

[astronomalyy]

Thinking about the lifespans of Dungeon Meshi elves... The fact that they're completely unnatural alters my brain chemistry, because you can tell just how haphazardly the demon implemented their wish. They live five times the length of tall-men, so they age at a fifth of their rate. It's simple maths and the implications are terrifying. No wonder their birth rate and population are declining - their early development is so slow that at the age of two, they're still unable to stand.

They don't reach adulthood until their eighties. What does the infant mortality look like? How many elves succumb to illness or injury before they're fully mature? It only takes one accident to lose the child you've been raising for decades - and could you bring yourself to care for another? Add to that the implication elf culture has no idea how to process grief... just look at the way the Canaries treat Rin after the death of her parents. They're callous and insensitive and detached - part of that's racism, but there's also an element of pure cold ignorance. They don't even recognise the emotion on her face.

And that's just scratching the surface... does elven memory accommodate their extended lifespan? Once you reach two hundred or so, do the years start blurring together? Kabru mentions that their temporal awareness is remarkably poor.

Two years feel like a few months. Their lives are longer but not fuller. They're older but not wiser than the short-lived races, and most refuse to understand this. Those that do grasp it are interesting - namely Otta, who's ostracised for pursuing half-foot women.

A 30-year old elf is a young child; a 30-year old half-foot has entered middle age. Otta is in the equivalent of her late twenties. She knows that her elven lifespan makes her no more mature than a half-foot - but she also acknowledges that it creates a rift between herself and her partners, and not just in the eyes of society. 'She dumps them as soon as they pass 30', but probably not for the reasons Lycion assumes. For this to be a pattern, decades must have passed - it's possible Otta doesn't want to watch them die as she herself barely ages. No doubt some of her previous lovers have already passed away. In the end, all living 400 years accomplishes is leaving them out of sync with the rest of humanity.

Marcille's perhaps the best example. As a half-elf, she's got 95% of her life ahead and the thought terrifies her. She's going to lose everyone she loves, over and over and over again, and this cycle has barely even started. She runs at a different pace. This context adds so much to her dynamic with Falin in earlier chapters.

Marcille loves her! She's scared for her! Maybe even of her! She's grown attached to a short-lived girl who she met as a kid when Marcille was a teaching assistant! Biologically and developmentally, they're the same age, but chronologically she's twice as old as Falin! Considering what happened to her mother, is history repeating itself? Her feelings towards Falin are tangled and messy and fascinating. They're also more than a little homoerotic, which makes Marcille's infantilization of her friend all the more interesting. It feels like her way of resolving their power imbalance, of remaining a responsible (former!) authority figure... but it's also a coping mechanism. She's frightened by the ways Falin is maturing and changing - aging - and keeping her mental image of her friend as young as possible is her way of denying the march of time that's destined to sever their bond.

Marcille's dream of lifespan extension would remove the need for this obfuscation, render them equal... only, they already are! This desire is imposed onto Falin, but it's primarily for Marcille's benefit. Watching her fight for a world nobody wants, for reasons both selfish and altruistic... it's as tragic as it is understandable. I love this manga.

[kurogane2512]

The absolute feral things I’d do to be in between the four Fatui harbinger women I swear-

The most intense fivesome holy shit 🥵 Oh and it'll be a sixsome once we get Tsaritsa god I hope she'll have adult model 😩

18+ CONTENT

La Signora + Colombina + Sandrone + Arlecchino x fem!reader (I'd love to put Crucabena too ngl but hmm next time)

Smut with plot, fivesome with the Harbinger ladies 🥵 (I do apologize if some characterizations and dynamics are....different from what you'd expect or are used to seeing, I don't necessarily hc them the way majority of the fandom does. Also apologies for Signora bias it just happens naturally 😖).

This definitely turned out longer than planned but I thought to do it properly at once, might be messy idk first time writing a fivesome everything is so confusing but I did my best 😭

"Oh my, aren't you being quite rough with her, Marionette?~" a cheerful melodic voice resounded in your ear, the voice belonging to none other than the 3rd Fatui Harbinger, Colombina.

"May I remind you that you are the one who suggested doing this, Damselette?" the 7th Fatui Harbinger, Sandrone, retorted.

You were currently in one of the private rooms in the Zapolyarny Palace. You had been called by Sandrone stating requirement for some work, little did you know she simply wanted to use you for some stress relief. What you predicted even less was the involvement of Colombina, who invited herself in after finding out your whereabouts from the Fatui soldiers here and there. Her reason being that she was bored and was looking for you for some entertainment.

"Hehe, now now don't mind the details. She looks adorable this way, doesn't she?~" Colombina spoke in a cheerful voice sending shivers down your spine. How exactly were you looking? Ah that's right, you were blindfolded with your hands tied to the bedposts while both the Harbingers were seated on either side and watched you squirm.

"M-My ladies, please, we must not—"

"Oh, hush. I'm in a good mood right now so you might be in for a treat~" Colombina said.

"Hmph, if you are worried about your superior finding out then you should have resisted earlier when I called you, doll~" Sandrone added, her thumb tracing your lips.

Colombina gave a sound of agreement with Sandrone. You then felt another pair of fingers tracing your chin down to your neck, likely Colombina's considering their softness.

"Hmm, let us have some fun now, little lamb~"

You weren't new in the Fatui anymore, you had been here for 10 years now. But perhaps in the eyes of these immortal Harbingers, you were just a flicker of human life. And literally speaking, you were taller than Colombina but of course, nothing compared to her in terms of power and status. You felt a pair of hands roam down your chest and fondle your breasts through your clothes, one hand roaming even further down your abdomen.

You pursed your lips and breathed out intensely, your arms aching from being tied in the air but the 2 Harbingers didn't seem keen on releasing you anytime soon. You heard ruffling of clothes and assumed they had taken off their dresses; oh, how you wished to see them right now. Another pair of hands now unbuttoned your coat and draped it away to expose your body but didn't remove it completely.

"Ahem, what have I walked into here?~" a familiar voice spoke from afar, coming from the direction of the door.

"Knave, who gave you permission to enter?" Sandrone asked in a heavy tone.

"I knocked many times but nobody answered, Marionette. I meant to simply check if something was amiss and the door wasn't locked." The 4th Fatui Harbinger, Arlecchino, answered while standing in the doorway and looking at the scene in front with amusement.

"Oh, oops~ That would be me, I left it unlocked in case more parties were interested to join~" Colombina said in her cheery voice again.

You became even more nervous realizing another Harbinger was here and looking at your state of depravity. If your actual superior found out about this then you would be in trouble....

Arlecchino remained silent for a while and observed the scene before speaking, "Don't you both know Signora doesn't take well to her subordinates being used without her permission? Especially when it comes to her...."

The Knave was correct. You belonged to the 8th Harbinger, La Signora's unit and were one of her favorites, everyone knew that with the way she treated you. It was also true that she didn't like other Harbingers taking her subordinates without permission, especially when it came to uses like this.

"Hehe~ What? Are you going to tell on us like some obedient child, Knave?~" Colombina teased.

"Not that we care if you do, just to inform you~" Sandrone added.

Arlecchino gave no response and instead kicked the door close while walking inside. You heard her heels clink as she walked closer and became more anxious with each approaching step, you knew what was going to happen. Arlecchino removed her coat and pants then you felt the bed sink as she climbed on and crawled towards you. You could very well feel 3 dominating presences around you, all of them ready to devour you in their own ways.

"You prepared her like some lavish treat. I think it's time to unwrap~" Arlecchino remarked before removing the blindfold from your eyes. Bright light was cast on your vision causing you to squint your eyes for a moment before you opened them to see the 3 Harbingers around you, all of them sitting in just their bra and underwear.

"Are you scared, kitten?~" Arlecchino asked with a grin while grasping your jaw. You gulped then shook your head sideways, "N-No ma'am...."

Arlecchino's eyes flared, "Good. The Fair Lady indeed trains her subordinates well~"

Arlecchino then crawled to sit behind you. She undid your arms from the bedposts and made you sit on her lap, her breasts pressing against your back while her arms wrapped around your torso. Colombina and Sandrone spread your legs apart to sit in between and started roaming their hands all over you, caressing you like some prized possession. Arlecchino's fingers grazed your nipples through your bra while Colombina and Sandrone caressed your crotch, feeling your essence drip through and soak your pants.

"Oh, she's enjoying this. Give us your cute noises, little lamb. Show us how good you feel~" Colombina encouraged you.

You sighed through enclosed lips and threw your head back on Arlecchino's shoulder, giving her the perfect opportunity to kiss your exposed neck. Colombina and Sandrone slid down your shirt from each side and threw it away then dived in to kiss your chest and shoulders, their hands fondling your breasts simultaneously. Arlecchino's hands roamed down to your abdomen, pressing a finger against your clothed clit making you softly gasp.

You felt warm all over as they increased their ministrations gradually, their own body temperatures radiating through. However, the warmth was short lived as the room suddenly became frighteningly cold causing everyone to stop their movements. All of them smirked and looked towards the doorway to find the source of the sudden cold; of course, it was your superior standing at the doorway making the surroundings cold with her delusion.

You shivered feeling her presence and piercing gaze at you. She stood with her eye squinted and looked at the scene with clear anger on her face. Oh, you were in serious trouble, weren't you? Signora proceeded to walk in and stopped at the edge of the bed, looking at you and others with her arms folded over her chest and a frown on her face. The 3 Harbingers around you spoke nothing and instead continued their movements from earlier.

"How dare you three....!" Signora shouted, making you tremble from her high pitch and heavy voice. Colombina was first to chuckle and traced your cheek with her finger before planting a kiss on it, "You are late, Signora~"

Arlecchino followed and licked a strip up your neck, "She's already ours, Fair Lady~"

Sandrone continued by lightly biting your collarbone, "You can pick her up later. Unless you wish to join~"

Signora was seething at this point. She couldn't believe the audacity of her colleagues, but more than that she couldn't believe that you agreed to this. She knew it was futile to argue with them so she instead focused her gaze on you. You were speechless looking at her, you didn't know what to speak. You could tell she was angry but at the same time, she looked almost hurt as if you betrayed her.

"Explain yourself, Y/n!" she demanded.

"M-My lady, I'm sorry! I-I...."

You trailed off and struggled to give any explanation. What could you really say? You indeed consented to this even if you were initially caught off guard. This wasn't the first time the other Harbingers did these things with you, and Signora also knew that but she never had such a radical reaction like now.

"Do you want this, Y/n?" Signora asked further after sensing your silence, but what could you say other than silence?

"Tsk tsk, this is unfair, Signora~" Colombina broke the silence and replied in your stead.

"Mhm, you are putting her on the spot." Sandrone added.

"Indeed. What are you really expecting her to say?" Arlecchino also added.

Signora gritted her teeth at the unbelievable situation. She also wasn't sure what she wanted you to say; perhaps she wanted you to stop and go with her, only her. The three of them released you for a moment, letting you breathe and crawl off Arlecchino's lap to go near Signora. Signora furrowed her brows then turned around with a scoff and proceeded to walk away, not saying a word to anyone. You looked at her wide-eyed and quickly got up to catch up to her and stop her.

"M-My lady, please stop! Please listen to me!"

You grabbed her wrist and finally stopped her for a moment, begging her to listen. Signora turned to face you but she really didn't want to listen to anything.

"I...I'm sorry for doing this without your permission. But please, don't leave like this...."

Signora silently listened and you continued, "I promise this won't happen again but for now, could you please.... stay?"

Signora looked at you wide-eyed hearing your surprising request. The other 3 Harbingers were also caught by surprise but were more pleasantly amused. Signora thought for a while then let out a sigh and suddenly kept her hand on your chest and began pushing you backwards while she walked forward with you. You hit the bedside and she pushed you down to sit on the edge while she began removing her clothes.

"We do this one time. Is that clear?" Signora finally spoke and eyed each of the Harbingers around you.

Your breath got caught in your throat as you watched her remove her cape and slide down her dress to reveal her tempting figure, leaving just her bra and underwear on like the rest.

"Sure sure whatever. Now come here, litte lamb~"

Colombina feigned agreement to Signora's condition, the other 2 also giving a simple hum showing they didn't take it seriously. You were so caught up gazing at the Fair Lady's body that you froze in place and didn't move at all. Signora chuckled at your state and cupped your face, lightly caressing it before tracing your jaw with her cold fingers. You flinched slightly and realized the situation, Signora was ready to climb up on you but you quickly shifted back to your previous position and gave her space to come closer as well.

"Hm, disobeying my order, little lamb?~" Colombina pulled your face to her side, making you look at her.

"N-No ma'am! I'm sorry I didn't mean to—!"

"I'll forgive you if you make up for it~"

You vigorously nodded and waited for her, or any of them, to do something. All of them shifted closer to you and caged you within, leaving absolutely no space to escape. The next thing you knew, your body was being groped and felt all over by their hands. Signora caressed your neck and slid down to your belly, Colombina and Sandrone fondled each of your breasts while Arlecchino was caressing your nape and shoulders.

They then leaned in at the same time and began kissing you all over. Signora was busy marking your neck with her red lipstick, leaving visible imprints all over your chest. Colombina and Sandrone kissed your arms and licked your ears, Arlecchino was occupied with kissing your nape and back. You shuddered feeling each of their lips on you at the same time, numerous sensations running through your body making you lose your mind.

Signora licked up a long strip from your neck to your chin then connected your lips with hers in a passionate kiss. Your mind went blank feeling her soft lips on your own, the kiss being deep as she rolled her tongue with yours and explored your mouth. You gasped as she pulled away but had no time to breathe as your face was pulled to the right side and another set of lips kissed you.

"How unfair, Signora! I wanted to kiss her first!~" Colombina protested before deeply kissing you, her tongue swiping against your lips and exploring your mouth in a hurried manner.

Signora smirked, "You had her before me, you had all the time to make your move~"

"Hmph, you get to be with her most of the time. You must have had your fill already." Sandrone commented and pulled your face away from Colombina's grip then kissed you as well. Her kiss was slower but equally passionate as them, her tongue rolling with yours too.

"Now now, let's not overwhelm the poor girl~" Arlecchino's voice brushed past your ear as your face was turned to the extreme and she leaned forward to kiss you, biting your lower lip before rolling her tongue with yours. Your mind was numb by the time each of them kissed you, and you had no idea how you were going to handle the rest of the night.

"You all didn't even undress her properly. Am I supposed to do everything here?~" Signora remarked while looking at you still wearing your bra and underwear. Arlecchino was quick to act and unhooked your bra followed by Colombina and Sandrone sliding off each of the straps and putting it away. Signora's gaze roamed down to your underwear and your body acted on its own as you spread your legs and raised up slightly enabling her to take off your underwear.

"Good girl~" Signora praised with a smirk.

Soon after, you were lying flat on your back while Signora and Colombina fingered your folds and Arlecchino and Sandrone played with your breasts. You felt 2, even 3 fingers circling your clit and pinching it before parting your folds. Colombina was more impatient as she inserted a finger inside you immediately and started thrusting in and out, giggling along while looking at you moan and squirm.

Signora rolled her eyes at Colombina's behavior but wasn't going to be beaten by her. She inserted 2 fingers in one go as you were so wet already. Your body arched unexpectedly as a loud gasp was pushed from you, their fingers grinding and rolling inside to pleasure your sweet spots. Both of them also used their hands to continue rubbing your clit, making you wetter and grasp their fingers.

"Oh, she's so cute. I never have so much fun with anyone else~" Colombina cooed.

Meanwhile, Arlecchino and Sandrone were pinching and caressing your breasts. Their dainty fingers squeezed and pressed your nipples, eliciting even more moans from you. Arlecchino leaned down to wrap her lips around your nipple, her teeth grazed your bud before she suddenly started sucking. You gasped in pleasure and writhed more, making Sandrone annoyed as you weren't staying still as she wanted. Sandrone also resorted to sucking your nipples now and you had no way of moving around, essentially being weighed down by both of them.

"Aaaahn.... p-please.... I'm c-close—!~" you cried out, begging them for your release.

"No, you have to hold on, little lamb~" Colombina said.

"Mhm, you can do better than this, my tiger~" Signora added.

You bit your lower lip and desperately tried to hold on as they wanted but it was extremely difficult with all the pleasure you were receiving.

"It's our turn now." Arlecchino demanded after letting releasing your nipple with a pop, still circling the bud with her fingers.

"I don't know why I'm even bothering to wait this way." Sandrone commented.

"Oh, don't be in such a hurry both of you. We are going to make her cum first so just shut it and watch." Signora scolded without even looking at them, she was entirely focused on you.

Arlecchino and Sandrone took offense to her words but nevertheless waited for your sake. Signora curled her fingers and hit a particular spot inside you which made your eyes widen and body roll away, feeling overwhelmed instantly.

"There it is. I know your body best, don't I?~" she proudly said and continued hitting that spot. Colombina followed suit and touched the same spots as well. Your eyes rolled to the back of your head, your legs trying to close in and clenching their hands but both of them easily spread your legs wide again.

"Looks like it is time now. Cum for us, little lamb~" Colombina praised and you felt the knot in your stomach release as you finally came, drenching their fingers with your slick.

Both of them took out their fingers after a while, giving you a brief moment of relief as you breathed in and out. The break was short lived as you were suddenly flipped over to lay on your back then rotated around to face Signora and Colombina while Arlecchino and Sandrone had your crotch in sight. You whimpered from the rough handling, the 4 of them coordinated the movement with ease as if handling a mere toy.

Your legs were spread wide and you were pulled closer by Arlecchino and Sandrone as they occupied spaces between your legs and rubbed their fingers over your dripping folds. You looked back at them and blushed with the way they gazed at you, their lips curled up in a devious smirk and eyes flaring with desire. You tried to sit up slightly but found it difficult; as if sensing your difficulty, Signora pulled you closer and made you lay on her body.

Your face flushed against her breasts and her arms wrapped around to hold you comfortably. Colombina caressed your head and nape in this position and soon after Arlecchino and Sandrone started fingering you. You gasped and held onto Signora tighter, your moans muffled while Arlecchino and Sandrone's fingers wrapped inside your tight mushy walls. Their movements were more erratic and unkempt compared to Signora and Colombina, it was almost as if they were competing who'll make you cum.

"Nghhh~ M-My ladies.... s-slower, please— aaahn!~"

"Hm? Did you say harder?~" Arlecchino teased.

"I believe she said faster~" Sandrone added.

Your body trembled as they increased their pace opposed to your protests. Both of them had 2 fingers each inserted and scissored them roughly, grinding and thrusting everywhere all at once drawing out your juices. You were eventually standing on your knees and leaned into Signora, moaning into her ear while she held you and the 2 Harbingers behind continued fingering you.

"C-Cumming, please.... mmh— ngh!~"

Signora smirked and eyed Arlecchino and Sandrone who gave a nod of approval then hilted their fingers deeply, thrusting against your deepest spots. You jolted forward with a mewl, pressing into Signora even more as you neared your release. Arlecchino and Sandrone leaned on your back at the same time, their arms wrapping around you making you straighten your back. Their lips neared your ears, warm breath brushing past the edge as they whispered together, "Cum now, kitten/doll~"

You whimpered breathlessly and came, an intense orgasm washing over you making you go limp. They took out their fingers and played with your essence coating their tips while gazing at you with a smirk. You panted out hard while recovering from the mind-numbing sensation, but you were well aware the 4 of them were far from done with you. The fact that you could stay awake even now was commendable to them, and certainly fueled them to do more.

They looked at your quivering body and waited for some time before flipping you over again, making you lay flat on your back. Your legs were parted and you felt Signora straddle you in a scissor formation, keeping one leg over the other. You realized she had removed her underwear as you felt her folds rub on your thigh, you then looked around and saw all of them had discarded their underwear sometime while you were recovering.

Signora wetted her fingers and rubbed her core with them while Colombina was quick to straddle your face and place her core on your lips while facing you, looking down at you with a playful smile.

"Seems to me you both are far more impatient than us." Sandrone husked then grabbed your left hand and placed it under her core, aligning your fingers up.

Arlecchino moved to the other side and did the same with your right hand, "Indeed, I'll have to forcefully take her if this keeps up~"

Signora scoffed, "I don't care where you all take her. In the end, she will always come back to me~"

"Mmmh, I'll just go ahead and start while you three bicker away~" Colombina announced then started moving back n forth on your lips, you lapped up her folds with your tongue while her fingers gripped your hair and used it as leverage to grind herself on you.

Signora was next to act as she slowly joined her core with yours, your wet folds gliding over each other's and eliciting muffled moans from you that went straight to Colombina and made her shiver in ecstasy. Signora sighed in pleasure as your clit bumped with hers, her body shifting closer as she held your leg up on her shoulder and grinded with you.

The next course of action was obvious to you so you took the initiation and inserted each of your fingers inside Arlecchino and Sandrone respectively. Both of them were caught by surprise but maintained their composure and stabilized themselves before grinding back n forth as well, making your fingers hit the right spots inside them.

It was a highly erotic situation for you, all of your senses were occupied by them in some way and you were desperately trying to do your best to please them. Good thing your Fatui training came in handy, it would be impossible to keep up in a situation like this if you were just some normal citizen. Even then, this was more difficult than your field operations since you had to please 4 of your superiors at the same time, all of them having high expectations of you.

"Aaahn.... yes, right there.... little lamb.... oh, you are good at this~" Colombina moaned.

"Mhm... i-indeed, not bad.... she's improved— hngh!~" Sandrone added.

"R-Really? Mm.... s-she can improve more but perhaps.... this is better than b-before.... mmph~" Arlecchino followed reluctantly.

"Hehe.... don't underestimate her t-training.... ha— aahn~" Signora continued.

Colombina gripped your hair tighter and was riding your face with all her heart now, clearly becoming desperate to cum now. Her petite frame was easier to handle but she was also relentless, grinding back n forth on your face as if it was just a pillow. Sandrone was rubbing her clit now while you fingered her, curling your fingers inside her and hitting her sensitive spots.

Arlecchino was bouncing on your fingers now, trying to take them as deep as possible. Signora was being deliberately slow, she wanted to let the others finish first so she could have you all to herself for this moment. She thrusted into your core with long arcs, making you feel every sensation of her folds rubbing with yours. You were in cloud 9 by now, absolutely surrendered to all of them.

"Yes.... yes.... I'm there, little lamb.... just here.... yes— aaahn!~" Colombina moaned loudly as she released first, her juices dripping on your mouth and you tried drinking every drop. She panted on top of you for a moment then stood up and rolled on the bed, laying down in ecstasy.

Both Arlecchino and Sandrone were holding back their moans, simply giving little gruff sounds as they thrusted and bounced on your fingers before releasing one after the other then got off and laid on the bed as well, fanning their faces while resting. Signora took the opportunity she was waiting for. She grabbed your waist and pulled you closer, a startled gasp coming from you while she wrapped your thighs around herself.

Signora then leaned forward on you and covered your entire body, enabling you to see and feel nothing but her. Her hips rolled into you faster now, your core bumping and sliding off each other as slick mixed together. You gazed up at her with a pleasured look, eyes hooded and lips parted. She leaned down even further and almost embraced you now, her breasts pressing into yours and palms intertwining together.

You moaned as your legs were pushed back by her, your knees folding close to your chest and she kept grinding and rocking her body, fucking you as if she owned you which, in a sense, she did. You felt her face near your ear as her lips brushed the edge and her soft moans resounded closely, making you even more aroused from just her voice. But what she said next made you instantly release.

"Cum with me, my love~"

As if like a broken dam, you released abruptly and squirted all over. Signora grinned at your state and released immediately after, colliding her core with yours and keeping it connected as you gushed over her. Your body heaved intensely, you were seeing stars at this point and your mind practically stopped functioning. Signora rocked a few times to finish her orgasm then removed herself from you before sitting on the left side and recovering.

"Ah, this was good. But I want more!~" Colombina keened with a pout.

"Did you forget we have work to do, Damselette?" Sandrone scolded.

"Ugh, who cares about the boring work? Don't worry, I'm sure Her Majesty will understand~" Colombina retored.

Arlecchino sighed, "If we are continuing, then I demand to change some things."

Signora chuckled in response then suddenly stood up and wore her clothes again then picked you up in her arms bridal style and wrapped her cape over you.

"I said we do it once. I will be taking what's mine now, Y/n needs some rest then I will have a nice long talk with her~"

Signora proceeded to walk out, ignoring the protests of her colleagues- Colombina, particularly since Arlecchino and Sandrone accepted this and began to leave as well. Signora gazed at your curled up figure snuggled into her and smiled to herself, thinking how much importance you held in her heart.

[kateysummers99]

Do you think the WWBM Interacial movement has now got to a critical point where momentum has starting to challenge even the majority of White Women now as far as there choices for relationship ? May we as White Males even lose this group of females to African Men more then we keep ourselves ?

The short answer is definitely yes.

Because of my own personal experiences and also just looking at major social trends, it's pretty obvious that IR relationships (in general, but specifically white girls and black guys) are much more common now than they were 10, 30, and 30 years ago. 

I think there are lots of reasons for this and I’m obviously not an expert (I work in finance, not cultural psychology), but lets just look at the obvious trends:

Girls today are more empowered in general, and especially regarding sexuality and romance. I mention this a lot on this blog, there are less things hold girls back than there used to be. Movies and TV and culture in general are so much more accepting that people can love who they want to love, and that applies especially to society being more accepting of girls expressing their sexuality. I grew up in a time when dating black guys was an obvious but implied no-no, and it's just not the same today. (Note this is NOT true everywhere. Sadly there are racists and homophobes still, but they will probably be holdouts until they die.)

Black men are idolized for their physicality and masculinity by society more and more every day. Sports, music, advertising media, movies, social media and TV shows - you name it, black guys are constantly the icon of masculinity, status and power. This is really true for their masculinity, where we regularly fetishize the sexual prowess of black men in every day culture with phrases like “once you go black you never go back.” 

Porn is free and everywhere. Also something that wasn’t the case when I was growing up, but now you just pick up any cell phone and in a few seconds be privately and anonymously staring at an amazing black man and his huge black cock (or whatever your fantasy is).

Also in the last few years, social justice and institutional racism has become a hot topic, I think a lot of women recognize that the same old white male patriarchy that has been suppressing women since the beginning of time has also been responsible for suppressing Black people. This puts white women and black men on the same side on a pretty deep level, where they see each other in the same existential struggle for happiness against the common enemy that is old white guys.

Another interesting thing that I've read reports about is more and more young white guys who are essentially "staying single" forever, sometimes due to porn addiction. They make a sexual connection with porn that is easy and judgment free, which is the opposite of the real-world dating situation where they deal with complex social dynamics and competition (including trying to compete against more masculine black men who are constantly in movies and music).

So if that's a growing tend... then young women find themselves more free in choosing partners, society idolizing black guys, exposed to IR sex and porn, and more culturally aligned with black guys… and young white guys basically removing themselves from the dating pool.

As for me personally, I have always thought think black guy / white girl couples are the most beautiful -- there's a special passion and primal attraction that goes deep down that you just don't see with other couples.

So yes, I think black guy and white girl couples are definitely more and more popular. I don’t think we’ll ever get to a point where all white men are unwanted forever (sorry white boys who message me, desperate to live in such a world), but I do think increasingly empowered girls and wider acceptance of female sexuality will naturally trend to more black guys and white girls together - which is all beautiful to me :)

[fuckyeahisawthat]

The failmarriage hatesex fic is growing a second chapter which is very funny to me because Paul/Irulan was a ship I was actively not interested in. But apparently I just needed to unlock the Secret Good Ship Dynamic in my head that makes it compelling to me personally.

Calm, cool, collected ice queen Irulan, effortlessly manipulating things from behind the scenes? Boring to me apparently. Irulan who is frustrated, furious and scared, desperately trying to find a lever to exercise some control over her situation but extremely aware of the fact that she is trapped on the space cocaine death planet under the control of a man who has recently become the most powerful person in the universe and seems rather inclined to violence? Fucking catnip.

And then combine that with Paul being cold and kind of mean but never physically violent, which leaves the threat implicit, which is often scarier (and Paul is always most interesting when he's scary), and leaning into that ambiguity of never exactly knowing how self-aware he is about how much power he has over her.

And then the final element being that Chani is not there. Which seems counterintuitive because I am Chani's #1 defense lawyer. But the thing that I always found unappealing about Paul/Irulan was the idea of the blonde offworlder princess supplanting the indigenous woman canon love interest both in terms of narrative focus and as Paul's primary or ideal partner. And I could never quite make the threesome dynamic work in my head with the book characters because I could never figure out why Chani would ever like or trust Irulan, especially after the whole, y'know, feeding her birth control without her knowledge or consent FOR YEARS thing (which is horrifying enough on a person to person level, but add in the racial/colonial dimension to it and f u c k i n g y i k e s d u d e.)

But ironically once Chani removes herself from the situation--for completely justified reasons--her place in the narrative becomes irrefutable. Because Paul and Irulan both know that he wouldn't give her a second glance if Chani were still around; that he's only fucking her because she's there; that he is just using her as a stand-in for the person he'd rather be doing this with, and she's an inferior replacement as far as he's concerned. Chewy chewy chewy.

And the cherry on top is Irulan belatedly figuring out that she maybe possibly has a tiny bit of a humiliation kink, and the only person who's ever clocked it is Paul. RIP girl but he is gonna be SO fucking annoying about that.

[gothicbarbie]

MY TOP 10 BEST BL COUPLES OF 2023

So I guess I'm a little late considering it's now 2024 in most places, but well, better late than never. I tried and failed to rank top 20 or even 10 kisses... I just couldn't remember them all or even choose... but most of my top couples have some pretty great kisses, so at least there's that! I can, however, rank my favorite BL pairings from 2023, so... let's do it! I will be ranking these from least favorite to favorite because I think it's more fun that way... Also I credited all the gif makers at the bottom but I did list the tumblr user for each specific gif underneath. If someone wants me to remove their gif, please let me know and I will so! I just wanted to pretty up the post a bit.

Also, to clarify, any couple on a show that is currently airing and not complete yet is not eligible to be on the list for 2023. Trust me, there were many I wanted to include!

Honorary Mentions:

Tinn & Gun | My School President

So, spoiler, a different GeminiFourth pairing will be on the actual top 10 so I didn't really want to include both pairings on the list, but I really did love the two of them in My School President. G/F just have such a wonderful and natural chemistry. The way they always look at each other just feels so pure and sweet. I really like pairings where one is secretly pining for the other, but Tinn/Gun also sorta had a hate/love ISH thing going for a little while. The progression of their relationship to actual boyfriends was just so fun to watch and really well done.

Dong Wook & Do Hyun | A Breeze of Love

I watched this BL so quickly that it didn't really resonate with me as well as some other series, which is why these two didn't make the top 10, however, I really enjoyed their relationship on the show. I love hate to love pairings and I found their backstory scenes really sweet as well. I also thought they had a really nice chemistry and there were some strong kissing moments for a kbl.

Jihan & Jaejun | City Boy Log

I didn't include these two on the main list for two reasons, one: the show is not over yet... i don't think? and two: this technically isn't a BL drama? IDK anymore, but regardless I love this series and this couple so dang much! I love the realness of them filming themselves and how their relationship is portrayed so subtly until their feelings just sort of emerge. They have some really wonderful and special scenes or moments together that we don't typically get on other series. I am anxious to see where the rest of the story goes and I hope the actors get another opportunity to work together. The side pairing is great too!

Top 10!

#10. Ai & Songkhram | Destiny Seeker

These two were so damn fun to watch, I really loved the hate to love thing at the start that quickly turned into love (Or I guess always sort of was???). The actors had such a great chemistry together and they had so many fun little moments and bantery scenes together. While the rest of the series felt a little flat for me, their connection continuously kept me interested.

#09. Ze Rui & Zong Yi | Kiseki Dear to Me

Honestly don't even know what to write about these two or how to explain why I like them, because there wasn't anything particularly special about their dynamic that typically draws me in, but I just really enjoyed the actors chemistry together and I really liked the progression of their relationship and how well they meshed together. Their kissing was extremely natural too.

#08. King & Eua | Bed Friend

Firstly, these two are HOT AF, and I really loved the friends with benefits storyline between these two, but more than that, we have a perfect character imo with King, who was continuously there for Eua and always trying to help him and make him understand how much he really cared. The show could be very dark at times but I love that King was always sort of the shining light for Eua.

#07. Segaski & Yoh | My Personal Weatherman

I can admit that the big draw to this show for me originally was the sexy scenes and moments, and while I do think the series could have done with some more scenery changes and better storylines, considering the time frame, I enjoyed watching the relationship between the two characters develop. It's nice to get a friends with benefits type of relationship and see how it progresses into more than that. And for a JBL it was nice to see some high heat with a happy ending.

#06. Su Yu & Wu Bi | Stay With Me

SIGH. THESE TWO. So I mean, I understand the criticism of this show and their relationship. So many things are implied but personally I felt like the end half made it pretty clear that these two were 100% a romantic couple. (just wish it was clarified when that change happened) But the progression of their relationship from hate to love was so beautiful to watch. Even if it was just a friendship it was worth it imo to see how close they got. Fair warning, the finale episode is not the best lmao, but I hope we get a second season to sort of fix it? Fingers crossed on that one.

#05. Wan & Ki Tae | Our Dating Sim

This was definitely one of the cutest BL's of the year and this couple falls into that category well too. I really loved seeing them re-connect. I love that they were old best friends (with feelings) that had a lot of issues to sort through and we saw some adorable flashback scenes as well as current scenes. I also love that they got together and were mostly happy instead of having a lot of intense drama.

#04. Li Ming & Heart | Moonlight Chicken

These two... so much to say about them and yet I don't really know where to start. Gemini and Fourth just work so well together and I felt like this duo was even deeper than in MSP. They started out on bad terms but quickly became close and I really loved the progression of their relationship and then I adored how we also got to see them together as a couple too. My favorite thing about them was how hard Li Ming worked to try to understand Heart and how he learned sign language for him and encouraged him to get to know others like him and to put himself out there. They also had such a fun banter with playful moments and scenes. It was just so damn pure and sweet to watch with no unnecessary or stupid fillery drama.

#03. Jae Won and Ji Hyun | The Eighth Sense

Something about this pairing just felt so much different than the typical KBL pairing. The show itself was so much deeper and had a more serious tone than we typically get, which was amazing. The actors nailed the roles and you could really feel the tension and longing between them right from the beginning. I loved their storyline so much and the actors seemed so comfortable together.

#02. Yamato & Kakeru | I Cannot Reach You

This was one of my favorite BL's of the year and their relationship was a huge part of it. I thought I was more into hate to love, but clearly, based on this list, that isn't always the case. There is something so sweet and adorable about best friends turned to lovers. I really love too when we see one side pining for the other, so this couple was extremely enjoyable to watch!

#01. Chen Yi & Ai Di | Kiseki Dear To Me

Good Lord these two... they had the perfect formula for my favorite type of pairing. Hate to love, drama, tension, angst, one-sided pining... it was so painful to have to wait every week for more. But god, it was worth the wait and their chemistry was just so good, their kisses were phenomenal too. Def. a memorable pair and a show I will be rewatching very soon!

THANK YOU to all these wonderful humans for making the most amazing gifs that I used in this post!

[bthump]

what draws you to homosexual relationships in fiction as opposed to heterosexual ones? I noticed I prefer them as well but I don’t really know why. Or maybe it’s just in the media I like the homosexual relationships are written to be much more compelling, I don’t know. This isn’t hate against het relationships btw I support all sexualities

Probably a million different reasons honestly. Off the top of my head, some of my personal reasons:

-- I'm bi but more interested in gay relationships in my personal life, so my fictional interests reflect my irl interests.

-- Removes misogyny as a factor both within the romantic dynamic and, if m/m, the depiction.

-- Relatedly, I hate how 99% of hetero relationships in media have a built in lowkey unacknowledged d/s vibe due to that misogyny. Woman passive man active, woman pursued man pursues, woman weak man strong, woman soft man hard, woman fucked man fuck, woman object man subject, woman prize man winner, woman small man big, woman puts in work and money to make herself attractive man gets to live at his default state, woman desirable for looks man desirable for personality/money/skill, woman financially dependent on man, etc etc etc. Turns me off.

-- Like at least when that's the dynamic in m/m or f/f it's deliberately someone's kink and a gender norm is being subverted by one of the characters.

-- Gay relationships being more equal is something I've seen cited a lot, rightly or not, but it isn't one of my reasons lol, I like unequal relationships in fiction. That said, gender not being a factor in that inequality is definitely a draw for me.

-- Subtext is more engaging than most textual romances, and gay relationships are more likely to be subtext while het is more likely to be textual.

-- Gay sex (m/m and f/f) turns me on, straight sex rarely does.

-- Specific to m/m, but men in fiction are more likely to have compelling, complicated, deep relationships with each other than they are with women.

-- I enjoy gender nonconformity which is much more plentiful in gay ships and fiction than straight media.

-- Heterosexuality is oversaturated in media and I'm exhausted and irritated by its ubiquitousness.

-- As someone who grew up in the 90s, the existence of casually gay popular media still blows my mind lol, the shine has not come even close to wearing off. Heterosexual media just can't compete with that.

Anyway yeah, those are a few of my reasons, and maybe they align with some of yours as well.

Ultimately though I don't think it matters and it shouldn't be something you feel the need to justify imo. Enjoy whatever you enjoy for whatever reason, or no reason at all. But if you enjoy soul searching, then maybe this list is a decent starting point.

[bambinambi]

In the midst of darkness, one will undoubtedly be drawn to the light

A cautiounary tale about destiny swapping

Destiny swapping: what happens when you let the enemy close

I woke up this morning and found a video about destiny swapping:

(it's a very good video. I would encourage anyone interested in this topic to check it out)

The topic made me immediately think of a "friendship" group I had back when I doing my undergraduate degree. We were a group of three, having broken away from our larger friendship group due to prior relationship drama.

In the beginning of the friendship, I was praised for my authenticity, constantly complimented for my looks, my sense of style, my good sense of humour, my confidence, my intelligence... But soon that admiration and affirmation turned into mimicking behaviours, copying my fashion sense, my mannerisms, my demeanour and even my jokes. With this adoption of my innate characteristics came criticism and judgement. The one 'friend' (because there is always the 'leader' in bullying dynamics) initially started out giving me 'recommendations' and 'advice', as all friends do, especially when their guidance is called on, but this eventually devolved into backhanded comments and harsh criticisms under the guise of 'teasing' or 'correcting' my behaviours, the very same one they were copying.

Now that I think about it, I had a similar instance happen in high school. Initially the 'friend' would constantly compliment everything about me, my beauty, my body, my sense of style etc. But this devolved into a consistent one-sided competition she had with me, constantly bringing up ways in which she was triumphing over me, for example in academics. Thankfully, my childhood best friend, having more self-respect than I, told me we needed to distance ourselves from this evidently insecure girl. Knowing what I know now about how dangerous self-victimising insecure people can be, I am so grateful to her that we removed ourselves when we did.

Unfortunately, coming into university, I hadn't learnt my lesson fully and wasn't cautious enough. I stayed in the beginning stages of the relationship, sensing danger but being more fearful of being alone, as I believed I wouldn't fare on my own and didn't want to, again.

Having spent my adolescence feeling incredibly lonely, feeling like I couldn't quite connect with the people around me, I threw myself into the first relationship that closely resembled the friendships I had always dreamt about having; friendships in which we had interests in common, friendships where I wouldn't have to feel ashamed about what I liked, not realising that my internalised shame, fear of being honest with those around me and lack of confidence in who I was were what were really holding me back from true connection and possible acceptance amongst the friends I had.

Eventually, their behaviour devolved into attempting to isolate me, passing judgement about every other friend I made, expressing superficial reasons as to why I should not maintain those relationships; "You're above them.", "They're not cool enough to hang out with you."

See, one way to note the difference between someone that is empty and someone that is full, is to pay attention as to where they place their priorities. People that place greater importance on the external factors (such as; in their own self-care, in who they seek out to engage in relationships with, in their work and in what they like to spend their time and resources on) are empty.

People who place precedence on the internal worlds of not only themselves but others, are often full beings, being far more concerned with being abundant within themselves than outwardly and so will be interested in surrounding themselves with people who will pour into them. When someone is referred to as an 'energy vampire' or 'destiny swapper', most of the time (because they don't pour into themselves or others), they will seek out the light or internal abundance that resides in others. Because these individuals can't or are unwilling to do the work required to find that light within themselves. Sometimes, they too have light within them but become envious of other's light and decide to forgo this light in the pursuit of other's divine blessings.

My friends went onto criticise my decisions, my thought processes, my very being and essence, all while emulating the person that I was slowly becoming less and less of. Once COVID-19 pandemic hit, I was a shell of myself, in constant turmoil, trying to become a 'better' person, so I would be accepted (assimilated into) by the unkind and self-centred 'cool kids' on my campus. I held no personal allure for myself to become aquainted with these individuals, but at this point, I was already slowly losing track of my personal opinions and morals in pursuit of these relationships, not realising that the people I was seeking approval and community from were not my soul tribe.

After a year of not having a stable sense of self, I completely disappeared. I was a shell of myself, while my 'friends' absorbed what was indubitably my very essence. Oftentimes, I would have interactions with them that felt like I was speaking to myself, in their eyes, I saw myself distraughtly peering back at me, wondering how I'd found myself in the body of another, alarmingly looking back at the empty vessel it had once inhabited, now left barren.

They eventually abandoned me entirely, going places without informing me and ignoring me as much as they could while I was reeling, having lost myself and grandmother in the same year. When I came back home (after miraculously finishing the final year of my degree), I came back into the embrace of friends and family that had built me up over the years (developing into the person I became before my destiny was stolen), people who held unconditional love, support and confidence in me. Once I was at home in the presence of my community, I came to the final realisation that the friendship I had settled in for years in university was not only a betrayal to myself but also to my loved ones.

By allowing myself to be robbed of my light, I had consequently robbed my loved ones of my light as well. We are not given gifts by God to be enjoyed by ourselves. Nothing we are or do exists in a vacuum. How we are blessed will have an impact on those around us, whether intentional. When we harm one another, we undoubtedly harm ourselves, when we bless one another with the gifts we are divinely given, we too recieve blessings.

God had shown me how loved I was. And I still allowed a couple of hollow people steal my light because instead of recognising the blessings I had in the people who God had placed in my life, I still yearned for more. I perceived myself as deficient. I could not stand alone in my uniqueness and individuality; tailor-made for me, and for me solely. I wanted to fit in, I wanted to be part of the crowd, but how boring what that be? How boring would life be if were all carbon copies of one another? I also never thought to ask myself if the people who could assimilate seamlessly felt a sense of loneliness akin to my own, felt that they too had to keep a part of themselves to themselves to preserve their community. Maybe, had I been more vulnerable, I would know the answers to this.

When I walked into one of my shifts this week, I had an interaction with one of my co-workers that felt like I was staring at my reflection in a mirror. She had similar braids to mine, in the same colour blend, she was interacting with the staff and customers with the same childlike mannerisms and enthusiasm I brought to the workplace daily. This particular colleague would be would regularly be hot and cold with me, often I would walk into the workplace to find that she had an issue with me. Witnessing her act like me actually made my blood run cold, although I didn't have the correct terminology to explain what I was witnessing, I knew exactly what was going on. And not having learnt my lesson, I kept interacting with her the same way I usually did instead of pulling away, instead of distancing myself completely. But after finding the video it made me realise that I NEEDED to respond differently this time.

My final takeaways from these experiences are to;

Move in silence. Don't tell anyone about your plans until they've come to fruition.

Be cautious about the people you let into your life. Take your time getting to know someone, before you start opening up to them.

Be wary of/distance yourself from people who are hypercritical of you. It's one thing to give guidance or counsel and a whole other thing to one to completely alter who another person is.

Be concerned when someone starts mimicking multiple things about you. It's one thing to be inspired by another person and another to start becoming like that person.

Avoid people who have a habit of trying to one up you in intellect, their material possessions and inner qualities. Someone who is in competition with you or others is someone that is deeply insecure and is constantly trying to alleviate that insecurity by all means, including; stealing other's personalities as a means to bandage their wounded egos and alleviating their inner turmoil.

One issue I had ultimately with loneliness born from a fear of being rejected for who I was. I believe opening up to others will allow for an opportunity for deeper connections, deeper understanding and sometimes mental reprieve. But sometimes it's important to turn to yourself for counsel and sometimes important to be resilient and able to lean on one's self for emotional comfort, especially the older we get. Journaling helps tremedously with developing emotional resilience and reliance on one's self.

Remember to protect your light. When you take away the external and the material, it's all we have in the end.

And if you want to get your destiny back; All you have to do is distance yourself from the energy vampire. Remember, Satan can't create, only God can. If God's divine gift is within you, a destiny swapper can only syphon the energy off of you by studying you. Take that opportunity away from them and keep your distance. Be quiet in their presence. Be comfortable in yourself and in being alone, so you don't go looking for community in the wrong places.

[sharoo]

Canto 7 thoughts

So me and my pals finished canto 7 yesterday and just. Projmoon how do you keep one-upping yourselves. How are you going to keep one-upping yourself we still have 5 episodes of Inferno and god knows what more after that.

So like a lot of fans i'm gonna leave my thinkpiece here and try to sort out the emotions I have about it all. This is going to be rambly as heck.

Family and how messy that can be

Bloodfiend families kind of make me short-circuit when I get thinking about them. A chosen family of blood, but one with an unfortunate power dynamic, where the children cannot willingly disobey or harm their parents.

Old Don Quixote was a good guy. He was an idealist, he treated his kids well, he wanted the best of for them. But so often they did not have a choice in his antics. Sancho herself even says, during the Bloodfiend war days, that she could not leave him.

And the fall of La Manchaland involves several instances of him making choices for others without considering them. Forcing Sancho to leave when, as the story clearly shows us, DQ is in large part her reason for living and happiness; forcing the family to first live off of flavourless mush for 200 years and then locking them away to endlessly keep on starving as they're unable to die, all for the safety of humanity.

Don Quixote has the air of someone who centres his actions on what he feels is right or wrong, not necessarily considering others?

But as someone once said, any action committed in the name of love exists outside the framework of good and evil.

I do not think DQ was evil, nor were the bloodfiends. They were just trying to survive and do what felt right. And really, Don sums it up best - he was upset with them, they were upset with him. It's not black and white.

Really, the villain here is their illness and what it forces them to do to stave it off.

But also we have another family. The family of a Bloodfiend who all her life insisted she'd start none. A chosen family who forged their closeness in blood, yet do not share it.

Heathcliff's line about your coworkers being kind of like family (of course it's him saying that, seeing how the dead rabbits replaced the Earnshaws) and then the entire group talking about how much Sancho means to them, how much her bravery inspired them...

All culminating in her telling her father about this wonderful family of twelve she's acquired. God, that just killed me in the softest way possible.

Both Don Quixotes have large families of those younger than them who are ready to fight with them, who are going to support them.

Except our Don does not have the undertone of an imbalanced power dynamic over the sinners that her father had over her and her siblings.

Even just how Sinclair, the youngest of the Sinners, looks up to Don, wants to be like her, mimicking how Sancho wanted to be like DQ as described in Hero. It's so good!

Choice

During the dungeon, we had a discussion with my friends over the postulates older Don posed - that bloodfiends cannot change their nature.

I am of the opinion that you cannot change if you are not given choice or are not aware that you have a choice. And there's a difference in meaning. When people in a state of depression bemoan unchangeability, they often are blind to the tiny changes, they wish they could drastically alter themself in an instance in order to remove whatever part of them poses them trouble. That's what Don the elder sees - they could not change.

For most of the canto, Sancho denies her ability to be better too. Bloodfiends cannot den their nature, it's useless to try. Her choices were either made for her (leaving la manchaland on Rocinante) or were made in the name of avoiding pain (forgetting oneself and slipping into a dream delusion).

But in the end, she realises that the dream of Don Quixote is one she and her father shared. That he did not force her into it, but that she inherited it through choice, through interest, through being inspired, little by little.

She chooses to continue it for them both, now that her father is too exhausted to dream it. The title of Don Quixote, much like in our world for some, becomes a symbol of daring to have a dream.

The duality of "dream as delusion" and "dream as tomorrow"

I love the dual meaning here. I love how the canto is called the Dream Ending yet in its final minutes our Don's rebuttal is literally "The Dream Un-Ending". I love how it flips her "needing to wake up" on its head.

It's not the idea of heroism she has to abandon, it's her dream of escape. Sancho became Don Quixote to escape pain. But she cannot change and become better if she just leaves all choices to her amnesiac self.

Sancho's Don Quixote act really began as wilful delusion. An escape from pain into this hope that she shared with her father, really, the most valuable elements of the memories she'd be erasing.

But that "delusion" ended up genuinely inspiring others. Especially our boy Sinclair, who wants to be like her, brave and strong.

Now she's awake to actively engage with the world, to strive for the better, to consciously dream. To hope.

The line between hopeful ideal and delusion is really just... in the eye of the beholder. At what point is it alright to chastise hope?

To wake up from it, to abandon it... it's not worth it, especially in this City ready to crush you into pieces the moment you stop hoping for a better tomorrow.

The Christian undertones

They put a confessional in La Manchaland, I get to discuss the christian undertones of the entire set up. Is it thematic? Idk, it's fun for me tho :]

Of course I in no way want to imply that this is universal for Christianity, just that, depending on your religious surrounding, it can lead to such interpretations; speaking from a perspective of a former Catholic who used to be really religious, I do see this theme of selflessness at all cost emerging here.

Selflessness and sacrifices for the sake of others can, in the right amount, be necessary and beautiful and noble. The issue is where that line crosses into indirect harm.

How much happiness must you deny yourself for the sake of others in order to be "good"? Is it even worth it?

Bloodfiends, by their nature, crave blood. It's not something they can just deny themselves. It can't kill them but the emotional toll of it is not much better.

And now imagine framing that necessity as "sin". I mean for goodness' sake, they built a confessional where bloodfiends could talk with a priest about their forbidden craving. They have to be penitent for something they cannot control.

Blood is their forbidden fruit. They disobey the teachings of the Father who built them a paradise in order to taste it, and they are subsequently punished.

[iridescentmirrorsgenshin]

Alhaitham and Kaveh as each other's 'home'

(This is a reworked excerpt taken from my Haikaveh essay! If you're interested you can check it out here or as a pdf <3)

Family is an important theme, particularly in regard to Kaveh, as the reason for his guilt is based upon his belief that he destroyed his own family. For Kaveh, family – home – is a place in which “words [are] not necessary” since companionship is valued above all:

Family is also important for Alhaitham, however, as there is a particular focus on the relationship between him and his late grandmother within his character stories, as her influence over him incentivised him to pursue the “peaceful” way of life he seeks to maintain:

After the death of his grandmother, Alhaitham lived alone and attended the Akademiya, just as Kaveh did as his mother left for Fontaine after his enrolment. Kaveh’s loss of family leads directly into him meeting Alhaitham. This establishes a direct correlation between Alhaitham and family, indicating that Alhaitham filled a role recently lacking in Kaveh’s life. This is relevant to Alhaitham, as he had enrolled in the Akademiya after the passing of his grandmother, meaning that, similar to Kaveh, he, too, had no family.

The idea of found family, as in, a tightly knit support network built with mutual sentiment between unrelated people, is introduced in Sumeru as the joint-thesis. Academic family is highly valued amongst scholars and comes into fruition through the working together on projects. This can be observed within the dynamic between Tighnari, Cyno, and Collei, as during the Windblume event, they describe themselves as a family formed outside of academia, even assigning themselves titles akin to a real biological family.

Alhaitham and Kaveh then established this found family in each other upon working together on a joint thesis, although additional scholars initially worked with them before dropping out. Their argument culminated in Kaveh ripping up their thesis, which effectively ended their friendship, and familial bond, made mutual by Alhaitham removing his name from the project. Kaveh, however,  is described to have pieced the thesis cover back together with “deep regret”, and placed it in his old sketchbook.

In this, Kaveh regrets the loss of his connection with Alhaitham, and the family that their joint thesis established. Although he has pieced together the thesis cover, their family remains severed as reconciliation is perceived as implausible due to their differences:

Most notably, it is the building which serves as Alhaitham’s house which is crucial to the motif of home. Due to their combined efforts in their joint thesis, the Akademiya gifted the two a research centre, as the results of their thesis had significant impact despite not being completed. When Alhaitham took up the property after graduation, he heard through a third-party, sent by Kaveh, that Kaveh was relinquishing rights of the property due to him not being in need of a house. It was after this that Alhaitham invested in the property, converting it into a house, where he took up residence, and then invited Kaveh to live with him, after the two met in the tavern. Although it is understood to be Alhaitham’s property, since Kaveh relinquished his right to it, Alhaitham considers Kaveh to be his “roommate” rather than a tenant, despite Kaveh paying rent.

Kaveh and Alhaitham split the chores according to Alhaitham’s Character Story, although they mostly fall to Kaveh; they both make attempts to decorate the house; presumably they eat dinner together, according to Alhaitham’s Story Quest where he excuses himself in order to have dinner, only to talk to Kaveh; the two can be seen to share a study; when ordering out, Kaveh orders extra for Alhaitham – a common enough occurrence for Alhaitham to be confident in relying on this. Rather than “cold” and “lonely” this conjures the image of warmth and familiarity. In this, it can be inferred that the two have created a home together.

Referring back to Kaveh’s understanding of “home”, as in a place in which words are not necessary, and linking it to the idea of companionship being more important than understanding introduced in his hangout. The latter idea consists of supporting a person, regardless of the ability to empathise with and relate to their particular struggles, should be valued over attempting to be wholly understood by people who are not willing to listen.

In this, Alhaitham is offered as a companion to Kaveh, where he cannot empathise with Kaveh’s artistic and idealistic struggles, but he is willing to listen to him, rather than offering words which cannot solve Kaveh’s particular problems.

By Kaveh’s understanding of “home” as a place in which people are at ease with each other and support another regardless, this can be seen within his relationship with Alhaitham. As Kaveh has pieced together their ripped up thesis cover with “deep regret” of what it symbolises, the severance of his and Alhaitham’s relationship, Alhaitham inviting Kaveh to live with him serves as mirroring actions of reconciliation.

Kaveh's idea of 'home' in encapsulated in both the building and the company Alhaitham provides. The building that had initially served as a physical representation of their severed harmony of ideals, aborted friendship and dissolved found family, has been transformed into a house, and now a home for the two to share.

[yangsharperavery]

so here's the thing...

i've written about this topic a few times during and after season 1, but the carmy and sydney of it all remains a highly contested and discussed topic. even after season two.

what i find so truly fascinating is that chris storer and joanna calo and everyone involved with the creation of this lovely, well constructed show absolutely could have created the duo they work SO hard in the press to convince viewership they intended.

if they really wanted sydney to be a psuedo/standin sibling for the one carmy lost, or the brainy, determined business partner that comes in to orient a sinking ship...

there are a couple hundred ways they could have managed that and made it abundantly clear that's what the angle was within the dynamic between carmy and sydney.

instead... we have all this very overtly (and covertly) romantic, potent and simmering subtext regarding the nature of their relationship and what they mean to one another, their effect on each other and their seemingly endless potential.

in a whole host of ways there are a number of scenes that literally don't make sense without the lens of the undercurrent of feelings or reverence or romance or something that exists between them beyond the intended business partners/co-creatives.

there are ways to narratively parallel sydney as a mirror and equal and peer of carmy's void of all ambiguity and romantic tension and any energy of awkward longing or confusion.

but that's not actually what we got. i've been consuming television media for most of my life. i've watched hundreds of shows; shipping has never been a requirement for my viewership or interest.

which leads me to believe that there's either a bunch of deflection/dismissing happening for a very distinct reason. or there's been a bait and switch planned from the beginning.

you would literally have to remove 75% of the nuance within carmy and sydney's interactions for the stictly platonic claims to make sense and effectively land.

you'd have to go through and remove various staging, shot selection, editing, music choices and sometimes entire scenes to accurately convey original or "intended" messaging.

to completely eradicate the liminal space of subjectivity between them.

why is carmy talking about tina looking like sydney with that distinct expression on his face when they all wear that apron?

why are they being awkward at the lockers like it isn't customary for coworkers and business partners to go out after work for dinner or drinks or whatever (literally evidenced by tina this season)?

why is sydney mentioning jealousy at all when it comes to carmy's relationship? especially when it makes perfect sense for her to be upset with him for not pulling his weight?

why is sydney entering into carmy's life for the first time and deciding to stay, the second time, something that literally brings him out of his panic? when it could have been him cooking, his drawings, his staff, his gf. ANYTHING else.

they effectively made sydney an emotional, mental and energetic tether for him in that scene. for what reason? business partner ones or????

why do they bicker like an old married couple? is that customary for creative collaborators and coworkers?

why superimpose sydney, parallel her doing something the audience saw carmy do last season, and then show her going about her night while he's by contrast, with his girlfriend? why show a random closeup of a meaningful tattoo on her shoulder? no thematic significance beyond the grind of the restaurant world and career ambition?

why is there an obvious awkward breaking of energy after a highly vulnerable and tender moment between the two of them under the table? why does sydney noticeably fidget/adjust herself/her apron when he walks away to get her gift?

there's actually a hundred instances of these questions you could ask over the course of the two seasons when it comes to them.

so the reasoning behind the shipper pushback is baffling and a bit laughable.

some people bring into question, perhaps this is just the natural chemistry that jaw and ayo bring to their characters bc they're obviously good friends.

which... sure. i guess. but even that begs the question, you wrote and shot and constructed a story a specific way and then your two actors sort of bled on and expanded the material in a very obvious way you didn't expect?

cool, cool. so again... you're surprised that could lead to viewership seeing something deeper than mere platonic business partners?

that's shocking and surprising to you?

no way.

especially considering storer and calo have commented on how close jaw and ayo are and that their dynamic is different than the one she has with ebon and lionel. which is hilarious bc she adores ebon and has been out of the country traveling with lionel (and some other people from odd future.)

so clearly they all enjoy each other, are friends and get along.

but why even make that note of demarcation regarding jaw and ayo's dynamic and STILL be like "oh yeah, we didn't write or mean for them to be a romance " you're shocked that people SEE something given your storytelling and their obvious connection that even you, the creators themselves remarked on?!?!

there's a picture from the golden globes of ayo holding jaw's mom's hands during his acceptance speech. like they're really besties.

but i'm sorry, they can't bestie themselves into what carmy and sydney clearly exemplify on our screens without an entire framework at their disposal. because they're talented and professionals.

so if the writing is saying something, then it's intentional.

maybe the intention was to have their characters skirt and skate on the periphery of each other.

maybe it was for things to be awkward and weird and undefined or hectic and toxic.

maybe they weren't ever gonna have some relegated idea of a shipper's happily ever after.

people have feelings that go unexpressed and undefined. people fall in love and then don't end up together.

maybe the slow burn fizzles out, maybe it explodes or implodes, maybe one of them self denies, maybe they both do.

maybe it will or won’t be addressed directly or covertly. that's actually not a requirement for its existence.

to act like there isn't something true and obvious and visceral that exists between these characters is frankly like asking those who watch your show not to use their eyes and their brains.

impossible.

[hologramcowboy]

https://www.tumblr.com/hologramcowboy/757094913914617856/i-loved-your-answer-about-the-compliments-from-the?source=share

Now, this is getting a bit over the top 🤣. Are you telling me you haven't heard the stories from wait staff, cashiers, airport workers, car hires, etc., over the years? The reports are consistently the same: he's very down-to-earth, kind, and polite. Many have said they didn't even know he was famous until someone else mentioned it; they just thought he was a nice guy who always showed an interest in how they were doing. There are stories from other sets he's worked on that highlight how well he gets along with both actors and, importantly, the crews. His first TV dad on Days of Our Lives mentioned his great relationship with the crew. On Dark Angel, a producer pointed out how friendly he was with the crew. On Smallville, Lionel Luthor actor John Glover noted how the crew just loved him. His close relationship with the SPN crew is very well known. Even on his most recent projects, it's clear he's continued to be appreciative toward the crews and maintains good relationships with them. On My Bloody Valentine 3D, the writer was impressed by how he treated the crew and how he introduced himself because lead actors generally aren't known for taking an interest in the writers. The writer was also impressed by how collaborative and generous he was, noting that Jensen gave away one of his character's best lines because he felt it would work better for a different character. Guest actors have often commented on how he learned their names (apparently, this often isn't the norm), read lines with them, etc. And the stories from people who went to high school with him all describe positive interactions.

Also, who was at the hospital when Rob had the stroke? It was Rich, Jensen, and Misha—not Jared. Jensen was the one the SPN crew depended on even more than Jared. Jensen was the one who stopped the production of SPN twice, once when Misha was very sick, and another time I can't recall. I'm not saying Jensen is perfect or a saint; everyone has their flaws and makes mistakes. However, discrediting Jensen's endless hard work and kindness on the sets and in public when he was the one who encouraged fans to approach them out in the 'wild' is not fair. You don't know these stories because you always have your Jared-centered glasses on and think it was Jared who made SPN welcoming when guest stars have said it was Jensen who did that. It is quite telling that Jensen can remember guest stars' names, flight attendants' names, and other people's names, and recall events that happened when he was with them. So, where are the stories like this about Jared?

How did this become about Jared? Are you trying to remove attention from what I said? Is that it? Because, I have news for you, what I wrote is 150% truth and anyone who is a professional actor will fully get it, those who are not don't know the inner dynamics and that's fine. Again, being courteous as an Actor is a *requirement*. All actors must behave courteously on and off set to maintain image and promote their projects. Not doing so can end with being fired on the spot.

Jensen keeps saying he wants to be a light in the world but does zero to achieve that and solely relies on flirting with fans and simple "hello, how are you?". His so called "kindness" is very much contradicted when he displays incredible arrogance and ignorance.

I don't know about you but just because someone is nice on the surface doesn't mean they get my vote. Also, I wasn't talking about everyone, I was specifically talking about lines said by TB actresses for PR reasons and now we know why, Jensen's new series is upcoming.

[crystallinestars]

Wow, it’s such a relief to find people who don’t like Haikaveh either. Was really disappointed when I read Sethos’s voiceline.. I am bisexual and I think that Haikaveh (along with many other pairings) is queerbaiting and some type of fetish. I’ve made a long written analysis on why I think it is and how I think it’s offensive, simply because I find it interesting and enjoy analyzing things. Really love their duo and they’re great parallels but they fit a sibling / platonic soulmate duo better than a romantic one 🤦‍♀️ It’s getting annoying at this point and I wish Hoyoverse would stop, but it earns them attention and money so why would they? Just want to enjoy my favorite character without him being used as an accessory for another. Disappoints me that other gay people don’t notice (or care) that they are being stereotypical themselves and that Hoyoverse is basically using our sexualities for accessories and money. Haven’t looked into the translation thing with Sethos’s voiceline but if it’s true it was more neutral in CN, then that’s interesting. The same Haikaveh defenders will yap about how “CN is the original!1!1!1” but if you bring something like this translation up they lose it. Hoyoverse has never been a “gay representation” company, it’s a queer-baiting one. 🤦‍♀️ But at the same time, I don’t really even care. I’m not a gay person who cares much about my sexuality or others, but things like this are frustrating. Wish there were more people who understand my view on why I think their presentation is harmful.

- 🪷 / 🪽

Hello 🪷/🪽 Anon! (Let me know if you want to go by both emojis or just one) Welcome to our small club of not being into Haikaveh (or most Hoyoverse queer ships).

I agree with you that Kaveh and Haitham have a very sibling/platonic dynamic. In fact, their bickering reminds me a lot of my younger siblings’ bickering, so I view them as brothers, as well. It’s just unfortunate that the fandom rejects any interpretation that’s not romantic.

I also wish Mihoyo would stop, but they’re obsessed with tossing ship crumbs, and only to the most popular ships. As you said, it makes them money, so they have no reason to stop.

There is definitely some queerbaiting in Genshin, but I would say it’s not as bad as in HSR. HSR sometimes made me very uncomfortable with the fetishization of some of their ships, and I wondered if a man wrote it for a straight male audience…

Mihoyo has always had a history of wanting to include same-sex pairings in their games. Honkai Impact 3rd has a confirmed lesbian MC, and also two other female characters who canonically kiss (but due to updated laws in China, they had to remove that scene).

It doesn’t surprise me that they want to do similar things in Genshin and HSR, but they never commit to the ships. They only tease and hint at them, ala “There might be something between these characters, but also not really, but what if…?” and this is pretty much exclusive to same-sex pairings. This teasing and hinting makes the fandom so much worse to be in. Lots of other gacha games don’t do this, but for whatever reason, Mihoyo does.

I suspect some of the employees working on the game may be queer or have a huge interest in BL and GL (though it’s probably a mix of both), which is why they make all these ship crumbs. There’s nothing wrong with having queer relationships in games and other media, but the way they go about it feels… fetishizing, I guess? It doesn’t feel genuine. I can’t quite put my finger on what feels so off about this. You would know about this far more than me since you analyzed this already, so if you have interpretations you want to add, I’ll gladly hear you out.

It sucks because they market their games as being for all audiences, but then do things with a heavy bias for certain ships. It makes it so difficult to enjoy characters the way you want when the developer and fandom constantly shove in your face that your favorite character has an implied relationship or some other such thing.

Regarding the Sethos voiceline… my friend in China, who also dislikes Haikaveh, complained to me about it the other day. She said the original Chinese text felt like it was implying something between Kaveh and Haitham. Of course, that is just her personal interpretation, and some people don’t see a deeper meaning behind the words. However, it goes to show that even the Chinese audience can tell something is up with the voiceline, so it might not be as neutral as we hoped.

I’m all for more media having queer rep, but Mihoyo doesn’t do it right. I really wish I could just play their games without having ship teasing slapped in my face, but alas, they won’t ever change. At this point, it’s better to not play any of their games (though maybe Tears of Themis can stay) and ditch the fandoms for your peace of mind.

[darkfictionjude]

Etymology nonnie here!

Although I'm sure many of my questions may be answered in the patreon demo, I do have some things to ask about the Mafia IF (it's initials would be EC, right?).

1. One of the RO's is considered the heir of our family. Which means that Luce, for whatever reason, is not. Now, why is Luce not the heir?

Well, maybe this is customizable, but I see the following possibilities:

a) Luce is not part of the Mafia business. Either because their father does not want them to and Luce accepts this (that is, Luce would be allowed to be a part of it, but neither their parent nor them want them to be), or because Luce is allowed not to be a part of it. Maybe the plan is something similar to Michael Corleone, so Luce is meant to have legit career like Law, so eventually they can become a politician who helps the business that way. There are plenty of possibilities. I think this one is very likely because of the fiancé(e), but I don't know if they are a marriage out of convenience, love, or both.

b) Luce is a part of the Mafia business, but is less capable than the chosen heir. Or Luce is considered less trustworthy, for whatever reason.

c) Luce is not part of the Mafia business by not fault of their own. But they have an issue, like an illness or disability, that does not allow them to be a member. Something similar to WWC MC, if you will. I doubt this is the case, since normally such a thing is included in the original post. Although I do admit it would be interesting and angsty.

d) Luce is part of the Mafia business, but has been made to work from the bottom to the top. So, they are not considered the heir thanks to this. They have to still reach a higher position in the hierarchy.

There may be another explanations that are not dependant on Luce. Like the heir being a secret child of Luce's father (which I doubt because although this blog has debated about including incest in IFs, I would expect this to be announced in the introductory post). Or maybe the relationship between Luce and their family is very strained, or at least enough that no one expects to have Luce inherit everything.

But what really makes me curious is why the heir is younger than Luce. I think I would have less of a need to ask about the situation if the heir was older. Since in that circumstance I would just assume they came first into the position, and Luce's father later refused to remove his favor. But even then, the age gap is very small (just one year, if I recall correctly), so therefore the father would be aware of both at the same time for the most part.

I'm really curious about that dynamic.

In a similar vein, I'm also curious about the other RO's, but so far I don't know what to say or ask, since I know way too little about them to make any sort of idea in my head. It probably doesn't help that we don't have the appearance description of either of them (as far as I remember, I apologize if I'm wrong).

I understand if you cannot, or don't want to, say why Luce is not the heir if they belong to the family and their father is in charge (this is what I understood, maybe I'm wrong and all of this ask is nonsense). But I wanted to give my two cents. It'll be very funny if every theory of mine is wrong.

Also, while I wanted the Hollywood IF first, I prefer for you to write the one you want to first instead. And the Mafia is interesting too, so I wouldn't complain either way.

Yes it’s EC

So there is a reason why Luce was passed over and all I can say is that it’s not because Antonio (Luce’s dad) and Maria (Luce’s mom) hate their child. Actually, they really love Luce. Luce could’ve been heir, they were considered after a ~certain~ event happened but then they weren’t which proved to be a controversial choice as Lazlo isn’t Italian it went against a sacred rule.

Also consider if Luce is a girl or/and trans that’s also a strike against them as the Italian mafia is very patriarchal (Carmen was passed over for her younger brother), homophobic, transphobic and racist (there will never be slurs against minorities in the game because that’s not needed to show the prejudice and it makes me uncomfortable to write it). So yeah Luce as a cis boy had better chances but due to an incident they were also set aside,

I’ll make separate posts for the ROs descriptions. A quickie though: Dante has wavy black shaggy hair, light brown skin. Carmen has fair skin, black fabulously voluminous hair. Lazlo has red hair, freckles on pale skin. Charley has dark brown skin, keeps her hair in a braid she wraps into a bun.

Also I wrote for EC and the Hollywood IF at the same time, that one has a demo too ☺️

[karoochui]

I just wanted to say I am so enamoured with Binary Insurgence! I eat up everything, every little crumb, you drop about it and the entire idea is so interesting to me! I'm so in love with stories and worlds like this! I'm also curious to know about the relationship between Sun and Moon, if it's alright to ask. How was it before the fire compared to after? Does their relationship begin to mend (because I'm certain over the years it deteriorated) when y/n comes back into the picture? If any of this is too spoilery or you just haven't fleshed it out yet then you don't have to answer! I'm just super curious about the boys and how you see their dynamic/relationship. I just look forward to seeing how their bond has grown and/or broken and how it may be mended over time.

AHH im glad you like it so much!! Im happy to talk about what i've got, but you are right not everything is fully fleshed out. I have points i wanna get to but while im brainstorming and planning i make up a lot of stuff as i go and then go over it again later to see if i like it or can connect stuff in any way. I have 3 chapters for Arc 1 fully summarized as of now! (Which probably doesn't seem like a lot but i like my chapters long, so it's quite a bit actually).

I wanna say, too, that i'm planning for the first story to be more in the perspective of the reader, so most things about Sun and Moon's personal thoughts and feelings are gonna be more implied than said. I might have some switching points of view, i'm not sure, but i haven't found a place i'd do it or think it's relevant. The sequel is gonna be more from their perspective since it'll mostly be about them.

NOW! I see Sun and Moon as brothers, so they really treat each other in a way that's like that. Before the fire they get along pretty well. Most instances of issue would be when Moon blocks out Sun when he fronts, or just mutual panic over the fact Moon lost his shit w/ the virus. They'll have their disagreements about things (i havent planned specifics yet) but generally they're chill. Sun just worries about Moon hurting people, but Moon worries too. With the way the virus functions in this AU it's hard for Sun to fully fault Moon for what he does, especially because he's also affected by it but not nearly as bad. (I'm gonna explain this more in another ask i have).

Plus, even before the virus they were always glitch/bug-ridden because technicians fucked up their programming continuously after removing them from the theater to work in the daycare. So they had to kinda navigate through that together, glitches and errors on both ends (though not deadly). They hate P&S bc of this, obviously. Hardware fixes suck but they fucking HATE software examinations.

Later on though some issues come into play whenever Sun starts getting worse by being further exposed to the virus (it gets worse for him when they eclipse) because it presents itself in Sun differently than it does Moon. He gets snappier and angrier at times (that comic i made that's captioned "well someones snappy") and while they both understand he doesnt mean the shit he does it's still not great. And nobody's gonna just let themselves be talked to like a dog even if the reason it's happening is because of something the other person can't really help. They're still relatively fine at this point, though.

It's at the end when shit goes really bad, because this part of the story does end badly. I won't spoil specifics but after the fire Sun loses his shit. He starts trying to put the blame on Moon for everything (the virus enhancing his already bad habits/fucking with his line of thinking) out of grief and anger. That carries over into the apocalypse and he just gets worse in general. He gets irrational.

It's a long period of time though, so he eventually also manages it, in his own way. But! I did say before in an ask that in the sequel he's "not evil, persay, but he's a fucking nut". He damns Moon to an hourglass to just fucking get rid of him about 100~ years before they meet you again (he fully thinks he's in the right for this (and he also just hates him) and the only reason he really even stayed around after that was to make sure Moon didn't get out again). He's not a bad-intentioned individual, but he's off the fucking wall at many times bc of the virus having made him worse. He's stubborn as all hell to an infuriating degree, he's irrational, hard-headed, reckless, and while a good bit of his old, kinder self is still pretty prevalent he can be downright fucking mean if provoked. Again, worse than before, and it doesn't take much these days! I always imagined him to have more dramatic, snappy, diva aspects to his personality (even before Help Wanted 2 came out) bc hes so theatrical and intense, so basically take a Sun that's like that, crank it up to 100 and put him in a Bad Situation. That's what Round 2 Sun is like at his worst. He's not a complete lost cause though, and he's far from dumb when he does stuff, just clouded by his own judgement. He doesn't think anything's wrong with him (or does he?).

Moon doesn't really hate him like Sun hates Moon, because although he knows that what happened (the ending of the first story) is technically both of their faults he just feels guilt. They do fight a lot, though. Most of it is Moon trying his best to tell Sun that he's basically full of shit and not seeing things right after Sun starts something, but Sun's at the point where he's gotta learn by consequence. Part of the reason he's so bad is bc 1: hes been infected by the virus for so long now and 2: in his grief, anger, and resentment he's learned to live with it rather than fighting it.

But the sequel is gonna be a feel-good story! Falling in love w/ the reader all over again, i want things to get cleared up - or at least some kind of middle ground between Sun and Moon - the whole sha-bang.

[aight-griffin]

I was talking to one of my friends about shitty battle shonen tropes, and idk if this one has a name, but I like to call it the Obligatory Romance.

A lot of you probably figured what I’m talking about just with that first image, it’s everywhere in battle shonen. The protagonist has a love interest for the whole series, but nothing romantic actually happens between them(except for one emotional scene and a fuck ton of pining), then they’re married in the epilogue. Any real romantic dynamic is never established beyond the absolute minimum, because the characters never actually get into a relationship.

The most annoying thing is that the romance is always essential to the love interest, the very core of their character and motivation, and it means jack shit for the protagonist. Sasuke is absolutely instrumental to Sakura’s motivation for all 700 chapters of Naruto, while she could reasonably be removed from the entire franchise and Sasuke’s arc would remain mostly intact.

It’s romance out of obligation, like the author put it in just to check a box. After all, someone needs to have their kids so the epilogue can set up a sequel series.

There’s a reason ships like BakuDeku and NaruSasu are popular, they include real chemistry and a level of plot importance that the actual ships simply lack. Sword Art Online is bad by lots of measurements, but Kirito and Asuna 1) have chemistry for days, and 2) fucked in episode 8.

It isn’t a make or break for me, I still really like a lot of these series, but I also think they could benefit from taking the Oda approach and just making the protagonist ace.