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alex51324 · 4 months ago

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Useful article from CNN on election-night misinformation.

Key takeaway is that pretty much whatever happens, Trump will claim it's evidence that the election is being rigged against him.

Some additional things to keep in mind--particularly if you haven't been through many of these before:

The winner may or may not be projected on election night. How long it takes depends on a bunch of factors, having to do with the logistics of ballot-counting and how the statistical analysis comes along. Getting a projected winner by midnight and the count taking several days are both well within the range of normal, and neither one suggests that anything nefarious is happening.

Counting of votes always continues for several days after the election, until every vote has been counted. This happens regardless of whether or not the media have "called" a winner, or a candidate has conceded.

Media outlets project election winners based on the data that has come in and their statistical models--they do not "declare" or "decide" who won. The major outlets are very motivated to avoid an incorrect projection*, so if they make a call, it's because they're really sure they have enough information to accurately predict the outcome of the final count.

Usually, when this happens, all of the major media outlets are making the same projection around the same time--within the same hour, at least, and often in the same 10 minutes or so. If there's an outlier, there's a good chance they're either guessing or propagandizing.

Candidates do not get to call the race in their own favor. There's a decent chance Trump will try, but also it's also normal and expected for both campaigns to talk like they're expecting to win; e.g. introducing their candidate as "the next President of the United States" when appearing before supporters at events. (My guess is that if he does try, the mainstream media outlets will simply sanewash it as typical election-night bravado, which is actually fine.)

The only thing that means anything, coming from a candidate/campaign, is a concession. This will often happen after the media has called the race for the other candidate; it usually isn't a surprise. A normal campaign will often go quiet--stop sending people to talk on TV, etc.--when they're getting ready to concede. (Trump arguably** still hasn't conceded 2020, so no one is particularly expecting him to concede any time this coming week.)

It's normal for the numbers to change a lot. There are always some surprises, but there are also standard patterns: results from the southeast usually come in a clump, and put a lot of electoral votes into the Republican column, early in the night. Democrats usually pick up the west coast states, which of course are the last to close their polls and start reporting results***. For the swing states, where we'll probably see a lot of reporting on very incomplete vote totals, results will start coming in first from the rural areas, which lean red; cities take longer to count their votes--because there are more of them--and lean blue.

The more uncertainty there is about the outcome, the more you'll hear about the evolving numbers--news networks have airtime to fill, and there's only so many ways you can say, "Still too close to call." Try not to obsess over these numbers; the news networks have people specially trained to analyze this exact kind of data, and if they can't say how it's going to turn out, you're not going to know, either.

If it ends up being too close to call for several days, there will probably be reporting on small, county-by-county vote dumps. It's important to realize that this is all still the original count of the votes, not a recount or "finding new votes." We only hear about it when the election is so close that these relatively small numbers of ballots are likely to affect the outcome, but it happens every single election. In 2020, Trump repeatedly claimed that ongoing counts were some how irregular, and sometimes demanded that counts be stopped when the current total showed him in the lead. This is, to be clear, nuts; the full & complete count of the votes always takes more than just the one day, and it's a bedrock principle of democracy that every valid ballot is counted.

(* Back in 2000, the Bush-Gore election with the whole Florida debacle, several major news outlets did project winners too soon, and then had to walk back their projections.

This definitely contributed to the chaos that night, and may have also contributed to the widespread perception that Bush was the "real" winner and Gore was dragging the country through multiple recounts, in those first few days when the initial count of wasn't even complete in some states.

As a result, responsible media outlets are much more cautious these days about election-night projections.)

(**On January 7, 2021 he made a statement that was taken as indicating his understanding that Biden had won, or at least that he knew he wouldn't be staying in office, but he never stopped saying he won.)

(***This often looks like the Republican being miles ahead, and then suddenly California reports in and they aren't anymore. Expect Trump to pretend that this is somehow shocking, even though the last time a Republican won California was 1988.

Similarly, he will also pretend to be surprised when, for instance, Philadelphia turns in their first big batch of results, and Harris's numbers jump up.)

#us politics #election 2024 #media literacy

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scribeofmorpheus · 3 months ago

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Why Dragon Age Veilguard isn't a "Cathedral"

Concept art by Matt Rhodes

"To disinherit the storylines of past games goes directly against the notion of building cathedrals."

What is inherent with Veilguard that keeps bothering me is the fact that the world's choices truly didn't matter--and it doesn't simply bother me from a player perspective, it's not simply a grievance borne of frustration to what I (as a longtime fan) have lost. It's about the very culture of the arts under capitalism's new media habituation cycle [x][x].

Yes, I spent hours of my life playing and replaying each instalment of Dragon Age. Yes, I painstakingly curated a 'canon' world state by replaying what came before in preparation for Veilguard. Yes, I am even more unsatisfied with the end product--time hasn't helped, it's just widened the divide. But, and I can't stress this enough, these very personal gripes aren't what hit home the most. It's the inherent disregard of legacy. A legacy that the previous writers and game developers were building towards.

In the DAV artbook, "cathedral" is the word used to describe the process of making a game. Matt Rhodes' exact words are: "One artist can make a painting, but it takes a team to build a cathedral." Cathedrals took centuries to build. The architect who drafted the first blueprints would likely never see his work realised, he had to rely on those who came after him, like-minded and passionate, to see it through--for the culture, for the future, for legacy. Painters took on several apprentices for this reason too--giant frescoes were not completed by one man's hand, even if it is one man's name that immortalises them. Similarly, if you weave a narrative around choice, what good does it do to take it away at the final act if not to fall to caricature?

To disinherit the storylines of past games goes directly against the notion of building cathedrals.

Late-stage capitalism and profit-margin-obsessed game producers forcing developers to churn out meager content, to make a known brand into something it's not, to chase a fad or a popular trend... o, how reductive and cliche you've been forced to become Bioware. We have lost the cultural thought patterns relative to Cathedrals. We know only of barn-raised churches--done in a day but unlikely to last the turn of the seasons.

And don't even get me started on the music of Veilguard either. From Origins to World of Warcraft to Everquest to Baldur's Gate to Dungeon Siege, you can hear the intricate interconnected weave of sounds inspired by the Dungeons and Dragons-esque fantasy genre. You hear it in the repeated use of certain instruments, in the harmonic weeping notes of a bard-like singer or the foreboding echoes of drums as if of war. In tavern songs. But then, rather than hire someone who loves these worlds and this genre, who is a hungry artist looking to make a name, a legacy if you will, for themselves with a spectacular score, you hire any already sated composer, one well-into the encroaching years of career fatigue, whose notes repeat in countless projects, who feels less concise and more uninterested with each new project. One who has long since cemented his legacy. Someone in it for a paycheck and nothing else! And, to top it off, you let him compose something so minimalist? I am offended actually.

Cathedrals! We should have witnessed the final tile being placed on the Dragon Age cathedral. Instead, some architects walked up, tore down the interior and installed IKEA furniture and called it authentic before having to call the previous architects to come and fix the "load-bearing issues", forcing them to rush and add a coat of varnish and a few 'aged' details for authenticity.

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applepixls · 14 days ago

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Anyone else thinking about how odd the hermitcraft economy is?

in season 9 they had a minor economic recession after the diamond ore war because there were far too many diamonds in circulation making them (hypothetically) worth less than normal and ren stepped in as the king and did what has been done in the midst of a lot of irl economic depressions; he created a government so they could employ the policy of Keynesian economics (basically more gov't intervention to stabilize the economy, it mostly worked in 1930's japan!), he took control of diamonds and even introduced a new currency, royal emeralds (much like Germany after WW1! they had some hyperinflation because of the war reparations they had to pay and the gov't not understanding that printing more money makes the money worth less resulting in the mark [currency] being so worthless they started burning it because they couldn't afford wood for fires. a new gov't came into power and they replaced the mark with rentenmarks which did a lot of fixificating for the economy). Ren's gov't also introduced a lot of gov't funded projects like the quests (the irl equivalent for this would be Roosevelt's New Deal which introduced policies/projects called the Alphabet Agencies (among other things) such as the AAA, CCC, TVA (do you see why they're called the alphabet agencies?) that would adjust the value of grain so farmers could start earning money for produce again and create work that would support a growing economy, projects like building roads and bridges)

so basically, all the policies ren's government introduced were very logically sound and worked in real life to fix the economy (except that irl the Great Depression only fully ended because WW2 started-), the issue is that hermitcraft is not real life and hermits do not behave like real people, they behave like hermits.

lets start with the hermitcraft economy. unlike the real economy, hermits rarely adjust prices according to how many diamonds are "in circulation". i say this despite the fact grian in a recent-ish episode says that "everything costs more this season because diamonds are more common". that can't be true because the caves and cliffs update literally made diamonds more difficult to acquire. I will circle back to this point made by grian later

hermits not adjusting prices by server-wide abundance of diamonds (because they cant really know how much anyone has, much less the total amount of diamonds in circulation, they just know who has a lot and who is broke) means that more diamonds doesn't make them worth less like it did with German marks, it just means hermits have more expendable currency and can spend more money and less time gathering materials for projects. It is also notable that diamonds are constantly being added and taken out of circulation because they're an actual useful currency rather than real life currencies which are symbolic slips of paper. diamonds can be used for armour and tools and it can be acquired by mining. so because of how hermits spend money, taking diamonds out of the economy in s9 did nothing but make them poor and angry at the government. the hermitcraft economy is actually stronger with more diamonds in circulation and is worsened by gov't intervention.

so already the use of real life strategies is utterly useless in hermitcraft economy but there are a few other reasons as well

the hermits tendency to resist government as well as the flawed and greedy government itself are a couple but also the fact that all the hermits are self employed (in real life but also in universe). they own and stock their own shops meaning all profits are more or less direct; its not passed through hands of big corporations so the person producing the product gets mere cents. the hermits are essentially small business owners (which becomes a bit of a problem come season 10 but we're still talking about season 9). The important part is the self employment. the season 9 gov't introduces the quests which mimic and echo real life government funded projects but because they're all employed and the quests gave small amounts of diamonds back, they did very little for the hermits

I'm sure theres more to say but i think its time to move on to the very interesting season 10 economy

if you've missed it you must be living under a rock but hermits are all using permits this season meaning only one shop in the shopping district is selling any given item/material and as a result of this prices have gone sky high. at one point a single stack of mangrove logs cost 7 diamonds when in previous seasons you could get at least 1 stack of wood for 1 diamond if not more

So what is causing this economic depression and hyperinflation?

well, circling back to the point grian made about resources costing more because of abundance of diamonds, I would think it actually costs more because of the permits.

grian thinks the diamond prices are fair because he has middle of the road permits (and is one of the hermits who designed their shopping district, permit and economic system this season so he's biased), there is enough demand to keep him afloat when he's stocked but its nothing people are clamouring for and buying him out. on the other hand, joel made a lot of shops that no one shops at because his objectively weighted permits have not been selling as well as they anticipated when making the permits (also some people like etho and pearl have additional income from their not as fabulous permits because they've made a pay to play game to go with it) and finally there are hermits like mumbo whose gold, iron and item frame shops were constantly getting bought out so he was frustrated with trying to restock despite getting lots of profit

(another interesting dynamic to think about is permits like cleo's book permit which lost value as the season went on because everyone needed books early on but now that they're all playing late game Minecraft, everyone is pretty stocked up and buying from cleo less often)

Basically, grian is satisfied with the pricing because he's middle class and couldn't afford it if they were more expensive but appreciates not being constantly out of stock, joel is unsatisfied because he is lower class and never has enough expendable currency to fund his projects because materials are too expensive and his permits aren't worth enough to sell them for more, and mumbo is unsatisfied because he is higher class and is constantly out of stock because his materials sell out too often and he wants to sell them for more to stay in stock more (classic supply and demand, he doesn't want to stock them as often making the supply lower and the demand proportionally higher making them worth more and therefore more expensive)

the reason i say the permits are to blame for the high prices is because they cause the responsibility of constantly stocking something to fall on one person (in past seasons, if one persons sandstone shop was out of stock you could go check someone else's sandstone shop). the threat of taking the permit away if they arent stocked along with the difficulty of constantly stocking some of these materials raises the cost.

a great example of this is skizzleman because his mangrove and cherry wood shop was one of the first shops to be built in the shopping district, meaning he somewhat set the prices this season. now, mangrove and cherry are both difficult trees to harvest because of their unconventional shapes and the fact that they are more recent additions (and skizz's stubborn desire to design his own farms...) so because of the time required to gather them the prices already were hitched up. add that to the fact that they are trying to constantly be in stock and therefore low prices that allow hermits to completely buy out the shops are unfavourable, and you get sky rocket-ing prices. (it is also difficult because skizz had no prior experience with hermitcraft pricing)

in conclusion... hermitcraft needs a laissez-faire economy (f. a. hayek) to function and not go into economic depression. Between the nature of the diamond currency, hermits' tendency to rebel against governments, the way they use the concept of supply and demand to price their goods, and the restrictions permits put on supplying products, hermits have proven that extensive structure and government intervention have not improved economic wellbeing the way that it does in real life

thus, hermits do not behave like regular humans, they operate on fae laws of its funny so lets do it and therefore must be governed as such (aka not governed), thank you for coming to my ted talk

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fawnindawn · 2 months ago

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Jason Todd is sure he's never met someone as good as you.

In a city as vile as the one he crawled out of, he's gotten near bullseye on the portfolios he makes for every single bastard that breaths and sins in this city. He thinks he's got it narrowed down, and he's all but decided that there isn't a single living person he will ever let his guard down for again- till he meets you.

Technically, you've all but forced yourself into his world. He thinks it's a cruel joke sometimes, how the world forced everything he had out of him, forcing him to forget how to love, how to treat every word as just that and not an underlying threat, how to have a proper relationship with anyone- before they tossed you into his path. Like a whirlwind, it was impossible not to grasp onto you when you were so good, so unlike anything in him.

"I want to be so good for you, baby." He breathes into your skin, wrapping you into his arms and holding onto you, hoping that if he somehow engraves his promise into this moment, he'll hold it forever.

"But you already are." Then, you look at him with that look of yours that reminds him that he's still alive, because his heart near leaps out of his body to land right into your palm. You treat him with such tenderness he couldn't have even envisioned in his dreams. You're nothing he could've come up with. When he looks into his own reflection, he thinks he sees what everyone sees. A failure of a project trying to make some good in this world even when he has nothing good in him. A madman trying to fix what can't be fixed, whether that be the city or himself. Then he looks into your eyes, and he can't see all that through the adoration so evident in your gaze.

Sometimes, you look at him and he thinks that if anything he knows about love, it's all just you. What is love, if not the utter devotion that runs through his blood, night after night where he cleanses the city, knowing that the very next night, some other thug or crook will replace the one he's gotten rid of. It's a never ending process that seems to see no end, but when he comes home to you, and oh god, does the idea of going to a home with you in it push him through everything.

He still struggles to word it, how your existence seems to shatter every concept he's had of the world, how he's never felt hope the way he's had since he started daydreaming about a future with you. He doesn't think the simple word, love, can capture what he sees, thinks, and feels about you. You're everywhere in his fractured mind.

The long-minute hugs standing in the kitchen, the way he goes silent when you rant about your latest discovery on the internet because he's hit with the sudden thought that he's here with you and you exist, the kisses he presses on the indent near your shoulder as he presses himself into that very spot, the way he always finds his way back home to you no matter what because he refuses to leave you afraid and waiting for him to come home. He'll always come home to you, because you are his home.

#jason todd #jason todd x y/n #jason todd x you #jason todd x reader #jason todd imagine #jason todd headcanon #batfamily #batfam

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ckret2 · 10 months ago

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Chapter 51 of human Bill Cipher is once more the Mystery Shack's prisoner: Dipper and Mabel try to figure out what the Axolotl's poem means; Dipper gets the hang of astral projection; and... whatever's going on up there happens.

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Ford and Dipper came back into the shack through the gift shop; Ford didn't want to risk crossing paths with Bill. While Dipper went into the house, Ford went down—returning to the safety of his subterranean study.

Once Ford had put on the old black trench coat he'd worn during his multiversal travels and gotten comfortable at his desk, he pulled out Journal 5 to document the events of the last few days. In a cheap ballpoint pen, he wrote, I've lost my #1 Grunkle pen (and favorite coat) to the waters of Lake Gravity Falls. And then, deciding this didn't adequately express his feelings, he drew a small frown. That coat had served him well for decades, and he'd really liked that pen. It did write excellently, and it had reminded him of his gniece and gnephew.

He spent three pages documenting the eclipse—what happened, what readings he'd taken, what he and Dipper observed—and then another four pages talking about Bill. What he'd told them, why Ford had dismissed it; his claims about a trans-dimensional axolotl distorting gravity with its migration; the statue, the rescue, the breakdown.

The act of writing always helped Ford clarify his thoughts and untangle mysteries; it wasn't until he was writing that he realized the limbs Bill had said he couldn't feel were the ones that had broken off the statue.

He listed the rules of the chess variants he could remember Bill inventing. He drew Bill huddled in front of the board, grim, tear-streaked, exhausted; and then scratched out his face, embarrassed at the thought of immortalizing such a raw moment for his private viewing.

He wrote, There's still a slim possibility that the entire "eclipse," start to finish, was Bill's masterfully-orchestrated scheme to make us pity and trust him; but it's unlikely. Although Bill is fiendish enough, he isn't currently powerful enough, and his lies certainly aren't elaborate enough. If he could pull off such a byzantine ruse, then he could just as easily escape—and if he can escape, why hasn't he? Bill may be insane, but he's never been THAT irrational.

And so, even as twisted as Bill's idea of "friendship" is... for the very first time, I'm convinced that he was telling the truth all along when he said he wants me as his friend. It's not an act. He risked his life to save someone who's an active threat to him.

And at the end of it all—though I'm grateful to be alive in spite of my own stubbornness—do I like him any better for it?

Ford leaned back and shut his eyes, sifting through the inner tumult of anger and old hurt that defined most of his memories of Bill, looking to see if anything had changed.

There was a sore, tender spot in his emotions, a place beginning to rot with remorse; when he prodded at those emotions, he found that it was shame over his own harsh conduct of the last couple of days. But he was only ashamed of how cruelly he'd acted; he wasn't ashamed that Bill was the one he'd done it to.

Outside of that tender spot—regret over his own behavior—nothing else had changed.

No. I still hate him. I'm grateful to be alive, but I hate him. He hasn't undone anything he did to my family and me, and he never will. Forgiveness can't be purchased with favors.

I'm only relieved at the certainty of it. Bill has committed an act that can't possibly be a lie. I know, beyond a shadow of a doubt, that he's shown me the truth; and the truth is he'd rather see me alive than dead. Whatever other lies he may tell, I can hold on to that fact.

Bill's miserable eyes peered out at Ford between the scribbles he'd drawn across his face. It was truly a pity that Ford had to hate him. Pity that Bill hadn't been somebody better. He could have been better.

Ford couldn't find it in himself to be embarrassed that he'd filled four pages talking about the monster he'd already wasted so many more on. Bill had been right about him: You might hate me to my face, but behind my back you're as obsessed with me as ever. The only thing Bill didn't understand was that hatred and obsession weren't mutually incompatible.

####

"Hey, Dipper," Mabel said, unfolding the living room sofa bed.

"Hey, Mabel," Dipper said, passing through living room on his way to the stairs. He climbed up to the attic.

He came back down from the attic. "Mabel. Why's Bill asleep in your bed."

"He really needed a nap," Mabel said.

"Okay but why on your bed?"

Mabel pouted. "Dipper, do you realize he's never slept on a real bed? Ever?"

Dipper tried to imagine sleeping on a couple couch cushions on the floor every night. "Yeah, okay, that does kinda suck." Even if it was Bill's own fault he wouldn't sleep in the living room.

By unspoken mutual agreement, having a Bill in the bedroom followed the same law as finding a centipede in the bathroom. The law was "that's the centipede's bathroom now." So once the folding bed was set up, they sat on it to serve as their hang-out spot for the evening and caught each other up on what they'd done the last couple of days.

After Dipper & Co. had left, Grenda had come over to take advantage of the low gravity to retrieve the kite that had been stuck in a tree near the Mystery Shack since last summer (it was, tragically, too tattered to salvage), and then they'd gone over to Candy's house to photograph each other performing feats of impossible strength. (Mabel would be sending some pictures to their parents to confuse them, and adding the rest to her summer scrapbook.) She'd spent the next day breaking the trampoline world record until Soos came outside and said gravity was probably too low for it to be safe to be up in the air anymore, if Bill's warnings about being off the ground when gravity hit zero were true; at which point Mabel had hung around inside air-swimming until she suddenly slammed against the ceiling, and then the ground. She was fine. She just had a couple of bruises. She showed Dipper her bruises.

In return, Dipper told Mabel about how their quest had gone: the checks for micro-rips, Bill's increasingly frantic warnings, the lake—

("You got to see a bajillion magical axolotls and I didn't?!")

—the cliff, the Axolotl, Dipper's near-death experience, and what he now knew about his out-of-body dreams.

"Seriously?" Mabel hissed, eyes bugging out. "And he had us looking up lucid dreaming books! What a jerk!"

"I know! He could have just ignored the whole thing, we didn't even think it was anything but dreams."

"And I'd thought he was being so helpful, too! Like he was really trying to make up for giving you 'nightmares'!" Mabel laughed in disbelief and flopped down on the flimsy mattress. "All that because he just didn't want us to know how it was really his fault? Biiill, ugh."

His fault. Dipper hesitated, wondering whether he should tell Mabel what Bill had said about Mabel's Fault; then decided against it. Bill had probably been telling the truth when he'd said he only wanted all the credit for Weirdmageddon.

But—Dipper did tell her about Bill saving their lives. He would have felt like a liar if he hadn't—like he was trying to trick his sister into thinking Bill was worse than he already was. He hoped Ford wouldn't mind; but how could he not tell Mabel?

"He could have just let you die and didn't?" Mabel turned that over in her head, processing this sudden shift in Bill's behavior. "Wow. I'm impressed."

He also told her about their previous encounter with the Axolotl. Considering the other lies Bill had told recently, anything he said about them meeting the Axolotl was dubious at best; but Dipper could remember the Axolotl, so maybe some of it was true, even if Bill had twisted as much as he could. ("The Axolotl said hi, by the way." "Aww. Tell him hi back!" "Yeah, I... don't know how to do that.")

Dipper laid out his journal between them on the folding bed, and Mabel read over the couplet a few times. "'Sixty degrees that come in threes, watches from within birch trees'..."

"It's got to be talking about Bill," Dipper said. "Equilateral triangles have three sixty-degree angles. I just don't know why the Axolotl wanted to talk to us about him."

Mabel frowned at the lines. "I think... I remember meeting him too," she said.

"You do?"

"Kinda. Like in a dream," she said. "We were in some kind of futury space race car. And he had a really comfortable beanbag chair."

"Yes! I remembered the beanbag chair, too!" And he hadn't mentioned it in his journal. "This is great! Talking about it must... must cause us to remember, somehow. Maybe since the universe where we met the Axolotl doesn't exist anymore, our memories of it are... detached or something? Psychically floating around between dimensions until we try to remember them?" He took in Mabel's skeptical frown and shrugged. "I don't know!"

She scrunched up her face. "Ugh. Last summer's first-grader time travel was complicated enough. This is like college-level time travel. Maybe we can ask Bill how it works?"

She said it so easily, like she thought it was actually a good idea. Right after she'd heard about the lucid dreaming thing, too. "I don't think he'd help." Dipper lowered his voice. "He really didn't want Grunkle Ford and me to find out about the Axolotl—and he kept telling me not to think about what the Axolotl told me. He's trying to cover something up."

"Oo-oo-ooh." Voice dropped to a whisper, Mabel said, "Do you think it's some kind of Space Axolotl conspiracy?"

"It could be," Dipper said. "All I know is he was trying to tell us something important about Bill. Some kind of prophecy, or... maybe a warning...?"

He trailed off. Mabel had stopped listening to Dipper. She was rereading the couplet Dipper had written, moving her lips like she was murmuring under her breath—but whatever she was saying, it was much longer than the couplet Dipper had written down. Distractedly, she said, "Do you have a pen?"

"Yeah, here." Dipper quickly handed over the pen he kept in his vest.

Mabel clicked it, went to the bottom of the page, and wrote: A different form, a different time.

Dipper sucked in a sharp breath as the words snapped into place in his mind. "That's it! That was the last line! What else do you remember?"

"That's it," Mabel said. "It was free form poetry with a bunch of rhyme pairs."

"I don't think free form poetry rhymes."

"Pbbbt." Mabel blew a raspberry and shoved Dipper's face. "Whatever! You know what I mean." She pointed at the last line. "Do you think the poem's about why Bill's here? He time traveled to the Mystery Shack in a new body..."

"Exactly! Bill must be back here for a reason. He's got all those powers—or, used to, anyway—and he knows more about the multiverse than anybody on Earth... Maybe there's some kind of big threat coming, and Bill's the only one who can stop it, and—and the Axolotl wanted us to know...?"

"I like the sound of that," Mabel said. "That'd basically make him a hero, right?"

Dipper grimaced. "I mean. I guess? But we're talking about Bill. If he does help us stop a threat, it'd be like if a serial killer picked up a hitchhiker and killed him, and then it turned out the hitchhiker was an even worse serial killer."

"That still sounds kinda heroic to me."

"Pfff, okay." He looked at his journal. "But... what is he here to do?"

Mabel considered what they'd already written. "Maybe we can use him to spy on our enemies through birch trees!"

"Thaaat's probably not it."

"No, I think I'm on to something. I can feel it."

There was a lot of empty space between his couplet and Mabel's line. "There's more we're missing, though. Maybe the rest of the poem describes the threat? Or what we need to get Bill to do?"

"I can't remember anything else, though."

"Me neither."

They stared at the page together, waiting for something to come to their blank minds. Mabel looked at the fish tank. "Hey, Primrose! Do you know anything?"

The pet axolotl in the tank ignored her serenely.

Dipper said, "'Primrose'?"

"Yeah, last summer Grunkle Stan said her name is Freakface, but I thought she deserved a cuter name. She's primrose color!"

"Ford says he originally named him Nikola."

Mabel gasped. "Nikki..."

Dipper twisted around to look at the axolotl. "Do you know anything? Do you... get messages from the Axolotl's heralds, or anything...?"

Nikola slowly opened his mouth, and slowly closed it.

Mabel said, "Hey. The Axolotl's one of those dimension-crossy time-travely guys, right? He probably wouldn't have given us a prophecy in the wrong timeline and then made us forget it unless he knew we'd remember it in time in the rightdimension!"

"I guess," Dipper said uncertainly.

"So we don't need to worry about it! We'll remember it when we need to."

"Unless this timeline's going to branch, and the only one where we survive is the one where we put all our effort into trying to remembering—"

"Shhh!" Mabel put a finger over Dipper's mouth. "Uh-uh. No college time travel. We'll be fine!"

Dipper pushed her over. "Okay, but we should at least try a little to remember what the Axolotl told us."

"What if we work on it separately?" Mabel propped herself up on an elbow. "Instead of just sitting around thinking about it. And whenever we remember a line, we can tell each other and see if it makes anything click."

"That might be faster," Dipper said, stroking his chin. "We're already remembering different lines."

"Yeah! And that lucid dreaming book said something about focusing on a problem before you sleep so you can figure it out in your dreams! We can just work on it in our sleep and we'll remember it all in no time!"

Dipper laughed. "What? No way, I think lucid dreaming is just one of those made up pop psychology things. I didn't get it to work at all." Either it didn't work or Bill had deliberately recommended a terrible book.

"I did! I can remember like... eighty percent more dreams. And I can tell when I'm dreaming a lot more often!"

"Huh." Or, maybe Dipper just wasn't doing it right. "Maybe I need to start over from step one. Do you know where the book we were using went?"

"Over here!" Mabel had set a couple library books on the end table next to the sofa bed; she pulled out the second one, which had a glittery pink bookmark with a cat on it stuck two-thirds of the way through. "Just don't lose my bookmark."

"Thanks." He'd reread the first step before bed. "We should probably be getting ready for bed anyway, huh?"

"Seriously?! It's barely bedtime!" And when the adults weren't watching, official bedtime was an hour and a half before Actual Bedtime.

"I'm exhausted. I just hiked up and down a mountain and faced down death."

Mabel pointed at Nikola. "You faced down a big salamander."

"Close enough."

They went upstairs, brushed their teeth, went to their bedroom...

And stopped in the door. Bill was still asleep. "Oh. Right," Dipper said.

He was curled into a ball on his left side, facing the wall, covered with only the zodiac blanket and his borrowed/stolen top hat sitting on the side of his head. He didn't use a pillow; he'd pushed Mabel's pillows and dolls behind himself to form a squishy makeshift fortress.

"Please don't wake him up," Mabel whispered. (She'd already set up the folding bed for herself; she'd clearly planned on this.) "He's had a really really hard time the last couple of days, and I think he needs as much sleep in a real bed as he can get, and it's just for one night, and I'm sure he'd rather sleep than do anything evil—"

"He said something, didn't he?"

Mabel paused. "Yeah. I think seeing his body really messed him up."

Dipper sighed. "We were trying to keep him away from it." He didn't want Mabel to think they'd forced him to stare his own death in the face. "But he did that... eye thing and looked through the trees, and..."

Mabel nodded.

Well. Dipper couldn't kick him out now. For Mabel's sake.

As children, occasionally when they got hotel rooms with a bed too few, their parents would stick them in one bed with a barrier of pillows in between them. At age thirteen and without two crabby parents trying to get them to just go to bed after a long plane flight, they unanimously vetoed that plan. Dipper decided against asking Stan if he could sleep in Ford's unoccupied bed, both because he suspected Stan would just go upstairs and drag Bill out of the room and because he didn't want Stan to think he was scared of Bill. He wasn't scared of Bill. Not anymore. He could handle one measly night in the same room as him. Anyway, somebody had to make sure he wasn't unsupervised in their bedroom all night, right?

Dipper and Mabel quietly set a floor mirror and old lamp next to Mabel's bed, draped a sheet between them, taped on a pink poster that said "WARNING! TRIANGLE ZONE!" and was covered in stickers of triangular objects, and decided Dipper was adequately shielded. If Bill did get up during the night, he'd probably trip through the sheet and wake half the house before he got anywhere near Dipper.

Dipper went to sleep with a baseball bat in his hands.

####

"Okay," Bill said, hands on his sides, "what am I looking at here?"

The feral band members of Sev'ral Timez turned toward Bill, eyes reflecting in the dim light. They were squatting around Bill's petrified corpse like a pack of apes examining a sleek black monolith.

"Hey girl," Creggy G. said.

"Hey," Bill said. He looked down at himself. His onyx black feet hovered over the ground and the yellow glow from his exoskeleton illuminated the clearing. "Lemme cut to the chase, is this gonna turn into a raunchy dream? My corporeal love life is about as cold and dry as Antarctica, I keep hoping one of my dreams will get a little hotter and wetter—"

"Nah, G," Deep Chris said. "Mr. Bratsman got us fixed."

"Aw."

"We're here to pay you reverence for freeing our minds from the chains of the conventional," Greggy C said, gesturing to Bill's corpse. Leggy P was kneeling and bowing to it and Chubby Z was posing for it. "We want to help free you like you tried to help free humanity."

Bill's eye narrowed. He tapped a finger against the edge of one brick as he considered this offer. Finally, skeptically, he said, "Fine. I'll bite. Why should I think you can help me?"

"Because we can give you the understanding your heart's been missing, girl. You're just like us," Chubby Z said. "A horror never meant to exist, born of a dream to construct the perfect golden idol, forced to dwell within an unnaturally-fabricated human shell."

Bill tilted his head thoughtfully. "I'm with you so far."

"We want you to join us," Deep Chris said. "Cavort with us in the silvan night, G. Shun the harsh light of the spotlight for the healing salve of moonbeams. We'll get drunk on the sweet fermented summer berries, uncaring of how the brambles prick our flesh. We'll dance in a frenzy of ecstasy and only sleep when the morning sun lifts the dew from the flowers and the sweat from our skin. It'll be straight Dionysian, boo."

"We can kiss the hot trees," Creggy G said.

Bill grabbed his shoulder. "Oh, you're the human that keeps making out with birch trees! I knew your face was familiar!" He paused. "So... are there any eligible ones around here?"

"Sure, girl, just downstream."

"If I'd known, I would've polished myself first."

"Say you'll join us, Bill girl," Deep Chris said. The band crowded around Bill to either side, posing around him—the backup dancers for the star singer. "You'd be one of us."

"We're already exactly the same," Creggy G said, holding up a mirror so that it reflected his and Bill's faces beside each other. In Bill's human face were two empty white eyes with pinprick pupils and pale blue irises, exactly the same as the eyes of the Sev'ral Timez boys.

He sat up with a gasp, hands flying to his face. There were still green boughs at the edges of his dreaming vision, blending into the wooden boards of the Mystery Shack's attic. Before sleep had fully fled his mind, he seized up the zodiac blanket draped over his body and stared into his embroidered eye.

The eye stared back at him. Through it, he could see his horrified sleepy face, and his normal slitted yellow eyes. His connection to the blanket's eye disappeared as he finished waking up.

He heaved a sigh of relief and flopped back down. He'd been lucid, but he hadn't been in control of that dream. He still needed practice.

He rolled toward the light of the window, groped around beneath it until he found his journal, grabbed up his crayons, and flipped pages blearily until he found the first blank one. He started writing down his dream, pausing only briefly as he tried to figure out how to translate "Sev'ral Timez" before settling on a sufficiently goofy way to misspell "several times" in Plaintext.

He made it halfway down the page before he stopped. Hold on. This wasn't his beautiful journal. These were not his beautiful crayons. He checked the cover and grimaced in displeasure when he saw a pine tree rather than a hand. Dipper's journal. Bill ripped out the page, ate it, and set the journal and Mabel's crayons back on the table under the bedroom window.

"What was that," Dipper asked, "some kind of Morse code?"

Bill yelped and twisted around. Dipper's soul was hovering above Mabel's headboard, watching over Bill's shoulder.

"Hey! Back, foul ghost!" Bill snatched up Mabel's pillow and swung it at Dipper.

"Ow—Hey! How did you hit me, I'm in the mindscape—"

"I said back!" Bill swung again, chasing Dipper off the bed. "Back into your fleshy tomb!" He climbed off the bed, stumbled into Dipper and Mabel's trap, tripped through the sheet and probably woke up half the house.

He yanked the sheet off and flung the pillow at Dipper by its corner. "Now get back in your body, go to sleep, and leave me alone."

"I don't know how to get back in it. I just wait until it happens by itself," Dipper said, floating irritably over his sleeping body, arms crossed. "Why do you think I just wander around every time I have this dream?" He paused. "Right—it's not a dream, is it."

Bill sighed heavily. "Try putting your body on like..." He almost said like an exoskeleton, remembered his audience, and amended himself: "Like it's clothing. I usually start with the hands. Just like putting on gloves!"

Dipper looked at the cold fingers wrapped tightly around the baseball bat. "How do I put hands on like gloves? There's no opening or—"

"Just try it, would you?" Bill sat tiredly on the edge of Mabel's bed.

Dipper shot him an irritated look, but pressed his ghostly hands against his fleshly ones, passing through the skin until one set of fingers rested inside the other. A fingertip twitched.

Bill gestured with one hand, continue. "Now the sleeves."

"I know how to get dressed." Dipper laid down in his body, forearm into forearm, shoulder into shoulder—until he was wholly back inside. He sat up, awake. "Huh."

"There, see?" Bill said. "And if you want to take it back off, just do the same thing in reverse. Like degloving your body from your soul!"

"Did you have to phrase it like that?" Still, Dipper tried it, peeling out of his body from the fingertips up. He left his body sitting upright as he hovered over it.

Bill chuckled tiredly. "Lookit your face, staring at nothing. Stupid looking."

"Shut up." He slid back into his body, more quickly now that he knew what he was doing.

"Great," Bill said. "Now that you know how to get back in your body, never do that again." He flopped back onto Mabel's bed and rolled over to face the wall. "It's a pain in my base having you wander around all night."

"Then you should've thought of that before you ripped my soul out of my body," Dipper grumbled. "Can you reattach me to my body?"

"Sure, easy." He lifted a hand to point down at his regrettably human form. "Not like this, though. Wanna help reattach me to my body?"

"Never in a million years."

"Then come back in a million years. There's nothing I can do for you until then." Bill dragged Mabel's zodiac blanket back over himself. "So sorry. Go to sleep. Leave me alone."

Dipper bet Bill could do it and was only saying he couldn't to try to trick Dipper into helping him. But he lay back down—clutching his bat again—and shut his eyes.

After a moment, Bill asked, "Where's Mabel? Sleepover?"

"Sofa bed in the living room."

"Right."

And then there was silence.

Several minutes passed. Dipper nearly fell back asleep. He heard Bill climbing out of bed and creeping across the room; but the footsteps didn't approach Dipper's bed, so he didn't open his eyes.

A few minutes after that, Dipper heard him come back, walking more heavily. He cracked open an eye to see what Bill was up to.

He was carrying Mabel, who was still asleep; his arms were trembling from her weight, but even at that Dipper hadn't known Bill was that strong. With a quiet grunt, he set her on her bed, then haphazardly tossed her sheet and zodiac blanket over her. He picked up his top hat from the bed and put it on; and then he wandered off, footsteps quiet as a ghost, and Dipper heard the creak of the door as he left the bedroom.

That was a lot nicer than Dipper had expected from Bill. Maybe he did care about Mabel in his own way.

Mabel rolled over and latched on to one of her dolls. Dipper shut his eye and fell back asleep.

####

(My favorite part of writing this was Bill dreaming about Sev'ral Timez saying the most absurdly flowery things imaginable. Anyway, let me know what y'all think about this week's chapter! And reminder that I MIGHT skip next week or the week after because the next couple chapters need heavier editing than usual.)

#bill cipher #human bill cipher #sev'ral timez #(a tag i have never used before and will probably never use again.)#gravity falls #gravity falls fic #gravity falls fanart #fanart #my art #my writing #bill goldilocks cipher

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astralis-ortus · 3 months ago

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when it's less-than-ideal

✱ boyfriend!bc x gn!reader

— you can't judge a relationship only based on its good days.

w.count → 0.9k genre → comfort, a dash of comedy at the end warning → chan referred to as chris, babe, my love; reader referred to as baby and babe; kind of sad but it ends well♡ a.n → basically i'm projecting what kind of relationship-slash-communication style i want in a relationship, so... yeah. think i'll be on my own for quite a while, lol. anyways! i also have an announcement here about requests, commissions, and fanart shop, do check it out♡ ⋆ if you're enjoying my stories, do send me a ko-fi ⋆ see masterlist

chris has been acting weird lately, and you don't know why.

you're usually not one to mind—given the way his schedules these days barely even spare the time for him to rest, you understand that your boyfriend is bound to be less like his usual self. you've sat down with chris to talk about it early in your relationship—the expectations, the ideal and less-than-ideal situations, the how-tos, and 4 years in, everything has all worked out just fine.

lately, however,

chris has been acting really strange.

"babe, i'm home," chris' voice softly echoed through the apartment, followed by the rustling of what you could assume is the layer of jacket and hoodie you got him to wear to battle the dropping temperatures of november seoul. "where are you?"

"kitchen!" you chirped, swiftly rinsing off the pots and pans you've been battling against for the past 10 minutes, "i'm still washing the dishes. are you hungry? i made some curry for dinner, it's in the—babe? are you okay?"

the cheeriness in your voice immediately turned into worry when you felt chris' arms around your waist, holding you tight as he allows himself to melt onto you, face buried in the crook of your neck.

after all the years of being at the receiving end of chris' special mix of physical affection, you've naturally learned to differentiate the meaning in your boyfriend's touches—is he just being affectionate? or is he trying to tease you? is he jealous of the interaction you had? or did he sense something and is trying to keep you safe? you have always been able to read chris just from the way his skin grazes upon yours, and so far you've barely ever been wrong,

but god, you sincerely hope you're hitting far from the mark this time.

"hey," you softly called out upon the absence of chris' response, quickly disregarding the dishes to rinse your soapy hands before turning to face chris' tired features, "is everything alright, my love?"

instead of an answer, chris simply leaned onto your touch as soon as your hands came to cradle his cheeks—ones freezing from the cold weather he just escaped moments ago, and only then, you realized just how long it has been since you've properly seen your boyfriend.

how come you haven't noticed the dark, looming shadow in his eyes? or the way his skin had lost its usual glow and instead grew dry with the season? how come you didn't see the way the corner of his lips had grown heavier, or the way his curls you oh-so adored had adopted its long forgotten frizz?

how come it took you so long to properly see chris?

"i'm sorry, baby," running the pads of your thumbs across chris' cheeks, you forced yourself to swallow the lump of guilt lodged in your throat, "i just realized i've been too inattentive to you, and i'm sorry. have you been wanting to talk it out with me?"

and only then, you saw the faint glimmer you fell in love with, peeking between the grey clouds in chris' eyes.

"yeah," despite the hoarseness in his voice, you could hear the warmth returning in the words chris uttered as he nodded, "but i just… i didn't know how to bring it up since i knew you've been dealing with your own stuff as well."

chris quietly exhaled, soft breath grazing your lips when he leaned his forehead onto yours and let his eyes fluttered close, allowing his walls of self-protection to finally crumble as he speaks, "i'm sorry, baby. it was never my intention to let this fester for this long or to make you feel bad in any way. i just didn't know how. i promise."

you know you're not perfect, and neither is chris—but you also know chris has always made it his life mission to make sure you're the happiest you've ever been when you're with him. one honest mistake will never erase the efforts and sacrifice chris has ever made for you, and you'll never let that happen.

"i know, baby," you hummed, lightly dragging the tips of your nails against his scalp when your fingers found the dark locks of his hair, "i don't blame you. i shouldn't have assumed about your condition and let it slip too. i won't let it happen again, i promise."

and you can feel the way chris' shoulder relax at the words you utter,

because just like him, he knows you'll do everything in your power to keep every single one of your promises.

"thank you, baby," chris pulled you into his embrace, completely engulfing you in his warmth while he pressed his lips on your forehead. "i promise i'll try to be better at this too, and thank you for being patient with me. i love you."

it didn't matter how many times have you heard chris whisper those three words in your ears, or how many times have he held you like you're everything that ever mattered to him,

chris will always make your soul feel the most alive it has ever been.

"i love you too, baby," you finally allowed yourself to smile as your arms found their way around your boyfriend's waist, holding him close as you listen to the rhythm of his heartbeat—

"…babe?"

"…yeah," chris sheepishly nodded while rubbing his stomach, "i haven't had lunch too, actually…"

a protest involuntarily slip past your lips along with the forming lines of frown between your eyebrows, perfectly portraying your disapproval of chris' course of action.

"go sit down, i'll fix your plate for you," shaking your head, you turned towards the pot of warm curry on the stovetop in faux disappointment before you continued,

"and we'll talk about whatever's been stressing my christopher out, okay?"

oh, you can definitely confirm,

the sound of chris' soft chuckle will never fail to bring a smile to your face.

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dimonds456-art · 5 months ago

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CUPHEAD CROSSOVER!

@year2000electronics ask and ye shall receive

Ramblings under the cut!

The general idea is that the AU follows a similar story structure to Cuphead, but the lore is similar to Gravity Falls. There's just one key difference: everyone can see and interact with Bill. He just can't really interact with our world. Yet.

Bill is a projection, brought forth by Gideon Gleeful. He would allow Bill free presence, and in return, Bill basically made him famous, AND his Earthen right-hand. So he takes the place of King Dice.

From there, the history is almost the same as GF. Ford came here to investigate anomalies, found Gravity Falls, met Bill, and started building a portal. The possession came with a different cost this time, though; Ford's soul. Bill promised he'd be in good hands and that it's just kinda part of the gig, but because of this, Bill's ability to possess him never left.

Once Ford got the metal plate installed, Bill was limited, sure, but he still had control of the soul contract, meaning he could basically just. Force Ford to do shit. The main limiting factor here is that he has to know where Ford is and has to be able to see him. If he can't see him, he can't control him. Once Ford is in the multiverse, this is the main reason Bill can't get him. He doesn't know where Ford is.

The main story is just everyone in Gravity Falls making really really stupid mistakes. The only person who has not fallen for Bill's games is Stan, who- like Elder Kettle- tried to warn the twins about making bad deals, but ultimately this fell through when they got curious and visited Gideon's tent, where Bill was also observing.

In my interpretation of this AU, Pacifica takes the place of Ms Chalice. She's hurt and alone, and her dad made a deal with Cipher that resulted in. this. I like to think it was a Monkey's Paw type scenario, but my brain is an egg so I'll figure that one out later. Basically Pacifica wants her body back (ghost rules the same as the DLC), so she decides to help Dipper and Mabel under the belief that they can assist her once Bill is defeated.

However, this falls through. However the deal worked, it persists, and Pacifica starts to wonder if she'll always be a ghost. But that's where Ford comes in.

Ford, taking the place of Saltbaker (kinda? kinda.), offers to try and help her restore her physical form. Call in the twins and let's be off let's go. He says he needs to build a machine that could potentially reverse the effects permanently, and he needs parts. So that's what the twins are doing. The cookie is replaced with an astro-physical restorative remote, but a really, really weak one, and it requires a host to work, keeping the idea that one of them will always be a ghost until the machine is done.

The only problem with this plan is that Ford's contract with Bill is not up, and was not destroyed by Dipper and Mabel, and Bill can see him now. So. In short, that ain't Ford.

The parts the kids were gathering were for the portal.

Once they figure that out, we get a Baking the Wondertart equivalent, Bill is defeated, and in doing so, Ford is freed of the contract as well, meaning Bill can't mess with him anymore.

Not sure if Bill lives all the way to the end of this story, but there is a good chance unless I figure out how to kill him, seeing as Weirdmageddon probably doesn't happen here.

Gotta think on it more, but that's the basic idea. First draft. All of this is subject to change hdfsdfjh

#gravity falls #cuphead #cuphead in dont deal with the devil #crossover #gf au #dipper pines #mabel pines #stanley pines #stanford pines #grunkle stan #grunkle ford #bill cipher #gideon gleeful #pacifica northwest #fiddleford mcgucket #old man mcgucket #stan pines #ford pines #gf ch au

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nightingale-prompts · 6 months ago

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Ghostlight -DCxDP prompt

Tim only had one mission tonight.

Investigate the abandoned Monarch Theater.

There had been reports of noises inside and lights turning on. The obvious answer is that a rogue is using it as a base and will eventually use it as a stage for an overly complex scheme. Perhaps it was Riddler, two-face, or most likely Joker, but they were all still in Arkham.

The problem was that Monarch Theater was on Red Hood's turf, and he didn't want anyone in the family there. It would have to be someone really stubborn and not afraid to make Jason mad to go there anyway. Fortunately, that was Tum favorite thing to do. As his little brother, that's basically his job.

Tim snuck into the back of the dilapidated theater to a crowded backstage with people scurrying around and preparing for a show.

None of them seemed to notice him as they focused on their tasks. Tim tried to get someone's attention when his hand phased through their shoulder.

Then the woman turned to Tim her eyes narrowed.

"What are you doing back here? Audience members are not allowed before the show. Are you here to drop off flowers or gifts? Please, hand them to an attendant and they will be delivered to the actor you want. You are not allowed to see the prince before the show. We don't want you disrupting his concentration. Please go back to your seat now." She rattled off as she shoved Tim off the stage and into the audience chamber.

There Tim saw a packed room full of....well ghosts. All of them waiting excitedly for the play to begin. But right in the middle was Jason eating popcorn like this was completely normal.

Jason looked up and saw Tim, they both froze.

Then the curtain rose and a silver-haired prince dressed in royal regalia stepped forward with his arms raised. The audience cheered and applauded at the sight of him.

"Welcome, my friends and followers to this week's show of "Walking on Stars". We hope you enjoy our heartwrenching drama tonight. We have two special guests in the box tonight. Martha and Thomas Wayne our dear patrons have joined us this evening. Let me be the first to welcome them tonight." The prince bowed.

Danny knew there was no stopping ghosts from invading the moral realm and a comprise needed to be made. Appeasing them is the easiest way to do it. They needed purpose and entertainment just like they did in life. After asking a few of his people what they wished for and adding some expansions to the realm Danny stared this project.

This abandoned theater in one of the most haunted spaces in Gotham was perfect to keep the spirits happy. Many people don't know this but ghosts loved theater. It is why theaters would sometimes keep two empty seats in the back just for the ghosts to watch and close on sundays and keep a stage light on just for the ghosts to perform for each other. This consideration goes a long way for the spirits and they have a deep appreciation for the arts.

Since then Danny has put on weekly shows of plays, concerts, and talent shows. It even drew the attention of the revenant that uses the area as his haunt. Out of respect, Danny invited him to come and he has his own reserved seat.

Tim ended up sitting next to a miffed Jason as they watched the show.

"Can't I just have something to myself?" Jason grumbled offering Tim his ghost nachos.

Jason didn't know why the food was so good but these ghost nachos were the best he ever had. Tim on the other hand couldn't taste them.

(I made this prompt just to use the phrase ghost nachos.)

#dc x dp #dpxdc #dc x dp prompt #dp x dc prompt #danny fenton #danny phantom #batman #jason todd #red hood #red robin #tim drake

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cyberjam · 2 years ago

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ATSV HEADCANON: they have a crush on you . . . ☆

warnings - none really, super fluffy and adorable :), semi-proof read so i apologize for grammatical errors if there are any! no use of name or y/n, gender-neutral reader!

word count - 2.1k

main masterlist <3

☆ . . . miles morales

I imagine you two already being well-acquainted friends with each other once he realized his feelings for you. For quite some time he had a crush on gwen but now his heart strings are pulling him towards you, so he's struggling when it comes to addressing his feelings.

If you're in the same room as Miles, he will stare. Any conversation that he was having before is long forgotten and all that's on his mind is you.

Miles doesn't need to study, he's one of the top students in school. But he continues to go on study dates with you because he likes being in your presence and sharing his headphones with you while eating yummy pastries.

He has an entire journal dedicated to you. Said journal includes: small journal entries of his day with you, little quotes of the funny/cute things you've said that stuck with him throughout the day, candid drawings of you that he created whenever you two hung out, cute sketches of you and him stargazing or slow-dancing together (and other secret drawings of him saving you as spider-man and cradling your body in his big strong arms but we won't get into that...)

Miles really can't get enough of you. He laughs extra loud at your jokes even if they aren't funny, his heartbeat quickens at the mention of your name, he'll offer you his jacket even if you don't need it, he always smiles when something reminds him of you, he'll share his headphones with you and shyly ask if you and him can make a "study playlist" (he listens to it at night while drawing you), and overall is just madly in love with you.

He wants to be with you more than anything, he's just struggling to find the right time to ask you. <3

"Hey, don't touch that! It's- No! It's not a diary, it's just...secret."

☆ . . . gwen stacy

She's pretty awkward herself. You were assigned to be partners for a project that would play a big part in your final grade, she came off slightly cold and seemed to be annoyed at your presence which made your relationship start off rocky. In reality she was just stressed, juggling her spider duties, getting kicked out of her house, and then school on top of that, it was just a lot. But when you made the effort to plan things and work around her busy schedule (that you didn't really know anything about) she started to become grateful for you.

Your parents welcomed her kindly each time she came over to study and whenever she would leave she was happy with a full belly and a sore face from smiling and laughing with you all night. The project was supposed to be done by the end of the semester but you and gwen were able to finish it the first month you got it. That didn't stop her bi-weekly visits, that then turned weekly, until she was suddenly walking home with you everyday, from and to school.

She likes to compare hands, shoes, and height just to see the difference in sizes. On walks back from school she'll give you a piggyback ride if you ask nicely. She also likes laying her head in your lap, if you run your fingers through her hair she'd be fast-asleep within 5 minutes.

You and her tend to share your oversized clothes together, You always wash her jackets/sweaters after you wear them, which she absolutely loves. She's fallen asleep curled up in your hoodie, inhaling the scent and listening to whatever song you rambled about the previous morning on repeat until she finally asks you to just make her a playlist. Hobie definitely knows about you, only because she slipped up by saying too much.

She enjoys staying over your house during rainy days. She tends to tense up whenever you're watching tv together on your bed and your head falls on her shoulder. During missions in other spider-verses gwen has taken little souvenirs from different worlds and given them to you, she always does it in a nonchalant way as if she wasn't grinning ear to ear on her way back, excited to see how you'd react.

You don't have sleepovers often but when you do they always seem more intimate than your usual hangouts. When you wake up and see gwen flustered on the other side of the bed you never understand why, not knowing that when you were fast asleep she woke up cuddled into you, nuzzling her body into yours.

"I-uhm. I-uh just had a weird dream. Nothing to worry about, heh.."

☆ . . . pavitr prabhakar

It's very obvious he has a crush on you, it might as well be written on his forehead. He follows you around like a lost puppy. He's constantly offering to carry your books, opening doors for you, paying for your snacks, and even giving you hand massages when you've been writing an essay for too long. He's just completely whipped for you and you're not even dating (yet).

You were a transfer student and he was assigned to show you around Mumbai. He found himself getting giddy at your cute reactions to the different sights he took you to. He adored how you were filled with so much curiosity and wonder, the awestruck look in your eyes when you saw the pretty lights at night and just how genuinely excited you seemed to stay and explore Mumbai. Since then, he's been glued to your side.

He's such a gentleman, you can tell he was raised right. Whenever you're talking his full attention is on you, nobody else matters in this moment but you. He'll even get a bit upset if someone cuts you off, ignoring whatever they're saying and urging you to continue. His legs feel wobbly around you, he gets dizzy at the sight of you, and he feels like he's floating whenever you smile at him.

There have been multiple occasions where you've caught him staring at you, depending on how he feels that day he'll either smirk and gently wave or quickly turn away with a blush on his face. He gushes about you to Hobie and Miles all of the time. They know so much about you and they've never even met you.

A true romantic. He buys you a singular flower one week out of the day, always explaining the meaning and where they originate from. (all of them are a variation of romance/love)

He tends to lean into you whenever you speak. More than one person has pointed out that you both tend to mirror each other's actions. He's feigning for your touch more than anything, a simple brush of your shoulders and he's full on putty in your hands.

He won't outright confront you when he figures out you like him, instead he'll invite you on a nightly walk. Taking you up to a rooftop with a gorgeous view, and gently resting his jacket on your shoulders. You'll sit for a while enjoying the scenery before he turns to you and says...

"a person as beautiful as yourself shouldn't wander this world alone.."

☆ . . . hobie brown

What a nightmare. He is constantly teasing and flirting with you. Always doubling over in laughter when he sees you get all flustered and the words you so badly wanna spew at him get stuck in your throat.

I imagine you both to be spider-people, you're a little more stuck-up than he is which is why he likes to tease you so much. Little by little your reactions fueled something deeper in him. He no-longer found himself flirting with you because he liked seeing how aggravated he could get you but because that was his way of approaching you and saying all of the things he wanted to while being able to play it off as a joke.

Besides teasing you relentlessly, he can be really caring and attentive to you when he wants to be. If you're in the medic he'll stop by pretty often to make sure you're okay. The only reason you found out is because you woke up to him fast asleep next to your bedside, feet propped on your bed and his vest laid across his torso like a blanket.

He'll eat the foods on your plate that you don't like. If you fall asleep he'll lay his vest onto your body and even move your position if it looks uncomfortable. If he senses danger before you he'll move you of the way as fast as he possibly can, but if he's not close enough he'll give you a heads up before anyone else. He tends to stare at you sometimes, always smiling gently to himself.

When you two get closer as friends he'll play any song on his guitar if you ask him nicely. He'll even give you lessons if you really want them. Carefully throwing his guitar over your torso, he brings his much larger hands to yours. You can feel his chest against your back, and the waves of his warm breath on your neck as he teaches you how to play. He'll also let you wear his jacket, saying it looks better on you than him. He might let you keep it, only in exchange for one of your jackets. (he sleeps with your jacket on, it makes him feel close to you.)

Hobie often checks up on you during missions, sometimes saying teasing phrases to get you riled up but mostly to make sure you're holding up okay. "you alright there, peaches? you took quite the hit."

Once he finds out you like him, he eases up on the teasing, but he doesn't refrain from dropping subtle hints of his knowingness that you like him. He's just waiting for you to finally say something.

"Yknow, if i ain't know any better i'd say you were doing this 'cause you like me."

☆ . . . miguel o' hara

You worked beside him in Alchemax, the two of you were assigned as partners. At first he didn't care much for you, simply telling you to stay out of his way and that he didn't need any help, but after Lyla practically forced him to be a cordial lab partner and work with you, he started to take a liking towards you. Sadly, it took months for him to tolerate you and even longer for him to like you.

Although he was quite stuck-up and practically seemed on edge most of the time, you were able to break through those confined walls and have a comfortable-playful work relationship with him. Every-time you made a joke or a light quip about his attitude he'd always respond with sarcasm, still not being able to hide the tiny smile that graced his face at your foolish acts.

He always runs his projects by you before submitting them. (and then lyla to triple check) He'll stop by and pick up empanadas from his favorite store, always boasting about how it's the best in Nueva York and you'll never taste anything better. Eventually he brings in a hefty share of empanadas that you two share over lunch time, your conversation flowing naturally without the teasing but with a fluffier feeling flowing through the air.

He pretends to be annoyed when he catches you over-working but he's genuinely worried for you. Always shaking his head in a disapproving way when he finds you fast asleep on your desk, papers scattered, and drool falling past your lips. Quietly scolding you in spanish before throwing his lab coat over your shoulders and organizing your papers neatly.

He tends to act unbothered when you do something that shows you care for him but in reality it makes his heart stutter and his stomach feel all loopy. He hates it because it makes him feel like a middle-schooler when they get their first crush but another part of him absolutely adores it and his main motivation to get up to go to work in the morning is you, although he'll never admit it.

If a co-worker is ever rude to you he will be the first to defend you, not hesitating to get in their face with a nasty scowl painting his features. On Friday's he made it his personal mission to walk you home, you two slowly walk side-by-side, quietly laughing to yourselves as you reminisce on lab accidents and old memories. There's a slight gleam in his eyes when you make it to your apartment door. He turns to you almost hesitantly, before stepping closer to you. He whispers a question, so quiet and soft you almost wouldn't be able to hear it.

"Can I kiss you?"

omg i hope you guys liked it! requests are still open btw and thank you for reading! <3

likes, reblogs, and comments are always appreciated <33

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