#c. lucy

[coloneljonesy]

  it's been a year and a half since he finally convinced her to join the armory. truth was they needed more witches in their ranks. not to say that he didn't trust some of the human leaders but humans were so fickle , sometimes more so then supernatural . at least with those in the supernatural community you knew where you stood, there was no back talk or side speak. they often told you, to your face what their motives were, humans and again not all but a good majority of them didn't. when power was given to them they often exploited it. but witches had that bad habit too but for their were certain witches... certain covens that he wanted on his side. he tried his luck with shelia bennett many, many years ago. when she was a woman coming into her own. she had declined; looking after her family was her priority. and he respected her for it. he could see some of miss shelia in her grandchildren. even looking past their power. the way bennett women carried themselves was alluring. the way lucy bennett carried herself perhaps more so. but he tried to push those thoughts from his mind, he was there to train her to build her in the image the armory wanted. mostly he was there to make sure that she didn't kill herself ... their agents had a tendency of doing this. 

this mission had taken them to  germany, and it was fucking freezing. thankfully the armory had bases in most major metropolitan areas so there was no sleeping in some run down motel tonight thank gods. they were however stuck sharing a room as they weren't the only armory agents in town looking for this specific relic. the shower had done wonders for him, a billow of steam followed behind him as a towel clad kris walked into their shared room. there she sat crossed legged on the bed, eyes intensely looking over the coordinates on the map. the wrong ones because when they got there, they found nothing. cold, hungry and frustrated they had decide to head to hq and try again in the morning. but if spending this much time with her had taught him anything... kris knew what that look on her face meant.  "let it go witchy.” walking to the dresser he pulled out a an outfit for a their night out. “ we spend hours going over that place. the coordinates were wrong." he came to stand in front of her small  water droplets lightly peppered the map as he toweled dried his hair. "we are meant to be going out with the others remember, see what germany had to offer with the drinking scene." he sang song but when he got no response he plopped down next to her. " this isn't going to be one of those- i'm too fucking stubborn to let shit go and now i'm obsessed, moments is it? cause i'm hungry and want to go drink after fighting a bunch of dryads"

| closed starter :  @nghtmqred​ |

[coloneljonesy]

@nghtmqred

stobin + incorrect quotes  (2/∞)

[lackadaisycal-art]

The Pevensie Children

[shesnake]

Lucy Liu and Cillian Murphy on the set of Watching the Detectives (2007) dir. Paul Soter

[lewkwoodnco]

Lockwood & Co. incorrect quotes (2/?) LOCKWOOD & CO. (2023)

[see-arcane]

Trying to imagine Lucy’s situation right now.

Sleep means nightmares (if you’re alone).

Sleep means your blood is disappearing (if you’re alone).

Sleep means you’re doing worse than dying (if you’re alone).

And it’s all just Dracula playing with his food. The only thing keeping him from getting straight to the conclusion is his own restraint for the sadistic sport of it and practicing stealth in a land where he doesn’t yet rule the whole territory through fear.

But he could get away with it in one go. He could find half a dozen easy ways to pull it off before Van Helsing starts meddling in earnest.

…and that would end the game, wouldn’t it? No, no. Can’t have that. He wrung two whole months of fun out of Jonathan. Your turn now, Lucy.

[mashollings]

☁️ ಠ_ಠ ☁️

[hasthecityrearranged]

Flowers fade, the fruits of summer fade,

Lucy St Louis as Christine Daae, West End 2023: @callmelasagna’s master

[shima-draws]

Catching up on more recent FT stuff and um

EDO LUCY HAS A KID?

EDO LUCY AND EDO NATSU ARE MARRIED??? AND HAVE A DAUGHTER?? NALU CANON???

Also oh my FUCKING god look at him. He’s such a proud dad I’m going to throw up I love him so much

And the fact that Natsu gets attached to her IMMEDIATELY and goes into overprotective Dad Mode when she’s not even his daughter, technically (and Gray too over his own Edo kid 🤧)

Natsu: I’ve decided I’m taking her home with me. No objections

HOMIE DEADASS IS SIGNING THE ADOPTION PAPERS ALREADY. It was love at first sight. Natsu loves her so much he wants to kidnap her. Shut UP,

[moonwaterstories]

The chronicles of Narnia illustrations

-by Pauline Baynes x x x x

[aesthetic--mood]

Narnia Summer Aesthetic

[paladinbaby]

first rule of holes: keep digging

poem of the end, marina tsvetaeva / have you been long enough at the table, leslie sainz / @inneskeeper / the charismatic church asks me how i have sinned, janelle tan / blud, rachel mckibbens / leslie feinberg / @aforlorngazeintoyesterday / nonbeliever, lucy dacus / the cow, ariana reines / the wee free men, terry pratchett

[Image Description: Ten images of text on white backgrounds.

1: “Either love is / -A shrine? / or else a scar.” Or else a scar is highlighted in a pale yellow colour.

2: “can you stomach it? / Anyway, you eat it. You eat it anyway.”

3: “ Oh sunk cost fallacy, we’re really in it now. We are in fact so really in it that if we quit now then everything we did would have all been for nothing and so we have to keep going in”

4: “let me fail myself. let me call / love an unanswered prayer. let me be / the very tip of the knife / that touches grace.”

5: “Obedience in the wrong house is a kind of plague,

survivor’s guilt a slight of hand. No outrunning / your blood’s calamity, so you gather your teeth

& dig your trenches, tell your stories but never come clean.”

6: “Did I survive? I guess I did. But only because I knew I might get home to you.” The whole line is written in italics.

7: “doomed by the narrative but not to death. doomed to survive. doomed to stay alive inside the story. doomed to never escape the narrative, not even through death. you are allowed no exit. there is no way out for you and never was. you couldn’t die if you wanted to. the narrative has a hold on you and it won’t let go. death is too sweet a doom for you. the story has something much worse in mind. there is no way out.”

8: “You deal an unspoken debt / No kindness without wanting something back / What do I owe you? What did I forget? / Are we even after all of that?”

9: “There is no sacrifice. You have got to want to live. You have got to force yourself to want to.”

10: “All witches are selfish, the Queen had said. But Tiffany’s Third Thoughts said: Then turn selfishness into a weapon! Make all things yours! Make other lives and dreams and hopes yours! Protect them! Save them! Bring them into the sheepfold! Walk the gale for them! Keep away the wolf! My dreams! My brother! My family! My land! My world! How dare you try to take these things, because they are mine!

I have a duty!” End ID.]

[boosify]

FFXV x SWITCH

[dozydawn]

Seventeen, February 1969.

Models: Susan Blakely, Jane Hitchcock, and Lucy Angle.

[eliseliedl]

Sorry We're Closed 2 / ?

[3gremlins]

me watching the new fallout series: idk about this ghoul, i think they tried to make him too good looking of a monster, idk if it's working for me

*they show a flashback of this character pre-ghoul* also me: oh no he's much hotter as a ghoul, his pretty ghoul face is growing on me -pause in realization, turn to my partner- omg i'm such a monster fucker i'm so sorry

my partner, sitting next to me: i made my peace with this long ago...