#by changing the pacing i mean like the first episode would probably have more info abt the divine tree arc rather than just focusing on the

[cuoxou]

my predictions regarding how the manga is gonna b adapted in s3 is that i think that they'll change the pacing / order of the mini arcs specifically just so that theres more focus on like ... the divine tree arc nd the last arc nd like theyre probably going to hopefully adapt some of the newer omakes ... id like to see the summer vacation one get adapted

[dukeofonions]

So I thought I’d try something a little different (and slightly more fun than my usual saltiness) and do my own little personal ranking of Sanders Sides episodes! 

Now I actually haven’t watched anything from the series for awhile so these rankings are going to be based purely on my own memories of each episode and how much I remember enjoying them. I’ll also be splitting the rankings up so I’ll do season one today and season two later on.

Eventually I want to go back and actually rewatch everything but I’ll probably wait until the season two finale comes out (whenever the heck that will be) but until then I think this will cover it.

Also important to note is that I will not be counting Asides in this since 

1. I’m salty

 2. It’s not supposed to be Sanders Sides anyway so why include it?

and 3. I’m very salty.

Alright, let the ranking begin!

Dang, can you believe season one has seventeen episodes? Starting with My True Identity on October 19th, 2016 and ending with Accepting Anxiety on July 15th, 2017. 

These episodes were a lot shorter too. The longest one, Growing Up, is only about 15 minutes long (14:39 to be exact because I already have the playlist pulled up to get all these references so I might as well use the info I have) and the shortest episode was Way Too Adult that barely makes it to the four minute mark. (Okay it’s 4:18 but that’s still closer to four) 

It’s really interesting to see how much the series changed just throughout season one alone, especially once it shifts from just being a silly series of one shots to a series with more fleshed out characters and beginning to scratch the surface of dealing with heavier topics. 

How did it do for me personally? Well if you made it this far I assume you actually want to know my opinion so I’ll go ahead and tell you...

For real now, let the ranking begin!

*cue drum roll*

#17 I'm in a Disney Show

Yeah this one is pretty forgettable, and it really sticks out like a sore thumb among the other episodes in this series since it’s based on something that happened in real Thomas’s life and later on they try to establish that Sanders Sides isn’t about real Thomas. Not only that there wasn’t much in this episode that stuck out as funny to me. The only bit I actually remember laughing at was when the Sides were throwing around click bait titles. 

So yeah, boring episode, feels out of place, moving on.

#16 Becoming a Cartoon

Like with the last one this one is just very forgettable to me. It also features someone who turned out to be a pretty shitty person so I can’t even watch it without feeling uncomfortable.

The only thing I remember laughing at was Patton holding a potato. 

#15 My True Identity

Okay I know it’s harsh putting the first episode so low on the list, especially when most of my problems with it stem from it being made before there were any intentions to make it a series, but like the first two it’s also kinda boring. I mean on it’s own it does a good job of introducing people to the basic idea of the series and gives an idea of what the characters are like, but they all basically act like the same person (yes I’m aware of the irony) with just one or two minor things to set them apart. 

Can’t really hate this one like the other two since, again, this was made with no intention of plot or character development, so it’s only this low because it doesn’t really stick out to me. But hey, it did its job at getting people interested in the characters so in that aspect it did its job perfectly.

#14 Taking On Anxiety

Oh the second hand embarrassment in this episode is too much to bear. Honestly any episode that has Thomas interacting with someone from real life just feels so weird to me and takes me out of the episode. However, I do actually have a bit more positive things to say about this one. The advice they give is actually helpful, and my gosh I love pre-AA Virgil. 

The snark, the sass, it’s easy to see why he became a fan favorite so fast. And fortunately for me, there’s plenty of episodes for me to love him in before I start to hate him. 

#13 Way Too Adult

This is gonna sound repetitive but again, forgettable. Doesn’t give me second hand embarrassment or make me feel negative in any way so that’s why it’s higher than the others. And hey, 13 is one of my favorite numbers so that’s gotta count for something right?

The best part of this episode is Patton, I really miss the earlier version of him where he actually took on more of a fatherly figure and had more of a serious side. Not that I don’t like him now and I still think he’s one of the better written in the series (more on that in another post) but it’s kinda nice to see him being portrayed in a way that doesn’t feel like he’s being dumbed down for laughs or is just sad and confused.

#12 The Mind vs The Heart

Or as I like to call it “Selfishness vs Selflessness in Five Minutes.” This episode is way too relatable which is both fun but also I don’t need the reminder that I can’t say “no” to people, but that’s a me problem not the episode’s. I like the format of using cutaways to show examples of how Logan and Patton clash in Thomas’s day to day life and honestly I wish they’d use it more since I think they only do it in this episode and in Growing Up but I could be wrong and I’m too lazy to check.

All in all this a cute little episode (and not cute for the reason you might think) and I enjoy it. 

#11 Accepting Anxiety Part One

Honestly not much to say about this one? It’s funny watching Thomas’s antics while the Sides have to try and figure out what’s going on. Which is a nice change of pace from the usual “The Sides are being goofy and zany and Thomas has to try and get them on track” that I kinda notice throughout season one and that starts to change to become the norm in season two, but I’ll get to that later. 

Reason this one isn’t as high as others is just because besides that one gimmick of Thomas saying and doing silly stuff is that there isn’t much beyond that, and of course that’s just because this is the first part of a two part episode so I’ll give it grace for that. Still a great set up though and is funny on its own. 

#10 The Dark Side of Disney

Alright, we’ve made it to the top 10! Here’s where things start to get interesting.

Personally, I find this episode hilarious because I do this kind of stuff to “kid’s films” all the time. Never to actual kids but to adults, it’s fun to see just how dark I’ll go. 

Of course this isn’t really what the episode does, it talks more about the messages in these movies as opposed to talking about how “dark” they are. Which, now that I look back I clicked on this episode thinking that it was going to be a part of the latter and had no idea it was a Sanders Sides episode. Maybe that’s how I found the series? I always forget which episode was my first...

Back to the episode, it also establishes Virgil and Roman’s little dynamic of being rivals and I love it. They have some of the best exchanges in the series and it’s fun watching them go head to head here, and even bonding a little as well. All in all, fun episode that provides some good character moments and some laughs. 

#9 A New Year of Lying to Myself... In Song!

Just the song, man. It slaps. 

But am I the only one miffed that Virgil technically got a villain song (about lying no less) and Janus didn’t? Not even an evil reprise? Yeah that’s some bull spit right there.

#8 Growing Up

Aw, the first name reveal episode on this list! This episode is a lot of fun, mostly because of the scenarios they come up with and the little cutaways they add in. Seriously. Just use these more instead of going to these great lengths to show us something that can be accomplished in six seconds of footage. 

It also has one of my favorite moments with Logan quietly asking Patton what they’re doing wrong after Thomas tries to force himself into the “serious adult role.” I really got a soft spot for this episode and honestly talking about it makes me wanna watch it again, but I’ll hold off for now. 

And I think Patton has one of the best name reveals. Like Thomas really thought his name was Pattoncake, and Patton’s reaction is priceless. I still want to know what “Pattoncake” actually is and how it’s played, but part of me also accepts that it’s probably better if we never know. 

#7 Making Some Changes

Why are Thomas’s friends so good at acting as Thomas acting as his characters? Seriously half the time when I watch this episode my brain doesn’t acknowledge that the Sides are now being played by different people until halfway through. 

This episode is one of the funniest in my opinion, and one I remember coming back to a lot. Do I still want an episode where the Sides pretend to be each other? Yes. Do I know it’ll probably never happen and if it did they’d find some way to just make it full of angst? Yes, yes I do.

#6 Alone on Valentine's Day

The first episode to be officially cowritten by Joan, and it’s great. It’s hilarious, and just seeing all the varying ways each Side tries to portray their idea of romance is the cherry on top. What more can I say about this episode other than I’m curious as to what Janus and Remus would have contributed to a conversation like this, maybe they’ll do another episode like this in the future with their inclusion, but who knows what the heck they’re doing at this point.

#5 Sanders Sides Q&A

Top 5 here we go!!! This is when ranking started to get difficult because I love all of these episodes so much. Especially this one. I think I’ve watched this one more than any of them and why not? It’s just pure goofball shenanigans and seriously, Thomas, why haven’t you done another one yet? Especially with Janus and Remus?! I mean I get if you’re waiting for “all the characters” but come on man! I need more of the energy this episode gives off.

#4 My Negative Thinking

This episode made me realize just how underrated Logan and Virgil’s relationship is. It’s also the second entry in the “Logan Fights Everyone” saga. I do love how this episode has actually helped me with my own negative thinking and I just freaking love Virgil’s sass in this. 

Did I mention I also love Logan and Virgil’s friendship? Ah, good times when they all more or less liked each other. 

#3 Losing My Motivation

The set up of this episode is just brilliant. Having it be a “mystery” for Logan to solve with Patton as his sidekick provided a lot of laughs and one of my favorite Logan moments with his little bit he does after realizing he was the “culprit” in all of this. Ugh, I really wanna watch some of these episodes now but I’m gonna hold out. 

One thing is that I feel like Logan got the short end of the stick with his name reveal. Like Patton just casually calls him by his name like it’s no big deal, yet pretty much all of the other names are revealed after some kind of emotional moment and are treated as a big deal. If Patton was comfortable enough to just call Logan by his actual name and Logan himself was fine with it then why didn’t any of them introduce themselves before? There’s not really an explanation within the series itself as to why this is or why the Sides even have names in the first place, like it makes sense why Virgil or Janus would hide their names but Logan, Roman, and Patton have been there since day one so what gives?

My personal headcanon is that the three of them had a bet going on to see how long they could go without calling each other by their names in front of Thomas and Patton lost because he forgot. 

#2 Am I Original?

Look, Roman is my favorite so of course he’s up here! Not only that but this episode resonates with me a lot as a creative person, and I just love watching the Sides trying all the ideas Roman comes up with.

And his name reveal is also great, probably my favorite one, and of course it’s followed by the now infamous, “You’re my hero” line. But I’m just gonna ignore what became of that and focus on the fact that Roman was actually happy at the end of this episode.

#1 Accepting Anxiety Part Two

What can I say other than this was the perfect way to end this season? Virgil has been the outsider of the group since day one, and seeing him go from this snarky antagonist to gradually being tired with the role until he decides that it would be better if he just wasn’t around at all. This episode has some funny moments too, but what sticks out to me are the more emotional ones. 

Roman’s entire speech to Virgil is just *cheff’s kiss* perfection. Their relationship has finally come full circle and when Virgil smiles at him? Ah it’s so good!!! Like the music, the acting, all of it comes together so perfectly and it makes my heart happy. 

Virgil’s name reveal is also great, after being teased about it over and over again we finally get the real thing and it’s executed perfectly. Although my favorite thing about this episode is probably the end card, it’s so sweet and makes me all sentimental. Why? I dunno, I’m supposed to be heartless but I somehow find my heart melting when Patton gives Virgil the card anyway. Ah, I love Virgil’s relationships with the others by the end of this season, and honestly I would have been satisfied if this had been the end of it.

Just a neat little way to wrap up this neat little series. 

Of course we all know that wasn’t the case and oh boy things certainly took a turn, but that is for another post! 

And that was the first part of my ranking! Like I said this list might change once I go back and watch the series again, but I’m pretty sure things won’t change much then. 

I’m actually surprised at how many happy memories I have with the season, like I seriously want to just go back and watch my favorite episodes again because I’m all up in the nostalgia but again, I’ll hold off for now. 

I hope y’all enjoyed this and I’d be curious to see other people’s rankings of season one. I’m glad I was able to have fun with this and just gush about the series for awhile because oh boy I know things are gonna be very different once I get to season two...

[ichika27]

Mairimashita! Iruma-kun s2 ep12

We’re halfway through the second season, I suppose?

This episode gives us a little glimpse of the home life of the Abnormal Class students and also a bit of insight about Kalego-sensei himself.

Grandpa Sullivan is excited for the coming vacation as it means he could spend time with his grandson. Opera then tells him he still has some work to do before then including a request from Opera themselves. As repayment for helping him look cool in front of Iruma and friends in the party episode, Grandpa Sullivan agrees to Opera's request and says he, too finds it interesting.

Okay, just a thought but I heard the episode with the party was a filler? Like, it wasn’t in the manga or something or did I get that wrong? Or did they decide to connect it to the story?

At school, Kalego-sensei gets a special task from the school principal: to visit the homes of the Abnormal Class students before the vacation starts. He hates it but he has no choice. He decides to just go in, talk to the parents, go out and to end this as quickly as possible.

First up is Asmodeus! Azz mother unfortunately isn't home though (Azz purposely not let his mom know about the meeting) so his butler is the adult there with him. Kalego-sensei then asks him if he's told his parents about school matters and Azz replies that he does... talk about Iruma and his achievements. Sensei gets annoyed as he was supposed to talk about himself but Azz said he excels at school all the time so there's no need to say anything about it.

Two cute girls (who are relatives, calling Azz "brother") comes out and agrees that Azz is amazing although they hate it that he had been too preoccupied with Iruma recently that they don't hang out as much anymore. Azz apologizes to them... and says Iruma comes first. This led the two kids to get mad at Iruma and insult him. Azz runs after them trying to change their minds.

The butler then talks to Sensei a bit about Azz's past and says the boy has changed and had become happier after enrolling at Babyls and meeting Iruma. Kalego-sensei says he understands cause as demons, becoming the subordinate of someone who beat you is a normal thing. He does note though that if Asmodeus stops being too narrow-minded and only thinking about Iruma, he’d grow and become better and if that happens, he’d become a better subordinate to Iruma. He does tell the butler that he won’t be telling Azz this as the guy has to figure it out by himself.

Next is Clara's family who even gives him a warm welcome. There's also a musical number much to his annoyance. He absolutely doesn't like it in there and wanted to leave lol. The anime really made musical numbers the Valac Family thing, huh?

Poor Sensei is at their mercy haha.

Just when he couldn't take it anymore, Clara's older brother finally makes his appearance and apologizes to Sensei for the trouble. Urara, unlike everyone else in the family is polite and mature making Kalego-sensei question if the boy really is a part of the family or if he was kidnapped from somewhere else lol. Sensei was able to talk to them normally for a while before they start their antics again. Sensei was able to give advice about Clara though. He mentions how Clara is a bit insensitive (as she doesn’t consider how her actions affect others) and causes trouble but is good in a sense that she could make people follow her own pace.

Oh and Clara’s mom mentioned that someone like Urara does come into their family from time to time. Like, most of them will act like the typical Valac family member but once in a while, they’d produce someone like Urara whose different. I think this is interesting since they have been hinting about him from season 1 and now he’s here and there’s something about him that’s different.

The other students homes aren't any better and Sensei had to deal with whatever trouble or craziness that'd be there waiting for him. By the end of it all, he was tired.

In a way, he should’ve expected this. I mean, this is the Abnormal Class we;re talking about. He got a lot of souvenirs from them all though and has a bad full of random stuff by the end (most came from Clara’s family).

The final visit was to Iruma's house. Kalego-sensei just wanted things to be over with but his fears came go be realized when he meets the one person he didn't want to see: Opera who used to be his senpai.

Sensei seem to be scared or at least very wary of Opera that he uses Iruma as a shield lol.

Grandpa shows up and shows what Kalego-sensei looked like when he was young. He then proceeds to drop some details about Kalego-sensei as a student (as Sensei complains about it).

It seems that back in his school days, Kalego-sensei gets challenged to fights often and rumors about him pop up as well which he finds to be a pain. The only person he could talk to was Baram-sensei who was also a student back then. The two talked about what's going on and realized Kalego-sensei must've been mistaken by others as someone else. There was no student council back then so things were also more chaotic (It seems Ameri’s influence made a big difference to how school operates now).

He then later learns who everyone mistook him for. The person who the rumors talk about that could defeat many demons: Opera. Since then, Opera had been sort of bossing Kalego-sensei around and it seems sensei might be a bit traumatized as he uses Iruma as shield once again.

Nice. We get a little backstory not just about Kalego-sensei but also about Opera who was a delinquent. Opera seem to still enjoy making Kalego feel bad.

They eventually proceed with the parent-teacher meeting although not without pestering Kalego-sensei for a moment. Sensei talked about the troubles Iruma got into but he also mentioned his accomplishments. Grandpa then takes the record book sensei is holding and reveals it's entirely about Iruma.

Iruma then realizes the hard work Kalego-sensei does as he probably wasn't the only one who sensei had looked into. Sensei takes his book back and gives Iruma proper advice. He says Iruma shouldn’t mix up responsibility with self-sacrifice and should be careful with the actions he takes.

When it was finally over and he could finally leave, Opera forces Kalego-sensei to stay and even had him turned into his familiar form.

The next day, Sensei thanks everyone for letting him into their homes but informs them that he'd be increasing the number of their homework and everyone complains while Sensei is happy to see them struggling.

Later, as vacation finally comes close, the class goes to Iruma’s house to invite him to Walter Park. Iruma agrees of course and the group excitedly talked about what they'd do next.

--

I really liked this episode. It’s nice to see more of Iruma’s classmates even if it’s just for a few seconds each. We also get more info on Clara and Asmodeus and about their family members who hadn’t appeared til now. Also backstory about Opera!

The thing I liked the most about this however, is seeing what kind of person Kalego-sensei is. He’s strict and gets easily angry and seems to not like his students. He would be what we’d describe as a “terror teacher” but surprisingly, he isn’t unfair. He wouldn’t randomly flunk a student because he doesn’t like them and does take his job seriously. He doesn’t disregard the good points of a troublesome student and also looks into how a student could better themselves. He likes seeing them struggle but would acknowledge their accomplishments (we also see this back at the end of the exams where he disappointingly announced that everyone passed). Grandpa Sullivan even mentioned how he’s glad Kalego-sensei is the teacher in-charge. No wonder everyone at school respects Kalego-sensei - it’s not just about his strength or how scary he is but it’s cause he truly is a responsible, reliable, and competent teacher.

I like how we’re learning a lot about other characters this season. It makes them more likable and makes it more fun to watch their interactions with one another.

I guess the Walter Park arc would be next? I hear it’s action-packed so I look forward to it.

Thank you for reading this far!

[snkpolls]

SnK Episode 69 Poll Results (for Manga Readers)

The poll closed with 200 responses. Thank you to everyone who participated!

Please note that these are the results for the Manga Readers’ poll. If you wish to see the results for the Anime Only Watchers’ poll, click here.

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RATE THE EPISODE 193 responses

The anime continues on with it’s hot streak, with episode 69 receiving only 1 vote in the negative direction. The vast majority were very pleased with this episode. 

this time the pacing felt quite weird, specially with how they managed the flashbacks. sorry mappa, but for the first time i feel like this was a 7/10 episode

nice i guess.

Beautifully done

It was great especially the confession part hahah

I love MAPPA's takes on the series so far!

Overall, very good episode. MAPPA is doing a great job. 

i liked it!

A little iffy but still solid.

WHICH MOMENT FROM THE PRESENT TIME WAS YOUR FAVORITE? 194 responses

There were many significant moments in this episode, so we opted to divvy up the options. For favorite moments during the present time, Eren’s harsh tone with Hange garnered the highest amount of votes at 34.5%. Not far behind, 26.3% most enjoyed watching the 104th talk about Eren and what happened in Marley. Behind those two scenes were Hange asking Eren why he was talking to himself in the mirror (12.4%), and getting the small zevi crumbs at the end of the episode (8.2%).

WHICH MOMENT FROM THE KIYOMI FLASHBACK WAS YOUR FAVORITE? 192 responses

For the flashback where the Survey Corps meets Kiyomi, nearly half of the fandom (43.2%) were ecstatic to finally see the scene between Historia and Mikasa animated. 24% most enjoyed Eren’s rejection of Zeke’s plan in Historia’s defense. 14.6% were immersed in Hange’s dismay at considering making Historia continue the cycle of children eating their parents, and 12.5% were thrilled to finally see Mikasa reveal her tattoo to Kiyomi. 

Tfw you think MAPPA cut Kiyomi’s drooling scene due to tv lag and later you find out the scene was changed to something equivalent: O__O 

5head pixis made me laugh

WHICH MOMENT FROM THE RAILROAD FLASHBACK WAS YOUR FAVORITE? 193 responses

Eren’s confession at the end of the railroad flashback took the most attention from fans, with 41.5% enjoying that portion the most. 20.2% enjoyed the 104th all discussing who is most suited to inherit Eren’s titan. 19.2% got a kick out of seeing smol Armin chasing around smol Sasha, and 13% were happy to see Levi (and his annoyance that everyone is taller than him). 

Armin's :o face was just adorable! Had forgotten it from the manga

MIKASA REVEALS THE AZUMABITO CLAN SYMBOL AS A TATTOO ON THE TOP OF HER WRIST. THIS IS A RETCON FROM SEASON 1 WHEN WIT REPLACED THE BRANDING WITH EMBROIDERY INSTEAD. THOUGH THE TATTOO IS WHAT’S FAITHFUL TO THE MANGA (MIKASA’S MANGA COUNTERPART HAS ALWAYS HAD THIS), WAS THIS A GOOD DECISION ON MAPPA’S PART? 192 responses

When it comes to the tattoo retcon, opinions seem to be relatively mixed. 22.9% of respondents felt that the retcon was a good move, because they feel that faithfulness to the source material is the most important thing in an adaptation. 21.9% felt it was a mixed situation, because they appreciate faithfulness to the manga, but also prefer for things to have proper continuity. 20.8% agreed that it was a good move, but mainly because the embroidery was “lame and forgettable” anyway. At smaller percentages, 16.1% felt that it wasn’t really a big deal either way since the family symbol was acknowledged regardless, and 9.4% didn’t care at all.

Mix of 3 and last point

Yes because faithfulness to the source material is important and I don't think the existence of the embroidery means that the branding didn't also exist.

No: continuity issues in the anime, but Yes: the embroidery thing was stupid.

1) we never saw the embroidery being kept by mikasa 2) kiyomi could have thought they just found it and stole it from the shogun's descendants' tombs or something. we as manga readers know mikasa is truly a descendant of the shogun, but anime onlies would have thought it could be possible for kiyomi not to trust them. so a tattoo is the best choice

Yes, MAPPA made a good decision. The anime onlies probably don't even remember the embroidery thing anyway. 

Bruh, if I hadn't read the manga, I would've forgotten the Mikasa mom scene.

Options one and two.

HYPOTHETICALLY, IF ONE OF THE 104TH WERE TO INHERIT EREN’S TITAN POWER, WHO DO YOU THINK WOULD BE THE BEST OPTION? 191 responses

The notable majority of respondents feel that Jean would have been the best candidate to inherit Eren’s titan. At a distant second, people would opt for Armin to inherit Eren’s titans (perhaps because he is already a titan anyway). The rest of the characters were relatively evenly chosen.

WHICH “SHIPPY” MOMENT FROM THE EPISODE WAS YOUR FAVORITE? 193 responses

This piechart turned out to be very colorful. Nearly a quarter of respondents couldn’t choose just one moment, so they voted for “all of them.” Behind that, 14.5% most enjoyed the scene where Eren showed determination to ensure Historia wouldn’t have to be sacrificed, 13.5% swooned over Eren and Mikasa’s blushy glances at each other, and 11.9% most enjoyed Connie and Sasha’s increasingly awkward conversation about who’s the bigger idiot. 

I loved the Erehisu moments 

sasha and connie <3<3<3

Erehisu canon

MAPPA DIDN’T INCLUDE THE PART OF THE CONVERSATION BETWEEN ZEKE AND KIYOMI WHERE ZEKE EXPLAINS HIS PARENTAGE, WHY HE SOLD THEM OUT, AND CLAIMS THAT HE’S THE “TRUE ELDIAN RESTORATIONIST.” THOUGHTS? 192 responses

The conversation between Zeke and Kiyomi got shaved down quite a bit, losing the claim of Zeke being “the true Eldian restorationist.” 30.7% aren’t sweating about it and feel it’s something that will be included in a later episode. 27.6% feel that it’s removal isn’t a big deal. 18.7%, on the other hand, feel that losing that moment watered down Zeke’s characterization and would have preferred its inclusion. 8.9% don’t care. 

I feel it will be brought up next episode

I think leaving it out makes the moment with ksaver telling him to sacrifice his parents more impactful to the anime onlies.  

they may have prepared an anime original scene where this is explained, probably at some point. this chapter was loaded with tons of info

I think everything zeke is going to be saved for his big flashback after losing to levi

Maybe they'll include it at the part where Zeke has his flashbacks when he was injured by Levi.

MAPPA ALSO LEFT OUT THE PART OF THE 104TH’S CONVERSATION WHERE ARMIN THEORIZES THAT EREN WOULD BE IN CONTROL OF THE COORDINATE ONCE HE AND ZEKE MAKE CONTACT. THOUGHTS ABOUT THAT? 185 responses

Another dialogue that was axed this episode was Armin brainstorming about who would be in control of the Founding Titan if Eren and Zeke make contact with each other. 35.7% (a small jump from the previous question) feel that this, again, will be included in a later episode. 28.1% feel that its inclusion wasn’t wholly necessary. 18.4% feel that this fact was already obvious anyway, so it doesn’t matter. 10.4% feel that the anime will get to that point so quickly that the exposition isn’t necessary to begin with. 

Armin's motives don't necessarily change either way so I'm fine with the cut. I do hope it's mentioned later on though.

Every episode is only 25 minutes long, so some parts of dialogues need to be removed. 

I honestly think they're going to retcon this so zeke's reverse uno in chap 120 doesn't seem so wild

I do understand that they need to make cuts (and there's still to many manga chapters to fit in the rest of the season) but that one was really important bc they might not explain it fully later on

If they animate Zeke's backstory, it will be there. It would've been nice to show Armin still using his brain though.

DO YOU THINK EREN SEEMED MORE INTIMIDATING IN THE MANGA OR THE ANIME? 191 responses

Manbun Eren was introduced as being intimidating, cold, and generally mean. His outburst at Hange was the first of many examples of this behavior as he lashed out at them for having no good ideas. 65.4% of respondents felt that MAPPA did a much better job at portraying Eren as a much more intimidating figure than Isayama did.

IN RETROSPECT, DO YOU FEEL THAT EREN WAS TOO HARSH ON HANGE? 190 responses

Almost a total opposite from the previous pie graph, 66.3% of respondents felt that Eren was much too harsh on Hange, given the circumstances and their dwindling options.

DO YOU THINK THAT, EVEN AFTER READING CHAPTER 123, PARADIS COULD HAVE FOUND ANOTHER WAY TO RESOLVE THEIR ISSUES THAN THE PATH THAT EREN TOOK? 191 responses

One of the constant questions in the manga since the timeskip is “could there been another way?” 59.7% think it’s just a solid maybe, and that there’s no longer any way to know that now that Eren has stripped Paradis of all their options. 23.6% feel that the rumbling was the inevitable outcome against a world that would never give them a chance. 14.1% feel the opposite, however, and believe there was always another way, and that Eren didn’t give them enough time to figure it out. 

I wonder what would happen if eren talked about his future memories 

There is always another way than violence. The problem is that no one on Paradis was able to find it.

Maybe we will find out in the last 2 chapters, this might be correlated to a possible "the mist" ending that Isayama originally planned

Who even knows? All I know is that there was too much distrust, secrecy and mystery for anyone to get anything done before shit hit the fan and now here we are. I also think it was a huge mistake to keep Eren so isolated.

There's no good way and never only on path but eren choose one who solve the problem

WE’RE GONNA ASK THIS… WHO IS THE FATHER? 196 responses

The never ending debate of who the father of Historia’s child hasn’t slowed down since the introduction of her pregnancy, though the question has ultimately boiled down to whether the child is Eren’s or not. Only 33.2% of respondents seem to think so. 28.1% presumably feel that it’s not Eren, but are overall tired of this debate in general. 21.4% are firm in their stance that it’s the farmer. 13.8% just wish it had anything to do with Ymir and nothing to do with the other options. 

I’m tired of this whole damn debate... but it's the farmer

LEVI SEEMED MORE VISIBLY IRRITATED ABOUT HOW TALL THE 104TH HAVE GOTTEN IN THE ANIME. THOUGHTS? 192 responses

MAPPA animated this scene with their own take and made Levi more irritable in the anime adaptation than he appeared to be in the manga. Generally, half of respondents felt that both ways were effective and funny. 25.5% seem to enjoy MAPPA’s rendition of it more, while 18.2% prefer the original manga portrayal of Levi’s grievances.

THE TRAIN SCENE WHERE EREN CONFESSES TO HIS FRIENDS IS TREASURED BY MUCH OF THE FANDOM. DID MAPPA DO IT JUSTICE? 193 responses

For fans of the 104th in particular, this scene has felt like it’s taken 84 years to finally be animated. And very few were disappointed, with 56.5% stating that the scene was cute and they are content with it, and another 36.8% showing a little more enthusiasm, feeling that it was more beautifully done than they ever could have imagined. A handful felt it could have been better, but was still good, or just didn’t care. No one agreed that the scene was ruined.

DARK!CONNIE RETURNS! WHO DID HIM BETTER? 190 responses

Another highly anticipated moment… the return of Dark!Connie! MAPPA didn’t quite hit the mark on this one, with Connie’s aura in the manga still being much more preferable to manga readers than the way MAPPA portrayed him in the anime.

WHEN CHAPTER 108 WAS PUBLISHED, READERS WERE ASKED IF EREN STILL PRIORITIZED HIS FRIENDS. AT THAT TIME, THE MAJORITY BELIEVED THAT HE DID, ALTHOUGH THE LARGER HALF OF THAT MAJORITY FELT IT WAS TO A LESSER DEGREE THAN BEFORE THE TIMESKIP. WE’D LIKE TO ASK AGAIN, DO YOU THINK THAT EREN ULTIMATELY TOOK THIS PATH OF DESTRUCTION BECAUSE HE PRIORITIZES HIS FRIENDS? 190 responses

Overall, the majority of the fanbase believe that Eren’s actions are generally in the interest of his friends and their lifespan, though to varying degrees (38.4% feel he prioritizes them wholly above all else, while 34.7% feel that he prioritizes them, but to a lesser degree than he used to). 21.1% still think that Eren’s contradictory actions make it hard to come to a solid conclusion on this front. A handful feel that Eren has abandoned them completely and only cares about himself and his own freedom at this point. 

I want to believe that hes prioritizing his friends, but too many of his actions contradict that, like forcing them into the battle in liberio and sending titans after the alliance 

Eren wasn't able to save his mother and this fact still torments him. I think that his friends matter to him a lot, but there is something darker in him what causes all the mess he is doing. 

He’s selfish and doing whatever he wants.

DO YOU THINK IT’S POSSIBLE THAT EREN PUSHED HIS FRIENDS TO THE FRONT LINES BECAUSE HE ALREADY SAW IN HIS FUTURE MEMORIES THAT THEY WOULD STOP HIM, THUS KNOWING THEY WOULD NOT DIE? 188 responses

When chapter 108 was published, we hadn’t yet learned that Eren saw memories of the future and so we couldn’t speculate on such a thing. Now that we can, we thought we would ask. 42.6% believe that regardless of whether Eren saw his friends in those memories or not, Mikasa is correct in her belief that Eren simply trusted them to survive. 33% feel that he already knew that they would survive, which is the only reason why he dragged them to Liberio in the first place. 18.6% don’t want to say either way, and a small percentage believe Eren had no way of knowing about the fate of his friends. 

He said "I HOPE they will have happy long lives". It means he didn't see much.

WILL WE SEE THE WARRIORS + MAGATH AND COLT NEXT EPISODE? 187 responses

With things shuffled around, we still have yet to see the Warriors recuperating and planning their next move. Half of the fandom feel that MAPPA was waiting to put the focus back on Gabi and Falco before giving us this moment. 32.1% aren’t sure if we will get it in episode 70 or not. 14.4% think it’s something that will come later, and a tiny fraction think it will be cut entirely.

Need my warriors back

WHICH SCENE FROM THE PREVIEW ARE YOU MOST LOOKING FORWARD TO? 193 responses

The largest percentage (48.2%) went to the scene with Hange confronting Floch and the Yeagerists, though it is edged out by both of Gabi and Falco’s preview scenes combined (42% for the visit to the Blouse’s, and 9.8% for their scuffle at the river). 

Can't care less about to gabi and falco, it's the final season cut the filler please.

ADDITIONAL THOUGHTS ON THE EPISODE?

I miss Sasha

No thoughts, anxiety only. 

Hope to see the cut scenes in the next episode

Maybe I'm the only one, but I'm not so hyped for this season anymore. Sure, I'll still watch all the episodes no matter what, and I don't think Mappa is doing a bad job. But it's just a good adaptation. For the anime-onlys, I'm sure it's great because they're discovering the story we already know, but for me, this season doesn't add much to the manga. I probably had too high expectations for this season... (I'm also watching/reading Jujustsu Kaisen from Mappa and I don't have that feeling at all, so I'm pretty conflicted)

The episode was fine but I had a feeling that it was going a little too fast. However, I'm not complaining because I overally liked it. I could finally see adult Historia. She looks different than her manga counterpart. In the manga she was more mysterious and mature, while in the anime she still has cute baby face. I think that the moment between her and Mikasa was sweet. I feel kinda tired of the whole "who is the father" theories. I think that people waste their energy on fights and debates. If I wasn't part of the fandom, I wouldn't even think of Eren having a child with Historia. They never had romantic relationship and their last conversation was far away from being loving. Eren is an amotional mess. He has never mentioned the child in his POV, he says that his friends and Paradis are the most important, so I will be surprised if all of sudden he turns to be a father.

The lightning around eren when angry at hange was amazing addition (I think it's new) and historias situation feels more real in the anime. (ps: hail ponytail mikasa is bea)

Did a great job imo, but I don't think it's possible to make it anywhere near 122 at this point

Scenes were great as usual. The pacing was a little bit jarring though. I don't know how anime-onlys will take it since we do have different perspectives given our forehand knowledge of the events.

Where's shirtless Reiner??

Good episode, can’t wait for Gabi and Falco’s realization next episode 

I wish everything from the manga could fit into the episode or that the episodes were longer.

There's really no where else I could've put this so I'll just put it here......lol. I feel like it's not as obvious in the anime how much longer Jean's hair has gotten sometimes (specifically during the railroad scene here) and I wish that wasn't the case.

WHERE DO YOU PRIMARILY DISCUSS THE SERIES? 180 responses

Thank you to everyone who participated! 

[gregorygrim]

Dragon Prince Hot Takes

!!! Full Spoiler For “The Dragon Prince” Seasons 1-3!!!

So I finally got around to watching The Dragon Prince. Timely, I know, but better late than never i guess. I’m not completely caught up yet as I only got as far as S3E7 “Hearts of Cinder” in this first sitting. Considering I haven’t binged any series in almost two years, I think that’s pretty respectable. This means I won’t discuss the last few episodes here, except for a couple of things I was unfortunately spoiled for already, hence full spoilers.

These are basically my first thoughts and opinions after the binge and a good night’s sleep. It’s gonna be a lot so if you don’t care or don’t want spoilers…

TL;DR: 7½/10. Generally enjoyable, there are some aspects I’m not exactly fan of, but no dealbreakers

Firstly to everyone who told me that this was the new ATLA: you all need to rewatch Avatar stat! Like seriously. There are definitely parallels and given the cast and crew I think that’s what they were going for too (which is why I think it’s fair to compare the two), but still, no.

Secondly I love most of the worldbuilding and love that the series at least tries to give it to us in a bit of a non-linear fashion, even if it is kind of clumsy at times. I know some people are put off by expository dialogue and flashbacks, but I’m an epic fantasy nerd, I need that sweet, sweet lore to live as much as you mortals need food.

I like that there was clearly an effort made to integrate the worldbuilding in more subtle ways. For example you may initially find it kind of weird that all these different human ethnicities are existing perfectly integrated in what looks like a medieval society, until you remember from the opening monologue that the Human Kingdoms are the result of a massive diaspora following the human exodus from Xadia, so obviously people got all mixed up everywhere. It’s representation with an excellent in-world reason and that just brings me joy.

I also love the magic system(s) even though we haven’t really gone into that just yet. it really feels like there was a genuine effort made to create underlying mechanics for the magic rather than just making each spell a vaguely elemental themed ability. I really hope we’ll dive deeper into that in coming seasons.

I also like the little nods to other works of fantasy: Ezran’s ability to talk with animals is a reference to Tolkien’s world where some royal bloodlines had the ability to speak with animals, specifically birds; Primal Magic and its spells being cast with Ancient Draconic runes and words might be reminiscent of the Ancient Language from the Inheritance Cycle etc.

Thirdly the main cast is great. Callum, Ezran and Rayla are all interesting and relatable characters in their own right and as a group. I’m not going into each of them individually here, but while I think the series as a whole falls short of ATLA, as protagonist parties go I dare say this one is nearly on nearly on par with the gAang.¹

And yes, I love Bait, which I really did not expect following the first few episodes. I love his weird pug-toad-chameleon design, I love that he works like a flashbang whenever somebody says a quote from Scarface (I wish they hadn’t dropped that later on) and I love how done he is with everything and everyone at all times. I’ve only had him for 25 episodes, but if anything happened to him I would kill all of my followers and then myself.

On top of that, and speaking as someone who god knows is really not into shipping, I love Rayla and Callum’s relationship. It’s believable, it’s refreshing and it brings out the best in both characters without changing basically anything about them. Just two good friends who fell in love. A++, maybe even S tier.

Unfortunately though I can’t sing the same kind of praises about the villains. None of them are terrible (as in terribly written, most of them are pretty awful people), but with one exception they just don’t stand up to the protagonists in quality.

I could simply not take Viren seriously. Even now that is probably the single most powerful magic user in the world, he just has such strong Karen energy, every time he finishes a speech I am overcome with the urge to say “Sir, this is a Wendy’s” and it does not help the mood. I’m not even sure why. It might’ve been the voice because the guy who did Viren (Jason Simpson) also does a lot of kinda slimy characters in various anime dubs, it might be that over-the-top walking stick, idk.

What I’m saying is that as a primary antagonist he simply did not work for me. Which is doubly a shame because this kind of tarnishes the real “Big Bad” of this story by proxy. Aaravos, even as an invisible ghost, with his voice coming out of a caterpillar and next to no info on his backstory, has more style and gravity than all the human antagonists combined. It helps that he is by far the best designed character and Erik Dellums has the voice of a young god, but I’d argue even without that unfair advantage he has the potential to be a top tier villain. While he is stuck as Viren’s “little bug-pal” though he is just being dragged down.

(I’m aware that as of the final episode the caterpillar familiar is undergoing metamorphosis, probably to create a new body for Aaravos’ spirit to inhabit outside of the magic mirror, so I’m definitely hyped for more of him in the coming seasons.)

As for Soren and Claudia, I’ve got mixed feelings. This was one more aspect of the show that a lot of people compared to Avatar and while I see the parallels to Zuko & Azula, they are still very different, at least where Claudia is concerned. I’d also just like to mention that a lot of people told me that they thought the direction in which their storylines went were really surprising and I can’t disagree more. I predicted that Soren would defect to the protagonists on episode 5 right after Viren told him to kill the princes and I knew Claudia was going to stick with her father from episode 12 onward. My point is, it didn’t feel like some kind of plot twist, the way some people made it out to be, and which I don’t think was the intent.

I definitely got the sense that Soren was at least a Zuko-type character, though still not a Zuko clone, and as with Zuko I was consistently able to empathise and sympathise with him and his predicaments. I also appreciated that his dilemma is the result of his convictions and not him being kind of dense, which would’ve been all to easy and probably would’ve ruined his character for me. As it stands he is extremely milktoast, but perfectly functional for his purpose in the story and I can definitely see him evolving further and getting more interesting as we go on.

Claudia is where it gets complicated. Again, I can see the Azula parallels. But unlike that character, who is her father’s animal 110%, Claudia doesn’t strike me as a victim of Viren’s manipulation the way Soren undoubtably is. The way she talks about and uses Dark Magic, how she talks down to Soren and how even Viren finds it difficult to communicate with her, tells me as an audience member that she is an independent person. Which tells me that the cruelty and enthusiasm for causing harm she regularly displays is her own will. And that was before she straight up leads Callum on to manipulate him.

On the other hand I can absolutely relate to her devotion to her family, her big sister role (even though she is younger than Soren) and the way both the separation of her parents before the story and Soren’s injury in episode 16 must’ve affected her because of this. I know that, if my brother had become paralysed from the neck down and I knew a way to heal him, I would not have hesitated to kill that fawn either. Then again her relationship with her father is very different from parental relationships I am familiar with, so I can’t really say I see why she is so devoted to him, other than she promised her mother to stay with him years ago? ¯\(o_Ō)/¯

So basically Claudia falls into an emotional grey space for me. I can’t really tell how to feel about her either way and I’ll just have to see where she goes from here, which, while fine, isn’t necessarily great for an end of season cliffhanger imo.

Seeing as I’ve already talked about some of the show’s shortcomings, I think it’s time to dive into some of the what I would consider flaws.

Firstly this show needed at least 12 episode seasons. I have never made a secret out of my dislike for the modern short seasons and while I recognise that in the current climate in the industry giving everything full 25 episode seasons isn’t really doable, the pacing of this show, especially for the first season is just outright bad at times. It works as of the second season, but the first season alternately feels like it’s either rushing through or crawling along the whole way through.

The believability of Rayla’s and the princes’ relationship really suffers from this the most. It comes a bit out of nowhere on the boat ride and is then taken for granted way to quickly. Like Callum, seriously, this girl tried to kill you and your brother not even a day ago and you are currently cut off from all allies you have ever had until now. A little skepticism isn’t misplaced here. I also wold’ve liked if we’d just gotten a bit more of a sense of movement with the characters. I get that this is not the kind of show where we can just make an entire episode about the characters travelling and camping, intercut with plots centred around a more expansive supporting cast, but still I really would’ve preferred if Xadia didn’t feel quite so around the corner.

Another issue is with setup and payoff, which I think is partially a consequence of the pacing as well. A lot of smaller plot points are set up within the same episode as the payoff just wreak havoc on the narrative structure. A good example is the episode where they ride down the river in a boat and Bait tires to go into the water, but is saved by Ezran, who then explains the story behind Glowtoads and how they are pefect bait for large water predators. Then Bait falls into the water and is attacked by a massive water monster. This happens within five minutes of one episode and never comes up again. To me that looks like sign of rushed editing, which is probably not entirely the crew’s fault, given that they are on a schedule from Netflix, but it’s still a point of critique.

It unfortunately also manifests in the occasional line of horribly forced dialogue, often for things we can literally see happening on screen. Again, this is mostly the case in the earlier episodes, but it never completely goes away.

Finally, and this is where i get into serious issues that made me want to write this, we gotta talk about representation in this show.

First: disabled representation, meaning Amaya. Why is Amaya deaf? Because it’s good to have disabled representation.

Why is Amaya deaf and a high-ranking military officer? Because they didn’t think it through.

I know this may be a contentious opinion, but it is my belief that the purpose of representation, particularly of disabilities characters may suffer from, in fiction is to, y’know, represent people as they are in life. That includes especially the struggles they face and have to overcome, sometimes their whole life. This is not just me talking out of my ass either. A couple years ago I discussed this with several people that are disabled, specifically blind or otherwise severely visually impaired, in a different context obviously, and the general consensus was that it’s better to have representation that shows their life and their abilities as they are, rather than how they might wish they could be.

A mute or deaf person cannot be a medieval fantasy army general, no matter how good they might be in melee combat or who’s sister they are, because at the end of the day, they’re not able to give commands while they are holding a sword and shield. That such a massive logical oversight, especially in comparison to the extremely well done example of representation I mentioned above, and has so little impact on the plot that it leads me to believe, this aspect of Amaya’s character was tacked on in the last minute without being given any thought for the sole reason of the story having a disabled person in it. All this does is necessitate the existence of two otherwise entirely unnecessary characters, Gren and Kazi, both of which achieve nothing, aside from sometimes being literal set dressing.

That is where representation ends and tokenism begins.

And unfortunately this generally lacklustre attitude also extends to the LGBT+ representation on the show.

As of S3E7 “Hearts of Cinder” we have had two onscreen gay couples on the show (onscreen in the sense that both partners were onscreen and they were somehow confirmed to be in a relationship on the show). One of these, the queens of Duren, literally die in the same flashback they are introduced in, which incidentally also features them invading a foreign nation to poach a rare animal and subsequently starting the conflict at the series’ core. Not a great look.

Aside from serving as a tragic backstory for their daughter, the most impact they had on my viewing experience was that they made wonder how the fuck royal succession works in Duren. (People who know me are rolling their eyes right now because I’m bringing anarchism into this Dragon Prince review, but I’m telling you, this why fantasy monarchies aren’t compatible with LGBT+ politics in the same setting. Dynastic governments are inherently bigoted, you can’t have it both ways.)

The other couple are Runaan and Ethari, Rayla’s caretakers, although if I’m being honest you wouldn’t be able tell based on Runaan’s treatment of Rayla in the first episode. By the time we actually meet Ethari and find out about their relationship with Rayla, Runaan is suffering “a fate worse than death” (direct quote from the show) trapped in a gold coin.

I mean come on. That’s about as “technically not ‘bury your gays’” as it gets.

I think I need to reiterate here that my point is not that this show or its creators are somehow malicious. As i stated in the TL;DR: I don’t think this is a dealbreaker for liking this show. But it does demonstrate that they are prone to slipping to some potentially harmful tropes and this needs to be criticised and pointed out to them.

In conclusion, I really love this show. It’s not ATLA, it never will be, nothing else will ever be ATLA no matter how badly (and terribly) Netflix tries. But it does and should not have to be.

What it has to do though is improve. A lot of the building blocks are already there, such as Aaravos or Claudia’s development, Callum’s father, the origin of Ezran’s ability, the purpose of the “Key of Aaravos”, the true fate of King Harrow (we all know his soul is in the bird, right?) etc. Some things like the treatment of Amaya’s disability unfortunately won’t be fixable as far as I can tell, but if they at least manage to fix the gay representation I can make my peace with that.

¹ I know I said I wouldn’t go into each of the characters individually, but a) you should never trust a stranger on the internet and b) I really want to talk a bit about Callum. Specifically the “mystery” of why the hell he is connected to the Sky Primal. I write “mystery” because I think it’s fairly obvious from whence this talent came: there is only one humanoid species we know of with innate access to the Sky Arcanum and one of Callum’s parent’s is unidentified, presumed dead. 2+2=4. Callum’s father was a Skywing Elf. That’s why he recognised Nyx’s boomerang weapon. He remembered one like it either from his very early childhood (remember that he has photographic memory) or Sarai kept one and he found it at some point.

On top of that the name “Callum” or at least the pronunciation is clearly derived from Latin “caelum” meaning “sky” or “weather” and I already mentioned that Ancient Draconic is just bad Latin. It’s not very subtle. Unless they pull a complete 180 concerning the lore about Primal Magic he’s definitely going to be a half-elf, which would also just so happen to make him the perfect mediator between the Human Kingdoms and Xadia. Hmm, it’s almost as if they are planning ahead.

My question: How the fuck did that happen? Or rather: how did that fuck happen? I don’t think even Harrow knew or he probably would’ve a) paid more attention when Sarai advised against poaching the Magma Titan, because obviously she’s gotten around Xadia more than him, if y’know what i’m sayin’ ( ͡° ͜ʖ ͡°) or at least b) put it in his final letter to Callum. Unfortunately we know basically nothing about Sarai except that she was a soldier alongside Amaya and already had Callum before marrying Harrow. So does Amaya know? This is probably the most interesting plot thread in the whole story and as far as my friends told me it’s not going to be touched on anymore in the last two episodes than it already has thus far, which is basically not at all.

[sole-cuore-amore-e-droga]

Belgium brings their ex-vocalist back to Rotterdam 2021

Here we chop chop boys like we chop chop wood

This review space would’ve been reserved for Belarus. Unfortunately, their broadcaster was not ready to make nice, and ultimately refused to serve EBU with anything but not-even-so-thinly-veiled propaganda, so much so that EBU, after all they’ve given the time for them for to snap out of it, finally had to be like “bye bitch” (- Lizzo) with enough push from the fandom, and informed everyone that Belarus will miss this year’s contest <3

Which means that I don’t have to deal with 41, but with 39 writeups to do overall, if my timing permits! The Roop could’ve always used a little less competition, anyway /j

Speaking of The Roop’s competition, time to aim at another one of their semifinal folk with a review. Come forth, Belgium!

ARTIST & ENTRY INFO

Hooverphonic, eventhough they’re not as big of a name as Flo Rida, is the biggest act to compete in this year’s Eurovision, and even had lasted longer as a thing than Flo Rida. He barely even got his proper famous kickstart around in the 2000s. Hoover have been around at least for 5 years more than him, if “Years active” section on Wikipedia is anything to go by. And back then they were just known as Hoover, correct. Their lineup of singers has changed for quite some time, but otherwise the band since its inception is rooted in basically two men: Alex Callier and Raymond Geerts. They used to have a keyboardist too but was he a part of their glory years in 2000? No? Thought so, he’s irrelevant then. In fact, their first vocalist wasn’t even present on their first album, so they went to have another one, who did just one album with them before 2000 and left. Now I’m only constantly and consistently bringing up 2000 because that’s when they had their break out moment in relevancy - after they changed their singer once more before they found someone called Geike Arnaert - the woman you’re seeing on the MV’s thumbnail right now, and not someone certain for whom there was a public outcry for she is the only Hooverphonic component that’s not coming back from 2020 to 2021. But more on that later. I’m here to present you the break-out hit, for those who just don’t know:

I used to like to think of Hoovers as trip-hop sensations, well not in the style of Massive Attack because they have their trip-hop sound with actual hip hop thrown in, Hooverphonic’s style is that but with a tinge of symphonic.

Well, “Mad About You” wasn’t really the only hit they had, before that they got a bunch of minor and domestic hits, and their music was used for soundtracks. So it’s a little bit cheating still to think of “Mad About You” as their breakout hit, but that’s still the biggest song of the band. If I were to recommend you stuff from them that aren’t necessarily the biggest hits but still, “The Night Before” with yet another one of their vocalists is pretty good.

So when I tell you that Hooverphonic is a band of a very long career. Well some bands do survive a lot without having their lineup change for 10+ years, but Hooverphonic vocalistes come and go sometimes, and for 2020 forray, when they were first announced, they came in to that talk show studio where they were guests in with a promising little starlet Alex Callier found at The Voice Belgium (for the Flanders region) and was her mentor there, Luka Cruysberghs, as their current vocalist.

Is it just me or her and Stefania Liberakakis look like they could be cousins?

All went smooth and dandy, until Alex started spouting stuff about Eurovision the fans found not amusing, such as calling Eurovision a circus or something, later begging and pleading to medias that his statement was “lost in translation” - now I would say it happens to the best of us, like for Tornike, but deep inside I think I know Alex meant what he meant, inside or outside context. Because everything just went even more sour when everyone found out Hooverphonic were missing from the common song “Love Shine a Light” for the 2020 consolation programme in place of Eurovision, and when they were forced to explain, Alex just straight up said he didn’t like the song, so he decided to not do it. Fuck, I myself don’t adore the 1997 winning song, but I like it, and would’ve still done a piece of that song out of respect. Take it or leave it, god damn. Also they were noted to be the only people plugging in their other material in the time when Eurovision 2020 artists on the consolation programme were either saying inspirational stuff or “hope to see you soon!” or a combo of both, once again, courtesy of mostly Alex. Now I’m not saying his ego is bigger than Kirkorov’s... of fucking course not, no one has an ego bigger than Kirkorov’s. The only thing that can beat him in that regard is if someone booked Kanye West for Eurovision last minute.

Following 2021, they were very excited to jump on the “leave 2020 songs behind” train, while a few artists like VICTORIA and The Roop rallied for to keep their entries in tact if they were allowed to. And with that, in late 2020, they went ahead and celebrated the 20 years of “Mad About You” by getting rid of Luka as a vocalist and bringing back the aforementioned Geike to reprise her part. Seems pretty reasonable, but for the Eurofandom it was simply seen as a dick move, and mostly for the reason that all 2020 artists deserve a 2021 chance, even if they’re band members. What felt more dickish is that Luka was straight up told “byeeee u’re no longer our bandmate xo” on a Zoom call between band members. Like, it’s fine to be told you’re fired in person, even if still humiliating, because what’s the other better way? What’s equally worse is to be told this via email, but the email you were sent was sent like a few months ago and you only read it NOW. At least I guess that proves we know what the “sad and losing game” was that Luka asked to be released from now, heh.

Not to worry Luka-stans, as Alex will still have her, just as not the part of the band anymore. But instead give her a solo career. Yeah well we’ll see how long that lasts.

With the 2000 glory heydays lineup of Hooverphonic we have their entry be “The Wrong Place”, as the completely quite different song they promised (or didn’t) when saying that they will certainly and absolutely get rid of their old one for the 2021 if they had a choice. What they didn’t get rid of is the theme of the worse part of relationships - “Release Me” is about probably wanting to be let go of and released rather than kept by the side when it’s probably not working out. “The Wrong Place” is one of those episodes that probably happened during then - they had a house conflict, she chose to have a smoke to forget about it, the man’s after her Johnny Cash T-Shirt. Not much else to say about the song’s technicality fortunately than I’ve already said so much about the band, so how does it fare in the Hoover-lore, for me?

REVIEW

See, I would like to root for Luka ever having her chance to get to experience Eurovision if she wishes, but maybe it’s lowkey for her own benefit she wasn’t the chosen vocalist for the song, as Geike could do “Release Me”, but Luka wouldn’t be able to do “The Wrong Place”.

“The Wrong Place” is well-suited to the first vocaliste’s melancholic blend-in timbre, and a singer like Luka would sound a little too light on this with her soft-spoken sound of her voice. Besides, I don’t think she could be old enough to relate to the lyrical subject’s domestic struggle issue. Not to say 20 year olds don’t smoke and drink, it’s just that “The Wrong Place” feels a little bit too much mature enough.

Although I think that both of them could absolutely rock the music video visuals.

The song itself is very Hooverphonic. They used to do this kind of standout triphoppy sound back in the days, but as of lately they kind of grew out of the label to do more of the music that kinda sounds like movie soundtrack music. Idek the exact label I could give it to their music so move soundtrack music it is I guess. It has a decently paced structure (could’ve done without the overly repetitive ending where they repeat “you’re in the wrong place” over and over, like ffs I know where I am!!), and interesting lyrical choices. Such as “organic cup of... tea”, as in, WOW! HOOVERPHONIC HAS ENOUGH WITH THE TEABAGS FULL OF GROUND AND GRINDED TEA! THEY WILL ONLY MAKE TEA FROM PURE HERBS AND FLOWERS, AS IT WAS USED TO BE DONE! and acting like her Johnny Cash T-Shirt is the kind of prized possession her man is not allowed to wear to rub it in her face. Imagine if it was something more mundane. “Don’t you ever dare to wear my... pink polka-dot T-shirt”? Damn right it doesn’t seem to suit the mood lol.

It’s not what I exactly wanted from Hooverphonic, but probably what I subconsciously needed from them anyway, ever since they were announced for 2020. I only got into “Release Me” sometime AFTER the contest, “The Wrong Place” is a bit more instant to stand behind. So well done to them to commit to their craft.

Approval factor: I guess I do have to stamp this with my stamp of approval. It’s nice and all. Follow-up factor: “The Wrong Place” follows up as a more of a Hooverphonic discography track after the fairly average and overlookable “Release Me” (eventhough the latter has the tinge of theirs as well because it’s a more symphonic ballad, and they do have symphonic stuff on their discog afterall). As a Eurovision entry, it comes across as even better somewhat, and even slightly more standout, but that might not necessarily work in their favour. Qualification factor: And that’s because they’re absolutely stranded in the semi with too many qualification choices to name. Belgium gets to be a bit quasi-obvious, but they’ve failed with a Hooverphonic-penned song before, plus, the pop girlies of this semi are more likely to eat out a band like this alive, but I wouldn’t exactly say Belgium is doomed to fail either, because I am positive Hooverphonic will think of something. I’m just saying that shocking things can happen every now and then.

INTERNAL CORNER

Well, considering Alex Callier is not running his mouth this time as much as he did so last year’s season, I think it’s safe to say that Hooverphonic have had nothing to write home about.

No, wait...

Well I did mention that Luka got replaced as one of the events that happened to Hooverphonic’s lifetime, but thank God that Alex promised her a solo career, right? Right?

Well, apparently, we’re getting towards it.

And the first lyrics of her first solo forray post-Hooverphonic-vocalist-duties features the lyrics about possibly her making someone “regret it”. Lol now watch this song to be a karma kick into Hooverphonic’s ass if Belgium happens to not qualify this year. Luka forewarned y’all with sharp precision.

Annnnnd that’s pretty much it, besides the band jumping on the trend of turning their entries into a Festivali i Këngës 59 acoustic night European version by presenting their own acoustic version of this track. I did not have the kind of courage to link to the Azerbaijan’s “slow version” on their review in fear of overruning my post even longer than they would usually be for these reviews, but at least it moves people to a certain degree

Well, my question of the days is, does “The Wrong Place” in acoustic make you sad twerk?

ANY LAST WORDS?

Belgium’s big weakness is when it comes to stage their entries, notably for the last two years where the Eurovision actually happened. Sennek was awkwardly put in the middle and succumbed to the curse of Lucie Jones of grimmacing too much and therefore ruining her score in the process, possibly. Eliot was just simply upstaged by the decision to include big drums on stage. Alex Callier acknowledges all that sort of thing, so if anything goes absolutely right and Hooverphonic manage to make it to Rotterdam (which I think they can do because Belgium and Netherlands are neighbours lol? unless their lockdown rules get super strict in May), he should get on to mending all the flaws that Belgium had in the past for staging, and have a spectacular vision. Because it’d be sadly hilariously ironic if Hoovers miss out on the final due to the staging again. Can’t just constantly blame the vocalist - Geike would be flawless live, if Hooverphonic trusted in her for so many years. Can’t blame the song - it’s not too bad. So staging, I guess.

Good luck Hooverphonic, you’ll certainly need it. Also can RTBF consider that they could send anything else from the Wallonian music scene other than The Voice Belgique acts~

[murasaki-murasame]

Thoughts on Higurashi Gou Ep10

I’d like to make some sort of jokey light-hearted intro, but this episode was just straight up painful [in a good, intentional way]. Ryukishi clearly has a lot of personal experience dealing with child abuse and the ways that social services operate, and this is the part in Higurashi where that really starts coming through.

Anyway, thoughts under the cut.

My memory of how this whole arc plays out in the VN is super foggy, so it’s hard to tell exactly how this compares to it, but I think this is still continuing to be like 90% the same as Tatarigoroshi, at least, but there’s still lots of hints that things are gonna start diverging heavily soon.

I haven’t actually watched the 2006 anime yet, but going by the Wikipedia plot synopses for it, it seems like this episode pretty much covers up to the same point as the second episode of the Tatarigoroshi anime adaptation, with them both ending with Satoko’s panic attack in the classroom. So things seem to be going at a pretty similar pace, and we know that this arc will be five episodes long, like the old Tatarigoroshi anime arc was, but I think the next episode will be where things start to heavily change as a result of the foreshadowing we’ve gotten in these last two episodes.

Going by what Wikipedia says again, the third episode of the original Tatarigoroshi anime arc is where Keiichi comes up with and then executes his plan to murder Teppei, but I think it’s pretty likely at this point that that won’t happen this time. This episode started with him having a flashback dream to him killing Teppei in Tatarigoroshi, which I think is a pretty big hint that things will play out differently this time. I think in this episode he was also notably less aggressive and over the edge about the whole abuse situation compared to the VN, so I think the dream ended up subconsciously pushing him away from the idea of going into murderous rage about the whole situation.

I don’t think the situation is going to be resolved quite as diplomatically as in Minagoroshi, but at the moment it feels like we’re in a middle-ground between that, and having Keiichi jump straight to murdering Teppei. But even if Keiichi ends up not resorting to murder to try and solve the situation, that probably just means that at this rate someone else is gonna end up murdering Teppei instead.

I still think it’s very likely that we’ll see Shion at least try to murder Teppei, even if she doesn’t go through with it. I like the theory that she was pretending to be Mion for at least some parts of this episode, but apparently some of the stuff with Mion being kinda zoned out and forgetting stuff already happened in the VN, so I dunno how much I want to read into that. But one way or another she’s probably gonna find out about the abuse situation, and going by her being in more or less the same place as Minagoroshi, she’d probably immediately start plotting to murder Teppei.

From a meta perspective, I think that Shion should probably be the ‘culprit’ in this arc to make up for how Watadamashi ended up being more of a Mion arc than a Shion one, and it’d be pretty fitting if we get a ‘Keiichi decides not to murder Teppei, but Shion does it for him anyway’ development, considering how the last two arcs were specifically built around the idea of having tragedies occur even when Keiichi makes the right choices and learns from his past mistakes.

It’s possible that the two of them will end up teaming up to kill him, but that seems unlikely. And maybe Rena could end up getting involved, but at this point that doesn’t seem to be where they’re going with it.

There’s always the possibility that Satoko herself will murder Teppei this time, but I’m really not sure how I feel about that. But in general I have a lot of mixed feelings on what I think is going on with Satoko at this point, lol.

After how this episode went, I really don’t think she’s some kind of actively malicious, antagonistic force in the story like some people think. I’m also getting a lot more doubtful of the idea that she’s experiencing the time loop.

I’ve seen people speculating that she might have been faking her whole panic attack, but I really doubt it. It’s not impossible, but I think people are just being nitpicky about how they think the scene was directed, and they’re trying to fit it into their existing theory. I also just think that the idea of her going that far to fake a panic attack seems extremely implausible for a variety of reasons, and I also just kinda feel like it would be an insensitive portrayal of trauma and abuse in a way that Ryukishi just wouldn’t do. This episode does touch upon the idea of ‘faking abuse’, but there’s a drastic difference between Satoko calling social services and lying to them about being abused, and everything she did in this episode. So I think everything that’s going on with her at the moment is more or less the same as in the VN.

It’s still possible she’ll end up killing him, but I don’t really think she has any meta awareness of what’s going on, or anything like that.

I do think she’s going to be important to Gou’s overall meta-narrative, but rather than her being the villain, or being some kind of looper, I think it’s more likely at this point that a witch might be using her as a piece, for some reason or another. Or maybe there actually isn’t any important meta stuff going on with her, lol.

On the whole topic of Gou’s meta-narrative, I’m starting to think that maybe these arcs are like forgeries that someone’s writing about what happened in Hinamizawa. I think we’ll have more evidence one way or another by the time this arc ends, but there’s various things that make this feel like a subtly warped version of the original story written by someone who has incomplete knowledge about what was actually happening.

Mainly this just stems from me thinking about how they’re going to handle stuff like Takano, the virus, and the GHD later on. Especially if we assume that this will just be a self-contained 24 episodes with no sequel. Like I’ve said before, I think that Takano isn’t going to be the villain anymore, and they won’t really have as much time as the VN and the 2006 anime had to get into the background political conspiracy stuff, but there’s still elements to Gou that point toward the Yamainu still being around, the virus still existing, and Takano still having been adopted by her grandfather.

So I’m wondering if maybe this is basically being written by someone post-Matsuribayashi where the GHD never happened in the first place, and information about the virus, Takano’s villainy, and the background politics surrounding everything, got suppressed. So they’d only have a surface-level understanding of Hinamizawa’s history and the nature of the curse. Which could explain the idea of Takano seeming to be the same as the VN in the surface, but not actually being a villain this time, if the ‘author’ knows about her but just thinks she’s some random nurse. And they could have a vague awareness of there being shady people working with the Irie Clinic, without actually knowing what their whole deal is. 

Which raises the question of who could be writing forgeries about Hinamizawa, if it’s anyone specific or important at all, and going by the OP I think it’s safe to say that it could easily be Featherine. It’s 100% her sort of thing to learn about Hinamizawa’s history and to write her own murder mysteries based on it. We also know that in Umineko she’s Bernkastel’s master, and that she likes to get people to read her stories for her, so it’s entirely possible that Gou’s whole plot is about Featherine getting Bern to read her forgeries about what happened in Hinamizawa, and we’re seeing the process of how Rika is going through these different fragments without knowing what the actual purpose of this all is.

If this is anywhere close to being accurate, then it’d make me even more salty if we don’t get any type of Umineko anime remake after this, lol. But either way we’ve literally seen Featherine in the OP, so it’s pretty likely she’ll be relevant to this somehow, and that in general Gou might exist to help bridge Higurashi and Umineko. 

I think that sometime in the second half of Gou we’ll flash forward to Rika as a teenager post-Matsuribayashi, and we’ll see how she ended up coming into contact with Featherine, and probably ended up giving her enough info on what happened in Hinamizawa to write her own stories based on it.

Lambda might also be involved in all this, but I’m not really sure how that’d work. 

Anyway, about how this arc will pan out over the next three episodes, I still think that at the end they’ll include Keiichi’s letter from Onikakushi, since there was a line from it in one of the PVs that hasn’t been used yet. So maybe Keiichi will end up going down an Onikakushi-style path of paranoia even if he doesn’t kill Teppei.

My main question about how this arc will end is if it’ll involve the GHD, since this is the first arc in the VN where it really comes into play, and whether or not it happens here would go a long way to confirm or deny some of the theories I have about what’s going on.

I’m also gonna be keeping an eye out for what goes on with Takano and Tomitake in this arc, since I still want to figure out what exactly is going on with Takano this time around.

I think this might also more or less be the final ‘question arc’ for Gou, so this would be the last time to cement any patterns and provide any big hints about what’s going on. Going by what little we know about Gou’s structure, I think the fourth and fifth arcs will be the two ‘answer arcs’. It’s possible that the fourth arc will be another question arc, and only the last arc will be an answer arc, but I kinda doubt it. There seems to be an intentional divide between the first 13 episodes of Gou and ep14 onward. I think the broadcast schedule will be adjusted for the second half, with there maybe being a one week break between ep13 and ep14, and I’ve heard rumors that for ep14 and onward the subtitle of the show will change, which would imply a shift into Gou’s equivalent to the answer arcs.

With that in mind, I’m still going with my theory that the next arc will basically be Gou’s version of Meakashi [but probably more specifically focused on the flashback content since it’ll only be four episodes long], and then the final arc will probably be a mix of going back and directly revisiting the first three arcs, and showing the whole teenage Rika time period in more detail to tie the whole story together. 

By extension I think that they’re entirely gonna skip Himatsubushi, and instead of Rena getting her own answer arc, I think they’ll just dedicate part of arc five to revisiting Onidamashi from her side of things. For all I know that might take up most of that arc.

Anyway, I think we can all agree that the main take-away from this episode is that watching Satoko suffer never stops being super painful.

[Also, shout-out to Satoshi for finally getting a proper appearance in Gou, lol. I’m still hoping we get more of a satisfying resolution to his whole role in the story this time, but we’ll see how it goes]

[saijspellhart]

Things I binged recently:

(Still coping with grief and depression, and one of the ways I tend to do that is just to distract myself from it all with Netflix. Here are some things I watched or tried watching. And my thoughts on them.)

The Office: Hated this show. Which was a shame because I really really enjoyed Parks and Rec, and these shows are supposed to be similar in style. Unfortunately this show is cynical, mean, and pessimistic. Characters get away with being outright racist, sexist, and antagonistic. Are unapologetic about their hurtful actions, and it sickens me. I was told season one was bad, and to watch season two, and I did. And even season two was awful. And I shouldn’t have to slog through three seasons of a show before it gets to a point where it’s like-able and good. If it takes you three seasons to figure it out, then no thanks. That’s a lot of show I have to suffer through before I MIGHT get to something I enjoy. I loved Parks and Rec because the characters loved and cared about each other, had genuine friendships, aspirations, and optimism. They strived to better the world around them, despite many mishaps and obstacles along the way. Parks and Rec was uplifting and sincere, where The Office is cynical and mean. 1/10.

A Whisker Away: Good, although I found the romance between the main character and her crush to be insincere and weak. I think the message of love would have been stronger if the best friend ended up being the one going to rescue her in the end. It never felt like the boy actually had feelings for her, just a begrudging respect and budding friendship. And it felt like his feelings were guilted and coerced by her actions to run away in the end. Like, “shit, I messed up and she ran away from home. Better tell her I love her, so she comes back home.” I understand that wasn’t what they were trying to do in this film, but it’s how the relationship came across. Manipulative. Especially since most of it was one sided, with her spying on his life as a cat. The love someone has for a pet does not equate romantic affection. Excellent movie for the heavy themes, Magic, and story, just think the overall message and relationships should have been overhauled, and worked around. I think the love the main character’s best friend had for her was more pure and powerful that the one-sided obsessive crush she had on the boy. 6/10.

Brand New Animal: Great show. Both my husband and I loved it. And were gushing about it even after we finished it. My only critique is all the heavy handed exposition. It felt clunky, ham-handed, and unnatural. I think with a few more episodes to the show they might have been able to parse out that exposition and find more natural ways to feed the audience that information, rather than huge unsolicited info dumps on the Main Character. Especially since half the time she didn’t earn that info, didn’t need it, didn’t ask, and just plain shouldn’t have been told some of it. Like why would you just spit classified secret information out to a character you know can’t keep secrets, or even follow directions?? Aside from that, solid characters, solid friendships, cute story, lots of interesting events, and just a blast from start to finish. Would highly recommend it to anyone. If you like Zootopia or Beastars, you’ll probably enjoy this too. 8/10.

Japan Sinks 2020: I. LOVED. THIS. SHOW. Omg, it had me on the edge of my seat the entire time. I just couldn’t stop watching. It’s in the disaster movie genre. Like Volcano, Dante’s Peak, or The Day After Tomorrow. That “what if this catastrophic natural disaster occurred,” and you follow this group of survivors as they work together to stay alive. And damnit if I wasn’t emotionally invested in every single one of them. I wanted to see them survive, and see how they made it through. I wasn’t sure if I was gonna be able to connect as strongly with their struggle given that it was animated rather than live action. But that didn’t matter at all. The tone is serious, and everything is given the weight and consideration it deserves. The animation style has a realistic tone to it, and the fact that it was an anime never got in the way of the journey and the emotions and the intensity for a second. I felt ALL of it. 10/10.

Unsolved Mysteries Netflix (documentary): I’m a slut for documentaries, all kinds of documentaries. So it’s no surprise I watched this. If you like unsatisfying true stories then this is it. A whole season of unsolved crimes. You get all the information wrapped up and handed to you in a neat little interesting package, and are left to just gnaw on it wondering who did it, and if they’ll ever solve it. One of the episodes isn’t a crime though, it’s a UFO story, which was a weird change of pace and tone from the rest of the season. Still creepy, but in a different way. I liked it, but it can be frustrating when you want answers. It gets an 7/10 because I wanted answers.

Kipo and the Age of the Wonderbeasts: I could watch this show over and over again. My husband and I were foaming at the mouth waiting for season 2, and when it finally released, we gobbled it up and then watched it again right after. Excellent show. Post-Apocalyptic story, where the surface of the earth is overrun with mutant animals, and humans are living underground in “burrows.” The main character Kipo gets separated from her people and stranded on the surface, and has to find a way home. Along the way she makes some human friends, and mutant friends, and connects with people through music. And even learns some deep dark secrets about her Mom and Dad, and even herself. It’s a beautiful story emotionally, but also an exciting adventure. I love it. 10/10.

Eurovision, the Story of Fire Saga: Good. Which is saying something because I’m not a fan of Will Ferrell and he plays one of the main characters in this movie. I enjoyed the movie, and it made me laugh. Which was another surprise because I’m a cold-hearted bitch when it comes to comedy, and most things don’t make me laugh. So when a comedy works for me it’s a surprise. And this comedy worked in places. Not ALL places, but it did get some chuckles and a laugh or two. And I did enjoy the story it told. The movie is about two friends who are musicians/singers that enter singing/performance contest, and the drama that ensues along the way. It’s a cute underdog story. 6/10.

Floor is Lava (game show): The name of the game says it all. Groups of three contestants must navigate rooms using only furniture, and chandeliers, and shit. They can’t touch the floor because the room is flooded with hot orange koolaid. And if they fall in they “die.” Prepare to watch grown ass adults hop, hobble, and flop over furniture, tables, and other obstacles, as they try to get from one side of a room to the other side without falling into the koolaid. It’s exciting, and fun, and although the commentary is awful, the struggle of the contestants more than makes up for it. 8/10.

Splice: Never seen this movie before. Thought I’d give it a try since it just showed up on Netflix. It’s... odd. I’m having a hard time deciding if I loved or hated it. It’s an interesting look into what could happen should we start experimenting with human DNA and other sentient life. And how that could go all kinds of wrong very quickly. I like horror, and this delivered on some of the horror elements, but mostly it just jabs you over and over again with moral dilemmas. And you end up feeling like all the characters in the movie majorly failed each other, and they were all the bad guys. I’ll give it a 5/10 because I’m conflicted whether I liked it or not. But it was worth seeing once.

Ju-on Origins: I’ve seen a couple of the Grudge movies, which is the Americanized version of this horror franchise. But I’ve never seen any of the Ju-on movies. So it was a new experience watching this. It’s non-linear storytelling can be challenging to follow, but the stories it’s telling are fascinating and unnerving. I had to watch it with the shitty English dub because my attention span is too short for subtitles. And this wasn’t just a single movie, it’s a show with an entire first season. Episode 4 was definitely where shit hit the fan, and things got really scary. But I like slow burn horror, so I enjoyed the build up of the previous three episodes, and how they just carefully built on the apprehension and dread until things really got scary in the fourth episode. After that the rest of the show is just a roller coaster of highs and lulls, that leave you wondering where the series is gonna go in season 2. Definitely my favorite installment in the Grudge/Ju-on franchise that I’ve seen so far. And it’s got me curious to check out the other Ju-on movies. 8/10.

The Girl with all the Gifts: I’m a sucker for zombie movies and this was a unique and refreshing take on them. The idea is that the zombie outbreak is caused by a strain of the Cordyceps fungus that ends up infecting humans. And the surviving humans are using children born from infected mothers to try and find a cure for the outbreak. The children are like this functioning hybrid of fungus and human, and not completely lost like the humans who were directly infected. The movie explores the moral dilemma of how the children are treated, and the further of humans. I enjoyed the movie, and the concepts. It was a great addition to the zombie franchise. Would recommend. 7/10.

Abducted in Plain Sight (documentary): another crime documentary. This one dealt with a kidnapper/pedophile who managed to kidnap the same girl twice, and the lasting trauma his actions had on that girl. It was sad, and heartbreaking, and horrifying. If you like crime documentaries and have a steely stomach, check this one out. I won’t give it a rating because it deals with real life stuff and children and it’s not a show.

Evil Genius (documentary): one last documentary on this list. I was on a crime documentary spree. Usually I like animal documentaries. This one was about a couple who masterminded a bank heist by attaching a collar bomb to a man and sending him on a wild goose chase scavenger hunt. There’s also a case about a corpse in a freezer, and how the two cases are connected. It’s absolutely bonkers. Just wow. It’s four episodes long, a mini-series, but just an interesting experience. I mostly watched/listened to this while slowly chipping away at a commission. If you like crime documentaries it’s worth a watch. I give this one a 6/10 because I won’t be watching it a second time, but also because I think the format and how they explained everything was kinda long winded.

[ahiddenpath]

Digimon Psi Ep 2 Reaction

Here be spoilers below the cut.  Feels like this ep has more spoilable material than the last, lol!!!!

Ep 1 reaction  I will tag all of these ‘digimon reboot reaction’ for ease of searching on my bloggity.

Where do I even...  Yikes.  They, uh, they brought it.  It hath been brought.

First, garbled screaming impressions:

-Yamato still sounds like he’s a grown ass adult at age 11.  Nice XD

-YAMS.  IS SO.  SERIOUS.  I mean clearly he’s always been on the scowly side, but DANG son.  I really wanna pinch his cheeks and be like, who’s a little man, and I would absolutely get shoved.

-I’m wondering if maybe Yamato doesn’t live in Japan at all?  He didn’t seem to know what seems like a fairly important train station.

-TAICHI CALLED KOUSHIRO AWESOME LIKE...  AT LEAST TWICE.  And Koushiro screaming ‘Taichi-san’ at the end!  These two are gonna kill me.  

-AND TAICHI IS LIKE, “HEY KOUSHIRO, I MADE A FRIEND,” and Yamato is like, Jesus it’s been two seconds you absolute extrovert, ugh, I’m in actual pain.  He’s gonna need to brood in the shadows for at least a week after this to counterbalance Taichi’s ‘sunshine-puppy-BFFs-with-everyone’ energy.

-AND YAMATO IS LIKE, “IZUMI!” and Koushiro is like, “Um, he can call me by my first name...”  THAT’S RIGHT, KOUSHIRO IS ACCUSING SOMEONE OF BEING TOO FORMAL.  YAMATO IS SO DAMNED PRICKLY.  It almost feels like the writers are pushing hard to set Taichi and Yamato up as foils?  Like, maybe too hard, too fast???

-BUT MY FAVORITE PART WAS GREYMON BEING LIKE, “SO, YOU SURVIVED” TO GARURUMON, THIS WILL GET ITS OWN SECTION LATER. 

 -Okay for real though that final enemy evolution with ALL OF THE EYEBALLS?  Very gross, well done.

-OMEGAMON?  Are we...  Are we done here?  Should we... go home?  I-  It?  Omegamon?  Ep 2?  *looks at watch* *looks at calendar* ?????????????  I’d argue that Adventure was a slow-paced show, but at this rate, the kids are gonna be 40 by episode 7????  OMEGAMON?!

Okay, I think I’m done screaming (questionable claim), so...  Let me...  Use my brain for thoughts????  Or try to???

The Network

Does anyone know if the network is earth’s internet?  That’s what I assumed at first.  But the intro says the network is the home of Digimon?  So...  Is it the Digital World?  I thought they were three separate places, like in cyber sleuth (earth, earth’s internet (where digimon can be uploaded, since they’re data), and the Digital World, where it’s harder for humans and digimon to meet, compared to the net).

Just hoping for some clarification, and not sure if it’s available yet.  It does seem like Taichi and Yamato aren’t using avatars to interact with digimon on the net; they’re actually uploaded onto it, along with Agumon and Gabumon.

Koushiro is awesome

Okay, so Koushiro is already...  Buddies with people who will...  Hand him...  Detailed classified info.  Friendly reminder that ya boi is 10.  10!!!!!  AN ACTUAL BABY.

God I would love some background on how Koushiro established himself in this position in the Reboot world, but right now, I’d be more than happy to settle for him joining Taichi and Yamato in the net.  My fear is that everyone but Yams and Taichi will be relegated to occasional appearances?  I guess I should be glad Kou was around from ep 1.  

But we’re only 2 eps in, so I will calm the heck down.

Koushiro’s godly powers are ridiculous, I love him.

Garurumon, so you survived

I AM NOT DONE SCREAMING.  MOAR SCREAM!!!!!!!!!!!!

My brain immediately goes:  THESE ARE AGUMON AND GABUMON, SOMEHOW.  Like, they dissolved in Kizuna, and their data transferred to the net in another reality, and they’re just seeing one another for the first time after that here.  In that case, of course they can form Omegamon!  It’s old hat!

I’m probably wrong, but can you blame my brain for going here?

I also think it’s possible for their data to be uploaded to the net, and for them to still be physically reformed over in the Adventure timeline at some point between Kizuna and the epilogue.  Why not, at this point?  XD XD XD

WHATEVER THE EXPLANATION, I AM ABSOLUTELY ON TETHER HOOKS WAITING FOR MORE INFO ABOUT WHY AGUMON AND GABUMON KNOW EACH OTHER, AND WHY AGUMON KNOWS TAICHI.

Also, is it me, or does Garurumon seem actually a little... intimidating?  Like, it never occurred to me to think of any of the partner digis as scary in the past, except Skullgreymon, but...  Garurumon is giving off these dope vibes here.  I love him!  I’m wondering if the evolved forms of the partner digis will receive more of a personality in the Reboot.

Omegamon

I feel very...  Stunned.  Yes, stunned.  It’s not a good or a bad feeling, just a O__O

I think it’s natural to feel that...  This is too fast?  In Adventure, Omegamon and other jogress forms required a strong bond between the human partners.  Taichi and Yamato just met, and they’re not exactly...  Er, well...  Taichi is trying very hard to Make Friends and Be A Team.  Yamato is focused on the mission and is not very communicative.

But it was implied that Hikari and Takeru somehow used the power of their holy type digimon partners to power up Omegamon’s form...  Which reminds me of the first appearances of Wargreymon and Metalgarurumon.  Maybe the rules are just different in the reboot!

I will say that I’m not feeling like...  WOOO, OMEGAMON!  Or even, WHOA, NO THANKS.  Just kind of an overwhelming, “Wow, already?  Huh.”  So...  Maybe that implies the first appearance of Omegamon could have been written to better effect?

Still, the reboot is more for new viewers than for us (although it certainly feels like Adventure viewers haven’t been forgotten), so I’d rather wait and see than make a strong comment now.

I’m so curious to see where the Reboot will go once Taichi/Yams/Kou-chan put out these immediate fires.  Will we see them much on earth, or will they leap from crisis to crisis on the net?  Will Koushiro try to figure out what’s going on from earth when things settle?  When will the others show up?  What’s the deal with Hikari and Takeru and the angel feathers?  I really like the high-stakes, fast moving pace of the first two eps, but I don’t know if it’s possible to keep running at 1,000% like this?  But who knows!

Regardless, I’m having a lot of fun!  While I can see some people feeling that the first two eps are too much, too fast...  I think it makes for a fun change!  Fingers crossed for more characters joining in soon.  I NEEDS ME SOME TENTOMON.

[ikesengoficss]

hiya! I love your writings, I think you have one of the best characterisation I've seen! could I request a headcanon for the oda forces + ut forces towards a schizotypal/disassociative mc? if it's too much, you can dismiss this ask :) have a lovely day and pls know that I look forward to any of your works! —Yuu

Of course I can, thank you for requesting this! I did a lot research on Schizotypal disorder— but please inform me if there is anything I got wrong. I will do my best to fix it promptly.

*** as of now, I will only be doing four of the warlords. This is a recent change that I have made after this was request was sent. I put the warlords through a randomizer to narrow down the four. Please understand why I am doing so. The rules of request have been updated for when they are open again. 

REQUESTS ARE CURRENTLY CLOSED

Please enjoy :) 

Hideyoshi, Mitsuhide, Mitsunari and Kenshin w/ an schizotypal/dissociative MC

Hideyoshi Toyotomi

Hideyoshi is very understanding, and very supportive of you. He respects your boundaries, respects your feelings, and respects your fears.

It is something he doesn’t understand at first, however, as the relationship with you grows from friendship, to lovers, he gains a better grasp. He also gets a better grasp on how to help you.

He is a great listener, so if you are ever in need of a talk, or a therapeutic chat, Hideyoshi is the best person to go to. He responds when necessary and is always giving insightful feedback. 

He wants you to make friends, but he doesn’t want to push you either. If you’re not comfortable, than neither is he, so he lets you take things at your own pace when it comes to meeting and talking with new people. 

As said, he respects boundaries, so he’s really great when it comes to personal space in regards to any comfort. 

He’ll always ask before he touches you in any ways. 

He’ll keep a respectable distance until he knows, or you’ve asked him to come closer. 

And he’ll make sure that you’re surroundings are safe, comfortable, and if you feel better in private, he’ll just wait outside the door. 

Mitsuhide Akechi

For the tease that he is, he will never tease you about this. In no way we does he want to ever upset, scare, or make you uncomfortable, so he is always careful with his mannerism when around you.

In fact, once he is made aware of you being dissociative, he won’t tease you at all— or at least, it will be very low key. 

He would hate to lose your trust, and he’d especially hate if it was because he made an offhand, teasing comment.

Mitsuhide, generally, has a lack of trust in people, but for your sake he tries to work on trusting, to not really set an example, but for it to be something you can both work on together.

He’d never admit this though. He wants to keep his cool front, but after awhile, you figure it out, and can come to appreciate what he’s doing.

If you’re ever feeling really anxious, he’s calm and collecting assisting you if you need it. He knows what makes you comfortable, and what helps you, so promptly, he’ll be getting whatever it is you need, or bringing you somewhere private where you can just scream at him or rant.

If you’re comfortable with touching, he’ll hold you in his lap and sort of just… rock you back and forth.

He uses a lot of reason and logic to help you. Per say, you think someone is there when there is actually no one. 

“We are in my chambers. I can assure you that there is no one in her but us.” If that doesn’t help; “I won’t let a soul lay a hand on you. I promise you, I’m here to protect you, little mouse.”

Mitsuhide will never try to “fix you”, or try to intervene in situations that he knows you can handle— he understands this would not help you, and he understands how important it is for you to believe in your abilities. 

So, to help, he’ll provide you challenges and responsibilities, and the way your face just lights up when you achieve your goals is enough to allow a gentle smile break through his sneaky facade. 

Mitsunari Ishida

He will ask you to explain schizotypal personality disorder to him so he can understand what you’re feeling, how you’re feeling, to his complete comprehension, and can do whatever he can to make sure you are comfortable, and feel safe in your environment. 

Mitsunari loves you so much. Every part of you, and every little detail about you— he wants to be your greatest lifeline, and your number one supporter.

Like Mitsuhide, he wants to boost your confidence in your own abilities, so he’ll arrange little challenges for you to complete, and he’ll always praise you afterwards, wholeheartedly.

“MC! I’m so proud of you! You did a great job!” 

Hugs from him and kitty!

There isn’t a mean bone in this snuggle bugs body, but if you ever misinterpret his motivations in anyway, he’ll never be belittling or hurt by it— he’ll wait patiently and help you in whatever way he can to prove to you you can trust him, and he has no interior motives. 

If you have any major anxiety or depression, he’ll be researching into what he can do to help. 

He isn’t always a great listener, but he works to become one.

He learns to recognize signs of a panic attack or episodes, and he’ll calmly guide you to a private area.

Kenshin Uesugi

Kenshin is probably the one who understands this the most, in regards to your feelings and anxieties. 

For one, he completely understands your distrust towards people. He struggles a long side you in trusting others and allowing new people into your life. 

But he wants for you to be able to trust others, so he will work to trust in others too to guide you in doing so. 

Kenshin loves you with all his heart, but sometimes he isn’t the best with comfort when you need it. However, he always tries his best, and he always knows your boundaries. 

If what you need is for him to not be there, he will leave without question and give you the space you need. 

He doesn’t force you to make friends, since he doesn’t really have real friendships besides the one in the castle, but he will encourage you to confide in those around you in Kasaguyama Castle. 

~~~~~~~~~~

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[movienotesbyzawmer]

Once Upon a Time in Hollywood

Once Upon a Time in Hollywood (2019)

I mostly like Quentin Tarantino's movies, but when I saw this in the theater I considered it one of his worst. But I still liked some stuff about it. I liked the thick atmosphere of late-sixties Los Angeles, and I liked Leonardo DiCaprio's character's arc & his performance, and I liked some of the playful touches, even though some of them feel indulgent. "Indulgence" is a big concern when it comes to evaluating QT's movies. Sometimes his indulgences are charming and sometimes not so much. I'm kind of hoping a second viewing will make me like this movie a bit more. Okay, here goes…

Vintage Columbia logo. That kind of thing always works well on me.

First five minutes or so are cinematic in a familiar way, not much to note. But at about 0:06:15 there's a jarring little interruption where a narrator tells us LD just lied. The only moment of narration at all.

Then Al Pacino is reflecting on some of the movies he's been watching, and we see some clips. They look kind of vintage, but also kind of Tarantino-y. Like, that scene where LD torches Nazis doesn't actually look like it could be from the 60s.

"Bounty Law! Starring Rick Dalton!" Then a cut to a dorky TV musical sketch. Kind of funny. Not subtle. I love that announcer voice that says "Bounty Law!"

One thing that often works well in QT movies is when he has an actor deliver, and savor delivering, a weighty minute or so of dialogue that really sets up a situation. Think Christopher Walken's monologue in Pulp Fiction or the first scene with Christoph Waltz in Inglourious Basterds. This AP conversation where he talks to LD about where to take his career is like a mini version of one of those but doesn't last as long.

0:15:10 - First really nice period shot of LA. Very nice to look at.

I think the intended audience for this movie knows details about the Manson murders that most moviegoers don't actually know. For example, the ominous close-up of the sign for Cielo Drive. I don't think it's a mistake; I think he's knowingly alienating some viewers so he can give a better experience to those who do know about them. So I can't imagine recommending this movie without also strongly suggesting studying the Manson murders first.

Brad Pitt speeds down a boulevard in West Hollywood, a filming location which has been very lovingly decorated in the style of the period. The production design of this movie was rightly heralded.

Sequence with BP in his trailer making dinner for himself and his dog. Vivid; at one point they cut to a closeup of a pinup poster. Doesn't seem to be a reason for that except for "I'm Quentin Tarantino and I do whatever I feel like". Indulgent, is what I'm saying.

Also indulgent is this minute we're spending watching Roman Polanski drive to this party at the Playboy mansion.

I don't remember noticing this before, but that's Damian Lewis playing Steve McQueen and that's kind of perfect.

Scene where Kurt Russell is telling LD that BP has a creepy vibe and killed his wife, then we cut abruptly to apparently a scene of BP having a mundane argument with his wife maybe… okay, leaves the audience wanting more info, but maybe in kind of an irritating way.

Now this scene with Bruce Lee holding forth. Bruce Lee probably didn't generally speak in arrogant, bullying Quentin Tarantino monologues. Entertaining scene though.

But the left-me-wanting conversation from the previous scene helps this scene with Bruce Lee be more tense. Also the not-ringing-true snottiness of Bruce Lee makes it funny how that fight goes down.

0:52:30 - Okay, LD is in costume as a bad guy on a show, and he's got the long hippy hair that was spoken of in the AP scene. Just saying, I like that it was described and now we're seeing what I'd pictured.

And now this memorable conversation between LD and the little girl actress. The kid acts so grown up. This could have failed because of course no eight year old talks like this girl. But this scene is awesome. And without movies by QT, there aren't scenes like this.

Now Margot Robbie. We've seen her in a few scenes so far as Sharon Tate, but she's only been depicted as a dancing starlet bopping around town. For those of us that know she's a Manson victim, it works in a certain way. But does it work otherwise?

Okay, this is a peculiar part of the movie, it's pretty fun but kind of insider-y. LD is talking about being in the running for Steve McQueen's role in The Great Escape, and they edit in some outstanding CGI scenes of LD in the actual movie of The Great Escape. Playful, but just a weird bit of color…

…but then here's this next scene where MR, playing Sharon Tate, happens upon a cinema playing a movie she's in, and after a leisurely-paced interaction with the cinema workers, she goes in and watches the movie. Unlike the CGI trickery demonstrated in the last scene with LD, we watch actual Sharon Tate on screen. MR is visibly delighted to see "herself", and to hear the audience reacting to her performance. It all works, maybe more in spite of than because of QT's ever-present choice-broadcasting (which is also why we get a good look at MR's feet in this scene).

This is followed immediately by the sequence of the TV show LD is shooting. More playful indulgence. We see the scene edited as it probably would have been edited in 1969, but shot with modern cinematography, and interrupted by LD calling for his line, then backing up and redoing some of the scene. Can it be justified beyond just the undeniable fact that it's pretty interesting? Maybe that's enough. Maybe I'm being a snob, but also, what, was I not supposed to acknowledge it at least?

Stuff now starting with BP picking up Margaret Qualley's dirty hippy flirty cultist character. Before she even has any lines, the screen is practically bulging from the force of MQ's personality. It's entertaining.

1:28:30 - More of the TV show. We get to see LD's character be a good actor, and impress the director and the kid actor, which touches him, it's nice.

It's an hour and 38 minutes into the movie, and now we're to the scene on Spahn's Movie Ranch. I'm already thinking that by now we should be deeper into some kind of story than we are, and now this scene that I remember vividly. Not totally in a bad way, but for all the good things about it, it is stretched way out. Suspense is built up, skillfully, but without the kind of payoff we'd probably like. I mean, it's like a horror movie, with the rat squirming in the trap and the tense music and the "HE MAY BE TIRED" line from Dakota Fanning, but then it's back to not being a horror movie….

…in fact, it's on to this charismatic-tough-guy scene that feels Pulp-Fiction-y. Our MINDS are BLOWN that he hit the guy so hard and made the cultists so mad, it's a fantasy come to life, but just in a movie!!! This stuff is long, but not THAT boring, but maybe it could have been a little less boring, plus more relevant to later events.

LD and BP are now watching an episode of a show he'd done. Way more violent than TV shows probably were in 1969. They like watching his little "heavy" role and chuckling about it.

Then a SIX MONTHS LATER card, and some narration for the first time since that little jokey bit in the beginning. Also jokey is the fact that this new section is narrated, VERY narrated, and is the fact that Kurt Russell is the narrator also jokey?

2:02:50 - "…going back to Missouri." LD's character is from Missouri? With that accent? Is this also an in-joke?

The aforementioned narration persists for a long time. Seems gratuitous. QT was clearly like "We'll do the first two hours of the picture without a narrator, and then suddenly there will be a whole bunch of stupid narration hahahahahahaha! No one else would do that!!! That's reason enough for me to do it!!!!"

Finale is going on now with the Manson cultist killer people approaching the house. If you know what really happened, you're freaking out. But if you know what really happened and you already know how this movie changes that story… it's entertaining. What I'm saying is that it's funny this second time through, without the worry about seeing what really transpired.

"And you were on a horsie!" "Nah something dumber than that" Hahaha BP is super funny in this scene.

Dang, the dog just mutilates Tex, and it's funny!

He violences that woman very very very much, it's nuts, kind of funny but so disturbing.

LD flamethrowers that girl in the pool. She's in the pool. But still dies from being on fire. /shrug

We never did get the whole story about BP killing his wife.

The last scene, MR talks to LD, inviting him up for a friendly drink with her friends. It ends with us thinking how nice it would be if she and her friends hadn't been the victims of a cruel slaughter just moments earlier. That's not a bad way to end a movie. But it's a long movie, and I'll say this again: indulgent. You might not feel that in on the jokes, and even if you do, you might not have as much time for them as this movie requires.

[popculty]

Surviving the Coronapocalypse: A Masterpost

Living in the current coronavirus capital of the U.S., I’ve been thinking a lot about how woefully unprepared my city was, and how I can help other people who will likely be in the situation we’ve been in within the next few weeks or months. There have been a LOT of posts - from memes to crap advice to solid advice to a misspelled hashtag that somehow blew up without anyone noticing. It’s been all over the place and kind of overwhelming, honestly. So instead of reblogging a million individual posts, I wanted to consolidate some of the most useful information/resources I’ve come across into one handy, update-able reference post. And because this a pop culture blog, there’s gonna be plenty of that sprinkled in. This isn’t going to be an exhaustive list, by any means - that would be impossible, considering how many angles there are to this thing and how quickly it’s evolving. But feel free to use this as a starter, and add to it as you come across other resources worth sharing.

First, protect your health:

1. I can’t believe in the year 2020, 150 years after germs were discovered, that we have to even say this, but: Wash your hands, people. This seems obvious, and we hear it constantly, and yet I keep seeing people use hand sanitizer like it’s the same as hand-washing. Not-so-fun fact: IT ISN’T. Not even close (so double fuck this guy!). First of all, it’s only effective against some types of germs. Secondly, it does NOT kill or remove those germs, it just temporarily neutralizes them, allowing them to resurface later. Hand sanitizer should only be used when hand-washing is not an option. It’s better than nothing, but is not a long-term habit that will save you. If you are going to use hand sanitizer, it needs to contain at least 60% alcohol to be effective. Alcohol, however, dries the fuck out of your hands, and germs love dry skin because they can hide in the cracks. So it’s important to moisturize afterward. But I’ll say it louder for the people in the back (esp. men who still haven’t figured out how bathroom hygiene works and then wonder why they’re dying at much higher rates from this): JUST 👏 WASH 👏 YOUR 👏 DAMN 👏 HANDS! 👏 Scrub for 20-30 seconds, like Kristen Bell told you. There are a million memes for this. Find one that speaks to you, or make your own, and use it.

2. “Social distancing” - By now we’ve all heard of this, and it’s a good thing for everyone to start doing right about now, regardless of whether or not you are feeling symptoms, because as Idris Elba just reminded us (bless), many people do not show symptoms, for weeks or even ever. So: try to stay six feet away from other people as much as possible. If you can’t avoid getting close to people, just make it quick. The latest info is that it’s not airborne (thank god), but transmitted via droplets (i.e. from coughing), so it really doesn’t matter whether you’re inside or outdoors.

3. And now a word from my infectious disease specialist mom who is working on the front-lines of this: 📣  If you have symptoms (fever, cough, shortness of breath), stay home and take care of yourself like you would if you had the flu. Do not go out in public unless you absolutely have to, (i.e. you are literally dying and require medical attention) and if you do, WEAR A SURGICAL MASK. IF YOU ARE NOT EXPERIENCING SYMPTOMS, YOU DO NOT NEED TO WEAR A MASK – THEY SHOULD ONLY BE WORN BY PEOPLE WHO ARE SICK/COUGHING (to stop those droplets), AND BY HEALTH CARE WORKERS. DO NOT HOARD MASKS FOR PERSONAL USE - THEY ARE ESSENTIALLY USELESS TO YOU AND IT DIVERTS THEM FROM THE DOCTORS AND NURSES WHO ACTUALLY NEED THEM. 📣 Thank you.

4. If you can stay home, stay home. Simple as that. Sure, flights are cheap and we all love a deal but at what cost, Becky?? Just because you can fly (you’re young! you’re healthy! you’re feeling lucky! you *hair flip* just don’t give a fuck!), doesn’t mean you can’t show some goddamn personal restraint and concern for your fellow (elderly, at-risk) human beings. If you won’t listen to me, listen to Wonder Woman. Participate in the #stayhomechallenge and #dontbeaspreader.

5. Inform yourself. The news is doing a really good job of sowing general panic and not much else. And obviously, the situation is literally changing everyday, but here are the basics you should know, via handy infographics. To keep up with the latest, I recommend this interactive map and Science Vs., an investigative science podcast that is currently doing a series of episodes on the ever-changing COVID-19 situation. It does a really good job of painting a picture of how this virus actually spreads, who is at risk, and what a pandemic would actually look like. The “Pandemic” episode of Explained on Netflix is also proving incredibly prescient right now.

Be a decent human being:

The truth is, if you know the facts, coronavirus isn’t actually that scary. What is scary is uninformed people acting impulsively and selfishly. Like, there is no logical reason for the run on toilet paper (coronavirus doesn’t even make you shit!). The reason there is no toilet paper in your grocery store is because a handful of excitable people panicked and bought up all the Charmin they saw. Then other people panicked when they saw the empty shelf and thought, “I guess I should be stockpiling tp too ??” So they did. Then other people came to the grocery store, saw the empty shelves, and posted pictures of those empty shelves on social media. And now everyone in the entire world is freaking out about toilet paper, for no goddamn reason. This scarcity (of tp, of Purell, etc), is a human-created problem, not an outbreak-created problem. Whereas, if everyone had remained calm and bought only what they needed, we could have avoided this entire headache. But people are gonna people, I guess. (If you’re still freaking out about toilet paper though, you should really just invest in a bidet, which is far more sanitary and better for the environment anyway.)

All this is to say: Think before you act. Stop tweeting pictures of empty shelves - you’re only fueling the fire. And don’t use the climate of fear and uncertainty as an excuse to act like a shitty person. When things return to normal, your actions right now will be remembered by those around you. So:

1. Take a look at this graph. If you’re healthy and young (under 60), don’t be a dick. Before you snatch every last roll of toilet paper or bottle of cold remedy off the shelf, considering leaving some for the grandmother behind you who’s probably terrified and has only just now risked leaving her house for this one grocery run, only to find the shelves bare.

2. Moreover, instead of getting swept up into the panic-buying and selfish hoarding, consider buying/delivering groceries for the elderly and at-risk, who are unable to leave their homes. Find out what volunteer opportunities have sprung up in your community to specifically address outbreak-related needs.

3. Donate to food banks - People who have been furloughed from their jobs will have an even harder time putting food on the table, and kids that depend on free school meals will still need to eat if their school is closed.

4. Support local businesses. Big businesses will weather this just fine, but your mom-and-pop store down the street? Your local grocer? They’re hurting already and might not be able to survive weeks or months of low sales or even closing down for a period of time. So...

Buy from local stores rather than big chains as much as possible.

If you are eating/ordering out, choose local, and especially Asian restaurants, who are really hurting right now, and because again: YOU CANNOT GET CORONAVIRUS FROM FOOD. YOU’RE JUST BEING RACIST.

If you don’t want to eat out at all right now (probably advisable), buy gift cards to local restaurants for yourself or others – This will support struggling business now when they need it, and then you can cash in on them when things calm down a bit.

Likewise, if you have tickets to a play, show, etc that gets cancelled, consider not asking for a refund and instead making that a donation to your local stage company, independent cinema, arts center, etc.

If you live in a city where a large event with many local vendors gets cancelled, find out if there is an alternative pop-up event to support those vendors, or buy from them on Etsy. Many artists and craftspeople depend on one huge, annual event like a fair or Con for their entire year’s earnings, so having that event postponed or cancelled is a huge financial blow to them. For example, when Emerald City Comic-Con got pushed til August, this lovely Twitter thread popped up to support the artists.

Maintain your sanity:

The other big thing we are starting to realize is that this social distancing is going to cause a loneliness epidemic in countries that are already some of the loneliest in the world. We don’t know how long these measures will be in place, so we need to prepare ourselves, mentally/emotionally:

1. Take a breath - Even worst-case scenario, this isn’t the end of the world. Try to keep perspective. Apps like Happify, Calm, or any of these can help keep obtrusive thoughts at bay, provide guided mindfulness meditations and breathing exercises, and help center you when you feel like the world is spinning out of control. This is likely going to be a marathon, not a sprint, so pace yourself and be proactive about your mental health.

2. Stay connected – We have more ways to keep in touch virtually now than ever before.

FaceTime, Marco Polo, Discord – Use technology to check in with your friends and family.

Podcasts are a great way to feel connected to others right now. Death, Sex, and Money just did a listener call-in episode, which was a good reminder that this outbreak is affecting people differently across city, state, country, race, class, gender, and ability. Another one of my faves that is going to be applicable to more people than ever in these coming months is The Hilarious World of Depression, in which comedians like Rachel Bloom, Solomon Georgio, and Margaret Cho talk about mental illness and comedy. In one especially relevant episode, Mara Wilson talks about how people with anxiety tend to handle crisis much better than neurotypicals (which explains how I’m so zen right now...)

3. Keep busy - Not being able to go out and socialize like we are used to is likely to make a lot of us stir-crazy. But there are a ton of things you can do and see from the comfort of your own home.

Go on a virtual museum tour, or see the Palace of Versailles.

Take a soothing, 8-hour virtual drive through Iceland.

Watch operas at The Met.

Explore NASA’s stunning media library.

Tackle your book list.

Start writing that novel (or finish that fic!)

File your taxes (Get that return!)

Do your spring cleaning.

Plant a victory garden to reduce the strain on producers and avoid crowded stores.

Binge the shows your friends keep telling you about (follow this blog and podcast for recs!)

If you have kids, here’s a list of all the free educational courses being offered right now.

Libraries may be closed, but you can still get free ebooks, music, movies and TV shows on the Hoopla app, and movies on Kanopy for free if you have a library card or are a student or teacher.

Some upcoming theatrical releases have been postponed (No Time to Die, indeed), but others, like Emma and The Invisible Man, will hit streaming platforms immediately, so you can still get your new movie fix.

So many things to do! Try not to see it as being confined, but rather as an opportunity to do all the things you’ve been putting off. If getting shit done makes you feel good, do it! But hey - remember that you really don’t have to be productive right now just because capitalism tells you to. This is also a great time to be still and relish doing absolutely nothing.

4. Perspective - Remember that this is not the only thing happening in the world right now (psst, the U.S. government is using this distraction to fuck with our privacy, AGAIN.) Also, this is not the first pandemic humanity has endured and it will be nowhere near the worst, so soothe yourself by reading about past pandemics and how we got through them.

Alright. Back to covering pop culture for me (we’re gonna need escapism now more than ever). I’m not gonna even try to update this regularly, that’s just too daunting. But I encourage you to add to this and share as needed in the coming weeks/months.

Stay safe out there, and

[hellyeahomeland]

“Chalk One Up”: an HYH recap

It’s five days after the ceasefire. Carrie’s still riding around on motorcycles at night, though it’s unclear where she’s going or why. On her way back to her room, she hears what sounds like her voice. A few tech guys are—very loudly!—listening back to her conversation with Yevgeny and trying to make out just what the hell they were talking about.

This makes Carrie so damn anxious that the next day she ventures into the (unlocked) COMPUTER ROOM. I have no idea what she was trying to do. Hack into the main frame and delete the audio undetected? She starts rummaging through desk drawers (why???) when in walks a square-jawed military policeman. They ask her to come with them, and Carrie does about as well with this lack of info as you’d imagine. She starts yelling, doing her whole Carrie thing, then name drops Saul Berenson. “Mr. Berenson’s fully aware,” replies Officer Square Jaw. It all has the ring of that scene from “The Star” when the Iranians find Brody at the safe house and Carrie’s like “PLEASE, SOMEONE CALL JAVADI,” and they’re like, “The colonel IS. AWARE.” Everything that’s happened this season reminds me of something else. Not in a bad way...

Meanwhile, Samira’s back. She’s chatting with her friend as they go shopping. I checked and she’s only credited as “Samira’s friend,” but I FUCKING LOVE HER. She’s a “bright and shiny” person, as Shonda would say. She’s going on about how peaceful it’s been, how the ceasefire is working, and everything is changing! Samira is more than skeptical. Outside the market two men with ice cream cones approach and one offers Samira his cone. Samira’s friend decides now is a perfect time to take a selfie. It is the most awkward and tense and “something bad’s about to happen” selfie that ever existed. But I still love her. They arrive home to find Samira’s brother-in-law waiting for her. Her friend looks on concernedly and that is how we know this woman is a Queen!

Carrie continues being the opposite of chill in the car on the way to her mystery destination, which turns out to be Bagram Airfield. Carrie is about 4000% sure this means she’s off to some CIA black site but instead she just meets Saul there, and he informs her that actually President Beau is on his way. And he wants to meet her. But no one knows what about. So just chill—for real this time—for the next four hours.

In Kabul, a bunch of people and one dog file slowly into the Presidential Palace for another mystery announcement. Tasneem is there, dressed in all white and a strand of pearls, looking like the bossy but classy angel of death that she is. They do this thing where they check their phones, the same way you would a coat, and Tasneem looks HIGHLY displeased to have lost her device. We continue to stan. She runs into G’ulom inside and they both whine about how they have no idea what’s going on but also have a feeling that Beau himself is coming to Afghanistan. So actually they do know what’s going on. Anyway, Tasneem has had enough of this.

Tasneem: I’m outie, y’all. See ya on the flippity. Saul: Not so fast. Tasneem: I can’t believe you went behind my back. We were pretending to be frenemies! Now we’re just enemies! Saul: You tried to kill Haqqani. Thanks for that, btw. It really broke the log jam. I guess you could say that… backfired. Tasneem: [rolls eyes]

Elsewhere, Samira and her brother-in-law have a nice chat, and by “chat” I mean he tells her to come back to their village because people are talking and also he would like to marry her now. She tells him to gtfo and the cinematography is like something out of a tense indie domestic drama (in the best way!!).

Back at Bagram, Carrie squints her eyes, which is really not something she does all that often, unless she’s looking at a screensaver, and WHAT DO YOU KNOW Jenna is there. Carrie, I know you are already on high alert about this woman, but homie is gonna probably try to kill you.

Beau Bridges gets off the airplane and greets the Afghan President. Then he makes a beeline for Carrie, whom he wants to personally thank, because, y’know, if Keane hadn’t bailed on the presidency because she didn’t give half a shit about getting Carrie out of Moscow he might not be Commander in Chief! That’s how season seven ended, right? 

Anyhoozles, Carrie sort of changed his life and is also why he’s standing right in front of her, which bodes really well for Carrie’s constantly simmering guilty conscience. He talks about how courageous Carrie was, he can’t imagine what she went through, etc. Carrie becomes visibly emotional but is ultimately speechless. He’s likely the first person who’s acknowledged the type of sacrifice she did make, instead of glance suspiciously in her direction. He excuses himself because the next stop on his trip requires a flak jacket (always a good sign!). He gets into one of two helicopters—Chalk One and Chalk Two—and off he goes.

Carrie is hoping for a nice silent ride back to the Kabul station but Jenna has other ideas.

Jenna (booting up, non-verbally): How. To. Be. Human. Woman? … Gos. Sip. Jenna: So what did the president say? Carrie: Nothing. Jenna: It didn’t look like nothing. It looked…. INTENSE. Carrie (non-verbally): This homie really just wants me to say something passive aggressive to her again, doesn’t she? My God. Jenna: Was it classified? Carrie: No, it was personal. Can you take a fucking hint? Jenna: Carrie, you have no friends. Why wouldn’t you tell me, your not-friend, something personal that the President of the United States told you in private? Carrie: First, thanks for reminding me I have no friends. Second, he thanked me. Jenna: For being a pain in all our asses in Kabul? Carrie: No, actually he thanked me for Moscow. You know, that thing that you all think makes me look extremely suspicious? Well, our boss up top actually thinks I’m a hero. How’s that for personal, dummy? Jenna (non-verbally): I wonder what it would be like to have a mind of my own? …

Their conversation is interrupted by Samira calling Carrie, because Carrie didn’t really have enough to do this week. Samira—oops!—let her brother-in-law back into her apartment for some reason and now he and some other Taliban dudes are going to basically kidnap her and take her back to the village so he can marry her. Carrie says she’ll be there ASAP.

Another surprise! Beau is coming to the exact same combat post where Max has been trapped stationed for the last four episodes. This all plays out in a somewhat surreal montage since, for some unknown reason, Beau’s trip is being broadcast live around the world. Saul gives a speech at the palace about how peace is happening and—I shit you not—the red curtains behind him literally open up to reveal the live feed. In case we couldn’t understand that it was theater.

Meanwhile, the Hot Marines get ready for the president and Hot Evil Veep in Washington says, “No thanks, Linus, I’d rather watch this on Fox News by myself.” Tasneem sulks in the corner, and then later outside with G’ulom. Beau explains to the soldiers that they’re coming home and they cheer. He takes selfies with some of them and makes corny jokes. Everyone shakes hands and congratulates themselves on a job well done, even though several people this episode openly acknowledge that this is just step one (cue Carrie in Sara’s mind: “this—this is just phase one, the real attack has not come yet”).

Afterward, it’s finally time for Max to leave. The Hot Marines try one last time to convince him to stay—they’re still staying for the foreseeable future after all, the US Military moves at a glacial pace. Maybe it was the sad puppy dog eyes they gave him, or maybe Max really does have a sixth sense about these things, but, improbably, he decides to stay. He doesn’t get on Chalk One.

Samira is being escorted out of her apartment by her brother-in-law and some of his Taliban dudes but their car won’t start. Too bad no one was watching the car while they were inside to prevent this exact thing from happening. Anyway, Carrie appears out of nowhere and tells them not to fucking move. They have the car surrounded and she, rather gracefully and quickly, gets Samira out of one car and into the other. All in a day’s work, I guess! But she can’t revel in the triumph for too long because there’s been an “RTB” (return to base) call and they all need to go back to the station.

And why exactly? Well, the president’s helicopter (Chalk Two) is nowhere to be found. I know what you’re thinking. But it’s NOT aliens. Apparently the escort helicopter saw nothing, which is strange, because it had, again, literally one job.

Saul arrives back at the CIA station to the camera in Chalk One surveying the wooded forests, looking for Chalk Two. They locate it, spewing smoke, crashed on the ground. In the White House situation room, everyone looks around sort of dumbfounded at the feed. HEV asks who’s in charge and Linus is like, “uh… you?”

Carrie races into the command center and asks Saul what’s happening. He tells her the president’s helicopter is down. She asks how that’s possible, which is a great fucking question! Before Chalk One can land to attempt a rescue, they spot some Taliban soldiers with an RPG approaching and start shooting. They fire the RPG back and hit the helicopter directly. So much for a ceasefire. Carrie and Saul look on, shellshocked, at the now blank screens.

[bloodraven55]

Video Editing Info, Tips & Tricks

So I’ve had a couple of people ask about my video editing and I figured it couldn’t hurt to do a post just giving some basic info and advice to anyone looking to get into it. Now I’m by no means an expert yet and there are many far more talented editors than me, but I like to think I’ve reached a point where I might be at least vaguely helpful so here we are 😄

First I want to talk a bit about software, because that’s probably the most boring part so best to get it out of the way first. There are lots of great pieces of software out there for editing, of all various types and prices and levels of functionality, and the most important thing is to find one that works for you. A lot have free trials even if they’re paid, so I’d recommend making good use of those until you settle on one you feel comfortable using and does what you need it to.

Personally I use a mixture of several programs to make my edits. My primary editor is Final Cut Pro X, which I use for the vast majority of my editing. But I also sometimes use Motion (also from Apple) to work with 3D environments and Pixelmator to edit images which I then use in my videos. I would suggest probably getting used to a main 2D editor first before you consider tackling something like Motion, however, and even I am still getting to grips with that, so I’ll leave those two to the side for now.

I also used iMovie in the past as a starting place for my early videos, and while it’s limited and wasn’t sufficient for me, something like that might be everything you need, so I would definitely advise checking out the free or at least cheaper options before jumping to something more expensive and finding you only use a quarter of the features. Beyond this I can’t speak about specific other pieces of software that I haven’t used myself, so all my advice from here on out will be general and can apply to anything you’re using.

Anyway, first things first, let’s start with what you need to make an edit. Before anything else, you need an idea. The song you choose should combine with whatever show, character, pairing, etc. you’re using footage of to have some sort of effect— to tell a story, to send a message, to highlight some perspective or parallel that hasn’t been approached in the source material, or just because the lyrics fit well with whatever’s happening in the show. But what it shouldn’t be is a bunch of unrelated clips stuck over a random song with no cohesion.

Next you need to get an audio file of the song and video files of whatever show(s) or episodes you want to use. If you already own the song you can just copy the file you already have and use that, or else buy it or just download it off of YouTube. Similar thing applies for the video clips— if you have the episodes, you can just copy the files or rip them onto your computer if they’re on DVD or Blu-Ray, or otherwise you can buy them or download them.

Once you have your basic audio and video to work from, you’re ready to start actually editing. The first thing you want to think about is the length of the clips you use. They need to match the pace of the song, or else the video will look very weird. If the song is fast, use a greater number of shorter clips, and if the song is slow, use a smaller number of longer clips. And if the speed of the song changes during the track, then apply those two points to vary the length of your clips as the speed of the music varies too.

Next is timing, which ties into the last point but is a little different. You need to time your editing with the rhythm of the music. This means doing things on the beat rather than off the beat. For example, you use an effect, or add an overlay, or transition between clips, on the beats of the song. If there’s a steady tempo to the instrumentation then you could use it as a marker for when to transition between clips, or if there’s a cymbal crash etc. you could put a quick, sharp effect like a flash or a pulse of the screen and so on.

Finally is the effects themselves, e.g. overlays, text, etc. You want to match the effects to the tone of the song so that the video feels like it fits with the music. So if the song is fast and electronic for instance then you might want to choose glitch effects and electronic style fonts, but if the song is a slow piano ballad then you might want to choose slow motion or black and white/other colour effects and handwritten style fonts.

Anyway, that’s about all I can think of to start with off the top of my head. Obviously these are just some beginning tips so if anyone wants me to talk more about any specific aspect of video editing or ask any particular questions then feel free to send me an ask or DM and I will try my best to help 😊

[canonicallysoulmates]

SPN SDCC 2019 OPINIONS

Right now some of you are probably wondering why the fuck you're seeing a post about SDCC when it's September and the answer to that is that I did not have a computer when SDCC happened back in July so I couldn't make this post then, trust me I would have preferred it if I could have, and why am I even bothering to make it when so long a time has passed? Cause I said I was going to and as I've  stated in the past I was going to watch the panel and some interviews anyways and share my opinion so I might as well make it into a proper post. Or at least try to, this turned out a little over the place. Now, originally, back in July, I was thinking of doing something like I had done last year meaning a massive post full of spoilers and info available but as you can guess from the title of this post that did not happen this is because of two reasons: 1) I feel like there was less info than there was for s14, to be fair like I said I didn't have a computer during the time and I wasn't on SM a lot so it's entirely possible that there was a bunch of info and spoilers that never made their way into my very limited radar. 2) September is ending, the s15 premiere is literally around the corner, I don't have the time necessary to go through any and all news and info and spoilers about s15, and to be very honest I don't have the patience either. So this post is going to be just my opinion on the panel and on some of the things that were said in SDCC interviews, there are still timestamps and some transcripts and all the interviews I talk about plus the panel are linked at the end in their entirety.  I watched 4 interviews for each person on the panel with the exception of two people, I did not watch any of M. Collins interviews, I also didn't watch any of Berner's interviews I was going to but Dabb, Singer and BuckLemming test my patience enough as it is. Also I want to keep this post brief so I'm only talking about things that really stood out to me. Standard disclamer applies that these are all just my opinions and you might not agree with them.... SDCC 2019 Panel I don't have much to say about this panel, most of it was everybody talking a bit about the legacy of the show, there wasn't really any info given about s15  and in that regard, I am a bit disappointed, I wish they had used the panel more and found a balance between talking about the legacy of the show while also incorporating info about the final season. But I can understand why they would do something more subdued. The only things that stood out to me was Dabb trying to make what I hope is a joke about the ending of the show pleasing only 30% of people and bringing up GOT,  regular which I'm not gonna comment on cause I want to keep this post general but those who know know 😉, should go without saying that my heart broke all over again seeing j2 cry over the show ending 💔 And I cannot go without mentioning Dabb's intro to the panel cause it fucking killed me, he must have written it himself 😂 "our next guest very first job on tv was writing for supernatural, after eight seasons in the trenches he ascended to the coveted position of showrunner. Armed with genius talent and deep respect for the characters and stories he's beautifully shouldered the shows vision for the past 3 seasons and now leads us bravely forward on the shows final chapter" [TIMESTAMP] Interviews

Let's talk about Chuck, everybody seemed to be on the same page about this, they all gave similar answers when asked about it which is a nice change of pace usually they all give different answers but to me it seems like they, once again, dug themselves into a hole they don't know how to get out of and are trying to back out of it, like in one of the interviews Lemming says at one point Castiel will point out to Sam and Dean that whether or not it was god playing tricks on them they would have come across the same crossroads and they are the ones who made the decision about which direction to go not someone else ("cas will point out to them weather it was god playing tricks on us or us doing it ourselves out in the world we would have met the same crossroads or they would have been different crossroads but whatever crossroads we would have come across we made a decision whether  to go right or left no one else did that to us" [TIMESTAMP] ) which to me sounds a hell of a lot like free will. And look, everybody has a different interpretation or views on what free will is, I, personally, think free will has nothing to do with whether or not someone/something puts an obstacle in front of us it has to do with whether or not we're the ones who decide how to deal with it meaning that someone/something doesn't make the choice for us. So to me what Lemming is talking about is free will which is what supposedly Sam and Dean never actually had, to be fair it's possible that scene won't happen or that explanation won't be given or it'll be something different but at this point I wouldn't be surprised if it turned out that it was all a test by Chuck and when Sam and Dean go to kill him or something he'll be all 'surprise! you passed your mission is done now you can have peace'; I also wouldn't be surprised if Dabb&co do what they usually do and ignore things after the first three episodes until the mid-season finale and the finale. But hey, maybe they'll prove me wrong, and do something really interesting and complex...not gonna hold my breathe for it though. Since I already mentioned Lemming there was something she said that irked me, she was asked about the shows influence/impact on sci-fi shows and stuff, I'll leave a link so you can see the whole thing point is she was talking about early seasons and said: "....we really worked on the physical nature of horror and the psychological results of that, but that takes you just so far as a writer then you sort of realize we have to write about personalities and psychologies of the people living in that horrible universe, so you end up once again revisiting what drama is..." This irks me. Look I'm not a horror buff, so perhaps it's not my place to talk and to be fair maybe this is not the way she meant to come across and I'm probably alone in this but the way she talks about horror at least in this particular answer comes across to me as somebody who doesn't understand or respect horror. I don't really know how to properly explain myself but her going "but that takes you just so far as a writer then you sort of realize we have to write about personalities and psychologies of the people living in that horrible universe, so you end up once again revisiting what drama is"  to me this come across as somebody who doesn't know or understand that you can write personalities and the psychology of people and still be horror. Still stay in that genre, without going into drama territory like horror is so much more than just jump scares. I don't know maybe it's that I'm so tired of everything being put in what I consider outdated boxes of either comedy or drama. Or that I'm tired of horror being shoved into drama's box. Or horror being shoved into a box where it's just gore and jump scares and if it's more than that it's a drama or artsy horror or classy horror or some other bs  people say when they don't wanna admit they like horror. Or maybe it's the fact that Eugenie Lemming of all people is the last one that should be saying this when with the exception of ONE episode she and her writing partner don't actually explore personalities or peoples psychology. Or maybe it's the fact that the early seasons where this show was more horror it explored personalities and the psychology of the people in that world way better than the later seasons, even though the later seasons have moved into drama territory and have moved away from its horror roots! Anyways I'm gonna leave a full transcript here plus the timestamp so you can go and get full context, this was just something that like I said irked me: "when the show started the mission was to do an hour horror film every week, and really pay attention to the elements of what made horror horror and really put a lot of money into production and make it look good i think we didn't really break ground- yes there were some scary things and special effects in prior shows but we really approached this and build up a post production community, we really worked on the physical nature of horror and the psychological results of that, but that takes you just so far as a writer then you sort of realize we have to write about personalities and psychologies of the people living in that horrible universe, so you end up once again revisiting what drama is love between brothers betrayal between family members, hope dreams promises honor deceit and you do all that- so that can be in every genre it's just packaged as a very classy horror genre..." [TIMESTAMP]

Let's move on to Buckner, he, unsurprisingly, said a lot of things that made me roll my eyes, like he said romance might make an appearance which why??? that's not the point of this show, and: "that's one of the more exciting aspects of this season is that it's actually covering new turf instead of just doing the things that ave worked for us and just going out on a high note actually it's going to be quite experimental"  [TIMESTAMP] 

Do I even need to point out why this is a dumb ass approach to handle a shows last season? Speaking of dumb asses...Dabb. He got asked if Sam was still psychic he answered: "No, since Sam decided to stop drinking demon blood his powers have gone away, unless he picks it [demon blood] up again" [TIMESTAMP] 

Sam had his powers before he got addicted to demon blood, he got his powers when he was a baby because of Azazel, ffs we saw him use his powers in an episode! In season 2! Before the demon blood addiction! He drank demon blood to enhance the powers he already had; it would have made more sense if he had said something like Sam burned his powers after what happened in s5. Sucks that we might never see Sam with powers again but with Dabb behind the wheel it might be for the best. 

Now you’ve probably noticed that so far I’ve made no mention of Jared, Jensen or Alex and that’s because with the exception of Jared and Jensen talking about the ending nothing stood out that much to me and as for why I don’t talk about the ending it’s cause I don’t have much to say, Jensen said it took some time but he’s ok with the ending now, Jared that he was ok with the ending they had planned but that it might change and I am both comforted and concerned by their words; even though I didn’t talk about them I am going to link to the Jared and Jensen’s interviews I watched, I personally really enjoyed Jared’s (I love the way he answers questions ❤), sadly I forgot to save the links to Alex’s interviews but if I might try to find them and add them. 

So there it is my edited down opinions on this year’s SDCC, if you read this whole thing, thank you. If you read it and didn’t agree with any of it that’s ok, this is as I said just my opinion. 

Links:

SDCC Panel

Lemming Interview 1

Lemming Interview 2

Buckner Interview 

Dabb Interview

Jensen’s Interviews:

Interview 1

Interview 2

Interview 3

Interview 4

Jared’s Interviews:

Interview 1

Interview 2

Interview 3

Interview 4

[knaccblog]

Okay okay I need to talk about the whole Crowley taking credit for the Spanish Inquisition in the show thing. I've seen people acting like it's a major change but it's not really? Crowley as a character has always been about reading between the lines. He's basically always underselling how he feels, trying to fake apathy to protect himself.

For example, in the book he references the 14th century about four times and the first time he call it the most boring century but then immediately after he calls Hastur and Ligur real 14th century minds and by the end of the book when he's driving his on fire Bentley to Tadfield and the shear effort of it is making him feel like absolute shit, he says "he hadn't felt this bad since the 14th century." And what happened in the 14th century? Oh just so much horrible suffering and death like a great famine that killed millions, the black death killing a third of the population of Europe and thousands of Jews getting massacred in Anti Jewish pogroms in Spain and Portugal. So yeah, taking what Crowley says at face value is generally not a good idea. (An aside but show!Crowley also references the 14th century in the scene with Hastur in the Bentley, mentioning that he hated it and Hastur would have loved it so show! Crowley clearly agrees with book!Crowley on this note.)

Anyway, let's say Crowley took credit for the Spanish Inquisition (Aziraphale is the one who mentions it but Crowley agrees so it is probable that he did), that doesn't mean he wasn't horrified by it? In fact, they have an entire sequence in episode 3 of him being upset by the cruelty of God and humans such as at the Noah's Arc, the crusafiction and the French Revolution. Do you really think the character we saw in the beginning of episode 3 wouldn't have been absolutely horrified by the Spanish Inquisition? And even without the info from the book, do you think that the show isn't expecting viewers to take the knowledge they learned about Crowley in that sequence and apply it to things he's already said and will say? He overall doesn't talk particularly openly about how he feels so there is no reason to think he was cool with it just because he didn't say he wasn't. And what are the chances he told Aziraphale (the one who brought it up) how upset he was, how drunk he got back then? Pretty unlikely. Honestly it makes perfect sense for him to take credit for such a horrible atrocity no matter how much it upset him because it gets him out of doing work and having to hurt humans any more then they are hurting each other. (additional note: Book!Crowley mentions writing reports about the Spanish Inquisition so he clearly followed up on the thing he got credit for all the same, even if he didn't initially take the credit.)

Like when I first watched the show, I was truely really worried for like the first two episodes that they were making him more evil, less soft due to cutting some of his early softer moments. But then when I hit episode 3, I knew why they'd cut them: you don't need to do that subtle stuff when you have a half an hour dedicated to how much he despises cruelty and loves Aziraphale (Also it's probably a pacing thing, kinda hiding the true depths of Crowley's goodness until the beginning of episode three?). I'm even pretty sure they used the French Revolution scene to have him discuss some of his Spanish Inquisition thoughts (as openly as he'd say them out loud at least) but in a way that let them keep building his relationship with Aziraphale.

The show is a visual medium, the natures of the characters have to come across through dialogue and body language and almost no internal narration (which the book leans on heavily) so some stuff had to be a bit different in some ways but I feel like more stuff is similar or in the same spirit as the book then some people are giving the show credit for really. Crowley is still a very soft demon who is troubled by the horrible things of the world in the show, don't worry so much.