how about that uhhhhh Fantasy Julie. she gets her sword <3 no one can take it from her <3
rambles:
SIKE you get an extra, lower quality doodle
SIKE AGAIN here's the rambles
yeah... i caved and gave her a tail... I'm Not Sorry! it's cute! i wanted to stick with her sorta flower motif - it's stronger in her princess look, since I imagine that when she was part of the royals she was very blatantly flower power based. it was her Thing!
but a Julie free of her noble shackles... she deserves her big sword. like yeah, she has flower magic, but who needs it when she has a Giant Blade??? on the royalty vein, and if we're classifying "rainbow monster" as a species, i feel like horn size/curve would be a status symbol of some kind. maybe Julie would have kept her horns filed short. but if she ran away from that life... longer horns! i like to imagine that they'll keep growing until she has a pair of Extra Weapons attached to her head! curved forward like mammoth tusks maybe!
i imagine that like Frank, she goes with minimal armor - range of movement over protection, yk? some scale mail over her front, a thick leather flower over her chest w/ scalloped leather pauldrons, wrist armor and metal knuckles! i'd think that the faux-suspenders include a back sheath for her sword... i wish i'd thought of that Before i finished the little ref! i don't feel like going back and editing!
i imagine that she was forced to cut her hair when it got caught in something (a gelatinous cube, mayhaps). it didn't look good! don't let anime and Mulan fool you! cutting your own hair with a blade will not look nice! but someone - Eddie, probably, he's good with scissors i'd assume - cleaned it up for her. and hey, it didn't look bad! plus, Julie probably liked being able to just tuck up her long strands into her hat when she's feeling a bit more like a Julius than a Julie!
it's been a fun challenge transforming their canon outfits into a similar variation with fantasy flavoring and twists! i want them to suit the setting but still maintain Themselves! Julie's was tough i gotta admit. i was messing around with the princess look and the fighter look side-by-side. it worked better when i sat back and thought "fighter Julie is Julie unrestrained. that version would be more aligned with her canon look"
i wanted her princess form to look Restrained! she has to be a ~delicate flower~, a noble woman, pristine and poised and very much a princess. soft colors, poofy clothing, bright white gloves that are not to be sullied. carefully bundled up hair! jewelry! that dress must be Heavy and hard to move in! her tail must be so cramped under there!
but Julie Unleashed? violent pinks! rose gold accents! short skirt so that she can sprint and Kick! fun boots that she can be active in and delight in watching them get dirty! her hair is free to whip in the wind and get caught in things! fun straps and Deadly Accessories! a sword that she stole from the royal armory on her way out the window! she has forearm wraps both to match Frank and to support her wrists!
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Aran knows how to keep his head. He'd go as far to say one of his skills is keeping it together under pressure. Not that this situation counted as keeping it together under pressure but he needs the reminder.
Because there you are, standing in his house and cooking dinner. You've got an apron on and everything—he's almost overcome, truly. So when his younger brother comes barreling down the hallway towards him, Aran lets himself be bowled over and thoroughly winded.
"Hey, watch the roughhousing!" You call out, not looking up from your place at the stove. "I'm not takin' the blame if somethin' breaks."
Aran pads into the kitchen, ignoring the smaller boy climbing him like a jungle gym. "Thanks for this again. I know you've got yer own stuff."
You finally look up at him and you smile. "Ye should know that the money is too good to refuse."
It's true—the Ojiro's pay you at the same rate one would a professional nanny. Most of the money is being squirrelled away into a savings account so you can pay for university. Hence why you went to a cheap public high school (nearby but in the opposite direction of Inarizaki so Aran never has the chance to walk you to school).
"Is that all I am to ya? A source of income?" He places a hand over his heart, feigning being fatally wounded as he plucks his scrambling little brother of his shoulders and onto a chair.
You swat him on the shoulder. "Have ya showered yet?"
"I did at school."
"Go change then. Dinner will be ready in 'bout five."
He does so, a dutiful charge. As he descends the stairs, he can hear you singing the theme song of a children's cartoon with his brother. You sing with gusto, not technique, mimicking different voices as you go to the delight of the ten year old acting as your audience. Aran pauses—his grip on the railing tightening as he forces himself to focus, to commit these sounds to memory.
At first it was a little strange to be looked after by someone his age. But as the demands of volleyball grew, he started to look forward to hearing your voice calling out, "Welcome back!" He savors the way you ask him how his day was or how his teammates are or even if he wanted to do homework with you because, "Ya go to that fancyschmancy private school—figure you'll know how to do it." He loves his parents, but a traitorous part of him is disappointed when it's not your voice who calls out to him when he walks through the door.
Aran had once confided his feelings to Kita but the guy just shrugged as if such a thing were a forgone conclusion. A natural result of your presence being a part of his every day life.
Is it any wonder that he wants to take care of you the same way?
Aran could give you stability, if the volleyball scholarship pans out (and it should, Aran made the National Youth Team for goodness' sake). He would be a paid athlete by the ripe age of nineteen, all of his expenses covered by the university willing to throw the most money in his direction.
"Aran! Dinner's ready!"
"Comin'!"
All he's gotta do is convince you to attend the same university as him. His parents are already basically paying for your education anyway—Aran could claim it's just paying your salary forward. Or maybe even a wedding present.
"Thanks for the food!"
"Dig in, boys!"
He just needs to get around to asking you out.
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I miiiight color this properly but have a funky soul design i did for fun :}
[close up + a small text about the guy below and then some]
While it is mainly just for fun & not my main design for Soul, i think Soul's form would change throughout Cacophony a fair amount. There's still some things it cant change but depending on its view on himself, Heart & Mind, or Whole would alter how his apperance looks. Not necessarily a bad thing either, just a form on how he feels or views himself. Kinda like when you make a persona i guess? He just swaps a lot between them.
Also smaller thing being that it's "tail" can change as well! More obvious being the relation to the instrumental album cover but also it can changed into other things as well. An Umbrella for Spring and a Storm, a gavel for parts of Mucka Blucka, TSE & The Bidding, or it being one of those bid cards youd hold up to bid your amount [also during The Bidding]. Can also change to the trident during TSE & The Bidding too, the red guitar in Two Wuv as well. Just generally whatever he want/feels like!
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Hey, probably a question you have heard a thousant times. But what is the best way to get into any of the fiber arts? Books? Youtube? Actual people teaching you? (and if so how in the hell do you find them)
I started crochet and knitting but I pretty much can't get out of the basics, I can't managed to finish something that I have started cuz I always get frustrated that it's starting to look bad...
Hi! That's actually a really good question. Unfortunately (or maybe fortunately, depending on how u look at it) the only way to get any better at fibre crafts, is to keep doing them. Practice really does make perfect. There is no book or video tutorial or in-person teacher that holds the one ultimate secret that will make you Good At Crafts. All of these can be valuable resources if you struggle to understand how to do a specific thing; you can be taught stitches, and how to read charts, and such things. But the only way to really learn is to practice.
This is because there are more skills involved in crafting than just knowing how to do certain stitches. Confidence, patience, frustration tolerance: you can't learn that from tutorials. These are essential skills that you need to build. And the best way to build them, I'm afraid, is to actually finish the damn thing. Even if it has mistakes. Even if it "looks bad". You need to learn how to tolerate imperfections, if you ever want to get anything done.
Now that doesn't mean you should bully yourself. If you get easily bored and frustrated, leave the scarves and sweaters for now, and start small. Potholders, dishcloths, scrubbies or coasters are all projects that finish up quickly and yield usable objects, even when they are not perfect. If you never allow yourself the dopamine rush of Fuck Yeah I Made That, how do you expect yourself to build up the resilience to stick through the parts where it is slow and difficult and makes your fingers hurt?
Here are Ravelry searches for free dishcloth and potholder patterns.
Of course that doesn't mean you should only do those projects. You can do whatever you want. The most important thing is to teach yourself that you can have success, and the only way to do this is to successfully make things.
Also, it should always be fun. If it's not at least a little bit fun, maybe the technique isn't for you. This is also an important skill to develop: To learn when to stick through a bout of frustration, and when to abandon something.
There is a very steep learning curve. But you can and you will get there. I believe in you, and I also believe that what "looks bad" to you is perfectly fine.
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