#but yeah there's a bit of info about that in there

[pureomi]

˚୨୧⋆｡🍓˚ she see money all around me, i look like i'm the man

includes: itoshi sae x fem! reader. 0.8k wc. fluff.

a/n: provider sae, we all cheered !! inspired by that one tiktok trend lol

not much grabs itoshi sae's attention, so you have to get creative.

"sae, i can't help pay rent this month." even though he doesn't glance away from the computer screen, the twitch on his face is obvious. the furrowed brows, his fingers coming to a halt on the keyboard, the imaginary question mark brewing over his head—all of it subtle but still priceless.

to be fair, he doesn't even recall being this confused when his parents agreed to send him abroad at the ripe age of thirteen—that too, all by himself!

for someone as strict as itoshi sae, he should receive an award for how quickly he paused his work to simply process whatever the fuck just came out of your mouth. "you can't, what?" he finally says, still keeping his gaze focused on the screen.

this is harder than you thought. not the pranking part; the holding in your laughter part. you somehow manage to keep it in for the sake of the bit.

"yeah, i just don't have the money to help you pay our rent this month," you continue, further emphasizing your dilemma (knowing damn well it doesn’t exist) awaiting his reaction.

but of course, your prank backfires spectacularly. the dramatic reaction you were hoping for? nowhere to be found. instead, he just crosses his arms and finally turns his chair to stare at you like you're the ridiculous one in this scenario. sae leans back in his chair, letting linger another one of those infuriatingly calm looks that make you want to simultaneously throw something at him and admire how annoyingly composed he is. "i know?" he claimed, neutrally, with a quirk of his brow like...duhh?

he continued, not even trying to be offensive, just merely stating the facts he has gathered living with you over the years. "when have you ever paid rent?"

…why would you?

he’s suddenly wondering if, overnight, you forgot you’re itoshi sae’s girl. hell, he doesn’t even let you pay for something as little as webtoon coins—hence why he made sure his card info was saved on your phone. rent was too far of a stretch to claim, even as a joke, and you know this too.

with how adamant sae is, the world could collapse before he let you contribute a single penny.

but damn, did that make it make it hard for you to continue this act.

you open your mouth to say something, anything, to salvage the prank, but your brain is running on a blank slate. "i mean," you clear your throat, trying to recover. "it’s about the…principle? you know, of financial responsibility and, um—" sae tilts his head, looking wholly unimpressed. "do you even know how much rent is?" your mouth opens. closes. he waits. you scramble. "well, yeah, of course, i—" "how much?" he asks, deadpan. your lips part, but the number? nowhere to be found. you had not, at any point in your life, thought to ask. sae quirks a brow, clearly entertained by your pathetic attempt to keep going. he rests his chin in his palm, watching you struggle with the kind of calm that makes it painfully obvious he’s enjoying this. "you were saying?" he prompts, his voice laced with amusement. you huff, cheeks growing warm. "forget it. you ruined it." but before you can even sulk properly, sae reaches forward and hooks an arm around your waist, pulling you in with zero effort. a yelp escapes you as he shifts you into his lap, securing you there with both arms now locked around you. your heart does this stupid little thing where it stumbles over itself because you can feel the warmth of his body, the steady rise and fall of his breathing, and—oh god—the way his lips are ridiculously close to your ear. "did i? or did you just get caught?" he murmurs, voice low and entirely too smug. "you—!" your hands instinctively grab onto his shoulders, trying to put some space between you two, but he doesn't let you. if anything, he picks you up to place you fully against his chest. "go on, finish your little act," he challenges, lips curling into a smirk. you glare at him, ignoring the rapid pounding of your heart. "i hate you." "yeah?" his voice is a quiet hum, teasing, daring you to keep going. "i guess that’s what i get for absolutely spoiling the shit out of my girlfriend." you pout, trying to look annoyed, but your resistance fades as you sink into his arms.

instead of staying smug, sae softens his grip just a little, his tone becoming more serious. "i take care of what’s mine, so don’t bother pulling tricks on me before you empty my bank account."

"do you understand?" he continues, his voice low and steady as he presses a gentle kiss to your temple. the softness of the gesture contrasts with the firmness of his words, leaving you to wonder how he always manages to make you this flustered every time. all you can do is just nod, giving in to the fact that your boyfriend is a rich snob who always gets his way—one you’re completely obsessed with, no less. seriously, what are you gonna do with him? 🤍

[hospitadoodad]

:^|

[fluentmoviequoter]

The Memories Get to Kickin' In

Requested Here!

Pairing: Tim Bradford x fem!singer!reader (former cop)

Summary: Tim gets roped into going to a concert. He doesn't expect to have his heart broken during the first song, or to apologize to his ex-fiancée.

Warnings: r's stage name is OFCR, angst, breakups, lots of feelings, vulnerable Tim, fluff, Nyla and Angela, I changed the lyrics to 'Nobody Gets Me' by SZA and made up an album title/additional songs

Word Count: 3.2k+ words

Masterlist Directory | Tim Bradford Masterlist | Request Rules/Info

“Where’s your boot?” Angela asks Nolan.

He looks around quickly, frowning as he answers, “Uh, I know exactly where she is. Do you need her?”

“Yes, we do,” Nyla replies. “So maybe we should find her.”

“Who?” Lucy inquires.

“Celina,” Nolan says.

“Oh, she’s in the bullpen. She got a call or something right after roll call.”

Nolan, Angela, and Nyla follow Lucy to the bullpen. Celina paces back and forth with her phone outside the roll call room. She rubs her thumb against her lip before she slows to type.

“What are you doing?” Lucy asks as they approach her.

Celina startles but doesn’t look up from the screen as she answers, “I’m trying to get concert tickets.”

“This is not the time or place, Juarez,” Nolan chides.

“Wait, Nolan,” Nyla commands, raising her hand toward him. “We have lives outside of police work. What concert?”

“Uh, OFCR,” Celina answers carefully, flitting her eyes quickly between Nyla and her phone.

“Wait, tickets are on sale again?!” Angela exclaims, pulling her phone from her pocket.

“Second presale,” Celina explains. “If you’re on her email list, there’s a code to get in but there’s a waitlist and the site keeps reloading.”

“What’s the limit?” Lucy asks. “I’ll send you money right now to get me a ticket.”

“Five, I think,” Celina answers. “If I ever get through, I’ll get tickets for all of us.”

“Officer?” Nolan repeats.

“Yeah, but it’s o-f-c-r,” Lucy explains. “Bailey listens to her music; you’ve probably heard it.”

“This is the second sale for the LA show, but we couldn’t get tickets the first time,” Angela adds. “They sold out in like 90 seconds.”

“You guys talking about OFCR?” Aaron interjects.

“Yeah, we’re trying to get tickets,” Celina responds.

Aaron unlocks his phone and says, “I got it.”

“Don’t tell me you have a guy for concert tickets, five minutes,” Nyla deadpans.

“No. Well, I do, but I also know OFCR, we’ve been friends for years. How many tickets am I asking for?”

“Can I bring Bailey?” Nolan requests.

“Of course.”

“Then, six- seven if you want to go, Aaron,” Angela says.

“What is going on over here?” Tim demands.

“Eight it is,” Lucy announces with a smile. “Tim, you’re going to a concert with us.”

“Wasn’t a question, Bradford,” Nyla says before he can oppose.

“Alright,” Aaron says. “VIP tickets will be emailed within the hour. I’ll forward them to everybody.”

“VIP?” Celina repeats. “Aaron, you are the best!”

“Me, pssh,” he responds playfully.

“Can we get to work now?” Tim asks.

“Yes, yes,” Lucy answers.

“Bailey is going to be so excited,” Celina tells Nolan as they walk toward the shop.

“Thorsen, wait up,” Tim calls. He approaches Aaron and drops his voice to ask, “Wanna use my ticket for a date or something?”

“No, you’re going. I’m not getting on Nyla’s bad side again.”

“I don’t even know her music, Aaron. Or when the concert is, what if I have plans?”

“Start with Streets of LA, it’s the album she’s touring right now, and if you do, change them.”

“Nyla can’t protect you forever, Thorsen.”

“Yes, I can!” Nyla yells from her desk.

Tim hesitates but presses play on the album Thorsen mentioned. He flexes his fingers under the wrap protecting his knuckles, preparing to hit the heavy bag to clear his mind. When OFCR starts singing, however, Tim freezes. At first, Tim thinks maybe it's because the voice is impressive, but as he listens to the words and finds himself relating to them a bit too much, he turns the music off.

“I’m not going to that concert, Thorsen,” he grumbles as he shuffles his usual playlist and strikes the bag.

Tim asks Wade to be given desk duty the day of the concert so he doesn’t have to hear the others gushing about OFCR all day.

“No,” Wade answers immediately. “You have a job to do. Besides, the girl can sing.”

“It’s not about whether she has talent, it’s that I’d prefer to do my job without hearing speculation about what color her shoes will be.”

“Luna thinks blue,” Wade says with a smile.

“Oh, come on.”

“Have a good day, Bradford.”

When Tim finally gets home, he sighs and sags against the front door. However, someone knocks on the door before he can think about what he wants for dinner. He opens it and sees Angela and Nyla standing in matching shirts bearing the letters OFCR in a font that looks like painted roads.

“Let’s go,” Nyla demands.

“Maybe you should change first, actually,” Angela interjects. “Do you want help picking an outfit?”

“I am not your child, Lopez,” Tim snaps.

“Then stop acting like one, Timothy. You have two minutes to change, spray cologne, whatever it is you do.”

Tim considers arguing briefly, then nods and disappears down the hall. He dresses quickly, feeds Kojo and ensures he has water, then follows Nyla and Angela to the car.

“It’s a limo,” he realizes aloud.

“Oh, yeah, when Hollywood said they were great friends, he meant it,” Nyla muses.

“Apparently Lincoln helped her get in with a label and a producer buddy of his, and since she and Aaron are pretty close in age, he introduced them. They hit it off and have been friends ever since,” Angela adds.

“Is that why you listen to her music? Because of Thorsen?” Tim inquires.

“No,” Nyla says. “We listen to her music because it’s good.”

“And she sings about things we can relate to. She seems pretty amazing.”

“So did Charles Manson,” Tim grumbles as the driver pulls away from the curb.

From their VIP seats, they have a clear view of the stage without any screaming fans blocking the stage. Lucy records one of the songs performed by the opening act while Bailey, Nyla, Angela, and Celina talk about which songs they are most excited to hear OFCR perform.

“Nobody Gets Me is probably my favorite,” Bailey says.

“Oh, yes!” Celina agrees.

“So good,” Angela adds.

Aaron returns with a bag of OFCR merchandise and smiles. “Showtime.”

The lights dim, and the crowd silences. Tim watches, growing restless as he sits between Angela and Nyla like they think he’ll run. At the sound of OFCR’s voice, however, he’s frozen just as he had been in the gym, yet he still doesn’t understand why.

“Los Angeles!” you call into the microphone, looking out into the dark arena. “I need you to sing this first song with me.” The crowd roars, and you smile as you continue, “It’s about my ex-fiancé. He will not talk to me, so we’re gonna sing this for him. You ready, LA?”

The lights come up, and you stand in the oversized flower display the set designer built specially for this performance. It’s an inverted version of the last bouquet your ex got you, and it means nearly as much as the song.

“Took a long vacation, no uniform, just sandy. You kissed me, now we silent, Los Angeles was ours to rule then. So tired, screamin’, ‘What now?’ Love me, but I’m anythin’. Hurry now, baby, kiss me ‘fore the memories get to kickin’ in. It’s too late, I don’t wanna lose what’s left of you,” you sing, standing from the flower petals as the sold-out arena screams the lyrics with you.

Tim watches you from the VIP section to your right with no discernable expression. His breaths are uneven, but he can’t look away as his chest tightens, feeling as if his heart will rupture from the pressure. He suddenly understands why he related so much to the song he heard. Like this one, it was about him.

Angela and Nyla stand with Lucy to sing together. Tim only watches you, listening to every word you’re saying and wondering if knowing you felt this way would have changed what he did. What he’s still doing.

“How am I supposed to tell ya? I don’t wanna see you with anyone but me, Nobody gets me like you. How am I supposed to let you go? Only like myself when I’m with you. Nobody gets me, you do,” you sing with the crowd.

When you step away from the inverted bouquet, which Tim recognized the moment you became visible, Tim watches you. His lips pick up at the corner at the sight of you, but he knows.

“Took me out to ballpark, you proposed, I went on patrol, you was feelin’ guilty, so you left me, now I’m stuck dealin’ with a deadbeat,” you sing.

If Tim had any doubt left, that would have eliminated it. You’re not OFCR, the singer his friends love, you’re you, Tim Bradford’s ex-fiancée. The woman he would do anything for; the woman he left because he thought it was what was best for you. The woman he thinks about every night and the woman he now realizes isn’t a better police officer without him.

“If I’m real, I deserve less. If I was you, I wouldn’t take me back.”

At that line, Tim stands and pushes his way past Angela. He exits the arena, and though he can still hear you singing inside, it’s muffled, and Tim can breathe.

Aaron rushes out behind him and raises his arms as he asks, “What’s wrong?”

“It’s stuffy in there,” Tim lies.

“Sure,” Aaron agrees slowly. “Is that all?”

Tim narrows his eyes and says, “Yes.”

“Okay. Because I know her. But I’m guessing I don’t know her like you do.”

“You don’t know anything, Thorsen. Leave it alone.”

Aaron remains silent for a moment, then asks, “If you did something similar to the guy in the song, maybe listening to it can help you find a way to fix it.”

“Not everything can be fixed, Aaron. There won’t always be a rich friend ready to get you things you couldn’t get otherwise, there isn’t always a second chance, and people fall out of love. It’s the real world.”

“Despite what you think about me, I know the real world too well. And it has taught me that when it comes to doing the right thing, there are second chances, even if they aren’t exactly what you want them to be. Sometimes an apology doesn’t take things back to how they used to be, but it’s something. Come back whenever you’re ready.”

Tim doesn’t acknowledge Aaron, but deep down, he knows that he is right. If he can get through the concert, listen to your songs, maybe he can unblock your number and send you a text to apologize. And then you can both move on with your lives.

“I see your sign,” you call with a smile as Tim returns to his seat. “I’m going to sing it later, I promise. What I want to do right now, though, is tell you guys that half of the proceeds from our merchandise sales tonight are going back to Los Angeles. I’m sure some of you know that I was a police officer here for a while, and I still love LA, despite all the scars it gave me. So, what you buy tonight is helping this city. There are also some LA-specific items, which I already see some of you wearing, and 100% of those sales are going directly to the LA Police and Fire departments. So, thank you for all of your support, and let’s sing another song.”

At the end of the concert, Aaron tells the others that there’s a back exit they can use to bypass the crowds. As they follow him down a hallway, Angela, Nyla, Lucy, Bailey, and Celina talk about how amazing the show was and how great your second outfit looked on you.

“Did you decide to do something?” Aaron asks Tim under his breath.

Tim nods, and then Nolan asks everyone if their favorite song has changed after hearing so many live.

“Aaron!” you exclaim as you walk into the hallway from your dressing room. You hug him and say, “Thank you so much for coming.”

“Thanks for hooking us up,” Aaron replies. “You were amazing, as always.”

“You dad tell you to say that?” you joke. You realize that his friends are staring at you and wave as you say, “Hi. Thank you so much for coming, I hope you enjoyed it.”

“Enjoyed?” Angela repeats. “This was the best day of my life, and I have kids.”

“Agreed,” Nyla adds quickly.

“You are incredibly talented,” Celina compliments. “All of your music is so heartfelt and meaningful but also sounds great.”

“You’re all being way too nice to me,” you interrupt with a laugh. “And I am terrible at accepting compliments, so please stop. Are you all cops?”

“We are,” Nolan replies. “Mid-Wilshire.”

“I know it well.”

“I bet,” Aaron murmurs.

When you glance at him with your brows pinched, he cuts his eyes toward Tim, who is standing against the wall on the other side of the hall. Your eyes meet Tim’s, and you immediately look away.

“Hi,” you whisper, keeping your eyes down.

“Hey,” he replies softly.

“Well, guys,” Aaron says, clapping his hands together. “Let’s go. Tim, I’ll send a car for you.”

“Thorsen,” Tim warns.

“Can’t hear you,” Nyla interrupts. “We’re going. He’ll send a car.”

Angela nods at Tim, then pats his arm as she passes. Though Aaron is the only one who has an idea of what is happening between you and Tim, his friends can tell that he isn’t himself.

“I didn’t know you knew Aaron,” you say once you’re alone.

“Yeah, they, uh- they made me come,” Tim explains.

You scoff and say, “No one can make you do anything, Tim.”

“I didn’t know it was you. Didn’t know you were OFCR.”

“That I believe. Look, I’m sorry this is awkward, but you don’t have to stay, you can catch up to your friends and-“

“I’m sorry,” Tim interrupts. You look up at him, your expression shocked and confused but soft. It takes every bit of willpower Tim has not to reach out to you.

“Don’t,” you plead.

“I thought I was doing what was best for you,” he continues. “I thought breaking off the engagement would make you be a better cop, give you less to lose.”

“I lost you anyway,” you remind him, your voice breaking. You shake your head and look away from Tim as you add, “Tim, that hurt worse than anything else I’ve ever dealt with.”

“I’m sorry.”

“Stop apologizing. There- it’s over, and now you know who I am and that I wrote a bunch of songs about you because… because nobody gets me anymore and I couldn’t even talk to you about it.”

Tim remains silent momentarily, but then he pushes off the wall to be a few inches closer to you. “Why’d you leave the force?”

“Are you serious? How was I supposed to go to work every day knowing I would see you? The week after you left made me question everything. I couldn’t stand not knowing what would happen each day, and the idea of seeing you with someone else was more than I could handle. There wasn’t any reason to keep serving when I couldn’t even take care of myself.”

“I never intended for it to be like that.”

“But it was.”

You look at Tim with tears in your eyes, and he takes a step closer.

“I didn’t want to,” he admits. “You were… I thought I was a distraction, that if you weren’t worried about me and us that you’d be able to protect yourself and do your job.”

You nod, trying to understand.

“In the song, you said you deserve less. You don’t really believe that do you?” Tim inquires.

“I don’t know what I believe anymore. You hurt me Tim, and there are days where I don’t think I’ll ever get past it.”

“Can I say anything to make this better?”

“Are you happy?”

“I haven’t been happy since we left the Dodgers game and you had a ring on your finger,” Tim confesses.

“Why didn’t you just talk to me then? Why did you walk out of my life and then make sure I couldn’t get back in? I know you blocked me on everything because after I left I tried to talk to you.”

“I don’t know. At the time, it seemed like a clean break would be better for you.”

“All this talk about what’s best for me, but you never once stopped to ask yourself what I might want? I have never been happier than I was with you, and there is only one you.”

“I-“

“You should go. Aaron’s driver is probably waiting for you.”

You turn and walk to your dressing room, and Tim watches you go. He doesn’t reach out to you, doesn’t say your name or ask you to wait, he just lets you go again.

In your dressing room, you drop your head into your hands and let your tears fall. You expected the show to bring back some unpleasant feelings but seeing Tim Bradford brings back everything you’ve buried over the years, and the hurt feels fresh.

Someone knocks on your door, and you call, “Just a minute.”

“No,” Tim replies from the other side. “This can’t wait.”

You open the door slowly, and Tim doesn’t let you speak before he says, “You deserved more. I thought it was best for you, but I realize that I was wrong. Listening to you sing about what I put you through… broke my heart. I can’t leave you again with you thinking that I deserve more than you or that I don’t care about what I did. I’ve loved you since before I first told you.”

“Tim, please don’t do this,” you plead.

“Do you really believe that nobody gets you like I do?”

You tell yourself not to answer, but you nod regardless.

“Then let me show you I still do. One more chance, and if you want to walk away, I’ll let you.”

“We can’t just pick up where we left off, Tim, it doesn’t work like that.”

Tim raises his hand toward you, palm up, and you step toward him. When his hand meets your jaw, you sigh and pinch your eyes closed, pushing fresh tears down your cheeks.

“I’m sorry,” he whispers.

You smile and admit, “I never stopped loving you, either.”

“May I?”

“Kiss me.”

“Let the memories in,” Tim tells you. “We can do this, but not if we forget where we – I – messed up, we don’t stand a chance.”

“Tim, if you don’t kiss me, I’m going to start singing about how much I cried when I recorded these songs.”

Tim drops his hand from your face, but before you ask what’s wrong, he pulls a chain from under his shirt. It has your engagement ring band on it, and you lay your hand on his chest.

“And I thought I was sentimental,” you murmur.

“I have a lot to make up for,” Tim says before he brushes his lips against yours.

“Maybe we should just start over,” you suggest, wrapping your arms over his shoulders. “I could use a new muse to sing about.”

“As long as you don’t tell Aaron he was right.”

“I’m not done with my tour yet,” you remind him, pulling back.

Tim catches your arms before they fall to your sides and holds you close. “I’ll wait,” he promises. “As long as it takes.”

“I love you, Tim Bradford,” you murmur.

“You move fast,” he jokes before you shut him up with another kiss.

[lemon-wedges]

Sorry you're gonna have to repeat that

[forgettable-au]

FORGETTABLE-AU (Page 61-64)

* I-I don't think we were talking about the same thing...

[BEGINNING] [PREVIOUS] [CONTINUE]

[azuries]

close call!

[erinwantstowrite]

folks,,,, i can not possibly write every single thing that has ever happened to these fools in the comics, in LoF. that would be decades worth of content and decades worth of a headache that i'm not bothering with. i don't even know what all is canon to LoF, just things that aren't canon because it would hurt my brain (or my heart) to include it. like i do try to keep it coherent but i don't know everything. if you want to include specific arcs then please write your own fic. love you and hope you succeed, but LoF is already a monster of a work and i can't even imagine trying to keep all of that together

[onejellyfishplease]

Part 31

(Prev) (First)

...Donnie... what are you doing???

(Next)

[midnight-soulless-system]

Thank you!

Trump just signed an executive order protecting women from radical gender ideology. I'm tired of some people saying that transphobes don't target trans men when shit like this happens

Yep, it's honestly depressing and I weep for anyone stuck in the US for the next 4+ years. That plus the inevitable loss of reproductive rights is gonna hit perisex transmascs twice as hard.

[royalarchivist]

[A sad violin song plays over an image of a sad hamster]

Pac: This doesn't have anything to do with me – I wear a blue sweatshirt, you're crazy, this mouse doesn't even have a sweatshirt, this hamster! [Reading chat] Am I a depressed hamster?

[ Transcript continued ↓ ]*

–

Pac: Actually– that's fine! I embrace that idea – of course I'm going to be depressed, are you crazy? [He hits his desk, then starts counting off people on his fingers] Fit is gone, Richarlyson is gone, Ramon is gone, Bagi and Empanada who were always there when we were there are also gone, I haven't seen them! It's just me and Tubbo, and sometimes Philza shows up.

Pac: I lost Chume Labs, I lost the Favela, I lost Murder Mystery, I lost Ilha Chume Labs, it's crazy! Look at how much I've lost, and I've gained nothing! Of course I'm going to be depressed, are you crazy?! How am I supposed to be happy?!

Pac: [Reading chat] "You have us Pac," that's true, thank you. No, that's true, sorry.

* NOTE: Please note that this is an incomplete transcript, as I was primarily relying on Aypierre's translation mod at the time and if I am not confident of the translation, I do not include it. As always, please feel free to add on translations or message me corrections.

[deeva-arud]

Deeva Årud - Club Wear Voice Lines

When Summoned: Lights dimmed, tension building up… Are you ready to feel our rhythm? Summon Line: Playing music with friends is fun, I’m glad to be here even though I’m starting to feel a bit nervous.

Groooovy!!: We’d be delighted to see you at our next show. Spotting a familiar face among the crowd is always nice. Home: “Let’s rock and roll”, as some would say. Home Idle 1: I joined the Pop Music Club on my second year. Perhaps it’s quite a drastic change from my previous club but… it’d be a lie to say I’m not enjoying my time here. Home Idle 2: Most of the time I’m the one suggesting we should practice, but somehow Lilia, Cater and Kalim always distract me with all these unknown snacks and gadgets. Sometimes I have the feeling they do it on purpose… Home Idle 3: I need to warm my hands, it’s hard playing an instrument when they’re cold. Home Idle – Login: *humming Piece of My World* Ah- sorry, I didn’t see you there. Can I help you with something? Home Idle – Groovy: I’ve been playing violin and other instruments since I was a kid. My family has always had a connection with music and I’ll gladly continue this legacy. Conveying your thoughts and feelings through sounds is quite satisfactory. Home Tap 1: My first concert with them? Since it was the first time I’d be playing in front of many people, I knew I’d have a hard time trying to look at the audience. Cater noticed and told me to look at him so I could feel less overwhelmed… Let’s say I didn’t expect him to be so literal. His clones substituted the audience because no one came to see us. Home Tap 2: Hm, my violin? Indeed, it’s not the same one I use at Mostro Lounge. An electric violin is more suitable for the club’s activities. I’m surprised you noticed it. That means someone’s been paying too much attention to the musician playing ambience music… That was a joke. Home Tap 3: Kalim and I joined the club in the same year so I got to see how much he’s improved his drumming technique. It’s impressive. Certainly, Lilia’s been an excellent teacher to him. Home Tap 4: I like the idea of having customized masks for our performances. Maybe I should mention it once we have enough funds. Home Tap 5: I recently accepted to do some vocals just for our club sessions. You can come see us, but please refrain from telling everyone else. At the moment, I only feel comfortable singing for a few people. Home Tap – Groovy: When it comes to a band like this many wouldn’t think of a violinist, but that actually gives songs an interesting feeling, don’t you think? Duo: [DEEVA]: Ready for a shocking performance, Cater? [CATER]: Ready as ever, Dee-chan!

[kyouka-supremacy]

(˶ᵔ ᵕ ᵔ˶)

[nightwingsgypsyrep]

So I definitely feel like I will be adding to this post quite a bit, and this first addition is coming after @jjohnnyutah’s fantastic reply, which kinda summarised the history a bit more.

As I said earlier, I was really umming and aahing about making this post, because I’m still new to a lot of the comics, so this was really inspired by what I have been able to get my hands on (literally… I started out borrowing my friend’s comics last year) whilst I’m slowly making my way through what’s available online. As it is, you can probably see that I was able to read more of the modern stuff than the older stuff so far. I didn’t really want to make a post until I had read more but hey I’m adhd as hell and intended to just make a small one in reply to the tags and it spiralled from there. I did try to find some info of what I missed online but apparently that left out a lot! So this post is gonna have constant updates of me doing a DC and retconning stuff as I learn more.

So, anyway, jjohnnyutah’s reply addressed a couple of things. Firstly was Mary’s origin as a dental hygienist, rather than being from the circus herself originally. Can’t lie, I actually love this for her. Is it super unusual from a how-gypsies-work perspective? Sure. But like I say, a lot of my cousins are Diddakois, and I kinda love the idea of Mary coming into the fold, when just as often, the gypsy partner ends up leaving it. Of course, there’s nothing to say for sure that Mary did not have Romani ancestry (like I say, in the N52 modern stuff, she was friends with other Romani characters, so she wasn’t completely unfamiliar with the Romani sphere) - I, myself, am a gypsy with a degree, so it’s not exactly like getting a different job cancels your Gypsy Card. Although I do really love the idea of Mary being a gypsy and working as a dentist for the simple reason that, although attitudes to education have greatly improved in recent years, my family would have lost their shit if I got my degree twenty years ago, as it would have been seen as ruining my prospects. So from a feminist perspective, I really love the idea of Mary having at least some Romani heritage too.

The other is Dick not knowing much about his heritage and wanting to learn more, and let me tell you, I feel that. Even growing up surrounded by it, my dad’s side of the family never told me anything. I didn’t even get confirmation of how many siblings my grandmother had until she died. My mum’s side was much more forthcoming. Like I say, I’ve had a lot less opportunity to read the (let’s face it) better older stuff so seeing what I have of it, it seemed more of a given that Dick knew something. The reason for this presumption was mostly of how much Romani he’s seen to know even early on?? As I’ve said on previous posts, in the modern day, Romani is a lot less complete for actual use, so how much he knows is impressive. But yeah, this has just made me so much more excited to continue reading. But at the same time, fully expect another post from me six months from now when I’m more caught up calling myself an idiot. Ta x

Ok so I’ve been umming and ahhing about making this post for a while. I’ve always kinda planned on it, but seeing these tags on a previous post of mine (no hate to this user) made me want to post something now. It’s also gone 3am. So it’s not really going to be very clean and tidy, and will probably be a bit rambling, but I can always post a ‘tidy’ version another time.

So! Tackling Dick Grayson’s Romani/GRTSB heritage (warning: it’s a long one)

So, as usual, a few disclaimers: 1) I am not American. 2) I myself fall under the GRTSB umbrella - for clarity, I am from the fairground/circus so a Showman, but my family were simply ‘gypsies’ before getting involved in that in the Victorian period, so I use gypsy/traveller/Showman for myself. I also speak Romani and grew up in the culture and on the grounds. I’m not just talking out of my arse, I promise. 3) I do not pretend to have read every comic. However, this post will be based in things which DC have published (yeah I know it gets retconned every two minutes but hey, I’m working with it), even if some of it is more speculative/Headcanony, it will all be canon-compliant/what makes sense based on my own experiences. 4) That being said, everyone who does in some way fall under the GRTSB acronym will have different experiences and opinions, and all are equally valid and should be respected. 5) I use the term ‘gypsy’ a lot. Where I am from, it is not a slur, but is used almost a catch-all phrase for GRTSB people, by us. We also see Dick use it so I’m going to. I personally don’t mind if people use it (so long as they don’t use it as an insult) but not everyone will feel that way, so it’s always better to ask individuals. 6) this post is intended as a fun exploration of a character whom I relate to based on our shared heritage (when it’s really rare to find characters like that). I’m not trying to dictate to you how you should interpret Dick’s character. You’re welcome to different opinions and interpretations - this is just one of mine! :)

So, first, what is GRTSB? Well, it’s an acronym which covers all aspects of the gypsy/traveller umbrella. It is used in British legislation. It stands for Gypsy Romani Traveller Showman (aka fairground and circus) Boater. Under British legislation, only the first three (Gypsies, Romani, and Travellers) are considered an ethnic identity, whilst Showmen and Boaters are considered a cultural identity.

This is absolutely FULL of problems and has been hotly debated for years, with different people identifying in different ways. People who share the same/very similar ethnic heritage (i.e. siblings, or cousins) can have completely different points of view on what they identify as. As such, don’t take it as gospel - it’s more of a guideline than anything. Especially since a) these groups often intermarry, meaning that someone can be multiple at once; b) if a Showman stops travelling with the fair and settles, they don’t become a non-traveller, because it’s in your blood, not just a job; c) people can trace their heritage back past a particular group - e.g. my own family (circus and fairgrounds aka Showmen) can be traced back to at least the 1600s, before fairs were really a thing - at the time, they simply identified as gypsies. They didn’t stop being gypsies just because they changed their job/founded a circus/fairground. As such, many in my family identify primarily as a gypsy or traveller, and a Showman secondarily, whilst others do the opposite, or identify as just a Showman or just a traveller/gypsy. Like I say, this classification is not perfect, and is hotly debated, especially at the present time.

So, now, onto the subject of Dick Grayson. I included the tags above mostly because of the ‘tell me you don’t know a character without telling me you don’t know a character’, because, firstly, rude. secondly, the poster makes reference to the Golden Age. And yeah, obviously DC aren’t going to make reference to Dick being a gypsy in the Golden Age - do you really expect writers in the 40s to care enough about the nuances of a character’s ethnic heritage, especially a gypsy, at a time when it was still common even in countries like England (where legal segregation wasn’t a thing) to have signs on pubs like ‘no blacks, no Irish, no dogs, no gypsies’ - btw we still get those occasionally? However, if we look at the comics which have been published in the eighty five years since Dick’s debut, we see a lot of references to Dick having Romani/GRTSB heritage. Again, I’m not well read, but in Grayson’s run, at least, we do see Dick speaking Romani and self-identifying as a gypsy (Nightwing #91 btw). So I’m sorry but it is definitely canon that Dick has at least some Romani heritage (since Romani, by culture, is not taught to non-travellers on purpose, and is thus only passed down from parent to child. Hell, even some of my cousins who are half gypsy - Diddakois - don’t know the language!), and the fact that he speaks it and IDs as a gypsy does suggest that this is something important to him and his character. I know that being a gypsy is certainly a big thing to me (with how the world treats us, you have to be proud of it and have it be important to you to make it worth it).

So now we come onto the second part of my rant: wtf is going on with Haly’s Circus.

So, an important bit of context is, what makes a gypsy a gypsy? And the answer to that, in my opinion, is a mix between culture and blood. You can’t be a gypsy (unless in circumstances like adoption) unless you have both. What I mean by that is, if you’ve got one gypsy great great great grandparent, but weren’t bought up with the culture and morals, you have gypsy heritage but are not a gypsy. However, if you are a gypsy and you decide to settle down in a house, work in an office, and never speak Romani again, you are still a gypsy. Similarly, if you suddenly decide to take on the gypsy lifestyle (maybe work on the fairgrounds or in the circus, or go travelling like the New Age lot), you are not a gypsy, because it’s not in your blood - hence why it’s an ethnicity, not a cultural thing really. As such, it is common for there to be a us vs them mentality even with those working on the ground - you have the gypsy/traveller/Showman who tends to own/run things, and then you have hired non-GRTSB staff (traditionally called chaps, but this has fell out of fashion in recent years).

Now, I make this distinction because Haly’s Circus is really odd in that regard.

Most gypsy (or Showmen - like I say, it can be both at the same time) ran circuses and fairs tend to be family affairs. For example, it might be John Doe’s Circus on the tin, but the Smith family (which Mr Doe’s sister married into) will often work with and alongside the Does in the running and operating of the events. Largely, this is on an ownership level, with various relations then owning the surrounding supporting elements (e.g. sideshows, fairground rides and joints, food kiosks). Other family members might then help ‘mind’ the stuff, or you can hire non-GRTSB staff to help.

Now to draw on my own family history: historically, in the Victorian period, etc, it was common for the gypsy family who owned the circus to also perform in it. For example, in my grandfather’s circus, my grandmother was a lion tamer and equestrian performer in parades. They did also hire non-traveller performers, but there wasn’t such a distinct line. However, by the 30s approximately, this had changed to be a more managerial role, with it being more common to have purely hired performers in the main event. The exception here was for sideshows and fairground rides - it is still common today for these to be ran/worked by GRTSB people (e.g. my grandmother did the dookering - fortune telling - and my grandfather did the boxing; today, we still run and operate the rides and kiosks).

However, we know that Haly’s circus was not like that. We honestly don’t know if Haly was a gypsy or not. Also, usually, gypsies have such big families and are surrounded by them, but we know that the Graysons died with no living family (no William Cobb does not count here) and had no relation to anyone at Haly’s. I suppose if you want a canon answer, you could point to how Haly’s was used by the Court of Owls, but it could just be Like That. This is unusual but not unheard of, but still worth pointing out I think. Alternatively, it could originate from one of the non-GRTSB started circuses which were popular around the turn of the 20th century. Since being a gypsy is really tied to your family name and, ethnically, means you have to be born into it - you can’t just start a fair and claim to be one-, even 120 years later, these families are still met with scepticism - they could marry into a 100% gypsy family in 1901, and have all of their descendants do the same, and still the older generation would look at their surname and scoff and say they’re not a real traveller because that one great grandfather 100 years ago was not a born-and-bred traveller. But honestly, I think 100 years is enough to integrate. So, to summarise, Haly’s circus is quite unusual in that it does not appear to be operated by only gypsies/Showmen, even if it still common for circuses not to be performed in by just gypsies.

Now, to answer, how Romani is Dick Grayson?

Like I say, canon does explicitly tell us that he has Romani heritage, placing him firmly within that second category of the GRTSB acronym (and he also identifies with the more general Gypsy identity). However, it’s frankly unlikely that the writers really went in depth with the whole GRTSB thing, so I think we can tentatively suggest that he might have also identified (keyword here being ‘might’ - this is more canon-compliant HC here y’all) as a Showman (called a Carney in the US) because the whole deal with being a Showman is the circus/fairground aspect (but, like I say, it is still a ‘gypsy’ identity as you must be born a Showman, you can’t just sign up, because it is based on a mutual gypsy heritage which predates fairgrounds/circuses, which means it still fits into what we know of Dick in canon. As such, Dick being a Showman is hardly canon, but it is 100% compliant with what we know of Dick in canon). As I’ve said, they are not mutually exclusive. He could ID as both or either, or just prefer the all-encompassing ‘gypsy’.

Now, we also know that Dick is not 100% gypsy (but tbh who is nowadays? I have two non-gypsy great-great grandfathers). Although Dick’s family history is limited, we know that his great grandfather William Cobb was likely not a gypsy (he could be ethnically, it’s not ruled out, he might have just settled, but let’s go for safety’s sake here and just say he’s not). Similarly, his partner was from a wealthy non-gypsy family, meaning that ethnically, their baby (John Grayson’s father) was likely not a gypsy (though could potentially have been a Diddakoi aka a half-gypsy, if we believe William Cobb to be a settled gypsy). However, since this baby still grew up amongst the circus, it is not impossible that he ended up marrying a gypsy, which would make John Grayson half gypsy - aka a Diddakoi. In fact, I would argue that it is even likely, owing to the fact that Dick speaks Romani, and the fact that Romani is only taught to other members of the family, meaning that somewhere in the Grayson family, a Romani speaker had to be introduced. Mary Grayson (formerly Lloyd), on the other hand, probably was Romani/GRTSB herself. I say this, based mostly on her closeness with the OG Richard aka Raptor from Seeley’s run, who was Romani, and the fact that it is really common in gypsy circles to mostly mix with other gypsies, meaning that it would make sense for the pair to meet based on the fact that they were both gypsies/Romani. Therefore, I would argue that even if Dick is not wholly Romani/gypsy ethnically (but, like I say, who is nowadays?), I think there is enough both blood and culturally to make a pretty good case for him IDing as such, and foregoing the need to make any distinction. (Also, especially nowadays when Diddakois are increasingly more common, it’s not even that prejudiced to be a Diddakoi. A lot of my cousins are and you don’t even think to mention it). Aka. He’s a gypsy. Nuff said.

Then, I suppose, the final thing I’ll address is the ‘whitewashing’ issue, or, what I really think is a non-issue.

Sure, a lot of ethnically Romani people are dark skinned. There is a reason why the term gypsy exists. Now, as my grandad will tell you, gypsies originated from Northern India about 2000 years ago, before moving into Europe. However, a lot can happen in 2000 years. There are a lot of people in the UK, at least, who identify as purely Romani who have very pale skin. My family has a real split: my dad’s side of the family is quite dark, and are often mistaken for being South Asian in the summer due to how dark they get when they tan. Meanwhile, he refers to my mother’s side of the family as being ‘poxy and pasty’. My mother is a full-blooded traveller btw, same as my dad (barring their singular non-gypsy great grandad they each had). You just can’t paint everybody with the same brush. Take me for example: I am pale af and take after my mum’s side of the family, but I’ve still got the stereotypical dark curly hair and blue eyes of gypsies (which my boy also shares). Genetics are weird. So whilst I am a big fan of dark skinned Romani Dick Grayson, it’s also still ok and accurate for him to be paler. This does not make him any less Romani. (Like I say, this is all based on my experiences in the UK).

SOOO… TLDR:

Dick definitely has Romani heritage. This has been canon for decades and cannot be taken away from him.

He canonically self-IDs as a ‘gypsy’ (as well as the Romani heritage), and may also be interpreted as being a Showman (even if this is more of a European term) if you want to see him that way, especially since a lot of Showman families (mine included) can trace their families back past the origin of the fairground to when they simply identified as gypsies or Romani (hence why Dick might ID as a gypsy with Romani heritage. Honestly, this is mostly in the realm of canon-compliant Headcanon now)

The GRTSB classification system is a mess y’all and everyone has a different opinion. Just roll with it and don’t get into the debates is my professional opinion.

Being Romani/a gypsy/a traveller/a Showman is something you are born into. You can’t just become one, or stop being one. So, if we presume that William Cobb had no Romani heritage/was not a settled-down Gypsy, even after he joined Haly’s he did not become one. It really is in your blood, and is tied to family.

Haly’s circus is unusual because it’s mostly not a family affair (though points for the Graysons sticking with it and inheriting their roles - that is realistic!). It’s unclear how many of the members of the circus are Romani.

Dick also has non-traveller heritage due to the William Cobb thing. His grandfather, at least, was probably not ethnically Romani (though he might have been half if we want to view William Cobb as having Romani heritage/being a settled gypsy). However, since Dick canonically has Romani heritage, IDs as a gypsy, and speaks Romani (a language which is closely guarded amongst gypsies), it had to come in somewhere. Honestly, I think we can comfortably view him as being at least 3/4 ethnically Romani/a Gypsy, but also since modern Dick Grayson was not born during prohibition, this really isn’t a problem as it’s really common for Diddakois (half gypsies) to be treated as full gypsies nowadays.

As much as I love darker skinned Dick Grayson, it’s not a requirement. A lot of the GRTSB community (especially in Western Europe/Britain/Ireland) are on the pale side. This does not take away from their identity.

So that’s my rant. It’s like 3.30am so it’s probably a complete mess but hopefully it gets down the basics, at least insofar as it relates to my experiences and understanding as a gypsy from the fairground/a circus family. People will probably have different experiences (especially since I’m in the UK). Although I have based all of this on canon, and as such it should all be canon-compliant to my knowledge (I’ve still not read all the comics!), it is also equally based on my experiences, so you may interpret it completely differently. The beauty of Dick’s character is that he has been built up over 85 years, and as such, we have to do our best to interpret what was laid down in the Golden Age by writers with no idea of what Dick’s character would grow to be. As such, canon really is a bit of a sandbox, and this is my own go at it!

If anyone has any questions/wants clarification/notices any obvious contradictions with canon since I’ve not read them all yet, please feel free to point it out! This is not intended to be a lecture/call out post/dictatorship on how you view canon, just a small exploration of my interpretation of a character whom I relate to as a Romani speaking gypsy from the fairground/circus myself.

[jalo-parker]

I don't know what's got its teeth in me but I'm about to bite back in anger

Inspired by a part in the song Take Me Back to Eden by Sleep Token (the part of the song is the caption btw)

[chenziee]

The Will of D. has so many meanings...

Monkey "Dumbass" Luffy

Monkey "Dumbass" Garp (it's a family thing)

Trafalgar "Denial" Water Law

Portgas "Depression" Ace

Neferatari "Diplomacy™" Vivi

Marshall "Dickhead" Teach

Jaguar "Dad" Saul

Portgas "Determination" Rouge

Gol "Disaster" Roger

Gonna go ahead and assume Joy "Dumbass the First" Boy as well

[bowl-of-fruit-loops]

hey why did bill’s ex-wife move to clivesdale? literally no one from hatchetfield would do that. people die and go missing all the time and they refuse to leave. and if they do they don’t move to fucking clivesdale