#but who will be robin williams

[ecstarry]

listen i will take several creative liberties but i am writing a good will hunting rosekiller au where matt damon and ben affleck end up together OKAY and that note at the end "sorry i had to go see about a girl" will be "sorry i had to go see about a boy"

[miss-sternennacht]

[andi-o-geyser]

all my favourite characters are just me seeing them and going "damn you sure do clean up well but I'd much rather see you grinning with blood between your teeth"

[cyanide-sippy-cup]

"It's over."

This is just a whole AU at this point. There are a couple under the split I tossed together for funsies. I mean these are all for funsies but you get the idea. They're down there because 1, they don't fit and 2, one of them is very spoilery of the comics.

But yeah, I've obviously been having a lot of fun making these. I'm thinking this'll be the last batch cause I don't wanna do screenshot redraws forever, especially not with the TOTK stuff coming up. It's those and then hopefully I'm done for at least a year. Best-case till next season.

(The B is in the background cause originally I thought it'd be fun to make Bart into William. But then I realized William has Tim's exact hair so now Tim is the eccentric gay best friend)

(And yes Donald is canon. Mercy Graves who? It's Donald Ferguson now.)

(Lmao I made it sound like he transitioned. Good for him.)

[stevenmeeksfreeamericaradio]

Let’s play dead poet society guess which white guy is which feat Ethan Hawke. I’ll guess Knox is Charlie again and you can keep telling me you only really remember which one Robin Williams is.

[space-sharks-tank]

I hate Disney the corporate entity and all the monopolizing and damage they've done to art and entertainment but man...Once Upon a Studio fucking got me right in the feels man. You can tell how much love there is for the imagination, artistry, and legacy Walt Disney Animation Studios have made over the last 100 year.

Somewhere buried deep under the corporate machine and greed, the creativity and soul that made Disney animation so iconic and beloved still lives.

[sonyshock]

Faust Voice claim?👀

WAIT A SECOND THIS UNLOCKED A MEMORY. This is going to make the last ask VERY funny...

Okay, jokes aside, let me explain: I don't really actually have a voice claim for Faust, but the closest that I've gotten to having one was while listening to 'You ain't got a friend like me', but (and here's the catch) only the spanish version from Spain. Which I guess would make it Josema Yuste. The high and energetic pitch sells it to me pretty well. Faust is antisocial and has with a very secluded life, but he has a showman spirit (mostly to feed his own fragile ego).

[hikarry]

My children 👀 There was no new chapter today, because, instead...I started a podcast!

Check the pilot episode out! I'll dive into the chaotic world of late buses and sink showers — because sometimes life just doesn't go according to plan. I may or may not start a mission to get David Tennant and Colin O'Donoghue to finally visit Portugal, and I’m not fucking stopping until it happens! Plus, I sit down with a friend who loves to remind me that she’s met everyone from Lana Parrilla to Misha Collins and even Queen + Adam Lambert. We also just have some fun and answer some fun “Get to Know” questions, share random stories, and laugh our way through this first episode. Grab a coffee, hit play, and get started!

On Youtube:

Or on Spotify:

[mariocki]

Doctor Who: The Keys of Marinus (1.5, BBC, 1964)

"I want to speak of your father. You know, he was a very wise and brilliant man and I know how you felt when you learned of his death."

"And his life's work destroyed."

"Oh, no, no, no, no, I wouldn't say that. His work will go on, only not quite in the same way. But I don't believe that man was made to be controlled by machines. Machines can make laws, but they cannot preserve justice; only human beings can do that."

[firemama]

If I had the power to become a Disney bitch that can just remake one of their classics because that's what Disney does these days, id remake Aladdin.

It'd still be animated and the goal would be a consistent style trilogy (without the sudden and sharp drop in animation quality preferably please god).

Completely scrapping the 'return of Jafar' plot line, I'd make the second movie in the trilogy about exploring the ramifications of aladdin's wish. He did not wish to *look* like a prince, he wished to BE a prince. Somewhere out there aladdin is the prince of some country or city or something and I would love to explore that as a technicality to aladdin and jasmine trying to get married. Especially if perhaps that kingdom is NOT on good terms with agrabah. They're trying to get all the arrangements done and theres a big joke about paperwork and getting the prince-requirment law squared away and then bam, the "well actually-" comes from genie and the rest of the movie is about exploring this new territory of aladdin. Who is marrying into Royalty and Politics, actually having to deal with some of that.

And then at the end of the movie, when all of that is sorted out, genie drops the second "well actually-" that aladdin was always sort of a prince anyway. Just not the inherited of any kind of land. You see, al, buddy, your dad's a king of thieves.

Movie three is that the wedding is once, again, delayed. Because now we have to deal with the fuckin ramifications of "what the fuck do you mean I'm the son of a famous criminal?" And the revelation that genie actually knows aladdin's parents. Movie three includes returning to the Magic Treasure Hoard where aladdin initially gets the lamp- "only One May Enter Here" being that aladdins father (deceased) left the cave as a sort of will of his treasure trove, a bounty worthy of a King Of Thieves. Including the most valuable artifact of the trove, the Genie In The Lamp, the most valuable treasure that was responsible for aladdin's fathers success as the king of thieves in the first place. We see some stories of Genie and Aladdins father- from rags to riches via crime, maybe the love story of aladdin's parents, (maybe some hints to why genie says "i dont like doing it" as to being able to bring back the dead rather than outright "i cant do it") and plausibly that the genie and aladdins father made the same deal, I'll use my two wishes and then free you, but (possibly following that failed attempt to bring back the dead as in trying to bring back aladdin's dead mother shortly after aladdin is born?) In the grief of that failure aladdin's father decides to use his last wish (possibly to arrange the Cave of Wonders for his sons inheritance or something) and ultimately betrays genies trust.

We get a little heart to heart with aladdin and genie- "I don't think your dad was a bad guy, per se, but-" and the classic Disney "what matters is that you kept your promise, and that's why I've stuck with you even after freedom, it's the magic of friendship"

and then once we work out reparations of the cave of wonders - using all of that stolen fortune inheritance to better aladdin's accidentally aquisitioned kingdom, and provide agrabah a stable fucking childcare system for orphans, and a whole other musical mintage of do-gooding, they FINALLY get their royal wedding- a unity wedding between these two lands and isn't it glamorous.

ON A COMPLETELY UNRELATED NOTE.

The whole big damb deal where Aladdin and Jasmines partnership is weighted against the genies freedom is so stupid when you consider. Aladdin could have just fucking handed the lamp to Jasmine? 3 more wishes. They solve the whole thing in movie one. Jasmine gets the lamp, makes a wish that Jafar will never escape the cave of wonders, wishes that there were bo laws restricting her personal freedoms any more than anyone else (marry who she wants AND go to the market) and then a third wish that argrbah under her rule will know ages of peace and tranquility. Then she hands that damb lamp back to Aladdin, Aladdin wishes the genie free, big happy celebration fireworks scene. (They do the heart to heart thing where they say they'll miss eachother after genie cuts himself off from talking about seeing the world. Obviously. That still needs to happen. They're friends, you honor.)

[andreai04]

The boys had seized the cave, and in it they'd found a home away from Welton, away from parents, teachers, and friends—a place where they could be people they never dreamed they'd be. The Dead Poets Society was alive and thriving and ready to seize the day.

[ministerforpeas]

The stop motion animated intro of Series 16 (1994) of Spitting Image (pre-John Smith's death).

[thevvitchbitch]

The strongest and most resilient people in the world 💕🇵🇸

[doctorbluesmanreturns]

On a related note, is it just me or does Our Generation of younger actors (like people who have gotten famous between the 2010s and now) not really have anyone who does big broad comedic performances anymore, I feel like there's a real emphasis on downplayed sarcasm nowadays so anarchic comedies with wild protagonists don't really happen anymore (which is mostly just interesting that we likely will not be producing anything with Fawlty Towers energy any time soon but in the context of "I would like to remake a wild comedy that was itself a love letter to silent melodrama or else make a similar original project myself" it very much gets to OK and who would I think about casting as the incredibly hammy Most Evil Man On Earth villain with a heart of gold he desperately is trying to conceal because I can't think of anyone who has anything like that kind of energy)

[pencey]

God. I am about to plead the fucking 2nd. Bitches grab a rape victim at a bar for walking out with a cup 9f WATER. I yelled at him and he wouldn't letm3 go. You don't know who the fuck your messing with.

Imagine waiting your entire life for your Gerard Way I was Born for This Joan of Arc Twin Towers moment. You achieve it. Then a fucking rapist destroys your life and you'd rather kill yourself than degrad yourself by living on the same planet as a rapist. Not just a random rapist, but a very specific type of rapist that sits in a Hell more evil than fucking Hitler. Hitler is a safer space for me and there is no hope. Imagine dedicating your entire life to a Twin Towers moment. Then imagine fighting for your life just to get justice. Then, imagine climbing a battle against rape all the way to the top of the mountain, sacrificing your life, bloody and soul, just to loose 10 feet away from the top.

I swear and vow on my life. If I don't get justice, suicide is the only hope.

The horrific acts that have been given to me made sure that my life is worthless. I wouldn't be caught dead living on the same Earth as a rapist.

[clairedelune-13]

Lol, at the people bitching about historical inaccuracy with Sir Isaac Newton, when this is a show where Charles Dickens encounters gas spirits, Queen Victoria is a werewolf, Shakespeare stops world ending witches with the power of words and quotes Harry Potter, Van Gogh defeats a hallucinatory monster only he could see and dedicated a painting to Amy and Robin Hood fights robots.

If after all THAT, Sir Isaac Newton being Not White and turning “gravity” into “mavity” still bugs you, then watch a different show.