#but we love Mary Sues in this house

[lesbianfakir]

TUTU OC HAS A NAME NOW

[edgepunk]

also I'll take ""bad"" ""unprofessional"" art any day over that AI shit because I know that person put effort into it

[fbfh]

Pov: you're holding Leo’s hand

[mxstball]

// Aye yo, fuck OCs. Me and my homies hate OCs

"...."

//...what?

"...Still mad that I ate the last of the ice cream?"

// ...no...

"...."

// ....maybe.

[caffeinewitchcraft]

Everything I've Ever Written (on Tumblr)

I have been writing online since 2016. As a result, I have quite the few short stories listed below! They're all from different parts in my writing journey and I hope you enjoy.

If you'd like to read what I currently put out, please consider supporting me on Patreon (X)

Cinderella Doesn't Believe in Fairy Tales

Part 1 / Part 2 / Part 3

Part 4 / Part 5 /Part 6

Part 7 / Part 8 / Part 9

Destiny Universe

You Are the Demon King

The Hero and Hope (part 1) (part 2)

Being Villagers

Heroes and Villains

Therapist for Villains

Juniper and Discus

Self Destruct Villain (flash fiction)

Dandelion (A Villain Story)

You Help Kill Heroes

You are the Shark Hero

Mist into a Tempest

The Civilian and the Reluctant Hero

No Heroes Here

The Spoiler (humor, flash fiction)

You are Legacy

Hero in Title

Dark Lord's Former Coworker

One Minute

The Fae:

You Become Powerful

Your Friend Takes Your Name

Larkin and Yvette

Debt Must Be Repaid (humor flash fiction)

Going to the Hill

The Fae are Free

When They Don't Know (submitted to elsewhereuniversity)

The Chosen One

The Chosen One's Parents

Fate and Mercy and Dead Girls

Amulet to Save Her

Hero's Apprentice (Flash fiction)

The Aftermath of the Chosen One

Wizards Stole My Brother

You are the Chosen One's Knight

The Chosen One is a History Major

You are the Most Powerful Magic User

Time Restarts and She Remembers

Better the Witch than the Kid

Witches

It Was in a Name

The Good Witch of Hawthorne

Berthe the Green Witch

Cursed Mold (flash fiction)

Love isn't Enough

I Can't Believe it's not Proper Adjudication

Devil Deals

The Devil You Know

The Ritual

They Summoned Her on Halloween (flash fiction)

Fairytale Retellings

Ariel and Ursula (age appropriate)

The Gods

Zeus' Son

Faith in Technology

Sci-Fi

Six Red Bulls and Persistence

The Sound of Silence

Emmaline and the Apartment

Humans are Vengeful

Humans Know War (that's why we have diplomacy)

Criminals Forced to Live on as AI (flash fiction)

Misc Fantasy

Wind-Speaker

Wind-Speaker and Her Wife

You Will Become

The Sirens and Leona (flash fiction)

Eldritch Princess (flash fiction)

Princess Maria and the Dragon

Princess Maria is Kidnapped

Immortals are Afraid of Change

Fiona the Dragon

A Violently Won War

Meta Stories

An Abstract Concept

Narrative Town

Narrative Town: Uncle Ralph

Princess Phaedra Breaks

You are a Horror Movie Villain

Ghost Stories

Malevolent Spirits

Your House is Haunted by an Anime Pillow

Don't Open the Door

Grandma's House

Who Is? (flash fiction)

A Face (flash fiction)

Misc.

You Choose Your Fate in Hell

Time Paradox (flash fiction)

You are an Assassin

Multiple Dimension Serial Killer (flash fiction)

An Exercise in Mary Sue

She Comes Back from the Hospital (tw eating disorder)

Roses and Evil (mental health flash fiction)

Big Brother

A Conversation About Anger

Punching Depression

Two Sides (flash fiction)

Immortal Serial Killer in Prison

Theater Romance (flash fiction)

The Lady and the Knight (flash fiction)

Different (flash fiction)

[dream-with-a-fever]

in defence of ginny weasley (ft fleur delacour)

never thought i would feel strongly enough about this topic to comment on it, but the ginny bashing in this fandom is just insane so i thought why the hell not. ginny seems to get hate for everything under the sun from being being a mary sue who can do no wrong in anyone’s eyes (meaning she’s boring and uninteresting as a character) to being a nasty bully responsible for hurting those around her (??? and they’re both completely contradictory statements btw). when the latter is brought up, ginny’s “terrible” mistreatment of fleur is always front and centre. ‘she’s nasty, she’s cruel, she is a jealous bully etc!’ and i just feel like we should put on our thinking caps and actually take a step back for a fucking second. people may disagree with me, but i think ginny’s reaction to fleur was totally understandable — and reminder, she is a TEENAGE girl, (not to mention both mrs weasley and hermione held fleur in the same regard but no one seems to focus on that side of things).

now in the books, we do see ginny mocking fleur, calling her ‘phlegm’ behind her back, imitating her gait and elegance, expressing her annoyance at her newfound presence in their lives.

let’s look at why she might have reacted that way. first of all, in general, we see that the w are a very humble and welcoming family; they don’t have much but what they do have, they are more than willing to share with others. their financial circumstance plays a massive role in how the characters in the wea clan react and interact with others (as seen with their refusal to accept money from harry etc). their sense of pride in that regard is also quite prevalent. we see that when harry first goes to the burrow, ron is slightly embarrassed by his home, painfully aware of the way many people in the wizarding community view/judge them. when harry goes on to say it’s best place he’s ever seen, we immediately see how touched ron is. ginny is the same in that sense — embarrassed that she has second hand robes & books etc, but at the same time she, like ron, is fiercely protective of what they do have, and what they as a family stand for. they are also very protective of people they love inside and outside of the family (see, ron with ginny, mrs weasleys with all of them etc).

this is relevant because one of the reasons ginny and in turn mrs weasley, have a problem with fleur is the way she talks to them. despite them inviting her into their home, fleur makes her distaste clear even if it is in small ways. she says it’s boring at their house as there’s nothing to do, she often talks disparagingly about how things are done in the weasley household, she loudly mocks celestina warbeck (who mrs weasley loves to play at christmas time) and insults her, she speaks badly about tonks several times etc. her words and mannerisms are also viewed by some (ginny etc) as very pretentious and arrogant — also rather posh, a sign of her family’s wealth (which might have been a sore spot for ginny also).

now don’t get me wrong. i love fleur as a character. i think she’s really cool, charming and brave, and i wish we got to see more of her honestly!! i think she makes a lovely contrast to the other younger characters, and i think she undergoes some nice character development in the books we do see her in. it’s also very clear to me, that when she acts the way she does, it is never out of malice or cruelty— it comes from a place of openness and honesty — which often comes across as quite blunt. it’s a cultural disconnect in many ways; when she inadvertently insults people throughout the books, i think it’s pretty obvious she isn’t trying to hurt anyone’s feelings. but i also think it’s obvious how this attitude might annoy those around her.

calling ginny is a big bad bully for disliking fleur (in the beginning), when her behaviour towards the weasley family would make anyone a bit frustrated, is a bit far. not to mention, her individual treatment of ginny is understandably annoying - ginny complains that fleur is very condescending when speaking to her (‘you’d think i were about three!’).

there’s also the fact that ginny is bill’s little sister. he is her favourite brother (as seen from the way she respects him and his opinions, looks up to him - she wanted to go to hogwarts ever since bill went!). ginny having a reaction to her brother’s new girlfriend is very normal - he’s her big brother! all his attention is now on his new girlfriend - who ginny finds to be full of herself, patronising & annoying. part of her may also be worried that fleur will end up breaking his heart in the end — because she’s protective of her brother.

add the fact that her brother and old crush and basically every man ever is drawn to her because of her godly beauty (as a part veela), her and bill’s wont to shower each other in public displays of affection (who wants to see their brother doing this!?) and the fact that ginny always gotten along with tonks (the person her and molly had in mind for bill’s future partner) has always treated her kindly and as an equal, and therefore would much prefer as a sister-in-law — it’s not that surprising that ginny feels the way she does towards fleur.

nevertheless, do i think this is something ginny would grow out of? yes, of course. we already see changes in their relationship in the final book. besides, a lot of this stuff is surface level, as ginny and fleur don’t know all that much about each other — i think fleur’s love for bill (especially shown in the hospital wing after he’s been attacked by greyback) definitely changes the way ginny regards her. i also like to think that they grew closer as they got older, as with age comes maturity, and with maturity comes understanding. i also feel that fleur was someone who really stepped up when it came to supporting the weasleys after fred’s death, something that ginny would have appreciated. i see them having a nice relationship later in life.

ANYWAY, this was an exceedingly long rant for which i apologise but i have often seen people talk about how nasty ginny is to fleur, and i think it’s so unfair to not look at the context which leads to her being a little frustrated at her future sister in law. plus, she is allowed to dislike someone who she does not get along with and who she finds unpleasant to be around. we all have people like that in our lives but god forbid ginny does…not to mention, ginny is never openly rude to her EVER, and she’s allowed to voice her frustrations to her friends/family. the fact people call her an outright bully for this is just insane.

people on here will defend so many other dubious characters but the second a teenage character with good intentions makes a mistake / doesn’t act perfectly (i.e ron, ginny), they are suddenly the epitome of evil in human form, i mean get a grip, honestly. also one last quick thing(!!!), i do note some people blame jkr for writing her female characters this way, as we’ve seen the way she seems to frown upon conventional/typical displays of femininity (lavender and parvati being seen as ‘silly’ girls with frivolous thoughts, cho chang as overly emotional - despite having a very rational reaction to the death of her boyfriend, fleur as overly feminine and therefore less serious/intelligent). her heroines are women who often conceal or discard these more feminine traits — and i will say that despite loving these characters very much, i do think some more nuance here, could have been very beneficial to the story, and to the message being sent to young female/female identifying readers. there is strength in femininity, and rejecting feminine traits does not make you more or less a person.

okay, rant over. if you actually got to the end, bless you, if not — well, that’s totally fair (lol). also please don’t kill me in the comment section if you disagree. this is just my two cents. ok that’s all.

[anxresi]

They're absolutely right...

...It's the writers that deserve the lion's share of the backlash, for poor, innocent, boring-as-hell Zoe is merely a tool of the oppressor, aka Mr Astruc. What's being oppressed, you may well ask? Well, interesting storylines, proper continuity, two-dimensional personalities... I could go on. Everything that makes a show compulsive and rewarding viewing that Miraculous Ladybug conspicuously and utterly lacks in every department due to his increasingly destructive machinations, basically.

This pink-streaked plot device masquerading as a serious character can (along with another equally pointless individual called 'Soquerline' who was so unmemorable I almost forgot she was ever a thing) exists for one reason and one reason only: to diminish Chloe's relevance and role in the show to the sum of precisely nothing. Well after S5, job done I guess guys. Well done. Well done indeed. (Although apparently not... they're bringing Miss Bourgeois back for more torture in the London 'special'. Guess Tommy Boy just can't keep away from his favorite punching bag, can he?)

The irony is though, having such a super-sweet but dull-as-ditchwater Mary Sue to replace a well-established and multi-layered person such as Chloe actually sends out a seriously awful message. Why? Because if I was a bad kid and saw S1-3 Chloe, I'd think 'what a fascinating redemption arc, I can inspired by that and do better.' But after seeing S4-5 Chloe and what an arguable downgrade as a replacement the incredibly tedious Zoe is, I'd be more like 'well, obviously there's no point in trying to be good, because you'll probably turn into a psychopath overnight with no explanation in the middle of your genuine efforts to improve. And if what the show is presenting to me as the ideal for a teenage girl to be is the waste-of-blank-space that Zoe clearly is... then a life of deliquency sounds more tempting with every passing minute! Now, where did I put my spray can?'

The most shameless aspect to this whole argument though, is by those trying to paint the hapless Zoe as some kind of lesbian icon. Pardon? She got a plot-mandated crush on Marinette in one episode and somehow that makes her insipid and needless presence an asset for the gay community? Somehow a few people have got it into their heads if you 'dare' to make someone non-straight in cartoons these days you deserve a big pat on the back for that 'risk' alone. WRONG. They should also be fleshed-out, complex, necessary characters whose sexuality isn't just define them or deflect from deserved criticism as to what the hell they are doing there if they turn up in the middle of proceedings with no prior explanation. See: The Owl House for how it's done.

And that's all Zoe being gay is... an irrelevant trait Mr Astruc can point to cynically and say ' you're a bigot for disliking her whatever your reasons are, so I'm not listening to you' instead of engaging with the actual argument which is SHE IS NOT AND WAS NEVER NEEDED IN THE SHOW. Everything you required to make Chloe the brilliant character she could've been was RIGHT THERE in the script but you CHOSE to rub it all out and scrawl some hastily scribbled doodle with no personality other than being 'very nice' in her place. A tragedy. The worst case of self-vandalism I've ever seen. No wonder Jeremy Zag wants to start from scratch with his rebooted movies. More power to him, IMHO.

Needless to say, nearly all the above in the quoted post about her father loving her (we haven't met him yet, it's DEFINITELY not Andre Bourgeois, his name ends in 'Lee' for a start) her supposed growth (the only 'growth' she's had is when she turned into that giant golden Chloe after being akumatized) her alleged pansexuality (all in the desperate mind of the OP) her 'abusive' family (I think you'll find Chloe had it FAR WORSE over the course of the show in that regard, so why not idolise her?) is complete bunkum. and to be frank I couldn't compose a much delusional post if I tried. Sometimes I wonder: what planet are some people on to reach such implausible conclusions? I don't understand it, I'll never understand it and quite frankly I feel quite sorry for the arbiters of such risibly deluded takes.

Last but not least though, we have...

Now this I ALSO agree with 1000%. And I know just the place to 'flush' her... ;)

[noel-fielding-web-page]

‘The fact that I’m still here is amazing’: Noel Fielding on Bake Off, booze and the Boosh

He has gone from cult niche to smash hit and he still can’t believe it. As Bake Off returns, the comic talks about his ‘feral’ upbringing, his party years – and the day Hammond fell out of a hammock

Noel Fielding’s highlight of the new series of The Great British Bake Off wasn’t a show-stopping cake. In fact, it wasn’t any type of baked goods. It wasn’t even a shot of a squirrel with outsized testicles. It was his co-host Alison Hammond falling out of a hammock.

“I’ll never be able to unsee it,” he says. “What I love about Alison – and I mean this with the greatest of respect – is that she’s an absolute klutz. If anyone’s going to fall out of a hammock, it’ll be her. She also fell backwards off one of the workbenches while showing off. Don’t worry, she was OK. No Hammonds were harmed in the making of this series.”

As the autumnal fixture returns to our screens, Fielding promises a 15th series on peak form. “It’s a belter,” he says. “There are some very special bakers in the tent this year. Somehow the standard keeps getting higher. These unbelievable young bakers are way better than they should be for their age. It’s a vintage year. One of the best yet.”

By stealth, the surrealist goth has become a Bake Off veteran. This is Fielding’s eighth series at the helm, meaning he’s now served a longer stint than original hosts Mel Giedroyc and Sue Perkins. “Who knew that was going to happen?” he marvels. “Maybe Paul Hollywood’s hypnotised me. I can’t escape the tractor beam of those blue eyes. I loved that original lineup, with Mary [Berry], Mel and Sue, as much as anyone. When me and Sandi [Toksvig] took over, we were terrified. We knew it was a massive risk. We said: ‘Let’s see if we can last one series.’ The fact that I’m still here is amazing.”

A family affair? … (from left) Fielding, Alison Hammond, Paul Hollywood and Prue Leith. Photograph: Mark Bourdillon/Channel 4

Toksvig later admitted “I felt my brain atrophying” after three series of glazes and ganaches. How does Fielding keep it fresh? “Sandi, as we know, is a massive brain. She went to Cambridge, she’s super-smart, she writes, she does politics, she needs to be stimulated. She never stays anywhere too long, except QI which is the perfect show for her. The difference between us is that I’ve always really enjoyed hanging out with the bakers. I befriend them and get them to open up. Nobody expected that to be my strength. I assumed it’d be the sketches and banter. In fact, I’m fascinated by the people. I feel protective of them. If Paul and Prue [Leith] are hard on them, I’m absolutely livid. It’s devastating when they leave. This year I was particularly fond of one baker. When I had to send them home, I cried.”

Hammond is his third co-host. “It feels like I’ve done three different shows,” he says. “First with Sandi, under enormous pressure but we pulled it off. Then with Matt [Lucas], which was a privilege because he’s a comedy genius. Now I’m enjoying it more than ever. Alison’s not a comedian, so she’s not as neurotic about jokes as I am, but she’s a brilliant improviser and instinctively funny. She slotted right in. Paul and Prue are very fond of her. Even my kids adore her. We’re having a blast.”

Judges and presenters refer to “the Bake Off stone” – a tendency to gain weight during each 10-week run. In her sophomore series, Hammond valiantly attempted to resist. “She tried to eat less this year but Alison’s quite childlike. She said: ‘Noel, stop me eating cake, I want to be good.’ The next time I saw her, she was literally like [he mimes shovelling in cake]. Alison has a good time all the time. You don’t want her to not be eating the cakes.”

Fielding, now 51, had a “feral” upbringing in Croydon. Hammond was raised in a Birmingham council house. He relishes these “two working-class kids galloping around Welford Park”, the Grade I-listed Berkshire estate where the marquee is pitched each summer. “If you’ve grown up in a working-class environment and go to a stately home, you’re like: ‘Woah! This is like Willy Wonka’s factory.’ We’re like urchins in front of Dame Prue. I permanently feel like I’ve come to sweep Prue’s chimney.” He describes Bake Off’s star quartet as “a funny old family”. Who’s who? “Prue and Paul are Mum and Dad, obviously. Alison’s the wild daughter. I reckon I’m the cat. Or am I the dog? Paul would say I’m the teenage son who’s secretly a vampire.”

‘We knew it was a massive risk’ … Fielding with Sandi Toksvig on the 12th series of The Great British Bake Off. Photograph: Channel 4/Love Productions/Mark Bourdillon/PA

The last time we spoke, Fielding reflected on his 00s era as a hedonistic scenester. “I took partying to its logical conclusion,” he said. “When you’ve been partying with Kate Moss and Courtney Love, you’ve gone as far as you can go. A few friends ended up in rehab. I was sick of partying anyway and lucky enough to have my family at the right time [he has two daughters with wife Lliana Bird]. It was like: ‘This is what I was looking for!’”

He returns to the theme today, pondering how Bake Off arrived at the right time. “When I got this job, I’d just had my first child, I was painting a lot and had a different lifestyle. This show fitted that phase. You want to match your career to where you are in life. It’s mainstream, family-friendly and my kids love it, so it suits me. I love not partying – and I never thought I’d say that.”

A fellow comic turned artist provides career inspiration. “I’d love to concentrate on art more as I get older. I love what Vic Reeves [Jim Moir] is doing, making art documentaries and his Painting Birds series. Vic and Bob [Mortimer] were a big influence on me. Now he looks genuinely happy. I’d love to do something similar.”

Claudia Winkleman jokes that she gets mistaken for Fielding. Does it happen the other way round? “I did see a trailer for The Traitors out of the corner of my eye and go: ‘I swear I didn’t film that.’ But no, Claudia looks like a beautiful 60s model. I look like a melted candle. A wax model of Roy Orbison that’s been left too near the radiator. It’s flattering for me but harsh on her.”

Earlier this year, Fielding scored a streaming hit with The Completely Made-Up Adventures of Dick Turpin. After wrapping filming on Bake Off, he’s off to shoot the highwayman sitcom’s second series. Has he learned to ride a horse? “I can get on and off, that’s all I need. Luckily it’s a comedy, so I don’t need to look impressive. One thing I enjoyed was that it’s made by Apple, so there’s a bit of a budget. With The [Mighty] Boosh, it was always a financial struggle to bring your vision to life. If you do fantastical stuff, you’re forever going: ‘We want an underwater race with people riding porpoises but that’d be all the budget gone.’ We’d end up using bits of animation to work around it. With Apple, they go: ‘Yeah, we can do that. Fine, let’s blow up a carriage.’ I’m like: ‘What, really? It won’t be a model?’”

He has formed an unlikely double act with Hugh Bonneville, who plays Dick’s thief-catching nemesis. “You can never predict who you’ll have chemistry with. I’ve learned a lot from Hugh. He’s a really skilful comic actor. And Mark Heap, who plays my dad, has the best timing of anyone ever.” As well as starring, Fielding has a writing credit. In the pilot episode, Heap tells him: “You always were a bit weird. Drawing, coming up with funny ideas, wearing strange outfits.” Was that line autobiographical? “I did write that scene, yeah,” admits Fielding.

Slice of history … Fielding (left) with his Mighty Boosh co-star Julian Barratt Photograph: Martin Argles/The Guardian

He also drew the amusingly rubbish “Wanted” posters that appear in the show. “I’d send them to the director and he’d go: ‘No, not bad enough, do another, make it more ridiculous!’ I’d end up doing them left-handed in about 10 seconds.” There’s even a role for his brother Michael, who played Naboo in The Mighty Boosh: “I put my brother in everything I can. He’s not only very funny but it means I get to hang out with him all day.”

While we’re on the Boosh, was he aware that this year marks the 20th anniversary of the comedy troupe’s TV incarnation? “Does it? Oh wow. Me and Julian [Barratt, his comedy partner] were proud of everything the Boosh did – the live shows, radio series, TV show. We probably should have made a film. People wanted more and that would’ve been a nice way to finish. Julian’s the funniest person I’ve ever worked with, hands down.” Of today’s comedy crop, he rates James Acaster highly.

Would the duo ever reform? “What we had together was so special. Comedy double acts are such rare beasts, like unicorns. I’ll probably never meet anyone like that again but I loved it while it lasted. We stopped at the right time, before the quality dipped. The Boosh was all-consuming, like being in a band. It’s difficult to recreate that when you’re older. You don’t have the same drive and energy. As much as I’d love to get back together, I wouldn’t want to do something that wasn’t as good.”

Going from Boosh to Bake Off has been an unexpected journey. “When the Boosh ended, because it had been a cult hit, I wanted to make something more avant garde and experimental to satisfy my art school side. So I did [Channel 4 sketch series] Luxury Comedy. After that, I didn’t know what to do with myself, then Bake Off came along. It was a huge curveball for me. I love that it’s old-fashioned TV. Millions watch it weekly. People come up and talk to me about the latest episode. It feels like being part of British culture. There’s so much choice now, thousands of shows on streaming, but shows like Strictly, Gogglebox and Bake Off somehow still cut through.”

After dismal weather all series, the sun even came out for this year’s final. “It had been raining and storming but as soon as we went to announce the winner, sunshine started beaming down.” Fielding grins. “Bake Off’s like that. There’s something magical about it.”

Guardian, 14.09.2024

[dessertgeek]

The Mari Lwyd Twitter saga (2020 - part one)

This is part of my efforts to transcribe @seananmcguire's holiday Mari Lwyd Twitter threads. The hashtag for now is #Mari Lwyd Project, the first post is here, the thread's source is here.

(Many thanks to @dor-min on finding and linking this one, along with linking the amazing Mari Lwyd fanart by Sue Rankin Pollard.)

2020 is going to take a bit to work through, as there were even more challengers and single replies and I'm trying to find them all, but I'm working on it! This round is Seanan + @kbspangler, with Sue's support/cheesing.

As always, credit to the authors/poets/cheese protectors and sharers. CWs for food and a confused Mari Lwyd getting cheesed.

Seanan: (Am I planning to randomly yell at my mutuals in skeleton horse until someone plays along? What else was I doing today?)

K.B.: Gimme.

Seanan: Hello new contender! You've asked me to play! Today is the solstice, I seek cheese today. I don't really care if it's vlaskaas or brie: I know you have cheese, so please give it to me.

K.B.: Sorry, o mare with your thousand-yard stare There's cheese in this house it is true But we shop at Target Instead of Fresh Market We've Kraft pre-wrapped singles for you.

Seanan: You know it's quite rude To placate the Mari with processed cheese food, But it's better than nothing, we are not denied, So pick up your singles and place them inside.

K.B.: Okay, so...logistics For a mare quite so mystic I've found a huge problem with that The bony heuristics of your characteristics Means you must wear this sliced cheese as a hat

Seanan: My new hat is fetching, so lovely and fine, I give you my blessing, new good friend of mine!

K.B.: Bid you good year with holiday cheer and happy to see you now leave This skeletal mare processed cheese in her hair An omen for Conjunction Eve.

Sue Rankin Pollard:

Seanan: Yes. This is correct.

[moii3]

My Candy Love New Gen Ep.7 Review!

Spoiler Ahead, Obviously

Another day, another short episode. I think off the bat, im dissapointed with how short the episodes are. I really think they need to get it together with the amount of content. It's just not enough and it doesn't help that we have to wait for almost a month every single time for a new ep.

I just had to point this out because since i've been replaying the Eldarya TO, i just started to appriciate how beemov games used to have longer, more filling, structured episodes and stories compared to now. Maybe this is too early for me to say since we are only 7 episodes in. Who knows? Maybe Beemov will actually start to have an enemies to lovers arc between the writers and the new gen game. Anyways..

The ep starts out with Candy complaining to my love Elenda (and soon the whole office) about how difficult it is to live with her annoying mom and sister. Seriously, we see from the flashback that Candy's mother basically insinuates that she didn't think she would have to live with her adult ass daughter in her house. Both Tasha and the Mother(i forget her name) were pretty rude abt it in my opinion. Instead of talking with Candy about house rules they just go on like nothing happened, and make it clear that she is just a guest. Not a part of the household.

Mentioning of TikTok was thrown in one scene for good mesure lmao

As they all hear the story, Devon decides everyone in the office should help Candy look for an apartment. They apperantly don't have anything else to do the whole day.

It almost feels like a little bit Mary Sue-ish. Everyone taking turns wasting their free work hour trying to find Candy an apartment, making it a competition seems comical and unrealistic. (not everything has to be so realistic but it's just ridicilous atp). They are literally racing to find this rich adult woman a place to live...

When it comes to the actual apartment hunting, Thomas's route was a roller coaster 😭. Since apperantly no one rents apartment to stinky stinky singles, LI s jump in to save the day, pretending to be our partners during the apartment showing.

Thomas had both me and the realtor gagged the whole time.

(sorry for the whack screenshots)

I was cringing big time

ma'am please be quiet...

A bit awkward? You're telling me..

Just as we think we are over with this, leaving the apartment, he kisses Candy.

I saw some people saying they didn't like how this kiss came about and i have to agree. He calls it "our little ritiual" , apperantly to convince the realtor. We know that's bullshit and it was kind of an excuse to kiss her. I don't like that Candy is in a cornered position to accept the kiss and it felt kind of unneccesary, no matter how hyped everyone was about it.

Like if this is the dude we will eventually gonna fall in love with& date, it's kind of a bummer that their first kiss had to be "fake". I know they thought of it like a little romantic game Candy had to play to get close to Thomas but i really think even for this it was kinda underwhelming.

I also saw other illustrations from different routes and Roy's has to be my favourite. I wish it was more romantic like that and actually made sense. Anyway..

Anyways, after they leave the house, Thomas gets back to the nonchalant attitude again (obviously) which, gagges Candy again.

Like i said, i don't really like how this kiss happened and i think even for Thomas this was kind of crazy.

If i was the realtor, i would honestly block their numbers and hope that Thomas wouldn't show up at my house to wear my skin the very same night. He deserves some kind of compensation.

I'm gonna keep doing these reviews no matter who reads them, this is for me and my ranting. But i hope you like it! Oh, I also will rate these episodes out of 10.

For my first rating on this series, I'm givinf this episode an underwhelming 5/10

Best part is that this ain't even about the house anymore, even realtor knows he fucked up and they are not gonna choose this house.

Until next time, xx

[retributory]

Can you talk in detail about LBH and what your favorite things are about him?

second go at this because tumblr nuked it the first time. lol. sorry this is so long and unorganized and only a little answers the question this is more of a stream of consciousness nico inner monologue sneak-peek that is binghe themed.

1) just the concept of binghe is very funny and appealing. 2014 edgy mary sue half-demon big dick op sex guy emperor of the whole world domesticated by loser 20-something with a 10k karma reddit account. really good no notes.

2) i think a lot of people (even binghe fans) tend to unintentionally flatten him because it's actually a little hard to write him. the fact that for most of the novel you have a misinformed opinion of him based off of sy's meta-contextual knowledge of events that have not happened and will not happen within the current timeline means that it's hard to actually know binghe's deal the first time around. even after that you have to grapple with the meta-meta-contextual facts of binghe being an alternative version of a character within a character within a novel within a novel that is being affected by a 'real person' within the first layer of meta, but of course svsss being very much a story that is often about being a writer/creative that second layer is played with often . . . to put it lightly i think it's probably a contributing factor to both the fact that he's really controversial and to the fact that a lot of svsss meta can get really, really existential LOL. this is before getting into the fact that you're at minimum actually talking about two characters anytime you're talking about him, so . . .

3) the thing is that i think binghe (both) fans are often incorrect about him because he (bing-mei) isn't actually a puppy crybaby, he's just acting like one. but haters are also incorrect, because similarly he (bing-ge) isn't really a domineering evil emperor. putting aside the very complicated ideas we could get into re: are fictional characters the executors of their own actions when viewed meta-contextually, the fact is that binghe spends most of the novel playing some sort of role. which makes sense! at the time of sy transmigrating, (nominally) 14 year-old binghe has already lost his birth mother, been found in a river, lost his adoptive mother, been ritually abused by his peers in all settings, lived on the streets, managed to get into cqms just to be a scapegoat, been ritually abused by his shizun, etc . . . when sy uses the term 'white lotus,' it's not actually a compliment. it should be noted sy also knows that ultimately binghe is acting nice because he wants adults to treat him nicely, and he does not (yet) have any kind of power or authority to do anything about being treated wrongly. i think probably the first hint of binghe's real personality is when he leads off lmy because he thinks sy is staring at her - i don't think binghe is mean, but he isn't nice either. he's very jealous, he gets upset easily, he doesn't take issue with manipulating others to get what he wants.

(aside: even as a child, he has already very much formed the worldview that existence is transactional, something that is informed even more by sj's treatment of him. even though sy challenges that worldview, he doesn't get rid of it. all of binghe's love language is based around the idea of doing something for him; cleaning his house, making him meals, keeping him safe. naturally i think that's informed by the only affection he's received being at the hands of a woman who couldn't do much for him other than acts of service in the first place, but i also think that usefulness is a core tenet of what binghe believes that he and other people need to be.

i don't think it's controversial to say that bing-ge does not actually love any of his wives. i'd go so far as to say i don't even think he actually enjoys having sex with them - he is purely doing so to fuel xin mo, and would otherwise either not bother with them at all or kill them. being the wife of the Emperor of Both Realms is the transactional reward for providing him with no-questions-asked xin mo-feeding sex, of which he textually will just rape them if they don't agree. because bing-mei actually does love sy, i think he has to consistently challenge the idea of 'usefulness as a core tenet of a relationship,' which is one of the bigger problems they have to navigate).

very much a core part of svsss is that both of these people (sy and binghe) are. hmm. not the best people. bugfuck crazy actually. binghe puts on the waterworks because sy likes fussing over him like an overbearing mother, and while the underlying thing that he's having crocodile tears over really is bothering him a lot of the time, he's playing it up for puppy baby points. but that isn't his actual personality. his actual personality is when sy starts soothing him automatically when binghe gets the idea that sy may have been sexing lqg up in those caves. lmfao

4) speaking of, he's very easy to read as having bpd. i think other people are fully entitled to have their opinions on the matter but binghe's quote-unquote bad personality is majorly explained if you simply operate under the assumption that he has a cluster-b personality disorder (which are caused by childhood trauma, dontcha know . . .). it's easy to view his xin mo-induced catastrophic meltdown in vol 3 as splitting, and his constant back-and-forth of "shizun is the best person ever, shizun is an angel, shizun is incapable of wrongdoing" to "shizun is the worst person ever, shizun is cruel and unrelented, shizun hurts me on purpose" is easy to see as the sort of black-and-white thinking that bpd is characterized by. of course you can just think whatever, but i like to see it that way, especially because binghe is still seen as desirable despite his flaws, while any character that has or is implied to have a cluster-b disorder is usually treated as some sort of inhuman monster.

5) of course, backing off that, did you know i actually rarely like romance? for years i made a habit to intentionally avoid all romance novels because i disliked the genre out of principle. despite being largely into the shipping scene of any given fandom i was in, i both generally did not interact with other fans and also generally avoided anything romance-centric. i avoided mxtx's works (tgcf specifically) for years because i was quite convinced all romance was the same as the very very boring sort of stuff i had unfortunately read, where both the main character and the male lead are completely and utterly perfect and the only conflict is the fact that they aren't currently together. the only reason i read svsss . . . was because someone on my twitter tl at the time was complaining about it, and their complaints sold me on it because they (bq) sounded so weird. i read the entirety of it extras and all in 3 days. it sent me cartwheeling down a rabbithole of a genre i had FOOLISHLY written off. thank you binghe's terrible personality for saving me.

6) i also . . . am eternally enchanted by binghe's borderline horrific body. the satire of 'what does a perfect harem lead power fantasy stallion actually look like' kills me. when sy feels his abs and they're uncomfortably hard all the time . . . his actual literal horsecock obliterating sy's stupid insides . . . i think binghe has body dysmorphia but the opposite way around people usually have it. he wants a smaller dick and a less sexy body. i think he is trapped in his perfect stupid sexy body and it really kills me.

7) this is getting too long i think i have to shut up. my FAVORITE THING ABOUT BINGHE?? his personality. if you put a gun to my head. but he is so cutiebaby anyways. i understand sy completely; i also want to coddle and baby binghe when he does awful things. binghe would have loved puppygirl posting online . . .

[pod-together]

Pod-Together Day 7 Reveals 2024

Love, not sedition (琅琊榜 | Nirvana in Fire (TV)) written by aninfiniteweirdo, performed by paintchipblue Summary: 'What is this, if not sedition?' The recording only shows stating as Xiao Jingyan doesn't answer out loud.

settling in (Welcome to Night Vale, The Magnus Archives (Podcast)) written by Koschei_B, performed by DuskDragon39 Summary: On his trip through America, Gerry passes an town of interest. In the end, it might not be exactly all he's expected to be, but he can't say he regrets staying in the long run. At the very least, he get to live, and all the dangerous stuff around isn't his concern to deal with. And, just maybe, he likes how friendly the people are, even if it's a little creepy. Sue him. Or better yet, Mary Keay.

Voice and Heart (The Murderbot Diaries - Martha Wells) written by lc2l, performed by EternalLibrary Summary: Good morning this is S9BT5, the heart and voice of your Company Substation. Please be aware that we have visitors onboard the station today from a Preservation Survey Team. Staff are expected to be courteous and welcoming, and to remember that all conversations are monitored for training and enforcement purposes.

Time May Change Me (But I can't trace time) (Star Wars - All Media Types, Star Wars Prequel Trilogy) written by Little_dumpling, performed by Kittona Summary: Anakin’s mother is leaving for Europe and Anakin does not want to come along, thank you very much. But his only other option is to go live on his Uncle Qui-Gon’s horse ranch. Anakin will go, but he did not sign up to do chores!

the cul-de-sac on the spiritual path (The Locked Tomb Series | Gideon the Ninth Series - Tamsyn Muir) written by olive2read, performed by carboncopies Summary: stuck in a random catacomb niche, deep in the Ninth House, Wake gets to know Gideon Nav (whether she wants to or not) -or- 5 times Gideon went to visit her mum’s niche -or- why Wake didn’t take the shot

elutriate calor vulpes (All For The Game - Nora Sakavic) written by Opalsong, performed by Flowerparrish Summary: Andrew hated heats. He hated being vulnerable and out of control. Neil…helped. [4 Heats Andrew Struggled Through + 1 He Enjoyed]

Gifts of Gold (gold) (Star Trek: Deep Space Nine) written by BardicRaven, performed by BardicRavenReads, audio production by OneGoldenRaptor

Two and a Half Men (Marvel Cinematic Universe, The Avengers (Marvel Movies), The Mortal Instruments Series - Cassandra Clare, Shadowhunters (TV)) written by Sivan325, performed by Ceewelsh Summary: "Do you mind telling me why I have kid-Bucky in my apartment?" Steve asked. Tony looked at him, noticing how the man looked exhausted. "Bucky? A kid? Are you out of your mind?" "How many kids do you know who have a metal arm and long hair?" "Touché."

Blood of the Covenant (is thicker than the water of the womb) (One Piece (Anime & Manga)) written by stereden, performed by Aibhilin Summary: The little postgull drops the newspaper right in front of her and then hightails it away from Mount Corbo, and that should have been her first clue, because the bird usually likes to hang about and beg for scraps. But not this time. No. Because this time, the newspaper has her oldest brat’s picture plastered all over the front page, but it’s not the cocky grin of his wanted poster. No. It’s her kid, bruised and battered and in chains. Firefist Ace, Whitebeard Commander, to be executed! the headline proclaims for the world to see, and Dadan freezes. birds of a feather (Dungeons and Daddies (Podcast)) written by travvymybeloved, performed by godoflaundrybaskets Summary: “Oh, fuck,” Glenn said and through the windshield, Henry could see him throw his joint down onto the dashboard. He threw himself half out the window, leaning out at the waist and throwing open his arms. “Come on, Henry! Go, go, go!” Henry let out a wordless honking noise and started flapping his wings, skipping against the ground and taking off in the air for a few seconds. He hit the ground, took a few shaky steps, then took off again with more confidence. Darryl whooped, starting to rev the car, and Glenn caught Henry out of the air and yanked him into the car. Darryl slammed the stick into drive, the car lurched and shot off across the field, and Ron continued cry-laughing in the backseat as they beat a quick retreat. “You almost got your butt kicked by a bird,” Ron wheezed out, wiping at his eyes, and Henry harrumphed. “Oh my God, that was great.” --- If Henry was asked to guess anything, anything, about Faerûn, "geese act as malicious guides to your soulmate" wouldn't have even made the top 100 guesses. The Hall Pass (หัวใจไม่มีปลอม | Beauty Newbie (Thailand TV 2024)) written by Wereflamingo, performed by Annapods Summary: Liu’s comfortable relationship with her boyfriend Guy gets shaken up when Guy gets cast in a Boys Love series opposite charismatic established actor Saint. Well, Liu thinks he's charismatic. Guy thinks he's extremely annoying and can't be trusted. There's no way that hall pass will ever be needed. Or: a rookie BL actor and his girlfriend acquire a third through the power of BL and complaining about your shared real/imaginary boyfriend. A story about social and parasocial relationships, monogamy and polyamory, sexuality and lack thereof, beauty, choice, and enemies-to-lovers BL, told through voice messages and phone calls on Liu's Phone.

[fatum679]

Hi. I have a few questions and would like to hear your opinion.

What do you think of Aemond's actions at Rook's Rest? Do you see it as him intentionally wanting to get rid of Aegon or him simply not caring and primarily aiming at Meleys and Rhaenys, while also seeing Aegon as a collateral victim ? He sure gets a lot of hate for it now, especially from green fandom. Do you think he can be justified at all? Personally, I'm not happy with how the show depicted Aegon/Aemond dynamic cause it could have been very interesting and complex, but the way they resolved it in the show did seriously disappoint me, ngl.

Also, do you think that Helaena will know what happened? We know that Hel and Aemond share a scene in ep 5 in the throne room and I was wondering what her reaction could be (anger, indiferrence, sadness, another vague prophecy... )? I'm curios to see how are they going to depict their dynamic since it will be the first time they actually interact (I still can't believe that the showrunners missed the opportunity when Jaehaerys was killed).

Thanks in advance for your answers!

Hello!

I'll be clear, I don't like Aegon and I have no problem with Aegon and Aemond not having a loving brotherly relationship. Aegon is a terrible big brother, he taunted and bullied Aemond his whole life and wouldn't stop. "He's a twat." Aegon took the 13-year-old child for his birthday to a brothel. Aemond did not want this, he was brought there by force.

In season two he treated Aemond like his own weapon "My brother, at least, knows his plase. He's as loyal as a hound. I can set him ans his dragon on my foes at will".

I see that Aemond wants revenge and he wants justice.

But I am absolutely against what happened in Rook's Rest. I see that this was specifically written by the writers to take the blame off Rhaenys. Rhaenys killed a large number of people at the coronation and tg stans used this argument against tb stans. So I believe this was done intentionally. Rhaenys' crime was given to Aemond. We are sold the idea that there is a "good side" and a "bad side", a "Mary Sue" side and a "villainous villain" side.

That is why in episode 5 the residents of the capital are not happy about the victory over the Meleys. But why? This dragon has killed many innocents, it has left many children without parents and it has crippled many. This is propaganda. They are promoting to us that TB is concerned about people, but this is not true.

Rhaenys's crime was deliberately given to Aemond. Aegon was deliberately made stupider. I don’t believe that when he saw Meleys he didn’t think that “This dragon is bigger than mine, maybe it’s not worth attacking directly.” This battle was meant to unite Aegon and Aemond. This does not mean that they will respect and love each other, but for the same purpose they had to unite. “You may cuff him about as you wish at home, but in the world, we must defend our own”.

I was also expecting more fire in this battle.

I see Helaena's reaction as Aemond becoming something he never was. It's sadness I see. Helaena is the voice of conscience for Aemond.

Aemond really supported Aegon "I only wish to serve my king and my house" "We can't risk losing you" But AEGON DIDN'T CHANGE "My brother, at least, knows his plase. He's as loyal as a hound. I can set him ans his dragon on my foes at will" "What a fine, sweet thing, did you fuck her like a hound?" I doubt you would support a person who puts you down.

I understand Aemond's "betrayal", but it shouldn't have been the way it was portrayed on the show. Aemond would not deprive his party of a dragon. Perhaps we will be told more in other episodes.

I'll just describe Aemond with this quote, but I think he had a lot of bad days in his life: «All it takes is one bad day to reduce the sanest man alive to lunacy. That's how far the world is from where I am. Just one bad day»

Unfortunately, in episode 5 we were only given crumbs, but in episodes 6-8 there should be more Helaemond scenes and according to the leaks, Aemond should realize that Helaemond is a dreamer and ask her for advice. The actors also talked a lot in interviews about their relationship and that they played Helaemond. I'm just waiting and hoping.

[anastaaaaaaasia]

I really hate HBO

I am writing this and understand perfectly well that this post can cause a lot of discontent and hate, but I feel that I can no longer remain silent.

It's about HBO and the character of Aegon, and more specifically about the incident with Dyana.

Many of the green team and even Tom Glynn-Carney himself are hated and called rape apologists. *Deep breath*

Honestly, I will never understand this, especially when real people are bullied for fictional characters. But today I would like to talk about HBO.

I absolutely love the character of Aegon, I love the books on which the series was based, but HBO is hitting another rock bottom with their masterpieces.

All the scenes with Dyana look terribly awkward, because the serial Aegon is so pitiful that sometimes you think that he himself is being straponed by all the servants in turn. As my mother says, you can only hug him and cry. Diana as a character is a simple cardboard figurine for HBO's convenience.

All modern values, agendas and education on these topics are, of course, good, but not when they cover their asses with it for their own convenience. Unfortunately, in the modern world, where the topic of violence is very acute, it also turns out to be a very profitable topic. Profitable for increasing coverage, convenient for creating a clichéd image of a villain. I wouldn't even be surprised if HBO released Dyana T-shirts later.

But the most deplorable thing is that a large corporation does not remember about rape, when they could have donated to a fund to help victims and talked about it at events. Just perform an educational function!

Sorry, but HBO essentially monetized violence.

Chapter 2. Fans and double standards.

I can understand why the TV series Aegon is hated. Yes, he’s no good! Despite the fact that he still remains my favorite character. The first scene with the adult Aegon, right where Alicent scolds him for Dyana. This act is essentially presented to us as the main one, as the main feature of Aegon. How else should those who were not familiar with the books before react?

But I have another question, many of the fans of the House of the Dragon watched Game of Thrones, where there is much more violence. Why then were only new characters included in the distribution?

We had Ramsay raping Sansa on her wedding night. We believed this because we saw the sadistic tendencies and understood that Sansa was not a Mary Sue who would be able to escape from Ramsay at the last moment.

We had JAIME raping Cersei over the corpse of their own son. but his character had been revealed before from the best sides, so many did not even understand what happened.

I will never get tired of saying that the writers and producers, frankly, did a terrible job. We were supposed to have a series where the fight is between two types of shit, all of them gray. But we ended up with characters without motivation, with unnecessary clichés and, frankly speaking, boring in many places.

We got a real feud between the fans. This is good for business, but bad for humanity. It turns out that many actors receive hate.

Yes, I’m on the green team, but first of all, I’m on the team of those who condemn the shitty work of screenwriters and producers.

[daystarvoyage]

Hi! I read somewhere about someone not liking Luz's ending since she "didn't grow as a person" at the end of the owl house. They said that she only became more depressed or traumatized but she's still the same cheerful and helpful girl like in the first episode of season 1. Do you agree?

Hello Hope you have a great day from the brown sugar queen, I know it’s late by the time you get this so ima clear a lot,

time for the tea.

Now i have all the love and heart for my girl Luz Noceda but lemme me tell you her personality made me look at how she was handled gave me a SIDE-EYE besides that,

Yes, i agree on this, definitely,

I felt That the crew wanted to do so much with the show but felt they had no idea writing Luz, however they too had there drawbacks, Yes I LOVE LUZS CHARACTER AND SHE IS SELFLESS A GOOD FRIEND (even if it’s the wrong person) Loyal, and cheerful. How we get moments that

Luz's character can be bastardized!

i feel fans try to view her as this bubbly girl boss, we know and love, however we overlook her flaws cause of discourse. she’s this impressionable, unruly, explosive girl with self imaging issues & unresolved grief, that effected her lifestyle.

I truly do depict her as a girl failure which ill get to a list of reasons, I’ll be getting into

EDITED its Masculization

heres a term masculinization comes to her character writing, style-wise, cause this word has been used throughout the animation to the point it’s a trope.

Now let’s get down to reasons why, she gets to the way she is.

Luz wants to do so much for others, that she hasn't practiced learning about self-love and acceptance, it all backtracks in her past of her deceased father & trying to relate to earth kids with opposite interests that can be harmful.

I felt they truly had fun time to an extent how they can push her in a negative direction, (this goes for hunter which I’ll do a post/video soon.)

how they wanted her to be more of an edge lord along the series run, (and the proper writing of the show didn’t help.)

Heck to the point in season 3, she never interacted with anyone on earth in her school, which is concerning, cause that can lead to self-harm or failed relationships, also known people as kikimora or talking to her other friends in season 3 coulda gave her a wake up call.

ALSO CAN WE BRING UP LYING TO HER LOVE ONES OUT OF NO WHERE! Season 1

DRAGGING THEM THROUGH MORTAL PERIL IN SEASON 2!

AND NO NEURODIVERAGENCE DOESNT EXCUSE BAD BEHAVIOR OR BLACK FEATURES BEING MINIMIZED.

2.They should've let a POC (person of color) write Luz cause of how she turned out Personality-wise throughout the series, which I rewatched, along critic videos and yes even in season 3 they decided to make her some shonen wannabe edge lord,(A wannabe Pokemon Goh But more emo.)

Luz's is flawed, as a character & written wise, felt the show didn’t know how to write for POC, cause fans who are another ethnicity might view this, and say oh, where portrayed as this etc, but without our black features or even how where portrayed in society in social norms.

Yes I did a post on her fashion & wardrobe and how it affects a character, boy they got my girl looking a hobo at times. ( and the good so called hair symbolism could’ve made Luz even better.)

ALSO (I may be ranting but hope ya listen)

Hated how they tried to Mary Sue her at certain episodes when she's faced with problems or issues that can affect everyone in dire times, for example,

her willingness to learn magic, which she can be impressionable and wanting Praise for the wrong reasons, but To be loved I Understand.

She is a person wanting acceptance and tolerance ( which that whole wanting to be understood season 3 dialogue could've been for season 1), just to be liked by a new world, would have fleshed out her character more, and given the viewers and her friends reasoning why she does staggering things.

also when she wanted to get to learn magic from her sensei, Knowing Eda knew how unpredictable & reckless at times luz can be, but Eda has her issues. throughout 4 episodes I think its been dragged out she has done stupid things to put others in harm's way even OWLBERT.

3.she can act nonchalant & ambivalent in dire situations, (to the point her friends should've Gotten angry with her actions, GUS AND WILLOW PERIOD) But don't worry all that's being glazed with the Mary Sue trope, discourse, & her being submissive to amity,

which she can take many stabbings and hits for a cause you know all is well with a Good ship. INSERT SARCASM

tragically i do feel she ended up a girl failure, But they Try hard at girl bossing her up, cause she was put in situations where she didn't have dire punishments and consequences. plus excepting a power she had no choice accepting at the season finale,

Comment below for more, about how Luz should be improved or the fact the series could've written her better.

Hopes this answers all your questions, have a great starlight day. glad we can unlock the topic with a key, & sip some tea.

A VIDEO I DID DOWN BELOW FOR MORE ON LUZ.