#but we go to different ones so. lol.

[mewguca]

gmorning i have class

[bacchuschucklefuck]

they licensed his ass

my finished piece of the FWMS (official name definitely 100%) thing we started a few days ago! I had fun I hope folks had and/or continue to have fun with the sketch as well.

[cosmicdreamgrl]

when i'm with you i'm in utopia 💘 for @jkvjimin [ cr : 0613data ]

[fiepige]

Compilation of EVERY single time they changed Hobie's filter in the digital version:

Left: Theatrical release Right: Digital release

You might have to click on some of them to get a better look at Hobie, sadly I don't have a video editor that allows me to make better edits than these :')

[icewindandboringhorror]

Little bright colored outfit with a fun vest ~

(shoes from ebay like 10 years ago. everything else is thrifted)

[turtleblogatlast]

Big Mama must have lost some serious standing in the yokai underworld because it’s gotten apparent that she keeps being beaten by a small group of teenagers and the occasional rat man, and when it’s not them then she’s taking L’s from her own schemes working against her.

And in the ensuing power vacuum, the Hamatos accidentally become the most feared crime family known to all the big bads of the Hidden City.

After all, they’ve publicly outplayed Big Mama multiple times, a couple of them have taken out the heads of two of the most well known criminal organizations, one took out Heinous Green, two are responsible for the destruction of Witch Town, they have ties to both the infamous Baron Draxum and Captain Piel, they won the Doom Dome death race, they’re Battle Nexus Champions, they’ve displayed insane feats of power and defeated impossibly strong enemies, most of them have been to jail, and they regularly mingle with humans.

You can just imagine the notoriety they’d accumulate from word of mouth alone.

[rinboking]

Some drawings I made for one of my aus

I am NOT showing behind the sticker, sorry 🙏 /hj

[w1f1n1ghtm4r3]

a bunch of bugs and one dog

[puppetmaster13u]

Prompt 84

Amity Park absolutely adores her little ghostling, her little Gatekeeper who was of her own ectoplasm, reborn from her own blood in the center of her new heart. She absolutely adores her baby, practically a newborn, being only a year dead! 

So of course she had to gush and boast about her little phantom to the other city spirits! They all got together to gossip sometimes after all. And both Smallville and Fawcett started to gush about their own little ones back! 

Gosh they should set up a playdate at some point, her little phantom could use some friends in the mortal realm. Well some more friends, three is obviously not enough. Oh, Gotham and Bludhaven have come over as well! It’s a playdate then! 

Now if only each of their world’s timelines were synced up, but at least everyone is around the same age! 

[violettierre]

My haitani father Shio headcanon is just a bit too funny cuz of how well it works that it sounds like a waste of perfect canon idea and crossover for both of wakui's works.

Aside from the obvious physical features very very obvious, identical eyes, nose, blonde eyebrows, rindou's face form, ran's hair color palette and (arguably) bonten hair style, blah blah i mean just look a the pictures below, you can also bring up any fact from either manga and add it to the hc and it fits in just SO WELL, i'll give the first example, The Haitanis are very obviously rich spoiled kids like have you seen their apartment? They have a fucking dj set, only rich kids with neglective powerful parents will have no problem paying for that, just saying, and even though i love him let's be real Shio is the type to be that parent, i mean cmon he's rich like crazy rich (filthy yakuza money yum yum) he tots would give his children WAY more than enough allowance so they can leave him alone, also the way they act, i've always the Haitanis were the type of kids that think they own the school cuz their dad is rich .

Nvm if this never becomes canon or both universes don't collide, it's just so entertaining to keep connecting the dots that were likely never there, like how Rindou is a heavy drinker cuz his father drank alot with the rest of the Yotsurugis and he tried to imitate him from a young age that it became an unhealthy habit or if you want to add more drama he only drinks cuz he looks up to his father but Shio favors Ran cuz he can posssibly succeed him (canon power complex) so Rindou resorted to drinking cuz it's the only thing like his dad that he can do. Heck yeah i made it angsty!!!

You can also add great context to his fear of Yakuza, picture this, when he was a kid he got up in the middle of night after hearing a loud noise to search for his parents and witnessed Shio (canon Yakuza) pew pew-ing some poeple and surrounded with scary men, that probably scarred him for life that he was so terrified when Kakucho got them interfering with some, OH OH something just came to mind, if he's the son of a yakuza yeah he didn't wanna clash with other yakuza families cuz it can end in a blood shed and risk his and his family's lives.

And i'm gonna add this one not very small detail and i swear i'll shut up (for now), i know it's just a stupid headcanon that is very far from becoming reality and i don't have to take it this deep but hear me out, why their last name is Haitani and not Yotsurugi like their dad, Shio is powerful and have many enemies right ? So he simply decided to protect his children and their identity by giving them another last name likely their mother's (yk like minato with naruto style plan ?) So Haitani is actually their mom's family name. I rest my case. Thank you for coming to my useless ted talk.

[juustozzi]

I could hear the sound Distant and thin Of our hearts caving in

kinda of a continuation to the previous galaxy piece, though I'm trying to not make this grow too much...

[skitskatdacat63]

Kinda 😾 rn cause I realized the Senna show made the "can we be equal? 👉👈" scene SOOOO much less intimate/cute. Upon watching it, I was too distracted by "Oh! They're referencing dialog that actually happened!!" but now I'm peeved having rewatched the actual clip 😭

Why would they do this to me specifically

[citrlet]

the townies of san myshuno

[faunandfloraas]

okay i'm glad to see you bring up the teasing of seungmin bc it was also rubbing me the wrong way but i didn't know if i was just being sensitive or what. obvs we don't know what goes on behind the scenes and obviously they all care about each other and tease each other as friends but when time after time the joke targeted towards seungmin is "we don't like him and he doesn't understand things" it's like. hm. it starts to feel mean spirited!!

sorry for the rant i guess i didn't realize how bad this was annoying me lmao

Yeah, tbf I think it's just one of those things where even if Seungmin is 100% unbothered by it, and the guys dont mean anything by it, its still fine and understandable for people who have ever been on the end of jokes like that- whether in your own friend groups or at school, at work, etc. to not really enjoy it.... So I don't think you're being sensitive! But also I did question even making my post last night for the same reason.

The jokes are also just not funny 90% of the time lately which makes it more egregious bc seeing any joke get beaten into the earth gets old eventually- like they do make jokes at his expense sometimes that /are/ funny, so I'm not saying they cant ever do that, it's just that the minute the jokes arent funny, well then its awkward at best or actively uncomfortable at worst so 🤷‍♀️

[halfbaked00q]

okay as an admitted did-not-watch-NTTD'er who got, like, all of their info from uhh recappers, the wiki synopsis, the specific clips with Q I watched, and whatever I osmosis'ed from fics.

I finally watched the beginning of NTTD at @prismatic-bell's nudging. And I was like. Okay wait. wait wait wait. This is... well-written? And shot and directed & acted?? In a hollywood movie lmao?? Like. The way it's set up w Madeleine's backstory, and then the Bond & Madeleine stuff that does a much better job of establishing their relationship, the goooorgeous wide shots.

I admittedly was rather "I close my eyes I do not see" to a lot of canon - coming from partially a comics fandom background I'm very aware, well-versed, and well-practiced in the 'canon is your pick-and-choose buffet no need to feel like you have to 'respect' the 'sanctity' of 'canon' esp when it's Bad (like it contradicts other canon or you can just Tell this character was Not Written Well and it's like, here's what it could be that is better)' - and from opinions I saw on NTTD I was expecting to be very pick & choose about it.

But okay, wait. wait wait wait. It works. The beginning at least which I watched. Works. Like, it establishes a key character moment for Madeleine that Explains Everything about her behavior, actually - like she just like Bond is actually also very traumatized & has been locking it down/deflecting it vs processing it, and the whole like Vesper thing is (to me) very obviously her misdirecting Bond away from her own Goin Thru It. I can see how it can read as very suspicious to Bond esp with everything else but it, like, is a Narrative and Makes Sense for her character and Works. wild.

Even the Bond stuff makes a ton of sense. Like, when I hadn't watched it and was going off second & third hand information, one of the things I was hrrrm ?? about was the. How do you get from the guy who says "I miss you" at Vesper's grave, to the guy who put Madeleine on the train. The man who, even after finding out Vesper betrayed him, still wanted to save her? Would... send Madeleine away? In what, a fit of pique? Surely he's more of a "run to me and I will handle it" if it turns out not to be true or a "if it is, I'll handle it" kind of guy.

BUT YOU KNOW WHAT IT WAS. YOU KNOW WHAT IT FUCKING WAS LMAO. I WAS MISLED BY THE FUCKIN. BILLIE EILISH SONG LMAO. The lyrics of it make it SOUND like it's a like "you betrayed/cheated on me how could I have ever trusted you" break-up song kind of situation. BUT IT ABSOLUTELY FCKN WASN'T LMAO.

It's like. two traumatized individuals who trauma-bonded and honestly maybe should have spent time apart healing/learning themselves again before re-evaluating if they think a relationship could work, but like. they both were Goin Thru It and let themselves get carried away with it ig. And then right when Madeleine was like. hm I've been Not Dealing with this a Lot (tbh her being a psychologist probably made it worse cuz I think it made her more effective at Not Dealing With It and deflecting/misdirecting, but like. I don't think she was doing it intentionally, I think it was just a "combination of circumstances" thing. But this also works cuz I think before the like why did Madeleine push him towards Vesper again even though he said she was in his past. And it's like. She was delaying dealing with HER shit and probably unconsciously deflected his attention by poking at waht she thinks is still HIS equivalent to her baggage) where was I. Oh yeah, Madeleine is like. hm. yeah. the whole letting go of secrets thing. I. need to come clean to him...

but then all of the Spectre stuff happens.

Even the him sitting in the car thing is soooo so so. Cuz Craig absolutely put his whole pussy in the acting for this scene. he's got that like. wrong side of overstimulated so you shoot past being in the zone and instead are zoning out lowkey thing going on, mixed with the like. agent faced with a hopeless situation Observing Everything still but like vaguely morbidly amused about it, probably what's running through the brain rn is "lmao, wonder which bullet will be The One" kind of deal. And cross-cutting the shooting & wide shots with the bells was *chefs kiss* genius.

Even Madeleine not managing to tell him was well written/paced. Cuz it was very believable that she (not trained for this) was scared/shocked & couldn't get a word out. Until the "JAMES. I'd rather die than have you think I--" and then the fucking. tragedy of the bad timing. god. And then even her not just saying it later is like, it all makes sense with the way it was paced, shot, & edited. It was beaaautiful oh man. This also where I was like. damn lmao. miscommunication in a movie where it. feels like it makes sense and isn't just a stupid macguffin lol??? In a hollywood movie?? wild

but yeah this is also where it was like. hey wait. the man who, in the face of sort of a morbid (passively?) suicidal emotional blowout due to the Everything, but was able to break through it when she got through to him enough for him to look at her, and her to cry & shake her head like no, it's not true/no don't do this/please/(w.e). and go, "Okay." and take action. How does he put her on the train??

BUT. BUT FUCKING. BUT THEN. MY GOD. *Actually* watching the fucking scene I was like. Ooooh. ough ough oh god. This isn't him vindicatively cutting her out of his life "the bitch is dead" style. This is his Vesper in the elevator cage moment. He's fucking drowning in the cage but he doesn't want to take her with him. He's locking her out of the cage. god.

And the fucking. devastation on his face while he's on the platform. THAT'S HIS FUCKIN. VESPER HOLDING HIM ONE LAST TIME AND SHOVING HERSELF TO TH EBACK OF THE CAGE AAARGGGGHH BARK BARK BARK

Which, a-fucking-gain. THEN MAKES THE NO TIME TO DIE SONG. ALL THE FUCKING MORE EGREGIOUS LMAO. "was I stupid to love you was I foolish to trust was it obvious to everybody else" WHAT ARE YOU ON. THIS IS A SHAKESPEAREAN TRAGEDY THIS ISN'T FUCKIN. 'THE BITCH IS DEAD.'

God this is like when ppl are convinced QoS was Bond going on a revenge rampage when he was (1) not even rampaging (2) not on a revenge quest/storyline - that was Camille's story!!!* caveat I did not watch QoS either lol, but I did watch a video essay breaking it down which I found Very Compelling and have since incorporated it into my worldview lmao. Like, in light of me actually watching the beginning of NTTD, and then it launching into the title sequence and the song. IT ACTIVELY. REWRITES HISTORY YOU JUST WATCHED ON THE SCREEN AAAGGGHHH BITE CHOMP KILL. IT UNDERMINES THE WHOLE. ALL OF THE WORK THE FILMMAKERS DID UP TO THAT POINT IN PLOTTING OUT ACTING OUT & ESTABLISHING THE STORY TO THIS POINT.

Like. The problem of the song isn't even oh it's a limited POV thing. IT'S NOT EVEN WAHT BOND'S POV WOULD HAVE BEEN/SHOULD HAVE BEEN BY THAT POINT. Again, this is the "the bitch is dead" edit of the scene, BUT THAT'S NOT WHAT HAPPENED. THIS IS BOND LOWKEY SPIRALING AND LIKE. OVERSTIMULATED-EXTREME-EMOTIONAL-AMBUSH-IN-A-VERY-SHORT-TIME LOWKEY EMOTIONALLY SPINNING OUT. BUT THEN BREAKING THRU IT ENOUGH WHEN MADELEINE CALLED FOR HIM. TO LOCK HER OUT OF HIS SINKING CAGE. BRUH. BE SO FORREAL RN.

also lmao she clutches her torso WAY too high up, bruh that's her sternum not her belly... but ig the idea translates across still.

but yeah. god. And here I thought No Time to Die the song was just. boring & musically uninspiring. but no. it's so much worse lmao. god.

[galacticcertainty]

"You wanted this killing game, so you have to win no matter what."

Older piece I made for the Venture Forth: Rantaro Amami zine (2021)!