#I didn’t even list everything the Hamatos are MENACES

[turtleblogatlast]

Big Mama must have lost some serious standing in the yokai underworld because it’s gotten apparent that she keeps being beaten by a small group of teenagers and the occasional rat man, and when it’s not them then she’s taking L’s from her own schemes working against her.

And in the ensuing power vacuum, the Hamatos accidentally become the most feared crime family known to all the big bads of the Hidden City.

After all, they’ve publicly outplayed Big Mama multiple times, a couple of them have taken out the heads of two of the most well known criminal organizations, one took out Heinous Green, two are responsible for the destruction of Witch Town, they have ties to both the infamous Baron Draxum and Captain Piel, they won the Doom Dome death race, they’re Battle Nexus Champions, they’ve displayed insane feats of power and defeated impossibly strong enemies, most of them have been to jail, and they regularly mingle with humans.

You can just imagine the notoriety they’d accumulate from word of mouth alone.

[heyheydidjaknow]

Why do I not have the option to copy and paste formatting? Why is that an option I am not given? Who thought that I wouldn’t need that when I’m on my phone? Screw that guy, who I am arbitrarily calling Adam. If anyone knows how to do that, please tell me.

Chapter 6 Pt 2

“There is no fucking way you got a date with her.” Raphael does not even look it up. “No way in hell.”

“And yet the flow chart worked.” He laughs from his lab, shutting off any excess equipment as to not overwork it. “It worked like a charm and she asked me to go to her place so ha.”

”You didn’t show her the chart, did you?”

“I did not.”

“Well, there you go.” Leo looks back at him from his seat on the couch. “What time?”

“Seven o’clock.” He slides the door closed. “But I’m planning on being there at six fifty-five so that she knows I value her time.”

“Does the sun set that early?”

“Why do you even ask?” Raph turns a page in his once periodical periodical. “You know he looked it up.”

“As a matter of fact, I did. Forgive me for also valuing preparedness.”

“Nobody likes a know it all.”

He grins smugly. “That’s where you’re wrong. See, I,” he gestured to himself, “have a date with a gorgeous girl tonight, one where she has already invited me into her home, and you,” he gestured to Raphael, “are reading a magazine from a company that went out of business two years ago alone.”

“Donnie, don’t be a jerk.” Leonardo looked back at the television. “Raphael brings up a valid point; you tend to act like you know everything, and the actual request wasn’t for a date.”

“How else can I interpret one on one time with her?”

“Well,” he counters, “how do you interpret one on one time with us?”

He blinks. “Wait, so you’re saying she’s… how do you put it?”

“Nah, I don’t think she’s friendzonin ‘im.” Mickey looks up from his drawing. “Think she’s sending signals she doesn’t mean to.” He sets his half-shaded piece aside. “Think about it; she said she’s been all stressed out, right? She died like two weeks ago.” He shrugs. “She’s probably just lonely and needs the company.”

“That’s… actually really insightful of you.”

He grins. “What can I say? I’m a modern McPherson.”

Raph snickers at that. “Donnie is more of a McPher—how old is that movie, anyway? A hundred?

“Hey!” He shoots a glare at his brother. “Respect the classics.”

“Not to interrupt your riveting intro to film class,” Donnie interjects, losing his shit, “but I really need to know what this is before I go, and it’s already fifteen ‘till.”

“Look, maybe she’s interested, maybe she’s not.” Leonardo’s eyes are back on the screen. “Just try to tread carefully and you’ll probably be fine.”

“Probably?”

“Again, Raph had a point.”

He groans, walking to the entrance and exit of their home. “You guys aren’t helping.”

“Not our job.”

Leo calls after him. “Be home before six!”

He turns the corner, cradling his head in his hands. ‘I am totally and thoroughly fucked.’

--

GoodFellas.

Of all the movies in the world, that is the movie you have decided to use to explain these concepts. This is the example piece that you are going to show to the vigilante. All you know is that you had started watching the Phantom Menace and had decided against explaining the concept of racial coding and this is the only other movie that you can think of right now. You have decided to commit, and you are already regretting it, but you decide to figure it out as you go.

You set the pizza on the coffee table, throwing a bag of popcorn in the microwave to pop. You do not expect Donatello to be late, so you decided to start now so that they could get started right away. You start walking to the window, stopping at the mouth of the hallway. You look yourself over one more time in the bathroom mirror despite yourself. You do not exactly know why you care so much; this was not a date, and you had not advertised it as one. Still, impressions are important, and the last thing you need is for him to not listen to you because of it. That is what you are telling yourself, anyhow.

You hear knocking against the glass. You check your phone for the time. ‘Five minutes early.’ You smile softly. ‘How responsible.’ You open it up, smiling at your guest. “Welcome, Donatello.” You take a step back. “Please, make yourself at home.”

He barely makes a sound as he steps off the windowsill, looking around your apartment, fully illuminated, for the first time.

After about thirty seconds of his investigation, you clear your throat. “Donnie?”

He snaps out of it. “Huh?”

You smile gently. “You wanna sit down? I bought pizza.”

“Uh, yeah.” He nods, sitting down and facing the television screen. “I like your place.”

“Thanks.” You sit down next to him, tucking your feet under you as you flip on the television. “How do you feel about gangster movies?”

“Gangster movies?”

“Yeah.” You list a couple on your fingers. “Scarface, Godfather, all that jazz.”

He shakes his head, brow furrowed in confusion. “How can you make gangster movies legally?”

“That is a long answer. The short version?” You lean forward, taking a slice from the box. “The police are kind to those who cooperate, and people think their stories are fascinating.”

“So they’re documentaries?” He mimics you.

You shrug. “Sometimes. Not always, but sometimes. You want something to drink?” You hear the microwave beep as you stand up.

“Water?”

You nod, walking over to pull the popcorn out of the microwave and grab your drinks. “I trust the walk wasn’t too bad?”

“Not at all.” The small talk is torture. “Getting to your window was a bit of a challenge, but it wasn’t anything too bad.”

“That’s good.” You pour him a glass. “I’ll have to get something for that; maybe a planter or something, so you have a bigger ledge.”

“It’s alright.” He taps his fingers against his knee. “It’s wide enough to stand.”

“Still.” You place his cup on the counter, dumping the kernels into a large plastic bowl. “I wouldn’t forgive myself if one of you guys got hurt trying to come in through the window.” You grab a can of soda out of the refrigerator, sitting down and handing him the glass.

He smiles slightly. “You’re really sweet sometimes, you know that?”

You grin. “I try,” you hum, starting to pull up the movie. “I think you’re pretty cool too, Hamato.”

He chuckles. “You make me sound like I’m fifty.”

“Oh, totally.” You nod in agreement. “You’re an old soul.”

He blinks. “Old soul?”

“Mature, I mean.” You shrug. “I mean, handling the stuff you do with any degree of tact, to me, displays a great maturity you don’t see in most teenagers, myself included.”

“Is that a bad thing?”

You get back up for napkins and plates. “Not at all.” You hand him one of each. “It’s an admirable quality, though not one I particularly envy.”

“You think?” His hands linger for a moment longer than typical as he took them.

“Yeah. You want me to turn down the lights for the movie while I’m up?”

His face goes red. “I-I mean,” he stutters, “if you want to.”

“Then I will; shows the image better when it’s dark.” You walk to the wall, flicking off the lights and sitting down next to him, setting your slice on your plate as you turn on the movie.

Your reactions to it are different.

He does not seem what you would call disturbed, but he gets grossly invested in the story extremely quickly. He is noticeably more interested in watching you watch the movie, but he studies the plot intently, noting the more domestic plotline between the lead and his wife in particular. His reaction to the violence is strange to you; he is not aloof, so to speak, but he does not flinch much until the fighting is between Henry and Karen.

You have seen this movie what feels like a thousand times. Whenever you think it applicable, you lean over and whisper to him about the directing, the script, the plot—it is supposed to be a lesson, after all. But you realize that your attention, every so often, shifts to the bed, to your pillow with the knife underneath it. The violence of the movie makes you edgier than you are used to.

About halfway through the movie, you move closer to the boy sitting beside you. You lean your head against his shoulder, closing your eyes as you listen for cues for comments. You don’t notice his reaction, but you do notice how his arm snakes around your waist, pulling you closer to him. You do not object; you were the one who initiated, after all.

“Here’s a psychology relationship thingy you can tell your family about.” You cringe at that poor little girl standing in the hallway. “’That’s all in your head’ is classic gaslighting. I dunno if that’s really your area or not.”

“Oh, yeah, I see what you mean.” He fiddles with the cloth of your jacket absentmindedly. “It’s kinda hard for me to wrap my head around, people staying like that. I mean,” he clarifies, “I get why, but—”

You both tense up as a young man on screen is shot dead by Joe Pesci’s character.

You exhale. “Yeah, I get what you mean.” You shrug. “But folks get scared, ya know? In her case, she doesn’t want to break the family apart, and she’s really into him.”

“What? No way.”

“Yes way.” You look up at him. “What can I say? We fall into infatuation so fast with bad people who say what we want to hear.”

“Don’t you mean fall in love?”

You watch as Lorraine Bracco holds a gun to her husband’s face. “Nope. Love is entirely different.”

“Yeah?” He glanced down at you.

“Apples and oranges.” You gesture to the television. “Love is supplementary, a beautifully imperfect connection between people.” Your voice becomes smoother, airier. “It’s a bond built on trust and respect. Infatuation is more of an addiction than anything.” You sigh as Liota meets to discuss his relationship with Sorvino. “At least I think so. That’s why love at first sight is a bunch of bullshit; you can’t have that kind of profound trust with someone you just met.” You shrug, looking back up at him. “Then again, what do I know? I’m an inexperienced, fifteen-year-old girl.”

“That makes a lot of sense, actually.” He looks back down at you. “I get what familial love is, but whenever Master Splinter talks about his wife, he has a hard time putting what he means into words.”

You hear their guilty verdict. “Totally get that. Articulation is not easy to do.”

A few minutes go by.

“May I be frank?”

“Please.”

You watch as a man drags his wife out of a Christmas party. “This movie is exactly why I don’t ever want to learn how to do the stuff you do. It changes you, all that violence; desensitizes you.” You bring your knees to your chest. “Especially Raphael. I swear, that shift was as dramatic as his, at least at this point in the flick.”

He pauses. “Please, tell me you’re kidding.”

You close your eyes, breathing slowly. “I’m going to try my best,” you swear, “do everything in my power, to see to it that you guys don’t experience more than you have to.”

You mean it. He can tell.

You two are quiet for the rest of the movie. You explain why certain directing choices were made, connect the beginning with the end, talk about the theme, all while you two watched their fall from grace. When the movie ends, you realize how tangled up in him you are; your head on his chest, legs draped over his with his arms around your waist. You feel the icy air against you, as if his skin attracted it to you. You push the hair out of your face. “So,” you stretch, turning the light back on, “do you wanna see another movie, or do you have a curfew?”

He pauses. “I should honestly probably get home,” he sighs. “If I’m not home early they’ll start getting ideas.”

“Oh, yeah.” You nod, completely understanding the reasoning. “You can take the leftover pizza home if you want; the guys’ll probably eat it before I do.”

“Mikey’ll be on cloud nine.” He picks the box off the coffee table. “Thanks.”

“Any time.” You stand at the window, opening it for him.

He climbs onto the windowsill, looking down at you from his perch. “I had a good time.” His face flushed. “We should do this again.”

You nod in agreement. “Definitely.” You rub the back of your neck. “I’ll pick a lighter movie next time.”

“Alright. It’s a plan.” He gives you a thumbs up.

You steal yourself, cupping one side of his face and kissing him gently on the cheek. “Goodnight, Donnie.” You smile. “See ya tomorrow.”

You are a bit concerned he’s going to fall off the windowsill. “Y-Yeah,” he grinned, words slurred. “See ya later, Y/N.” He waved, climbing up and out of your window.

You smile softly, sigh. You flop back on the bed, rolling over. You have not been this at ease since you died.

‘I really like that guy.’ You close your eyes. ‘I really, honestly do.’

You drift off to sleep, dreamless for the first time in too long.

Table Of Contents

Chapter 6 Part 1

Chapter 7