#but this specific version was so good it’s the one I make

[jheselbraum]

Birth of a Nation revitalized the KKK in America and is perhaps the only piece of "irredeemable media" I can think of that's actually like. You know, a story, and I don't know of anything else off the top of my head that had that kind of lasting, palpably harmful impact that isn't like, direct state mandated propaganda like Mein Kampf. In 1915 the KKK was effectively dead, they'd slowly dissolved around the 1870s (particularly after the introduction of the Ku Klux Klan Act of 1871) and Birth of a Nation led to the most notorious American terrorist group reforming. As far as I'm concerned, DW Griffith has actual blood on his hands, for murders committed at the very least through the 40s (they disbanded temporarily in 1944 after America's most effective violent crime task force, the IRS, got involved, though it could be argued he's only responsible for murders committed by the KKK through the 20s, as membership declined rapidly after that once people saw that being part of a terrorist organization wasn't like how it was in the movie).

And like, look I generally don't think the word "irredeemable" can really be applied to art in any form, but there is something viscerally reprehensible about Birth of a Nation that makes us not want to watch it. Like it (arguably) pioneered a lot of film techniques but that's more of the science side of film than the art side, I'm completely certain that people would have figured out that contrasting long shots with close-ups made movies more interesting if Birth of a Nation was left on the cutting room floor. (In fact, several of the techniques 'pioneered' by Birth of a Nation were actually from earlier films, it's just that DW Griffith was more popular and his films are the ones that were remembered). But like we don't screen this movie publicly, we don't like it, we don't like the what DW Griffith had to say. Birth of a Nation just... repels people away from it. Its in person screenings are relegated to a few film classes and maybe some klan meetings, though I'm certain there are some racists on 4chan who've downloaded a copy. If you ask normal people to pick one movie to stop existing, there's no way out of it you have to pick one, chances are they'll pick Birth of a Nation, assuming they've even heard of it (my first exposure to it was in high school, some people might not get to it until college, or even later, that's just kind of what happens with something like this. It's not like you can learn about something through cultural osmosis when the culture is trying like hell to osmosis that thing out of itself). It's an acceptable loss.

Meanwhile, from what I've read, I'd say the decision to use A Serbian Film alongside Birth of a Nation is actually a reasonable one, not because of the graphic nature of it's content, but rather its themes and message and how flat it can feel because of who's saying it (DISCLAIMER: I haven't watched it, I'm not going to watch it, take this with a grain of salt). It's about a man who's forced to commit horrific crimes to survive (economically, though he may be directly threatened with death I'm not sure, he's doing it as a job basically). If you'll recall, Serbia committed genocide during the Bosnian War in the 90s, the targets being primarily Bosniaks but also including anyone in Bosnia and Herzegovina that wasn't Serbian.

The director of the film, Srđan Spasojević, had this to say when asked if the acts depicted in the film were related in any way to crimes committed during the Yugoslav Wars:

A Serbian Film does not touch upon war themes, but in a metaphorical way deals with the consequences of post-war society and a man that is exploited to the extreme in the name of securing the survival of his family.

Additionally, he described the film as "a diary of our own molestation by the Serbian government ... It's about the monolithic power of leaders who hypnotize you to do things you don't want to do. You have to feel the violence to know what it's about."

A Serbian Film is an exploitation film that's apparently considered one of the most disturbing of all time, but the film is not a snuff film as many people have claimed. A snuff film is the filming of actual gruesome crimes like murder, torture, and rape, committed for the purpose of selling the resulting film and making money. It's not "a movie that depicts gruesome crimes like murder, torture, and rape through the use of special or practical effects."

Based on the quick read-through of the Wikipedia article I did, it seems like most of what the film is trying to say is through the lens of the aftermath of the Yugoslav Wars, or at least that's how the audience largely interpreted it. The script writer, Aleksandar Radivojević, said this about the process of securing funding for the film and the state of the Serbian film industry in general.

you had this EU arts council funded production using Serbia for EU's political agitprop agenda of 'promoting tolerance and reconciliation in the post-war Balkans' by boosting sappy local projects of no aesthetic value whose sole reason for receiving EU financing was their respective authors' willingness to amplify the EU-approved message, i.e. to express 'Serb contrition over what happened in the Yugoslav Wars' via essentially making victim porn, showing small miserable Serb people who are struggling mightily while nevertheless simultaneously 'doing their part in search of collective redemption' by being extremely remorseful

Now, I'm a white American who does not experience racism of any kind, let alone the violently dehumanizing prejudice necessary to convince a group of people to commit an ethnic cleansing, but if my people had been the victims of a genocide, and I heard someone from the group of people that committed that genocide complain about media depicting his people's remorse, and saw that that guy also wrote a movie where the plot is a man is forced to commit gruesome rapes, and again, my people were gruesomely raped as a part of that guy's country's plan to wipe my people from existence, I'd be fucking pissed. Like again, I haven't seen A Serbian Film, and Radivojević wasn't the only person in the writer's room, so maybe in practice it reads less as "our government was controlling us we did nothing wrong" and more "our government is controlling us and we're monsters for listening." And we can argue the merits of the latter another time, but at least the latter acknowledges that genocide doesn't happen in a vacuum because some schmucks at the top said so, that the people bear as much responsibility as their government.

Now, is A Serbian Film actually trying to say anything about the Yugoslav Wars at all? I don't know. I haven't seen it. Maybe it isn't about the Bosnian genocide at all. But then what is it saying about Serbia? Serbian actor Dragan Bjelogrlić said this about the film and its director, a year after its release:

I have a problem with A Serbian Film. Its director in particular. I've got a serious problem with this boy whose father got wealthy during the 1990s—nothing against making money, but I know how money was made [in Serbia] during the '90s—and then pays for his son's education abroad and eventually the kid comes back to Serbia to film his view of the country using his dad's money and even calls the whole thing A Serbian Film. To me that's a metaphor for something unacceptable. The second generation comes back to the country and using the money that had been robbed from the people of Serbia, smears the very same people by portraying them as the worst scum of the earth.

OP was right, it's fucking insane that this site only uses words like irredeemable media to talk about cartoons for children. Like, no, Steven Universe or The Owl House or My Hero Academia or whatever TV-Y7 cartoon you're hyper focused on that week isn't irredeemable media. Your bar for even discussing it as a possibility is "did this story's public existence revitalize a terrorist organization and lead to several murders," a qualification which A Serbian Film, despite its content, themes, and possible interpretations, does not meet. It's offensive, and disturbing, it possibly excuses genocide, but as far as I've read, no one has gotten physically hurt because it exists.

A Serbian Film is more violently graphic than Birth of a Nation. Birth of a Nation did more to physically harm real people than A Serbian Film ever could.

It's fucking wild that the above reaction to A Serbian Film mentions next to nothing about what it's trying to say, how well it works, who's saying it and in what context, but focuses purely on the graphic and violent scenes depicted in the film. It's probably why they slapped Salo on at the end even though a cursory glance through Wikipedia (I don't care enough to read thoroughly on the plot and themes you get the point graphic exploitation films aren't inherently evil for depicting murder or rape or whatever I don't want to read about more graphic shit it's not something I personally enjoy doing) reveals that that film is strictly antifascist, though several actors were actually injured during filming. Notably, the director of Salo, Pier Paolo Pasolini, was gruesomely abducted, tortured, and murdered in 1975 shortly before Salo's release at the Paris Film Festival. He was openly gay, and a Marxist, and while his death was initially contributed to one Giuseppe Pelosi (17 at the time of the murder) after he confessed, he later retracted his confession claiming that he made it under the threat of violence to his family (which unfortunately tracks, Americans may recall the more recent case of Amanda Knox, who was arrested in 2007 for the murder of her friend and forced by Italian police to confess to a crime she didn't commit and was later exonerated from). The case was reopened after Giuseppe's retraction in 2005 and other evidence that had come to light, and as of 2023 the Italian authorities are looking at the far right group Banda della Magliana as possible suspects. While I agree that "I hear it's kind of. nasty" is frankly an understatement when attempting to discuss the graphic content of Salo, and really fucking hilarious in the context of trying to argue that Salo shouldn't exist at all, I don't know that that's really a fair criticism to make, considering the other two examples are if not directly far right (using the term because of the changing political landscape between 1915 and 2010, like I can't really call Birth of a Nation fascist because it was made before fascism was a fully congealed political ideology, even if it upholds the ideology of fascism) then at least debatably so. As previously established, the actual content of the film, as in, the acts depicted, don't immediately make a work reprehensible. Remember, A Serbian Film is more graphic and disturbing to watch than Birth of a Nation, but Birth of a Nation is worse than A Serbian Film.

Tldr; op is right, and the person whose tags have been drowned is exactly the kind of person op was talking about

'Irredeemable media' is such a funny concept to me because it's never used for stuff like Birth of a Nation or A Serbian Film. It's always The Owl House or My Hero Academia because these people only watch things for children and can't stand any conflict more complex than Super Mario Brothers.

[thefemigirl]

★ Embrace Uncertainty for True Happiness

I recently started reading this amazing book about Emotional Intelligence and it totally opened my eyes to how important it is in our daily lives. Emotional Intelligence isn’t just about understanding our feelings—it’s also about being flexible and open to whatever life throws our way.

Just imagine this: You’ve set your heart on landing a specific job right after university. You imagine how perfect it will be working there, you already know how you'll organise your desk, and window shopping your future office outfits. But when things don’t go as planned i.e. you don't get the job, you feel crushed and start doubting yourself and feel you're not good enough or just plain unlucky in life. Personally I've been there TOO many times. This fixed mindset can blind you to other awesome opportunities that might be just as fulfilling.

However, I have some tips from the book on how to emotionally manage these kinds of situations!

▸ Step 1: Stay Open-Minded

Tell yourself, “I don’t know what the future holds, but I’m open to learning and growing from whatever comes my way.” Let go of those rigid expectations and embrace life’s unpredictability.

Why it matters: Staying open-minded helps you adapt to new situations and discover unexpected joys.

Real Talk: I once had a super fixed idea of becoming a neurosurgeon (brain doctor), but when I left highschool early, I thought I would be a failure forever. Then a Software Development apprenticeship opportunity popped up, I decided to give it a shot. It turned out to be one of the best decisions I ever made!

▸ Step 2: Focus on the Present

Make the most of your current experiences instead of always planning for some future “perfect” situation. Ask yourself, “What’s good about this moment right now?”

How to do it: Try practicing mindfulness through meditation or just take a few minutes each day to appreciate your surroundings.

Pro Tip: Start a gratitude journal. Every day, jot down three things you’re thankful for in the present moment. It’s a game-changer!

▸ Step 3: Embrace Growth in All Experiences

When challenges come your way, look for opportunities to learn or grow. Instead of labelling something as entirely good or bad, ask, “What can I take from this experience to make me stronger or wiser?”

Action step: After any setback, take a moment to reflect on what you’ve learned and how you can use it moving forward.

Personal Insight: During a tough breakup, instead of dwelling on the pain, I focused on what the relationship taught me about my needs and boundaries. This helped me grow and prepare for healthier relationships in the future.

Building emotional intelligence isn’t something you do overnight—it’s a continuous journey of self-discovery and adaptation.

So, as you navigate your own path, remember to embrace the uncertainty and trust that each experience, whether good or bad, is shaping you into a stronger, wiser version of yourself.

Here’s to your amazing journey ahead,

[iglowindark]

@sideguitars and @makicarn you may regret engaging me about my 2025 Pasta Shape Rubric of Awesome (TM). 😜

i was getting quite annoyed with the New Year's Resolution questions from friends and fam - like, i consistently fail to overhaul my life during the other 11 months of the year, why would January be a magical success month? but i was also bumming everyone out during Resolution Reveals so i decided to pick something that would be fun for me and mildly upsetting for my elders!

the initial format was to "try every pasta shape in 2025". but. there are more than 400 pasta shapes. do you know how often i would have to eat pasta to accomplish this? i mean, i had to use a calculator because i forgot a year had 365 days, but it's MORE THAN ONCE PER DAY. i love pasta, but i also love other food, and i need to leave room in my life for every other cuisine.

so then i settled on "52 pasta shapes in 2025" - but glowy! (you might say) how will you decide which 52 pasta shapes to eat??? out of more than 400???

the answer is, of course: arbitrarily! but with a spreadsheet twist, because my first love in life is hot sauce, and my second love in life is a spreadsheet - no, i lied, i forgot about ms underfoot 😸, ok, she's #1, then hot sauce, then spreadsheets, then probably my family i guess.

ok, so please understand, i literally spent 7 hours and 40ish minutes over the past week assembling, editing, auditing, and admiring this spreadsheet. i started with trusty wikipedia, which helpfully broke down pasta shapes into groups like "long/medium" and "short cut" and "soup". it also had a group for "filled", but maki, sorry to say, this group i eliminated wholesale. there was just so much variation in what they might be filled WITH, and i needed some sort of control element. i didn't think it would be fair to compare cheese ravioli with 3-cheese tortellini? the cheeses are not equal! 🧀🧀🧀

so THEN: i did my own sub-grouping. (actually, first i split long and medium into their own groups, because, duh, they're different) long-flat and long-rolled, for example. i also started combining shapes that were really similar. like linguini and tagliatelle are kinda just the same noodle with slightly different widths/shapes/ingredients? (please, nonnas of the world, do not come for me in the comments, this was SO HARD). this part involved a lot of googling. my ad content for the next 4 months is gonna be all pasta related. through many gruelling rounds of re-googling to remind myself what shape was what, and some painful, tearful cuts (lasagne noodles are for lasagne, not for unserious noodle frippery) i finally finally finally culled my list down to 52 pasta shapes. 🍝 (editor's note: the single emoji does not represent this publication's favored pasta shape)

then the FUN part: how was i going to score these 52 pasta shapes? every google result went to pains to insist that different shapes were meant for specific sauces, and i'm sure that's true, but what's the fun in scoring something based on what it's meant to do? (also i didn't want to commit to having to make 52 different sauces/soups) so i came up with this scientifically rigorous scoring rubric:

BUTTERED/RED SAUCED (depending on my mood and whether or not i have red sauce available)

a pasta may earn up to one (1) point for being really good at holding butter/red sauce

a pasta cannot lose points in this category

PRIMAVERA (my version of primavera just means that i diced up whatever veggies i had handy and tossed them w/ the pasta)

a pasta may earn up to one (1) point if i can make one perfect bite that includes veggies/sauce/pasta

a pasta cannot lose points in this category

ALTERNATE USES

a pasta may earn one (1) point (max 5 points) for every non-food alternate use that i can dream up. for example, orecchiette could be used as hats for frogs! or to decorate the ramparts of a sand castle! 2 points for orecchiette!

a pasta may not lose points in this category

MISC/GENERAL (here's where i let my freak flag fly)

a pasta may earn one (1) point if i think the name is fun to say

a pasta may earn one (1) point if i think the shape is "cute"

a pasta may earn one (1) point if it works in a soup

a pasta may earn one (1) point if it might stick (cooked) on the ceiling

a pasta may earn one (1) point if it could probably be used to build a bridge for matchbox cars

a pasta may lose one (1) point if it sticks together unreasonably

a pasta may lose one (1) point if water gets stuck in it and surprises me with pasta water bites

a pasta may lose one (1) point if i can't eat it with a spoon

a pasta may lose one (1) point if it won't fit in a pot without being broken up

a pasta may lose one (1) point if it breaks when dropped from 5 feet (dried and uncooked)

all pasta shapes must be eaten twice (once with butter or red sauce, and once in a primavera), and once i've submitted my scores to myself, i cannot be influenced or bribed to change them. at the end of the year, a Champion Pasta Shape will be announced and celebrated.

so... was that a lot of senseless work for an absolutely pointless goal just so i can eat lots of pasta? heck yeah it was!!

[infizero]

actually, silver's time traveling DID make sense... until sonic forces - an analysis

hello! this is a follow-up to my previous analysis post i made about why silver's time traveling is so weird.

everything i said in that post still applies, but upon looking at things closer (and creating an entire timeline map), i came to the realization that sonic forces actually kind of singlehandedly ruined everything. but hey what's new amiright

in all seriousness though, creating this timeline map helped me better visualize just what the hell is going on with silver's time traveling and various futures, and i hope it's able to do the same for you all as well! (full analysis under the cut)

FULL BREAKDOWN:

EDIT: i sort of forgot to take into account that sonic rivals and especially sonic rivals 2 DO seem to imply that silver's future is currently bad, though it's not stated outright. 06 also IMPLIES that silver's future is good at the end but it's not actually stated/shown to be the case. so in that case, it'd be future is still bad after 06 -> thus future is bad in rivals 1+2 -> rivals 2's resolution causes the good future mentioned in sonic colors ds. even in this scenario, it'd still be forces' fault for making the future bad again, but it wasn't AS crystal clear before forces as i may have originally made it seem like in this post. live and learn lol

so, let me explain what all this means lol (using different versions of this map)

silver is born into a timeline that's basically the bad ending of sonic 06 - where sonic is killed, elise cries, and iblis is unleashed, destroying the world. this is where silver starts:

the events of sonic 06 create a new timeline where solaris is never split into iblis and mephiles. thus iblis is never created and never destroys the world, causing silver to return to a future where everything is good.

silver starts in the 06 bad ending timeline, but he returns to the future of the new 06 good ending timeline, AKA the canon timeline:

(please excuse my shitty gifs lol)

this is where he remained for a WHILE, and where he should have remained. in all games between 06 and forces, the status of silver's future is either not mentioned, or is explicitly stated to be the good future. (specifically in colors ds)

so for a while, it was pretty simple and actually made sense. silver went from the 06 bad ending timeline, to the 06 good (canon) ending timeline, and then stayed there ever since. everything was fine. we could've just left it like this.

but then, sonic GOD DAMN forces decided to mess ALL THIS UP.

because when silver shows up for the events of forces, it's because his future... is taken over and polluted by eggman. as a result of forces. which doesn't make sense ANY way you cut it.

whether silver lived in a timeline where forces ended good or bad, EITHER WAY the events of sonic forces HAVE ALREADY HAPPENED. THEY SHOULD NOT CAUSE SILVER'S FUTURE TO ACTIVELY CHANGE BEFORE HIS EYES. THAT'S NOT HOW TIME WORKS

so because of forces, we then get this incredibly weird jump where silver LEAVES the canon good future... and goes to a random non-canon, bad ending timeline. for some reason:

from there, it's a bit more straight-forward. sonic forces happens and when silver goes back to his future, it's no longer the bad ending of forces, but the bad ending of the metal virus arc:

thus, silver goes back to the present to help stop that. the metal virus is eradicated, and we are EXPLICITLY shown that this is what directly causes silver's future to be saved:

and for now that hasn't changed. (and god willing, it never will)

ever since the end of the metal virus arc, silver's future is a good one and he's just been hanging out in the present, freaking out about not having a purpose anymore.

the literal SINGLE problem with all this is that silver was IN the good future before, but got yoinked OUT of it for some reason.

if after 06, he hadn't returned to a good future, but rather the bad ending future of sonic forces, then that would have made sense! that's the next point in the timeline where things can split off.

he fixes one problem, but it doesn't save the future. now the future is just ruined by something else. so then he has to go fix the next problem, and then the next, etc. etc.

that would've, y'know, made sense.

but you wanna know what's even more aggravating? they could've STILL done what they did with forces without changing silver's future!

it would've been so easy to have silver, in his good future, realize (through history books or something) that there is a point in the past where eggman almost fully takes over, and decide to time travel back to that point to make sure that things go as they're supposed to.

that would've made so much more sense! this goes back to the quirk of silver's time traveling that i pointed out in my first post, which is that silver tends to time travel to change the future, rather than make sure that the future happens the way it should (like a lot of other time travel stories do)

at this point however, silver's future IS capable of somehow changing at will. and i think there's really only two options to fix this.

the first and easiest is to just retcon stuff. either retcon silver's good future after 06, or retcon the forces + idw stuff about his future changing. this would be the simplest option i think.

the other is to try and come up with an explanation for silver being plucked out of his good future and shoved into other bad ending futures. i think it IS possible but it would still be incredibly convoluted.

i think you could spin it so rather than the good future becoming bad, it's actually just silver specifically as a person being transported from the good future to the bad future timeline. as to why, maybe whatever force sends him to time travel wants to... show him the consequences of that "canon event" getting messed up?

like, he's supposed to make sure that things go as they should for their good future to exist. and in order to make him understand why he needs to do this, he's like - shown a vision of what could happen if he doesn't? by him being transported to that bad ending timeline?

in all honesty, i really don't see a clean, easy way of explaining everything in one neat little package without retconning anything.

either things get way more convoluted and stupid, or things get retconned. and i dont know about you, but i would much rather take the latter. even if retcons can be frustrating, i feel like it's way better than the alternative.

but idk, what do you think? did any of this make sense? i hope it did. i quite like my silly little map.

anyways that's all for now bye <3

(bonus: here's the original version of the timeline map that i doodled in my notebook lol)

[the-100-days-of-junkan]

Day 97

Smile by Kayleen756894

Same as when we covered Burning Lungs, check the tags for this fic before ya jump in cause it gets pretty dark even within the first chapter. 

It’s a big day for the project people, I mentioned back on Day 60 that there were three fics that I consider directly responsible for this entire thing since they’re what set me on this path of a comically large amount of Junkan. And today we FINALLY talk about another one of them, even if I admittedly did cover a little bit of my history with this specific story during Day 60 for the sake of context. Apologies if I repeat myself a few times!

The previous few days I’ve been covering fic first, then the art. For this day however I’m going to cover the art first, along with any other bonus facts I have, and THEN i will do my best to adequately sing the praises of today’s stories.

Also let it be known that the music I put on while I read through the whole fic in preparation for today’s ramble was “LEASE” by Takeshi Abo. 10 hour loop too. Someone will find that funny probably, maybe even you!

(This is another long one, get ready)

Before I address the art I might as well have a little fun and discuss the order I decided to do these in, interesting I know.

Days 91-92 were easy, the first Soft Fic and the first fic to use the Non-Abusive Tag, they had to be the opener. Day 93 was one of the longer stories so I did that one first, since I did read each story before working on the art. From there it’s a pretty simple pattern of “Short Fic followed by a longer, more serious fic that I gotta psyche myself up for.” And it was done pretty much with todays subject in mind, but we’ll get for it. 

You’ll notice I have two different art pieces today, the reason is simple. I wasn’t very happy with the initial art, so I made a much more direct adaptation of a scene from the first chapter to go with it. And in a rare instance I can also bring you some early versions of the initial piece!

From the initial sketch you can see that this was supposed to be a proper cover for the story, as I wanted to feature scenes from each of the three chapters, that middle shot is one I’ve had in my mind since the first time I read the story. Those who have read the fic can probably recognize each one. The second image was almost the final version of this. I scrapped the lower portion of the art for a few reasons. The flames of burnout were miniscule but still present, though rest assured these would not come into play until after the point of when the fanfic art is all finished. Secondly, when I was supposed to work on this art, a power outage hit my house. This also meant that in terms of making the art I only had the first chapter read, anything else was purely memory (Like I said though, I read the full fic for todays ramble, rest assured). And thirdly, I kinda, just thought it didn’t look good? And as you can see this version had details cut despite how far into the process it was, fully removing the expressions outside of the two smiling. Cause y’know . . . “Smile.” Plus in retrospect the eyes, while striking compared to the rest of the art, look kinda fucking silly?

Why didn’t I like the end result? Honestly I think I was just in a bad headspace at the time due to the combination of the power out stressing me out, and just generally speaking my mental health has never been the most structurally sound aspect of myself. I’m good at drawing, not so much being well put together. Looking at it now, while I think the piece is a bit esoteric and might not be what I’d make today for a piece based on this fic, I like it a lot.

And at the end of the dead even if I didn’t like how the first one turned out, I’m pretty happy with it! Even with perfectionist brain bitching at me that I could have done Junko’s hair a bit better at the given angle. Just a straight adaptation of Junko and Mikan’s first kiss from Chapter 1. The most interesting note on it’s creation is that I had to make last minute changes to Mikan because I realized her hair needed to be a lot shorter and more well put together, as earlier in the fic Junko does fix it up a bit. 

Oh! I did also send the second pic to the author herself as a way of introducing myself and showing appreciation, so that’s a bit of added sentimental value! Kayleen’s an absolute treat by the way, super fun to talk too, great insight on writing, you should absolutely check out the rest of her writing! I’m not in most of the fandoms featured say for RWBY, but based on the quality of her writing on the Danganronpa side of things, I feel confident recommending anything she’s published in the past, present, and future!~ 

Speaking of writing, I should probably like. Talk about the god damn fic, huh? Well. Nope! I still have more fun facts!

I almost didn’t adapt Smile! I knew for certain that Kayleen needed a spot on this list, it would have felt wrong otherwise. And there were two fics in mind for adaptation.

“Smile”, obviously, and “Soft (But only for Her).” My earliest plan was going to be to just do both. However I only had 8 days to work with, and spoilers, Day 98 is in fact a returning author, so I didn’t want to take up half of my slots on two authors, I wanted to show my appreciation to as many as I could during this string of the event before going back to my own stuff for the last two days. So I thought it over, and decided that Smile was too important to pass up on this project, leaving Soft (But only for Her) for later.

I did have a full plan for it though, unlike Smile where I didn’t really have an idea going into it. I’ll tell you what the plan was gonna be.

Most people would be curious which of the around 30 wonderful one shots I could have chosen to adapt, I’ve already done one of them with the very first chapter in that collection! However you my audience, are not most people. There’s a good chance you’re reading this paragraph, rubbing your temples and resigning yourself to the fact that I was very much going to draw art based on every single piece of that collection. Because yes I was just gonna adapt all of it. Was gonna make a big collage out of all of em, even the chapters that have so much angst I struggle to even read them cause they make me too sad! I’d still do it too. I probably will. When you least expect it. 

For now though I really wanna draw something based on Chapter 25 when I have the time. I wanna draw art based on a lot of other fanfics actually, I’ve just been pretty swamped. But rest assured, to those of you who’ve written a Junkan fic and weren’t featured. Rest assured, I have my eyes open, I’m always looking that tag over, and there were definitely some stories omitted that I really wish I could have included IN the project. Give it time. My self control grows weaker by the day!~

Okay, okay. NOW, I should be able to talk about the fic. Probably.

So I’ve told this story before, but now you’ll get to hear it in a bit more detail compared to before. Will hopefully not be too repetitive for ya’ll!

So once again we jump back a few years during say, 2020, MAYBE early 2021. I find a fic that includes Junkan when I was simply trying to find Ikuzono. It ends up being pretty cute and makes me curious, “I thought this ship was super toxic? How is this one so cute?”

So, I look around the tag, still not sure how to Navigate AO3 even after gaining a lot of experience through the power of many late night tokomaru binges. And as you already knew or could guess, I came across Smile.

At the time it only had 2 chapters, which normally might have turned me away at the time, I wasn’t a desperate animal like I am today. However I guess I either ignored that, or just didn’t care, too curious to see what else this ship could entail.

So here I am, sitting in my bed, writing this ramble, trying to figure out once again how to talk about one of the fics that set me off on this obsession with Junko and Mikan as a softer, loving couple. That and also a fic that is much more serious in terms of its tone and content, as this fic, like Drowning, is one of the only fics in this stretch of the project that is definitely set in the main canon of DR. Serving as essentially a new origin for Junkan as a couple prior to the tragedy. 

I’m sure I’ve said before that when it comes to how I view Junko and Mikan’s relationship, that Val’s work is basically the primary blueprint for how I interpret and portray them. However that’s for the Non-Despair AUs, while there is some bleed over in how I handle Canon portrayals (And I admittedly haven’t done a lot with a serious interpretation of that), in my brain this story, Smile, is the blueprint of how I view a canon timeline version of Junkan. That might just be bias from it being the first fic I read that like, but it does kind of help that this is just one of the most excellently written interpretation of these characters I’ve ever bared witness to.

The first chapter was originally supposed to be a Standalone according to the Author’s Notes, and it really works as one! It’s a very complete story that’s super well put together, and ends very satisfyingly if you just stop after finishing it. I’m extremely glad it continued, as I don’t think my obsession would have come to fruition when it did if not for those following two chapters. But maybe I’m wrong cause this fic certainly knows how to hook you on a ship!

I was god damn mesmerized reading the first chapter. This has to be one of the saddest takes on Mikan’s character that I’ve ever read. Burning Lungs comes close however we never get to actually see things from her perspective, that’s all from Junko’s outsider point of view. Here we get to see it all from Mikan’s perspective, all of it, the sad stuff, the extra sad stuff, the stuff I don’t really know how to talk about because I’m inadequate with this kind of subject matter. And some gay panic, because it’s not Junkan without at least a little gay panic somewhere in the mix.

Junko is really god damn good in this first chapter, she’s god damn good in the whole fic but we’re talking about chapter one right now so i’m specifying. She has such a mysterious aura around her the entire time, and not just the obvious “Oh she’s planning the tragedy behind the scenes,” but also the mystery of how she feels about Mikan! It’s something left up to viewer interpretation in the first chapter, and to a much lesser extent the following chapters (I say lesser extent cause it does eventually lean into her having real feelings for Mikan, just being super confused by them. At least that’s how I look at it). Everytime I read one of these stories that serve as an origin point for these two’s relationship, it’s always really interesting to see how things initiate. It’s pretty much always Junko initiating of course, I’m not sure I’ve ever seen a fic where it was Mikan who made the first move? If there is I’m having a severe lapse in memory it seems, or I’ve misinterpreted! The point of course being I really like the way Junko handles things here, saving Mikan from her darkest point, all that good shit! 

And the kiss? I drew it for a reason, it’s amazing. From the buildup to the way Mikan has a rare instance of boldness and grabs Junko’s tie? The grabbing the tie part makes my brain explode, the fact that Junko herself was surprised by it is even better. I love it whenever Mikan can actually get Junko surprised or flustered. It’s great!

I feel like I should be more detailed, more meticulous, but it really is a struggle trying to be in depth when discussing something this good, I wouldn’t consider it my strong suit? 

So let’s try moving onto chapter 2! I do at least have a story with this one but that can be for when I finish desperately trying to talk about the chapter itself. 

It’s lovely! Big shock! We get to see the two of them just acting like a normal couple for a bit, and even better we get to see the two partaking in some sleepy cuddles. That scene also does one of those Junkan things I fuckin love where Junko just, fucking reads Mikan’s mind. I know that’s not what she’s doing but also it’s funnier to put it that way. I just like Junko putting her analytical ability to use by reading Mikan and understanding her finer details. It can be used in all kinds of ways, cute ways, funny ways, saucy ways, but this might just be my favorite way? Her being able to tell when Mikan’s about to spiral and snapping her out of it quick. 

Their date is lovely by the way, love the drive there, the conversation is just a treat. And I really like the reference to the grenade scene from the DR3 anime, I might not have fond memories with that series like, at all, but that one clip of Junko tossing the grenade and Mukuro (We’ll get to her) catching it is just a really fun bit of energy. It’s also just fucking funny because it reads like they practiced that shit for like 2 fuckin weeks- Sorry, distracted. Anyway I think the scene is both a fun reference, and another good way to kinda remind of us the darker parts of this storyline underlying the softer surface. Junko is in fact trying to burn the world down, she just also happens to have a tooth rotting-ly sweet relationship with a very sad nurse. The moments where Mikan unintentionally peers into that world, whether hearing an explosion or seeing the red roots of Junko’s true haircolor, I love it all!

Great moment with Mikan helping that kid from bullies, always love to see Mikan flourishing in these stories (foreshadowing)! I think it is very funny that the small child just immediately clocked that Mikan and Junko were dating, the kid either has a crazy gaydar or Mikan and Junko are the least subtle people alive . . . okay yeah it’s that second one.

The following scene is great too, fuck those parents, and fuck yeah to Junko coming in for the clutch as she is one to do in this fic. The kiss to follow? Fantastic. Junko’s joke about exhibitionism? Also fantastic. The part where Mikan says she’s gonna go see her parents- Fuck.

Okay so, I’mma make the assumption that if you’re this deep into my ramble you’ve probably read the fic already. And if you skipped out on the fic due to the subject matter noted in the tags, you can probably already tell by my apprehension that everything in this fic from here on out is like, the opposite end of the spectrum from all the sweet (albeit ominous) stuff we’ve had up till now. And you’d be correct, and I quite frankly don’t know how to talk about it, like, at all. There are parts of this that I do wanna talk about from this and the following chapter, but also I feel neither confident nor comfortable explicitly discussing what happens to Mikan here. Even if you can probably already tell.

Still, I must show my respects to the literature and it’s author, so I will do my best. Apologies if I fumble here.

I’m still not gonna talk in depth about Mukuro here, but I do like the conversation leading up to this scene, before Mikan shows up. It’s something that was going to inevitably come up, because yeah, Junko can make Mikan fall deeply in love with her, but that won’t exactly prepare her for being complicit in the apocalypse. There’s a part of me that’s curious what her gameplan was before the end of this chapter happens, how was she going to try and turn Mikan over to her side 100% and make sure she’s ready. The world will never know.

Junko’s great at the end of this chapter, not just the comfort she provides. But the way she, in the words of the story, Snaps. That line? That stuck with me when I first read this. I think it’s the moment that confirmed for me personally, that yeah, Junko does love Mikan even if she doesn’t understand it. And it wasn’t just that moment that stuck with me, it was the whole fic by this point.

That’s right, it's story time. So when I found this fic, there were only two chapters. And I wanna remind ya’ll that before this fic I read a fic so silly, soft, and fluffy that it made me question what this ship could be. Jumping from that, to this was definitely . . . Whiplash?

What happened after that is fun, because I don’t fucking remember. I think unironically the amount of stress that ending put me under just from the shock of it, made me fuckin black out?? Which by the way, huge kudos, it takes some really fucking good writing to get me so invested that I get real life stressed as shit because of bad things happening to the characters. But anyway, I didn’t actually just, black out from stress. But everything after that is so blurred that it’s borderline incomprehensible, I try to remember past that point, and it’s like looking at memories put through a paper shredder before being put back together by a toddler doing a handstand. 

All I can say for sure is that starting from the morning after, I was obsessed. I woke up, and kept fucking checking to see if Chapter 3 was out yet. I hadn’t checked the time of the latest update, I still barely fucking understood how AO3 actually worked. I’m pretty sure it was through this fic that I learned that when a fic updates it moves to the top of the page for a given tag. This was also way before I had an AO3 account, so I couldn’t just subscribe or bookmark it. I’m sure I read other fics at this point, probably including Kayleen’s other works? But the timespan between Chapter 2 and 3 feel like white noise, whatever I read didn’t exist in my memories by the time that story ended. And god damn did it end.

When Chapter 3 popped up, it was late I’m pretty sure. I don’t know what I was doing at the time, maybe looking at manga online, talking with friends over discord dms, failing homework over online school, maybe even doing some of my own writing since i’m pretty sure this was back before my passion for it died out. Whatever it was, I dropped it fucking IMMEDIATELY. I needed to see this ending, I needed that catharsis.

So I layed in my bed, in a house I was still new to, and read the god damn chapter.

It was perfect. One of the first times to my knowledge where I’ve had the satisfaction of reading an unfinished fic and getting to actually see it end.

Where do I start, what do I even say? Anything I say just kind of boils down to “Junko and Mikan are perfectly written and I love their interactions and also god dammit I feel so bad for Mikan.”

The scene on the rooftop is great, I remember in one of Kayleen’s other fics Mikan shows concern for Junko’s eating habits, so getting to this scene and seeing the reverse was nice. And like, god, Junko’s so good in this. I get she’s trying to start the end of the world but she’s doing such a fucking good job here. Sure, she asks Mikan to kill her parents right after this, which might not be the most normal way of helping your girlfriend through a severely traumatic experience, but that’s just Junko y’know? 

Should I talk about Mukuro now? I should probably talk about Mukuro now, I really wanted to wait like one more scene but fuck it we’re talking about Mukuro now. 

Have I ever really talked about Mukuro in the context of Junkan? I know I’ve definitely made note of her, and I’ve obviously included her in these pieces with varying degrees of prominence. But I don’t think I’ve ever noted how I think she’s is one of the most interesting and amazing assets of Junkan as a ship. Calling Mukuro an asset feels like a disservice, but I lack the words to adequately describe what I mean here. 

The Despair Sisters are already one of the most interesting dynamics in Danganronpa, and a pretty versatile one at that based on the various interpretations I’ve seen of these two. And I think adding Junkan into the mix is just lovely, because it adds an outsider perspective, but not just that, it’s the outsider perspective of someone who’s closer than anyone else due to Mikan dating Junko. Bonus for the contrast of Junko pampering Mikan and shit talking Mukuro, even if I believe that shit talking is just a very layered way for Junko to express that she does care about Mukuro as a sister. 

And I think Mukuro and Mikan is a really fun dynamic too! I love the idea of Mikan finding love through Junko, and then in turn getting a second person in her life that cares about her. Mukuro being Mikan’s bodyguard bare minimum is great, protect that sweet little nurse you desaturated girliepop you. But I think the way their dynamic can evolve overtime as Mikan continues to date Junko is great. 

Mukuro getting to see firsthand how Mikan is changing Junko for the better, even if it’s in a canon timeline where Junko’s still like, very locked in on the apocalypse. She’s getting to be happier in a more genuine way, which I’m sure Mukuro would be grateful for, and that just makes her caring about Mikan’s wellbeing all the better.

Plus like, something I don’t think about often, at least not until very recently, but if Junko and Mikan are dating, and inevitably get married. That does just kinda mean Mikan and Mukuro are sisters in law. And, I fuckin love that? Mikan not only gets an amazing relationship with Junko, but she also just gets to have a sibling, something that to my knowledge she doesn’t have in canon. It’s that found family stuff that I love, even if the found family in this case is a bit more literal rather than just being a metaphor. And Mukuro gets a new sister, one who cares about her just as much as Junko, but is just significantly better at expressing that by comparison. I think Mukuro would really appreciate having a sister who like, hugs her without slinging an insult, or just getting any kind of open, visceral appreciation without having to read between the lines. 

I love to see Mikan with plenty of friends, she has a bunch of dynamics that I appreciate. But I also have a lot of appreciation for the idea of Junko and Mukuro being the only people she cares about, the only people she needs to survive. 

Where was I- Oh right.

Kayleen’s depiction of Mukuro and her dynamic with our other two primary characters is amazing. Spectacular even. Fucking perfect perhaps. It does everything I love about the Despair Sister’s dynamic without bordering into uncomfortable territory like some facets of the main canon does. But what I especially love is her dynamic with Mikan in the few moments we get to see them interact. A protector, a friend, and eventually a sister to her, it’s amazing. The scene when Mikan wakes up to Mukuro watching over her while Junko is away is phenomenal, and I love Mikan’s concern for her given the way Junko treats her, which does look pretty bad without the deeper context. The moment at the very end of Chapter 2 where Mukuro just heads off to (I assume) kidnap Mikan’s parents after just sharing a look with Junko, it’s another one of my favorite bits in that scene.

And of course, the scene that lead me to start yapping about Mukuro like that out of fucking nowhere, her talking to Mikan about Junko’s test. It’s great how she tries to help Mikan come to a decision without forcing anything. But also finally giving some more confirmation that Junko definitely feels something for Mikan, expressing how many changes in her demeanor she’s noted. And the reveal that Junko routinely struggles with Nightmares whenever Mikan isn’t around?? Fuck I love that. God dammit. 

I feel like I should talk more about this scene, but I feel like I kinda did? To an extent? A lot of what I just said about Mukuro’s place in this dynamic kinda sums up a lot of the great things about this scene. So I suppose we move on.

The buildup to the big scene of this chapter is wonderful of course, not much to say there. And I admittedly just really want to talk about the scene that follows.

Because god it’s everything I was hoping for when I finished that second chapter and had no idea whether I’d see this scene or not. 

The reveal is great, and as grotesque as I anticipated. I do cringe a little reading some of the details, not the modern dickhead definition of cringe either I mean the “Oh god fuck that’s brutal” kind of cringe. And it is so perfectly contrasted by Junko being Junko, love the idea that Junko and Mukuro just nabbed up these people and didn’t explain a goddamn thing until this very moment where they finally figure out that this crazy bitch is dating their daughter. Mukuro punching Mikan’s dad in the face was fucking great too. 

And the buildup to what comes next, is so god damn good. It feels weird out of context celebrating it, but the scene where Mikan breaks? Fucking spectacular. The distortion on the word Red hits like a fucking truck, and also speaks to my childhood of being a creepypasta kid because i’m like, half sure that’s the zalgo text filter, correct me if I’m wrong of course. Point is it was an out of nowhere detail that perfectly emphasized the tensity of what’s about to happen.

And I can go on another tangent now, because this is something I have had no opportunity to talk about during the entire duration of this project. At least not to my memory or knowledge.

I love Angry Mikan. I love the Mikan that snaps and is fully over the edge, not willing to deal with anyones bullshit. I of course have criticisms of Chapter 3 in DR2, but Mikan’s reveal of her true self, or I suppose the herself prior to the NWP, I love that moment. 

I’ve never depicted Angry Mikan before, but someday I really want to. So until then I take great enjoyment in seeing such a rare side of Mikan, which itself is even rarer in these fics. I think counting this one there are only 3, maybe 4 other fics off the top of my head where we get to see Mikan fully lose her temper. Now of course, I could be suffering another lapse in memory, or I just haven’t read the other stories that feature it. I only think I’ve read like, 90% of the Soft Junkan out there, I can’t confidently claim I actually have for certain, so maybe I missed it! 

Point is, seeing Angry Mikan is a treat. And here especially is fucking amazing, the verbal teardown, the havoc of it all. It’s great. And Junko just adds to it with her sheer excitement (which is putting it lightly given some of the dialogue), getting to see Mikan finally become, from her perspective, the best version of herself. Someone who can survive alongside her. 

When things start moving, it’s amazing. A small moment I really love, and the moment I was originally gonna wait for to talk about Mukuro with. Her offering up an assortment of firearms from “Her personal collection.” is just, weirdly wholesome? The things I get to say talking about this ship I swear. I dunno, it feels like such a small, personal moment and offer that only Mukuro could provide, and feels like the perfect cap to Mikan and Mukuro’s dynamic throughout this fic.

Also, fucking enamored with the the presence of a Rocket Launcher. Funniest alternate timeline sitting right there, imagining Mikan with a fucking rpg over her shoulder is hilarious.

Junko offering the reverse side of the weaponry coin is lovely too of course, but it’s the wonderful stuff I’d already expect with Junko, so much less of a pleasant surprise like Mukuro. I do appreciate her keeping a knife used on Mikan’s father as a trophy though, imagine that over the fireplace.

Anyway I don’t know how I could really explain to you why the torture scene is nice. It’s catharsis, it’s just catharsis. I don’t even remember how fucking long I waited to read this moment but it was so worth it, Junko and Mukuro joining in to help setup equipment was also really cute . . . i feel like i shouldn’t be calling segments from a torture scene cute. Hm. Well anyway, I can say that while I appreciate its existence, I’m also glad Kayleen chose not to drag it out for too long. Ironic coming from the most excessive bitch around here, but it probably would have been a bit much if it took up the grander majority of this chapter.

Which means we say goodbye to Mukuro and return to our regularly scheduled Junko and Mikan moments. 

And yeah what do you want me to fucking say, it’s amazing? Because it’s amazing as fuck, yeah. I’m running out of ways to just say how fuckin much i love this, but i’ll persevere best I can. 

I mentioned way earlier that I love it when Mikan catches Junko by surprise, and we get more of that here. Though in this instance I think it’s better to describe that this is the first time Mikan just gets the upper hand on Junko, who’s struggling to fight back in the conversation because she’s already struggling to figure out her feelings. And it’s really lovely to see Mikan fighting past Junko’s own insecurities, especially when she regards herself as a bad girlfriend. It’s great, and it’s more of that role reversal I love. 

The book analogy near the end of this conversation is so good, it’s sappy as fuck but that’s why it’s good. And Junko leaning into it despite how lame it is makes it all the better, and I only noticed on this recent reread that there’s even a cheeky V3 reference as well, clever!~ 

The kiss is of course great, and I think i’ve just fully fucking run out of ways to talk about how much I love Junko and Mikan kisses in these stories. Thank god there isn’t one in tomorrows fic- getting ahead of myself. 

Rip to Scissorhands, thanks for the gay but you will not be missed.

God damn amazing fic, so well written. It’s one where I have to be in a very specific mindset in order to read it, as that middle chapter really does stress me out enough to be a bit of a roadblock. But admittedly this most recent reread wasn’t the worst compared to the previous few times. That said the fic definitely had it’s effect on me like usual, my body felt all kinds of wild ways, my heartbeat was a lot more intense, breathing a bit wacked out, my nerves up. The whole shebang, so good fucking writing. Equally bittersweet considering that, at least I assume, the normal events of DR are going to follow this story, even if not immediately. So Mukuro’s gonna die, Junko’s gonna die, and then Mikan’s going to have her brain undespaired and probably lose all her feelings towards Junko (Though I will admit, the idea of Mikan after the actual events of canon still having feelings for Junko while not being a remnant is pretty interesting). 

However, I can live with that. It’s still an amazing story even with main canon in consideration, and I think I’ve run out of things to say here. 

Tomorrow is the last fic based art in the event, Days 99 and 100 are all on me. And by process of elimination you probably have an idea of what Day 98 is, you may even know the exact fic. 

I said there were three fics that were vital to me reaching this point in my life, being this obsessed with Junkan as a ship.

The Third Fic, Everything You’ve Ever Dreamed, is the fic that sent me spiraling into brainrot to the point of snapping and drawing art of it behind closed doors, eventually snapping me into drawing more Junkan than I imagine most if not anybody ever has.

The Second Fic, Smile, is what got me obsessed with the ship in the first place, of course only enough to enjoy reading it in secret, which would lead me to EYED.

All that’s left is The First Fic, which you’ll see tomorrow. The fic that made me bother to even give this ship a chance in the first place. Hilariously, I will probably not yap about it nearly as much as the previous two, even if I love it. 

As always, Reblogs, Comments, and Little Notes in the Tags are appreciated!~ They always make my day!~

[valjeancrazylover2]

Javert's Inspirations

So, neither option won that poll, so I'm making this post first. This is probably going to be me ranting more about Javerts I like than actually talking about my own Javert.

The characterisations of other characters have been taken from either one primary source, musical actor, or my own personal take. For example, Cosette is mainly inspired by the 1982 film, but has some influence from musical actresses such as Beatrice Penny-Touré.

Exeptions to this is the versions of the characters post-barricade, as from there is where my story mainly diverges, as most Javert & Valjean Live AUs do. Most of that is my own interpretation, since they are no longer in "normal" circumstances.

As such, Javert has been very fun to work on, because there have been many different characterisations that I find VERY entertaining. They all seem to lean into one aspect of his character more than the others, which makes him... strangely versatile, for such a rigid character?

So... what does this mean for my favourite baldie?

-

Let's start with the guy who started it all, and my blog icon: Todd Alan Johnson. There will be several musical Javerts listed here, but nobody was doing it like TAJavert. I blame him in part for getting me into Les Mis, as I had been a fan of TAJ for a while, when I stumbled across him in 2021 in Little Shop of Horrors as Orin Scrivello (my favourite character - can you tell I like villains). After being introduced to Les Mis through the work experience I was doing in Feb 2024, i revisited TAJ, finding out he had in fact played Javert - first in the third national US tour, and a few other times in smaller productions.

Thats when I found the pictures from Surflight's 2013 production.

And thus Chauvert was cemented in the brain. simply couldnt have it any other way. he just HAD to be bald. Because of this, and at the time I began designing him I didn't know anybody else who played Javert (this would later be changed when I saw stewart clarke live, but nothing really changed after that except for the javert bug eye truth to be solidified)

I really wish there was more footage of this production past these photos, because I NEED more of his bald head as Javert. And look at those sideburns! They're all-natural! Plus, i thought his face was a good fit in general for Javert. It's less obvious with his sideburns, but he's got that big jaw, talks with his bottom teeth showing, intense eyebrows, big buggy eyes when he wants them to be.

Pic from him as Sweeney Todd. My Javert's face is just a heavily cariacaturised version of his.

Additionally, I'm sure you're all familiar with jadenvargen/melancholyarchivist's art. I was a fan before, so finding out there was les mis art too was huge. My Javert was always a bit on the larger side, but that one drawing with Javert and Valjean labelled something like "tremendously large man" and "bigger even huger man" or whatever, cant find the piece right now. anyway that definitely confirmed for me that they were BOTH gonna be built and fat, rather than the lanky javert that I see most people draw.

So, that was the foundation.

From here I'm not really sure in what order inspirations came, but next was probably Anthony Perkins in LM1978, because you just dont get more diva that that. We all know how much of a drama queen Javert is, and in fact Perkins was so good at this that the first thing I did after watching this film was go downstairs and ask my mother if Perkins was gay (to which she replied "Oh, absolutely flaming")

My inspiration for Javert usually comes from small, inconsequential little actions or demeanour that catch my eye... Perkins had plenty, as well as a ring on his finger, which I always forget to draw, but my Javert is supposed to have.

Here's a select few bits I like of his, that have directly influenced my Javert. There's probably more, but I can't remember off the top of my head.

1) the walk. 2) the way he hold's the cane??

3) this whole scene, but specifically the there is no monsieur in this room! there is only a scoundrel! line. 4) the way he reacts to finding out valjean is still alive. VERY similar to how it goes down in my canon, just in a different setting/scenario.

outside of 1978, there havent really been any non-musical adaptation Javerts that have particularly stood out to me. I havent watched 1998 but he doesnt look like he'd be like my Javert, and 1982 despite being my favourite adaptation ... did not have the most memorable Javert.

Even in the radio dramas, which i love to death, don't really have much influence over my Javert, since I already have a very clear idea in my head of his speech, and most inspiration comes from visuals. the CBS radio drama probably comes the closest to the way he speaks, though. (his voiceclaims are either roger allam, todd alan johnson, or some random french guy with a really deep voice who came up on my instagram feed once. yes, I'm serious, my javert sounds like that.)

My javert is not exactly expressive, or outwardly "sassy", per se? I think he's more subtly camp, perhaps with the way he stands sometimes. Don't worry, he's still the absolute drama queen he is in the brick, with "would you like my hat?" and all, but he delivers it in a much more flat way. that's why I don't exactly look at the way perkins delivers "monsieur, monsieur le inspector now!" for my javert. yes, he'd say that, but with a little less visible sass, if that makes sense.

Pre-seine, he's expressive in his own way. whenever he loses control a little he's prone to getting visibly angry; distressed (see: losing valjean when chasing him through paris); when you can see him setting his jaw with a visible vein in his head, short-tempered and curt; or that sort of sinister glee with his "bark" of a laugh or patronising sneer. But other than that... you've gotta hear it in his voice. Sorry to all the cuntvert fans out there, my Javert tries to keep it professional when he can, but he's still trying to out-diva everyone at any given opportunity!

So we return to musical Javerts, then.

I've seen a few, so it's hard to gauge who's had an actual effect and who hasn't. There are a few I do know for a fact I have taken little bits from:

Terrence Mann is familiar to everyone I'm sure. sass-central, which contradicts the above paragraph, but he does it in a wonderfully weird and kind of menacing way which i LOVE. My javert leans more into that menacing side of things. He's always JUST in the shadows, just so that you might not notice him, but if you were wary of authority, you'd see him lurking. his stature, you might think would make him a bit lumbering, but he's shockingly agile and snakelike. Think of a tiger. (oh yeah, shere khan from the jungle book is another inspiration i guess, but I won't include him here - we know.) Terrence Mann is delightfully snide and insane and I love it.

Gifs of small bits of his performance I like.

And his soliloquy? oof.. believably absolutely losing his mind.

The Javert who has probably influenced mine the most is Hartwig Rudolz, from the german Duisburg production in the 90s. He's commanding, he's dignified and haughty, he's even got the sinister chipperness about him from time to time (he's chummy with Madeleine in the cart scene, even laughing and smiling with him. While not really my Javert, it's worth a mention. Also does a condescending chuckle when Thenardier asks to be let go before Stars.)

More gifs of bits I like!

Bonus gif, cus that wig is loooong!

Three more would be Nic Greenshields, Jordan Simon Pollard and Michael Ball. They are all great Javerts (which might be a hot take, I'm not sure if ballvert is popular but I've been a fan of his for 5 years so maybe i'm biased.) I can't say TOO much on Nic and Michael acting-wise, because Michael Ball has only been in the arena tours, and the footage ive seen of Nic Greenshields is not the GREATEST quality - but they all have an air of haughty dignity about them, which obviously i try to give my Javert.

Jordan I've had the pleasure of seeing in person, twice, as well as meeting the guy. He's been the understudy for a while. He takes quite an expressive approach to Javert, using mainly his eyebrows, which i definitely think makes up most of my Javert's expressiveness. He really knows how to use his face to act - seriously, I can barely believe it's the same guy ! He usually has quite a furrowed brow, with his chin jutting out a little, standing with his chest puffed out. He's 6'3, and quite broad-chested (seeing as he works out) so you can imagine what kind of a presence that creates.

Both Nic and Jordan, being in the same production (Jordan was Nic's u/s in the UK tour, is now Stewart Clarke's on the West End) had this moment, but after Thenardier asks to be let go, on "it was me what told you so!", they turn and step forward so that Javert is basically chest-to-face with Thenardier (and the guy playing him at the time was like, a foot shorter than the both of them). I liked that a lot. Absolutely something my Javert is doing. He's got the height and the tits for it, there's no way he isn't, cmon

Also, both Nic and Michael also have the benefit of being broader than most Javerts, Nic especially, as he stands at a whopping 6'6, so he's a SERIOUS presence onstage. My javert is around that margin at 6'6-6'7, so that checks.

I know a lot of people say Ballvert is "too cute" or whatever, and i'd totally agree as a michael ball fan, but if you ignore the fact it's Michael Ball, i think he seems a bit more "unsuspectingly cruel" than outwardly intimidating. While this doesn't exactly reflect my Javert, he DOES have some good bits. From my notes when I saw him in the arena tour:

the wway he takes off his gloves in the confrontation was not only kinda sexy (sorry) but a bit foreboding. he has a nice amount of sass, which of course is always appreciated. his general attitude in Stars, too, like he's truly earnest, and someone mentioned how he sings it like a love song - yuuup. His soliloquy is also amazing, the way he portrays Javert as being just so scared of what's happening, but lapsing into anger... ouuh.

I have not fully planned out my Javert's suicide (attempt) yet, how he would be responding, but I've been leaning into the more fearful approach. I mean, his entire worldview has been shattered like that, the entire structure of which he built his life on has just crumbled in front of him, i'd be frightened too.

Anyway, random detail - if you were interested in the origin of Javert's scar, like, from a meta perspective:

Adam Robert Lewis, of course, with his cool nose scar.

My javert had a scar anyway, just a small cut on the lip, probably from a nasty hit to the face which never quite healed right and scarred, but something about ARL's scar really worked... so the scar extended a few inches up the face. It's changed places since then, originally going from the lip to the nose, then from the lip to below the eye, but now it's branched off to both. I still don't have a specific origin for the scar in canon, so you can make one up yourself.

Linking to that scar, and also linking back to Michael Ball - i mistook a shadow on his eye for a burst blood vessel, and thought it would be an interesting look for my Javert. I'm a sucker for temporary details (Javert's moustache post-msurm, for one), so I've given him a bad eye for early M-sur-M. Very recent development.

HONORABLE JAVERT MENTIONS, THAT INSPIRED ME SLIGHTLY OR CEMENTED A SPECIFIC IDEA:

Stewart Clarke. He was the first I physically SAW, and also the one I've seen the most, since he's the current West End Javert. Very good javert, unsettling with those eyeballs, very spitty, which I totally forgot to mention is also an integral part to my Javert. So, thanks Stew! His soliloquy is also just out-of-this-world, seriously. Seek out a recent audio of his if you haven't heard him. He's nuts.

Jeremy Secomb. Sir Eyeballs Supreme. If you want a Javert with an unsettling stare, he's your guy. And he's currently the Bishop in the arena tour! What a way to convince Valjean to be a good guy, just staring him down with your evil fucking peepers. When partnered with Peter Lockyer, they form THE valvert duo, they kissed on video in costume, so many cute photos of them together, and they LOOK the parts. Jeremy looking like those toys you sqeeze and their eyes pop out vs Peter's soft face and kind smile like a golden retriever or something. Seriously perfect.

Nick Rehberger. Current US Javert. Great at really minor acting choices, sassy man apocalypse. Very dignified. VERY handsome. Bit gay. Amazing voice. What more could you want?

Roger Allam. Now, I'm getting a bit ahead of myself here. I've already mentioned he's one of the 3 people I cycle through for my Javert's voiceclaim, and there's like NO (publically available) footage of him. I am planning on viewing the footage they do have, but that's some time in the future. The OLCR is my personal listening choice when I'm listening to the musical soundtrack, so Allam is kind of burned into my brain. I know it probably sounds crazy but the way his voice sounds really influenced the way I have Javert physically speak, with his heavy jaw. Anything about his specific physicality is completely imagined - but hopefully not for long.

Chris Murray. Another german Javert I really like, from a 2007 nonrep production. If you like unhinged Javerts with eyeballs for days, he's your man. He's also just greatly unsettling. He almost made the cut with gifs, but unfortunately Terrence Mann won out. He was just a little TOO chipper about things. But i do love how his amiability is very obviously a ruse, with the way he holds a stiff smile in The Robbery on "But where's the gentleman gone / And why on Earth did he run?" (or, the German lyrics, whatever. It's that part of the song.)

Preston Truman Boyd. One part only. He's the reason I gave Javert a moustache and weird little chin beard thing post-msurm. I just thought that was important enough to get a mention, other than that I haven't really seen much of him enough to say.

ANYWAY, that's about it !!

There's probably more i've missed, but it's 5.30am right now, and I'm flagging. Plus, the post is long enough as is.

If you've read this far, I gotta know - who's your favourite Javert, or at least top 5? Have they influenced the way you view Javert in any way?

If you're like me and like taking tidbits from different sources, what are yours? Im curious to know !!! PLEASE tell me!!!!!!

Much love to my favourite bald freak <3

[hi-im-dazey]

After the Baby Boomers started hitting school age, they suddenly needed to find a way to school a massive influx of children. Schools needed to be added to every district at once and without delay.

(remember the reason they are called boomers is WWII soldiers came home, and bought cheap houses, and made a LOT of kids. Hence there was a Baby Boom) That's why you see like one or MAYBE (in larger, older, suburbs) two really beautiful school buildings that have been there for a long time, and then a lot of little crappy looking mid century modern "boxes and metal pipe and glass skin" sprawling schools on serious acerage, they had to get them up, cheap and fast and they had to hold a lot more kids.

In High density cities, (think San Francisco, New York, Chicago, and the like) You had a lot of old schools that had to handle a more dense population already, so they didn't end up with as many of these prison block looking schools, especially when you are dealing with a cities with finite space limitations; New York and San Francisco, specifically, have a geographical limitation for growth, both being hemmed in by water on at least three sides (SF). So the growth of the populace can only go so far. BUT the suburbs of these large cities went NUTS expanding and had a lot of land to work with.

So when you are building a lot of need based structure very fast, you lose the ability to make them aesthetically pleasing, or architecturally interesting.

Now, because people are not reproducing like crazy, these fugly buildings are being updated, or repurposed into community centers and such, so they can condense the student body into fewer buildings. So they are trying to make them a little more interesting, but they still aren't great.

ALSO, at least in California there was a little thing called Prop. 13, where the people who owned houses voted to not pay into infrastructure or public education via property tax any more (this is an oversimplification of what it was, but if I explain it in detail my head will explode with rage) Now these old Baby boomers are of course, the first people to complain that the police and fire response is slow, the roads are crap, and the schools are falling apart, but somehow they don't seem to make the connection to them voting not to support things for the public good. So that's the short version, in long form, of why American schools look like prisons.

the only reason i ever miss high school is because it produced genuinely hellish photos such as this one

[pastorfutureletthembe]

If you don't mind me asking, what do you think are Lu Guang and Cheng Xiaoshi’s greatest personality strengths and weaknesses? Why? What do you love about their dynamic? What are your favorite headcanons of them? Also, why do you love Link Click (like what is it that made the series special to you)? Sorry if I ask too much....

Ooh so many things to say, I apologize in advance for the wall of text haha

Let's see~

Lu Guang is too practical and one-minded. I think he has the ability to focus on only one thing at the same, because he is a very dedicated person, but also stubborn in his own way. Being a scorpio, he tends to feel a lot and comparmentizing or dissociating could be a defensive mechanism. I think that's his biggest flaw as a person. As a character, I think he's sometimes too much of an introvert to let on any information we don't already know. Yingdu Chapter is showing us so much more, because that's obviously a younger version of him. Time really took a toll on him. His greatest strength is that he doesn't give up, he finishes what he starts and I want to believe he has the maturity to recoginze his accomplishment despite having strong expectations. As a character, his most awesome feature is he's an unreliable narrator. I strongly feel about those, because they're so rare, honestly.

Cheng Xiaoshi feels, sees and experiences things in a unique way, with his whole self. I find it charming. Is it strength or weakness? Honestly don't know, but that's worth mentioning because he makes choices with his heart. That makes a good character out of him. He reminds me of Watanuki (xxxHolic); what he shows to the world is not what he is or what he feels, he struggles to find his place in a world that rejected him so early on, and that often goes with self-sacrifice. I think his biggest flaw as a person is that he is socially inapt haha but in a cute and childlish way. I love that he's socially awkward but has actual ambition? He's so creative but he needs Lu Guang's face to make things happen. He doesn't believe in himself enough while being loud about his qualities. It only makes him a more complex character but, yeah, as a man, it's a tough life haha. But that's what makes him loyal and genuine too. And the reason why he's all over Lu Guang whenever he gets the chance lmao.

HEADCANONS

I many many specific headcanons for them. You are not ready.

I'm conviced that Lu Guang is actually so weak. Not only his strength, but like, his body is constantly working against him, with constant back or neck pain despite his young age, anemia and probably low tolerance to spice and alcohol (I like to think he's a sad/whiny drunk). I think he doesn't eat much because he doesn't have any emotional bond with food (no madeleine de proust for this guy) so he doesn't particularly enjoy the act of eating as much as the fact Cheng Xiaoshi is alive to cook for him. But he has a sweet tooth! My ultimate headcanon regarding Lu Guang is that he wasn't the way we know him at all in the original timeline. I imagine he used to match Cheng Xiaoshi's energy a bit more. I find him very tame for a scorpio to be honest. We'll see~

The newest headcanon is that Cheng Xiaoshi has always been a restless sleeper. I think he always loved photography, probably because it was part of his parents' work or maybe he was praised for his pictures by classmates. Being an ARIES myself, I do recognize his dedication in things he puts himself in but is kind of lazy for things he has no interest in. He likes cooking, and this too must be linked to his mother. I imagine he used to help her when she prepared a meal. People tend to think he has abandonment issues and is kind of clingy to Lu Guang because of it, but flashbacks showed that he always was a whiny kid in need for attention (that's a good mother's boy haha *affectionate*).

On a more NSFW note, I know a huge part of the fandom identifies them on the asexual or aromantic spectrum. I don't know about that. I see what they see, but I don't think that's the whole story. I do think they can both be sexually active and enjoy sex as a way to express support and care. Cheng Xiaoshi reminds me of myself a lot. Being demi-sexual myself, I need strong intimacy and trust to be attracted to someone and feel safe with them so I guess I imagine their relationship to be this way because all of it is unrevocably there. I imagine that loving or touching Lu Guang wouldn't be enough for him, he would definitely workship him in a very intense and beautiful way. Lu Guang would probably be a quiet lover but eager, because of the dreading feeling of grief.

They would be very secretive about their private life. I'm pretty sure they were lovers in the first timeline but Lu Guang didn't want to make everything too complicated and decided not to get more emotionally compromised. Of course, as you can see in Yingdu Chapter, Cheng Xiaoshi makes it very difficult.

WHY I LOVE LINK CLICK

I came for the doomed gay, I stayed for the slice of life, I'll die for the tragic paradox and I'll dig six feet underground for hidden secrets. "The Time Traveler breaking time and space for his deadwife" memes brought me here actually hahaha

The post-modernist approach is what got me obsessed by the way hahahaha Does it make sense? The fact forshadowings are easter eggs in freaking merch? Mindblowning. I always felt like I couldn't get enough of my favorite shows, but Link Click delivers so well and I actually struggle to keep up for the first time of my life.

As a show, Link Click is beautiful to watch and I appreciate the strong cultural influences. The music got me in a chokehold as well, I never ever skipped the opening.

The fact the girls aren't mere girls but actual characters too. Qiao Ling has never been a possible love interest and that's strangly refreshing. No love triangle, just a family. That's my favorite part of the show. I fell in love with the first episode because of Emma. She still has a special spot in my heart.

And because it didn't lose time explaining anything, we literally dived right into the action (that's LCLA's biggest flaw, it wants to explain everything in details when they don't even know what's the deal with their powers lmao). The storytelling is clever, easy to follow, and the secondary characters are all so fleshed out.

Strangely enough, Cheng Xiaoshi and Lu Guang's relationship isn't actually what I love the most about the show. And I do love them, as a pair, as stupid bff, as partners in crime, as almost lovers. But the fandom and I have a different view on the matter so I'm very dissatisfied with fanfictions so far. Me, I love the get together trope, preferably in angsty settings, but it seems they are so gay and tragic for each other in the canon that angst and slow burn aren't popular among the writers lmao. I mean, they are very gay in the canon as it is after all-

I'm quiet happy with the sharing experience of analyzing metas so far, though!

I started writing my own stories but I won't post anything before it's done.

[pickles4nickles]

Last year, I wanted to do some kind of jank, made in Powerpoint VGAs-type stream, but… that requires me to put a Powerpoint together and a speech for each thing… and I’d wanna make a cute little suit for my PNGtuber and I’d need to find the TIME…

And that was too much pressure for me to get everything together.

So instead, I did a blog post rundown of the games that were released in 2024 that I either played or experienced through a stream that I liked or have something to say about it. The fact that any video game is released is kind of a miracle in and of itself and I think that deserves an award, even if it’s not “The Most” or “The Best” of something!

So without further ado, here’s my version of the 2024 Video Game Awards:

The Worst Use of the Name “Mililani” Award | Like a Dragon: Infinite Wealth

LaD: Infinite Wealth was the latest release in the Yakuza series, where ex-yakuza man Ichiban Kasuga goes to Hawai’i to find his mom and shenanigans ensue. The man who is supposed to be Legally Dead and Not Alive known as The Dragon of Dojima, Kiryu Kazuma is also there. He’s having a mortality crisis. It’s fine. If you’ve never played or experienced a Yakuza game, the vibe is essentially big crime J-drama with interludes of silly side stories in-between. Some of these side stories include games that involve taming and getting into cockfights with middle-aged weirdo men and running a vacation resort with cameos from characters of the Japanese equivalent of Sesame Street.

I actually wrote a really, really long review about this game back in the Spring, so I’ll keep this section as short as I can. LaD: IW is a game that attacked my soul as I am a Hawai’i born and raised Gamer™. For the most part, I did enjoy the 100+ hours I put into the game and I did like the battle system and side games, but I have some gripes about the story and I do kinda cross my arms at the way the game portrayed my hometown. That being said I think Infinite Wealth is… ffffine and I’d recommend it if you like the Yakuza series or big JRPGs, just… be wary of the intercultural perceptions.

The Productivity Killer Award | Balatro

Balatro is a roguelike deck building game that revolves around making the highest scoring Poker hands, while using various Joker and other cartomancy-kinda cards to manipulate your score, but also editing your deck by modifying or adding to the traditional 52 that you’d use in regular Poker.

Balatro’s just… good! It’s really easy to pick up even if you don’t know how to play real Poker (like me), but there’s also an insane level of mastery to be had with it. There’s just something kinda fun about breaking the rules of a long-established card game that feels great.

The Tiniest Terry Award | Tiny Terry’s Turbo Trip

Tiny Terry’s Turbo Trip is a game by the Wuppo devs where you’re a little blue guy who drives his car around the town of Spranklewater, collecting Turbo Junk to upgrade his car to launch it into space. You also have a pipe. To assert dominance :)

TTTT has this really specific dry and absurdist flavor of humor that I really, really like. And on top of that it’s just a really fun game to run around in and play. Massive overworld maps that you find in bigger budget games can get overwhelming, but this game has just the right amount of places to go and poke around in.

The Stupidest Game I’ve Played This Year /pos Award | Thank Goodness You’re Here!

Thank Goodness You’re Here is a game where you’re a little man in a delightful 2D, hand-drawn British town and you just kinda slap things and help people with their problems. Sometimes there is a dick joke. Sometimes there is just straight up A Dick. Because British humor.

I don’t have too much, like, deep and meaningful insight about this one… because it’s really not that type of game. I really like the art style of this game, the whole thing is pretty much just one, big interactive sketch comedy. It’s a game that’s very unapologetic about its culture by just forcing you to sit with how grimy it can be at times, and it’s great!

The Devotion Burger Award | Great God Grove

Great God Grove is a game from the Smile for Me devs about a world in which every thirty or so years, a giant rift in the sky opens up that acts as a portal between the mortal plane and the realm of the gods. An elected human can enter the rift and ascend to godhood, but if left open too long, the rift will suck up and destroy the world. The gods have always joined together to close the rift, but this time around, The Grove is in chaos. Due to some nasty letters sent out by the next-god-to-be, King, it doesn’t seem like the gods will come together in time to stop the apocalypse, so it looks like it’s your job to straighten things out. With your trusty tool, the Megapon, you can suck up the words people say and shoot them at other people to help people communicate and solve puzzles.

So you’ve all been seeing me draw fanart of this game. This game got into my HEAD. LimboLane’s character designs and writing are always so unique and quirky and they’re not afraid to put their feelings and emotions into their art (I have been learning recently that that is very hard to do). I was initially interested in this game because of its style, went in as blind as possible, and I did not expect this game to fall into my lap when I really needed it most because it touched upon some subjects that I’ve been kinda struggling with recently. This and Tiny Terry’s Turbo Trip would probably be my Game of the Year picks if I was making that a concrete award for this.

The Gay Fish Award | WEBFISHING

WEBFISHING is a multiplayer lobby (but you can play it solo!) game where you make a little animal guy (cat or dog) and you fish and hang out with your friends. As you fish, you earn money that can be exchanged for cosmetics.

WEBFISHING is a really, really simple game and that’s, like, not a bad thing or to undermine the devs or anything at all. Most multiplayer games have a very concrete goal in mind where players usually have to focus on the main goal to participate, and a lot of us just don’t have the time or the energy to be actively and continuously present for something like that anymore. The nature of WEBFISHING is just hanging out with your pals, popping in and out as it suits you. And we need more games like that.

The Why Have You Done This Award | UFO 50 - Mooncat

UFO 50 is a pack of fifty retro-style games from the Spelunky devs and friends that emulates a fictional video game company’s legacy through the years. Mooncat is one of those games where you play as… what- what the hell is that- An orange (red?) pickle-shaped creature with Grinch feet and unknown motivations.

The directional buttons move the character left and face buttons will move the character right. Pressing a directional button and a face button at the same time will make the character jump and doing so again while in mid-air will make them do a ground pound.

Hey, so, I dunno what mad lad in specific came up with this game, but this is simultaneously one of the worst and best things I have ever played and I think this game should get spotlighted for that emotion alone.

The “Close Enough, Welcome Back Pokemon XD” Award | Beastieball

Beastieball is basically what if Pokemon was also Haikyuu- this is a game that’s Pokemon double battles but also a volleyball game at the same time. As you recruit new critters to your team, they’ll learn new plays, maybe metamorphose into new forms, and make bonds with their teammates.

At the time I initially started writing this, I hadn't finished the whole game- I’m near the end, though, at this game’s version of The Elite Four. The game is also still in early access with a lot of Beasties having unfinished visual assets. Despite all that, BEASTIEBALL IS SOLID. I might write up a longer review of it once I’m done with the game, but as someone whose favorite Pokemon game is Pokemon XD and we haven’t had a solid PvE experience in that franchise in YEARS, Beastieball definitely scratches that itch.

The Cardboard Crack Award | Pokemon TCG Pocket

Pokemon TCG Pocket is Pokemon’s new trading card game app where you collect cards and play a simplified version of the long-running card game. 

I’m putting this here because for being a free-to-play live service kinda game, it’s been… pretty good all things considered? At least for now? Yeah, there’s some decks that aren’t FTP friendly and the RNG will have your head in your hands sometimes. I dunno, as someone who fell hard from playing Pokemon VGC where I got overwhelmed with the amount of plays I had to retain, this was a nice change of pace. I’ve been having fun talking about the different kinda decks that have been going around with friends, sharing the cards we find, and I get to experience the serotonin of opening a card pack without having to spend real world money so... good! While there’s a nonzero chance that the game will fall to ruin a la Pokemon Go, I’ve enjoyed the time I’ve had with the game at the moment.

The “Games I Watched but Didn’t Play” Honorable Mentions

Yellow Taxi Goes Vroom

“Shmovement”- type platformer where you’re a little car with an acceleration button. Has a really great soundtrack! Not-so-subtly dunks on the muskrat man. I don’t have a lot to say about this game because, again, I watched it and didn’t play it and a lot of what makes this game neat is the platforming of it all. It’s on my to-play list, though! So maybe one day.

Crow Country

Survival horror game where you uncover the secrets of the eponymous amusement park, Crow Country. Has an unsettling vibe, goopy monsters, but doesn’t really have any jumpscares, if that helps anyone. I also don’t have a lot to say about this, not just because a lot of the experience comes from having the controller in my hands, but… horror’s not really a genre I go to very often. But I guess if a scaredy baby like me wasn’t put off by the early Playstation-style graphics and could sit through it, that’s a good sign?

Uncle Chop’s Rocket Shop

An auto shop repair roguelike where you consult in-game manuals on how to repair different modules under time pressure. Has a lot of swearing for Vibe Reasons. From what I’ve seen, this game can be FRANTIC, so if you’re looking for a chill game, this might not exactly be for you, but there are two modes- one with smaller jobs, but more time pressure, and another with less time pressure, but bigger jobs that you need to do almost perfectly. I’ve been burnt out on roguelikes, but I might actually consider picking this one up, as the test of skill isn’t necessarily reaction time or muscle memory like your traditional roguelike, but gaining knowledge to fix modules quickly without consulting the manual. And I think that’s neat! I don’t think we’ve had a game like that just yet. That being said, the game has been buggy at times, but the devs have been patching it up regularly, so if you’re interested in picking it up, be aware of that! And waiting a little bit before grabbing it might be a solid move.

Egg Squeeze

If Thank Goodness You're Here! was the stupidest game I've played this year, this is the stupidest game I've watched this year.

I refuse to tell you anything about this game.

Persona 3 Reload

It’s the same Persona 3 we all know from the early 2000s with a LOT of quality of life changes and fully voiced social links! That being said, it is still Persona 3, so your mileage may vary and please note the literal trigger warnings.

I… was not able to finish watching a playthrough of it because the end of the game does get kinda heavy and I haven’t been in the right headspace for it (I do not handle death and mortality very well), but in my opinion, of the more modern, easily accessible Persona games (Pour one out for 1 and 2), I think P3 sticks to its thesis and theming the best.

Metaphor: ReFantazio

A game from the Persona team where it’s the same kinda day-to-day hang out with people to strengthen your bonds, fight RPG dungeon monsters kind of deal, except instead of a Japanese high school, a high fantasy setting. 

I liked watching this game- there’s a lot of twists that made me metaphorically (heh) get up from my chair and go “NO FUCKING WAY” and I do like a lot of the characters and their social links. However, this still is the Persona team and, no, they still do not know how to write young adult women. In terms of overall story, Metaphor asks the question, “In times of fear and anxiety, can the general public be trusted to choose a trustworthy leader?” While the game’s plot and themes swing hard in the beginning, the game’s ending kinda pulls its punches.

Despite all that, from what I’ve seen, there’s a lot of quality of life improvements in this game compared to past Persona games - social links ALWAYS level up for each event, the game will very clearly tell you whether an action will progress time or not, the battle system is very polished, and a lot of people seem to like the Archetype system which allows your party members, not just the protagonist, to change battle classes.

Also, shout-out to some of this game’s enemy designs, as some of them are inspired by Hieronymus Bosch paintings. I don’t think a boss battle has ever filled me with the rawest emotion of “okay what the hell am I looking at” as much as this game.

Astro Bot

In the past few years, Team Asobi, a first-party developer for Sony, has been making what are basically tech demos for the Playstation, featuring their little cutie robot player character, Astro Bot. This year, they released a full-on collectathon platformer! A green Minion-ass lookin’ alien breaks apart your spaceship and scatters your robot buddies to the winds, and it’s your job to save them.

I’m just gonna sound like a broken record at this point because, yeah, this game won the VGAs and so many people have sung its praises, but I’m genuinely glad this won GOTY. Even though it’s a very “Sony wants you to remember how good they are/used to be” kind of game that pricks you with a needle and pumps 50ccs of nostalgia into you, it’s still a very solid game without it. To me, the visuals are the best part, with bright, colorful worlds that have so, so much polish into them and you can tell the team had fun making it. I’m glad this game won the GOTY because I want this industry to realize that games don’t need to be gritty and realistic to have value, they just need to be made with heart.

And Two Games I Played This Year that were 2023 Releases

In Stars and Time

Dude, you’re still on Tumblr, you probably heard of this one.

In Stars and Time is a black and white RPG Maker kinda RPG where you play as Siffrin, who is So Very Okay And Not Having A Rough Time At All and stuck in a time loop. The battles operate under a literal rock-paper-scissors weaknesses system with a ATB (Active Time Battle) meter and a Persona-like All-Out Attack style system, which builds as you use the same types of attacks in succession.

It has The Character (Siffrin) with The Character Design. It has the object head character. It has maybe the most casual conversations about being trans and being ace that I've ever seen in any video game so far. It has the narrative that will rip your heart out and possibly inspire you to consider therapy (not as a bad thing). It has so much!!

I have a lot of feelings on In Stars and Time as this was maybe the most cathartic game I’ve played in a while that put into words a lot of feelings I haven’t quite been able to name. That being said, I don’t have too much to say other than, like, it’s good? While a lot of games have the ludonarrative dissonance problem, this game achieves ludonarrative harmony. Although the cast has been traveling with the protagonist prior to the start of the game, Siffrin being emotionally distant from them means there’s some stuff they don’t know about their friends, so you get to learn what’s going on with them along with Siffrin. As you go through loop after loop after loop, you’ll maybe get a little frustrated and the game realizes that and reflects that narratively! A lot of RPGs also have trouble nailing the ending or, like, either the gameplay is good and the story falls short or the other way around, but… ISAT’s pretty much nails everything!

If I had played this in 2023 (and Hi-fi RUSH didn’t exist), it might’ve been my GOTY.

Chants of Sennaar

A point-and-click-ish deductive reasoning game where you use cultural and societal context clues to translate language!

I think this is a game that’s best to go in knowing as little as possible, like, if the premise sounds interesting at all to you, go and pick it up. If you’re on the fence about it because puzzle games can be difficult, the game has a note-taking journal system that’ll help you confirm translations and show any notes you’ve taken on-screen as you’re puzzling stuff out, so you don’t have to worry about getting overwhelmed. I think that’s all I can say about it without spoiling anything, so go grab it if it piques your interest at all.

[cherrysolo]

hi my love again hehe!! in one of your posts you were asking about luigi's goodreads!! and i made an analysis about the books he's read that ive read here it is if u want to read it :))

sapiens - also part of luigi's favorite's list!! this is by yuval noah harrari my GOAT guys.. i cannot STOP yapping about this book!! if u guys dont like reading very bulky texts and js want to get the main point there's a graphic history version and it's ive read it spits out points very concisely !! so either book it's all good :)) it's veryvery interesting it talks about evolution and why humans act like humans!! i love history and yuval noah harrari made me love evolution so much!! this book was rated a 5/5 by luigi (deserved hehe) girl honestly anyone ANYONE who gave sapiens a chance would also rate it 5/5 or a high rating it's a timeless lighthouse on the fog of defining humanity so since luigi is a very left brained man this deff fits his character all in all (oh js wanted to mention he rated sapiens: graphic history a 4/5)

harry potter - he rated 1st-3rd book a 5/5 def deserved !! ofc it's a classic ive had my harry potter phase die out and live again MULTIPLE times harry potter is probably apart of many people including luigi's first books ive read and loved list

the little prince - 4/5 (by luigi) it still freaks me out that he read the same books as a lot of us, watched the same movies as a lot of us, and that he's js a regular human but his actions moved society to forward him to transcend into the status of being "it is hell on earth to be heavenly - ts", almost even myth-like anyways back to the little prince it's rlly an AMAZING book !! it's a short read and it speaks so much about taking the truth of growing up and adulthood and making it alien through a child's eyes def made a lot of people relive an innocence that once was

animal farm - he rated this a 4/5 and i agree with that i read animal farm for school and it is a classic, so typical and so true i reference it all the time for me i gave it a 3/5 on my goodreads too because halfway through the book PLSDONT FLAME ME FOR THIS i kind ofalready picked up what george orwell was putting down - especially for the ending it was a bit obvious for me PLS DONT GET MAD IM SORRY anw it talks about the oppressive effects of a dictatorship (specifically communist government) and basically talks about how EVERYTHING gets political and even a revolution that looks toward freedom can get blurred when u lose ur ideals that's the main message i got out of this!!

the art of war - i havent finished the art of war yet..sigh.. he rated this a 4/5 and it's fitting since from the reviews ive read it's very strategic and calculated js like luigi so the rating matches with his personality

so sorry that's all the book titles that ive recognized in his roster.. I FEEL SO BEHIND but on a serious note i feel rlly inspired to read more books!! school has been so draining :(( and ive been lacking time to read im trying to light the spark again this year

i saw a lot of philosophy and psychology and self help books (including health about back pain) he's so avid about self-improvement it's stunning

i remember in luigi's reddit too he was very staunch about the fact that when he wanted to bring a book in his backpack it had to be physical and not kindle and he enumerated like 4 points to justify it it was so cute and made me so happy coz i shared the same views as him

oh and i also wanted to mention that luigi is an absolute culture absorber !! so inspiring he reads books about the places he goes to eg. hawaii and based on pictures he's a very openminded social butterfly hehe

luigi is a walking pursuit of wonder. like he read elon musk and the unabomber for specific reasons and i think it's because he was curious to find out the mindset of these people that yk he doesnt exactly idolize to euphonize it at least.. so if we wanna find out what type of person luigi is i think itd be good to judge that based on the books he's read def since it's what he's been exposed to/chosen to be exposed to so if anyone who has read the same books as he has u can always anon message me/make a post hehe i find his mind so interesting!! i love u so much!! i hope you're doing amazing!! good luck at uni!! (not that ur gonna need it hehe) sending so much love and admiration!! i mean poli sci??? now we need a standing ovulation for that. love u so much!!

OMFG I LOVE THIS SM!!!! I find it so interesting the array of books he’s read! he definitely doesn’t conform to one genre of books. especially in his tbr goodreads shelf he had a book about female pleasure….. we love a man who can read! haha

his post about not having a kindle and rather a physical book makes me giggle! I previously shared the same views, because nothing compares to holding the actual real book! But I now have a kindle and it has changed my reading habits completely! he would definitely be a lil suspicious if his so read on a kindle, because why choose a device over real writing on a page???

I definitely agree with you that reading can be so draining and book slumps are inevitable! I always try to set reading goals but I rarely accomplish them lol. do you think that luigi always set a goodreads yearly reading goal too? I wonder what his goal was set to!

I genuinely have such a smile on my face reading these replies ahhh!!!! ily <3

[theragamuffininitiative]

Hi I have opened a can of research worms, which is something I do for fun and then often regret! 😃 Nothing is ever as simple as we want it to be. I am NOT an expert on any of this. Just being the "huh I'll look that up" person that I am, I went and started looking stuff up:

First, a very brief note about pesticide/herbicide use in US foods vs other countries. Not going to go with any particular links here bc this issue is so huge, and is the macroscopic version of the questions asked here. A cursory Google search returns this right off the bat - while not a surefire burden of proof, I love me a string of .gov, .edu, and .org websites all agreeing with each other:

Anyways, it is a very demonstrable fact that the US uses a list of chemicals other places have banned. Usually this has nothing to do with allergies and a lot to do with how those chemicals are carcinogenic (or might be, more on that later).🙃🙃🙃 Yay America.

Ok. More on the "is something right or wrong with American wheat" subject:

Kansas Wheat Comission + Kansas Association of Wheat Growers site talking about the major wheat varieties grown specifically in Kansas. Note how they keep saying the majority crops are hard wheat with high protein and gluten strength. This is just talking about Kansas but as Kansas is the highest wheat producing state, it seems to be a pretty good example of the broader picture.

To @emeraldchase's theory, I think it's important to point out the breeding of specific wheat varieties that do have stronger gluten content was not necessarily about the increase of gluten in the wheat but the increase of all proteins in the wheat, of which gluten is only one compound. The two just happen to be inextricably linked. And gluten, for all it gets a bad reputation, is what gives many baked goods their specific body, texture, etc. Additionally, hard wheats (higher gluten content) tend to actually be MORE expensive, as opposed to soft wheats (lower gluten content) due to requiring more nitrogen-rich soil. So. Gonna set that point aside without additional details.

What Kansas is to America, France is to to the EU. (You will probably never see that analogy anywhere else.) France's wheat yield is having a rough time, so sorting past recent articles about poor crop returns made finding links way too difficult but: more than half of France's wheat crop is used domestically, both for animal feed and human consumption. The very vast majority of French wheat is soft wheat.

Italy is not the EU's highest grossing wheat supplier, but it's the one I ended up reading about first so have this info too: Turns out most hard wheat used in Italian pastas and some breads is a type of durum wheat called grano duro, and it is not imported; it is grown in Italy (aka free from American agricultural practices. Common wheat, or grano tenero, is uh...also mostly locally grown in Italy, from the other side of Italy, and makes up the majority of their wheat crop and exports. This is the soft, weak gluten type.

Remember how the Kansas wheat is primarily hard wheat? Both France and Italy primarily grow soft wheat. The majority of American wheat does have higher gluten content than European. Have fun looking up the wheat growing practices of the other countries and states, I got lost down seven rabbit holes before coming up for air.

While both the US and Europe tend to export/import much of their crop yield, the majority of wheat sold to citizens in the US is domestic, and the majority of the wheat sold in Europe to citizens is grown in Europe.

So what about visiting Europe and being able to eat gluten? Potentially due to the softer wheat used, but not all of it is soft wheat, particularly in breads. It could be related to the widespread use of fermentation in Europe. It could be that you're on vacation and eating fancier, more controlled portions, with lower stress. It could be the heirloom / organic foods and less processed foods in general. If you are gluten sensitive and want to test it at risk of ruining your vacation, have at it! If you are celiac, please do not try European gluten at risk to your health and safety.

Ok so what about Glyphosate:

An independent scientific article from 2013 talking about the chemical, with charts about increased usage, links to disease including celiac, and adverse affects on gut bacteria as outlined by the user above. (This paper seems to be the one most people refer to. It is important to note this is one article, and that they are basing their conclusion on reactions in fish. It is incredibly interesting, but not conclusive.)

Wheat grown using our good ole pal Glyphosate is NOT currently banned in the EU, as the allowance of its use was extended back in 2023 for at least another decade. While there is a related carcinogenic risk with Glyphosate based compounds under certain conditions, it is inconclusive that Glyphosate itself is harmful - thus the not banning. (Partial bans exist in some countries within the EU.)

Here is a cursory overview about the herbicide, addressing the gluten issue but leaning toward the other very bad health outcomes which are beginning to be linked to the high usage of glyphosate. (Note, this is a dietician website and they say they are not moved by fads, which is very funny coming from a field that is constantly changing according to fads but hey.)

So now you're thinking "ah! We have higher gluten wheat and flour, AND we use these herbicides. Clearly this accounts for Americans having higher rates of celiac disease." Unfortunately for my time spent researching this to come to that triumphant conclusion ... it.. isn't true. America simply does not have a higher number of diagnosed celiac disease than other nations. So. A higher gluten content in American wheat, although not nice for the gluten-sensitive, does not appear to be causing the problem. Neither do the nasty chemicals, actually. Maybe we're just diagnosing it more than we used to. Idk man.

It seems it can much more truthfully be stated that celiac/gluten allergies can potentially be linked to human genetics, and to modern wheats in general, so that heirloom organic varieties are better. Not necessarily bc of the herbicide used, but yeah sure maybe. However. That herbicide can still poison you or give you cancer, so the high amounts if it in our food should still be concerning and I'm all for banning its use anyways.

To op's question, "How do we fix what's making people's bodies not tolerate wheat"..... ¯\_(ツ)_/¯ < scientific conclusion from multiple sources.

TLDR; Most nations have similar rates of celiac diagnoses. Glyphosate may or may not contribute to celiac development, but it may also cause cancer. Heirloom and organic wheat varieties (plus other grains and foods in general) are maybe less likely to be linked to celiac disease (and cancer and many other issues) or to aggravate it due to their protection from modern herbicides and pesticides, and from not being bred to increase protein (and gluten) content. Possibly.

Personally I think the medical profession should stop asking "what normal God-made nutritious foods that have been staples of the human diet for 5,000+ years do people need to completely cut out of their diet to be healthy" and start asking "how do we fix what's making people's body not tolerate wheat"

[eschergirls]

January 2025 Update & 2024 Supporter Thank You

Hi everyone! December is over so it's time not just for the January update and thank you post, but also to thank everybody who supported Escher Girls in 2024!

This month has no major external site updates, but we have updated the site internal software which should hopefully fix some errors. We've also fixed the formatting in the way the site displays gifs and videos in previews in the tags, so there shouldn't be giant white spaces between each post.

This month I didn't have a lot of time to fix up old posts because I've been jumping from appointment to appointment for the health thing I mentioned before. But I was able to fix up a few posts.

Specifically, I restored this post of Kevin Nash's short-lived comic book, a panel of Gamora's butt sucking in her thong and also her entire body I guess?, this cover of Shanna: The She-Devil in a boobs and butt pose, Nikki Doyle being turned into a snake by a snake, and two really good fan-art/redraws of Nikki Doyle, one by Keskerist, and another by JustTheMiles. I also fixed up and sourced the Samurai Champloo bomb-boobs video from a very old post.

All restored/fixed posts have working images, videos, and animated gifs (a lot were broken or deleted by either Tumblr or during the move to the new site), and have added image descriptions for screenreaders, sources, and link to the corresponding cross-post on Tumblr and vice versa (except for the cases where Tumblr removed the post entirely either because the submitter deleted their blog/submission, or Tumblr's algorithm mistakenly tagged something as nudity, usually a solid coloured bodysuit, in those cases I've tried to find an archived version to link to). For very old Tumblr posts that don't allow image captions, I've linked the images to the image hosted on EscherGirls.com which does have image captions.

And now I want to give a big thank you to Escher Girls' Patreon subscribers for all of 2024 regardless of when you subscribed or for how long. I really appreciate all the help people give me to help keep the site up, pay for hosting and domain costs (which keep going up due to inflation v_v), and allow us to keep the site updated.

So thank you so so much to the following people for being 2024 Patreon subscribers:

Anne Adler Cat Mara CheerfulOptimistic Chris McKenzie Em Bardon First Time Trek Greg Sepelak Karrius Ken Trosaurus Kevin Carson Kim Wincen Leak  Manuel Dalton Mary Kuhner Max Schwarz Miriam Pody Morgan McEvoy randomisedmongoose Rebecca Breu Ringoko  Ryan Gerber Sam Mikes Sean Sea Who Used To Be Much More Annoying SpecialRandomCast  Thomas Thomas Key

And also special thank yous to JohnnyBob8 and PJ Evans for their donations through Ko-Fi in 2024!

And also a huge thank you to everybody in general who reads, submits, reblogs, comments, and otherwise interacts with the blog! Escher Girls' audience is truly great and I love seeing all of your responses to my posts and your captions!

Also, if anybody is on Fedi and wants to talk to me, I'm at https://urusai.social/@ami_angelwings.

Thank you so much and see you next month!

Ami

PS: As a reminder, we added a button that links to the Escher Girls Tumblr and to our RSS feed for those who want to follow that way. (For newbies, RSS stands for Really Simple Syndication and is basically a feed you can read using an RSS reader. Simply copy and paste https://eschergirls.com/rss.xml into an RSS reader and it will keep you up to date on Escher Girls!)

Make sure it is eschergirls.com and not eschergirls.tumblr.com, as that is Tumblr, and not the self-hosted site.

If you have any issues with the site or suggestions to improve it, please do not hesitate to contact me and let me know!

If you wish to support Escher Girls, you can subscribe to our Patreon at: https://www.patreon.com/ami_angelwings or donate through Ko-Fi at: https://ko-fi.com/amiangelwings.

[morrigan-sims]

Top 24 Screenshots of 2024

I was tagged by @loony-moonsims Thank you!! (Sorry for being so late. I was on vacation and didn't have access to my laptop with all my screenshots.) I'm not going to tag anyone else to do this because it's way too late and I don't know who has or hasn't done it. But if you want to, feel free to say I tagged you!!! It is a lot of fun to do! I already did one favorite post from each month in my 2024 "Year In Review" post, but that was strictly one per month and didn't give me a chance to talk about it. So expect a lot of rambling under the cut.

tw for blood in several images and for spider imagery in Oct/Nov.

January

Starting on January 1st, I fell head-over-heels in love with Pathfinder: Wrath of the Righteous -- now my favorite game of all time -- and with Areelu Vorlesh. I tried my hand at recreating characters from images, which I'd never done before, and it actually turned out pretty well. (And started a mini obsession.) My first version of Areelu was not my most accurate, but I do have a deep soft spot for it, for many reasons. And while Reda isn't perfect either, I do love how she turned out as a sim.

February

The month of goth/dark fantasy people, I guess. The Lady of Ravens was very fun to design, and I discovered that that pose looks perfect with the crow/raven accessory I have.

March

In March I got bored of sweet, cutesy flower sims, and decided it was about time someone played into the horror of being both a person and a plant. And thus this sim, who someone described as "sleeping beauty if she took control of the roses and became a villain" was born. She has thorny vines growing under and over her skin, and that rose has burst from her eye. I wanted her to have little thorns poking out from under her skin, but no such cc existed, unfortunately.

Also in March, I played the first of Rook's two Horrible, Very Bad, No-Good weekends. This render (lovingly dubbed "Mirror Punch" in my folders) was meant to represent the scene that the party saw upon rushing to see what the giant crash they all heard from the lower floor of the inn was about. Rook had just woken up from being asleep for over 12 hours after passing out from exhaustion and stress, only to be told that the "chihuahua" the party had rescued the day before just so happened to be the very same man who had sold Rook to Captain Wolf 3 years ago. Oh, and this was after dying once and then having a very emotionally tense conversation with his mentor once he woke up. Because my boy is an idiot who doesn't know how to handle emotional surprises, he decided to try and punch a mirror, because repeatedly killing an imaginary version of said chihuahua/man wasn't working.

I'm still incredibly proud of this render. Editing the mirror to be cracked took me over two hours, let alone drawing in all the blood.

April

In April I was deep in my pirate obsession, in part brought about by obsessively watching Black Sails for the first time. I made the first draft of my ship infirmary (now the canon appearance of the Tide Breaker's infirmary), and also made this sim, who despite my best attempts to NOT relate everything to Rook ended up becoming the canon appearance (in my head at least) for Kholl, the Tide Breaker's surgeon, and Jay's mentor.

May

May was a great month for renders. Actually this one specific week was great for renders, since these both got posted in less than a week. The Nine of Swords is still one of my favorite renders I've ever made. I just love the way the composition works, with the chains framing it, and the swords (all copies of Wolf's rapier from my edit of her as Justice) hanging over Rook's head. Of course, I can only take partial credit, since I was inspired by Sara Kipin's version of the card.

Morana's Death card was also a lot of fun to make. It was my first attempt at putting trees into blender (a pain in the ass, but worth it) and with using photo background (easier, and also worth it). I really enjoyed how the final product turned out, and it's just such a good representation of her. She's named after a Slavic goddess of death and winter, and she's a necromancer from a frozen place, so it works well. I also really like the added touch of the red coming from the skull's eye, which was suggested by someone I was on call with while making the render.

June

June was ALSO all about the dnd characters. Aside from spending way too much time furnishing Lockwood Manor and making its awful owner, making Val as a sim, and giving Zenara a zillion new outfits, I also made these two edits.

The Judgement card was my first big in-game edit in a very, very long time. It was an interesting challenge to get it to turn out how I wanted it to. While the editing for this one was very simple, getting everything else as I wanted it was difficult. There was a lot of TOOL involved, and gshade and Relight saved my ass when it came to getting the nighttime scene to look right. This card is a recreation of a moment from Avra's backstory, where she awoke in her own grave. On digging her way out, she found a raven messenger waiting for her. The Judgement card is just too fucking perfect for her, and it was a lot of fun to create my own version of it.

Aspen's Fool Card was an idea that had been floating in my mind for MONTHS before I finally got around to making it. I could not possibly be happier with how it turned out. This was my first experiment with sizing up sims in blender, and it worked perfectly!!! A giant version of Fin (the jester-like god of death and Aspen's warlock patron) looming over Aspen dancing on strings was exactly what I had in mind. It was also my first experiment with bringing in 3D meshes that weren't already made for the sims, which was interesting.

July

July was all about the Liars. I played through (most of) Rook's SECOND Horrible, Very Bad, No-Good Weekend, which kicked off with the traumatic reveal that Rook's beloved mentor, Sigmar, was actually a corpse being puppeted by the BBEG, Dr. Purity. And not only that, but the party wizard, Maka, had known since day 1. Given Rook's name, and the fact that the special moves Sigmar had been teaching him were all named after chess pieces, it was just too damn perfect to turn Rook into a chess piece for this render. To this day, it's one of my favorite renders I've ever made. Not only does it LOOK amazing, but the layers upon layers of symbolism and little details hidden in it, most of which mean nothing to anyone other than me and the DM of Rook's game. This was my 2nd experiment with giant sims in blender, and also with outside models, as well as my first horizontal/landscape render. Making the pose for this one was a TON of fun, and I got to play around with some editing methods I hadn't used in a LONG time.

Speaking of Dr. Purity, his Temperance card was my most detailed blender set to date!! The many objects were a lot of fun to import and set up. And the editing was SO much fun. Drawing all the shadows on his clothes was a ton of fun, as was fixing the clipping in his hair and figuring out how to make it look like there was liquid in the flask was also fun. This is maybe my least popular render, but I am proud of it and I do love it. We finally got a face reveal of the BBEG, of course I had to do something with that!!! (I definitely didn't only start caring this much about him after finding out he was Sigmar's true identity. Nope, not at all.)

August

In August, I was back in a furnishing mood, this time working on the pirate ships. (I was simultaneously working on making maps for all three of them for our VTT.) I really love how this shot of Zara's cabin turned out. And this coming weekend Rook gets to step into this room again, this time as Captain in his own right! I can't fucking wait.

The Weeping Angels gif was SO much fun to make. It wasn't my first time making a gif, but it was the first in a long time, and also by far the most complicated one I'd ever made. It ended up being well over 30 frames long, and I love the final result!!! (After I made it, I watched it so many times I started to get a headache, lmao.)

September

September Rook was still having a Bad Time, and I got obsessed with Carrion.

I love how the editing (although simple) turned out on this render of Rook. The accents on the chains, the veins I drew under his skin, it all looks great. My poor boy, he does NOT deserve this, lmao. Sorry buddy. This render is (somewhat understandably) one of my least popular, but I still love it a lot.

Theodore's render is also super simple, but looks really good to me. Once again, drawing in details on the armor/clothes was a fun experiment, and so was adding more definition and age to Theodore's face. This was also only my 2nd time sculpting clothing in blender (the first being the Nine of Swords) with his cape, and it looks quite nice.

October

In October, I was hard-core fixating on Zara's upcoming introduction, so she (FINALLY) got her own tarot card. I can't believe it took me as long as it did to realize the World was her card. Anyways, I like how this one turned out. The symbolism with the items and their placement was a lot of fun to add in, and the colors turned out great.

The other shot I really really loved was this preview picture for my spider legs accessory edit. Using TOOL to get the sim in position was a pain, but it turned out SO worth it. This sim in general was super fun to make and looks badass as hell, but her in this pose with the throne is even better.

November

In November I took a break from editing and rendering to get back in P:WotR mode, so I did some neat little recreations of character portraits from the game. I was on my evil run this time, and these two were my two new discovery favorites. I was quite happy with how well I was able to recreate these just with what I had in my game.

December

In December I was back on my rendering bullshit, this time with Carrion. I'd had this idea for MONTHS, since one of the other players in his campaign gave it to me, honestly the scenes were basically done. I barely had to do anything to them, and the editing was super basic. (Hilariously someone left tags saying they loved the editing, and my only thought was "thank you, but I basically didn't do anything". Which I guess is a compliment to my blender skills if it makes them look well-edited.)

I especially loved pulling the reversal of the werewolf, where the full moon is monstrous and the new moon is safe. Also just creating Carrion's monster form in general was a lot of fun to do. I made several pieces of cc just for Carrion (his normal armor, his monster arm spikes), and did some whacky things to get him to look how I wanted. (There's actually two copies of monster Carrion standing there. One of them is just the tips of his toes the other is the rest of his body, sans toes. I did this so I could give him the split feet, which are actually illithid feet from BG3, converted by Shandir.)

I also just straight up painted + clone-stamped in a portion of his arm in the monster image, because it was clipping with his leg. I'm proud to say I don't think you can tell. And adding small lights for his eyes in that form was also a very fun little touch. (Honestly, the lighting in general was an adventure in this one. I hated it at the time, but looking back it was an interesting challenge.) I also learned what HDRIs are and how to use them, so that was a fun learning experience for me!

Final Thoughts

I made SO much progress in rendering this year, and I'm very proud of myself. I would love to whittle down my unfinished renders / not started render concepts to zero in 2025, but knowing me that's never going to happen. (ADHD, baby!!!) But I had a TON of fun this year and I'm so happy with all the things I made, be they in CAS, in build mode, or in blender.

And I'm glad you all were along for the ride!!! Whether you've been following me for years, or you just followed me last week, I'm glad you're here. While I'd make these things for myself, it's a thousand times more fun to share them with others, and knowing other people like my work just makes me more motivated to make it.

[nitkat-rp-stash]

“R-Roll! You can’t call him that!!” Volnutt exclaimed, embarrassed of his sister’s bluntness. He knows that she means well but dammit that’s rude!

Relieved that Zero was kind enough not to be offended by her comment. Before focusing on the reason why his large friend is here in the first place.

“R-right yeah, like he said” Volnutt said looking at the injury and back at his sister. “This situation is a lil…different than usual so we’re gonna need you and Dad’s help for this”

“Why?” Roll asked, curious of her brother’s request

“Well take a look at this”. He shows the injury that Zero showed.

Roll perked up curious about the situation, it’s not like everyday that her brother would bring a whole stranger in the flutter. Normally a person who’s this injured should have gone to a hospital or a doctor. Why in the world would her brother bring this stranger to their home in the first place? Especially that it needs her and Dad’s specifically?

The moment she inspected him, she got her answer. Upon inspection of his damaged arm, her mouth agaped. It’s all wires and metal, not the typical blood and flesh that typical carbons would have even in their “mechanical” parts they have at least some flesh and blood. But nope, this guy is robotic compared to a typical Carbon. Cyborg is out of the question, since the technology is surprisingly advanced compared to other armor and tech that she meddled and seen before.

It resembles a bit of her Adopted father’s armor.

“No…way… ROCK, WHAT IN THE ACTUAL FUCK DID YOU BROUGHT HERE!?” her eyes brightened in pure astonishment, as she looked around Zero inspecting him. Despite his ragged state he’s ornate and fancy, incredibly strong and elegant. “You are one fancy bot sir!” She complimented him, focused on inspecting him.

Volnutt let out a sigh of relief, yet concerned knowing Roll, she’s going to take apart the poor guy without hesitation. He stood between Zero and an excited Roll.

“Rock where on Terra did you find him!?” She asked still in awe of this fine piece of machinery

“It’s kinda a long story, I can explain it when you guys patch him but I need to know is Dad home?” Volnutt asked, its a silly question but it’s important to know since there are times that their father would leave to shop for supplies.

“Oh yeah! He’s at the kitchen making food, I can probably call him up to help” Roll answered

“That’s great-“

“Call me for what exactly?” An older yet softer voice rang to the two siblings.

They turn to the source of the voice. An older man somewhere around his 50’s, he looks like an older version of volnutt with key differences. For one he’s had a bulky soft build (Fancy saying a dad bod), having the exact same X shaped pupils but his eyes are a more Duller version of Volnutt’s, scars donning on his face particularly has one X shaped scar on his right eye. He has the same brown hair as the boy’s but having long white streaks, that is braided into a neat little side braid. He wears a thick turtleneck sweater with a heart stitched on his chest. He looks surprisingly huggable despite his grizzly scars that don on him. Holding a bowl that he was cooking presumably the food. Yep this man is in fact Volnutt’s father Xavier Light.

“I heard a ruckus, I suppose Roll welcomed you back and I heard something about needing my assistance?” He asked amused yet exasperated knowing the antics of these siblings. Also curious

“Yeah, pretty much! We need your help since you know how to tinker with old tech, especially since a friend needs it!” Volnutt exclaimed, as he showed Zero to him.

“Ah so what sort offff….” He stopped as he finally got a good look of what his son brought. His once calm demeanor shifted in pure shock, his eyes widened as he dropped the bowl of food that he’s cooking. In the purest form of disbelief of the person that he’s seeing face to face. Apparently this man is someone that Xavier is all to familiar

“Zero…?”

Volnutt gave him an empathetic smile at the crimson robot.

He is relieved that Zero was considerate enough to relieve the weight to give his shoulder a break. He huffed looking around his surroundings as the both of them are walking in the path, taking in the warm sun and cool breeze of the island until they both see a ship up ahead he sighs in relief.

‘Oh thank Asimov we docked so close by’ He thought to himself, Canary island wasn’t exactly a large island per say compared to Kattletox but it’s does have its own small trading town and the folks are nice to say the least. They don’t usually have problems with Digoters compared to other islands since…well aside from the Legends of the Nocturne Beast.

The docks isn’t to far to the where the ruins is plus, thankfully the shortcut is able to get the two of them to the flutter. The Flutter it’s not as impressive of an air ship in terms, but it’s basically a decently sized ship with its upgrades that was done over the years since him and his father moved with them when he was a baby. Its warm red yellow colors gives it that rustic vibe, gramps insisted to keep it since it gives that nostalgic feeling. It’s always nice to come back home after a long day…

Ah home sweet home….

“Alright, Zero we here! This is the Flutter!! It’s not impressive but it’s home!!” He happily exclaimed, showing up the house boat to his red friend.

Wait why he gets the feeling that he’s forgetting something

[the-witchhunter]

Apples in Caramel Bourbon Sauce

Want a delicious dessert? Want to up your game? Why not both? This recipe once literally got me laid, it’s that damn good, so use at your own discretion

Or not, I’m not your mother

Ingredients:

2 apples (gala or honeycrisp recommended)

1/2 cup - 3/4 cup sugar (depend on size of apples and thus the amount of sauce needed)

4 tablespoons butter (I use salted, if using unsalted I recommend a pinch of salt on the final step)

“A splash” of bourbon (couple tablespoons to a 1/4 cup)

1) core and cut apples. Peeling is optional. Smaller pieces will cook faster so I prefer cutting into 1/8 slices and cutting those slices I half, but theoretically you could just cut the apples in half. Just make them roughly the same size

2) have all your ingredients on hand. Seems silly to make this its own step? If you have to hunt down during the next step you risk burning and starting it over. Just have your stuff ready

3) in a dry frying pan, add sugar and heat on medium. DO NOT WALK AWAY! Heat until sugar is melted and caramelized. It’ll start to darken and at this stage it can go from perfect to burnt very quickly. Stir with wooden spoon if needed to prevent burning but it’ll likely clump. Just break up clumps and it’ll melt when it’s hot enough.

4) add the butter and stir to combine. At this point it’s a very rudimentary caramel sauce.

5) add apple. It’ll likely seem too thick and not coat the apples immediately but just let them cook, stirring occasionally until apples are tender. How long? Depends how big you made your apple chunks. Sauce will get thinner as it pulls out moisture from the apples 

6) fish out cooked apples once tender and set aside

7) reduce sauce for a minute or two

8) add splash of bourbon (not from the bottle directly) and cook until harsh alcohol taste is cooked off

Serve by itself or the recommended method of over a scoop of vanilla ice cream, still warm

Makes 2-4 servings

[monofazz]

Shattered Glass makes me violent and sick actually.

inspired by zorangezest and this set of tags in the reblogs in particular