#but the sizes are similar so
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crepegosette · 1 year ago
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the furry madness continues
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poorly-drawn-mdzs · 4 months ago
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I hope you take this as the compliment it is intended to be, but you strike the same chord of irreverence-as-love, jokes-to-showcase-sencerity that I get from Chuck Tingle, and I adore both of you.
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You have bestowed the greatest honour upon me.
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puppetmaster13u · 6 months ago
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Because it is Mermay:
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Originally did this art for one of @radiance1 prompts/story ideas, which also gives an idea of colors so.
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suntails · 1 month ago
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spící dítě
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evercelle · 8 months ago
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Hello there! I hope you're having a fantastic day and that you're happy!
I don't know if this question has been asked before and I'm sorry if has been but I wanted to know how you break down your anatomy! The way you draw people in your drawing is always so fluid and especially the way you're able keep the heights accurate for different shots.
Thank you for taking the time to read this!!!
i talked a little about anatomy before, so i'll answer your question about scaling heights in different poses today o:
when there's a height difference, check the length and width of each person's body parts. for example, saihara is a fair bit taller ouma, so whenever i draw them together i try to check/correct arm, leg and torso length, since they otherwise both have slender builds. if you pay attention to the relative dimensions, you can convey scale even when characters aren't just standing next to each other. i stuck saiou in a box today to demonstrate 🎵
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try drawing the whole body for each person, including the parts that are hidden in the final shot. if you draw the whole body, it's easier to check the dimensions of the figures and make sure they're consistent to scale.
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this doesn't work for all cases, but i think it's a useful habit to consider how characters occupy 3d space. if you only draw overlapping parts without thinking how they fit together, an image can look flat and won't convey depth.
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if you draw characters in an environment, make sure to check the scale against objects in the background too
this height comparison tool might help to visualize sizes
try sticking your faves in a box too, it's a fun exercise in anatomy and composition :)c hope that helps!
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necrotic-nephilim · 1 month ago
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i personally have very complicated feelings on the Gotham Knights video game and the routes it takes with characterization. i think it has a charm to it and it goes in an interesting direction with everyone (especially within the confides of the plot of the game) but it does have certain moments that veer painfully fanon for me. (such as: the dialogue where Tim drinks too much coffee) it's an interesting story for what it is but i don't view it comics-based for characterization and therefore don't care to interact with it much for like. fanfic purposes.
that *said* though. i do have to give the game some kind of credit for giving one of the top five JayTim moments that lives rent free in my mind. every since i played the game, the cutscene lives in my mind daily. it's the specific cutscene where Jason and Tim are arguing about whether or not Jason's non-lethal bullets are too dangerous for the field, and the argument leads to TIm *standing in front of the target* Jason is shooting and telling Jason to shoot him. it lives rent free for me. i never stop thinking about this.
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the absolute certainty Tim has that he is in no danger standing in front of Jason, who has a loaded gun pointed at his face. the way Jason *hesitates* for just a moment before lowering the gun. he thinks about it for just a second. Gotham Knights JayTim seem to get along very well and can rely on each other, but Jason still clearly holds a bitterness about his death and Tim that flickers through in some lines of dialogue under the guise of jokes. especially since this game deals *heavily* with concepts of Pit Madness causing an altered state of consciousness, i think it's believable that occasionally, Jason fights the urge to fight and hurt Tim for the feeling of being replaced.
i like their tension so much in this canon. they get along but you can *tell* Tim is afraid of addressing Jason's trauma or even addressing Jason head-on, and Jason leans into spooking Tim about it. which isn't very comics feeling in their dynamic, but it is an interesting way to place their dynamic if you're playing with a more timid Tim who's newer to the role of Robin. (which he seems to be in-game) he really doesn't want to offend Jason, or worse, piss him off. but he'll still face Jason head on for things like this, while completely aware of what Jason could be capable of.
and Jason seems very protective of Tim and respecting Tim as a Robin in typical Jason fashion. if Tim pushes, Jason *will* relent. he knows this is a kid who's proved himself and should be treated with equal respect, sometimes even more than Dick and Babs do in-game.
so for all that to culminate in Tim stepping in front of Jason's loaded gun that he *knows* is on the edge of being too dangerous, just to force Jason to listen? it's the most unhinged way Tim could've gotten his point across in this scene. he was literally daring Jason to hurt him and playing with a very dangerous fire. but he did it anyway bc he believed he could make Jason heel just at the thought of hurting Tim. and he was *right*. they're gay and i'm feral ty.
#necrotic festerings#jaytim#tim drake x jason todd#gotham knights game#i hate their character designs for what it's work#BUT the size difference. jesus.#anyway i could write a gotham knights jaytim fic i think#i'm *very* unsure the ages intended for these characters#bc tim certainly seems to be intended to be a teenager#whereas jason seems in his 20s so i think it's a gap that's bigger than the comics#which also makes it fun. usually you don't get a ton of age gap with jaytim they're just under 2 yrs apart#but this tim is definitely still a teen and jason is an adult.#and seems to enjoy being a bad influence on tim in the game so#there's such good fodder for some dead dove shit#anyway the funny thing is i like this game#you don't want to know how many hours i've played it#it's just best treated as a seperate iteration of the characters than being an adaptation of anything#esp since they're *so* vague and waffly on jason's backstory#as well as not giving a ton of info on how tim became robin#you assume it's similar to comics but some details leave gaps in the timeline. so idek#probably not somehting meant to be thought about too hard.#but i'm an overthinker at heart.#my point is they're gay. this is gay. it baffles me ppl don't look at this as the gayest shit alive.#tim daring jason to shoot him is the most tim drake thing in this game#well that and tim wanting to make a talon in the belfrey.#also NO one say a word about the gif quality /lh#i had to make it MYSELF#i do everything around here to show off their gay shit#sorta tempted to just make a masterpost of “every gay ass interaction between jaytim”#bc i've seen some clips from the titans show
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jacarandaaaas · 6 months ago
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small collection of mirabel being comically tiny in the new comics😭
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fidgetspringer-art · 1 month ago
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Hi, I need more cowboy x punk stuff after the suggestive boots, I also kinda wanna see them slowly infect each other's style since they look like similar sizes
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I'm never gonna pass up the chance to draw Noah wearing Martin's clothes ;)
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fisheito · 3 months ago
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found a baby yaku amidst the Sketchbook-glitch-corruption wreckage..... wondering if he flipped skin tones between black and red and everything in between until he saw his to-be-grandparents (and started mimicking THEIR skin tone....... )
#thinking about yakumo having weird lil homunculus proportions or other such variations#what if he just always had massive hands compared to body size. yaoi hands from birth-transformation#he was so anti-snake that he looked at hands and said YES. THIS IS THE LEAST SNAKEY I CAN BE. I WILL GO 600% ON THIS FEATURE SPECIFICALLY#changing forms from entirely obsidian... or red in patches.... or striped... or other combinations...#because he only had murals to base his human form off of? at least at first?#were the murals in colour? shaded with gradients and lighting oh so conveniently?#then how was he to know what skin tone humans are supposed to have???#imagining the first few times he encountered his grandparents in his cave#maybe they only saw a shadow with eyes darting back into the darkness#just a really long black noodle with semisnake semihuman eyes (just a hint of sclera)#and every time they visited#yakumo observed more of their features#and took on something similar to their proportions...? or hair colour? or skin colour?#and maybe even when he's first adopted into the family and leaves the cave#he's still a vibrant pink and everyone thinks he somehow got sunburnt inside a cave or smth#but then he starts seeing all the other people in the village#including diff age groups and kids who are supposedly around his age#so he starts to slowly morph his body toward those characteristics#his skin gets beige-r. reshapes his eyes a bit.... grows a bit of nose.....lengthens his limbs a bit...#(the big humans seem to treat me the same as that speCIFIC group of smaller humans... so maybe i should use them as a Model)#like... how do you even age in a human body when you have no reference for how humans age?!??!#did yakumo stare at several children in the village and watch their growth year by year#and match his body to their changes just to fit in?#did nature just know what to do?? and he just naturally grew like a human without manual manipulation?#I DEMAND ANSWERS#nu carnival yakumo
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little-eye-guy · 2 months ago
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more chibi style testing, ft dragons from @dumpsterfirepropaganda and @jragons-fr-hole, and of course my own wonderful pomelo
i'm considering opening a shop for these but we'll see!
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sillysymbol · 3 months ago
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moeblob · 1 year ago
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(points at him) Boy.
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puppetmaster13u · 6 months ago
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Prompt 317
IMAGINE THIS: Lil baby Damian, bored and being not quite old enough to start learning how to use proper weapons (curse these wooden ones, he wants true steel!) is wandering the base. This is not out of the ordinary, he’s the prince after all. What is out of the ordinary is that his shadow, his Akhi, is not here. 
Technically, he should be napping, but he woke up and neither his mother or his brother- who is quiet but gentle and isn’t a good speaker (mother said it was from a head injury)- is there. Which is how he finds his way to the Pit, which he’s not supposed to be at. Or at least not alone. 
But! His mother and Akhi are there! And- and Akhi is screaming and he’s never heard him scream like that, like he’s in agony- His eyes are green- they were blue, had, had Mother placed him in the Waters- 
And then the pool is bubbling- he should be running away, get assistance or something, he’s five, he shouldn’t be running towards it when everything is screaming to flee. But one moment he’s at the doorway, the next he’s clinging to his akhi as something writhes in the Pit, a mighty bellow echoing even as the Shadows take defensive positions. 
The water cascades, laps at their feet, splashes everywhere as a scaled form rises from the depths, wings like a bloodied sunset spreading as fur bursts into flames. Crimson eyes glare down at them all, pupils slits as they bare down at his Akhi. 
The creature- the dragon- dips its head down, its breath warm as it chuffs at his akhi, wings folding as though it is bowing. His akhi is clinging to Mother, shivering, several scars glowing as they fade and a burst of hair burned white. 
Oh. 
Oh.
@fairy-lights-and-blobs @f4nd0m-fun @hdgnj @radiance1 pspspspsps
#DCxDP#DPxDC#Prompts#Ghosts are Dragons#Or at least Halfas are#Let Jason & Damian be brothers#Jordan looking at Jason: This lil shit is my partner in this world? Damn could be worse#Danny wriggling from the pool & climbing up Damian’s back: My Partner >:D#Ellie bouncing through the caves to Respawn & dragging him into the room: My partner :)#Ras honestly kind of shrugs because ‘well they were chosen by the pits so hi extra grandsons he supposes#Ras turning to giant dragon Vlad & giving scritches: What do I do with two wholeass new grandchildren#Jazz the sea dragon sprawled behind Dusan & playing chess with him:#Does Bruce even know about the fact Ras has a giant fuck-you dragon? Who knows#He sure wasn’t expecting his son (EXCUSE HIM HE HAS A SON?!) to have a dragonet#Hood with big sun dragon behind him: >8)#Sun Core Dan#Ocean Core Jazz#Space Core Danny#Moon Core Ellie#They’re having fun with this httyd vibes honestly#Redeemed Vlad#Sort of- morally gray & complex Vlad & co#It’s similar to platonic soulmates but also not#They can share emotions with their chosen#Danny & Ellie are the size of medium dogs but the size of small horses by the time Damian goes to Gotham#Dan is the size of a semi-truck & will slowly get bigger#Jazz? The size of a plane but longer#Vlad is the size of a skyscraper (yes he came to this world first time isn't exactly linear in the realms all the time)#If you want pics of designs they're under the ghosts are dragons tag on my blog#(though haven't designed Jazz yet)
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astrobei · 2 years ago
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for @quinnick: kiss prompt #4 - lips barely touching
The car is out of gas. Will is about ten seconds away from maybe-dying (again). Mike Wheeler has been abnormally quiet today.
At least of late, one of those things is more abnormal than the others. 
The car is always out of gas. Will doesn’t know when the last time they’d filled it up was, but he does know that it’s not his problem trying to figure it out. That’s Hopper’s deal. Or his mom’s, maybe. Or Nancy’s, or Jonathan’s, or–
Whatever! The point is that the car is out of gas, Mike and Will are stranded at the currently closed general store, and they’re probably about to die.
Again.
“Mike,” Will tries, for maybe the hundredth time. “It’s not your fault, okay, it could’ve happened to anyone–”
“Yeah,” Mike grumbles miserably, as they round the corner, from aisle four – cleaning supplies and household items – into aisle five – canned goods. Most of the shelves are empty, turned over. Mike picks up a can of pickled green beans, pulls a face, and puts it back on the shelf. “But it didn’t happen to anyone. It happened to me.”
Will takes a long, deep breath in through his nose. God forbid Mike Wheeler ever let anything go. “You didn’t know,” he huffs anyway. “It’s not your fault.” The store is dark, which is great for being able to roll your eyes without Mike seeing. Will’s flashlight sputters, briefly, the bright circle of light flickering in and out of view. He smacks it against his palm once, twice, and it steadies. “Seriously,” Will adds, as Mike slows to a stop in front of him. “Stop beating yourself up. So we have to wait for a ride. Big deal.”
Mike turns around to face him. His expression is mostly unreadable in the dark, but Will’s flashlight catches the edge of it – worried, a little guilty. “Yeah,” Mike says softly. “Except there are things everywhere and waiting for a ride is just– we’re sitting ducks here, okay,” Mike frowns. “I don’t like it. It feels like tempting fate.”
“Well, the simple fact of my existence feels like tempting fate sometimes,” Will jokes. It works, for a split second – Mike’s furrowed brows smooth out into something halfway amused, and he makes a noise that might be a laugh.
“Not funny,” Mike says anyway. His lips twitch.
“You laughed!” Will insists, smiling. His voice carries down through the hallway in a vibrant echo. “I know you did!”
“Shut up,” Mike whispers, looking away. “Would it kill you to keep your voice down?”
It might. Somewhere in the back of Will’s mind, he’s vaguely aware that they’re not safe here, out in the open, and that the whole point of them coming inside instead of waiting in the parking lot was to hunker down until Jonathan and Nancy could get another car here to pick them up. And also, preferably, get some gas.
Somewhere significantly closer in Will’s mind, though, is the knowledge that this is the most Mike has said – and the closest he’s come to laughing – since the car had stalled on the way from the cabin to the general store ten minutes ago, and Mike had just barely had time to pull into the abandoned parking lot before it had stopped altogether. He knows Mike doesn’t like this – being caught off-guard, out in the open. Even minute changes in the plan – which you’d think they’d all be more prepared for, considering the way things have been going lately – get Mike a little keyed up.
And the sorry, borderline pathetic part is this: despite it all, despite the ever-present threat of danger, and the impending sense of doom that’s been hanging over their heads for what seems like forever, Will feels vaguely pleased with himself anyway, seeing Mike hold back a smile instead of forcing one on his face.
So yeah, it might kill him, if he kept his voice down. That’s okay. Will thinks it would be worth it, sometimes – the danger and the doom and everything else – to hear Mike laugh.
God, what’s wrong with him? That’s embarrassing. That’s so embarrassing.
He shakes the thought off. “Whatever,” Will says instead, praying the cover of darkness is hiding the blush that’s rapidly rising to his cheeks. He angles  the flashlight away from them anyway, just in case, and Mike’s face falls back into silhouette. “You know I’m right. You’re doomed just by being here with me.”
Mike shakes his head. “You know I don’t think of you like that.”
Will frowns. “Like what?”
“Like– like a bad luck charm,” Mike waves his hands around. “Or whatever.”
“I didn’t say bad luck charm,” Will exclaims. “Ouch! Stop putting words into my mouth.”
Mike grins. “Would you rather have, uh,” he picks up the nearest can to him, something small and vaguely gray, “tinned sardines in your mouth? Tinned sardines in water? Oh, gross. Never mind, actually.”
“I would rather not,” Will decides, even though the shelves are so bare that they might have to suck it up and take home the tinned sardines in water after all. “Would you like some, uh. Tuna?”
“I guess we know why there’s so much fish,” Mike sighs, leaning heavily against an empty shelf. “Nobody wanted it.”
“You mean the ten people outside of our circle of friends that are still left in Hawkins? Yeah,” Will scoffs, then sets the can back down with a soft clink. “I guess not.”
Neither of them say anything for a moment. It’s quiet in the store, the room dark and lit faintly by Will’s flashlight and the display in the corner. It lights Mike up a faint blue, catches the edges of his jaw and where his hair is curling softly over the hood of his jacket. 
Will’s flashlight sputters again. 
When it comes back on this time, it’s more faint than it was before. It’s dark in here, Will realizes, a bit belatedly. Like, really dark.
He takes a deep breath and shuffles closer to Mike, just a little, like the shape of his body all leaned against the empty shelves is a grounding force. Mike gives him a look that Will can’t quite decipher in the dark.
“Everything okay?”
“Yeah,” Will breathes out. The proximity is helping, a little. “Just– waiting for our ride.”
Mike leans in a bit closer too, places an arm under Will’s elbow. It’s a light touch, nothing forceful, but the semblance of support is there. “You sure? You look a little pale.”
Sometimes, Will hates how well Mike knows him. He doesn’t get antsy in the same way Mike does in situations like these, but he’d be lying if he said they didn’t affect him at all. It should be expected by now, the automatic fight or flight. 
For some cruel reason, it still isn’t. “You can’t even see me,” he says, but lets himself lean into the touch anyway.
“I can see enough,” Mike says easily. “Do you want to sit down?”
Will shakes his head. The only thing worse than waiting out in the open is sitting out in the open. At least when you’re standing, you can run. “No. I’m fine.”
Will can’t see Mike either, but he’d be willing to bet real money – that he doesn’t have – that he can tell exactly what Mike’s expression looks like. The pause grows, swells and swells and swells, until Will is sure Mike is going to say something–
There’s a clattering outside.
Instantly, Mike’s hand tightens its grip on Will’s elbow. “Did you hear that?”
“Yes,” Will hisses, twisting around to try and see through the windows. “Of course I heard that, Mike.”
“Do you think that’s–”
“No idea,” Will whispers. With no small amount of reluctance, he tugs his arm out of Mike’s grip. He misses the warmth of it almost instantaneously, and the tugging in his stomach is only amplified by the way Mike automatically leans in behind him, places a hand on his back to replace the absent touch, like it was never gone at all. Will swallows, and flicks the flashlight off. “Now be quiet.”
“The windows are boarded up,” Mike says, decidedly not being quiet. Will wonders where the Mike Wheeler of fifteen minutes ago went – the one that was sulking and fidgeting in silence the whole way down the first aid aisle. “They’re boarded up, so nothing can get in. Right?”
“We got in,” Will points out, which Mike seems to realize at approximately the same second he does. It’s getting a little hard to think, with Mike so close to him.
Will really wishes Mike would pull his hand away.
“Right,” Mike whispers, breath ghosting gently over the back of Will’s neck. “Okay. That’s fine. That’s fine.”
Fine, Will thinks. That’s one word for it.
Another clattering. It’s closer this time.
Will freezes.
Jonathan and Nancy are probably about ten minutes out. Twenty if they had to go back to the Wheelers’ for the other car. So they’d probably be fine if they stuck it out here, because the chance of something happening across them now, in the brief period of time where they’re stuck without a ride, in a building equipped with close to nothing that could help, is small.
Small, but not nonexistent.
Will isn’t really feeling inclined to take that chance. “Come on,” he says, then spins on his heel, grabbing Mike’s hand and tugging him in the opposite direction. “Come with me.”
Mike follows easily, stumbling slightly with the sudden movement. “Wh– where are we going?”
“Just come on,” Will says, then tugs Mike around to the back of the store. He yanks open a door, and shoves him inside. “Get in.”
“Whoa,” Mike says, as Will tumbles in behind him. “Will, what–”
“Would it kill you to be quiet?”
“Sorry,” Mike says, then does, at last, fall silent.
Immediately, Will wishes he hadn’t said that. It’s dark in here – even darker than out in the front of the store – and the only noise is the faint hum of a generator, somewhere behind the walls. It’s grating and stilted. Will wonders when the last time it had been repaired was.
Plus, it’s really–
It’s really fucking dark in here.
Will lets out a long, slow exhale, and reaches out to feel for the wall beside him. His palm comes into contact with chipped paint and he follows the shape of it down, lowering himself onto the ground.
“Will?” Mike says, and Will is in half a mind to say that thing about being quiet again, but–
It’s dark. It’s really dark.
“Yeah,” he says, barely audible even to himself over the faint hum of the generator, and the louder hum – demanding, prominent, persistent – of his blood rushing through his ears. “I just– sitting. I’m sitting.”
There had at least been some light out in the front, but this storage closet might as well be a void. It smells vaguely of dust, something stale and unknown and probably untouched for who-knows-how-long. Will takes another deep breath in.
“Where?” Mike asks. “I don’t want to step on you.”
Will cracks a smile. “Here,” he says, and holds a hand up in the air. “Right here.”
There’s a quiet shuffling sound as Mike moves closer, and then Will feels fingertips brushing against his. Mike latches on immediately, gripping tighter onto his hand and sits down in front of him. 
Will still can’t see anything – he can’t see anything – but he can feel Mike’s presence like it’s a tangible thing.
Mike could let go of Will’s hand now. Now that he’s found him.
He doesn’t, though.
“Hey,” Mike says, then there’s another faint shuffling noise. “Where are we?”
“Storage closet.”
“Huh. How did you know it was here?”
Will cracks another smile, despite himself. “My mom worked here, remember? For, like, years.”
“Right,” Mike laughs, and then he’s moving closer, knees bumping against knees in the dark. “I forgot. It doesn’t feel like the same place.”
“Tell me about it,” Will sighs. He’s probably breathing in dust and debris and soot and all sorts of gross stuff, but he can’t find it in himself to care. He presses his knees against Mike’s a little harder, just because he can.
“I remember,” Mike starts, readjusting his grip on Will’s hand – fingers interlocked, a firmer grip – “she’d give me free candy from the front counter. Whenever I came in with my parents, I mean. My mom was so confused about why I kept asking to tag along to Melvald’s with her.”
“That’s not fair,” Will laughs. “She never let me have any candy.”
“You were a menace all hopped up on sugar,” Mike points out. “I knew how to behave myself.”
That’s a damn lie, and they both know it. “Liar,” Will says quietly, leaning his head back against the wall. “You’re such a liar.”
“Maybe so,” Mike hums. “But I’m still the one who got free candy, so–”
“Mike!” Will shoves lightly at his knee, and Mike’s answering laugh fills the small space instantaneously. It’s loud – too loud, because they’re supposed to be hiding, goddamnit – but the nagging little voice at the back of Will’s head is vanquished almost as quickly as it came. “Shut up.”
Mike, as always, ignores him. “Why don’t we turn on a light?”
���The fuse is probably blown,” Will responds. “If there’s even a light in this stupid closet.”
“I mean this, idiot,” Mike says, and then clicks the flashlight back on. The batteries must be dying, because it flickers to life weakly, steadying out into a dim yellow-white. “Obviously.”
“Don’t waste the batteries,” Will says at once, trying to grab for it. “Come on, Mike–”
“Jonathan and Nancy will be here any minute and then we can go put in new batteries,” Mike says, holding it easily out of reach. “No point sitting in the dark, right?”
“Mike,” Will tries to protest, but it’s useless. Mike’s made up his mind.
Slowly, and a little far away, Will realizes what Mike is trying to do. He’s not being subtle about it, but subtlety has never been Mike Wheeler’s strong suit. He’s always been exuberant, quick and spontaneous with his actions, and this is no different. Sitting up close, closer than would be strictly necessary in any other situation. Turning the light on, despite the dying batteries. Telling Will about coming here as a kid, all those years ago. Making him laugh. Diffusing the tension.
Jesus, and he’s still holding Will’s hand.
A wave of affection washes over him, sudden and overwhelming enough for Will to feel borderline nauseous.
This isn’t fair. This isn’t fair. Mike can’t just sit here and touch their knees together and hold Will’s hand, and–
“Look,” Mike is saying, and then he’s holding the flashlight under his chin and grinning. “Don’t I look freaky?”
In all honesty, Mike looks fucking hilarious. The direct light casts long shadows across the dips of his cheekbones, the shapes of his eyelashes distorting wildly as he blinks. “No,” Will snorts, rolling his eyes. “You look ridiculous.”
“Really?” Mike grins, in a way that means he knows just how ridiculous he looks. “Not even a little?” He waggles his eyebrows, and the resulting effect is so comical that Will can’t help the laugh that bursts out of him, sharp and sudden and real.
“Mike,” he chides, for the millionth time. “You’re going to kill the battery.”
Mike looks way too pleased with himself. “Worth it,” he says anyway, as he sets the flashlight down. It evens out the sharp angles of his face, now that it’s farther away, lights his cheeks and nose and eyes up into something softer, more open.
Something about the steadiness of Mike’s expression is brighter than any source of light. Suddenly, it’s too much. Suddenly, it’s blinding. 
God. He’s so screwed.  “For what?”
“Getting you to laugh,” Mike says, simple and easy, like he’s reciting times tables instead of proceeding to turn Will’s entire world upside down on its pathetic little axis.
Will feels his lungs stutter on his next inhale. He looks away. “Don’t do that.”
The gleeful expression falters on Mike’s face. “Don’t do what?”
“Don’t,” Will says, “don’t– you’re being so– so–”
Mike looks caught somewhere between confusion and amusement. “So what?”
“So,” Will tries again, and then Mike moves closer, and the difficulty of articulating a halfway decent sentence immediately increases tenfold. “So.”
“So,” Mike echoes, shifting so the side of his thigh is pressed up against the side of Will’s. He’s being slowly backed into the corner, but the thought isn’t terrifying like it might have been five minutes ago. Suddenly, Will is overwhelmed in a completely new way. “So what?”
“Nice to me,” Will gets out. “Stop being so nice to me.”
Mike pauses, then says, incredulously and half-laughing– “What? Why?”
Bad choice of words. “You heard me,” Will says anyway, because he’s nothing if not stubborn. “You’re being too nice.”
“I should hope so,” Mike says. “I mean, you’re my friend.”
Maybe Will is imagining it, but the sentence feels unfinished. Like there’s a second half to it that Mike is keeping for himself: You’re my friend – right?
The obvious answer here is that yes, Mike is his friend. But that answer feels unfinished too, like a lie by omission. Will tries to imagine it, doing these things with anyone else – what it would be like if Dustin was holding his hand, or if it were Lucas sitting next to him this close.
The conclusion he comes to, almost immediately, is that it would be weird.
It would be really fucking weird.
That feels like– something. An admission, maybe. Because the fact of the matter is that things with Mike have always been like this, and they’ve never been like this with anyone else, and Will doesn’t think they can be like this with anyone else without it being the most unsettling thing that’s ever happened to him.
The silence, he realizes, has gone on just a second too long.
“Yeah,” he blurts out at last. “Yeah. Obviously.”
Something settles over Mike’s face. “Will–”
“Forget I said anything,” Will backpedals, a little bit desperate. “Never mind. Be as nice to me as you want.”
Mike bites down on his lower lip. It looks like he’s holding back a smile. “As nice as I want?”
Oh, no.
“Sure,” Will tries. “Do your worst.”
Mike lets out a shaky exhale. He presses in further, leans in closer until their shoulders are almost touching. “How about this?”
“That’s not nice,” Will says weakly. “That’s just an invasion of personal space.”
“Seems pretty nice to me,” Mike mutters under his breath.
Will inhales sharply. “Mike.”
“What?”
“What are you– doing,” Will whispers, stumbling over his words, just slightly, as Mike places a hand on his arm.
Mike’s gaze does not waver. “Is this okay?”
Is it okay? Will thinks his brain might be halfway to leaking out through his ears. This is–
This is–
“Yeah,” he hears himself say. “Yeah. Great.”
“Okay,” Mike whispers. He’s so close now that Will could count all the freckles spattered across his nose, if he wanted to. He could, and the thought is dizzying, dizzying – suddenly, it’s not the claustrophobia that’s making him feel like this. It can’t be, because Mike is in front of him, and he’s so close that Will could just lean forward and–
He could just–
“Mike.” And maybe he’s a bit of a broken record, but he can’t come up with any words other than his name. He clutches at Mike’s knee and meets his gaze and prays – to whatever deity allowed him to get trapped in a storage closet with Mike Wheeler two inches away from his face – that Mike Wheeler will find the courage in him somewhere to close the fucking gap.
He doesn’t, though, which is a sign that the universe must be majorly fucking with him. Not yet, anyway. Not anywhere near as fast as Will needs it to be – if this is what he thinks it is, it’s nowhere near fast enough.
In actuality, what it is is excruciating – the way Will’s heart is beating so loud that he’s sure Mike can hear it, in the proximity. The slow circles Mike is tracing over his other hand – the hand that he’s still holding. He’s so close that Will can discern the warmth emanating off him, the familiar scent of soap, can feel Mike’s eyes trained steadily on his mouth, and yet–
Either Mike is actually moving at a speed of one nanosecond per minute, or time has slowed to a near-stop around them. Mike’s grip on his hand is agonizing, caustic in all the places where they’re touching, each slow circle of Mike’s thumb against his wrist driving him slowly and steadily out of his mind. Do it, Will thinks, like maybe if he thinks it loud enough, Mike will be able to hear him. Do it, do it, do it.
Mike’s lips touch his.
The world stops moving.
It must, anyway. Or maybe it’s just that Will doesn’t think he’s breathing anymore – he doesn’t know if he can find it in him to remember how. All he’s aware of is this: Mike’s hands on his arm, his wrist. Mike’s leg under his own palm, warm and steady and pressed up against him in a smooth, unyielding line. The pressure of the wall behind him, the strands of Mike’s hair brushing against his face, and Mike’s lips – gentle, gentle, gentle, and nowhere near enough.
It’s like Mike is waiting for something. Waiting for Will, maybe.
God, okay.
Fuck it, Will thinks, from somewhere far off in his own head. Fuck it. Fuck this. 
“Will,” Mike whispers, pulling back a precious few millimeters, and that’s it. That’s all Will can take.
Will lifts his hand off Mike’s leg, raises it to his wrist and tugs. Mike topples into him with a small gasp, Will falls backwards into the wall, and then they’re kissing.
God. Okay.
Mike steadies himself quickly, braces a hand on the wall behind them and leans in, firm and enthusiastic. His hand, Will notices, faintly and with no small amount of affection, is shaking. Just slightly. Will’s trapped between them again – Mike and the wall – but this time he can’t find it in himself to care even the slightest bit. As if there’s anywhere he’d want to go that wasn’t here, as if he’d want to be somewhere without Mike’s hand carding through his hair, or without his lips moving softly against Will’s own, or the noise he makes when Will presses forward, too fast, too eager, too betrayed by his own fluttering pulse – something like a laugh, trapped deep in his chest.
Suddenly, it’s not enough. It’s not enough. It’s–
“Mike? Will?”
Shit.
In a flash, Mike pulls away, wide-eyed and pink-cheeked and breathing like he’s just run a marathon.
Shit.
“Yeah,” Mike calls, voice cracking just slightly on the syllable. “We’re in here!”
Shit.
“So,” Will says, aiming for nonchalance. He fails immediately. His voice cracks too. Great. “That–”
Don’t freak out, he thinks. Please don’t freak out.
Mike, to his credit, is not freaking out.
“Yeah,” Mike says, voice a little high-pitched but surprisingly even. He clears his throat. “Um. Yeah. You were–”
“Yeah,” Will finishes, rather lamely. He’s grinning like an idiot. He doesn’t even need to look at himself to tell. His expression is mirrored, perfectly, flawlessly, brilliantly, on Mike’s own face.
The closet door gets thrown open, and there’s a blinding, sudden light– “What the fuck,” Mike exclaims, squinting and throwing a hand up in front of his eyes. “Nancy?”
Jonathan peers around her shoulder. “What were you guys doing in here?”
Don’t look. Don’t look. Don’t–
Will can’t help it. He looks at Mike, and they immediately burst into laughter.
Shit.
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gt-daboss · 5 months ago
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trying a new artstyle! minimal shading with this one, most of it has been done with black lines instead! ALSO, folds for clothes!!! at least, an attempt at such! I think it turned out alright, but let me know what you think!!
REMEMBER: If you see any size related harassment in the office: REPORT IT! Every year over 20,000 people report being the victim of size related abuse, do the right thing and call it out! Thank you for listening to this public service announcement. Any relation to real-life giants and humans is purely coincidence, all characters portrayed in this video are purely fictional representations by our actors
CC: Size Incorporated (TM)
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chokepoints · 16 days ago
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.... scared giants
I made a similar post like this before (giants having nightmares), but it's because i genuinely love the roles reversed.
Tinies are always written be afraid, and 'weak'. While i do enjoy tiny fearplay, i also like the giants being scared... its something about seeing such a large being being afraid (of someone they could quite literally swat away). I love seeing giants cowering away from such a smaller person.. It's so.. GRAAAHHH
somewhat feral giants who have been hunted by humans for so long. They are considered a monster. something that is hiding amongst the human village. they need to exterminate it.
In reality, the giant is harmless, probably just as scared of humans. it's been attacked so many times, scars tell its story through its skin; burns, bruises, and scars.
When a human comes into their forest, they threaten, and they bargain. They're defensive and repeatedly tell the human that they will hurt them.
The human tries to tell them that they actually don't want to kill them. The human quickly realizes that this giant isn't a threat..
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