#but the past has already happened and it will never happen again

[mintmatcha]

I am so soft for father figure Shinsou, thank you for giving me something I didn’t know I needed. Just doing everyday things with him and him being soft towards you child is giving me life.

Casual. That's the word you used to describe what the meeting should be. Casual.

"He's a good boy, for the most part." Your bag is already stuffed full of toys and towels and other miscellaneous things that Shinso can't imagine you'll need. "His dad spoils him, so he might be a little bratty at first- we're working on it. Well, I'm working on it. His dad is--"

You kneel down and start rummaging through your things.

"Uh, don't let him guilt you into buying him snacks, please. He's got a severe nut and seed allergy and it's just easier if I take care of it all. There's snacks in here, along with two epipens. There's two more in the red cabinet in the kitchen, just in case we ever need them. "

Somehow, you manage to wiggle out the sunscreen for your bag without collapsing the whole pile. You dollop a bit on your fingers.

"Once they get here, we'll go straight to the park and hang out there for just a little bit. The book says the first meeting should be short and we should give him other things to focus out so he doesn't stress out." Your shoulders are bunched by your ears. "It'll be super casual. Easy. No stress."

Shinso kneels down next to you and dips a finger in the sunscreen.

"No stress," Shinso repeats back, dotting the sunscreen on your nose. It's enough to urge a smile out of you.

"Sorry, I know I'm--" You toss your hands in the air, frazzled, but with a smile. "This is a big deal."

"I know it is."

"We've only been dating for eight months," you say/ "What if we're jumping the gun? I don't want to put him through this if-"

"I'm not planning on breaking up with you." Ever. Shinso wouldn't have agreed to this if he wasn't completely sure that you were the one for him. It's not that he doesn't like children, it's that he's never spent time with any. Only child, no cousins: he doesn't know anything about kids other than the fact he used to be one.

You reach other and dot Shinso's nose with sunscreen. Now, you're matching.

"You might break up with me after you see what I'm dealing with."

Shinso takes your hand. "I'm not going to leave because you have a kid."

"I was talking about his father," you heave out a sigh. "They'll probably be late, by the way."

-

They are late.

Significantly.

It's six hours past the allotted time, filled with weak excuses from you. The television has rolled into the second season of some trashy show, but neither of you are really watching.

"He always loses track of time," you repeat for the twentieth time, trying to hide the disappointment in your voice. Shinso is long past disappointed, well into the area of 'pissed'. Mostly at your ex, partially at you, for letting it happen.

"He's still not calling you back?"

"No," you say, just like you've said before. "It's my fault. I shouldn't have let him know about you, he's just-- I dunno. Playing games with me again."

It contextualizes a lot of your behaviors, actually. The anxiety about getting home, the days you go radio silent, the dates where you suddenly have to run off and collect your child: he imagines there's a lot of bullshit games that happen between you two.

"You let him treat you like this?"

"He's my baby's father. I can't just..."

[cgtg]

has this ever happened to U?

sometimes when ur working on a drawing in mspaint, it will start to inexplicably consider a colour u have used as a new, separate colour, even though its exactly the same. i don't know exactly what will cause it, but i figure it might have to do w/ transparency. it never happens right out the gate, typically happens if i've been working on a drawing for a while.

its worth noting any colour can be added to the third palette row again even if it already exists in the default palette so that alone isn't an indicator that this is ur issue. if you use custom colours a lot, double check their values too.

anyways, its anoying ... as f*ck. thankfully the solution is rlly simple.

select your entire canvas, cut the drawing and re-paste it back in. this should get rid of the problem for every colour on ur pic. saves a lot of wasted time fixing each individual area.

this will work regardless of what colours u have selected as col1 and col2. it will also work regardless of whether you have transparency on or off.

[velvet4510]

Why Magneto’s Storyline in X-Men: Apocalypse is The Worst (it’s not just Cherik)

Ok I just need to vent because this has been chewing away at my brain for far too long.

Cherik is far from the only reason why Erik’s family plotline in X-Men: Apocalypse is some of the stupidest, sloppiest, and most character-ruining pieces of writing I’ve ever seen. Haters may say “oh you’re just upset because he married someone who wasn’t Charles.” But, like, aside from the fact that the original timeline already established that Erik’s top priority was always the fight for mutantkind and he had no interest in settling down - whether that had anything to do with his feelings for Charles or not - the problems with the Apocalypse writing go WAY beyond just him & Charles:

Erik would never abandon his cause at this point. By the end of DOFP, Erik has just been imprisoned for a full 10 years thanks to the JFK situation. Meaning he has spent a full decade being forcibly inactive in the fight for mutants. And he just learned that all of his fears about humans and mutants came to pass in the future to the level where a time-traveler had to be sent to change the past. And he was so set on averting that future that he tried to kill his friend and the sister of the man he loved, and then made a whole speech on international TV begging for the mutants of the world to fight alongside him. This is the POLAR OPPOSITE of a man who would feel like settling down and walking away from the fight within the next decade. The Sentinels being cancelled did NOT make mutant life easy overnight; Stryker was still up to no good, and there is no way that there weren’t others like him doing the same. Yes, Raven’s actions made a very positive difference, but I think we have enough brain cells to agree that this did not mean things for mutants immediately became sunshine and rainbows to the level where Erik - the most (understandably) paranoid character in the X-Men series - would even consider taking a break, let alone giving up the fight permanently. Knowing what he did about the possibilities of the future would’ve made the Erik we know double down on his commitment to his cause and follow up on his actions in Washington.

Magda is a human. At this point, Erik hates humans. Again, he has just been imprisoned by humans for 10 years for trying to save a mutant, and he just learned that in the future, humans would’ve wiped out mutants, exactly as he feared. Everything that happened in DOFP would only further inflame his already-passionate hatred of humans. He is not in the mental state to even begin to consider Charles’ philosophy and give a human a chance at a relationship, let alone marry a human.

The family lives in Poland. The country where Auschwitz is. The country where Erik and his family and people was imprisoned, tortured, and executed. The country where Erik had to watch Shaw kill his mother. Basically the LAST country in the freaking WORLD that Erik would want to ever see again, let alone spend the rest of his life in. Erik is fluent in multiple languages - he is shown to easily converse in French and Spanish in First Class - and has been all over the world thanks to his Nazi hunting, so if he really needed to flee the U.S., there were a hundred other countries he could’ve gone to and blended into (Canada, France, Mexico, anywhere in South America, heck, he even could’ve discovered Genosha during this time). But in the original timeline, he didn’t leave the U.S. at all despite being a national fugitive after escaping his plastic prison, and he never did get caught again, so….

Erik’s first meeting with Magda is completely OOC for him. Erik mentions that he told Magda who he was the first night they met and he trusted her then. EXCUSE ME??? Erik Lehnsherr does not trust strangers. Erik Lehnsherr does not tell the complete truth about himself and his past to just anyone; look at how deeply Charles had to probe before Erik opened up to him. This stupid line was obviously shoehorned in just to make their relationship seem like perfect soulmates and thus ensure it is doubly tragic when she gets thrown in the fridge 5 minutes later (more on that in a sec). Obviously the intention is for the audience to go “aww, he instantly trusted her, she instantly accepted him, this is true love…” Give me a break. You’re really telling me that Magda met this stranger one night, found out he was none other than the international fugitive who apparently killed the U.S. president and just tried to kill another president on live TV, and went “oh, no problem, honey, let’s make a baby and live the cottagecore dream!” That’s some BS if I’ve ever heard it, and I’m convinced the writers subconsciously knew it; there’s a reason that is revealed in a throwaway line rather than shown onscreen, because then nobody would’ve bought it.

Fridging. Magda and Nina exist in the movie for one reason and one reason only: To get brutally killed and give Erik even more grief and trauma so that he’ll seek revenge on the entire world, aka do what the plot demands of him, aka have the same journey as he did in First Class (more on that in a sec). That’s all. Neither of them are any more than one-dimensional plot devices. They are not characters at all. Magda isn’t even named in the actual movie (he doesn’t even say her name when she dies) - it’s so obvious they didn’t even know what her name would be when they made the movie. This is textbook fridging, and one of the worst examples of it of all time. It’s all the worse considering that Erik never met Magda in the original pre-DOFP timeline, meaning Magda originally most likely lived a long happy life and died old in bed. But now, she gets fridged just because the writers didn’t know what more to do with Erik. It’s misogyny of the highest level.

Erik wouldn’t risk starting a young family at this moment in his life. Erik was a Holocaust prisoner, his people were massacred, his mom was shot when he couldn’t move the coin, and then Charles was shot when Erik accidentally deflected a bullet into him, and then every member of his Brotherhood save Raven were captured and killed. Not only is this more than enough grief for one character to have, but the man wouldn’t dare risk having a new family of his own when everyone he’s ever loved has gotten hurt (largely because of him), and when he’s an international fugitive. That is no time to risk being selfish, and he would know. He would’ve been the first to realize that a potential wife and daughter would also end up killed, and so he’d avoid that altogether. In fact, he wouldn’t even consider it, because, as mentioned, he wouldn’t leave his cause behind. You know, if he was actually in character.

A parenthood story for Erik was already set up. DOFP already hinted at Erik being a father, with Peter’s comment about his mom. So if the writers wanted to show Erik as a father, and to include Magda, they already had a solution that would seamlessly flow from the previous film - make Erik and Peter’s relationship one of the centerpieces of the story, and let Magda be Peter’s mom! (You know, like she is in the comics!)

It doesn’t contribute anything new to Erik’s character development. From a screenwriting POV, this is unforgivable. May I remind you that Erik’s entire storyline in First Class revolved around grief and trauma for the loss of his family and people, especially his mom, and seeking revenge for it. Giving him a wife and daughter just so they can get killed too adds absolutely NOTHING to his character development. It’s merely retreading everything that already happened in his arc: he loses his family and goes on a roaring rampage of revenge. Completely superfluous, right down to Charles insisting that there’s good in him beyond the pain. The redundancy becomes apparent even in the dialogue, where Charles literally says “I told you since I first met you there’s good in you too.” The script itself can’t help but point out that all of this has happened before and literally nothing new has been added to Erik’s character arc.

See? It’s not just because of Cherik. Erik’s story in X-Men: Apocalypse is an atrocity in basic screenwriting and character development, on every level. And I will never accept it.

(Please tell me I’m not the only one who feels this way…)

[jazeswhbhaven]

hi!! can I request whb!kings ( and some nobles if you want ) reactions to a mc who says they love long-haired men?

Hi there!! I am feeling this request heavy because I too find long-haired men aesthetically pleasing to look at irl and fiction. Let's see what our kings think :P

Satan: He has long hair. It's fluffy, unruly at times and smells like cat fur, but it's still long. So when he hears MC going on and on about men with long hair, he's grabbing their hands and forcing them to pet his hair and play with it. I mean he's standing right there, might as well fulfill your desires MC....

Mammon: He hears that MC loves long-haired men and it brings him back to the time he had long hair, long and luxurious that he inherited from his father. Using his little Ai bots and a bit of magic, he creates a machine that can change your hairstyle in less than 5 minutes. And with that, his hair grows out past his shoulders, and MC is in awe. Leave it to Mammon to do anything for MC's attention.

Beelzebub: His hair is kinda long, but it's styled because he prefers it that way. But he starts to get testy about MC being around Bael because when he takes it down from being tied up, it's pretty damn long, he just never has time to cut it. Because of that, he may have cut Bael's hair while he was sleeping....that way MC won't have any distractions and can be reminded of Beel when he's away. It's a good thing the other nobles have short hair....

Leviathan: What's so good about long hair? It gets in the way, makes you look like a wild animal, and isn't very flattering at all. He's already upset with MC even mentioning others who have long hair and a particular devil comes to mind. Next thing you know, MC is noticing that Levi is letting his hair grow out. The other devils in Hades are now required to keep their hair at a certain length which is no longer than the bottom of their ear lobes.

Lucifer: His hair is kept at neck length because he prefers it that way, but can understand why MC likes long-hair. In fact, he mentions that Gamigin has long hair and that MC should go and braid it sometimes. Though, MC's point was to get Lucifer to try and grow out his hair longer, maybe past his shoulders. That won't ever happen, his hair would get caught in his open wound that still on his back and he can't have that.

Belphegor: He likes his hair medium length because it's less maintenance. He doesn't think he could ever deal with long hair because it would never be washed and get all messed up and greasy beyond repair. However, he's willing to put on a wig for MC because he can take that off easily, or just get Beleth to do it. But don't expect that wig to be in good condition after a couple days of him sleeping in it.

Asmodeus: His hair is so long it drags across the floor. So when MC mentions loving long-haired men he's front and center smothering them with his hair. He even asks MC if they would like it if he grew out his hair in other places too. Also he read their mind when they once thought about doing inappropriate things with his hair. He wants to try that out. Right now in fact.

NOBLES TIME~

Sitri: His hair is short now, so when he hears about MC having a thing for long-haired men, he's considering growing it out again. After a couple weeks his hair reaches his shoulders and it's fluffy and pretty. Everyone in the palace kept forgetting it was Sitri, and MC was running into things because they kept staring. He felt it was too much of a distraction so he cuts it. But it was fun while it lasted.

Zagan: This noble has such pretty silky hair, MC can't help but compliment him each time. Zagan doesn't have much to say, but here lately he's been using a different conditioner and shampoo and now his hair is even longer and shiny. He secretly hopes this gets MC to talk to him more.

Paimon: He always has his hair tied up in pigtails so when he reveals how long his hair is to MC, he's happy to hear that MC is impressed and wants to play with it often. Paimon even encourages MC to get extensions to match, because he also likes long-hair on potential suitors. Now they can matcchhhhhh <3

Bael: He's pretty pissed off that Beel cut his hair in the middle of the night, but at least now he looks even more similar to his annoying best friend. He always liked having his long hair tied back and even planned on growing it out more because he found out MC likes long-haired men. Now it's his chance again, at least his hair grows fast.

SURPRISE ITS RIN!!!~

When Jjok turns into his other form, his hair is long, pretty, and super red like his fur. It was merely a coincidence that MC happens to like men with long-hair so he brags about it whenever he gets the chance too. Imagine him, a simple red lump demon that can turn into a hottie with long-hair? He smiling and even bothering Lucifer about it too.

[arcane-ish]

I would never put it as there being no reason for Isha to be in the story.

She clearly has a function. Her purpose is to show us another side of Jinx and to serve as the glue or lubrication to encourage Jinx and Vi to team up and maybe also as the trigger for the next stage of Jinx.

And yes, of course one can say that these things could also have been achieved in a different way, there was no need for it to specifically happen through this character. But then again, this can be said for almost any choice made in fiction. That there were always many other options the author could have gone with.

I wonder if critique like this would be more likely to come from Jinx and Vi fans who feel that the show is maybe taking the easy way out to invent Isha to facilitate the reunion between Jinx and Vi rather than Jinx and Vi having to make those tough decisions and relationship building themselves. Like if that is too hard, maybe that is a sign you should work harder rather than introduce a new element to make it easier for you.

Or if it comes more from Jinx and Silco fans who think Jinx's final phase should have been triggered by Silco's death already and taking this road with Isha is redundant. Here imo I can imagine why the writers might feel different. That Silco's role in season 1 was very dominating of the narrative and maybe they felt like they hadn't gotten the chance to fully explore all aspects of Jinx that interest them while he was still around.

Or they wanted to have that arc of the sister, where they both wanted the "Vi hits rock bottom what her faith in Jinx is concerned and has truly written her off" as well as a tenative reunion and that wouldn't work if Jinx was full murder Jinx for most of season 2.

However, while I fully see the purpose of Isha and the role she plays within the structure and narrative, I do see the flaw that she doesn't really feel like a real/realistic person. We/many don't care because she's incredibly cute and and charmingly animated and what she lets us learn about Jinx is moving and interesting. But her existance and actions just don't feel very plausibly grounded in the world. (which again, I'm willing to overlook and go with the flow, but the point still is that I have to do this going with the flow action rather than she feeling like she is a natural part of the world. She feels like a walking symbolism, not a real person with a past and connections within the world)

Seeing a lot of “there was no reason for Isha to be in the story” complaints and aside from the fact that story wise I actually love having new and varied characters interacting in interesting and unexpected ways that’s kind of a large part of what I come to stories for, and aside from the whole narrative weight of a character who’s being called Jinx trying a “do over” of her major incident and having it go so catastrophically wrong, I think there’s definitely something to be said for an arc exploring the whole “is it better to have loved and lost than to never love at all?”where sometimes getting the thing you ever wanted and losing it can fuck you over way more. Like, they take Jinx, who adopts this kid and through her reconnects with her childhood self who she’s been struggling to either cast aside or integrate, and also her older sister who she now has a bit of better understanding of having walked a mile in her shoes, and the father who raised her, and for a moment it actually looks like it’ll work this time. And then she loses it all, this wasn’t the same scenario as the end of s1, this was specifically and textually intended as a conscious and deliberate do over, an extension of “it was something I could fix”, and she’s gonna feel like she jinxed it. Jinx was apathetic to her own death at the beginning of s2 but it feels like it’s gonna be way worse now. But Isha did it all so the girl who saved her could live. Jinx is going to have to reckon with the fact that you will love and lose in life, and it’ll be painful, but painful as it is it’s better than never having it at all, and it’s part of that thing that Isha wanted for her, living. And I think that’s a very interesting and crucial question to be asking, especially of a character called Jinx

[jjenthusee]

A Part Of The Family

Roy Harper and Lian Harper Drabble!!! (feat. Jason Todd and Dick Grayson)

A/N: if you’ve kept up with me, you might have noticed that I’ve started to stan Roy YAY 😫 it was a crazy deep dive and I got attached to his character lol one of the main reasons i wanted to write for him was because of his Native American/Indigenous upbringing. I was shocked when I found out because (i don’t normally try to share too much about myself cause this is a public space) but i’m indigenous too ✨😌✨ i have to rep my people for Native American Heritage Month *confetti* but i thought i would have to share this to give context on how i plan to write and explore Roy’s character. At least from my research (sorry if this is wrong) but he did grow up on the reservation in some of the backstories and it’s not explored very much :( it explains his tattoo, knowing the language, and frankly, a lot of native rep is kinda bad, but i thought leaving out a major part of his childhood didn’t help reflect who he was. As someone who has experience and lives as a member of the tribe it’s based on, I wanted to share some silly thoughts :) ofc remember all people with cultural backgrounds have different experiences so read this or don’t but i’ll see how this turns out so ENJOY 💐 and comment, like, reblog

Summary: Roy shares a part of his past with Jason and now he’s determined to share an important moment of Lian’s life.

Word Count: 1.2k

“I don’t think she’s going to budge anytime soon.” Roy rested himself on the couch, overlooking his best friend and daughter. They were both on the floor, a soft blanket laid for Lian’s designated tummy time.

Lian blankly watched Jason hold toys, making noises as she followed the sounds, glancing up to look at his excited face as he talked to her.

“Don’t listen to him, Lian. Just over three months of life and we are already best friends.” Jason’s words kept Lian’s attention.

She would give the tiniest smile in return. No laughter yet, but she expressed her enjoyment of Jason’s presence, nonetheless.

Roy was grinning watching the two, a much clearer expression, but remarkably like Lian’s smile. He had been lacking some sleep, but Jason’s frequent visits were helping him get a couple extra minutes of rest.

To Roy’s surprise, Jason had been over almost everyday this week.

The company was fine, better even according to Roy, but he didn’t mean for this to happen. It had been a small slip, a tiny mistake, just a sleepy mumble of his brain when he watched Jason clumsily hold Lian for the first time.

Roy corrected Jason’s hands to be comfortable for him and Lian. In the movement, he had unconsciously spoken.

“This reminds me of way back, when there was a new baby in the community, all the kids would crowd around trying to make funny faces, trying to make the baby laugh.” Roy lulled along to Jason’s slight sway, more confident in holding Lian in his arms. “Then we would hear all the elders yell out to us that we would have to cook if we got the baby to laugh.”

Roy chuckled to himself, remembering the days back on the reservation, feeling the hot sun on his skin.

Jason set his gaze on Roy, never moving his head away from Lian’s tiny body, but focused on the man’s sudden reminiscent tone.

It wasn’t often that Roy mentioned the past, he didn’t discourage it directly, but he also didn’t freely talk about it either.

So, Jason took a chance.

“Cook?” Jason harmlessly questioned, smoothing out the tiny hairs on Lian’s forehead as she stared at his face again.

“Well, it’s a big deal when a baby laughs for the first time. We celebrate and it’s planned by the person who makes the baby laugh.” Roy got up from his spot once he heard the washer finish. “Almost costed my entire savings when one of my friends and I tripped trying to run to the baby first, luckily all we got was a big sneeze.”

Roy threw the damp clothes into the dryer, chuckling to himself.

“I wonder when Lian’s going to laugh.” Roy smiled at the thought. “I hope it’s soon. Wouldn’t mind a lil’ party.”

Roy should have been careful about his words that afternoon.

Now Jason felt determined to be the first person to make Lian laugh.

At this rate, Roy wouldn’t be surprised if he already had the decorations planned out and stashed away somewhere.

It was nice to have company. Roy had usually expected Jason to be there next to Lian, giving laidback greetings.

Then there was another Bat sitting before his daughter.

Dick had unknowingly found out about Jason’s frequent visits and Jason was very pissed about it. Despite his very noticeable apprehension to Dick’s presence, he bit his tongue in favor of Lian finding the new addition intriguing.

Too intriguing. Uncomfortably intriguing and an annoyance to Jason.

“Fu—Get lost, Dickface.” Jason spoke with slight venom in his voice, but it quickly disappeared as he held out his fingers to Lian’s tiny hands.

“But Lian wants me here. Isn’t that right, Lian?” Dick cooed, a twinkle in his eyes as he spoke. Making noises to get her attention.

“Don’t you have other red heads to bother?” Jason scooted closer to Lian, trying to nudge Dick away.

“You’ve been here five days in a row and you expect me to ignore that?” Dick stood up to make faces at Lian from above Jason’s head.

“A man can’t visit a friend?” Jason stood up blocking Dick.

“Then I’m visiting a friend too.” Dick maneuvered his way to Lian’s side in her bouncer.

“Just fucking leave—“ Jason threw Lian’s rattle at the back of Dick’s head.

The tiny sounds bounced off Dick’s back as it collided to his feet.

There was a brief moment of silence before Dick slowly looked back at Jason. A smile was on his face, but the vein in his head was bulging slowly.

“Dinner’s ready—“ Roy called out, making eye contact with the two men wrestling with a baby blanket as Jason tried to somehow twist the fabric to trap his brother.

Dick on the other hand was flexible enough to lessen the hold and pushed the side of Jason’s face with his free hand.

They murmured insults back and forth as calmly as they could, but the strained smiles on their faces couldn’t mask their current wrestling match.

“Stop pushing me—“ Jason grumbled.

“Then stop twisting my arm—“ Dick pressed back.

“Hehehe.”

Three necks snapped to the quiet sound from the ground, almost lost in the commotion, but there was little Lian.

She laid on her back in her bouncer, completely enamored by the noise and movements around her.

She made small movements in her arms in her excitement, a wide gummy smile on her face.

“I made her laugh.” Jason smiled confidently while tightening the baby blanket around his brother.

“I made her laugh.” Dick challenged, trying to kick back.

Roy walked around the two men to pick up Lian, cuddling her in his arms, and unbelievably happy to witness the delightful sounds from his daughter for the first time.

“Nuh uh, Dickwad, it’s my party.” Jason threatened.

“Jaybird, she was looking at me too! Wait, what party?” Dick finally asked.

“Why are you even here?!” Jason groaned.

Roy couldn’t even focus on the two bickering behind him, he was busy kissing the side of his daughter's head.

He tenderly kept her in his arms, seeing her gaze back up at him.

His smile was met with a smaller copy of his own.

Roy had seen and heard of the A’wee Chi’deedloh, the First Laugh Ceremony, in his time living on the reservation. As a kid, it was just a time for him to eat and play with his friends, but it also welcomed a new family member.

He remembers one of the elder women talking to him as a young boy who stood watching from the distance.

“We welcome the baby into our present world from the Spirit World, it’s a time that we share with everyone. It’s the first sign of a baby showing us they want to be a part of the family, to show and give love.” Roy heard the elder talk to him. “Don’t forget to eat and get salt from the baby, it’s their offering to us, to encourage them to be generous as they grow.”

At the time, Roy was involving himself more with the tribe, asking questions and participating. He remembers the look on the baby’s face as he received salt and a bag of goods.

He remembered how content he felt that day eating his sweets and now he would finally experience the perspective of a parent helping their child in the ceremony.

“Welcome, she’awéé’, my Lian.” Roy affectionately whispered to his daughter. “I’m happy you want to be here.”

—

Translations:

She’awéé’ — my baby

A’wee Chi’deedloh — First Laugh Ceremony

Roy Tag List: (temporary) @soysaurus @janybabyy @simpingforheros

[vladdyissues]

so i keep thinking about just how thoroughly knocking vlad up would fix a lot of his issues (or it does in the series as my ass would write it). i also keep thinking the timing is SO bad on giving him any in the canon

SO

TIME TRAVEL

-Danny (late teens) is given a chance to change the past

-he decides to go and antagonize Vlad a few years before canon to distract him from murder attempts on Jack. draw his wrath onto himself and displace his previous rage target. that's a nice safe range of time travel right? how badly could he possibly throw things off when he already exists and is most of the way to who he was when he was starting out?

-small side effect--he catches Vlad's full attention. he hadn't planned to go after Jack and Maddie for a few years yet, when everything was lined up, meaning Danny is the ONLY one he has eyes for right now. it's a level of intensity he was not ready for

-Vlad, meanwhile, is unprepared for how he feels to see another half-ghost. he had been ready to go those whole 20 years totally alone, preparing for that perfect moment of sweeping Maddie off her feet. now it's a little difficult to focus on the big picture. he needs to figure out EVERYTHING about this stranger

-over a course of about three months, shit gets romantic. and physical. not necessarily in that order

-Danny realizes he's THOROUGHLY fucked the timeline as WELL as his archnemesis, so actually tells Vlad the whole story--he can't stay in the past forever, but his memories of being here and doing this will sort of... snap into place when this timeline's danny reaches the right age. Here's events between then and now, here's things he would like to still happen, here's things he never wants to happen

-he does NOT expect Vlad to wait and they're still in that spicy in-between part of enemies-to-lovers so Vlad sure as fuck isn't promising that, but he's certain he isn't obsessing on taking Maddie from Jack anymore, so looks forward to the option of picking up where they left off

-(dick so good it can fix homicidal rage)

-Danny goes back to the new future at the end of those three months since much longer and he'd start forgetting relevant details in living a day to day life and ohhhhh fuck, fuck, FUCK WHAT DID HE DO

-meanwhile in the past Bitter Reunions happens and Vlad has no desire to do anything to Jack or Maddie besides introduce them to his adorable tiny four, soon to be five year old daughter Danielle, with whom he plans to move to Amity Park soon when she starts kindergarten. openly offers to train Danny with no strings attached, he's just invested in making sure he survives for at least a few more years

-(jailbait wait, but make it sci-fi)

-Vlad is much more chill about things with an attainable goal and a small child that needs him at his best

-he doesn't see his Danny in this newbie, but now he knows the future, knows that if he's just patient and helps Danny out now, HIS Danny will come back to him

-when the timelines eventually sync, THERE'S THAT FULL, INTENSE, ATTENTION AGAIN

-as well as several years of memories of becoming intensely attached to Dani and Vlad being an infuriating jackass without being an antagonizing one, keeping some of that hateful spice without actively committing crimes against everything Danny values. in fact, his help was still instrumental in pulling things off

-Vlad has been waiting for this Danny for some time now, full-on obsession building up steam, so if Danny wants it to not happen, he had better say something about it

-he does not. he kinda dreaded losing it on snapping forward, actually. and Vlad managed to thread the needle of training him and building a bond with Dani without totally shifting their relationship's tone

Time Travel makes me cry because my stupid ogre brain is not good at parsing temporal phenomena but the parts I understood were excellent and make perfect sense. And the thought of Jack and Maddie being surprised (and maybe relieved, because 20 years without a peep from Vlad and suddenly a party invite? Kinda unnerving. Is he still mad?) to find their old college friend is a happy single father to an adorable little girl who—wow, Jack, doesn't she look so much like Danny when he was that age?—is just 💯💯💯

And Vlad knowing that there's something wonderful (a relationship, family, love, connection and understanding like he's never felt before) waiting for him at the end of this journey if he can just be patient would, I think, do a lot to tone down his villainous proclivities.

Vlad's essential problem is that he's so desperately lonely and impatient that he can't see beyond his immediate need to satisfy himself. He can formulate elaborate plans, yes, but he doesn't really plan for the future beyond those plans. He's totally still living in the past (at least until this AU happens), metaphorically driving a car with the pedal to the metal but looking nowhere except the rear view mirror. And this AU totally breaks that and gets him looking ahead, invested in the present again. I love it.

[marshallpupfan]

Well...

I learned some PAW Patrol news today that, I must admit, has left me rather disappointed. Don't worry, this isn't a rant or anything. I just wanted to talk a bit about it.

If you were to ask me who my favorite PAW Patrol character is, my answer is obviously Marshall. As for my second-favorite? It's not one of the other main pups or any of the part timers. That's not to say none of them are on my favorites list though, as Chase, Rocky and Everest are in my top ten, just to name a few.

No, my second-favorite PAW Patrol character is... Claw!

Seriously, I just love this doberman. In fact, I became a fan before even getting to see him in action in the cartoon. The moment he first popped up in a leaked Rescue Knights image, I quickly fell in love with his design, especially his awesome-looking armor. That, and he was flying around on a huge dragon, which... come on, that's cool. And when I finally got my chance to watch him in an episode? In my opinion, he did not disappoint. For me, he's not only one of the most memorable aspects of Rescue Knights, but of season 8, period.

Naturally, once the subseries came to an end, I kept hoping that, someday, we'd return to it and see him again. Or, if anything, he'd pull a Sid and Arrby and appear in some regular episodes. Sadly, two and a half seasons have gone by since then, and both he and Rescue Knights have been a no show. Despite that, I held on to the hope that he'd eventually pop up in the cartoon again.

Regrettably, I might have to let go of that hope.

(Source)

Some of you might doubt this information, but Tybsy has provided many accurate leaks and insider info in the past, and he continues to do so. I've learned to trust his words.

It seems that, for some reason, the writers have been told to avoid pitching ideas for episodes based around Rescue Knights. Worse yet, they were told to do the same with Dino Rescue. Not only does this mean there's a slim chance of seeing Claw again, but possibly even Rex, too... another pup who I'd love to see more in the cartoon.

Now, there's a possible reason for them to do this with Rex and Dino Rescue. Given that a few sites have already started listing the third film with the name "The Dino Movie", it's possible it will indeed be quite similar, at least in some way, to Dino Rescue. It may even involve Rex! Currently, we still don't know for sure, but there have been some hints here and there that suggest he might be involved.

EDIT - I forgot there was another leak some time ago involving some file that relates to the third movie, and the metadata specifically mentioned Rex. There's a very, very good chance he'll be in the movie!

And although Tyby jokes, it is possible, however unlikely, that they do want to avoid creating continuity errors with what we've already seen with Dino Rescue. Just look at the errors we got with The Mighty Movie and the season 10 Mighty Pups episodes, most of which still confuse viewers to this day. If I were running things, I'd absolutely tell the team to make sure that DOES NOT happen again...

Rescue Knights, on the other hand? I see no logical reason to avoid it. I have my doubts that Claw or his dragon will appear in a theatrical film, especially before certain other characters (not impossible, but I wouldn't bet money on it), and I'm going to assume we'll never see him in Rubble & Crew or the two Youtube spinoffs, so... what gives? To make matters worse, now that the main TV series has switched to a new style, they'll have to modify or remake Claw's model to match the new designs, and I can't see that being a high priority. Again, not impossible... but it certainly doesn't help his odds.

My hope of seeing Claw again isn't 100% dead or anything, but I can't help but feel pessimistic about his chances. To think, all this time, it never happened because Rescue Knights has been restricted from appearing in future episodes. That's so disappointing, you know? I can only hope that they do indeed have something special planned someday for Claw, or they'll finally lift that restriction on his subseries... but truth be told, I'm not going to get my hopes up.

Well, here's to you, Claw. Even if we don't see you again, you'll always remain my favorite (ex) knight of Barkingburg! Still, here's hoping that we do get to see you again... someday.

[arcane-ish]

I think that is a really interesting speculation and it doesn't seem to me that unlikely, especially since Amanda loves Caitlyn and I presume she was heavily involved in the culmination of their relationship. I can easily picture her making time for that.

It would also make a lot of sense with the themes of the show, especially for those of us who see some visual parallels between Caitlyn and Silco this season and Silco was a character heavily shaped by trauma.

That said, irregardless of what happened between Jinx and Caitlyn, I doubt it will change the critique of people who critique her from the "systemic" POV. Who approach it as "everybody has trauma, but because Caitlyn is in such an exalted and oppressor position, she just has completely different levers to pull, ways to make other people suffer for it than Jinx or Vi have". Because Caitlyn can just terrorize an entire city without even having to put in much personal effort. (and just because the show might not be about political issues doesn't change that certain people will insist that it should be understood that way, regardless of whether the characters or the writers understand it like that. ie just because maybe the writers didn't mean a save the damsel or fridge the girlfriend story to be sexist doesn't mean that people will see it as being part of a larger sexist narrative)

I feel like in the end, the people who already sympathize with her will sympathize even more deeply with her and the ones who don't likely won't be impressed just because Caitlyn's trauma was slightly worse than just losing her mother.

(which in the end is maybe another parallel to Silco, having had genuine trauma in his past and genuinely loving Jinx doesn't magically make him not a bad person anymore, so why would it be different for Caitlyn if she had genuine trauma and genuinely loves Vi)

The more interesting aspect is probably the character level. If Vi hears about it and she loves Cait and she sympathizes, does that mean that Vi will never forgive Jinx or never feel comfortable around her again?

From a shippy point of view I just don't think that it can work for Caitlyn to tell her story and for Vi and stand up and make excuses for Jinx. So the only thing that could work would be if Caitlyn got to a point where she learned to sympathize with Jinx (ie no longer blame Jinx because she sees it as Jinx having a mental illness).

I just have a hard time picturing that on a show as violent as this they can really do much to "impress" people. I just think that there's a low chance that they would go for something like rape. I guess Caitlyn could reveal that she has scars on her body that are underneath her clothes (which certainly would be a good setup for CaitVi in my ways), though I personally that doesn't seem like Jinx's typical modus operandi? I guess there could have been something related to drowning (to parallel Silco) or gas (as this is something that has been done by several characters on the show by now). But just Jinx saying cruel things to her and dragging her around is not going to impress the Cait-dislikers.

Even if it's still going to be a powerful moment for Caitlyn and Vi, less for how what Jinx did was particularly awful, but for how Caitlyn kept it bottled up (with the timeskip at least a couple of weeks, maybe months) and is finally opening up about it to Vi. (could maybe fit nicely into Cait having issues being emotional with Vi/always pulling back, back in s2Act1)

Basically, I assume the emotional performance will be excellent and it's going to be serve as a great and satisfying explanation for Caitlyn x Vi shippers as to why Caitlyn broke up with Vi in Act 1 (and pacifiy the people whose main anger against Cait was that she hurt Vi). But it might not move the needle for people who think Caitlyn sucks for using The Grey on Zaunites.

In this interview Amanda said something that caught my attention. Do you think that in ep 8 Caitlyn will talk about what Jinx did to her when she kidnapped her? Bc Amanda said that in ep8 there's a Caitlyn line that will make us say "Oh so that's why"

Amanda means this line that Cait is going to say will let us know why she was so mad at Jinx in ep 3 and how Caitlyn went completely blind when she saw Jinx in her target and bc of her anger and also her fear and terror of Jinx, Cait has completely lost control of herself in this moment. (there is someone who made a post on this topic @loycos and talked about what happened to Cait in ep3 and how Cait didn't see Vi or Isha in front of her bc of her anger and her deeply terrified of Jinx) I mean look at her eyes and the expression on her face, yes she looks angry but she is also terrified.

This is a natural reaction. I mean for example, imagine that you see something that scares you so much. There are two reactions, either flight or fight, and these reactions always come without a person thinking. At this moment the person is only thinking about getting rid of the thing that scares him, and he does not focus on what is around him bc these strong feelings control him.

Anyway, what makes me sure that this scene might happen in ep 8 (Caitlyn talking about what happened to her when Jinx kidnapped her) is Reed Shannon (Ekko VA) comment when he saw the drawing and said "I thought this was a leak" Reed might be joking as usually, but why this particular drawing and why he chose this word "leak".

But honestly if this scene actually happened and we knew what happened to Caitlyn, it would make us understand more why she was so angry and scared of Jinx when she saw her in front of her and it would also explain why she literally went blind and didn't see anything around her at that moment, neither the child nor Vi, all Cait saw was Jinx, she just wants to bring down Jinx. I mean look at these pictures she is so terrified of her

Again Caitlyn's insistence on killing Jinx in the scene in ep 3 was not only motivated by revenge on Jinx, but also out of fear and terror of her.

And not like those idiots who say that Caitlyn wanted to kill the child on purpose to get to Jinx or even say that she wanted to kill Vi too, or bc she's a cop and the cops kill children and blah blah... That's really ridiculous and annoying!! Bc if we focus a little bit on the period that Caitlyn went through we will see that Cait didn't have time to process all these things that happened to her, from the torture that happened to her when Jinx kidnapped her, then the killing of her mother, then the attack on the memorial ceremony. (I know that Jinx is not the reason, but from Caitlyn's perspective she thinks that Jinx and the Silco followers are the reason)

And in the end I hope that no one comes who doesn't like the post bc I am defending Caitlyn's character. If you don't like this character I don't care, there is no need for you to write a stupid comments. Please don't tire your little fingers if you don't like my post block me this is better for you and me. I will not waste my time responding to you, I will delete your comment and block you immediately.

I am a student at the Faculty of Psychology, and when I talk about trauma and the interpretation of human behavior and reactions, I know well what I am talking about. Bc most of the characters' reactions in this show are very realistic and need to explanation, writers do not want to explain everything in the show, they want viewers to occupy their mind and explain the events themselves (And I still repeat the point that the show focuses on the development and complexity of the characters more than anything else, and does not focus on solving political issues, the show is not about politics, okay)

And btw some people ask me about my opinion of Jinx's character, I have no problem with her character at all, I like her and I understand her condition, when I criticize her actions, it doesn't mean I hate her.

One day I may do a post about her character development and her condition, but I see that there are many posts about her and her actions, and I feel like I won't say anything new about her. Unlike the rest of the characters like Vi and Caitlyn, there are not many people talking about them. And maybe I will make a Viktor post bc I really like the development of his character. When the show ends, maybe I will.

[fruitsyrups]

hi guys. AHHHHHHHHHHHHHH. sorry i just thought about the passage of time

[welcometogrouchland]

I like to think that when the batfamily inevitably runs out of money and jobless Bruce, Tim, and Dick* find themselves in financial need, Steph reveals that she's made thousands of dollars taking odd jobs around Gotham City that we just never saw bc Steph hasn't been in a comic for months. Nobody checked in on her and while they weren't looking she made 6 grand babysitting and playing piano at a local theatre. Bruce has to grovel for enough money to buff out a scratch on the batmobile and Steph is revelling in it. This is the closest she's ever going to get to being a supervillain

*(Cass and Jason don't need money to survive on account of being homeless as kids + Babs funds Cass' basic needs and Damian is on his mom's payroll, same w/ duke even if it's obvs not al ghul money)

[leandra-kinard]

Okay, to play 'devil's advocate' here a little and add some nuance (while definitely not condoning any of the tone-deaf, entitled behavior!).

There IS some merit in stories where people who previously thought they were straight figure out they're not. We had that with Buck; we previously had that with Michael. I personally know a man whose story was very similar to Michael's. So that part is not necessarily NOT gay culture, because it does happen often. People 'see the light' at 30, 40, even 50 and finally find out who they are.

I've often read people say (especially in regards to Eddie) "this, the comphet behavior, is what I did before I dared to admit to myself I'm bi/gay/a lesbian." So there's a natural and non-harmful projection of these kinds of valid queer experiences onto these characters.

Then there's also the slow burn aspect of it, the "will they, won't they" and "there's something there that could very well be more than platonic, these two idiots just haven't figured it out yet."

When it comes to stories and storytelling, there's an appeal to that. It's a very common trope in straight couples too, to have them only realize their romantic feelings a long, long time into their platonic/professional relationship. So why should that not happen with two people of the same gender?

Now this is where it gets a bit complicated, because it presumes a concept that is not necessarily wrong, but can be a little naive and unrealistic, namely the "gender doesn't matter, sexual orientation doesn't matter, this is about two souls falling in love". This isn't something that never happens in reality either, but its framing as a "one in a million exception" is the unrealistic part. There's no "straight with one exception"; discovering and experiencing actual attraction to someone of the same gender does make you no longer straight, and it means you never were straight.

I guess especially younger people cannot always fully grasp these nuances between what does happen in reality and what is a naive fairytale concept that essentially erases bisexuality.

I think it's unfair to say or imply that shipping Buddie is inherently or frequently (seriously) homophobic, or that it comes from a place of not liking gay men. Many of us who ship Bucktommy now used to ship Buddie because we did see the appeal and did see a potential (to a point; for me, in hindsight, that point was probably somewhere in s6 where it became no longer realistic for Eddie to have a gay awakening. A bi one maybe, but I am 99.9% convinced that ship has now definitely sailed. Then again, with some of the inconsistent writing, who the hell even knows what Tim decides? lol)

So, when people say, they don't want another story where someone already knows they're not straight that's also not per se wrong, imho. The phrasing in the above screenshot is definitely insensitive and tone-deaf and requires much more added context to make clear you don't mean it against established gay characters, you just mean it as a plea for coming out/figuring out one's sexuality arcs. Which is something I and many other queer people I know have said before. We want to see the epiphany, the struggle, the process of acceptance because that is something many of us did go through. To experience that with two characters we love could have felt very rewarding and validating.

To say this generally comes from a place of homophobia (while certainly some things that have been said and posted by the most toxic BoBs over the past half year WERE going in that direction!) also erases those queer experiences and feelings.

TL;DR: There are many queer experiences and view points that are all equally valid, and they could be expressed in various types of queer stories in fiction. Buddie as a slow burn and realizing one's sexuality later in life story would have been one valid version of the queer experience. Wanting Buddie is not per se the problem. The problem lies in invalidating the Bucktommy type of queer experience, especially Tommy's side. And the problem lies in entitled, rude and tone deaf behavior online. In my opinion.

I just think we, the Bucktommy shippers, should not fall into the trap of doing as was done to us by framing the other ship as inherently problematic (though calling out individual instances of problematic behavior and wording is valid! And the above are definitely examples of that). We can be better than that and recognize that many queer experiences and views are valid and can co-exist. The BoBs are the ones who cannot do that.

the more and more time i spend on tumblr and come across insane Buddie takes and behavior, the more and more i am convinced that the small, vocal, toxic subsection of shippers who don't know how to behave are, how shall i say it?

homophobic

they don't seem to actually like gay men. the situation with richard siken is an example of that. what they appear to like is their made-up version of what gay men are like and what they do. there's no concept of nuance or an actual understanding of queerness that informs their ship.

and i don't think you do need to understand it. sometimes you can just enjoy something without looking into it differently. but if you're going to be out on main talking about Buddie this and Buddie that, then you absolutely need to do the bare minimum and inform yourself on gay culture and gay issues so you don't, you know, go after a gay poet because you didn't like his tone.

sorry, there's a reason gay men of his demographic don't take shit. it's because they took so much shit that a large percentage of them died. the ones that survived don't owe you a tone when you act like an idiot.

the internet is free. wikipedia is free.

use a search engine and educate yourself, just a tiny little bit, and stop fetishizing while holding onto homophobic attitudes

[quietwingsinthesky]

you ever just think about. “You are diseased, albeit a disease of our own making. No more.” you ever just. oh, they made him and they discarded him. it’s never going to be quiet again for him, and that’s just collateral. they let the sound rot through his whole life, his whole timeline. because that’s the kind of easy sacrifice you can make when you want to save yourself above everything else, one that doesn’t ask anything of you. you dig open a child’s mind and you bury your survival inside him and when he follows the noise back home, when he does exactly what you groomed him for, you call him ruined for it. that’s. you ever just think about that.

[notjanine]

me a week ago: i love my job!!

me now, after having a mid-year review that amounted to you’re doing an excellent job and you bring such a valuable perspective to our practice but i don’t have the ability to give you a raise right now but don’t worry bc i just hired a new CFO to try to figure out money so we can maybe give you a raise later this year: *breaks into a cold sweat as i crack open indeed dot com*

[cyberfunsupporter]

it’s not that curly is necessarily bad but he’s complicit which is incredibly bad actually. yes he was mad at jimmy but approached it from the standpoint of it being a misunderstanding because he views jimmy as a good person and the idea of “a person’s worst moments don’t make them a bad person” is so clearly reinforced throughout the game. but this is the one thing that can’t be made better. and to be honest, i don’t think anya would stop being curly’s friend if there were a happy end but i think it’d be hard sometimes. to be close. cause you can’t erase the lack of action. yes, curly wanted things to be good between the team since they were mid delivery. but it’s the undermining of what happened to anya, although not purposeful or malicious, it still hurts. and it hurts the victim so badly. and it let jimmy just do whatever. jimmy hurt curly after, tormented anya and never took responsibility. curly can’t erase his part in that. i think anya would be uncomfortable sometimes or feel sick thinking about it. the lack of action

[katerinaaqu]

No they are not I am afraid. The only primarily plot that stayed the same is Odysseus wants to go home and the names of the creatures he encounters. All the other main plots are changed; Polyphemus, Circe, Skylla, Sirens, Charybdis, Telemacheia everything. That is an objective truth. Now if people like the changes or not is of course up to everyone's guess and taste. However just using the names of the main stops he had is not "primarily plot points are exactly the same". Not even the order of his adventures is the same (see Charybdis). SOME plot points are the same and even those were changed. If you keep like 5-10% of the story and change all the rest is not an adaptation is an original story that was inspired by something else. At least that is what I believe and what I see so far (especially the final parts he released). But okay sure I mean if he didn't even follow the same direction as the Odyssey then what would be the point? I find it interesting that we often say "phew at least he is going in the same direction!" Like...that is the bare minimum... (and as I said in the past it saddens me because he has proven in the two first sagas that he can make it happen, take liberties and be accurate to the sources, in that case more specifically Iliou Persis) and he IS very talented and passionate with his project which again saddens me even more with how my favorite book was treated in this (again plot-wise only)

If we speak that still counts as an "adaptation" or "retelling" because it still follows the story in the same direction then in my opinion the bar for what is "adapting material" is set way too low (but again that is my opinion. It is fine if someone disagrees)

I completely disagree that it couldn't. In fact it was on its way to be in the first two sagas. It is absolutely possible to happen. I think is the mentality of modern adaptations of "oh is impossible to make it as accurate as possible so not even trying to". And yet we have amazing movies and series like Ulysses (1950s) or even better L'Odyssea (1964) that followed like 90% of the plot and kept the characters according to book and took liberties either out of choice or out of budget. We also have the Prince of Egypt which took liberties to make the musical and yet it was incredibly well thought and researched material so no I completely disagree with the notion that "it is impossible" but I respect your opinion.

I know which is why stuff like that annoy me at best and infuriate me at worst because there is already plenty of misinformation there is no need to add more. Now for crosstagging like I said never claimed that one has bad intentions or not. I only said it is starting to get bizarre that every time you wanna Google "the Odyssey" you now need to specify it is the REAL thing and not some adaptation or fanfiction. (And I say that as a retelling/fanfiction writer myself!)

You realize that a fandom has gone off the rails or that it has REALLY taken over when you see "Epic the Musical" tagged under images of Achilles and Patroclus! Like...how are two characters who were both dead by the taking of Troy, yet alone by Odyssey who do not appear not even as a mention for the Underworld as they were in the Odyssey, relatable to this?!

Sorry! XD