#but that's a thought for another time

[marshmellowtea]

i don't have a lot of thoughts on female chris bean yet which is surprising given how much i love to girlify my faves and the fact she's theoretically canon in some productions but i HAVE decided that she's convinced herself that she would've been better off as a man because then she could've been the son her father always wanted and her mother wouldn't resent her so much. meanwhile male!chris is convinced he'd be better off as a girl because then maybe his more feminine traits wouldn't be so offensive to his parents and they wouldn't resent him so much for them, but the thing is that they're both wrong, because there's no timeline where they possibly could've lived up to raymond and cecilia's expectations. their temperament and neurodivergency and queerness had doomed them from the start and they don't even realize it!

[lyndentree63]

So there's this conventional advice in acting (and writing) that your character needs a goal, and it's obstacles to a goal and conflict that makes an interesting story and tells us about the character. This advice is ubiquitous and treated as foundational, but it never quite worked for me.

I don't fully know why, but something about goals being what motivates people doesn't really ring true to my experience. This method also led to kind of navel-gazey flat overly-self-aware acting when I tried it, because focusing on my character's goal would take me out of the scene.

I did a three-month intensive acting school in 2017, where we were coached by people from Straeon, and their technique was all about exploration in rehearsal, connecting with your scene partner, and living in the moment. No goals. No text analysis. It worked for me.

Last year I read Between Us: How Cultures Create Emotions by Batja Mesquita, which is fascinating for a number of reasons, but my biggest takeaway was this idea that emotions exist between people, not in people. Suddenly my acting school made sense. The times when scenes shone were when each actor was completely focused on their scene partner and responding to what they were doing in the moment. You could feel story sparks crackling in the air. When the actor started focusing on their ideas, then the story would go stale. Anyways. I don't think characters NEED a goal (though that can be useful), I think they need connection. Connection to an idea, a thing, a place, a person. And I think we can actually tell stories without conflict if there's connection.

[egophiliac]

doylist explanation for why Gidel is only in Fellow's non-idle lesson animations: probably something about space constraints and making sure two sprites in one seat aren't covering anyone else when they're not in focus

watsonian explanation for why Gidel is only in Fellow's non-idle lesson animations: he snuck in and is hiding from the teachers, don't give him away 🤫

(I've reached my limit of unsuccessful attempts at pulling them before I need to save keys for Halloween, so I've been living vicariously through youtube videos...but the fact that Gidel just pops up from under the desk to wave his arms around happily is really testing my resolve. D: I'm gonna die when they finally get to do alchemy...)

[raynewolferune]

DC x DP Prompt: Bruce is bad at emoting but at least ghosts are empathic (too bad bat kids are not)

Was reading Twincognito on AO3 when I stumbled across this gem again:

~

" “Danny, Tim. I was just…checking in. Is everything alright?” Curse his inability to make meaningful conversation when it wasn’t a life or death situation.

They glanced at each other and shrugged.

Then Danny hauled himself out of the bed and walked over to Bruce.

Bruce tried not to let too much excitement show on his face. "

~

Now I really want to read a story where Bruce adopts Danny post Meta trafficking and is being his usual emotionally constipated self. His kids keep getting mad at him because he's treating their new meta brother who was trafficked poorly (generally being stilted in conversation with him, walking away hurriedly mid-conversation, avoiding Danny when he's feeling really awkward, etc). They think Bruce is discriminating against Danny for being a civilian, meta, dealer's pick, but really it's just Bruce being horribly socially awkward. Danny knows this because of ghost empathy and find the whole thing hilarious. The whole thing comes to a head with the Bat Kids staging an intervention in the Bat Cave.

[clownowo]

been replaying the Portal series I think this is where its heading

[obsessedwithstarwars]

Okay you can’t tell me that Vlad doesn’t have an organ somewhere in his mansion. Upon learning of this, Danny would teach himself how to play the Haunted Mansion theme on the organ and play it at 2am.

Vlad Masters is away on business in Gotham, and the Fentons are coincidentally there for a symposium on ecto-activity. So it’s perfect! Except he goes to the wrong house, er mansion.

Honestly, Danny thought it was one of Vlad’s many mansions. Scaring the old man is his favorite activity after all. There’s a higher amount of ectoplasm here, so it has to be Vlad’s place right?

When Bruce comes out (on one of his few nights off) and sees his carbon copy playing the organ, all thoughts fly out of his head. Danny finally looks up and also blue screens. They stare at each other for what feels like an eternity until Danny’s cell phone rings (the ghostbusters theme??) and he panics. He jumps up and makes a break for the other door rushing through apologies “SorryWronghousegottagobye!” And runs out of the room. “Wait! Who are you?”Bruce exclaims as he rushes after him. They’re on the second story in one of the rooms he rarely uses. How did he know where the organ was? No matter. He’ll catch the kid on the stairs.

Except the kid is already almost at the bottom. How did he get down so effortlessly? The kid practically floated down the stairs.

Bruce gets to the foyer just in time to see the kid realize the door was dead-bolted in multiple spots. He won’t be able to undo them all before Bruce catches up to him.

He slows down and stands behind a pillar, assessing his next move. He needs to be careful here. This is a child after all, no need to spook him any more than he already has. He needs to slowly approach, and ask his questions.

But then the kid does the unexpected. After looking around frantically, he takes a deep breath. Two rings form around his middle and travel up and down his body. His black hair turns ghostly white. He looks back, almost directly at Bruce. His eyes widen as if he realizes he’s being watched. He whispers, barely loud enough to hear, “I’m so sorry, please don’t follow me.” Then, he backs through the locked door and vanishes.

[hailsatanacab]

Family Dinners - dpxdc

"Holy shit, you're Bruce Wayne!" Danny gaped, jabbing a finger at the man sitting at the head of the table.

The bustling dining room goes silent as everyone turns to look at him.

"Danny, who did you think was going to be here?" Tim asks, disbelief plain in his voice and Danny feels his face flush red.

"Sorry, I, uh, I guess I just never put it together. Tim Drake-Wayne. Wayne Manor. It, uh, makes sense now." He laughs sheepishly and scrubs at his neck before slumping back down into his chair.

"Well," Tim says with an indulgent sigh, "at least I know you're not just friends with me for my connections."

"Yeah, I'm really sorry, I just never thought about it, I guess."

Danny sinks lower as everyone around him laughs. Come to dinner, he said, the food is the best, he said, ignore the family, he said. Danny really wishes he'd listened to Tim and just ignored them—almost as much as he's regretting accepting the offer in the first place—but... he's having dinner with Batman.

Ancients, that's so weird!

The last time he saw Batman was in the future and, suffice it to say, it was not going well. There hadn't really been time for family dinners there.

Wait. Family dinners?

He peers around the table, openly gawking at everyone as it all clicks into place.

"Everything alright, Danny? Now realising who everyone else is?" Tim asks with a roll of his eyes.

"Uh... something like that..." Danny mumbles as everyone laughs again.

From further down the table, the smallest Wayne scoffs and clicks his tongue.

"I thought you said he was smart, Drake?"

"So, you all do it, too, then?" he asks, ignoring the jibe. Danny's only a little bit jealous as he thinks of how much easier they must have it, how much easier it'd be if his family had been on his side, too. "You all work together?"

"Nah," Dick says from across the table with a brilliant grin. "Tim's the only one that works with Bruce, we all have different jobs. I'm a police officer in Bludhaven."

"Disgusting." Danny blurts out without thinking—because seriously, what kind of self-respecting vigilante would also be a police officer?—before clapping a hand over his mouth. "Sorry."

The whole table laughs again, the loudest being the blonde girl a few spaces down from Dick. Look, Danny wasn't really paying attention to names when they were all paraded in front of him. Dick only gets remembered because his name is a joke.

Come on, Danny, recover!

"That's, uh, not what I meant, though."

"Oh?" Dick asks, cocking his head slightly to the side. Is it Danny's imagination or does his smile tense slightly?

"Yeah, I mean like, you know, in costume. It must make it so much easier to have everyone together like this."

"Costume? What do you mean?"

Yeah, Danny's not imagining it, everyone tenses up at that. It's really only now that he's realising that this probably isn't how he should bring up that he knows about their... night time activities. In fact, he probably shouldn't be bringing it up at all.

"Uuhhh..." Danny looks wildly around the table as he continues making his stupid noise. Think, think, think! There must be a way out of this!

"Danny?" Tim asks, looking concerned.

"Oh, Ancients, this isn't how I wanted it to go at all," he mutters, slipping even further into his chair. He's almost on the floor now and he so, so wishes it could just swallow him up.

His real first meeting with Batman was meant to be cool! He had planned to be Phantom, maybe save them from a tight spot, prove his worth as a mysterious and powerful ally as thanks for the help Batman gave him in the future.

"Danny, what are you talking about?" Tim starts tugging on his sleeve in an attempt to pull him back up from his pit of despair.

Eventually, Danny relents and sits up straighter, hiding his face in his hands and whining all the while.

"I'm sorry, I just didn't expect him to be here and it threw me off so now I look stupid and it's so embarrassing!" he wails, flailing his arms wide. "Why wouldn't you warn me that Batman was your adopted dad, Tim? Couldn't you have let me know?"

"I'm sorry, what? Danny are you alright? There's no way Bruce can be Batman, look at him!"

"Yeah," the blonde girl laughs from the bottom of the table, "look at him! That's a wet noodle of a man! Batman can actually do things, B is incapable of pretty much everything."

"Thank you, Stephanie," Bruce sighs, massaging his forehead.

It's... Those are the first words Danny's heard Batman say since everything went down and it's enough to knock him out of his embarrassment.

It's really good to hear his voice again. Especially now, when it's strong and healthy and full of personality—even if that personality is little more than a tired father right now—far better than how it had been, at the end.

Danny sits up, back straight, and grins. He's got this. He remembers it perfectly. Some people count sheep to fall asleep, Danny repeats his mantra to be certain that he'll never forget it.

"Gamma alpha upsilon tau iota mu epsilon, 42, 63, 28, 1 colon 65 dash 9."

Once again, the whole table falls into silence.

"Holy shit..." breathes the other D name (Duke? Danny's pretty sure he's Signal) from opposite Stephanie. "Isn't that...?"

"The time travelling code." The littlest Wayne says stiffly. "We have met in the future?"

"That's not just the time travelling code, Dami." Dick says, looking between Danny and Bruce. "That's the family time travelling code."

Danny's grin freezes in place.

"I'm sorry, what?"

"1 colon 65 dash 9." Dick explains, still flicking between him and Bruce. "It means you've been adopted into the family and we should all treat you as such, no questions asked."

"Tell you what, I'm about to ask a question." Danny says, dumbstruck. "You just told me it was a code to identify time travellers, not anything about being adopted! What the hell, B?"

Bruce looks about as shellshocked as Danny feels.

"We must have been close," he says finally, after opening and closing his mouth like a fish out of water a few times.

"No! Not that close!" Danny reels back, taking a deep breath ready to refute it all, but... "Well, I mean, you found me when I first got stuck, and you helped me get better despite being... And then we fought together against the, uh, bad guy, before he, um, he... before you couldn't."

An uncomfortable beat passes while they all pick up on what Danny tried so hard not to say.

"So, you're not from the future, then, you travelled there and came back?" Tim asks, breaking the tension and leaning forward with a glint in his eye.

"Yeah, it was a whole end of the world thing, but don't worry about it," Danny says with a hand wave, "It's all kosher now, won't ever happen."

"What did happen?"

"Seriously, don't worry about it, we cool."

"How long in the future was it?"

"About ten years? You were pretty spry for an old man, B," Danny laughs, wishing they'd get off the topic of what happened and get back to the adoption bit.

Everyone shares degrees of a cautious smile as they relax out of the shock, and Dick—whose grin is the biggest—says, "No wonder you got the family code, you're already riffing on him like one of us. How long were you there for?"

"A week, before I managed to get back to my present and stop him then."

"A week? Jeez, B, that has to set some kind of record, seriously."

"Oh!" Danny says, sitting bolt upright and blinking in surprise before pointing at Dick and bouncing in his seat. "You're Nightwing!"

"What?"

"That's exactly what Nightwing said when Batman told me the code! Makes so much more sense now."

Dick laughs and claps his hands, delighted.

"You were not formally adopted?" The grumpy small one—Dami?—asks, his face pinched.

"I didn't even know I was informally adopted."

"And your parents? Are they alive or dead?"

"Damian, stop—"

"They were dead in the future, but they're alive now." Danny says, looking down. He fiddles with the tablecloth, twisting the fabric around his fingers as he fights down the pang of sadness that he always feels when he thinks of them now. He forces a bright smile on his face and hopes it doesn’t look too strained. "I just, uh, can't talk to them much, anymore."

"Damian," Dick warns, "1 colon 65 dash 9. Treat them as family, no questions asked."

"This is Damian treating him as family, the little turd has no manners." Tim scoffs, rolling his eyes, but he gently bumps shoulders with Danny to knock him out of his funk. Danny can't help but send him a watery smile.

"I have the most exemplary manners, Drake, unlike some people." Damian spits, crossing his arms with a pout. "I was merely ascertaining his status to see how he could possibly fit into the family."

"I know this is all a bit sudden, Danny," Bruce smiles, ignoring Damian and reaching out to lay a warm hand on his arm, "for all of us. But if I felt strongly enough to give you that code after spending a week with you in the future, then you are more than welcome in this family, if you so choose it. I think I can speak for all of us when I say we'd like to get to know you a bit more."

"I know a threat when I hear it, Bruce." Danny snorts. "But, yeah, I get it. I'm sorry this is all so weird, it really wasn't how I wanted to find you again, but... I'm glad I did."

"So are we, Danny." Dick says, with a warm smile. "And formally or not, 1 colon 65 dash 9 means you're family. Welcome to the fun house! No take backs or refunds, sorry. You're stuck with us."

[poorly-drawn-mdzs]

The dog days are over.

[First] Prev <–-> Next

[tsunosagun]

someone's feeling shyyy 🤭

[101-sve]

I’m just going to toss my own to cents into this because it’s something I think is really important for people to know and think about what’s being discussed here.

Okay, so, first of all as someone with a degree in architecture I LOVE this post. I’ll keep it short but it’s very true that accessibility and walkability are not the same things - there are many aspects to cities to make them accessible that the large majority of people don’t think about until they have to (usually when confronted via necessity or having it pointed out). I’m lucky enough that during my education accessibility and community-focused design (ie: serving the needs of the community/people focused) was an integral part of the building process from initial ideas to the final project. Accessibility on so many levels is really important - it serves everyone in a community to have it implemented and should be part of the Walkable Cities / Green Cities movement. This goes from buildings to streetscape to public transport and more - “Walkable” isn’t enough.

I study sustainability and part of my degree involves studying green architecture. I am also a wheelchair user. Walkable cities are ableist.

When people hear "walkable cities are ableist" and immediately retaliate they are usually thinking of a theoretical ideal for cities that isn't currently being put into practice. The problem is, there are new, walkable cities being built across the globe and they are not taking disabled people into consideration. These cities are not theoretical.

These communities are usually being built on privately owned land which can give them exemptions from having things as basic as paved sidewalks and roads. Most of these cities had gravel or dirt pathways, and all of them had large curbs or steps leading to the entrances of buildings. Even when sidewalks were present, the buildings were all multistory, which is necessary for a space to be walkable, however, none of the buildings had elevators. There was not a single community shown that I could actually live in.

The able-bodied people in my classes were consistently appalled by the lack of accessibility because I kept pointing it out. None of them had considered accessibility before I was in the class, and several were majoring in architecture.

If walkable cities were built with disabled people in mind then yes, they'd be hugely beneficial to disabled people, but walkable cities aren't just dreams for the future they are being built right now, and they are being built to keep us out. Walkable cities are ableist.

[monstermonger]

A Night Sky in the Woods

[qiinamii]

crown swap

[soracities]

we NEED more cleaners and bricklayers and scaffolders and delivery drivers in MFA poetry programs. like. immediately.

[mobius-m-mobius]

Sometimes our emotions get the better of us. You can say that again.

[decarabias]

forever thinking about royal’s bad ending. my thing with it is that maruki doesn’t necessarily give anyone what they want most, he gives them what’s most appropriate for them to want within a maruki-approved framework. iirc there’s a really interesting text sequence in the game where he just straight up changes someone’s career because they’re not “good” at it, regardless of whether that’s what they actually want. why struggle at all? ever? right?

and so ultimately i don’t think goro akechi’s greatest wish is necessarily ren. i think it’s a wish for sure, but his greatest wish is his own agency. despite any regrets he has and the fact that shido and yaldabaoth treated him like a pawn, he's generally pretty adamant about owning his choices and their consequences. he doesn't want that erased. and instead, you end up with pleasant boy™ if you take maruki’s deal. maybe maruki (incorrectly) thinks sanding off all of akechi’s rough edges will make him easier for ren to love. but the crux of it is really that maruki has to essentially lobotomize him to preserve the illusion of his perfect reality, because their ideologies are so diametrically opposed that akechi would spend every waking moment fighting back.

this isn’t to undermine ren’s importance to akechi btw — he explicitly acknowledges that he wishes they had met earlier, and there are countless moments throughout their confidant that underscore how much it means to him that they mirror each other so well. he absolutely does want more time with ren, just not under these circumstances.

and that’s also what makes ren’s choice on 2/2 doubly devastating. he knows that either way he loses akechi. and if he takes maruki’s deal, he loses him knowing that his last moments with the real akechi involved the two of them being unforgivably out of sync.

[chalkrub]

attack for @plaiesancier !