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astonmartinii · 1 month ago

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other side of the moon - chapter one | formula one imagine

pairing: fem retired formula one driver reader x ??? fem retired formula one driver reader x platonic!kimi antonelli

chapter one: an offer you can refuse

years of solitude has led y/n y/ln down a dark path following her career-ending injury in 2022 but one rookie seems dead set on bringing her back into the fray

MASTERLIST | TIP JAR

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“have you seen this?”

it’s too early in the day to be subjected to twitter in y/n’s opinion, but her manager - the one she’s always insisted in not needing - insists upon it. sara’s hand shakes as she hands over her phone, the video already playing loudly.

the video is a poorly clipped together compilation of kimi antonelli, for no better word, gushing about her. it’s earnest and even cute, but not cute enough. the formula one paddock was a vulture pit, one y/n had only escaped three years earlier with her life - barely.

“it’s cool. that’s all it is though,” y/n moves towards the door, picking up her coat and refusing to turn back towards sara, “i’ve told you since jenson insisted i hire you, there’s no way in hell i will ever go back to that paddock. and that’s the end of it, please. i’ll do any stupid vitamin ad or female empowerment talk if it makes you happy, but i can’t go back there.”

y/n grabbed her keys and left the apartment, leaving sara in her wake. sara reached into her pocket and pulled out a tattered letter with ‘y/n’ scrawled on the front in awful handwriting. she left it on the kitchen island and left, understanding this was likely to be her last time in this apartment - there's stupid and there's what she was doing right now, there was no way she would still be employed in the morning.

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girlsonthegrid

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tagged: yourusername

girlsonthegrid: today we look back at the biggest what if for women in formula one - y/n y/ln. the 26-year-old drove for mclaren from 2020 to 2022 before she sustained a career-ending injury at silverstone. y/ln was the first ever female f1 race winner with her emphatic victory at monza in 2021 and the first ever female formula 2 champion with her win in 2019. her career lasted just 30 races and she hasn't been seen in the paddock or around any drivers since the crash. there have been reports that she has been approached about a mentor role but considering how fast her management rejected and shut down sky sports about a commentary role, this is also unlikely. what would you like to see from her if she ever comes out of hiding?

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user1: i mourn for her everyday

user2: the way she paved the way for so many but can't stand to be in the paddock to see what she did for the sport

user3: i really don't blame her

user4: doriane is the mercedes reserve and abbi is alpine's! her work is there even if she isn't and i know i'll always be grateful for that

user5: she's so overrated, if she didn't crash she still would've been out of formula 1 by now

user6: me when i'm the most wrong ever

user7: i can't believe there are still men to this day that think she wasn't great? literal world champions like max, lewis, fernando, seb and jenson have all said that she could've won a championship

user8: i mean no shade to lando but i think y/n would've made it 100x harder for max this season in that mclaren

user9: the way jenson tried to say that in the nicest way possible in las vegas lol

user10: and max agreed with him LOL

user11: the way it wasn't even proper lando shade or oscar shade like twitter painted it to be but like max just praising his bestie

user12: he does not play about her as he should

user13: i mean he's the only one we know y/n still actually talks to

user14: i can't wait for the tell-all biography that exposes half the grid because like how much have you must have fucked up for her to never speak to you again

user15: when twitter likes were public she was caught liking a bunch of tweets bout mick when he got his first points so like she doesn't even have hard feelings to the guy who put her in the barrier sooo

user16: it was proven it was break failure???? mick did nothing wrong that's why she still likes things praising him

user17: that crash really robbed us of the best ever f1 relationship with y/n and lando

user18: you know that's part of the reason that she doesn't speak to lando right?

user19: because she wished it was him not her?

user20: NO! because she hated that whole 'ship'

user21: and lando leaned into it way too much

user22: it made me a bit uncomfortable and i'm not even y/n

user23: AND she said on the beyond the grid podcast that she thought those rumours were really reductive and relegated her to just a love interest of her teammate rather than a race winner

user24: kimi antonelli please bring her back to us

user25: praying she'll listen to the literal child

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texts between y/n y/ln (bold) and max verstappen (italics)

did u give them my fucking address

my lawyer says to always deny everything?

i also actually have no idea what you are talking about…

i just got home and there’s a fucking letter from KIMI ANTONELLI on my kitchen counter

it’s creepy and a mad invasion of privacy

i did NOT give them your address?

i gave them sara’s contact details so they wouldn’t be able to directly get to you and i honestly thought she would be too scared to ask you

she showed me all the clips of him praising me.

it didn’t work.

it’s been three years y/n…

and it still hasn’t been long enough.

all i’m saying is read the letter, as creepy as it might be, he is just an 18 year old entering the lion’s den you could at least reply to him even if you don’t take up the offer

although i read they were going to pay you £10 million a year??? was that real?

unfortunately it is very real.

i didn’t think i was still worth that much

you are worth that and more, just give him a chance. we’ve both met him, he’s a sweet kid.

for now.

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it was cold in her apartment, y/n hadn’t shut the window from when she opened them that morning. in fact she hadn’t moved from the kitchen since she set eyes on the letter. it was bold she’d give him that.

the letter was crumpled as if it had gone through hell to get to her (it probably had) and the handwriting was a serious reminder of just how young kimi is. y/n had wondered if her maternal instincts would ever kick in like all the older women in her life insisted it would. sure she had felt intense feelings of love for her childhood cats and had cared her formula one cars (regina and heather, they were named after mean girls, because that is who they had to be on track) like they were children. but that true maternal feeling had never come to her, until now.

all y/n could think about was kimi. how young he was, how much he was set to lose. not everyone was her, the worst thing wasn’t going to happen to everyone - it just always seemed to happen to her.

her loud phone alarm jolted her out of her daydream, reminding her to take her painkillers. as she poured herself a glass of water, y/n slammed down the glass and ripped open the letter.

dear miss y/n y/ln my name is andrea kimi antonelli and i am going to be driving for mercedes amg f1 team in 2025. we met very briefly after i won all three races at mugello and lifted the italian f4 championship trophy. i know you were there on mclaren PR but for me it changed my life. you have always been my biggest inspiration alongside michael schumacher (i am italian, you must understand). it was always my dream to race alongside you and maybe even be teammates, i’d even betray toto and leave mercedes to make that happen (please don’t tell him i told you that). i know that can never happen now, but it could happen in another way? i know like me you grew up seeing niki lauda supporting and mentoring the mercedes drivers and i was wondering if you would be my mentor - who cares about george anyway. i know you’ve never come back to the paddock and are unlikely to do so for little old me. but if you could just think about it that would be great, if you don’t ask, you’ll never get! i hope this letter wasn’t horribly offensive, i mean it when i say you’re my favourite!!! love, kimi (p.s. i was at monza 2021, so you could even consider me a good luck charm) (p.p.s you won monza 2021 completely on merit but i was there) (p.p.p.s please don’t think i’m an idiot) (p.p.p.p.s i also loved interlagos 2020 that’s a super underrated drive)

with tears in her eyes, y/n placed the letter back on the counter, grabbed the glass of water and made her way to her bedroom. painkillers taken with a wince, she still hadn’t gotten used to the size of the pills even three years into taking them, y/n shuffled under the duvet.

the offer was there and it seemed sincere. her accountant would tell her that the money was worth the mental turmoil, even if she just did it for one season and returned to her little cave in west london.

there was no doubt she felt something for kimi - a kinship, a frienship or a maternal yearning - but was it worth ripping off all the bandages and opening herself back up to all the scrutiny again?

she would sleep on it.

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yourusername

liked by maxverstappen1, georgerussell63 and 10,567,388 others

yourusername: much to think about these days. like how the fuck this app works now?

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user1: first post in three years and it’s THIS?

user2: i am not complaining

user3: i am savouring every little piece in case she goes missing for another three years

mclarenf1: the queen has returned

user4: no thanks to you

user5: how about we keep my wife’s name out of your fucking mouth

user6: socials admin i know it is not you specifically but i really don’t know how you can post up here like you’re completely absolved of your involvement in this. your car had break failure that broke her fucking back - it is a miracle she is even still walking! and you still don’t accept any responsibility for it

user7: i love y/n but like how is it mclaren’s fault? break failure happens all the time?

user8: well it’s in one part the fact that they were using her as a test dummy because it was a new faulty part that mclaren was experimenting with that was on her car and NOT lando’s and the fact that to this day when they feel like it they’ll heap guilt onto mick schumacher

user9: without being disrespectful there were two formula one careers that were ended that day because mclaren have kept to the narrative that it was mick that put her into the barriers eventhough siedel admitted when he left mclaren that it was a faulty break part that caused it.

user10: clock it

user11: yes clock it but maybe on a different post because it’s y/n’s return to the internet and all yall can talk about is the most traumatic event in her life?

kimiantonelli: i also love clairo

user12: what is bro doing?

user13: be quiet he’s our best hope of y/n coming back to the paddock let him cook

user14: name three songs local

kimiantonelli: bags (live), alewife and blouse

user15: this motherfucker might just do it

maxverstappen1: i miss brando :/

yourusername: you know my address

yourusername: use it since you like to give it out so much

maxverstappen1: I DID NOT GIVE THEM YOUR ADDRESS

user16: y/lnstappen friendship is BACK

user17: it was never gone?

user18: but now we get to see it :P

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when she woke the next morning, y/n knew she had to read the letter again before jumping into anything. in her sleep she was plagued with memories of the past, but not the usual ones that haunted her in the dark. there were no flames, no hospitals, no career-ending injuries. no, this time she was transported back to 2020 and her first few races of her formula one career.

march 2020.

the paddock was much bigger in formula one than it had been in formula two with hundreds more people running around, barging through crowds, hitting y/n on the way through and not even stopping to apologise. she had thought briefly that she would be making more noise as the first female racer to take part in a race since forever - y/n even thought that she’d made a bit of a splash during preseason testing, nestled between her teammate lando and alex in the red bull in fifth.

but she was invisible. even with the garish orange path to follow to the mclaren garage, y/n struggled to get through the crowds of people brandishing their paddock passes. her trainer had gone ahead to set up her driver room which left y/n to push through and arrive to briefing ten minutes late.

“i’m so sorry, i got lost and by the time i was going in the right direction the paddock had filled up?”

y/n stammered, not quite able to make eye contact with zak brown. the american wasn’t tall in comparison to the general public but he towered over y/n and the disapproving stare didn’t do much to help.

“just make sure it doesn’t happen again.”

zak snipped, waving his hand in y/n’s direction, telling her to take a seat. y/n rushed to the nearest empty seat and looked for her teammate in the room. lando was sat just three seats to her right on a small table. y/n tried to make eye contact with lando but he avoided her gaze like it was burning him, so much for the ‘big brother’ act he had put on at the car launch.

the engineers stood in front of the screen and started their long-winded presentation about the prospects for the season ahead. y/n pulled her note book out and frantically started taking notes, she didn’t know if that was normal for formula one drivers, but knowing as much as possible couldn’t hurt.

y/n copied down the warnings about possible tyre wear in turn three when she heard some soft sniggers, like someone was trying to stifle their laughter. this drew y/n out of her focus on the presentation, looking around the meeting room to locate the perpetrator.

lando caught her eye immediately. he had a light blush across his face and his mouth was covered by his hand. he looked guilty, guiltier than the rest of the room who were listening intently to the engineers. y/n raised her eyebrow in question.

“i’m sorry are we distracting you two?”

zak interrupted the presentation, turning to look at y/n and lando.

“no, sorry sir,” y/n replied turning her chair back to face the screen. “lando?” zak pressed.

“i’m sorry zak but y/n was distracting me with her note-taking,” lando forced out between his boyish giggles. “i’ve never taken notes, i didn’t realise you would be sucking up to the engineers this early on?”

“i’ve always taken notes? is it a problem? i’m sorry if i was distracting you lando.”

“yeah we’ll see how much those notes help you on track, rookie.”

lando spat over the table. it was uncharacteristically mean for the lando she had seen in the mclaren social content and the lando she spoke with at the car launch. y/n felt tears prickle in her eyes but she swallowed them down, she couldn’t cry yet - or at least not in view of all the most important people on the team.

“right. we’ll get back to business then.”

the rest of the meeting went by in a blur for y/n, but despite the outburst from lando, she continued to take her notes, she would be damned if some comments from lando would fuck up her entire race weekend routine. y/n took her time when zak dismissed them from the meeting, not wanting to look unprofessional.

moving towards the door, y/n’s shoulder hit someone else’s. she looked up to make eye contact with lando yet again.

“you better not make a habit of making contact with me, rookie,” lando said, a slight smirk but a harsh look in his eyes.

“are you like okay?”

“why wouldn’t i be?” lando replied pushing past through the door.

“i don’t know, you’re just a little frosty this morning? did i do something?”

“why would i be thinking about you, seriously? this is my team, know your place and we’ll get on just fine”.

with that lando was gone and y/n was left puzzled. i guess PR really does work wonders, y/n thought before making her own way to her drivers room.

her trainer, luca, wasn’t there when she managed to locate the room but all of her gear was already neatly put away like they had discussed. y/n cracked open an electrolyte drink and opened her notebook to study the meeting points.

there was a loud knock at the door and before y/n could even utter a “come in”, the mystery visitor barged into the room. daniel ricciardo announced his arrival with a packet of tim tams thrown at y/n and a quick “howdy” before he started rifling through her stuff and studying her helmet.

“ah, another cool dude who has a cuddly guy on their helmet,” daniel said, picking up her helmet, pointing at the cartoon version of her childhood cat.

“oh that’s schumi, when we travelled for karting we always brought him up until he died of old age, but i still want him with me whenever i race.” y/n said, nervous that the heartfelt explanation would be deemed uncool by one of the coolest racers she had ever seen.

“oh that’s surprisingly cute, i bet schumi was a big hit in the paddock back in the day.”

“he sure was, he’s how i charmed max into not hating me after i took him out once,” y/n chuckled thinking back to the race where max stormed up to her with angry tears in his eyes until y/n practically threw schumi at him. in just five seconds, max had calmed down and schumi was happily purring in the young dutchman’s lap.

“that sounds like max. but speaking of the other young whippersnappers in the paddock, how is our lando treating you? i bet zak and that can’t keep up with you two…” daniel asked, slumping to the floor, taking one of her drinks from the mini fridge.

“oh. i am getting used to him, we’ll put it that way?”

“he’s not being rude is he?”

“no! well. he insists on calling me rookie and keeps making comments about me crashing into him and made fun of me taking notes in briefing but i’m sure that such the british banter.”

“you’re british?”

“well. um. yeah, you got me there.”

daniel grabbed her hands, forcing y/n to look him in the eyes rather than her very interesting shoes.

“i know lando is like some media darling, but so are you. don’t let him push you around, he may have been in this team a while but you’re just as good as him if not better. you’re here to prove yourself, not to play second fiddle, okay?”

it was the first time someone had actually tried to talk to her properly since getting to the paddock. again, tears climbed to her eyes, but this time she let one creep out. daniel wiped it away.

“we made the mistake of isolating max when he was young and new, we won’t make the same mistake - we can’t have two of you running rampant around here,” y/n let out a wet laugh which daniel returned, “just come to renault if you need anything from me. max will be there for you, you know, and seb, kimi, fernando and all the old men will listen to you. don’t rot in your drivers room or hotel suite and think you’re not wanted here.”

y/n nodded, feeling some butterflies in her stomach. she was actually here - a formula one driver. a seven-time race winner wants her here, world champions want her here. a private-school fuckboy wasn’t going to ruin her first ever race weeekend.

“thank you daniel.”

“i have to dash, but i’m serious, we’re here for you. and i would be honoured to kick that little shit’s ass for you, okay?”

the australian left in just as loud fashion as he came, but in the remaining silence, y/n finally felt some peace. this was her chance, and she wasn’t going to mess it up.

present.

y/n couldn’t let that happen to kimi. the young italian was just so unbelievably earnest in his letter that y/n couldn’t bear the thought of his kindness being taken advantage of. george russell had never been outwardly callous but with his attack on max late last season and his complete radio silence with y/n since her crash made her suspicious.

as she prepared to ask max for kimi’s number, sara (who did actually still have a job) sent her a link.

sara: zak brown believes mclaren has the strongest pairing on the grid with no more childish recklessness like in the early 2020s

sara: do you want us to put out a statement or ignore as usual?

y/n clicked on the link, even though she knew it would just annoy her to the point that her phone might become closely acquainted with the thames.

as the formula one world gears up for the 2025 season, zak brown has already stated his confidence for mclaren this season. the papaya team will be coming into the 2025 season as reigning constructors champions and lando norris and oscar piastri will be aiming to add the world drivers championship to that as well.

when zak brown sat down with us earlier this week, the mclaren ceo did not beat around the bush, stating that mclaren have the strongest pairing on the grid. with red bull promoting liam lawson in a test and, mercedes putting unproven kimi antonelli next to george russell and ferrari gambling with charles leclerc and lewis hamilton, brown might just be right.

in their journey to constructors champions, brown recognised that as a team they had straightened out all of their ‘growing pains’. this is exemplified in oscar piastri completing all laps in the 2024 season.

like they usually do, y/n y/ln’s particularly rabid twitter fans will probably detect some ‘shade’ towards the former driver. brown did touch on the prior mclaren drivers during his reign as ceo, saying that the team had some childish recklessness, but now they have a team that all know their place.

y/n y/ln hasn’t spoken about anything formula one related since her retirement, even forgoing the opportunity to congratulate the team that took the chance on her for winning the championship - something brown did not mince his words on off camera. brown lamented about y/ln’s silence, labelling her a brat and ungrateful for not still thanking him for allowing a woman to compete in formula one.

will mclaren make it back-to-back constructors championships? and will they sweep both championships this season?

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she needed that loud-mouthed american’s head on a silver platter. the letter had almost sucked her back into the world of formula one, only for the man who discarded her like a broken toy when his car had malfunctioned and smashed her and her career into a concrete wall to call her an ungrateful brat.

fuck him. fuck mclaren. and fuck that dumbass reporter for giving him the time of day.

y/n didn’t throw her phone from her balcony but pulled up her texts with max.

texts between y/n y/ln (bold) and max verstappen (italic)

have you read this absolute hogwash

zak brown believes mclaren has the strongest pairing on the grid with no more childish recklessness like in the early 2020s

i 100% get why you wanted to put him in a wall last season

you watched last season?

shut up not the time

did you text me just to call your old tyrannical boss a fraud?

i was going to ask for kimi’s number but now i’m back at square one

noooooooo

i want to be there for him, the way no one was for us.

but this is the bs they write about me when i haven’t been seen or heard from in three years, imagine the shite they come up with when i’m the paddock every weekend

WHEN?

no no no

i’ll give you kimi’s number

contact: kimi antonelli (mercedes)

you decide what you want to do

as much as i would kill to have you around the paddock again… even in the vicinity of george

i want you to do what you are comfortable with

thanks max

i’m not giving you a yes but i’m definitely thinking about it

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fin.

note: omg that's part one??????? i had this idea and have been planning and adding to it for a couple days. no spoilers but there will be multiple love interests, backstabbing and all that lovely stuff - i just love the drama !!! (yes i will finish guilty as sin at some point as well). i hope you enjoy the prose as well - first time writing that way on here lol ?! let me know if you liked it, who you'd like to see her with and what you'd like to see happen!

#f1 imagine #f1 x reader #f1 instagram au #f1 x you #f1 #f1 social media au #f1 fanfic #f1 fic #other side of the moon #astonmartinii

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novafire-is-thinking · 5 months ago

Text

Medic, Maverick, Maniac, Murderer: Understanding Pharma

First thing’s first: I love Pharma, dearly.

In all the time I’ve spent evaluating his character, I’ve mainly focused on what can be worked out about who he is as an individual: his core sense of self, psychological drives, subjective worldview, etc.

When all else is stripped away, who is Pharma?

This treatise is the product of obsessing over Pharma, analyzing canon (and extras), and reading as many different perspectives on his character from fans across the fandom as I could find. The post is long, so for those of you who balk at the thought of reading a shortfic’s worth of Pharma thoughts, feel free to read the TL;DR (Conclusion) at the end and then decide if the full read is worth your time. Also, a premium reading experience is available in the form of the original Google Doc version.

As you read, keep in mind that this is primarily a mix of psychoanalysis, evidence-based examination, and speculation—not moral, ethical, or sociological commentary. The goal is to examine Pharma’s psychological drives and core values, and each of his appearances in the context of those. All other types of evaluation are up to readers.

Now, take your victim blaming-allergy meds (just in case); remove your black-and-white thinking caps; and leave your personal morality lenses at the door.

Psychological Drives & Core Values

Why does Pharma act the way he does? What gives him a reason to keep living? What are his personal priorities?

At the beginning of the Delphi arc, First Aid establishes Pharma as a “control freak” and someone who “thinks he’s an expert on everything.”

Now, First Aid has a habit of complaining about his bosses, but on both points, there’s canon evidence to back them both.

Expertise and Intellect

Throughout the Delphi and Luna 1 arcs, it’s established that Pharma is a skilled and brilliant doctor.

He once performed a 4-way fuel pump transplant, donating his own fuel pump in the process. (see above panel)

Later, he invented a soundbomb that left an echo laced with a virus and invented an antidote to that virus:

And on Luna 1, he was on the edge of finding a cure for Cybercrosis, based on the fact that Swerve was able to formulate a cure from his notes.

More than being a doctor, Pharma lives for intellectual and scientific achievement as a physician scientist. He feels most alive when he’s able to solve complex medical problems, and when his achievements are recognized by those whose opinion he considers important.

This is Pharma’s 'why.'

And even though he’s arrogant and enjoys praise, it’s not his primary motivation. He doesn’t need it in order to set his mind to whatever he’s interested in, although he’ll seek it from those he values most (i.e. Ratchet).

Pharma sees himself as less of a doctor, and more as a scientific innovator or medical maverick. The practice of medicine is primarily a catalyst for his creativity and intellect; it’s not an end in and of itself like it is for someone like Ratchet or First Aid.

First Aid’s observation of Pharma can be better phrased as, “[Pharma] thinks he’s an expert on everything medical”—because he’s not so driven by achievement and admiration that he’ll grovel at the feet of strangers and get good at something he doesn’t personally find interesting. The only time we see him express a desire for praise is when he’s around Ratchet—someone he holds in high regard for both personal and professional reasons. This makes sense since Ratchet is one of the only people who can give Pharma any kind of competition within what he considers to be his area of expertise.

“Each day we go to our work in the hope of discovering—in the hope that some one, no matter who, may find a solution of one of the pending great problems—and each succeeding day we return to our task with renewed ardor; and even if we are unsuccessful, our work has not been in vain, for in these strivings, in these efforts, we have found hours of untold pleasure, and we have directed our energies to the benefit of mankind.” —Nikola Tesla

Ego

Without question, Pharma has an inflated ego, but having an inflated sense of self doesn’t automatically mean a person is a full-blown narcissist or that they are totally uncaring.

Every personality trait exists on a spectrum. Yes, Pharma is arrogant, but the presence of arrogance doesn’t automatically and completely cancel out all “positive” traits. (For fun, check out studies on Dark Tetrad and Light Triad personality traits.)

People are complex. Arrogance can coexist with genuine kindness, ruthlessness can coexist with deep compassion, etc.

Whether Pharma exhibits genuine kindness is up to each reader’s interpretation of what little canon material exists, but the point is: Pharma’s arrogance doesn’t automatically rule out the possibility of authentic “positive” traits.

Controlling Tendencies

Pharma is comfortable pulling the power card and using it to dump what he sees as uninteresting parts of medical practice on those below him:

“So Fisitron’s writing about the Wreckers’ elbows now, is he?” said Delphi’s Chief Medical Officer. “Come on, First Aid - get to it. You’ve got a Fader in Row 2 downstairs.” He squeezed the air with his finger and thumb. “He’s about this far from shutdown.” —from Bullets by James Roberts

However, there’s nothing in canon indicating he’s power-hungry in a megalomaniacal sense. He’s not Starscream or Megatron; he doesn’t seek political or social power. In fact, he seems perfectly happy hiding away in a lab or medibay by himself so he can direct all his energy toward solving issues and achieving the so-called ‘impossible’ within the field of medicine:

The ways in which Pharma exercises power and control are through his expertise, and his administrative/management skills. That’s it.

Self-confidence

Pharma’s arrogance and controlling tendencies don’t seem to be a mask—like he’s trying to compensate for some sense of lack (in those areas). Yes, he fears failure, and yes, he displays some insecurity when Ratchet questions his competence. But at every other point and in every other way, Pharma is unapologetically self-confident. He’s fully self-assured of his intellectual prowess and problem-solving capabilities; he knows what he knows, and he also knows what he doesn’t know.

Pharma’s arrogance and desire for control don’t stem from a hidden lack of confidence or a hunger for power on its own. They stem from the fact that he genuinely sees himself as the best person for the work he does. He trusts himself above anyone else to solve problems that come his way—medical or otherwise (within limits).

Elitism vs. Superiority

I’ve always read Pharma as having an elitist attitude, but not in the social stratification sense:

elitist (adj.) relating to or supporting the view that a society or system should be led by an elite.

There’s no evidence that Pharma believes an elite class of people should hold the most power. Instead, Pharma’s “elitism” is actually an individualistic sense of superiority. It’s centered on him alone, and is tied to his capabilities as a physician scientist and surgeon.

Pharma sees himself as the best of the best and makes sure everyone knows it—sometimes through his words, but mostly by his conduct in the field of medicine. This, paired with Pharma’s natural temperament, doesn’t exactly make him socially popular—inside or outside of medicine:

One could argue that the “personality” Lockdown is referring to was a result of all Pharma had suffered at Delphi and Luna 1, but just as easily, one could argue he was always a bit difficult to get along with, and that his traumatic experiences merely magnified his already-present psychological patterns. Personally, I like the latter interpretation because it’s a flaw that makes Pharma a more interesting character no matter his mental state.

Everyone reacts differently to real and perceived social rejection. Some are so concerned about it that they’ll try anything to belong; others genuinely don’t care, and they continue as usual; and still others cope by shifting their mindset and developing a sense of pride in being an outsider.

There’s no evidence for this in canon, but I believe it’s within reasonable characterization boundaries to headcanon Pharma as being in the second or third category.

With either of those two mindsets, a sense of superiority can develop, or even be an inciting factor. Either someone sees themselves as genuinely superior to the majority and doesn’t mind when this alienates them from people, or they convince themselves they’re superior because the pain of accepting they were rejected for who they are is too much to handle.

Whatever the case, the point is, having an “elitist” attitude isn’t necessarily rooted in a sociological or ideological belief. Sometimes, individuals just see something in themselves that—to them—justifies a sense of personal superiority. A quick glance at Pharma’s canon appearances makes it clear he holds such a view of himself, at least to some degree.

Morality and Compassion

When Pharma first shows up in canon, he’s working at the New Institute. A lot of questionable things took place there on a regular basis—things Pharma would have been aware of, to some degree. However, his presence at the Institute doesn’t automatically mean he agreed with everything happening. Depending on how strongly someone feels about something, some people are content to disagree in silence. Not everyone who seeks employment considers it a priority that the establishment they work for aligns perfectly with their moral values. After all, there are other reasons to take a job: financial benefits, exclusive educational and career opportunities, pure convenience, etc.

I’m not here to say either way whether Pharma’s willingness to turn a blind eye to the events at the New Institute was wrong or right; that’s up to each reader to decide for themselves. However, Pharma’s choice to remain employed at the Institute for some time can say something about him as a character: his priority as a doctor and person is not to take care of everyone he encounters, or to act as some kind of moral or ethical authority.

This isn’t to say Pharma won’t ever stand up for something he regards as right or push back against something he sees as wrong, “off screen.” It’s just that everything in canon points more to a tendency to choose his battles instead of acting immediately on any moral sense the way someone like Optimus or Ratchet might.

This also isn’t to say Pharma doesn’t care about saving lives, but from what little is shown of him before Delphi, it’s hard to say how much he cared. Ratchet confirms later that Pharma was an excellent doctor for most of his life, but all that tells us is he was an excellent doctor; it says nothing about his internal attitude toward his work or patients.

However, inferences can be made based on doctors in our own world:

Being a doctor—especially one in trauma care—is far from easy. It takes a lot out of a person, and there are very few people who last in the profession for a long time. Most medical professionals fall into one of the following categories:

People possessing a strong will that’s coupled with an unwavering passion for taking care of others (the public’s favorite)

People who naturally have, or develop, an ability to switch their empathy off and on at will, or build walls around it—also possessing a strong will (the ideal)

People who naturally have a limited capacity for empathy (the one the public hates to acknowledge)

People with a strong social and professional support system (the necessary, but underutilized and underappreciated factor)

Of course, even if a person has one or more of the above, burnout can and does still happen, but individuals who have at least one have the best chances of surviving and thriving amidst the demands of the majority of medical professions.

As far as is shown in canon, Pharma never had a strong support system—either circumstantially or by choice—so something else was keeping him in medicine.

Pharma shows concern for both Tumbler (Chromedome) and Hubcap:

But even though he obviously cared enough to step in, neither instance makes a strong case for a capacity for empathy beyond the “average” or “norm.” Performing a job well is a lot different from being personally invested in the work.

Based on everything up to this point, and this later comment from Pharma, about Ratchet…

…Pharma has probably never shared the same I-care-about-everything-and-everyone view of the world. Instead, it’s more likely that Pharma holds a more rational view of his work and patients.

One of the first things learned in medicine, especially in trauma medicine, is that you can’t help or save everyone, and to hold yourself to that standard can destroy you quickly if you have a certain temperament or lack healthy boundaries for your empathy.

“There are times when it may seem as though I view sick or injured people not as living, breathing humans with feelings and emotions and people who love them, but simply as cases, as problems to be solved. And that is absolutely true. It's not that I don't have empathy, but the hard fact is that as a doctor, and especially as a trauma surgeon, too much empathy can get in the way of your job and cause you to make decisions based not on sound medical judgment but on your own emotions. Sure, I've seen things that even years later can still make me choke up when I think of them: a little girl shot and killed, a shattered young Marine who shouldn't have died but did. But you can't choke up in the ER or the operating room. To be effective as a trauma surgeon, you have to put a layer of Kevlar around your heart.” —Dr. Peter Rhee, Trauma Red: The Making of a Surgeon in War and in America’s Cities*

Pharma may have learned this difficult truth earlier than Ratchet and developed a practical way of managing his empathy that comes across as “cold.” He may have always had an ability to put up walls around his spark. Or, he may have always had little to no capacity for empathy.

The fact that the morality lock on Tyrest’s portal prevented Pharma from passing through proves he felt guilty for what he’d done, and JRO confirmed this. Therefore, it’s safe to assume Pharma had some level of empathy for his former patients, suffering moral injury when he felt he had no other option but to start killing them.

Still, looking at Pharma’s psychological drives and his behavior throughout canon, it’s clear compassionate care and morality are subordinate to his other values and interests.

*I highly recommend this book, and learning about Dr. Rhee in general. He’s a huge inspiration of mine, and one of my main sources of inspiration when writing Pharma. Level-headed and capable, strong-willed, selectively empathetic, an excellent scientist, etc. He lives for the thrill of practicing medicine both on the floor and as an expert in his field who pushes trauma medicine to new heights through his research. He also takes great pride in his hands. Seriously—the man spent an entire paragraph and a half talking about his “good hands” and how they were one of two reasons he decided to go into trauma surgery. The other reason was that he “liked action and excitement, liked the feeling of being able to walk into a tough situation and take control.” (Sounds familiar…)

Delphi

First thing’s first: we don’t know how much Pharma did or didn’t know about the DJD before agreeing to take the Delphi assignment.

That far into the war, he would have known something about the DJD and their ways of terrorizing traitors and Autobots, but for whatever reason, he took the assignment anyway. Perhaps Prowl assured him the situation on Messatine would be monitored and that the security team would be enough. Perhaps he underestimated the DJD’s capabilities, or scale of territory, and thought he would be able to handle things on his own. Perhaps Prowl gave him no choice. Maybe it was all of these and more.

Whatever the case, according to JRO, Pharma didn’t hate Delphi before the incident with the DJD.

Word of god remains a touchy subject in fandom, but in this case, it’s important because it says two things:

The DJD left the Delphi medical team alone for some time.

Being on the edges of DJD territory didn’t automatically mean isolation and harassment by their hand.

On the second point, First Aid was free to come and go from Messatine as he pleased, seeing as he attended a medical conference at Kimia five years into his assignment at Delphi:

Five years ago [mid-Delphi assignment], the leader of the Wreckers had cornered him at a medical conference at Kimia, the space station that doubled as a weapons research facility. —from Bullets

And five years after that, he was able to not only contact Springer without delay about one of Agent 113’s bullets he’d discovered in an Autobot badge…

He raced upstairs to his computer terminal and typed in a certain frequency code for the second time in his life. A face appeared on the screen and grinned. “It’s me,” said First Aid. “And you're never gonna guess what I’ve got for you..!”

…but he was also able to meet up with Springer to hand off the bullet:

“Your friend has a funny way of making contact,” First Aid had said when he’d got in touch three days earlier, and he was right.

It’s not known if this handoff happened on or off world, but either way, the DJD didn’t interfere.

At some point, Tarn set his sights on Pharma and the Delphi team. Knowing the DJD, one can only imagine what Tarn used to show off his team’s capabilities and convince Pharma the best option was to cooperate.

In striking a deal with Tarn to keep the DJD away from Delphi, Pharma established his territory and ensured his continued security and the safety of his staff. As long as Tarn got his T-cogs, Pharma could continue on in relative peace. He could work his magic on bots that ended up at Delphi, carry out his management duties, and work on whatever projects or research he may have been conducting in his free time.

For whatever reason, after he first came into contact with Tarn, Pharma didn’t call for help. Communications were still operational, as Pharma wouldn’t have suggested contacting High Command about the Duobots if the team was aware of any comm malfunctions:

Also, First Aid later confirms that communications were fine until the Big Bang (soundbomb detonation):

It’s always possible the DJD was monitoring the radio waves, but secure subspace frequencies exist, such as the Datalog Network First Aid used to send the datalog containing the death statistics:

Speaking of which, assuming First Aid sent the datalog with the statistics right when things started to get ‘weird,’ and before the Big Bang shut down comms, it only took—at most—a few days for them to reach Ratchet and Swerve on the Lost Light:

But back to Pharma not calling for help: for all of Prowl’s intel, contingency planning, and fretting over the security of Autobot territories, I find it hard to believe he would have stuck an Autobot medical team on the fringes of DJD territory without giving them some means of securely contacting the outside in case of issues.

But even if Prowl didn’t give Pharma a secure way to contact him or anyone else, and even if Pharma was convinced the DJD was monitoring regular communications, there were other ways he could have reached out for help. After all, the team wasn’t alone on Messatine. Like Pharma said, Prowl continued to send bots to defend the nucleon mines:

The Autobots had been mining nucleon for millions of years at this point, so I doubt the mined nucleon was just sitting in storage on Messatine; shipments of the stuff would have been sent off-world to wherever the Autobots needed it. Why not send a message for Prowl with someone leaving with one of those shipments? A message meant only to be sent over a call when absolutely certain they were out of range of the DJD’s potential monitoring.

Or, why not order in off-world medical supplies and send a message back with the delivery bot(s)?

There are two possible answers to this. One takes into account JRO’s word on the subject; the other is more intricate and speculative on my part, but it leads to the same place. So whatever your stance is on the validity of word of god, there’s an answer for you.

Answer one (word of god)

Simple as that. Pharma was aware of the scope of the DJD’s capabilities and relentlessness, and determined he was trapped prey.

Answer two (no word of god)

There are a few possible reasons Pharma didn’t call for help right away:

He was convinced all his other options would take too long and/or would still lead to him being put under suspicion. After all, being found to have harvested even a single T-cog from an already-dead patient for the DJD could have raised concerns that would lead to Pharma being investigated and/or having a mark put on his record.

He underestimated the severity of Tarn’s addiction, and was certain he could keep up with the T-cog demand without resorting to other means of harvesting, not realizing Tarn’s quota would increase later on.

He was already paranoid as a result of whatever mind games Tarn had set in motion at their first meeting, making Pharma think escape was futile.

Word of god or no word of god, there are clear reasons as to why Pharma ended up trapped. Most likely, it was a mix of all of the above.

Whatever was going on in Pharma’s mind before, he ended up in deeper trouble. Tarn increased his demand for T-cogs, and Pharma couldn’t keep up. By the time this happened, even if he had wanted to call for help, it was too late to do so without implicating himself. He reasoned his only option was to start killing patients to harvest their T-cogs.

Soon, Pharma was so consumed with fretting over whether he’d be able to meet Tarn’s next demand that he didn’t have time or freedom to do anything else except worry and feel guilty. His whole life revolved around Tarn’s addiction; he was no longer in control, and could no longer enjoy whatever it was about Delphi he’d previously enjoyed. Perhaps the facility itself enabled Pharma to research cures and perform scientific miracles of medicine.

Being at the mercy of Tarn—convinced the DJD would find him no matter what—would have been pure psychological torture on its own, but also knowing that any small chance he did have of getting help would end in him losing everything would have added to his suffering. Pharma became desperate to reclaim control over his life and began planning an escape.

Now, JRO has said that Pharma didn’t originally plan to use the rust plague on the DJD…but canon says otherwise:

Of course, Pharma could have been lying to make himself look better in Ratchet’s view, but based on everything he’d been through up to this point with Tarn, it’s more likely he was telling the truth and had tried to eliminate the source of his suffering first. After all, wiping out the DJD would have been the simpler, cleaner option.

When the Duobots refused to detonate the soundbomb near the DJD, Pharma’s objectives shifted. He had to get Delphi shut down in a way that would:

Convince the DJD the shutdown was legitimate.

Pharma knew chances of escaping the DJD at all were slim to none, but he was desperate. Getting Delphi shut down would cut off Tarn’s supply of T-cogs and allow Pharma to escape Tarn’s immediate control, but the shutdown had to be “legitimate” to prevent Tarn from retaliating and hunting him down later. Leaving Tarn even the slightest chance of regaining control was too risky, so Pharma had to make sure his plan was as airtight as possible.

Cover up the patient murders.

If the truth got out about Pharma killing patients, he’d lose his medical license and most likely be put away for life. Being cut off from the practice of medicine and his intellectually stimulating work as a doctor would mean losing more than a job and a reputation. It would mean losing everything in which he’d anchored his sense of identity and life’s meaning. His refusal to consider any other options wasn’t just about ego and preserving his image as an excellent doctor; it was about preserving any kind of meaningful future he saw for himself.

Pharma needed a plan that would fulfill all of the above. Turning the engineered virus on the medical facility was the most effective and efficient solution. Anything else would have made him suspicious in the view of either Autobot High Command or the DJD, and neither of those would have ended well for him.

Because of his goal to preserve his reputation and future in medicine, he couldn’t even risk revealing anything to First Aid or Ambulon, who would have seen to his ruin. They became nothing more than loose ends that had to be tied up, and based on the fact that Pharma only prepared one vial of the vaccine, his original plan involved him being the only survivor:

He probably would have had no problem making more of the vaccine for anyone else who survived, but he wasn’t counting on it. He wanted a totally clean slate; in letting his staff die with most of his patients, he would be getting rid of any and all evidence and reminders of his failures. He may have cared about First Aid and Ambulon before things got bad, but somewhere along the way, he decided either it wasn’t worth it to go through the trouble of finding a way to save them without raising suspicion, or he didn’t want to risk them putting together the pieces later on.

Of course, when Ratchet showed up, plans changed.

Ratchet

Ratchet is not the kind of person who seeks first to understand or be understanding. He’s inclined to trust what’s in front of him over anything abstract, and tends to look at the results of someone’s actions over trying to find any kind of ‘why’ behind them. Also, unlike Pharma, he operates from a strong moral sense, and reacts quickly and strongly when something or someone goes against that internal moral sense.

Ratchet’s reaction to finding out what Pharma did may seem hasty and harsh, but it makes perfect sense on a human level. There is no such thing as unconditional love; everyone has personal and moral lines (boundaries), and they’re different for each individual. When the most rigid of lines is crossed, that’s it; walls go up and the offender is cut off, no matter how strong the relationship may have been.

Ratchet obviously knew Pharma well enough to think he could try talking some sense into him, but then Pharma revealed that he’d crossed one of Ratchet’s lines: murdering patients. Any willingness Ratchet may have had to try to understand vanished. By the time Pharma started trying to provide a ‘why’ for his actions, Ratchet’s moral judgment had already shut down any chance of understanding what could have possibly led Pharma to kill patients. It didn’t help that Pharma seemed totally unapologetic and outright proud of his plan. For Ratchet, the ‘why’ didn’t matter anymore. What he saw was what he trusted, and what he saw was a friend who’d become his idea of a monster.

Now, Ratchet and Pharma’s relationship is one of the most confusing IDW relationships I’ve had the pleasure and pain of dissecting.

It is notoriously difficult to determine the depth and strength of a relationship from the outside. However, I’ve decided to go ahead and address it anyway because it has the potential to provide insight into Pharma as an individual.

If I were to sum up Pharma and Ratchet’s relationship in a single word, I would use “ambivalent.” The first time I read MTMTE, the thing that stood out to me most about their relationship was the drastic differences between how they each perceived the relationship.

In one sense, there’s the idea of Pharma basically being Ratchet’s crazy stalker ex, which is tossed around in fandom a lot. While I personally dislike seeing it regardless of context (yes, even as a joke), I do see how JRO’s writing choices set things up in a way that makes it easy to superimpose that trope.

In another sense, there’s the idea that Pharma and Ratchet were always close friends, and that what happened at the end of the Delphi story was a betrayal of both sides that came out of nowhere and whose consequences were taken too far.

I disagree with both. Personally, what I see at the end of the Delphi story isn’t an obsessed ex gone mad, a sudden betrayal, or a badly executed backstabbing. What I see is a breakdown of an already-complicated and poorly-maintained relationship: true feelings being revealed, long-repressed bitterness being forced to the surface, carefully-hidden cracks being split wide open.

Most people don’t have an accurate understanding of how much or how little they truly know the people in their lives, often overestimating how well they know a person until something surfaces and blindsides them.

According to JRO, Ratchet was oblivious to Pharma’s romantic interest, and throughout canon, it’s easy to see Pharma was more invested in the relationship than Ratchet ever was.

The question is, did Ratchet ever care about Pharma at all? And if so, to what degree?

Yes, Ratchet calls Pharma “buddy” and “friend,” but the former was sarcastic, and the latter means something different to each person. Also, in light of the circumstances, Ratchet could have just been saying “friend” in response to Pharma saying it—an emotional appeal more than anything.

However, Pharma must have been aware of Ratchet’s lack of relational investment because during the confrontation at Delphi, Pharma’s first reaction wasn’t to appeal to their friendship (ex: “But you know me!”). Instead, he appealed to their shared profession:

Then there’s the exchange of insults:

This is what I meant earlier by “true feelings being revealed.” Ratchet may have just been trying to match Pharma’s insult, but it’s unlikely it was merely reciprocal because while Ratchet is snarky at times, he’s sincere in that snark. There’s almost always some truth in his verbal jabs no matter how unserious they seem, and he’s never cruel for cruelty’s sake.

So, if Pharma saw Ratchet as an inferior doctor, and Ratchet saw Pharma as an inferior Autobot…it’s reasonable to assume there was always some deep-rooted competition and conflict preventing them from being super close.

Possible suspicion surrounding Pharma’s conduct as an Autobot paired with a tendency to misjudge the nuances of relationships could explain why Ratchet was so quick to decide Pharma was a lost cause. Maybe Pharma’s actions at Delphi confirmed something from the past that Ratchet had brushed off for whatever reason.

In any case, Ratchet seems to have been largely unaffected by the Pharma he found at Delphi. While leaving Messatine, he emphasizes that he’ll miss Pharma’s talent.

Not “who he used to be.”

Not “what we used to have.”

Just…“his talent.”

Later, on Luna 1, Pharma mentions that he and Ratchet were inseparable, but that could mean a few different things:

Best case scenario: Pharma and Ratchet sought each other out on equal terms.

Worst case scenario: Pharma followed Ratchet around.

Somewhere in the middle: the job forced Pharma and Ratchet to work in close proximity most of the time, and while Pharma intentionally ran into Ratchet more often than necessary, Ratchet also sought out Pharma every now and then.

Whatever the case, working with someone every day doesn’t tell you anything about who they are as a person, and the amount of time spent with someone doesn’t automatically correlate to how deep the relationship is or how well the people know each other. It’s not like either Pharma or Ratchet are shown to be good at expressing their personal feelings outside of extreme circumstances.

Ratchet does bring up late-night conversations of the past:

But while this indicates there was something deeper between him and Pharma, because neither of them were ever shown to be super open with their true feelings, it’s unlikely the conversations were full of touchy-feely talk. In all likelihood, the conversations were mostly medicine and war-related, with the rare spark-to-spark talk sprinkled in. Also, considering everything up to this point, one has to wonder if those talks ever meant anything to Ratchet, or if he was just digging for something that might stall Pharma’s torture.

Maybe those late-night conversations did mean something to Ratchet, but whatever the case, Pharma didn’t take the bait. He knew Ratchet was trying to stall by making an emotional appeal, and perhaps he was convinced the conversations hadn’t meant that much to Ratchet.

Looking at all of this, it’s hard to believe Ratchet ever cared about Pharma as more than an interesting work friend. But even if he had cared more than he let on, it wasn’t enough to overcome the doubts he had about Pharma’s character.

As for whether Pharma truly cared about Ratchet, I’m convinced he did, but in a mostly unhealthy way, and with a strong undercurrent of one-sided rivalry. At some point, Ratchet had been an equal and a source of challenge, and he probably listened to Pharma pretty often. It’s reasonable to assume Ratchet was one of the only people—if not the only person—able to handle Pharma’s intense temperament and challenge him in a meaningful way, providing some semblance of friendship for Pharma.

However, one last thing that stands out is that, when telling Ratchet why he’s torturing him, Pharma didn’t say anything like, “Because you hurt me” or “Because you turned against me—your friend.” Instead, he said it was for “ruining things at Delphi” and because “you declared war on my body.”

Either Pharma wasn’t being entirely honest, or Ratchet’s friendship didn’t mean as much in the first place as he’d previously implied. It’s possible the ‘Because you hurt me’ was implied in “for ruining things back at Delphi,” but why not say it outright? Perhaps it was a fear of vulnerability and admitting there was ever a relational need at all.

At the end of the day, it’s difficult to say for certain how close Pharma and Ratchet were, but it’s clear they were never on the same page and there were always barriers between them.

Luna 1

Revisiting the matter of Pharma’s morality taking a backseat to other priorities, his time on Luna 1 further underscores this. Again, Pharma chooses his battles and is unwilling to put himself at great risk for the sake of others, but a closer look at the situation with Tyrest reveals there wasn’t really anything he could have done for the Cold Construct population even if he had wanted to. It would have been him against Tyrest, an army of Legislators, and a bunch of Decepticons. Pharma knew his limits, and seeing as his goal was self-preservation, it was perfectly rational for him to go along with Tyrest’s grand scheme.

Besides, it doesn’t look like he was given much of a choice:

Although, knowing Pharma, he still would have demanded to know beforehand what he would get in return for the pain, and evidently, Tyrest held up his end of the deal since Pharma had access to the Luna 1 tech collection.

As for Tyrest’s plan to wipe out the Cold Construct population, there’s nothing indicating Pharma’s decision to turn a blind eye to it was rooted in malevolence or bigotry—just rational apathy: ‘I can’t stop Tyrest, so why concern myself with the outcome?’

Again, you can’t save everyone; Pharma had all he could do to save himself.

But it wasn’t all horrible. I would even go so far as to say Pharma found some happiness on Luna 1. Tyrest didn’t care about him, but he didn’t need Tyrest to care. Everyone else there hated him, but he didn’t need to feel like he belonged or was admired. At this point, Pharma’s only interest was Tyrest’s Luna 1 tech collection, and that meant playing nice so he could keep his reward. Back at Delphi, he probably assumed he’d never again practice medicine the way he’d loved; being brought to Luna 1 was an unexpected, yet welcome, second chance.

Even so, Pharma had his moments of cruelty. Back at Delphi, he had easily-identifiable reasons to kill patients—both the ones whose T-cogs he harvested and the 20 more he tried to kill when he shot the life support machine. But on Luna 1, he had no reason to be cruel, yet he chose to be. By this point, he’d mastered the ability to almost completely ignore or subdue his conscience.

In the case of Ratchet’s torment, one could argue Pharma only drew it out for retaliation purposes; it was personal for him.

As for cutting Ambulon in half, it was obviously meant to be as gruesome as possible, yet also quick. But personally, I don’t think it was about Ambulon; it was more about hurting Ratchet. Due to the fact that Ratchet’s identity is wrapped up in his compassion and his ability to be helpful as a doctor, one of the most effective acts of revenge would be to do something that makes him feel utterly helpless.

Also I wonder if, subconsciously or consciously, Pharma was attempting to recreate the sense of helplessness he felt back at Delphi under Tarn’s watch: “Do you see, Ratchet? Do you now understand how it feels to have control ripped out of your hands? To be totally helpless?”

Next, for some reason, Pharma was invested in the promised execution of Getaway and Skids:

He had no personal connection to either of them that would give him a reason to be interested, so maybe Tyrest told him he could perform the execution and/or have the corpses for medical experimentation. Either way, Pharma would have had a chance to use some of the tech in Tyrest’s tech collection, possibly explaining his excitement.

Of course, any chance of an execution disappeared when the final showdown went wrong.

When Pharma tried to escape to Cyberutopia and discovered he couldn’t pass through the spacebridge forcefield, he gave up. He’d been caught; he would no longer have access to Tyrest’s tech collection; Ratchet and every other self-righteous Autobot would never forgive him; and the morality lock prevented him from escaping. By all appearances, he would never again be able to engage in that which gave him a sense of meaning. He had shrunken his world down to his obsessive interest in a specialized field and one significant, yet unrequited relationship. With both of these lost, his world collapsed.

Yes, guilt played a part in Pharma’s despondency, but because he seems to have been in denial of said guilt, it’s more likely his despair was primarily due to the fact that he saw no future for himself. He had nothing left to live for.

In light of this, Pharma’s flippant comments to First Aid make sense. He wasn’t being insensitive as much as he was goading First Aid. Pharma’s not stupid. First Aid had a massive rotary cannon on him, and Pharma knew exactly which emotional buttons to push to get him to pull the trigger.

Pharma wanted to die.

Adaptus

First, let me emphasize that Adaptus did not take possession of Pharma’s body. Instead, Pharma was the unwelcome guest:

How Pharma ended up in Adaptus’ new body is a mystery, but whatever the case, Pharma didn’t pass on to the Allspark. Whether or not he had a choice can only be speculated.

First Aid had blasted Pharma’s head clean off, so whatever happened must have been related to the spark. Perhaps some residual spark energy was trapped in a body part that Adaptus repurposed, leaving Pharma tethered to the new body unwillingly.

Still, Pharma managed to assert his will and override Adaptus for a brief moment. Considering Adaptus was basically a god, this is impressive.

Based on Adaptus’ surprise at being interrupted, it seems he didn’t know Pharma was there. Why Pharma hadn’t tried to assert himself sooner is a mystery. Maybe Adaptus’ scheme was entertaining; maybe Pharma actually liked the company; or maybe he’d been waiting for an opportunity to get revenge on Tyrest for everything done to him back at Luna 1.

Sure enough, just like with Ratchet back on Luna 1, Pharma’s vengeful streak came out as soon as there was an opportunity.

Unfortunately for him, this left him vulnerable, and Tyrest took advantage of the confusion:

Conclusion

When someone reduces their world to narrow personal interests and one or a few very special people, their grip tightens around what little they have. They often become obsessive and possessive of the few things that make them feel alive, and their view of the world becomes increasingly more subjective and detached from the outside world. Pharma seems to have fallen into this trap.

Even so, in the context of the circumstances, several of the decisions he made were rational—even if coldly so. Oftentimes, “extreme” rationality and self-preservation are villainized in fiction, and characters like Pharma who don’t automatically put themselves at great risk for anyone and everyone are villainized, or at least looked down on. Their choices are often regarded as less human, but rationality and self-preservation are just as human as compassion and self-sacrifice.

Ultimately, Pharma was trapped and pushed over the edge into “insanity” by Tarn’s cruelty, but his own choices made from a place of pride determined how he fell, and how far he fell. It was a perfect storm of Tarn’s mind games and Pharma’s intellectual arrogance, excessive self-confidence, obsessive nature, and stubborn grip on the kind of future he wanted for himself.

Pharma is yet another Icarus who flew too close to the sun and paid dearly for it, and while JRO/the narrative could have given this Icarus better wings, that doesn’t change the fact that he chose to fly so high.

***

Many thanks to anyone who made it to the end of this monster of a post.

-tosses a Rodimus Star at you-

#look who finally finished this thing #idw transformers #idw1 #maccadam #MTMTE #lost light #idw pharma #pharma #tf idw character analysis #tf idw meta #dr. fancy hands #nova’s nerding out again

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pshenyasstuff · 1 year ago

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Headcanons for relationships with Billy Kid

This is my purely subjective opinion, you may disagree with me. I don't have enough content on this guy (i obsessed with him), so I decided to make it myself.

He's definitely the type of guy who is always ready to support his girlfriend like some kind of cheerleader like "THIS IS MY GIRLFRIEND!! TEAR THEM ALL UP, BEAUTY!"

Expect a lot of talk about his favorite show, he will show you absolutely every poster and figurine, tell you how he acquired it and the like

And of course he will call himself your Starlight Knight

His gifts are often like this.. random. You never expect what he can give. One time it's some kind of cute trinket, and the next time it's a weapon 😨 (of course so that his beloved can stand up for herself)

But he doesn't really mind if you're a pacifist or just don't want to hurt someone. He is always happy to protect you, while of course showing off in all sorts of ways. "Babe, are you watching? I did a great job on them, didn't I??"

He's as clingy as possible, I'm serious. He loves hugging so much that hugging at every meeting with him will be something ordinary for you. It's just one of his ways of expressing sympathy

I'm 100% sure he's styling his hair. Or they are always like that. In any case, they are as soft as possible.

I'm not sure if he feels the touch. Let's assume that he feels it quite a bit

Despite this, he always tries to count the power to touch you

Oh yes, he definitely likes to carry his beloved on his arms, back and shoulders. He especially likes to walk around the city like this or run away from enemies with you, because he is an cyborg, much faster than your human legs, just let him treat you like his lady :D

The poor guy is sometimes so upset because he doesn't have lips. I mean, how can he then give his beloved more love?? In any case, he finds a way out of the situation and just rests his faceplate on the place where he wants to kiss you. Too cute

He definitely giggles stupidly when you initiate all this romantic stuff. Did you kiss him yourself? I swear, he lifts one leg like a girl and can't stop giggling in love

His nicknames are so sweet to you, sometimes banal, but it's cute. (Lady, sweetheart, princess, love of my life, beloved)

Each of your mornings together will begin with his speech. He will absolutely always wake up earlier, if he is sleeping at all, of course. Let's say it goes into sleep mode for a set time. "Yo, yo, yo, wake up, sleepyhead!"

Cooking? No, and again no, bro does not know how to cook, he buys you ready-made food, because he does not need it himself

He always likes to make you laugh, he is infinitely glad to see you happy :)

He definitely likes the idea of paired things. Even the bracelet you gave him will always be worn (until he loses it)

You rarely quarrel, I think, but if it happens, he always apologizes first

Don't give him a plant or a pet, they'll just die 😭

He likes to sing for you, even if it's not quite perfect and the ears of others wither from his singing

He will immediately ask to exchange numbers or social networks. What for? To send you his photos and silly messages if you are not around, of course. He definitely uses a lot of emojis

He likes to arrange a movie night with you. Of course, you'll be watching mostly his favorite show. He watches it so often that at one point he will just say lines along with the characters

He likes to lie on your lap at such moments or just hold hands, because it's romantic in his understanding

Thanks for reading <3

#zenless zone zero #billy kid #billy kid x reader #he so babygirl #i love him so much #malewife #billy kid x you

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literaryvein-reblogs · 5 months ago

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How to Improve your Writing

Rick Riordan's Writing Tips

Rick Riordan:

Taste is subjective, and opinions differ about what "good writing" looks like. Most of us have read a bestseller or two and wondered, "How did this thing get published?" Nevertheless, I would argue that most work does not get published unless it demonstrates a certain level of technical competence. The grammar is correct. The prose is readable. I would further argue that most manuscripts are rejected because the writing is not technically competent. The manuscript never stands a chance because the writer simply doesn't know the craft of writing well enough. If you write well, you have already set yourself apart from 99% of what agents and editors see every day. Below are some notes on what I call "sentence level competence" — the ability to craft prose at the most basic level. These tips reflect the most common problems I've observed in unpublished manuscripts.

Sentence-Level Competence

Sentence focus — the subjects of all clauses should be appropriate to the content of the sentence.

Favor the concrete over the abstract, the antecedent over the pronoun.

Example: It was a sunny day. (the subject "it" is boring and vague.)

Better: The sky was brilliant blue. (Here the subject is sky, which is what the sentence was supposed to be about.)

If you are writing a sentence about a guy named Fred, the subject in the sentence should be (surprise!) Fred.

Exercise

Go through a page of prose and underline your own subjects.

How many are abstract?

How many of your sentences are truly focused?

Modifiers

Be sure the modifier refers to the right thing.

The modifier should refer to the closest noun.

Confusing modifiers will trip up the reader, consciously or subconsciously.

By the same token, pronouns should have clear antecedents.

Always place the modifier as close to the subject as possible.

Example: Can you help other writers who are writing books like me? (I got this question recently. I understand what the person is saying, but 'like me' follows the word 'books' so he is implying, without meaning to, that there are people producing books that look like him.)

Better: Can you help other writers like me who are writing books?

Exercise

Color-code a page of your manuscript, making each phrase and clause a different color.

Match up dependent clauses and phrases with their modifiers.

Avoid getting your modifier too far away from the thing being modified.

Deft Description

Choose your details carefully.

A description should be vivid, but surgically precise.

The detail must be given for a reason, and have a logical connection to the plot or advancement of character.

Avoid long "grocery lists" of details.

For a paragraph-length description, offer a uniting theme — an extended metaphor — to give the details cohesion.

Example: He was six feet tall, three hundred pounds, with brown hair, small brown eyes, a big nose and big fists. He wore jeans and a muscle shirt. He looked angry. (this is way too much description for the reader to keep track of, and it is offered as a random list)

Better: He looked like a rhino, ready to charge. (then you can pick a few details that reinforce the image of a rhino)

Exercise

Go through a chapter and delete all adjectives and adverbs.

Read through, then add some back in sparingly.

You may find you can do with less than before.

Parallelism

Clauses or phrases that are part of a list should be similar in structure.

Unparallel constructions are awkward and difficult to read, even if the reader can't put her finger on the exact problem.

Example: He likes dogs, hiking in the woods and reads books a lot. (Dogs is a single noun, hiking in the woods is a participial phrase, reads books a lot is a simple predicate. These are all totally different things. Make them the same, and the sentence will flow much better.)

Better: He likes walking his dog, hiking in the woods, and reading lots of books.

Exercise

Try constructing your descriptions in parallel units — absolutes, infinitives, adjectives.

Source ⚜ Writing Notes & References

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olderthannetfic · 2 months ago

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Actually, sorry, nevermind with the pro ship stuff ! Did my research and I'm more informed abt it :) you dont need to post either of the asks I sent abt it (and I'm lowkey scared if coming across as a close minded purist prude whose disillusioned about being by one.)..either way ty!

*giggling*

The reality is that any new, viral thing from thirty seconds ago spreads easily on TikTok, most especially misinformation. Instagram is another pretty terrible platform just in terms of algorithms and how it's run. I wouldn't expect the prevailing understanding of such-and-such from within one bubble on either to necessarily be well informed.

The concept of "antis" under that name is pretty new, and the concept of "proshippers" is even newer. It has always meant "not antis". Some people have started mutating it to be about specific dark content, but it was always supposed to be about opposing censorship-happy idiots.

I don't find incestuous ships any freakier than other common fantasies people have. Same with adult/minor ships. You're seeing them in a distinct category because they upset you in particular. The feelings are fine, but they don't actually mean that these kinks are darker than all the other ones antis go after.

I know you think someone will be able to interpret "proshippers DNI" as "only the actually bad people should stay away", but that simply isn't what's going to happen. First, DNIs are moronic. Curating your online space means that you need to be the one blocking and avoiding. You can't ask random strangers, possibly your enemies, to do it for you. Second, people are going to have all kinds of opinions on which content is Bad Enough to count even assuming they share a similar definition of 'proshipper'.

This kind of "Well, we all know what the Bad Stuff is" attitude tends to have a chilling effect on a space. People are all paranoid that their kinks might count and self-censor far beyond what the person who said it expected.

Honestly, aside from the constant misuse of the terms, my assumption is that public proshippers on Instagram and TikTok are mostly into extreme things because anyone less extreme wouldn't have the balls to be public. The amount of death and rape threats from antis wouldn't be worth it.

As for my "rules", I don't have any. This is my personal tumblr, but since I leave anon on, people send me lots of things. I post most of them, but I get so many now, that I'll sometimes cut off a topic that has dragged on boringly. I usually don't post the threats I get unless they're funny and I want to mock them.

Re teens in fandom, I got into fandom at 13 on Usenet and set about reading all of the freakiest porn available. I read far worse stuff outside of fandom. I was curious, as many people that age are. It never did me any harm, and it won't do any harm to current 13-year-olds to read dark shit.

The people who get fucked up already have a lack of decent mentors in their offline life, are reading things as self harm, are actually being harmed by the social side of fandom where they've found some creep for horny roleplay, are the subject of a public hate campaign, etc. That sucks, but it's not something I can control or that will get better if we exclude them from fandom.

Teens would be better protected by their parents removing TikTok from their phones than by anything to do with fandom. Its short form makes it ideal for poorly fact-checked soundbites that sound good on the surface but discourage critical thinking or nuanced engagement with a topic. Youtube et al. are also cesspits, but TikTok has elevated predatory algorithms and viral misinformation to a whole new level.

Now back to rewatching miniminuteman. Hahaha.

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the-rebel-archivist · 3 months ago

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Finally finished Veilguard a few days ago and took some time to process and put my thoughts in order. In brief: 8/10 game as a whole, a really fantastic gaming experience, but 5 or even 4/10 as a dragon age game since it does no meaningful exploration of any nuance or moral complexity and seems to have forgotten what made Thedas distinct. My thoughts, critical and positive, coming from a place of love for the series with little to no spoilers:

Thedas has always been special to me because it was a nuanced world. Different groups had different opinions based on their pasts. City elves and the dalish had divergent histories. Injustice against magic was common, but you could understand the justification for it even when you didn’t agree. Now, the worldbuilding is flattened. A mageocracy is fine, it’s only bad apples. Slavery is never addressed. City and dalish elves are basically the same but one lives in the forest. There’s no conflict about what’s best from each individuals’ perception, all groups are monoliths.

“Elves won’t follow the gods just because they’re elves,” yes they would, in past lore. Perhaps not all but some would - these are their Creators. The game refuses to deal with religious belief in any meaningful way, to the point that I don't know if its impact is fully understood. Dalish religion is as much about cultural preservation as religion and it would be CRUSHING to lose that connection to the past when it had been all you could cling to for thousands of years.

And no, seeking out relics of Arlathan would not make up for the foundation of your society shattering and what that would mean to the dalish. Bellara being guilty that her gods are evil is not the takeaway I expected when I thought the dalish would explore that everything they believed was a lie. I'd also like to briefly comment on how an elf can comment that they weren’t raised dalish but adopted their tattoos. Their closed practice tattoos. Closed even to city elves unless they fully joined a clan. Removing cultural boundaries didn’t make the material less 'problematic', it just created a new blind spot.

“They’d never sanitize the Crows” I said before release. Assassins who walked the line between murderer and hero depending on perspective. But in this game they give you absolute truth: they’re freedom fighters. Responsible government who, the mob is benevolent and that is never subverted. They see themselves as the 'good guys' and so they are.

“They wouldn’t put powerful mages in charge of the shadow dragons” I said. “Surely they will explore the nuance of Neve having the privilege of magic in a mageocracy even when she comes from a lower class beyond ‘everyone is welcome in the shadow dragons’.” “Surely if Maevaris is connected her intersectionality as a magister and altus and trans woman will come up - not what Tevinter expects, helping with change, but still privileged and upper class. Surely low class non mages and slaves would be leading the Shadow Dragons, not the powerful being benevolent.”

But no. All factions in the game are black and white, good and evil, no moral complexity. The bad people want power and collect bad people who want power and only bad people do bad things. The antagonists I liked most were the ones with a motivation beyond simply power and they were few.

And that’s setting aside the fact that all of the mystery and fantasy was removed from the setting by the end. The things that mattered before, the religious conflicts, the approaches to history? All false or meaningless now that we know absolute truth. Everything that set Dragon Age apart from generic fantasy was flattened. All of the lore for the world that I had spent hours, days, years in and creating fanfic for became simple groups of good and bad, subjectivity replaced by objective truth. It’s not a world I want to unravel and explore anymore.

That hurts more than the slap in the face that was every cameo and past reference. If they wanted a soft reboot, why include them at all? Every time I saw or heard about a past character or event I felt hurt and angry and it actively harmed my experience of the game. When the choices are pared down to only do something "meaningful" with them and then that meaningful thing is a codex that had been so disdained in dev comments? I do feel pretty let down. Especially when that codex isn’t even personalized.

They never use Rook or the inquisitor’s first name in text once. Vocal I get, but no codex? The Inquisitor, a person depersonalized into a symbol, signing off “Yrs. The Inquisitor” when we input their name in CC was a twist of the knife I didn’t expect. It’s like every time I lower my expectations to grant grace they need to be lowered yet again.

Similarly, the romances in the “most romantic game yet” are paper thin throughout the game depending on your choice, with few chances to truly connect on an emotional level and have deep conversations in some routes. It’s not all about kissing but having the chance to say how you feel, or try to.

But that’s part of a larger problem, that this is a “found family” but Rook is the outsider in it. Rook isn’t asked how they’re handling things or about who they are or what they want except by Solas. The team needs them to fix problems but has little interest in giving back. The companions are lovely, but I can’t help wishing they were friends with me and not just each other. Or wanted to romance me and not just each other, as they begin to flirt before I can and have more banter comments than the player romance. At least if no one got me I know Davrin got me.

These last comments are the reason it’s 8/10 as a game rather than 10/10 for me - the lore I care about but others won’t. The lack of connection is a genuine issue, along with how unbalanced it is depending on romance. I just feel sad at the lost potential to reflect and gain support from companions.

On a positive note, this is the most fun Dragon Age game I’ve ever played. The gameplay is top notch and combat is so fluid and fun. I felt excited to fight rather than dreading the next battle. Really getting into the roleplay of a slippery rogue

The environments are so gorgeous. Lighting, animation, level design, sound design, all spectacular. I’m bad with maps and yet I never got lost and always managed to find my way around. Secret passages to treasure were just the right length to be satisfying. The puzzles were exactly the right amount of investment for the reward. I never felt frustrated by them but also not disappointed by the simple ones, there was a good balance. I had a lot of fun uncovering them. So many areas looked like a perfect representation of thedosian places I had never been to and wanted to visit.

Every time I was in the necropolis it felt like coming home. Maybe it’s because the lore was the most similar to past lore, maybe it’s just because it was cool, but I loved being there. I loved the wisps most of all. And I loved Emmrich’s journey and sympathetic exploration of death. The Hossberg Wetlands were also a standout area. Absolutely horrible (complimentary). Evka and Antoine my beloveds and the environment storytelling was fantastic. Like a hideous combination of the Fallow Mire and Chateau d’Onterre and I was so there for it. Davrin’s story broke my last flight loving heart.

The set pieces and narrative flow in the major battles and main story missions is really wonderful. I also did enjoy the faction reactivity, even if there were few chances to explore the intersectionality of being a particular lineage with a particular faction. I’ll make our House proud Viago!

It’s such a fun game that when I play I can almost forget all of the things that I dislike until a codex or cameo punches me in the face. It has such great gameplay that I can finally discuss DA with my partner who refused to play the other games in the series. But what a monkey’s paw. I know from their previous work that they can foster nuance. From the art book that their instincts were there from the beginning. But somewhere after multiple reboots they made a world with contradiction and complexity removed, more reactive to fan discourse than to telling a complex narrative.

It kills me because if the nuance and subjectivity and moral complexity had been there, I would have considered this the best Dragon Age game ever made. It will always be the most fun. But it is legitimately more fun for people who don’t know lore than people who do, and that is soul-crushing. It's the most beautiful Thedas has ever been, and the least like Thedas it has ever felt.

I’ve played it once. I already started a replay. I enjoy the game a lot when I am playing it, overall. But I miss Thedas, and I miss that the “world worth saving” that I cared for is a slate wiped clean and this new world is a more simplistic place.

#datv critical #bioware critical

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rubikswriter · 2 months ago

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Heavy is the crown - a Caitlyn Kiramman character analysis.

(Tumblr really messed the formatting up on this, and it’s like 15k so there’s no way I’m editing it again - check my Twitter RubiksGaming12 to read it in it’s correctly formatted form)

I’ll preface this by saying that I have no prior knowledge of LoL lore, but I’m a big fan of angsty, nuanced characters, and that’s why I want to talk about Caitlyn Kiramman.

I’m sure this has all been talked to death in the fandom, but from my brief time in it, I can see a lot of varying - although mostly negative - views on Caitlyn. Especially in season 2. Caitlyn, however, is a character who has swiftly made her way onto my favourites list and I feel the overwhelming need to wax poetically about her.

I love a character that’s been consumed by darkness in some way and attempts to find their way back; from Darth Vader, to Xena, to Villanelle. I love all the shades of grey these characters bring; that not every act of good is seen in absolute glowing white and every negative in pure darkness. To me this teetering on the line in between is what makes for such rich characters to experience, explore, and devour.

I’ll start by saying that one of my favourite things about Arcane is how it doesn’t hold your hand the entire time. It’s not always direct, slammed in your face, explanation. It asks you to pay attention; to look, and listen, and think. It wants you to make the connections, to see the use of lighting, of revisiting environments, of the connection to the music/score. It wants you to question.

Would we all have liked more episodes? Hell yes. However, I think the show does a wonderful job with Cait’s character arc within time/ep restraints it had.

With that said, if you hold negative views on Caitlyn, my thoughts on this definitely won’t interest you in the slightest. You’ll keep your opinion, and I’ll keep mine. Art is subjective after all. But if you want to share thoughts and opinions and discuss openly, then please do. I love hearing and delving into all theories.

So with that said, let’s break my thoughts down —

Caitlyn is a Kiramman; a member of an influential house in Piltover. Her family's reputation precedes them, especially with her mother on the council. I think it’s safe to say that with such a privileged upbringing, when we meet Caitlyn in Season 1, it’s obvious that she has been sheltered from the depth and reality of the systemic divide between Piltover and Zaun, and just how oppressed the Zaunites really are.

But there’s more to Caitlyn than her just being another mere, blindly accepting member of the Piltover elite. In fact the show hints that it's a direct result of her elite heritage, that Caitlyn grows into such an ambitious, confident, woman who has an unwavering, determined, drive to prove herself on her own merits rather than just on the coattails of her family name.

We see her kindness shown in her friendship with Jayce, a man older than her and sponsored by her parents, a person considered below her on the social ladder, and yet he’s her one true friend. She’s interested in his ideas, has concern and fondness for him. It presents Caitlyn as someone who goes against the grain of what’s expected of her, her curiosity of wanting to know and understand more than just the high society she’s part of is evident. It’s something that we see that sets her apart from the majority of her peers who are content with their lives and have no desire to question it.

I believe it’s her ambitious drive and her natural, kind curiosity that sets up the basis for her arc in Season 1.

We see her commitment to her marksmanship in the flashback, she’s damn good at the skill she’s worked hard to hone, and yet we see Cait questioning her own merit when Grayson appears to let her win. Her first thought is ‘did my parents pay you to let me win?’ which is such a sombre reality. Has this happened before? It appears that even from a young age the weight of the name Kiramman is something that’s been weighing Cait down. A burden of expectation and equally a privileged advantage, even when it’s perhaps not deserved or wanted.

When Grayson says she let Cait win not because her parents paid her, but because she thought Cait deserved it, it validates Caitlyn in a way not many people do. Especially when Grayson is more skilled and less privileged than her. She tells Caitlyn that she doesn’t need to win, that protecting the people is the reward in itself. I think this interaction further unlocks and propels Caitlyn’s desire to earn respect rather than have it given to her because of her name.

So when Grayson asks her ‘what are you shooting for?’ I think Caitlyn is finally able to give herself the luxury and agency to decide to want more for herself than what is simply expected, and to go after that, no matter what people think. Her parents included.

That scene with Grayson, I felt, was vital in seeing, at least partly, why Caitlyn becomes an enforcer. It gives her a sense of purpose outside of the family ties. Something that’s just hers. Something she can achieve and be proud of, and something she can outwardly present amongst the community she lives in. She holds firm in her resolve and assurance that she’s made the right choice for herself even when her mother tries to keep her safe by limiting her work, and when her peers snigger mockingly at her that she should be at the cocktail party rather than guarding it.

After Jinx’s attack and her removal from the enforcers at her mother’s request, we see Caitlyn become even more solidified in her self belief. While she may be a little idealistic and naive to the wider workings of the world, Caitlyn proves she’s an intelligent, kind, empathetic person, and has a fire in her for seeking justice and protecting people. She genuinely seems to want to make a difference, and I think that’s why she fixates on the investigation of corruption in Piltover and how deeply connected that is to Zaun and its underworld. It’s another chance to prove herself to those that don’t truly see her as more than the Kiramman name.

This is obviously driven further when she meets Vi and has her released to help facilitate her investigation. Having Vi be her guide through the Undercity allows Cait to have her eyes opened to a different perspective than her own, and challenges Topside’s preconceptions about bottom. It’s seeing through Vi’s eyes that enlightens Cait to Zaun’s true struggles and drives her desire to want to help and advocate for Zaun further. While realising at the same time that the Piltover Caitlyn thinks she knows is equally corrupt in parts (Marcus’ betrayal highlighting this).

It’s through Vi’s eyes, through her struggles, through their developing trust and connection that we the viewer can recognise that Caitlyn is meant to represent the moral compass of the show in S1 — She’s the one that gets us, the audience, to also question what Cait thinks she knows, versus the reality of what she’s now learnt (Silco, shimmer, Marcus, Jinx, Ekko and the firelights); that there is no good and bad, only shades of grey between the twin cities.

In understanding Caitlyn as the character we get introduced to in season 1, I think it’s really important to understand that it’s Caitlyn’s privilege that gives her the knowledge and position to try to drive a change forward. But it’s her character outside of her privilege; her kindness, her empathy, her risk taking and her willingness to challenge rules and ideals that makes her the right choice to help. Vi and Ekko aren’t trusting just any Piltie to help them, they’re trusting Caitlyn because of all that she exudes and stands for. It's unknown to Vi and Ekko at that time that Caitlyn is a Kiramman, or the weight that name holds. Caitlyn never divulges that about herself, instead she mentions Jayce, her friends being on the council. But we the audience know that it’s her family name that gives Caitlyn immediate access to her mother and the council where others - like Vi, Ekko, and the other Zaunites - would not have such a chance.

We see, through her relationship with Vi, that Caitlyn doesn’t use her privilege to overshadow Vi and the Zaunties' struggles. She moves the pieces into place because she has the entitlement to do so. She lets Violet be the mouthpiece for herself and the Undercity’s struggles when addressing the council, showing that she sees Vi and the Zaunites as equals.

When Caitlyn’s mother is introduced to us, we understand that she’s not a big fan of Caitlyn essentially lowering the family name by becoming an enforcer, and that she purposely interfered in Caitlyn’s work to protect her; moving her to stand guard at her tent, and having Cait dismissed from the enforcers after the initial Jinx attack. However, Cassandra Kiramman clearly loves her daughter and after hearing how passionate she is, listening to Caitlyn outline the failings of the council she sits on, she schedules the councillors for Cait and Vi to talk with.

‘You’re a councillor’s daughter, your actions reflect on the entire body,’

‘You know what else reflects on the council? Its citizens living on the streets, being poisoned, having to choose between a kingpin who wants to exploit them and a government that doesn’t give a shit.’

We can see in this exchange just how much Caitlyn has grown from episode 1-8, and I could talk so much more about her growing relationship with Vi in season 1, but I think we all can agree that Vi grounds Caitlyn. She shows Caitlyn a world she hadn’t ever truly seen or understood. Vi challenges her in ways Caitlyn has never been challenged before, and she sees Caitlyn as she is; as simply Cait. Something that nobody else does. The fact that Caitlyn is a Kiramman is an afterthought, something Vi only learns later on when Caitlyn insists she can help with Zaun’s plight.

Even when Caitlyn fails to achieve what they want from the council she remains determined to try again, but it’s Vi that walks away. It’s Vi that can only see how to do things one way and knows that she has to leave Caitlyn behind to do it. Vi, I feel, is essentially protecting Caitlyn from something she knows Caitlyn doesn’t fully understand and never can simply because of their separate birthrights. She will never really be able to understand that oppression, and Vi is too afraid/guilty to relinquish what little control she has left when it comes to Jinx.

Caitlyn acts in the council meeting according to the hierarchy she grew up in, something that Vi doesn’t have the luxury to indulge in. That’s why she walks away and goes to Jayce. Vi needs to take things into her own hands to try and save her sister and deal with Silco, she chooses the undercity way and leaves Caitlyn to mull over the topside approach. Vi’s own guilt gives her a heavy burden of responsibility that she can’t let go of.

We see after their separation that Caitlyn isn’t content with Topside’s action, or inaction, she’s frustrated with the lack of doing nothing but not doing enough. We see this when she’s in the shower thinking of Vi; her image represents what Caitlyn wants to fight for, what she can’t let go of now. A better life for them all. I truly believe that Caitlyn, with her dogged determination, would have tried again and again and again to help Vi with Jinx and Silco, and would have found a way to persuade the council to help the Undercity heal. It’s the first real indication we get that Vi has become one of Caitlyn’s biggest strengths, but will also become one of Caitlyn’s biggest weaknesses, as we see at the end of Season 1.

This all pieces together when Jinx foils Caitlyn’s plans to try and help and kidnaps her. Instead of Caitlyn working towards finding a balanced, diplomatic, solution that will benefit Piltover/Zaun and bridge the divide, we get Caitlyn receiving a nice dose of trauma; Jinx threatening her life and blowing up the council tower. Topped with the crushing burden of conflict and guilt; having the shot on Jinx but not being able to take it due to her loyalty and affection for Vi.

It’s this event and every moment that happens during it that shapes the foundation of Caitlyn’s arc for season 2.

——

We start season 2 with the consequences of the actions of season 1. Jinx is free and Caitlyn’s mother was killed along with some of the other councillors thanks to Jinx’s attack. This is already an intolerable pill for Caitlyn to swallow, knowing that not only did she have the shot on Jinx that could have prevented her mother’s death, but I’m sure Mel makes it known to her that she and the council were voting in favour of Zaun having independence.

As such Season 2 is rich with character development for Caitlyn, and I think the best way I can share my thoughts on it is to break it down into her development journey per act.

Alongside looking at the events/effects of each act on Caitlyn’s character I want to focus on the three faces Cait claims to haunt her in S2E1; her mother (whose memory is manipulated by Ambessa), Jinx, and Vi. I believe that individually these three characters are the driving force behind Caitlyn’s descent to darkness and also her light back to the good woman we know Caitlyn Kiramman is at her core.

Let’s start with Ambessa since I feel like her role is critical to Caitlyn’s moral downfall. However, in order to fully understand Caitlyn’s descent into darkness in season 2 I believe it’s vital to understand Ambessa, her motives, and her role in manipulating Caitlyn for her own gain.

So let’s jump back a second and look at Ambessa before we dissect season 2:

In season 1 Ambessa arrives in Piltover under the false pretense of visiting her estranged daughter Mel - who we all know is a wealthy and powerful

Councillor in the city - and confides in Mel about her brother, Kino’s death. It seems Ambessa feels responsible for her son's death, and that she’s certain those responsible for his death will continue to seek revenge upon the Medarda’s and Noxus.

This brings us to the real reason for Ambessa’s visit. Having grown aware of Piltover’s progress with Hextech, Ambessa sees the opportunity to create and use Hextech weaponry to protect her family and thwart any threat to her people. Essentially, Ambessa begins her game of manipulation early in season 1 by hoping to convince Mel to engage in war with the Undercity using the weaponised Hextech to squash the conflict. Ambessa sees these two cities and the tensions between them as a testing ground for Hextech weapons, and a chance to grab power, which luckily Mel sees through and prevents.

With Mel not being so easily manipulated, aware of her mother’s warmongering ways, Ambessa quickly changes strategies and attempts to manoeuvre Hextech’s creator, Jayce, into weaponizing the technology. While Jayce refuses at first, Vi tempts him further, and together they take Hextech weapons into the Undercity with the goal of attacking Silco’s shimmer factories, only for Jayce to end up accidentally killing a child working in one. This immediately stops Jayce and ruins Ambessa’s second attempt at manipulation to mass weaponise Hextech.

With promises of allowing Mel to return home to Noxus with her if Mel will simply allow the war between Piltover and Zaun to happen, Ambessa makes her final move of season 1. Luckily Mel stays true to herself, and right before Jinx blows up the council building, Mel sides with Jayce in offering Zaun independence, and encourages the other councillors to do the same.

It’s as we head into season 2, in the wake of Jinx’s attack on Piltover, that we see Ambessa use the chaos to reestablish her footing and create another angle of manipulation to work with.

She first tries to speak through Councilor Salo, which Mel catches immediately, knowing that her mother is determined to gain power. Mel agrees to invade the Undercity to capture Jinx but without Hextech weapons, once again stopping Ambessa’s push to put Hextech into weaponised action.

With Ambessa’s plot mapped, let’s move back to Season 2 and Caitlyn’s development:

Act 1:

Ep1 -

It’s important to note that even at this point in her grief Caitlyn is still fighting for the people of Zaun and trying to prevent a war; she stands by Jinx being solely responsible for the attack and doesn’t want Piltover to flood the Undercity with enforcers.

Because Ambessa failed to use Salo to get the councillors to invade Zaun with Hextech we see her next power play. She’s the one responsible for the memorial attack, she allows it to happen only to set herself up as the saviour with her Noxian troops. This act pushes her agenda forward, the next time the council meet they feel taken off guard, fearful and desperate to find a way to fight back and protect themselves. But before Ambessa can speak up, Caitlyn arrives with her strike team armed with Hextech weapons and does the task for her.

Caitlyn’s goal is obviously to minimise damage, which is a stark contrast to what Ambessa wants overall, however it’s the perfect way for Ambessa to test her goal. I believe it’s at this point that we witness Ambessa noticing Caitlyn for the first time and understanding her influence. Something Ambessa definitely notes for later on.

Next we have Caitlyn’s relationship with Vi to consider.

It complicates Caitlyn’s grief. What should be a simple anger becomes a layered torment. How do you openly and intensely hate the sister of someone you care about? How does Caitlyn move past understanding Vi’s care for Jinx and refusal to give up on her at the end of season 1? Especially when that reality caused Caitlyn to hold back, go against her gut instinct, not shoot, and ultimately allow Jinx to kill her mother and further divide Piltover and Zaun.

The scene with her dad expands this conflict. Her guilt and self blame are evident when she admits she had the shot on Jinx. We see it manifesting in her refusal to willingly accept the Kiramman key. From someone so confident and self assured in season 1, we quickly see Caitlyn displaced and unsure. She’s gone from knowing the safety of her place in the Piltover hierarchy chain, to suddenly having to step up and fill that role her mother held. It’s a big responsibility and one Caitlyn doesn’t feel deserving or sure of.

(Adding to this quickly that I love that it pans to Vi overhearing Caitlyn’s confessions, I think it perfectly foreshadows that Vi is going to have to witness someone else she loves descending down a path that’s a product of her actions. What a heavy cross to bear (maybe I’ll do a deep dive on Vi next)).

I also think it’s important that we talk about how Caitlyn is someone who keeps her emotions close to her chest, whereas Vi wears hers on her sleeve. Caitlyn’s grief is all over her face but it isn’t necessarily spoken aloud, she isn’t a blubbering mess. She only cries when she has the safety of Vi to be vulnerable with, and even then she only allows herself a brief moment. In true Caitlyn fashion, she then throws herself back into her way of dealing with her grief through action. I guess it makes sense that she feels inaction is what caused her pain, so of course going with the enforcers to find Jinx in the Undercity is a good idea.

What perhaps isn’t her best idea is asking Vi to put on an enforcer badge and join her. I think Caitlyn is super clouded by her own grief here to even consider whether this is a good idea or not, especially given what she knows about Vi’s past. However, I would say that I truly believe that Caitlyn believes she’s asking Vi to join her for the right reasons. We witnessed Cait try and dissuade the council to invade Zaun already, so to think that Caitlyn believes that Vi’s presence on the enforcers side would help bridge a divide between Piltover and Zaun isn’t out of the realm of possibility. It makes sense for Cait to think that showing unity against Jinx would send a good message to the people of both cities. It also acts to ease Caitlyn’s own fears about Vi’s feelings towards her and Jinx. Where does Vi’s allegiance lie now? Can Vi see that Jinx is too far gone now and trust Cait to make the right decision? It’s a risk but a reassurance I think Cait desperately needs from Vi to anchor herself.

Even though Vi initially rejects her offer to join the enforcers, after the memorial attack, when we see Caitlyn at her most unbalanced, Vi is there once again to provide comfort to Caitlyn at her most vulnerable. Vi understands what Caitlyn needs from her. I think at this point Vi is consumed by her own pain and guilt, and that while she clearly can’t mend Jinx’s heart, perhaps she can protect Cait’s. It’s why I believe Vi ultimately joins the strike team Caitlyn sets up. She feels a sense of responsibility to put things right too. It’s a tentative balance between the two of them; it’s the promise of action without overzealous violence hinged on an achievable goal of apprehending Jinx.

We see Caitlyn, for the most part, admirably hiding her pain, grief, and self blame for her mother’s death (as Mel tells Jayce) but we also see glimpses of her strong facade cracking with anger at Jinx.

Her anguish and guilt begin to manifest into hatred, and we see this evidently in Caitlyn’s visualisation of taking the shot at Jinx. This externalised hatred of Jinx is understandable in the wake of her mother’s death, and has left Caitlyn’s family with a gaping hole that she herself now has to quickly navigate to fill.

While Jinx isn’t part of the memorial attack it triggers a reaction in Caitlyn; her pain and anger breaking free and making her lash out. We see her in her grief going from defending Zaun; ‘there’s good people down there’ to ‘they’re animals’. While that thought doesn’t grow further yet (thanks to Vi’s grounding presence) it does seed and begin to take root inside Caitlyn, waiting to blossom later in the season.

Ep 2 & 3:

Episodes 2 & 3 take a closer look at Caitlyn’s invasion of the Undercity with her strike team. So I’m going to combine my thoughts for them.

We see at the end of episode 1 that Caitlyn discovers the creation of the ventilation system the Kiramman’s created to provide clean air to the Undercity. Now this next part seems to be where I witness a lot of hatred and negativity of Caitlyn’s character journey this season coming from.

While I completely agree that her use of the gas in the Undercity is a bold and controversial choice, I think there’s a misunderstanding of how Caitlyn was using the gas. I get the sense that people think she was just gassing the whole of the Undercity when in reality she states what she plans to do with the gas in her mission outline; locate Jinx, dismantle shimmer and neutralise any agents still loyal to Silco.

Remember Vi is part of this strike team, I doubt she’s letting Caitlyn murderously gas her people. Instead, she’s probably guided Caitlyn into where the shimmer factories and the gangs are located. It’s these areas that the gas is being used. Does this justify her use of the gas? I’m not sure. I think it’s a moral grey area. Does violence of any kind, from any side, justify a violent retaliation? I think this is sadly a case of human nature. It shows the cycle of hatred, of violence being used to justify peace. It’s a tale as old as time; everybody is the bad guy in somebody else’s story. It’s a cycle that keeps repeating until somebody breaks it.

And that’s the theme the show wants to explore in season 2. Caitlyn’s actions are unsettling. Rightfully so. It’s a breakdown of what happens to people’s morals when they’re challenged by outside forces they can’t control. I think Arcane takes these issues and presents them cleverly throughout the show, and to write a character off as simply bad or good is a disservice to the depth they’ve been given.

The show forces the audience to step into each characters shoes and ask:

‘how far are you willing to go for the people you love?’

‘How far is too far?’

‘How do you know when you’re crossed that line and can you stop yourself going further?’

‘Can you come back from that?’

‘What can you do to break the cycle?’

We see these questions starting to get asked as we move into the tail end of Act 1.

The montage at the start of episode 3 is super heavy with explanations of what exactly the strike team does in Zaun. Sadly, I do think if you’re casually watching some of the depth of this montage is lost which I’m assuming is a time restraint/stylistic choice that had to be made for S2.

That said, let’s look at it carefully:

I feel like the bright colours are really menacing here, especially when you see Caitlyn and co fully suited up with the green gas behind them. It makes the image of the gangs running away look small and weak in comparison. When in reality we know these guys have helped Silco flood the lanes with Shimmer and are definitely part of the violence in the Undercity. It then flickers through scenes of the team fighting against the gangs, of them achieving their objective to dismantle shimmer and neutralise anyone still loyal to Silco. But it also makes a point to show Caitlyn apprehending these criminals in a non-lethal way; it seems she fires the same net-type bullets the enforcers fired at Vi and Powder way back in the opening episodes as they escaped from Jayce’s apartment. Most importantly it shows them holding Jinx’s wanted poster, inquiring for her whereabouts. This, we know, is the driving force behind all of Cait’s actions. A venture that is clearly proving fruitless so far. It’s clear that Jinx’s continued allusion only heightens Caitlyn’s grief and anger.

While searching the Undercity for Jinx, we see Caitlyn, Vi and the others looking for Jinx in the old arcade where Vi and Jinx played as children. The use of the gas and seeing Vi playing enforcer enrages Jinx and she taunts Caitlyn by switching on the moving targets and momentarily appearing behind one before disappearing once more. While Maddie confirms the place is all clear, Caitlyn appears to begin to hyperventilate, her frustration with not apprehending Jinx clearly agitating her and teetering her closer and closer to the edge of her grief and control. She shoots where she was certain she saw Jinx standing, showing her ability to follow through with her shot now, and once more it’s Vi that has to approach her and ground her, bringing Caitlyn back from the Jinx demon plaguing her.

I want to make a point of noting that Vi is involved in the entirety of the strike team invasion into Zaun. This doesn’t make the use of the gas a right, but it does draw a line under what even Vi thinks is acceptable for Silco’s goons to suffer in their quest to get Jinx. When Jinx confronts Vi about this later, Vi even says they were using the gas to minimise damage (note - Cait hasn’t lost all morals) - ‘We used the grey to clear the streets. To keep people safe.’

We see Jinx using one of the Chembarons’s minions to lure Caitlyn and Vi further down into the pipeworks. While questioning the guy, Caitlyn continues off the back of her agitation from ep2, her frustration at not having found Jinx already making her snappy and twitchy. When Caitlyn demands an answer on how Heenot got there, she looks far too trigger happy, and Vi immediately notices the unsettled shift in Caitlyn, moving to kneel in front of Heenot. This serves to put her in Cait’s eyeline in an attempt to ground her once more. Vi gets the answer Caitlyn was seeking without violence but instead of calming Caitlyn, the knowledge that Jinx is close by only seems to amplify Cait’s vehement determination for vengeance.

Vi can see Caitlyn is becoming increasingly consumed by her hatred and asks to speak to her for a moment and then— well, let’s go ahead and talk about the kiss. That first kiss…

I personally think that Vi’s voice actor Hailee Steinfeld and writer Amanda Overton give voice to my feelings on this far more coherently than I ever could:

‘The dialogue before [the kiss] says it all. Vi's in a place where she's lost everything. She's lost anything and everything she's ever felt seen by or close to," Steinfeld continued. "The only way she has any of it left is through Caitlyn, and she's now asking a lot of her, asking her not to change given what she's now going through. I think it unlocks a newfound vulnerability.’

While Amanda adds to this:

“To me, that kiss, because it comes so early in their arc, was always meant to be the right thing for the wrong reasons. You want to feel really good because they’re finally kissing, but the promise that Vi asks her in her desperation is an impossible ask. Caitlyn responds in a way where she wants this to be true, Vi wants this to be true. Both of them want this to be true, so kissing was their way of covering that up.”

I think the kiss acts as a balm to both of their insecurities and guilt about their roles in the losses they’ve faced and may face again. Do either of them believe the promise, I’m not convinced, but it’s an important moment for Caitlyn to feel reassured by Vi’s loyalty. It feels like Vi has her back as they now approach Jinx, and that if Caitlyn can make the shot, she has Vi’s blessing to do so. Vi is her strength and Caitlyn needs that before she comes face to face with Jinx once again.

The only problem with the kiss and the faux promise is that it’s fine in theory but not in practice. I think Vi was trying to convince herself she could let Jinx go for Cait’s sake, but once she sees her, especially with Isha, Vi can’t commit to it.

This is the driving wedge between her and Caitlyn, because that kiss promise they just made, well in Caitlyn’s eyes, Vi didn’t keep it. It feels like betrayal. Vi has prevented her from taking the shot against Jinx twice now.

This is the pivotal moment that ultimately leads to Caitlyn being unable to untangle Vi from Jinx in her mind. Her feelings are too clouded by her grief, and her anger finally shifts from Jinx to Vi. Vi, who in Cait’s eyes, let her down. It’s heartbreaking but in the next moment Vi pays the price for Caitlyn’s transferred anger by taking Caitlyn’s rifle to her gut. And just like that, Caitlyn breaks her promise too.

Has she really changed or is Caitlyn merely lost in her own self hatred, grief, insecurity and guilt? Whatever the answer is, without Vi, Caitlyn no longer has an anchor to stop herself spiralling completely. It leaves her vulnerable and open to manipulation as we see.

We see Ambessa growing impatient after Amara attacks her and reveals the Black Rose are aware that Ambessa isn’t relenting in their feud, instead she’s in Piltover looking for an advantage by gaining access to Hextech weapons. As a result Ambessa returns to manipulate Salo, wanting to use the councillor to once again to push her agenda and gain more control. But Salo is equally frustrated by his use in Ambessa’s plan. It’s during Ambessa’s exchange with Salo that Caitlyn comes up again.

We know Ambessa has taken note of Caitlyn when she stormed the council with her strike team idea and thwarted her attempt to use Salo to urge the council into a full invasion of Zaun, but in this next exchange with Salo we see Ambessa once again grasping exactly why Caitlyn could be the key to her power play.

‘It’s enough work propping you up without you dulling what few wits are left rattling around in there.’

‘If you propped as well as you prod, maybe I’d have better uses for my time than sitting around waiting for an update on Princess Kiramman’s underground escapades. She’s gotten no closer to Jinx. But that doesn’t seem to steal the stars from anyone’s eyes.’

‘Perhaps if you hadn’t let the child overpower you in your own chamber.’

‘It’s not the girl. It’s the name. It bewitches people.’

Ambessa, at this point, still intends to use Salo as her puppet by gathering the elite of Piltover, so she can essentially speak through Salo, and urge for further action to be taken against Zaun. However, the knowledge she’s gained about Caitlyn from Salo comes in very useful when Ambessa actually makes her play for power at the end of episode 3.

Mel even notes how clever and strategic Ambessa is when talking with Lest, ‘everything with my mother is a calculated risk’ showing that Ambessa will do whatever is necessary to achieve what she wants. This becomes even easier for Ambessa to do with Mel and Jayce out of the picture, leaving Piltover wide open to her manipulation.

Ambessa takes advantage of the Jinx/Zaunite attacks on Piltover and Amara’s disappearance (or shall I say, her own cover up) to create a new narrative. She starts by using Salo as her mouthpiece, here he lays the foundation that Ambessa is a trusted and worthy ally for Piltover. Whose experience Piltover should take advantage of. Ambessa continues this narrative, painting herself as a kind ally who was simply going to help Amara rebuild Piltover before the Zaunties attacked again.

Ambessa uses the continued and growing fear of the Piltover elite to encourage the conflict - ‘wrath must be met with wrath.’ - setting up the idea of martial law as a necessary move to protect the people and return Piltover to safety once more. We see Salo thinking he’s finally going to be rewarded for being Ambessa’s puppet, only for Ambessa to manoeuvre past him. She takes the knowledge he’s given her about Caitlyn Kiramman and the worth of her name and chooses her to command instead.

Ambessa knows of Caitlyn’s grief and her unwavering desire to bring Jinx to justice in vengeance for her mother’s death, and now Ambessa can take Caitlyn Kiramman and twist her focus to encompass more. Caitlyn Kiramman can be the pawn Ambessa uses to start the conflict between Piltover and Zaun. Caitlyn Kiramman will get the elite to listen. Caitlyn Kiramman will use Hextech weaponry to do so, and in doing so, Caitlyn Kiramman will give Ambessa the power she needs to confront the Black Rose.

At first Caitlyn is shocked by Ambessa’s decision to choose her for command but once Ambessa and the Noxian’s begin their chest salute, Caitlyn becomes overwhelmed with the pressure of the Kiramman name. She told her dad she didn’t feel worthy or ready, and here is Ambessa, someone the Piltover elite now trust, someone with experience, who is saying she believes Caitlyn is the right person to protect the people. It forces Caitlyn to step up and fill that hole her mother left; to represent Piltover as a Kiramman. Ambessa achieves this cleverly by taking advantage of Caitlyn at her lowest. Ambessa plays into the combination of Caitlyn’s own guilt, grief and self loathing and peer pressure, and buckles Caitlyn to her will, molding her into a Commander who will carry out unspeakable things to grasp power.

Let’s talk about the persuasion of the peer pressure - it’s peer pressure that comes not only from the Noxian army but also from Caitlyn’s own enforcers - Maddie being the one to chest salute from Piltover’s side first. It’s not surprising given we know she’s a spy - but before this knowledge is gained Maddie is seen as a good hearted, kind enforcer wanting to do the right thing. Without Vi there to question and anchor Caitlyn, Maddie is a familiar and reassuring face Cait can turn to. So when Maddie joins the Noxians supporting Caitlyn for commander, so too does everybody else. Now it’s Piltover looking at Caitlyn to make this right.

What do you do when someone you think you trust encourages you to step up? When everyone who relies on the Kiramman name wants to believe in you? It feels like a task Caitlyn cannot fail in… not like she failed her mother.

Ambessa, seeing Caitlyn beginning to cave to the responsibility, uses the rawness of Caitlyn’s grief to manipulate her again, just as Caitlyn might possibly be starting to question it all. Before the doubts can fully form in her head, Ambessa is there, oinking her poison into Caitlyn’s ear - ‘your mother will have justice. I swear it’.

There’s that question for Caitlyn and the audience again - how far are you willing to go for those you love?

It’s Ambessa’s manipulation at its finest, a final, powerful shove in the direction Ambessa wants, and Caitlyn, in her broken state, falls for it.

It’s these events of the entirety of Act 1 that I believe sways Cait into taking the position of commander. By giving Caitlyn the power of command over the enforcers and her Noxian army, Ambessa enables Caitlyn to descend into an even darker spiral of moral ambiguity.

Act 2 -

Ep 4 -

In the opening montage we see Caitlyn’s martial law in effect. Under her visage, the enforcers and Noxians flood the Undercity, hunting Jinx, and arresting those they see as a threat. We can all agree here that Caitlyn’s morals have tumbled; she allows a (necessary - Cait’s opinion, not mine) increased amount of violence in order to maintain control, and this is obviously met with resistance from the Zaunties. It’s the cycle of violence churning, and Caitlyn, under Ambessa’s guidance allows it to happen fuelled by her hyper-fixation on capturing Jinx.

I’d like to point out that the use of the Jinx wanted posters throughout this episode is huge. For Caitlyn and Piltover, Jinx is justification for what they’re doing. And for Zaun, Jinx becomes the one thing they can all start to unite behind despite their differences; in the most ironic turn around, Jinx becomes a symbol of hope and rebellion for Zaun against their oppressors.

Despite Caitlyn being in command of the martial law taking place, I think the scene with Maddie highlights that she hasn’t disowned her morals entirely, they haven’t changed, they’ve just become clouded by her grief and Ambessa’s manipulating encouragement. We get a hint of this as it appears that Caitlyn isn’t sleeping well, the tensions between the two cities clearly playing heavily on her mind. We see further hints of this when Caitlyn confesses to Maddie that she didn’t think the invasion would go on so long.

‘I never expected this to go on so long. I thought… I don’t know what I thought. Just… it wasn’t this.’- this shows that Caitlyn didn’t know what exactly she was taking on when she took command. How could she? Before any of this happened she was an enforcer with restricted responsibility thanks to the protection of her mother, and now she’s not only in charge of her house and its legacy, but she’s taken control of Piltover’s safety. It’s a big burden to bear and it’s clear the direction she’s taken has left her uncertain about her choices.

Maddie in return seems to act as both the angel and devil on Cait’s shoulders, in one breath she’s endorsing the Noxian’s increasing violence by reassuring Cait that it’s for Piltover’s safety, and the next she’s telling Caitlyn she could withdraw from the Undercity. Without Vi there now to ground Caitlyn in the harsh realities of her choices, Maddie’s angel/devil act further serves as part of Ambessa’s manipulation, isolating Caitlyn in Ambessa’s ideals alone, and keeps Caitlyn spiraling even when her morals begin to creep back in and make her conviction wobble slightly.

When Maddie teasingly calls Caitlyn ‘Ambessa’ it snaps Caitlyn out of her disillusionment, and keeps her focused on her unfulfilled goal of getting Jinx, citing that Ambessa’s methods do work. She’s delivering what she promised Piltover and Caitlyn she would deliver, and all Caitlyn has to do is stay on the path Ambessa has set out before her.

Maddie also uses this opportunity to try and make Caitlyn feel in control. While Caitlyn’s doubts about the marital law materialise, Maddie forces Caitlyn to look at herself in the mirror and reminds her that Caitlyn is the leader they follow. It catapults Caitlyn back to the weight of responsibility she feels in the wake of losing her mother. Piltover chose her because she’s a Kiramman and Caitlyn cannot let them down, she has a hole to fill. This pushes her to ignore any niggling doubts and press forward with her efforts to secure Jinx.

Another scene where we can see that Caitlyn isn’t completely lost in her darkness is during her exchange with Ambessa. Ambessa rightfully notes that Jinx’s return will further ignite Zaun’s resistance to the martial law, but that it also finally gives them a lead on Jinx. When Caitlyn doesn’t seem elated at the news, Ambessa questions why Caitlyn isn’t more encouraged.

It’s here that Caitlyn’s core morals and doubts of Ambessa begin to shine through again. Caitlyn questions why Ambessa has urged the Noxians to become more violent, and Ambessa is clear in her response; someone in Zaun knows where Jinx is and she will use whatever force is necessary to get the answer.

Caitlyn is relentless though, and her core morals once again challenge Ambessa’s approach - ‘arrests require cause’ - showing that Caitlyn is still trying to stay within a somewhat structured justice system. She might be ruthless and unyielding in her quest for Jinx but she’s not trying to be unnecessarily cruel.

Ambessa is always one step ahead though and we see her try to pacify Caitlyn’s doubts by reminding her of her duty to Piltover - ‘what greater cause is there than returning peace to this city?’

But Caitlyn isn’t entirely pacified by Ambessa’s remarks and we see her challenge her back with an important question; ‘why is peace always the justification for violence?’

This is a question not only for Ambessa and Caitlyn but also the audience. It asks the audience to think about this statement in regards to the whole show; to every character. How far is too far? When do you stop yourself from becoming something other than yourself in the name of protecting/saving those you love?

Ambessa responds by saying she understands how tiring vengeance can be, but she knows Caitlyn won’t be able to rest while she knows Jinx is out there. I believe this is one of the only honest moments Ambessa gives us. We know she too cannot rest while the Black Rose is out there threatening her family, it’s what drives her to achieve power and will keep driving her no matter the cost. But despite this brief moment of honesty, as per her character, Ambessa seizes the moment to manipulate Caitlyn again by questioning her conviction - ‘maybe I underestimated you. Maybe you have the strength I do not. To forgive and trust in tomorrow.’

By leaving the choice in Caitlyn’s hands Ambessa triggers Caitlyn to remember what her inaction caused her before; her mother’s death. It’s why we next see a guilt ridden Caitlyn at her mother’s statue and why, I believe, Cait can’t escape the darkness still clutching at her ankles yet. Having fallen victim to Ambessa manipulation once again we see her allowing the Noxian soldiers to carry out more violence and mass arresting of the Zaunties.

Last thought for episode 4 - Caitlyn’s face overlapping with Jinx’s wanted poster shows the monsters they’ve both become as a result of their traumas. Jinx is a product of her abandonment that festered (under Silco) into a chaotic resentment and anger towards Vi that fundamentally changed who she was/is. The same can be said for Caitlyn in Act 1-2. As a result of Jinx killing her mother, Caitlyn becomes a product of her trauma; her grief and guilt twist her empathy and understanding into that of unbridled anger (fuelled by Ambessa). Now Cait is left desperately seeking justice to soothe her wounds, and it causes her to commit horrible acts in her quest.

Even when Caitlyn does make attempts to remind herself of her true morals, she’s met with Jinx’s taunts, Vi’s betrayal (in her eyes) and Ambessa’s manipulation, just as Jinx always had Silco whispering in her ear.

It’s a cycle of anger and self destruction that Caitlyn and Jinx cannot break… not yet anyway.

Ep 5 -

We begin this episode with Caitlyn arriving at Stillwater in the wake of Warwick’s attack. She has to pass through the blood and bodies of her comrades and see first hand the destruction that’s taken place. While she and Ambessa question Singed over the attack, we see just how fractured Caitlyn’s mind is becoming the longer Jinx evades her. It seems here, that Caitlyn thought her dismantling of shimmer earlier on would slow/stop Zaun from producing chemically advanced weapons created from experiments. But the Warwick attack proves her wrong. Singed has created something far worse, and Caitlyn’s immediate response is to discover how it’s connected to Jinx.

It’s quite an ironic scene because Singed is almost mocking Caitlyn for being so single-minded. Zaun is more than just Jinx - something Caitlyn used to be able to comprehend before her grief - and he can see that Caitlyn is blinded to that, blaming her impatience and youth.

We also get to see here how Caitlyn has made use of Stillwater for those that she’s arrested during the period of martial law - ‘there are cells buried deep within this prison so devoid of light and fresh air and all basic human considerations that up till now, I have forbidden their use.’

Has Caitlyn wrongly arrested Zaunties? I have no doubt that she has. But has she tried not to go so far into the darkness that she forgets all her morals and becomes a complete monster? I think so. She remembers the torment and suffering Vi suffered in Stillwater (even when they’re apart Vi is the grounding force that tries to creep in and pull Caitlyn back from the worst of herself). I don’t think Caitlyn is cruel by nature. She does have a good heart. It's just buried so deep beneath her guilt and grief that she’s committed acts she never thought she would, and she can’t seem to stop committing them while she feels Jinx is still a threat to Piltover.

The last we see of Caitlyn in that scene she threatens Signed with spending the rest of his days in Stillwater. A promise she will keep if he doesn’t cooperate to help them destroy the beast.

When we next see Singed however, he’s with Ambessa. Ambessa who has quickly and strategically concluded that if Hextech is unreachable due to Jayce’s absence, the beast that Signed has created is the next best weapon she could have in her arsenal. Warwick might in fact be more powerful. Here Ambessa cuts a deal with Singed; his loyalty and the beast for her cause, in exchange for his freedom and allowance to keep experimenting. It’s clearly not something Ambessa informs Caitlyn of, who I’m assuming she keeps in the dark. Ambessa allows Caitlyn to keep believing that Singed is only being freed so that they can find the beast and destroy it before it attacks Piltover.

We get to see in this episode that the doubts we see Caitlyn beginning to have about Ambessa and the disillusionment we see Caitlyn facing about her role in the invasion of Zaun continue to gnaw at her, especially after Singed’s poignant remark that ‘no one in power is innocent.’ I think this is a statement that makes Caitlyn pause and look at herself. If Signed isn’t innocent for his creation, is she innocent for the violence she’s allowed?

When we next see Ambessa, Signed and Caitlyn share a scene together, it’s with Signed conducting an experiment that will hopefully allow them to locate the beast.

Caitlyn, who looks less than thrilled with the arrangement of his freedom, makes it known that she understood Signed’s barbed statement last time, and as a result she’s used her position as a Kiramman to look into him to discover how deep his crimes go. It also highlights that she distrusts the reasoning Ambessa has given her for Signed’s release. We know after all that during the previous episode Ambessa made it clear she couldn’t forgive and forget. That she would always fight and do whatever was necessary to win with no regrets.

What Caitlyn has discovered is that the Piltover academy once had a revered alchemist who was banished as a result of his work. The results of which were never recorded. We know from S1 that Jayce’s creation of Hextech was considered so dangerous that it almost got him banished until he stabilised it. But what does the Undercity have that’s equally as dangerous as Hextech and yet entirely unstable and uncontrollable; shimmer.

Caitlyn’s headstrong intellect makes a delightful return here when we see her work out that Singed was the banished alchemist Dr Reveck. She recoils in disgust at his creation of shimmer, which has always been a threat, not only to Piltover, but to Zaun. The damage of which Caitlyn saw firsthand in season 1 when she was in Zaun with Vi.

She calls Signed a monster and demands to know why he created shimmer and why he continues to experiment so dangerously that he creates these violent abominations.

For Singed the answer is easy - ‘Why does anyone commit acts others deem unspeakable? For love.’

At the sight of Signed’s daughter, kept alive by these unthinkable, grotesque experiments, Caitlyn is then forced to face an ugly truth, something which she and Singed both share. They have both committed horrible deeds to alleviate the harrowing pain of loss that only comes from losing someone you love.

It holds a mirror up to Caitlyn and her actions in such a raw way that I don’t think any other moment has done yet. Is this the wake up call Caitlyn needs to finally break the chains of Ambessa’s manipulation and away from the darkness pulling her further and further away from her true self?

I guess we’ll see.

——

Ep 6 -

While the previous episode gives us our first proper glimmer of hope that Caitlyn is slowly waking up from her darkness and may start breaking away from Ambessa soon, this episode gives us the culmination of events that actually drive Cait to that very point of disentangling herself from Ambessa’s web of manipulation.

But let’s rewind a second to see how exactly Caitlyn gets there.

Episode 6 starts off with a very clever and insightful fight sequence. Here we see Ambessa sparring with Caitlyn and training her in the Noxian ways.

Here are the key principles Ambessa teaches Caitlyn:

‘Noxus prizes strength above all else, defining it by three core principles. Vision. The top of the triangle, charting a course and having the wisdom to navigate it. This form is your base, child. Your eyes see what others don't. Might. Bending your environment to your will. Your speed is improving. But eventually you need force.’

‘Too much force exposes you to risk.’

‘Indeed. The last is guile. Phantoms. Tricksters. Mages. Absent honour. Absent accountability. Remember this, Caitlyn. Tunnels in your eyes. Lava in your veins. Shadows in your heart. This is the truth of combat.’

But oh no, that’s not all. Ambessa enlightens Caitlyn to her final, most important lesson:

‘I’ve discovered a fourth principle. One that heightens all others. Sacrifice. The temper born of suffering. We understand it as others cannot. We are kin.’

Now, this may just seem like Ambessa being Ambessa but it provides Caitlyn with two things:

1) her combat skill set has definitely approved under Ambessa and continues to do so

2) Caitlyn has the inner-knowledge of how Ambessa’s mind works.

This becomes vital later on in the remaining episodes.

Some people might be confused by Caitlyn’s participation here given that she was starting to doubt Ambessa in the previous episode. However, the beast is still at large and a threat to both Piltover and Zaun. Caitlyn needs to aid Ambessa in putting him down.

Singed leads Ambessa, Caitlyn and the Noxian army through Zaun to the commune Viktor has established. Here is where Signed has tracked his beast. While Ambessa seems hell bent on attacking the commune without a second thought in order to capture the beast, we see Caitlyn looking unsure. Her suspicions that Ambessa is up to something heighten when she allows Singed to enter the commune to talk to Viktor.

Up until this point Caitlyn believes their goal is to eliminate the beast since it’s such a threat to Piltover and Zaun, but when she witnesses Ambessa and Signed plotting together, I believe she starts questioning their true intent regarding the beast.

The next time we see Caitlyn she appears to be creeping around the outskirts of her and Ambessa’s makeshift camp. Why would she be doing that if she wasn’t doubting Ambessa and Singed? Caitlyn isn’t stupid, she knows Ambessa is highly driven by power, but power at the expense of a peaceful commune? I’m not sure even Caitlyn is willing to cross that line. Her morals have gotten lost but they haven’t gone completely. Caitlyn has always tried to hold onto them. We see that here again. These morals come rushing back when Caitlyn’s natural detective skills lead her to piece together that Ambessa and Signed are planning a way to capture the beast, not destroy it.

This to me is Caitlyn’s turning point, as she realises that Ambessa and Signed with the beast at their disposal will be a much bigger threat to Piltover and Zaun than Jinx ever could have been.

Caitlyn has already reached this conclusion before she spots someone creeping about and puts their ass on the ground. Before she realises it’s Vi creeping around.

The fact that it is Vi following Singed, and the fact that Vi is at the commune at all gives Caitlyn even greater reason to question Ambessa. These two may not have spoken in months but they see each other. They always have.

When Caitlyn says ‘you can’t be here’ it’s not because she doesn’t want to see Vi, or because she’s dismissing her, but because she knows Ambessa is dangerous. Because despite everything that’s happened Caitlyn wants to protect Vi. Plus, Caitlyn knows that Vi being there is a weakness for her, she won’t be able to do what she needs to do to stop Ambessa if she’s worrying about Vi in the crossfire.

It’s Vi, however, questioning Caitlyn in return that falters Caitlyn’s cold focus. Why is Caitlyn there on the job? And is she still acting like an unhinged mongoose?

Caitlyn mimics the insult of ‘mongoose’ but I think it’s the word ‘unhinged’ that cracks her steely veneer. Her grief and guilt did make her unhinged. The last time they were together she hit Vi in the stomach with her rifle in the wake of what she perceived as Vi’s betrayal of her. In the months since I’m sure that act has haunted Caitlyn. Vi disappeared from her life without another word and it’s because of Caitlyn’s actions.

(Was Maddie the perfect distraction to the heartbreak she caused herself? I think so. Maddie allowed Caitlyn not to think about Vi, and Caitlyn needed that in order to reassure herself that her actions were necessary and justified. A perfect example of ‘the worst lies are the ones we tell ourselves’).

Without Vi around, Caitlyn was able to really access those darker parts of herself, and while Caitlyn felt like she needed to do that in order to keep herself focused on Jinx, we can see the cost of it. We see it in Caitlyn’s uncertainty in her actions, in her doubts of Ambessa, in the threat of the beast, and in Vi’s appearance.

When Vi pushes Caitlyn off her in response, Caitlyn moves back limply, a little bit of the fight knocked out of her. Did Vi’s insult hold a mirror up to Caitlyn? I think so. It’s an uncomfortable pill to swallow, and we see that manifest in the way Caitlyn shifts her focus onto Vi’s hair.

‘Your hair. You look like an angry oil slick.’

‘Don’t sugarcoat it, cupcake.’

Vi doesn’t trade insults with Caitlyn. She doesn’t berate her further than getting Caitlyn to back off so she can sit up. Instead she takes Caitlyn’s comment and gives Caitlyn warmth in return. The use of the ‘cupcake’ nickname is familiar, affectionate. In that single moment it breaks the tension between them. Is there anger between them? Yes. Unresolved issues? Yes. But there’s also an innate trust. So when Vi asks what Caitlyn is doing at the commune, Caitlyn tells the truth. And when Caitlyn asks Vi why she’s there in return, Vi tells the truth.

‘We tracked some sort of new chemweapon down here. A bloodthirsty, murderous, beast. What are you doing here?’

‘Trying to save… my dad.’

We don’t see Vi reveal to Caitlyn the true extent of what happened to Vander, and Vi purposely omits Jinx’s involvement, but what she tells Caitlyn is enough for Caitlyn to make her decision to betray Ambessa.

We’ve seen time and time again that Vi fights because she’s always had to, but Caitlyn fights because she wants to. It’s what made Vi trust Caitlyn in the first place. And although she knows Caitlyn still hates/resents Jinx, she trusts Caitlyn enough in that moment to fight for what’s right like she always has before. Vi completely kills Caitlyn’s idea that Warwick is just a beast. The second Vi confides in her that this beast is actually Vander, her dad, Caitlyn starts seeing him as human. And not just any human; a human hugely important to Vi. Those doubts Caitlyn had about Ambessa and Singed? They’re cemented here. She trusts Vi and believes Vi, and that headstrong Caitlyn from S1 who wants to do the right thing and protect the people she loves? She shows up for Vi now.

Grayson once asked Caitlyn what she was shooting for, and we see the answer here clearly; Caitlyn will shoot to protect those she loves. Vi needs her help and her protection and Caitlyn is going to do just that because despite everything that's happened to them and between them, Caitlyn loves Vi. It’s that simple.

They’ve always worked better together, and we see that here. Their balance slowly returns as they plot to infiltrate Ambessa’s camp with Vi as Caitlyn’s prisoner. It creates a perfect distraction and takes Ambessa out of play, while Caitlyn stops Singed and saves Vander. If anybody could bring Caitlyn back out of her darkness and ground her, redirect her focus, and free her from Ambessa’s manipulation, it’s Vi.

The following scene between Ambessa, Vi and Caitlyn is amazing at showing just how much trust and understanding is still between Cait and Vi despite their bond not being fully healed. Caitlyn’s (fake) delivery of Vi into Ambessa’s hands cements Caitlyn as a worthy ally in Ambessa’s eyes. Remember, Ambessa sent a young Mel away because she considered Mel her weakness, and here we see Caitlyn handing over Vi, someone who Ambessa knows has Caitlyn’s heart (is her weakness). It’s such a powerplay from Caitlyn; she takes what she knows about how Ambessa’s mind works and uses that to her advantage to stage her betrayal.

Ambessa’s biggest mistake in this scene is her arrogance. She doesn’t consider for a second that Caitlyn will betray her. While she understands that Vi must be disposed of before she becomes a distraction for Caitlyn and ruins all of Ambessa’s manipulations, she fails to comprehend just how easily Vi could have gotten through to Caitlyn.

In fact, Ambessa even gloats about how Vi’s absence provided a vacuum she was able to fill in Caitlyn; with manipulation, with Maddie, with fuelled hatred. Without Vi to ground her, Caitlyn, in Ambessa’s eyes, was easily shaped into her cold, ruthless commander. She can’t have Vi ruining that now. It’s why she knows she has to kill her if she wants to keep Caitlyn as her puppet.

The problem with Ambessa putting all of her money on Caitlyn’s hate for Jinx being stronger than any of her past feelings for Vi, is that Ambessa completely fails to recognise that Vi has already saved Caitlyn. All it took was for their eyes to lock again and Vi shattered the hard shell Ambessa worked hard to build around Caitlyn.

Don’t get me wrong, Caitlyn was starting to save herself (unbeknown to Ambessa, thanks to her ego) but Vi showed up at the right time, in the right place and offered Caitlyn a hand. A hand that Caitlyn took without a second of doubt.

Ambessa overlooks the importance of Vi’s duality to Caitlyn, that’s she’s Caitlyn’s biggest weakness but she’s also her biggest strength, until it’s too late. Caitlyn is already distracted, she’s already made her choice; it’s Vi.

I think this shows major growth for Caitlyn, because even though she doesn’t know about Jinx’s involvement at this stage, she still chooses Vi over Ambessa. She chooses Vi over her mission. She chooses Vi over her grief. It doesn’t take back her mistakes but it sets Caitlyn back on the right path, the path where she will protect people, especially those she loves.

Caitlyn follows Vi’s plan to subdue Signed and attempts to help Vander but Rictus stops her. It seems that while Ambessa trusted Caitlyn, Rictus wasn’t convinced. Just as it looks like he will kill Caitlyn, Jinx fires a shot and saves her.

Does Jinx do it because she cares about Caitlyn? No. Jinx saves Caitlyn to save Vander. Does Jinx know deep down that killing Caitlyn would affect the bridges she’s building with Vi? I absolutely think so.

As Vander saves Jinx from Rictus we see Vi rush in and embrace her family. Caitlyn, while betrayed by Jinx’s unexpected involvement, and who is still knocked down on the floor, briefly locks eyes with Vi only to witness Vi smiling and happy with her family.

This is the first time Caitlyn gets to see Vi freely happy with the people she loves. All she’s ever witnessed from Vi before is pain. Pain at losing her parents, pain at losing Vander, pain at being locked away for years, pain for leaving Powder and having to accept Jinx. Pain from Caitlyn. And Jinx is right there too, looking happy and holding Vander and Vi in return. Has Vi forgiven Jinx? Can Vi forgive her? Can Caitlyn forgive any of it?

It’s a lot for Caitlyn to process and she doesn’t really get a chance to before Jayce hammers Viktor to death and sends the place into chaos.

Instead we see Caitlyn following behind Vi and Jinx as they run outside to see what’s going on. Warwick is back to being bloodthirsty now that Viktor is dead, and Ambessa has arrived with the Noxian army seeking revenge. Her eyes piercing Caitlyn glaringly for her betrayal before she attacks.

It’s important to note that not once during the fight sequence with Vander and the Noxians do we see Caitlyn try and take a shot at Jinx. She easily could have, at multiple points, but she doesn’t.

Why?

Because when she freed Vi from Stillwater in S1 she decided to trust her. She trusted her because beneath Vi’s tough exterior Caitlyn could see her pain. Since that moment all Caitlyn has wanted to do is soothe Vi’s wounded heart. It’s why she didn’t shoot Jinx in the season 1 finale, it’s why she lets Vi stop her shooting Jinx in Ep3, and it’s why she doesn’t try to shoot Jinx now.

Caitlyn has been devastated by the loss of her mother at Jinx’s hands. It’s a pain she will never fully heal from, and in these moments Caitlyn has to decide if she wants to be responsible for adding to Vi’s pain. Can she kill Vi’s sister? Can she cause more suffering to the woman she loves? More than she already has? The answer is a resounding no.

Because despite everything, Caitlyn is a good person with a good heart. She was just swept away and lost in her grief. But now she’s anchored again thanks to Vi. She may never forgive Jinx, she may always hate her for what she did but she will always love Vi more.

We see Caitlyn protecting Vi during the fight, and we even see her letting Vi go in order to save Jinx when she gallantly rushes in to try and save Isha.

By the end of Act 2 we stop seeing Commander Caitlyn Kiramman here and simply see Cait again. She’s definitely more bruised and hardened by her trauma and experiences but she’s there, fighting her way back to the surface.

This takes us into Act 3 and Caitlyn’s reconciliation with her true self and her steps towards atonement.

Act 3:

Ep 8 -

This episode starts with an unconscious Vi awakening after her near death experience in ep6. Loris is there when she wakes and he tries to calm her down by answering her burning questions about the locations of Jinx and Cait.

Let’s just take a second to note that Vi isn’t just anywhere in Piltover, oh no, she’s tucked safely in Caitlyn’s bed in the Kiramman house. And Loris openly tells her that Caitlyn rounded up a squad of doctors to patch her back together. There’s a bunch of pillows piled on the side next to Vi - did Caitlyn watch over her while she healed? The show doesn’t explicitly state it, but Loris implies that Caitlyn wanted to be there when Vi woke, suggesting that Caitlyn hasn’t left her side often, and the reason for her absence must be important.

We get to see why Caitlyn isn’t at Vi’s side when she wakes just seconds later. Caitlyn is with Maddie, contemplating Ambessa’s inevitable attack on Piltover. She knows it’s coming, especially now that Ambessa knows of her betrayal. Considering Caitlyn has been the commander of the invasion into Zaun for months at this point, here we see her approach to be a little more cautious. No longer is she so warped by Ambessa’s reckless ways, or her hate fuelled mission for revenge against Jinx, now Caitlyn is trying to find her feet as commander in her own way; listening to her own morals and trying to make the right choices. Caitlyn knows there won’t be any negotiations with Ambessa thanks to her betrayal, and so careful, clever strategy is what she’s going to need to come up with, and fast, if she’s to save Piltover.

Maddie tries to offer comfort but Caitlyn straight up rejects her. Why? Because there was never any true affection between them. Maddie was just a distraction, a warm body to keep Caitlyn’s focus away from Vi and stuck in the darkness she was drowning in. But now that Vi's back in her orbit, Caitlyn is even less interested in Maddie, and the second Vi storms in demanding answers about Jinx, Caitlyn dismisses Maddie without a second thought.

Here we see some of the tension between Caitlyn and Vi boil to the surface. Their reunion in the previous episode was quick, it was based on innate trust and convenience, but there was no time for a proper resolution to the issues between them. Vi demands answers for why Jinx is locked away, accusing Caitlyn of still being on her blinding revenge quest against Jinx. When Caitlyn’s initial attempt to calm Vi falls on deaf ears, she retorts with anger at Vi’s lack of trust in her to do the right thing.

‘Arrested?’

‘Vi…’

‘She saved your life.’

‘If you will just calm down for one—’

‘Even knowing you’d never have done the same for her.’

‘We’ll never know, will we? You didn’t let me in on that part of your plan.’

‘Clearly the right call, since you can’t trust her enough not to shove her in a box.’

‘Trust? You believe I’m so daft I can’t recognise a contingency? She wasn’t there for my benefit. You didn’t trust me to follow through.’

‘Can you blame me? How long were you sidled up with that shifty, self-serving war pig? She oinked poison in your ear, and you just ate it!’

I think Vi’s defence here is fair, given that Vi not only witnessed Caitlyn’s hatred for Jinx morph into an obsession, but that she also got a taste of Caitlyn’s spiral into darkness herself when Caitlyn was cruel to her in ep3. She was in Zaun the entire time Caitlyn was enforcing Ambessa’s martial law too. Vi has seen the violence and the damage done at Caitlyn’s hands with her own eyes. So it’s not a surprise that Vi didn’t trust her fully when they reunited in ep6. Caitlyn has been under Ambessa’s thumb for far too long for Vi to assess just how much lasting damage has been done to Caitlyn in ep6.

When Vi confronts Caitlyn with this harsh reality, Caitlyn cracks in shame and anger - ‘I know!’

Caitlyn can see what she’s done, what she’s become, and she takes accountability for it with this simple acknowledgement. She’s not a words girl, we know she’s more emotionally repressed when it comes to expressing herself that way, but as she sinks back onto the arm of the couch we can physically see her deflation. Caitlyn is very much aware of her mistakes. She knows she’s had her grief manipulated and that to an extent, because of her hatred of Jinx, she let it happen. It has cost Caitlyn greatly, and we see how fragile her relationship with Vi is now as a result.

But the best thing about this much needed heated exchange is that Caitlyn gets to show Vi that she’s not completely lost to her, that she has managed to start pulling herself out of her darkness.

‘The only thing Jinx cared about was getting you to safety. Then she just surrendered. I didn’t even have time to think before they hailed her off. She’s being held in the bunker while I decide what to do. I was waiting for you to recover.’

Why did Caitlyn wait?

Well she unfairly pushed the enforcer badge on to Vi back in episode 1 because she selfishly needed reassurance and loyalty during her spiraling grief. She forced Vi to choose between her and Jinx when deep down Cait knew that would be an impossible thing for Vi to do.

Caitlyn waiting for Vi to recover before any decision is made about what happens to Jinx proves that Cait wants to atone. It shows Vi where she’s at, and Vi recognises the gesture immediately. There’s her Cait. It’s not commander Kiramman sitting before her, but the woman she was falling for back before Jinx’s attack at the end of season 1.

It gives Vi all she needs to fight for her family; for Jinx and for Cait.

‘Cait, she’s changed.’

Vi wants Cait to understand what she’s been going through, what she’s witnessed in regards to Jinx and Isha and the bridges they were beginning to build. But even though Cait hears this - Jinx saved her when she easily could have let Rictus kill her - she can’t quite accept it. Not because she doesn’t necessarily believe Vi but because how can anybody accept the unspeakable violence and acts that Jinx has done? That Caitlyn has done? In Caitlyn’s mind they’re inescapable and unforgivable.

‘We can’t erase our mistakes. None of us.’

But Vi is the voice of reason and immediately challenges her response with this soul searching question - ‘who decides who gets a second chance?’

The conflicting expressions that flicker across Caitlyn’s face as Vi leaves her at the end of this scene shows how carefully and heavily this question sits in Cait’s chest.

Who does get to decide who deserves a second chance? Is it the responsibility of someone else to decide if you’re worthy? Or is it up to you to free yourself from the burdens of your mistakes?

It’s a set of questions that Caitlyn takes with her when she visits Jinx in her cell.

We start by seeing Caitlyn taking Jinx a tray of food, a sign of her good heart and the extension of a tentative olive branch before they get into having their first ever, real conversation.

‘Vi thinks that you’ve changed.’

‘She can’t accept what you and I know. There are no happy endings.’

Jinx’s response to Caitlyn’s statement immediately brings us back to Vi’s question for Caitlyn - ‘who decides who gets a second chance?’

Jinx is just as closed off to the idea as Caitlyn (‘We can’t erase our mistakes. None of us.’) and that immediately triggers Caitlyn. Because if they’re right, if they don’t deserve second chances, what’s left of them both?

Caitlyn wants accountability; from Jinx, from herself, and so she presses further:

‘Is that all you have to say for yourself? There won’t be a trial. I’m giving you this one chance to account for your actions, all the pain you’ve caused.’

But Jinx continues to look defeated and doesn’t react, showing a shell of the person Caitlyn knew her to be - the Jinx that Caitlyn despised. Caitlyn grows frustrated and bangs her fist into the cell bars.

‘No amount of good deeds can undo our crimes.’

Here Caitlyn takes accountability by saying ‘our crimes’, she knows they’ve both caused pain, but even that doesn’t get a reaction. Jinx is empty; empty of anger, of hate, of taunts. All the time she’s spent being vengeful hasn’t made her feel better, or changed anything that’s happened, it’s just left her utterly exhausted. There’s no fight left in her and she admits as much to Caitlyn:

‘Do what you came here to do.’

Caitlyn’s lingering anger disappears instantly as she recognises Jinx’s predicament as her own. The cost of their hatred, of their vengeance hasn’t been worth it. It’s cost them both exponentially. They’re both shells of who they were, who they should be.

‘Hating you… I’ve hated myself. I just don’t have the energy for it any longer.’

Caitlyn starts to walk away but before she gets far Jinx gives her the accountability that Caitlyn needs to hear from Jinx in order to free herself of her self hatred:

‘I didn’t know your mom was there. It probably wouldn’t have made a difference, but… I didn’t know.’

It’s not a sorry. These two will never say sorry to each other. They will never like each other. But this is the moment Caitlyn lets go of her hatred, of her need for justice. Jinx’s confession releases Caitlyn from the burden of her guilt over her mother’s death and breaks their cycle of violence.

In return, we see Caitlyn answer Vi’s question. She doesn’t say sorry, or beg for forgiveness, she acts. She orders all the guards to the Hexgates, leaving Jinx unguarded, and in doing so grants Jinx her second chance. She does it not only for herself and for Jinx, but for Vi.

Caitlyn knows Vi will free Jinx because Vi loves unconditionally. She fights for those she loves and she can’t give up on Jinx because they’re family and Vi feels responsible for her. It’s the essence of who Vi is.

It’s something Caitlyn has come to understand from her grief because she too couldn’t let go; of her mother, of her guilt, of her hatred. It’s because of love that she became the commander and made the mistakes she did, and it’s because of love that Vi will do what she needs to save her sister. But most importantly it's because of love that Caitlyn is willing to let Vi save Jinx, even if that means letting Vi go. Cait’s giving Vi the freedom to make her own choice despite knowing it could cost her what she wants. And what Caitlyn wants more than anything is Vi.

Caitlyn’s atonement for her sins begins in that one beautiful, selfless act of letting go.

When we next see Caitlyn she is freeing Vi from the cell that Jinx locked her in. Vi is punishing herself for what she thinks is her having made the wrong choice again. She really thought Jinx would help, but she didn’t, she left Vi, and now Vi’s worried that by betraying Cait to free Jinx, she’s lost Caitlyn too.

‘Did you really think I needed all the guards at the Hexgates? Sorry to say, you’ve grown a bit predictable.’

We already know that Cait set Jinx’s escape up for Vi. That she prioritized her love for Vi over her hatred for Jinx, and in the one confession, Vi now knows it too. Caitlyn acted for her. Caitlyn sees Vi and accepts her fully.

We’ve already established that Caitlyn knew Vi would try to save her sister, but what we didn’t know for certain, and what Caitlyn most definitely didn’t know for certain, is would Vi still be there and would Vi still want her?

Here we get Vi’s answer when Vi finally takes what she wants and kisses Cait.

Caitlyn can’t quite believe it, but when Vi just keeps on kissing her, it clicks for Cait that Vi does want her just as much as she wants Vi.

I adore the use of lighting in this scene, and I’ve seen a few wonderful posts analysing this in detail, so I won’t overstep. But i just wanted to note how clever it is to see Vi pull Cait out of darkness and back into the light. And while we’re talking about the light I will quickly add on a bit about Maddie. Vi couldn’t give two fucks about her. She didn’t when she met her, she didn’t when she saw her in Cait’s house, and she doesn’t give a fuck if she was in Cait’s bed. Vi knows Cait lost herself, and Maddie was simply something for Cait to lose herself in, as much as fighting and alcohol was for Vi. All that matters is now, and what matters now is her and Cait.

I could talk about their sex scene beat by beat but I think the fandom has analysed it to death beautifully already. What I will say is we see the culmination of both their arcs here. Vi, at Jinx’s behest, finally lets herself be happy and what makes her happy is Caitlyn. And Caitlyn uses every touch to apologise, to show her love and regret to Vi. She gives up the control that has kept her blindly focused on her revenge and hatred. Cait gives herself over completely to Vi’s love and redeems her soul by doing so. It’s beautiful to see Vi finally take what she wants.

The culmination of this episode is heartwarming. We see Cait giving Jinx a second chance, Jinx then in turn gives Vi a second chance by setting her free from the burden of their tormented past, and Vi returns that grace by granting Cait a second chance from her mistakes.

The three of them break the cycle together.

—-

Ep 9 -

A lot happens in this final episode but I’m strictly going to try and focus on Caitlyn and Vi before this analysis grows any longer.

Piltover is preparing for Ambessa’s and Viktor’s attack. We see Caitlyn and Vi in the council bunker with Jayce and Mel. Here Jayce tells Caitlyn, Vi and Mel that he needs them to take the enforcers and buy him as much time against Ambessa’s forces while he shuts down the Hexgates.

When Jayce says this is a fight they’re supposed to lose, Vi’s fist visibly clenches. She doesn’t like losing fights, and definitely doesn’t want to lose this one now that she’s finally letting herself be happy, but you can tell Vi is tired. She’s been fucking through it emotionally and physically these past 2 seasons and Cait catches her anxiety instantly. It’s only a fleeting moment, but we see Cait cover Vi’s hand and squeeze in support and encouragement. Vi doesn’t have to fight alone anymore. They can fight together.

Here we see Caitlyn embodying her role as the commander she was always meant to be when she says they can stop Viktor, and determidly shoves his little model down. I love seeing her so strong and resolved here. She’s got far too much to fight for and to put right to admit defeat so easily.

While Vi is off with her batch of enforcers leading a charge from one of the towers, Caitlyn is down in the front line with her own squad fighting back the Noxian forces who have Ambessa leading the charge.

We see Caitlyn with her trusty rifle and Maddie as her spotter fighting hard, but can only watch in horror as a shimmer fuelled army seems to be relentlessly coming for them. Commander Caitlyn kicks in and keeps her team going even when it seems like they might be losing. She fights with everything she has to put their plan into action, knowing that she has mistakes to atone for.

But something goes wrong and before she knows what’s happening, Caitlyn takes a massive hit to the back of the head. It winds her and leaves her struggling to get up, and when she does it’s to see that her enforcers have been captured by the Noxian troops, and Ambessa is marching straight towards her.

When she glances back to see who has a rifle aimed at the back of her head, Caitlyn comes face to face with Maddie. It’s here that we get the reveal that Maddie is a Noxian spy and has been working for Ambessa the entire time. It’s another mistake for Caitlyn, a failing of her judgment, once again made during her grief and manipulated by Ambessa perfectly.

‘I warned you of the hazards of professional entanglement.’

Ambessa’s gloating is a horrible reminder of how fair Caitlyn let herself fall beneath Ambessa’s influence, and I think it’s this self awareness, this shame, that causes Caitlyn to take her chance. She never really had any true feelings for Maddie, Caitlyn was using her for distraction just as Maddie was using her for information, and now she has an opportunity to atone for her sins by ending this war if she can just get the shot on Ambessa.

Caitlyn smashes the rifle back into Maddie’s face as she grabs it from her and takes her aim at Ambessa. But of course Ambessa anticipates Caitlyn’s reckless attempt, she goaded her into it after all, and Caitlyn once again pays the price for her mistakes when Ambessa thwarts her attack and stab’s Caitlyn in the stomach instead.

When Caitlyn falls to her knees before Ambessa and her mocking ‘desperation is the doorway to oblivion, child’ you can see the sorrow on Cait’s face. In her eyes she has failed. She’s failed Piltover, she’s failed herself, and she’s failed Vi. Filled with regret, I imagine Cait’s life flashes before her eyes as Maddie loads the gun and takes the shot.

There’s the sound of the gun firing, a cracking of gold, and then the wet sound of blood. Maddie’s body slops weightless down against her back before slumping to the ground and Caitlyn is left with the stark realisation that she isn’t dead. Her second chance is truly a second chance.

Enter Mel, in all her glorious magical power. While she faces off with her mother, Jinx joins the battle in her outlandish way, and the symbolism of second choices being worth having comes full circle as the chaos of her arrival grants Piltover and Zaun another chance to fight back.

The enforcers break free during the chaos and continue to fight, and Viktor’s hive mind army starts rushing the Hexgate while Mel and Caitlyn face off with Ambessa.

This fight shows off Caitlyn’s redemption arc beautifully. With renewed strength Caitlyn is back on her feet and circling Ambessa as she exchanges heated words with Mel.

Fuck words though, Caitlyn is a woman made of action, and with determination thrumming through her veins, she punches Ambessa in the face, cutting off her self-serving tirade.

‘Shut up and fight.’

Caitlyn truly becomes the commander she was always meant to be when she challenges Ambessa here. She has a lot to prove, a lot to atone for and a lot left to fight for, and Caitlyn gives every bit of herself over to it, consequences be damned. She’s willing to give her life to save everyone, and if that’s not Caitlyn trying to be redeemed I don’t know what else she could do.

The fight sequence is incredible. Ambessa takes on her daughter duo skillfully. Ambessa is a tank of a woman, a fearless leader and a fierce fighter. But Caitlyn has grown and changed. She’s not the naive child Ambessa manipulated anymore, she’s a wise, hardened warrior with a good heart and an unwavering desire to make amends.

We see Caitlyn’s true, courageous strength in this scene as she uses Ambessa’s own Noxian teachings against her;

Caitlyn fights with all her might; she ignores the blade in her stomach and goes for Ambessa again and again, taking blow after blow but never quitting.

She fights with vision; her intuitiveness effectively analysing Ambessa’s movement, choices and weaknesses. She sees the runic band around her arm deflecting Mel’s attacks, and plans to use it against her.

She fights with guile; when Ambessa has her on her knees, a blade heading towards her eye, and Ambessa’s air of victory about her, Cait uses the blade in her stomach to make her move and slices the band from Ambessa’s arm.

But most importantly Caitlyn sacrifices.

In season 1 she trades her prized rifle, which is essentially an extension of who Caitlyn is at her very core, to get the medicine needed to save Vi. Here, in the fight against Ambessa, Caitlyn gives over even more. She gives her eye - an actual piece of herself - to try and save Piltover and Zaun. Cait is a marksman, her sight is imperative, and yet Caitlyn gives her eye freely. She doesn’t do it for forgiveness but because she needs to try and make amends and put things right. She does it because she was willing to pay the ultimate price of her sins.

Words mean a lot, but so do actions, and Cait is redeemed by hers in these final episodes, in my opinion at least.

After the battle is over and it appears they’ve won we don’t see Cait and Vi again until the very end but we do see Sevika taking a seat at the council. Cait has given her seat to Zaun. She took so much from them during her grief and hatred and now that she’s free from that, she gives them her seat so they can have a voice. Their own voice. I don’t personally see how Caitlyn could ever remain in the council when she was an oppressor to Zaun. She had to step back and give that up in order for the divide between Piltover and Zaun to continue to grow and heal. Her purpose in rebuilding will be found elsewhere.

With that said, we don’t know if Cait is still an enforcer or not, but we do see eye-patch Caitlyn back to her investigative ways. She’s pensively studying the Hexgates blueprint while twirling a piece of shrapnel between her fingers. It’s not just any piece of shrapnel though, it’s the head of one of Jinx’s monkey bombs. Caitlyn zooms in on the vents leading off the Hexgates, and it appears she’s pondering one question; could Jinx have survived and escaped?

The question is why is Caitlyn looking in the first place. Is she looking to simply help Vi with getting closure? Or is Cait looking because second chances and forgiveness become more healing with time? Is there a world where Caitlyn and Jinx can grow and heal enough to both be in Vi’s orbit without hurting her? It’s left open to interpretation. But it’s hopeful after all the pain the three of them have endured.

We see Vi looking emotionally and physically spent as she hums to herself. But she also looks calm and at peace. Humming, enjoying the fire, comfortably sitting like she’s at home in the Kiramman house. It’s heartwarming to see Vi looking safe; like she belongs.

Cait comes through from her investigating, and teases Vi slightly showing a domestic growth in their relationship. We don’t know how long it’s been but we can assume both cities are still in a state of rebuild and change.

Caitlyn is still a Kiramman however. She might not be a commander anymore but she still has a sense of duty and will always want to help, and she checks in with Vi to see if she’s still there with her. Because Vi doesn’t have to fight anymore if she doesn’t want to, and if she doesn’t, Caitlyn won’t ask her too.

‘Are you still in this fight, Violet?’

But the thing about Vi is no matter how emotionally and physically exhausted she is, or how beaten down, Vi will always get up. It’s just who Violet is at her core. Vi fights for what she loves, to protect and help them, and the person Vi loves more than anything is Caitlyn, so of course Vi is right there with her.

‘I am the dirt under your nails, cupcake. Nothing’s gonna clean me out.’

Together they will weep, and laugh, and love, and heal, and work to make things better. Together they will keep moving forwards, always.

——

With all that picked apart, I think Caitlyn is a well rounded, flawed character, and she’ll always be up there as one of my favourites now. We see her go through hell and back and come out the other side with a good heart. She’s not perfect… but just like Vi, I love her.

#arcane #caitlyn kiramman #caitvi #vi x caitlyn #vi arcane #jinx arcane #ambessa medarda

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ekrixart · 2 months ago

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Hello!!!! It's been a while since rot in paradise came out but was there a canon reason everybody went in the ocean at the end? I know it was more metaphorical but I was still confused

Typically I don't like giving an outright "this is what the game was about" with projects I work on because I feel it can take away from the player experience and leaves less room for speculation and theorizing. Right after the game came out and for the month during the game jam I wanted people to be able to have their own take away of the game and didn't want to interject or place the idea that there was a "right" way to view it, especially since its a game with a looser plot and I didn't want it to cloud players individual interpretations of it.

A lot of people mentioned feeling like the story hit hard and felt personal to them which tells me that the themes and emotions we were going for were felt by some players but even more players were left confused or frustrated by the ambiguity. I understand that stories with more subjectivity that lean more into surreal visuals and open endings will land for less people but it still falls on the creator to tactfully deliver that message and I agree with a lot of the criticism that Rot in Paradise kinda fell flat of that.

From what Ive seen a lot of people felt like RIP had potential but it didn't follow through or feel cohesive enough. The main story was meant to touch on the themes and feeling of losing loved ones to dangerous ideologies and addiction. There wasn't a set in stone plot reason that everyone on the island falls victim to it, there wasn't a secret wrong thing that all of them did that June didn't- which was intentional to portray it as some people being susceptible to things you wouldn't think as reasonable but also potentially muddled the themes.

It was also meant to work as grounds for making the player feel confused and disoriented and wonder what they could have done differently to save them. There isn't anything that it seems the others interact with that June doesn't, she's able to partake in the same activities everyone else does without it altering her the way it alters them. It's a matter of forces outside her control effecting them more than it effects her and whether she wants to succumb to something she's capable of escaping to stay with her friends or leave them behind as they get worse and worse is up to her.

There were a lot of elements I think that worked against the favor of having that theme work. Even with a lot of the people who did notice and remark upon the message, it felt like the general vibe was "oh heyyy this part kinda sorta reminded me of this theme but idk if that was intentional" rather than a direct "this is what the theme of the game is". Overall while opinions on RIP were more mixed than previous entires I'm excited to tackle stories with more subtextual elements more in depth in the future outside of game jams. Rot in Paradise is probably one of less narratively successful games I've worked on in my opinion but still got me really excited about exploring that space and improving on stories like it in future projects and I'm still really proud of working on it

#ask #rot in paradise

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amateurvoltaire · 9 months ago

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The Deputy of Humanity

In August 1790, Robespierre, then deputy in the National Assembly, received a letter from a young man in Aisne. The subject of the letter was of little consequence in the grand scheme of things: the author was expressing his concern that the free monthly markets for grain and sheep in his village of Blérancourt might be moved to the rival village of Coucy.

The subject of the letter may have been trivial, but its author was not. Louis Antoine Saint-Just, not yet twenty-three, was quickly outgrowing local politics and had his eyes on debuting on the national stage. In around two years’ time, he would become one of Robespierre’s closest allies. But back in 1790, the young man only knew him “like God, through miracles” ("comme Dieu, par des merveilles"). This would be the first contact between the two men.

The letter has been widely translated, quoted, and speculated on. It is very well-written, with the effusive admiration and almost hero worship of the young man practically jumping off the page. Whether Saint-Just was entirely genuine or not is hardly consequential. Robespierre clearly found his admiration touching because he kept the letter until the end of his life.

The fact that Robespierre kept the letter is a sweet gesture that can be interpreted in a myriad of different ways. Perhaps he enjoyed the flattery, or maybe he wanted to keep a memento of the beginning of their friendship with Saint-Just. Maybe he simply forgot to throw it away. In my opinion, it's not very important.

What I find more interesting and revealing about Robespierre's character is that a young lieutenant colonel of the National Guard of the department of Aisne felt empowered to raise his provincial concerns to a deputy who wasn't even representing his constituency. Why would he do that? Setting aside Saint-Just's audacity and desire for recognition, the simple reason is that he knew he would be heard.

Since the days of the Estates General, Robespierre had not only been gaining popularity but was also notorious for standing up for the interests of the common man beyond his own province (later on department). For all the flattery, Saint-Just was right: Robespierre wasn’t only the deputy from Arras; he was “[the deputy] of humanity and the Republic (1)”. He frequently weighed in, as a dissenting voice, on matters of national importance, maintaining a consistent stance that always favoured the underdog. This was nothing new. His entire career in Arras had been built on helping the common man. On a national stage, he vocally continued that work.

He opposed the king's veto power over constitutional laws and emphasized the sovereignty of the nation over monarchical traditions. He also opposed the exclusion of "passive" citizens (2) from the National Guard and advocated for extending voting rights. All this, along with his defense of civic equality for various groups, including actors, Protestants, and Jews, solidified his position as a defender of the people.

Despite facing mockery from royalist publications and some of his peers, he remained steadfast in his dedication to the universal principles of the Revolution, with the most crucial principle being the sovereignty of the people. If the people are sovereign, then their grievances are significant. It's understandable that Saint-Just would reach out to him regarding the issue with the village market. He wasn't the only one.

For what it's worth, Robespierre probably didn’t intervene in the matter, but Blérancourt ultimately did retain its markets.

Translation (3)

Blérancourt, near Noyon, August 19, 1790

You who support the faltering homeland against the torrent of despotism and intrigue, you whom I know only, like God, through miracles; I address you, sir, to ask you to join me in saving my sad country.

The town of Coucy has transferred (so the rumour goes here) the free markets from the village of Blérancourt. Why should the cities swallow up the privileges of the countryside? Then, nothing will remain for the latter but the taille (direct tax) and taxes! Please, support with all your talent a petition that I am sending by the same mail, in which I ask for my inheritance to be joined to the national domains of the district so that my country may retain a privilege without which it must starve.

I do not know you, but you are a great man. You are not just the representative of a province; you are that of humanity and the Republic. Please ensure that my request is not scorned.

I have the honour of being, sir, your humble and obedient servant,

Saint-Just,

elector (4) in the department of Aisne.

Notes

(1) Here Saint-Just doesn't refer to Republic as a form of government, but uses the word as a substitute for nation/country. In 1790 France was a constitutional monarchy.

(2)Passive citizens were those who, for a variety of reasons (mostly tax related), were not allowed to vote. (3) The parts that are in bold, are underlined in the original . As usual, this is my own translation and you can surely find much better ones out there!

(4) Touchy subject...

(BONUS) The letter is Recto-Verso. The small red arrows in the image indicate where the back page starts. I edited the two sides in one image for ease of reading.

Source

I really like Saint-Just but his handwriting is just as bad as mine (yes. I can barely read mine either). The french text of the letter comes from:

Saint-Just, Louis Antoine Léon. Œuvres. Paris: Gallimard, 2014

#frev #french revolution #robespierre #maximilien robespierre #saint just #committee of public safety #history #amateurvoltaire's essay ramblings #the letter that launched 1000 speculations

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angrykittybarbarian · 1 month ago

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The Qunari and how DATV handled Taash's character arc

Taash's character arc has been controversial for several reasons and while the grifters and rage tourists are bothered by their non-binary identity it is in fact not the problem.

The real problem in my opinion is rather the immature way in which this was handeled and the entirety of qunari culture along with it.

Because what I came to realize at a certain point is that Taash's character arc is about identity in a broader sense. Not just in regards to gender but also to culture.

While the gender aspect is handeld immaturely the cultural aspect is not really handled at all.

Let me elaborate:

I have already explained in a previous post how DATV sets up Taash's gender identity as a conflict with their mother while there is actually none.

The game desperately wants the player to believe that Taash being non-binary is a sore subject between them and Shathann but does not actually show it.

Instead we get Taash lashing out at their mother when she was simply asking questions. That kind of behaviour only served to paint Taash as a bratty teenager á la 'It's not a phase, mom-uh'.

Not only did this portrayal not achieve its intended emotional effect but also reinforced a harmful stereotype about trans and non-binary folk I have heared in the past few years too often: 'They are just confused.' 'They are too lost in emotion and make rash decisions.' 'They are just rebelling against their parents.' You get the gist.

The devs were so concerned with not offending anyone that they became even more problematic in turn.

The Youtuber Slandered Gaming made a, in my opinion, good suggestion on how this particular character arc could have been improved upon. He suggested Taash should have been firm in their non-binary identity. There shouldn't have been a question about it in the first place. Taash would have been subsequently more mature in their approach to the topic and the discussion could have been taken deeper than that coming out scene where we have to pretend Shathann was problematic for asking questions.

Perhaps Taash could have gone no contact because of several interpersonal differences with their mother, the non-binary identity being one of them.

It's why Dorian's character quest felt deeper. He was an adult who was sure of what he wanted. There was no question about him being gay. It was about how his father reacted to the fact and how Tevinter culture and society informed that reaction. It was all so tightly knit together that it was impossible to seperate. Talking about Dorian's sexuality had to involve discussing Tevinter society.

The same was done with Krem despite being a side character you potentially could completely ignore.

Circling back to Taash their character arc pales in comparison because it always remains on that surface level of "So, I'm non-binary. I will be offended if you ask questions and don't understand me right away.'

But the kicker is that the same template was right there. They simply had to fill it out and yet they didn't.

Taash's cultural identity could have been tied so much deeper and much more intrinsicially with their gender identity. Taash, aside from struggling to find their true gender, also struggles to navigate multiple cultures.

They are the child of a qunari who has been raised in Rivain.

Taash's story is not only the expereince of a trans/non-binary kid in a hetero- and binary-normative society, it is also the story of an immigrant kid.

And this is where Bioware missed a golden opportunity to explore what it means to not only be an immigrant kid but also a queer immigrant kid.

Many of us are raised by parents who have had no experience or touching points with queer identity up to the point of us coming out or are not tolerant at all because of rigid gender roles/ideas of morality they have grown up with in their home countries. Many of us do not come out at all to our parents because of that.

Given that Shathann seems to still be very much attached to the belief system of the Qun despite having left the core society this could have been an aspect thoroughly explored. We could have gained a more nuanced and humanized depiction of the Qun instead of having it presented to us via The Butcher or the Dragon King (cringe).

Shathann could have had a very rigid idea of gender and the roles she expected of each. The constant conflict between the more conservative mother and her more flexible child could have been shown very easily and beautifully. Shathann's general perfectionist tendencies would have played very wonderfully into this. It would have made Taash lashing out at her more believable.

And I think many of us immigrant kids could have empathized with and seen ourselves more in Taash, since many of us do know this constant struggle of trying to have a family, maintain a cultural identity while also wanting to be part of the countries we've been born/raised in. Many of us can exactly recall times when the way we wanted to live was in direct opposition to what our parents expected of us. This finds its expression in mundane things like the way we want to dress and, in case of some, extends to big life decisions (expectations of getting married, in regards to education, wether you want kids and a traditional family or not, purity culture in general, etc.).

For Taash it could have been Shathann berating the way they dressed, their very profession, going out and fighting because under the Qun only men fight or expecting them to observe certain traditions and rituals. And ultimately Shathann could have doubled down on her expectation from Taash to finally adhere to one specific gender role while refusing to understand the non-binary thing instead of simply asking questions.

This could have been so beautifully shown and resolved. It would have made the scene where Shathann finally uses the correct pronouns for Taash all the more meaningful. But Bioware adresses none of these things.

Did they really have not one single employee with an immigration background? Couldn't they have done some research? It's not so hard to find first person accounts on the internet or in the real world.

Instead the question of Taash's multiculturalism is adressed in one small quest where Rook has to make the decision for them wether they want to be rivaini or qunari.

Taash has appearantly no idea about what culture they want to practice and do not even entertain the idea of possibly being both.

The character that refuses to be bound by rigid gender roles appearantly draws the line at multiculturalism.

I cannot even begin to explain how this is so problematic on so many levels. It prepetuates this idea that people will always be seperate and if you happen to have a different cultural background you better abandone your parent culture if you want to participate in the culture of the place of your birth/upbringing.

In game it could have been an opportunity for Taash to recontextualize the Qun in a more flexible way. Seeing the positive aspects of the wisdom the belief system does have while questioning problematic parts. It would have brought nuance to the Qun that was previously othered as an orientalist religion in opposition to the Catholicism coded belief system of Andrastianism.

Without exploring these possibilities the Qun remains this strange system that is ultimately worse than anything else and not worth understanding. What semblence of nuance the Qun posessed in the previous three games has been sanded down to nothingness in DATV.

#long post #datv spoilers #datv critical #bioware critical #taash #qunari #shathann #multiculturalism #listen #they left so much potential lying on the floor #and were so tone deaf #i like the non binary representation #but inclusion can be done way better

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luceafarul-de-dimineata · 10 months ago

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I'm curious, what if mc in the shipper au is polyamorous and dates multiple or perhaps all of the kings, what then?

I'll be including Asmodeus as one of the kings MC starts dating because I want to write for Dantalian as well.

Whb shippers reacting to a poly!Mc dating all the kings

Well, you're dating Satan, so Paimon doesn't complain that much. Would probably still bicker with some of the more active shippers about which king you like most, but he'll be chiller in the forums. He continues his usual fan-fic writing and edit making maybe throwing in some photos of you and another king so he doesn't get pilled on by the other shippers.

Eligos takes a hit when he hears that but he learns to accept it. This is... good, from his point of view. Mammon loves seeing you being greedy for lovers and Eligos likes seeing Mammon happy, it's a win win situation. After all, everyone in hell belongs to Mammon, so you're basicly just playing with some toys that belong to you. Eligos is of the opinion that you're only trully dating Mammon and the other kings are side-dishes, so he let's it happen.

Foras cries. He just cries. He's absolutely godsmaked as to how you could possibly convince Leviathan to let you date other people. On one hand, he's happy that you consider his majesty your lover. On the other hand, how dare you go out and show your affection to other's. He tries to keep you in Hades as much as possible, right next to Leviathan's side, and he'll only stop when either you or Leviathan tell him to. Stops doxxing people for a month since he's too sad to open the forums.

Glasylabolas is sad, but for other reasons. How is he supposed to start drama when it's public information that you're dating all the kings?! He tries to argue with people about which king you love best, but he only gets responses from try hards (Gamigin) which is less fun than having all the forums in chaos. Plus, Gamigin never leaves Paradise Lost and he was doxxed ages ago, so he no longer has where to show off his hacker powers.

You better hope that Beelzebub set Amon down and explained what polyamory is because the moment he finds out that His Majesty Beelzebub's s/o is being stolen by the other kings, he sees red. The one law that seperates Avisos from Abaddon is that you're not to steal someone's lover, which is how Amon percieves this whole ordeal. At one point you were on a peaceful date with Mammon and you see Amon making a beeline to you. He was ready to shoot Mammon (as if one bullet could kill him) but you had to throughly explain to him the concept of polyamory.

Amon: So it's like an orgy... but romantic?

Mammon: Sometimes it's just an orgy

Mc: Mammon! But yeah, that's kind of it.

Will leave you alone from that point onward. He has no interest in destroying a happy law-abiding relationship.

Dantalian is also sad that he no longer has anyone to fight with in the forums. But he has a lot of fun going "I told you" on every post he made about how a poly relationship is the only logical step for the relationship between you and the kings. Him and the whole Abaddon crew would ask if they can join in the bedroom fun and 9/10 Asmodeus even encourages them. Whether you like it or not, dating Asmodeus was always the gate way drug to being into polyamory.

Gamigin chockes on his spit when you tell him that you're dating all the kings. He looks at you with this face

He didn't know you could do that. He's still an avid Mc x Lucifer shipper and will continue to get into arguments with people that disagree. He had to be lectured by the Paradise Lost marketing manager (Buer) about how bad it looks for most of Paradise Lost's media output being arguments on the internet about a stupid topic. Gamigin stops redirecting his passion for the subject towards making sure that your stay at Paradise Lost is the best in hell. Finally he can talk with his brothers and they'll understand what he means by keeping you happy so you come to Paradise Lost more often.

#anyone interested in a fic about the paradise lost gang being your personal bootlickers so you stay with Lucifer?#whb #what in hell is bad #shipper au #whb paimon #whb satan #whb eligos #whb mammon #whb foras #whb leviathan #whb amon #whb beelzebub #whb glasylabolas #whb dantalian #whb asmodeus #whb gamigin #whb lucifer

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funhouse-mirror-barbie · 4 months ago

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What it should mean to support ALL survivors—Fandom discourse and the depiction of sexual assault in media.

So. Okay.

Below is a video that, in my opinion, is a very well thought out and respectful critique of the writing decisions surrounding Angel Dust’s character and purpose in Hazbin’s narrative.

The author of the video does a great job clearly stating their thoughts and opinions, and put a lot of effort into explaining their reasoning in a concise and easy to understand way.

I really recommend giving it a watch—(TW for discussions of rape, sexual assault and abuse. )

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However, one of the most important things about this video though, is that the author, Limus, takes the time to specify that the video is only her opinion, and that she does not want to invalidate the feelings of other people or survivors who like or feel represented by Angel Dust. (More below)

In their conclusion, Limus states, “…If you enjoyed “Hazbin Hotel” and Angel Dust as a character, that’s fine. I don’t want you to walk away from this thinking your opinion is less than mine. People have their own reasons for liking media, and the discourse surrounding this show and the harassment that people receive just for liking it is unacceptable. You can have your reasons for disliking a show, but people can also have their reasons for liking it as well. Everything I have said in this video is in relation to my own personal life…”

I was REALLY glad and really relieved that Limus took the time to specify this, because one of my biggest grievances with the discourse regarding Hazbin’s depictions of sexual abuse, assault and rape, is that I see a LOT of people, both critics and fans, disregarding the experiences and feelings of survivors with opinions opposite to theirs.

Specifically, I saw a LOT of people talking about the portrayal of sexual abuse in Hazbin, and media in general, as if it was something that could be judged as being OBJECTIVELY “good” or “bad”.

And then proceeding to argue with people over their opinions and feelings as if they were in some sort of debate and the other person’s beliefs could be disproven.

This was really frustrating to me, because I’m hyper-aware of how media is extremely subjective especially when it comes to serious topics like sexual assault, violence, substance addiction, abuse, etc. etc.

So, I’m going to talk, in detail, about what I see as a lot of hypocrisy within fandom and critical spaces.

This really started in January of this year (2024) when a trailer (or maybe a leak? Sorry I can’t remember) for Hazbin came out, and a scene from Poison was shown.

There were a lot of people who were really concerned with the way Angel Dust’s abuse was shown in the preview, a good amount of them survivors of sexual abuse themselves, and from there the discourse got pretty out of hand.

Worst of all though, people, both fans and critics, allegedly started demanding “proof” of survivor’s assault from those they disagreed with.

This was very gross behavior, and I don’t care what your opinion on Hazbin Hotel is, NO ONE should have done that. It’s not only incredibly invalidating, but also potentially re-traumatizing.

Seriously. I hope ANYONE who engaged in this behavior, REGARDLESS of if they love Hazbin and think it’s the best thing in the world or if they hate it and think it’s the worst piece of media ever, were able to take a step back and realize how hurtful and inappropriate their actions were. And hopefully grow from that.

What disappointed me the most though was seeing Hazbin’s creator’s reaction to all of this. It was, in my opinion, very hypocritical and set the stage for the sort of harassment that is continuing in the fandom today.

A Disclaimer—this is going to be one of the ONLY TIMES I talk directly about the creator of Hazbin Hotel, Vivienne “Vivziepop” Medrano. I’m doing so because she was engaging directly and openly with this discourse when it was happening, and I think it’s important to talk about her actions and reactions because it provides some context for the background in regards to the ongoing conversations surrounding Hazbin’s SA depictions.

I generally do not like publicly talking about or making judgements on creators as people based on the art they create, because while a creator’s art is almost always influenced by their personality and experiences, it’s not a good way to judge someone’s ENTIRE character. All people are multi-faceted, and the art or media we create usually reflects only part of someone. Additionally, people use art, fiction, and media to explore all kinds of things, including things they would never do or want in real life, and that’s valid and normal. Obviously.

But when a creator publicly expresses an opinion in regards to ongoing discourse, of course people are allowed to discuss it and have their own opinions. Especially when that creator has a lot of fans who look to them as a role-model. Not saying that Vivziepop is responsible for actions of her fans, but when you are a public figure like she is, I do think it’s important to be as mindful as you can about your influence.

With all of that said. Yeah. I was. Incredibly disappointed by Vivziepop’s reaction to this. Because, I actually do agree with a lot of the things she was saying about supporting survivors—

I 100% agree with this. Everyone processes trauma differently, and that should be respected. We should not judge survivors for how they cope or process their trauma.

If this statement was made in response to the all judgement and struggles that survivors generally have to deal with, I would not have any issue with it whatsoever.

But. It wasn’t. Vivziepop said this because people were criticizing Hazbin Hotel—specifically there were survivors who were upset and triggered by scenes from the musical sequence “Poison” that leaked prior to Hazbin’s official release.

Now, obviously, I can’t know her true intent or beliefs. But her bringing all of this up after she had received criticism from survivors about her show leads me to believe that she doesn’t really care about supporting all survivors. Especially since after she said this, she proceeded to dismiss the concerns that several survivors brought to her because “the show hadn’t come out yet”.

To me, this is just hypocrisy.

Now, to be fair. Im also an artist. I understand feeling like your art or story is your baby, and feeling really protective of it. In some ways I was conflicted when all of this was happening back in January, because I get the frustration and hurt that comes with people not liking your art or not giving it a chance.

That can be very disheartening, and definitely feels unfair. I can empathize with Vivziepop in regard to that, because I don’t know how I would handle the amount of criticism her art gets. I’ve had my art criticized pretty harshly online, and it does really hurt. I really can’t imagine how emotionally taxing that is on such a large scale.

But with all of that said, at the end of the day, as creator, especially a creator making something for widespread international audiences, you have to learn how to be okay with the fact that your art, whether it’s music, visual arts, storytelling, or whatever, will not be universally loved. That’s pretty much impossible, and it’s also okay.

And while you obviously don’t have to listen to EVERY bit of criticism you receive, I do think it is vitally important to listen to criticism and concerns when they come from a whole group of people you are trying to represent.

This was Vivziepop’s response to survivors of sexual assault who asked to have their concerns about Angel Dust and the portrayal of his assault also taken seriously:

In my opinion, these replies are all really dismissive. I agree with everything Vivziepop said about survivors who felt represented being spoken over was also wrong. But these are survivors being open about how Vivziepop’s show has already affected them negatively, and the fear that their reactions to and opinions on the show will be, or in some cases—have already been, invalidated and called into question by the Hazbin fandom.

Vivzie’s response to them is that the show hasn’t come out yet, so they are getting upset “preemptively”. It really comes across like their concerns did not matter to Vivziepop, and like it didn’t matter to her that they had already been triggered or felt as if the handling of the scene was fetishistic based on what came out.

She states that her fans are “speaking out on their own experiences and reminding that the scene isn’t out yet”. I’m not denying that some fans do feel represented, but to me, it doesn’t, and didn’t matter if the show hadn’t come out yet.

The full episode can’t magically “take back” the fact that a lot of survivors saw this small clip on its own and it was enough to affect them. And that is just as valid of an experience as people who felt represented.

And listen. No group of people is a monolith and that includes survivors. People WILL have many differing opinions about the way sensitive topics are portrayed, especially when it’s as traumatic as sexual assault and abuse.

I am not saying Vivziepop should have somehow magically concocted a show that handles sexual assault objectively perfectly and pleases every survivor ever. That’s impossible, and I would NEVER ask or expect ANYONE to be able to do that.

But, it’s very clear to me in the interactions above that the people who were upset only wanted their opinions and experiences to be heard and respected as well, and they were essentially told that their feelings didn’t matter.

And to me, Vivziepop’s reaction to all of this was really giving Sia circa 2020:

I really think that, a lot of this could have been mitigated if someone from the Hazbin team, not even necessarily Vivziepop, had just acknowledged, “hey, you’re absolutely in your right to not like the scene and those feelings are valid”.

But there is a very strange sort of hypocrisy that is almost like. Tinted with virtue signaling*??? About listening to all survivors voices, while simultaneously dismissing the voices of survivors that are saying they have already been hurt.

THAT is what bothers me the most. It really seems like the only survivors that a lot of people involved in this discourse, including Vivziepop, were willing to listen to or validate were the ones that already agreed with them.

If you are going to support survivors you DO have to ACTUALLY SUPPORT ALL survivors. Even if they disagree with you.

If you’re still with me, I really really appreciate it. I felt I had to go over all of this to add context, because the concerns those survivors talked about over 10 months ago, foreshadowed the EXACT situation that some people in the Hazbin fandom have now put Limus in.

All because, after the episode came out, they expressed their honest opinions on the subject matter and the way Angel Dust was written in a way fans disagreed with.

I find it really disturbing that, the whole point of Vivziepop’s dismissal was that the show hadn’t come out, and that she said she would “respect” if people had concerns AFTER it came out. But I haven’t really seen any acknowledgment from her that survivors, who after seeing the whole scene, were still negatively affected.

The below is a tweet Vivziepop liked shortly after the episode came out in full.

I agree that any survivors who felt seen by Angel Dust and the show and were invalidated and had their experiences dismissed and questioned by others deserve apologies. But I can’t help but think about the fans who didn’t feel the same, who were hurt, and triggered by the depiction of SA before AND after the show released. I don’t want to read to much into likes, because people like shit for all sorts of reasons, but Vivziepop liking this tweet saying she deserves an apology too does rub me the wrong way, especially after she was told that survivors have ALREADY been hurt.

Don’t those people deserve apologies too? Or at the very least just an acknowledgment that their hurt and concern was valid?? It just comes off to me as a confirmation that Vivziepop doesn’t really want to listen to ALL survivors, just the ones that haven’t criticized her and praised her show.

To clarify—just as Limus did at the end of her video—I AM NOT SAYING THAT SA SURVIVORS WHO DIDNT LIKE THE SHOW’S HANDLING OF SA ARE THE “CORRECT” SURVIVORS AND THAT PEOPLE WHO FELT SEEN AND REPRESENTED BY ANGEL DUST AND THE SHOWS WRITING ARE “WRONG”.

The WHOLE POINT of me going over ALL of this is to take a look at the hypocrisy of many people both in the fandom and outside of it who SAY they care about ALL survivors feelings and experiences, but then call those experiences into question the MOMENT a survivor has an opinion different than their own.

And sadly, I personally believe the creator of Hazbin also contributed hugely to this hypocrisy.

When we look at what happened in January, it now feels weirdly prescient. People are treating Limus’ opinion as if she is personally attacking them, or saying that their experiences are invalid. She did not do that.

It also seems like a lot of people who like Angel Dust and feel he represents them are taking Limus’ critique of the character writing decisions made for Angel Dust, who is not a real person and does not exist, as personal attacks on their real lived experiences. She did not do that either. She was extremely clear that her opinions were in regards to the way Angel Dust was written as a character.

But because Limus critiqued Angel Dust, her experience with abuse has been called into question, just like the above survivors that were concerned about all of this way back in January. This is absolutely fucking unacceptable.

I am saying this to CRITICS AND FANS of Hazbin Hotel and Helluva Boss, and fuck it, honestly ALL fandoms—If you have engaged in this sort of behavior, you have got to stop. I think the love and passion you have for the art that is important to you is beautiful and wonderful. But NOTHING justifies treating other people this way. It does not matter how much you love a certain character or how much they comfort you or what solace you find in them. There is NO EXCUSE for bullying and harassing someone over this shit.

I am saying this fully aware that it may cause people to get mad at me and want to send me hate. And honestly that’s fine. I will deal with it if it comes. But I couldn’t sit here and watch so many people shit on someone for talking about their experiences and opinions again.

Please, if you find the tweets/threads I referenced in this post, DO NOT ENGAGE WITH THEM OR HARASS THE POSTERS. This whole long massive post was all about why we should NOT do that.

When these conversations happen, I often see people just. Putting words into other’s mouths like it’s an Olympic sport. If someone says they don’t like the way Angel is written, they are not saying your experiences are invalid. If someone says they love the way Angel is written, they are not saying you have to love him and feel represented by him too.

Please. Please try to empathize with each other. Or at the very least, maybe just take some time to sit with your feelings instead of harassing others. I’m using Hazbin as an example because it’s a fandom I’ve had experience with recently, but this really does apply to all fandoms.

As I final note—if you love Angel Dust and think he’s the best written character and feel really represented and seen by him, that’s wonderful and I’m really happy to hear that the show was cathartic or comforting for you. Genuinely.

And if you hated the way Angel Dust was written and the show triggered you, I am so sorry that happened. It is so painful to re-live trauma like that, and I hope any that pain you felt from being reminded of what happened eased quickly and gently.

Both of your experiences and opinions are completely valid, and you have every right to express your opinions to others. Your trauma is real, and however you process it and cope with it should not be judged by anyone.

I just ask that we all be more respectful, and try to be curious about other’s perspectives regarding this stuff.

Thank you again for bearing with me through all of this. I hope you have a great day or night.

*I really really HATE the term “virtue signaling” because in MOST cases, I only ever see it being used to dismiss minorities and allies concerns about injustices. But, given the circumstances of this situation, I do think it’s actually appropriate here, given that survivors where expressing their concerns to Vivziepop and she was justifying her dismissal of them by saying the show hadn’t come out yet, and then went on to say that all survivors mattered. I don’t know whatever word I should have used, other than it just being hypocritical. Again I hate that term, and wouldn’t be using it here if I didn’t really believe it was appropriate and accurate.

#funhouse convo #vivziepop critical #hazbin hotel critical #hazbin hotel criticism #hazbin hotel critique #hazbin hotel critic #helluva boss criticism #hb critical #helluva boss critique #long post #media criticism #I REALLY debated tagging this vp critical #bc I don’t really vibe with criticizing someone fundamentally as a person #but I thought it was appropriate because I am literally criticizing her handling of a situation in this case #again probably the ONLY time I will do so #b/c as I’ve said #I REALLY do not like talking about her on the critique blog #b/c while she is the creator #the shows are still collaborative and idk what their writer room looks like #but with everything that happened in regards to this video and people being harassed like crazy #especially the poor author of the video damn like #I thought it wa really important to provide some context xtra context into the HISTORY the fandom and its creator #has with this subject

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