#but she knows it wrong

[leviiackrman]

"I don't feel in control sometimes. After all... I have someone else's thoughts in my head."

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[poorly-drawn-mdzs]

Expertise can't help you here.

[pangur-and-grim]

oh. I think my fears about Chiefcake passing from old age were more on point than I realized. she's acting very weak right now.

and it's late on a friday, when all the rabbit-specific vets have closed. I'll call around anyway to see if at home euthanasia is an option tonight.

[akanemnon]

I don't like this place. It's turning everyone edgy and sad.

FIRST - PREVIOUS - NEXT

MASTERPOST (for the full series / FAQ / reference sheets)

[ghosted-jazz]

Species Swap AU! Retired couple gets a fairy godchild to help repair their relationship

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[olrinarts]

Day 9: Bones Are Needed (from @stychu-stych's cotltober prompt list)

'crusading for bones' is the least subtle innuendo in existence but give them a break, do you have any idea how hard it is to get time alone once you're a god

[chloesimaginationthings]

FNAF movie Mike vs Vanny on ordering pizzaplex food

[lilislegacy]

when i say percy is one of the only people in the world who will stand up to annabeth or call her wrong, i do NOT mean she’s a horrible person and he calls her out for being one. allow me to write a long incorrect quote scene to show you what i actually mean:

*in some battle, post-heroes of olympus*

annabeth, fiercely in control and leaning over a large map: okay, here’s what’s gonna happen, everyone. we are going to evenly distribute our forces and deploy them in successive waves. we must avoid further division to ensure that each wave remains strong and concentrated on the central target. we are going to systematically weaken their core. once their primary fleet becomes depleted, we will expand our focus to engage secondary targets. we will defeat brute force by gradually eroding their strength over the course of several hours. anyone got a problem with that plan?

everyone in the strategy tent, including the smartest children of mars and athena:

annabeth: that’s what i thought. okay so-

percy: actually, i do

*everyone’s eyes widen in surprise*

annabeth, raising her eyebrows: what do you mean?

everyone: *backing away slowly in fear of her wrath*

percy: i get what you’re saying, and usually you’d be exactly right. but i know these guys better than you do, wise girl. i’ve actually been here and fought a couple of them before. yes, they are insanely physically strong creatures, but you’re overestimating their intelligence and positioning. if we do what you’re saying, they’ll just pick us off little by little. we need to be quick and dirty. force their hand

annabeth, pinching the bridge of her nose: percy, you’re talking about a full frontal assault on their strongest point. that’s reckless. we’ll be outnumbered and overwhelmed.

percy, stepping closer to the map and pointing to the terrain: not if we use their terrain, which i personally know. if we concentrate our forces here and here, we can create the illusion of a weaker center. they’re crazy strong, but much more arrogant than you’re assuming. so knowing them, they’ll all focus on our main assault, assume they have us outnumbered, and put all their energy into trying to punch through. but if we’ve got our best fighters hidden in the valleys, instead of holding back, we can hit them from both sides once they commit

annabeth, her brow furrowing as she considers percy’s plan: we’d be baiting them into a trap. they’d think they’re winning, but the second they overextend, we surround them. they won’t see it coming because of the way their ranks are arranged.

percy: exactly

annabeth: it’s based off the assumption of their own tactical shortcomings, but… it’s brilliant. come here and show me all the pathways, and i’ll plan for the side attacks. do you have any advice there?

percy: nope, i need you for that part

*them working seamlessly together as everyone else stands around in shock*

[liaislying]

My mom started watching Better Call Saul and she learned the term “rizz” somewhere and now all she keeps saying is “Saul has rizz” and “Chuck hates him because he has rizz”

[bbygirl-aemond]

“He was very fond of me, and i of him” NOOOOOOOO ALICENT STOP THE AVERAGE VIEWER DOESN’T HAVE THE MEDIA LITERACY TO UNDERSTAND THAT YOU CAN’T VERBALIZE YOUR OWN ABUSE DUE TO YOUR UPBRINGING AND YOUR OWN COPING MECHANISMS AND THAT IT MEANS YOU SPEAK KINDLY OF YOUR ABUSER IN A WAY THAT IS NEITHER TRUE NOR DESERVED

[sinsydia]

Sebastian being a menace Pt. 2

[united-under-skyfall]

leverage is so fucking funny. man manages to find the most mentally ill and neurodivergent group of thieves on the market + an even more mentally ill guy whose literal job description was trying to chase all of them, and forces them into a found family speed-run by trying to blow them all up. they lowkey stage a full fucking country wide coup and are like eh 🤷 just another wednesday. this might be a fun place to vacation tho i guess. sophie shows up to her own funeral twice. they're so good at convincing people of their shit that they make a guy's body start reacting to an illness he doesn't have because it isn't real. go completely out on a limb and basically hand this one guy a new password for his computer so they can get into it and he goes with it. parker and hardison have straight up just "fake it 'till you make it"d into the fbi without even attempting to cover their tracks beyond just These Two Guys. half their clients never asked to be their clients and don't know they're their clients, and the other half are random people who find them who fuckin knows how, meanwhile no government agency can track them down without selling their soul to sterling. they make a point to have a dramatic scene w a Big Bad Shadowy Government Guy who doesn't actually get caught or brought to justice or anything telling them he's going to hunt them all down, and in any other show this would probably earn at least a minor arc later on but he literally never shows up again. an entire season finale hinged on a cake and a bunch of clams. they accidentally made eliot a celebrity not once, not twice, but three times. parker blew up her foster parents' house when she was like. nine. and it's hardly a footnote. hardison is just casually an artistic prodigy but it's only ever brought up for the most background of background gags. eliot's biggest beef with parker and hardison for like two and a half seasons is that they won't stop making weird food with lasers and refuse to realize they can't make a decent beer to save their lives. sophie's immediate response to being shot is to call her shooter a wanker. there's a character who has literally killed a man with a mop and they had the audacity to only put her in one episode.

[technically-human]

Beings and entities, @i-am-as-normal-as-you-are has once again approached me with an amazing concept, so we present to you... a fusion, Steven Universe style! we're calling him Charwin because we can't be creative all the time.

AND there's lore. It's us, of course there's lore.

I tried to include it in the comics themselves, but basically, there was a case of dissappearing ghosts. Just like Esther, the people behind this were trying to use the pure energy to their advantage. These rocks are supposed to amplify the energy, but it kept resulting on the ghosts dissipating. The boys were captured and experimented on (yes that's horrifying. Not pictured here because... the reverse verse is angsty enough, so I wanted this one to be a bit more fluffy), but since they both went through Hell, they're stronger than your average ghost, and the rocks stayed on! The fusion was an unexpected side effect.

Plus he can make a weapon appear! it is just an oil lamp though.

[bbelovas]

AUBREY PLAZA as RIO VIDAL/LADY DEATH in Agatha All Along (2024)

[vaguely-concerned]

little detail I've picked up on: lucanis seems to like it when rook is smart. not in an academically minded way, necessarily, but when they're clever/analytical and clear-eyed about the practical realities of a matter and able to sort out the bullshit. most immediate example that comes to mind is of course when rook points out to illario that zara physically can't have made it back to vyrantium yet by conventional means in the café scene (where they're also backing what lucanis is trying to say, so the approval there makes extra sense), but it pops up in several other places too where rook cuts through to the heart of a problem with that kind of thinking. his and davrin's approval often overlap, but davrin seems to like it when rook is resolute and practical (and kind but don't tell anyone that sssh <3 ilu davrin), where I get the sense that lucanis gets that extra little thrill when they're also clever. in another contrast emmrich likes it when you're curious and openminded and kind (a lot like solas in da:i really) -- more like a life-long earnest academic *would* think about and value learning and knowledge in terms of a process and way of thinking rather than the results that come out of it -- while i think lucanis kind of likes it (and possibly gets a little ah frisson out of it depending on your relationship with him lol) when your mind is a knife. which I think is really neat. also tracks perfectly with him liking both viago and neve too haha. he clearly enjoys the Thinkers of the world.