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#but she doesn't know everything we know That's Why She Acts That Way
mapoeggplant · 3 days
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skip to loafer chapter 64 analysis // spoiler
the desire to be loved that distances her more and more from people: we are finally starting to understand a little more about yasaka's past.
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unlike what I thought, the first spark that gave shape to the kyoto arc didn't come from shima or the girl groups, but from one of the most enigmatic characters in skip to loafer: yasaka.
we always knew very little about her and how her story unfolded. all we had was the understanding that she was a very lonely person with a complicated family situation and someone who sought people's love. and now, together with mitsumi, we are starting to understand more about where she was going with when she said that mitsumi had always been too loved to not care about what others thought.
yasaka clearly has a great desire to be loved, but she doesn't know exactly how to make people create stronger bonds with her. she believes that by being a person who is liked and desired by everyone and making these people feel good, she will get everything she wants — and this illusion may have been the result of a troubled relationship with her father, something that I believe is possible due to the small flashback she provides us.
she wants to be loved, she wants people to look at her with affection and not disapproval. being loved, pampered, praised is the way she understands love, something probably the result of a strict upbringing, where demanding anything more would result in a disappointed look. to escape this, yasaka always acts like a good girl, who gives double meaning answers and only says what others want to hear. the superficiality of the love she receives is enough to soften her ego and feed her well-being and the superficiality of the love she gives is enough to protect her from getting hurt.
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but of course all of this is just a time bomb that is very close to exploding. yasaka puts on this persona of someone who does not want to be completely understood, but is unable to separate her frustration from the desire to form more meaningful relationships. she is not only shielding herself from people forming more mature relationships with her, but also doing her best to maintain superficiality so that her mask doesn't fall. another thing that solidifies this for me is the central page of yasaka surrounded by “affection” and gifts, showing exactly the loss of her childhood and the desire she still carries within her.
and what I like most about all of this is how mitsumi, someone completely opposite to her and who barely knows her, tries at all costs to cross this barrier that yasaka places between her and the world. by not allowing her to leave and insisting that she stay with the group, mitsumi is basically confirming to yasaka that it's okay for her to have her flaws and receive disapproving looks: her presence is still required and she is still a person who complements the group as a whole.
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I really like how sensei is always willing to put two completely opposite characters so that they can externalize their flaws and fight against their barriers — and the relationship between mitsumi and yasaka is exactly another great example of this. on one side we have mitsumi, who grew up surrounded by love and affection, that’s why she’s so sure of herself and doesn’t need to seek validation on others. on the other, we have yasaka who craves affection so much to the point that she will drown herself in any small glass of it.
another thing i want to point out about this chapter is how being in love can blind you for flaws of the one you admire so much. when ujiie realized that yasaka isn’t the perfect girl he always saw, the first instinct he had was to deny it: of course his goddess wouldn’t have a flaw!! she’s 100% that girl he idolizes and loves so much. but what if this was all something he made up inside his mind?? how will ujiie deal with this heartbreaking of a confession?
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another month blessed with another gorgeous chapter. sensei keeps surprising me more and more and can’t wait to see what she’s keeping as a secret from us. thank you so much for reading 💛!!
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Fun Carmy
Fun Carmy is relaxed Carmy, the other one is Logan, his social alter ego.
I was wondering if Carmy ever had a day of fun in whole life because IMO he has always been that anxious lil kid around others, that we saw in Fishes (02X06), I’m sure. He’s better at the tête-à-tête like the one he briefly had with Michelle that evening
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OR as part of small close-knit groups, like that scene in the kitchen (Ceres 01x06).
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These assumptions, I think, are also completely backed up by his S1 -Emmy Winning- monologue (Braciole 01x08).
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And what I ended up realizing is that FUN CARMEN is not the one we might think we haven’t really seen yet, and that fun for him does NOT look like it may look for us or for a more extrovert type of person.
I happen to be listening to Nina as I type this, and she once said:
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I think that quote fits Carmy and his "sense of fun" perfectly.
Fun Carmy is relaxed Carmy, and at peace Carmy.
This is fun Carmy
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Fun for Carmy doesn't look like this
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Fun Carmy is relaxed Carmy
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Logan is not "fun", he is actually a source of anxiety for Carmy, and that's why he can't keep him "on" for long. He wasn't lying when he said he wasn't remotely OK at the party (Pop 02x05) because at that point he hadn't turned Logan on yet.
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Logan is "The other one", the one most people would label as "fun", because it better fits the social CONSTRUCT of what fun looks like, but Logan Fernello Berzatto is actually his functional alter-ego.
His functional or social alter - ego explained from a behaviorist perspective
We all have functional alter egos, this is related to the PERSONAL constructs concept developed by Psychologist George Kelly. These are formed at a fairly early age, even well within our 20s we are still forming our personalities and constructs or ideas of how the world works and what everything means, and thus how we should interact with and/or react to this world we live in, in other words, how to adapt or not to our environment. Then comes our career that can prolong this formative period even more, for instance, celebs of any age are required to have an alter ego for those occasions on which they have to "turn it on" for the camera or the stage → "the stage persona" that is NEVER the same person as the real one behind the wheel of the "functional alter-ego" and this persona has been formed based on their ideal of what has worked best for them in the past, what their PR team or Managers require of them to get them jobs, etc. They may come across as genuine and relatable but celebs are usually always "on" when we see them even off camera, so they are not, not completely. We all have the "office construct", the "school construct", the "mom chat group construct", etc. That is actually a sign of being well-adjusted to fit in society, and that is why we do not act the exact same way in all those different situations even though we are the same person, because we are not the same "persona" and that's OK. It's not a sign of phoniness, or lack of honesty, although it can definitely turn into that and become dysfunctional when there's an underlying mental health disorder, although it doesn't always turn out like that, thank dog!
In Carmy's case in particular, he can handle Logan and turn him on / off at will, which means he's in that aspect still well-adjusted despite his multiple mental health conditions, probably because none of them is a personality disorder, so it's safe to assume that he somewhat knows what's he's doing, he's choosing it to a certain extent and it's not 100% unconscious, only partially.
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His lines are becoming blurry because he let Syd in, whether he admits it or not. And deep down, he knows this but he's not fully willing to go there (yet). That's what S4 is for.
This aligns with the rest of his behavior I already went over in previous posts:
Fun Carmy is the one that California, Copenhagen, and Chicago post-Sydney Adamu brought out in him. He's what most people, not me, would call relaxed, chilled, etc.
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Relaxed Carmy, at peace Carmy, coloring Carmy, talking about food and cracking lil jokes under a table Carmy, is FUN CARMY.
We know him already. We've seen him. He just turns him off when he's The Bear or Logan.
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Remember to follow my tag #Gingerpovs 💋
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So. I think I really really reaaaally (really) like the fact that Wan feels a little unsettling. Personally there were times where I felt a sort of uneasy shiver at the way she acted with Pleng. You can see that she's walking on a very thin edge between the loveable, devoted Wan we adore and something much scarier. There are moment where I am genuinely worried. Her posessiveness isn't cute, it's absolutely extreme and unhinged. She looks at Pleng with so much love it's almost frightening (I didn't know love could be frightening but truly...The intensity of it in affair makes me feel strange)
She wants to own Pleng, she wants to be in their little world together forever without anybody else. She doesn't love anything besides Pleng, and the truth is she has no life besides Pleng. Her entire personality is and always has been designed for and around Pleng. She would probably go to concerning lengths to achieve her dream of their perfect love.
In that sense, she's exactly like Ek (someone else made a beautiful and very interesting post about how alike they are) who also makes me feel uneasy when he's on screen.
The only difference, but which makes all the difference, is that Wan isn't ALWAYS like that. She loses it and then Pleng brings her back. And Pleng isn't allowing Wan to treat her however she likes. The PRESENCE of Pleng is allowing Wan to think and be reasonable, whereas I think her absence of thirteen years is what made her even more unhinged than she was as a teen (which is a lot to say). Because, to be very clear, as a teen, her behavior was sometimes questionable but it didn't make me feel that uneasy. Those were the seeds, the beginnings of what she'd become.
And usually I hate these types of characters but the thing is that Affair is handling it very well. The narration isn't trying to tell us that their relationship is great and Wan is fantastic. We are supposed to feel like something's wrong, but we can also understand why everything and everyone are the way they are ! They are OWNING the toxicity instead of trying to pass it off as something it's not and they are making it work by balancing it with proofs of a genuine, kind and tender love between Pleng and Wan that, I am sure, will succeed in taking over.
Honestly, I don't know if I'm making sense but to sum it up : I think Affair is handling Wan's behavior really well by making it understandable, yet without excusing it, and balancing it with healthier and cuter moments to make us understand that nonetheless, this love is good for the both of them.
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dragon-ashes1485 · 2 days
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TROP s2 ep7. A rant.
Firstly, this episode has been such a joy to watch, secondly, my heart rate is concerning.
Galadriel:
I loved the scene where she was in the cage, completely ready to die, because she wants to make things right. The scene with Celebrimbor was fantastic, at any moment I expected it to actually be Sauron, but the gentle way she talks to him and held his face like a child broke my heart. Phenomenal acting on both sides and the music was also amazing. Her kindness towards Arondir broke me. Her advising him against seeking out Adar was pure irony given her hunt against Sauron.
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Galadriel sneaking around in that orc cloak was so stressful, even though we know she lives.
She seems kinder than in previous episodes, perhaps a result of no longer being around the ring? Or maybe she's just realising everything is going wrong. Either way, can't wait to see where her character goes next.
Elrond:
This guy. I loved how at first he looked ready for battle, but that he was also terribly afraid. But something seemed to switch in his character when his horse was killed and his pure anger there really shocked me. Also absolute savage for sending that orc flying.
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I would like to take a moment to admire that he pauses to briefly mourn his horse.
The stunts that he performed are insane in this episode, and I love how Arondir keeps him safe throughout the later part of the battle.
"Durin will come" was such an important part to me, Elrond really looks like a young boy, as if he were sat on the beach during the third kinslaying again. I think the way that was portrayed was breathtaking.
And how he sits, looking up at Adar, completely ready to give in, broke me, he is utterly defeated. He has been abandoned once more (I know there were reasons but that's probably how Elrond feels). He then tries to stab Adar, but it is clear from where he aims for that he doesn't want to kill Adar, he wants to hurt him. His sigh when Adar got the ring kind of made me laugh, he's so done with all this crap.
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I can't wait to see the aftermath of this.
Minor characters:
Camnir: so glad he was not in this episode or I would have cried.
Vorohil: please let this guy live. I will be sad.
Rian: I am sad. But absolute props to her for that savage arrow in her final moments.
Narvi: he just watched his kin be killed by his own king...let Narvi be ok.
Celebrimbor:
Ow. I hurt. Charles Edwards is an absolute gem, no he may not "look right" for Celebrimbor, but his potrayal of Celebrimbors descent was amazing.
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Also, props to the set team for the scene where the forge transforms into its true state.
He tries so hard to fight against Sauron, he literally cuts his own thumb off. His own. Thumb. And when he's caught by the guards, he tries so hard to explain. I was so scared they'd just hand him back to Sauron until Galadriel showed her face.
I feel like I need to mention Mirdania. She was another product of Sauron's deception. Her death was horrifying and...I just can't even. Her naivety to believe "Annatar" about Celebrimbor, a man she greatly admired, was so sad, and then for her to spend her last moments believing that Celebrimbor had killed her? Ouch.
Celebrimbor tried so hard to escape, only to do what a true lord of Eregion would do, return to the only place he could protect it from, and the place he had just escaped. His bravery really shines through, and in the end it is he who comforts Galadriel.
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ps: shot on the left is fantastic.
Sauron:
Still a bitch. But now with Darth Vader powers for some reason. Probably about to destroy Alderaan. I have no more to say.
Adar:
Yea I'm expecting a full orc rebellion next episode. He doesn't care as much as he did about his children which is why they were loyal to him in the first place. Glûg stayed behind when the others went to fight so I think that says a lot. It'll be interesting to see where that goes. I also hate him now because Arondir.
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Durin:
Durin's speech was so middle-earthy I loved it. And then it goes to shit. I love that he got Narvi on side. The scene where he sees Elrond again means so much to me, there has not been enough of these two in this series and I really hope ep8 rectifies that, particularly after what happened (or rather, didn't happen) on the battlefield.
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I love that Durin admires Elrond's new hair, as he should, it is fabulous. ALSO WHERE IS DISA. I swear if Disa dies, then I do too.
Look at this dwarf in his element. Also eff his dad, his dad is a prick.
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He's really starting to come into his own, fighting against the evil. And you can see later how much his father's actions hurt him because not only does it mean he can't aid Eregion, but his father has killed dwarves. His own kind.
Amazon, please be kind to Durin next episode.
Gil-Galad:
Not much to say except from look at this boi in all his regalia. Love it when you see a monarch actually in the fighting, makes you like them. Especially as Gil-Galad has not been the most likeable chap this series.
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Arondir:
Anyone needs me, I will be crying. That's all I have to say.
Overall thoughts on episode:
Battle sequence was 10/10. The effort put into this show amazes me. Fantastic acting from everyone, namely Charles Edwards, Charlie Vickers, Robert Aramayo and Morfydd Clark (ok fine, everyone). Well done to all the stunt horses as well, such good horses. Bear McCreary's soudntrack shone this episode, including so many characters themes. Also the last ballad of Damrod in the credits!
I am both anticipating and dreading next episode. What will happen with Celebrimbor? And what of Khazad-Dum? How will Adar use the ring? And will we need a box of tissues?
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A conversation needs to be had regarding the democratic party
I've been particularly harsh when it comes to clout chasers regarding Palestine and the instant gratification the world seems to want without putting in the work.
But I want to talk to the Pro-palestinian supporters as well as the online leftist and liberal groups as a whole.
Now, up until Trump's first strike in july, I always thought they MAGA was deeply unified. It didn't matter how awful their leaders treated them, it didn't matter how much disdain their leaders showed them, they always fell in line to vote for Trump and lowkey, I respected it as they, for every single fault they have, loyalty was not lacking on their side.
Meanwhile, I was growing furious with my side of the fence because there was always fighting. I just wanted us all, for a single moment in time, when so much was at risk, to stop the infighting, unite against s common enemy, and defeat the dictator wanna-be once and for all.
Because I know that while MAGA have the cult-like ability to become a homogeneous being, we on the left are basically a bunch of ideologies mushed together under the blue umbrella.
Yesterday, I wrote a blog about how empathy was lacking and it's true. Palestine supporters are willing to throw America under the bus, where marginalized people like trans, minorities, disabled and elderly people will be the first to be hit if Trump wins, followed by white women.
But empathy is a two way street and a lot of people on the left are forgetting that Palestinian lives are being lost every day. The BIDEN administration is acting like an abused housewife to Netanyahu by refusing to even look him in the eye and pull support and while Harris believes in a ceasefire and a two-state solution, she still believes in the ally ship between Israel and America and believes they have a right to defend themselves.
And if we are real, America is the big sister to Israel. We basically taught them everything they needed to know in terms of being colonizers and unabashed murderers.
And keep in mind, im not talking about all Israeli people. I know plenty who are standing with Palestinians both in the states and outside of it.
I'm talking about the Zionist settlers that relish in Palestinian deaths, like Netanyahu, while also crying the victim because of what happened on October 7th (even though he was warned of Hamas attacking several times and still did nothing but that's a conversation for later)
As Americans and those on the left, we need to have a deep conversation with ourselves and ask two things.
Why are part of the left willing to overlook genocide?
And why the other part doesn't care about their own people and their plight?
Neither of these questions are easy to answer but I'm willing to give it a shot.
The first question is a simple one.
2016.
The year where everything went wrong. Hillary Clinton decided to run for president. The dems wanted this and they did everything they could to support it. They threw Bernie Sanders under the bus, this infuriating the youth, they propped Trump up to give her an easy win, and they were arrogant enough to ignore the blue wall. All of this, and the baggage she had from decades of slander, Russia's interference, and Comey's Benghazi investigation literally a week before the election took a flawless victory to a stunning defeat.
After that. Four years of fuckery that left the entire country shaken, where every day seemed like a new low. But what made it worse was the laws that were gutted, one of which made Covid so much worse, the 2 surpreme court judges being pushed by Turtle McConnell, leading to Roe V Wade being slain. among many other things.
It took a near decade but many people on the left are battered and fearful of another Trump win, especially now with Agenda 47/P2025 on the horizon.
Because of this fear, and the guilt that many feel by not holding their nose and voting for Hillary in the first place is causing an overwhelming overreaction by doing "blue no matter who." People claim that "Blue Maga" is real, and they are right. But it's not because of the same reasons as MAGA.
MAGA exists for people to be their worse selves. They can be ignorant, belligerent, racist. Sexist, homophobic, transphobic, xenophobic because Trump has allowed those bigots to come out of the shadows and be legitimized in the political world.
"Blue Maga" is created by fear, guilt and understanding of what is at risk by Trump winning again and further making things worse for all.
Because of the Israel-Palestine conflict getting mainstream, some people feel that they need to focus on their own situation before anyone else's, some people (sad to say) really don't care about something that isn't effecting them, some also have Zionist viewsx and a small amount can't forgive them for celebrating 9/11 the day it happened. Whatever the case, they want to stop Trump and MAGA by any means necessary, no matter who gets in their way.
Now, the second issue is also a combination of a lot of things. A lot of the protesters (correctly) feel like genocide is absolutely something that should be fought against, especially as its using our tax dollars to fund said genocide. It also doesn't help that thanks to the internet, a lot of them are scarred from the images and news reports they were bombarded with on various social media sites regarding Palestine.
Something like death and human sorrow is never easy to forget. I was a little girl living in Chicago. I've already saw a lot of death. And then after moving to Vegas, 9/11 happened and seeing/hearing the bodies splatter on the ground, the screams, the...everything was harrowing.
I don't blame anyone being emotionally disturbed by it all.
And as I've railed about many times, many social media people have hopped from supporting Ukraine to supporting Palestine for the social justice moral purity points to make themselves look good.
Also, you have the sleeper agents that are using Palestine as a way to help MAGA and Russia win the elections along with Pro-Hamas supporters (not Palestinian supporters. They get conflated often so I have to make the difference) using this to reveal their antisemitism.
But for a lot of young people, this is their first really big social movement so they are throwing everything into it because they are at the stage that they believe that they can make a movement that will sweep the world ala the civil rights movement, conveniently ignoring how much strategic planning, pragmatism, peaceful riots, and patience it took.
However, much like "Blue Maga" they've decided that Palestine is the end all be all and damn anyone or anything that gets in their way.
This leaves them blind of the suffering of their own communities. They don't rage over homelessness, the cost of living, the stagnant wages, the rampant discrimination, disenfranchisement and disinformation that is going on. And they sure don't see how women are being made second class citizens right in front of their eyes.
They either don't see it, believe that all these things are "first world problems," outright think they another Trump presidency wouldn't be so bad and that people were exaggerating, even though it took until the 20s to see how Trump's presidency really tore apart this country, they think its karma, or the worse case is that they don't care about what Trump will do because they think they are in a privileged position to not be hit with the worse that can happen.
So this is where we stand.
Now we have to ask what to do about it?
Truth is, what can be done?
The democratic party is in a state of flux. Many conservatives have come out to support Harris in an "the enemy of my enemy is my temporary friend" deal including resident devil Dick Cheney, Biden continues to bow to Israel due to the alliance they have, and third party candidates have been revealed to be MAGA in disguise.
One side believes that teaming with a demon to slay a devil is a necessary evil while the other side fears this is the proof that Democrats are going further right.
But if half of the democratic party refuses to vote due to Palestine, the people who are fearful of what they can lose will go to desperate measures to survive.
My verdict? We really need ranked voting.
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guerim · 1 day
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Parallels/the story between mother Miranda and mama Isabella in my rpg with them being a couple
So, they have been together for ten months, married but not everything has been easy.
Isabella managed to escape from Gracefield (and alive), we know what supposedly happened, right? She adapted and began living in France, even adopting the surname "Desrosier" She became a great lawyer and she is a great woman in business, in getting what she wants and knowing when to back down and act like a good person. She has many social skills except when her feelings are genuine.
And one day, she was traveling to Romania, there she met her new client, Alcina Dimitrescu, who was having many accusations about the situations of the castle maids and the horrors that happened there. Serious accusations from those who managed to escape the castle.
And for Isabella, it was like working with demons all over again.
Alcina gets very stressed about business, it is difficult to be an entrepreneur in the new century, different from what it was in the 1900s onwards. She and Isabella met regularly in the capital of Romania but one day Alcina couldn't go, she sent one of her daughters instead; in fact she wanted to send Bela but Bela was busy with her "grandmother" and in her place went Cassandra.
Cassandra always liked fun and business was boring for her but she behaved herself and at the end of the day she managed to drag Isabella to a party to take advantage of the fact that they were in the capital. Isabella hates parties. So there she was hiding in the bar drinking a good wine and after a few hours she managed to talk a little with Cassandra and in that conversation Cassandra mentions her "grandma" Miranda. This caught Isabella's attention.
Miranda's small cult had become something big, now she owned beautiful churches, beautiful cathedrals and had enough money to invest even more in research to save her Eva.
And Isabella was determined, she knew that now that she was over forty, getting married would be difficult, not that she cared about it, she didn't care. She even dated a man before but ended it. But she wanted to meet Miranda, a woman with a lot of power, maybe it was Isabella's instincts to go after that.
So, she finds Miranda at the church and she waits for everyone to leave to talk to Miranda. She is then impressed, Miranda is beautiful, blonde, tall with hers 1.85 meters. And nervously, she doesn't know how to hide what she feels when it's genuine so she says to Miranda:
"you're my wife."
Miranda laughs, she looks at that woman, beautiful but bold. In disbelief she asks "what?"
Miranda has always known she was a lesbian, she knows it's normal, she's a biologist and she knows that homosexuality is normal at the same time she was born in the late 1800's in Eastern Europe where it's not normal, at least it wasn't in the past.
Isabella gets mad, why is her new wife laughing? She wants something, she gets it. But she doesn't show anger, she has a calm smile. "You are my wife."
Miranda was in disbelief, she could kill this woman with one hand without making any effort and she was there wanting to impose something. She was also suspicious, what does she want?
"And what makes you believe that I like women?"
Isabella remained silent, staring at Miranda as if it were obvious and Miranda with her arms crossed.
"I know what my wife likes."
Miranda raised an eyebrow, still in disbelief at how bold this woman could be.
"And what's your name?"
"Isabella."
And in this way, Isabella convinces Miranda to go out with her. Miranda wanted to find out what this woman wanted.
But Isabella was serious, she imposed herself and was going to get what she wanted even if it took months and Miranda, suspicious, was going to dissect and know everything about this woman and her intentions.
And so their story begins.
@isabellasgfriend
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ectonurites · 9 months
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SUPER DARK TIMES (2017) DIR. KEVIN PHILLIPS
#super dark times#zach taylor#allison bannister#sam edits#if you listen closely you can hear the sound of both mine and Allison's hearts breaking! <3#ok but fr: i know this is gifs. so no sound. but the WAY he DELIVERS the 'you've got a bump on your head' line makes me NUTS#it's so soft. it's so fond. it's... it's a punch in the fucking gut. he likes her *so much* but he *can't let himself have this nice#thing with her* because he's *being eaten alive by guilt he can't accept & won't let himself be happy because of it* and SHE DOESN'T KNOW!#like the thing. the thing is. when you watch SDT you're along the ride with Zach and his POV of everything. despite the obvious paranoia#& guilt warping his perspective/influencing his behavior—we can see where that's all coming from. we understand the motivations#behind the actions he takes. but ALLISON? Allison has no fucking clue what's going on! from Allison's perspective... Zach is this guy she's#known for a while (like they make a point of *telling us* in one of the earliest scenes that Zach feels weird talking about her in the#detached way they may talk abt other people in their grade they barely know—because it's *different* since he and Josh *actually know her*#plus in the script [and it STILL COUNTS TO ME because she *starts* saying the line but just gets cut off by Dennis] Allison brings#up Zach & Josh having had a silly handshake since 7th grade ['oh god that used to make me pee!' <- girl why would u say that to him]#so it's like... these are kids who've known each other for years!) and he's got this obvious fucking crush on her (the hallway scene where#he is. blatantly staring and she catches him for a second) and the moment she decides to actually start pursuing him because SHE'S#got a crush on HIM too... he starts pulling away and acting erratic and sending her the most mixed signals in the fucking world.#and sheee THINKSSS ITS HERRR FAULT!!!!!!!! like. listen. this scene i giffed above? this is what she's fucking talking about later#when she jokes about not wanting to 'scare him off again'. like sure she says it like a joke but... uhm. i simply think there's#a certain amount of truth to it too—because he DID leave the party visibly freaked out! and i think it'd be perfectly believable for her#to think that it was at least partially HER pushing too hard that was causing him to withdraw/pull away from her. plus she blatantly says#she thinks she's the reason Josh & Zach are fighting. like. this poor girl is on the outskirts of a tragedy she'll probably NEVER know the#details of but she's seeing firsthand the impact it's having on Zach and... blaming herself... that's so fucking heartbreaking
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add1ctedt0you · 9 months
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I am craving for a zcx' modern au, where, after years apart, jc, wwx and lwj encounter again. lwj and wwx are married and after some time, jc starts to hang out with lwj, but only with him (they are kind of exs... Or at least so lwj thinks!)
#Like the point of this au is that shit slowly becomes harder#In every universe wwx has to watch as a kid jc losing his dogs because of him. So that wwx internalizes that he brings nothing but trouble#and pain to jc. So yeah. He's married to lwj but jc wants lwj right? He's taking another thing from jc. And wwx doesn't want to hurt jc.#But he needs lwj too. And he doesn't know how to have both things.#And in every universe jc has to be told by wwx that everything that wwx did was out of duty! So that jc internalizes the concept that wwx#never truly loved him! Because jc is unlovable just like his mom! And his bad temper will force people to act out of duty rather than#genuine affection! and that wwx will lose things for him. out of duty obv#And in the middle we have lwj. Who is pampered in different ways by two men he loves! And then he can only watch as both slowly drift apart#from him. Their worst behaviors shining.#Look. lwj knows jc and wwx worst traits. And he can manage them!#But he has never handled jc and wwx together. While they are together. Because - and lwj never understood this before - jc and wwx bring#out of each other their best and worst qualities. In particular their worst self-destructive qualities#And lwj who isn't good with words and he doesn't know why they are behaving like that - and they don't share with him their problems -#doesn't know what to do#It's a mess. A beautiful fic in my head#Like. Both jc and wwx are carrying yzu and jfm' guilt on their shoulders#jc hates how his mother treated wwx (and it was because of him! Because she was scared for jc's future! And he knows it! )#While wwx hates how jfm ignored jc (and it was because of him! Because jfm found wwx more likeable! And wwx knows it!)#zhanchengxian
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ffsg0jo · 5 months
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same universe as this post. you don't have to read it beforehand, but it helps 🤭
even when yuuji's much older and has his own room, he's still woken up by sukuna's old man noises™ in the bathroom at 7am.
the poor, almost adult just wants to sleep in for a little longer and rest his weary bones, but sukuna's snorting and coughing and hacking his life out in the bathroom down the hall.
yuuji doesn't know how you do it, to be honest. between the snoring and old man-isms, the way he seems to have a permanent frown on his face. you've been by his uncle's side for as long as he can remember, acting as a mother figure to yuuji. always patient and caring, standing your ground against sukuna who can be bull-headed sometimes (a lot of times), and ultimately doing everything you can for the little family they've created.
he truthfully doesn't remember life without you, and quite frankly, he doesn't want to remember. ever since he was a toddler, you were his sun, yuuji your sunflower, absorbing your warmth and love.
you stayed by their side throughout everything; the ups, the downs, the twisty turvies. never once have you tried to replace his biological mum or even referred to yourself as his mother. but yuuji sees the way your eyes shine with pride and joy when looking at him.
he can see it in your face now as he walks into the kitchen, yawning. you notice him immediately while plating up everyone’s breakfast and attempting to escape sukuna's embrace, who's clinging onto your back like the leech he is.
“dammit woman, just let me hold you,” he growls, tightening him arms around you and kissing up and down your neck.
“sukuna,” you gasp, “not in front of yuuji!”
the giant of a man slowly lifts his face up from your neck and turns to side-eye yuuji. he lets go of you and sighs, grabbing the plates you’ve prepared, setting them on the table.  
“mornin’ brat, sleep well?” he asks yuuji.
“not with all your snoring, he didn’t.” yuuji laughs at your response.
“i don’t snore woman.”
you and yuuji share a look, completely in disbelief at the man’s denial. he’s woken himself up with how loud he is, many, many times. neither of you can believe he has the audacity to stand there and lie with a straight face.
you both scoff and yuuji sits down at the table, in no mood to deal with his uncle’s nonsense this early in the morning. you move towards yuuji planting a soft kiss on his cheek and ruffling his hair.
“sorry he woke you up yuuji,” you say warmly, kissing him once more.
“if anything i should be apologising to you, you’re the one that has to put up with him for the rest of your life,” the boy responds, looking up at you solemnly, genuinely sorry for you.
“i can hear ya both,” sukuna rumbles, mouth full of egg. “anyways, finish eating and make sure you’re ready by 10”
yuuji turns to you in confusion, and sees your face light up, practically buzzing with excitement.  
“where we going?” yuuji asks
you wrap your arms around him tighter and press his cheek onto yours. he basks in your affection and leans impossibly closer towards you.
“it’s a surprise,” you giggle.
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yuuji’s face twists in confusion as he stares at the shiny, brand-new motorbike in front of him. it was beautiful, and he’s always dreamed of having that exact model, but he was confused at to why they were there at the dealership. is this some cruel joke? he looks at you though, and shakes the thought out of his head. you would never do that to him.
“you like it, yuuji,” you ask, a broad smile on your face, eyes shining with glee.
 “s’ beautiful,” he nods in response.
his uncle pats his back and lifts his hand up, his own tattooed hand pressing something sharp and chunky into his palm. yuuji looks down and sees… keys?
“she’s all yours,” sukuna smirks, revelling in the disbelief on yuuji’s face. he seems to be frozen for a good 20 seconds, just processing what he’s heard. you and your husband share a smile. it suddenly hits yuuji that the motobike is all his, and his face splits into the widest grin.
“i love you both so much” he whispers, tearing up and throwing himself into sukuna’s arms and an arm around your neck.
the man steadies himself as you both tumble into him, heart suddenly panging at how big his nephew has gotten. it seemed like only yesterday when he was barely up to his shins, and now he was eye level?
sukuna hides his teary smile in yuuji’s hair, tightening one arm around you and softly rubbing his nephews back with his hand.
“yeah yeah, love ya too brat.”
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© ffsg0jo 2024 — do not plagiarise, repost, modify, or translate any of my work, in any way shape or form; i will piss in your cereal if you do. all work belongs to me and me only.
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astonmartinii · 8 months
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passion for fashion | max verstappen social media au
pairing: max verstappen x fem it girl!reader
she's everything and he's just ken (in a red bull shirt)
MASTERLIST | TIPS | MY SMALL BUSINESS
vogue
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liked by yourusername, maxverstappen1 and 490,233 others
tagged: yourusername
vogue: it's the start of the f1 season, you know what that means... y/n y/ln fashion season is in session
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user1: @yourusername make sure you're windows are bolted shut tongiht... you're on my rob list
user2: and mine PLEASE SPARE ME SOME OF YOUR CLOTHES
user3: her and lewis hamilton are the only real ones in that paddock
user4: the way they're still besties despite what went down in 2021 >>>
lewishamilton: me and y/n 🤝 making the paddock our runway
yourusername: someone has to make it interesting around here
lewishamilton: see @maxverstappen1 even y/n is bored of you winning everything...
maxverstappen1: womp womp
lewishamilton: womp womp ???? have some decorum
maxverstappen1: jokes on you i don't know what that means
user5: i wish i looked that good candidly
user6: at what point do we stage an intervention for max's wardrobe
user7: babe if the girlfriend effect still hasn't hit then it's terminal
user8: especially when your girlfriend is Y/N Y/LN
maxverstappen1: i'd do anything for her <3
yourusername: even wear something other than red bull merch?
maxverstappen1: let's not get too far ahead of ourselves
user9: i love them your honour
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yourusername
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liked by landonorris, maxverstappen1 and 1,209,445 others
tagged: maxverstappen1
yourusername: max verstappen wins, water is wet
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user11: water is wet and i will be drowning myself in it tonight
user12: me after hearing the dutch national anthem one too many times
landonorris: tell him he has too many already and he should let his best friend have a go
yourusername: he said that's not possible because i don't know how to drive an f1 car
landonorris: nuh uh you can't be his best friend and his girlfriend that's not fair
maxverstappen1: welp, idk what to tell you buddy
landonorris: i feel BETRAYED
yourusername: i'm sorry i'm just that loveable lando... i see how it is
landonorris: HOW HAVE I BECOME THE VILLAIN?
user13: max terrorises them on the grid and in the paddock they maximise their joint slay to terrorise everyone in a two mile radius
user14: they slay so much i can't even be angry at it
danielricciardo: so that's why i was kicked out of the elevator
yourusername: you weren't kicked out it was your floor?
danielricciardo: why did i not make the post? I THOUGHT I MEANT MORE TO YOU
maxverstappen1: just because we both had teenage crushes on you doesn't make you special. you'd have to fight seb and jenson for real special treatment
yourusername: throw fernando and kimi in there as well.
danielricciardo: i was confident in my fighting chances, but i'll leave nando and kimi to it
maxverstappen1: pussy
danielricciardo: EXCUSE ME
yourusername: idk how we got here but don't talk to my boyf that way daniel 😔
danielricciardo: i'm blocking both of you
user15: i am so baffled
user16: IT couple for real
maxverstappen1
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liked by danielricciardo, yourusername and 1,034,448 others
tagged: yourusername
maxverstappen1: clocked in for my shift as the trophy husband to the prettiest girl in the world
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user17: max verstappen why is there a whisper meme in your photo dump
user18: his ass acting like he wasn't at one of the most prestigious galas in the world
charles_leclerc: YOU got an invite and that's the best you could do
maxverstappen1: you better take that back right now y/n dressed me tonight and i look SEXY and COOL
yourusername: charles :( he looks very handsome
charles_leclerc: my bad y/n i wasn't aware that was your pick
yourusername: SAY HE'S HANDSOME CHARLES
charles_leclerc: ??? no
yourusername: wow. you really aren't a girls girl charles. i am disappointed
maxverstappen1: does our history mean nothing charles? i have no issue recreating the inchident at the next race
charles_leclerc: FINE. you look very handsome max
yourusername: more passion please
charles_leclerc: you look very handsome max!
yourusername: more! give the lestappen girlies some crumbs to feed on
charles_leclerc: YOU LOOK VERY HANDSOME
maxverstappen1: thank you 😊
user19: ignoring what ever the fuck that was ... MAX IN A SUIT WHAT THE FUCK MAX IN A SUIT
user20: y/n y/ln the woman you are
user21: so how can we implement this willingness to wear a suit into his paddock fashion
lewishamilton: you might have to waterboard him
charles_leclerc: i volunteer as tribute !
yourusername: 🤨
maxverstappen1: 🤨
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f1paddockfashion
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liked by user24, user25 and 11,029 others
tagged: maxverstappen1 & yourusername
f1paddockfashion: max verstappen in non-red bull attire? MAX VERSTAPPEN IN NON-RED BULL ATTIRE? also y/n slaying as per.
view all comments
user24: this is - i don't know how to feel
user25: maybe the real max verstappen in non red-bull attire was the friends we made along the way
user26: i am CELEBRATING but ladies do remember it's still alpha tauri 😭😭😭
user27: please let us have this while we can
user28: it's not plastered with sponsors so we'll take it
user29: idk about you guys but i think this means y/n should be knighted for her services
user30: i actually think prying the red bull merch out of max's hands might be the hardest thing in the world
user31: call me crazy but those jeans look kinda baggy 😳
user32: omg they definitely are
user33: death to the skinny jeans? fuck it first child named after y/n
user34: can we maybe get y/n in charge of max's merch cause the shit he sells should be considered criminal
user35: for real we need babe in the board room asap
user36: fuck it get her in the red bull board room as well
user37: go all the way and get her with the f1 execs
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yourusername
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liked by landonorris, danielricciardo and 1,506,339 others
tagged: maxverstappen1
yourusername: i love him even if all he wears is red bull
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user39: so ... who made the inchident shirt?
charles_leclerc: and how do i get one?
maxverstappen1: i got it made and considering you DON'T think i'm handsome you can go fuck yourself :)
charles_leclerc: GASP. that is my face you have to make me one
maxverstappen1: boooooo no i don't
charles_leclerc: can i copyright my face? i'm sending you a cease and desist
maxverstappen1: fine. but you will never look as hot as y/n in it
charles_leclerc: so you can call me ugly? @yourusername ???
yourusername: it was a compliment to me so soz
user40: the way she's fashion's IT girl and she still loves him even though his whole wardrobe should be burned
user41: real love
maxverstappen1: i love you. i wear my red bull merch to give you the runway
yourusername: sureeeee ... i love you too xx
maxverstappen1: let me live 😭😭😭
yourusername: the girls are dragging your name babe i need them to know HOW SEXY YOU ARE
maxverstappen1: i don't care how sexy they find me, as long as you love me that's all i need
yourusername: you're SO FUCKING CUTE I LOVE YOU
maxverstappen1: I LOVE YOU TOO
user42: can they chill? some people on here are lonely
maxverstappen1
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liked by danielricciardo, yourusername and 1,033,461 others
tagged: yourusername
maxverstappen1: my closet looks like this, so her's can look like this :)
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user43: max verstappen i misunderstood you. i was unfamiliar with your game.
user44: he's the standard now i fear
user45: a man who wears the same three outfits so you can have the whole walk-in for your collection >>
yourusername: thank you babe. you are god's strongest soldier
maxverstappen1: i AM. that room is scary. there's too much that i don't understand. so many shoes, so many straps i can't navigate it
yourusername: that's okay baby. there's your red bull draw and that's all you need
maxverstappen1: no the people don't understand. i went in there once and i swear i ended up in narnia
yourusername: you passed out with the AC on the highest level and jimmy and sassy sat on you. you were not in narnia
maxverstappen1: oh. well...
user46: this is the closet y/n deserves the rest of that house is defo a mojo dojo casa house
user47: fighting all the trophies, helmets and framed race suits with her narnia closet
lilymunhe: may i request a trip to the narnia closet x
yourusername: omg yes! come over next time you and alex are in monaco - the boys can entertain themselves
alexalbon: what if i want a closet tour as well?
maxverstappen1: don't do it alex you'll never find your way back out
alexalbon: (i was going to strategically leave a pair of albon athletics shoes in there)
yourusername: alex i already own a pair i bought them release day!
alexalbon: OMG ... one instagram pic so my sales can go platinum?
maxverstappen1: don't try and pimp my gf out
alexalbon: ???
yourusername: max 😭 and sure alex!
fin.
note: thank you for reading soz for the long waits between posts a girl has been BUSY but i hope you've all enjoyed! happy galentines day or palentines day to all that celebrate and thanks for 4.7k!! xx
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benegesseritofficial · 3 months
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The effects of face paint on Harrowhark's psyche
I've now cosplayed Gideon Nav 3 times, with my wife along as Harrow every time. Naturally, this has included full face paint for both of us each time and I have some thoughts.
Let me start by asserting that everything Muir writes in TLT about the face paint is accurate. Rubbing off your lips first, smearing into gray where the black and white meet, the way sweat makes it ooze but not run. I can't say if Muir (a known Homestuck) ever cosplayed as a troll, but I'm positive she tested out the practicality of the skull face paint or otherwise has first hand experience with extensive use of grease paint. Also, the way she describes normal people flinching when they see you is spot on.
I've noticed while putting on the make up that once most of my skin is covered, any flesh tones sticking out start to become unsettling. Specifically, the red/pink of the inner mouth and around the eyes jump out upsettingly. Every time I've done skull paint I find myself meticulously trying to patch over these edges of skin, despite knowing that it's inside skin that Shouldn't Have Make Up On It. Once my face is monochrome, I don't want to be able to see a scrap of real human under there. Smiling, or otherwise opening your mouth wide enough to see the pink, looks UNSETTLING. My own skin causes the uncanny valley effect. You see where this is going. In NtN we learn Harrowhark disassociates often enough that Crux isn't surprised or concerned to see "Harrow" insisting she's someone else. Obviously this is due to her schizophrenia, and perhaps trauma besides. But it doesn't account for every aspect of why Harrow's "like that." On her most lucid days Harrow ignores her body to the point of sweating blood and passing out. She goes entire days without eating. She thinks of herself as a skeleton unfortunately covered in flesh. She sleeps in her paint.
All of which is heinous, but that last one has stuck with me. From age 13-18 I barely glanced down while I showered and whatever I saw I basically blocked out. I wore underwear and a bra under my pajamas to sleep every night. I was going through the wrong puberty, "my body was in open rebellion" as I liked to say at the time, and the only way to cope was to bind it down and pretend it wasn't happening. By Gideon's narration in HtN one gets the impression most nuns of the Ninth are putting their paint on after breakfast and taking it off when they get home. It's not even expected the average person wears it every time they leave the house. But Harrow regularly only takes her paint off in order to redo it. I suspect a combination of being the most brainwashed person in her own cult, knowing how she was conceived, and the regular disassociation make it very difficult for Harrow to conceptualize that she actually lives in a body. If she faced that fact head on she'd have to ask why it so often feels someone else is using her body. She'd have to cope with owning this body, being a part of this body, that was bought with the blood of 200 children who should have been her peers and friends. Instead she pretends it's an object on loan from them. And she does it with 10 layers of black petticoats and so much paint she never has to see her own skin.
Which brings me to the final thing I've noticed wearing full face paint. It dehumanizes you to yourself and everyone around you. I couldn't read my own expressions in a mirror. Even people who understood and were delighted with my cosplay were visibly nervous talking to me. You don't look like a person. Studies have shown that faces wearing heavy make up are ranked as harder to read and perceived as less empathetic. It's a particularly insidious trap of patriarchy that many women find self esteem in wearing make up, while that very act makes everyone around them treat them more callously. And, worst of all, if you stop wearing it once you're used to it, your naked face is shocking. You look sick due to your colors being less bold and the normal small flaws of your face appear unbearably ugly. With all this in mind, Harrow has trapped herself in a feedback loop of not being able to witness her own face and becoming more and more disgusted with the flesh and person underneath whenever she has to glance at it.
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inkskinned · 6 months
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okay if you're really cool about things, i can be honest with you. before you read further, decide if you're a girl's girl. if you're cool and actually cool or like not cool.
men don't talk in my book because i was fuckken tired of the way they're the center of every fucking story. i was tired of how every story takes a moment to let them talk. men can shut up for literally one fucking book.
unfortunately not everyone is cool. professionally what i usually say is i didn't want to add violence to the world. the only men in my book are abusers, so they don't get to talk. they don't get to take up space. they ruined my life, they don't get to have their words echo anymore.
because like, yeah! you find practically any story about a person surviving trauma and... there's a man at the center. men are often rescuing us from these things. a "good man" is always standing around, being a good man, proving to the victim that good men are the real men. that her experience was unique rather than universal.
the redacted text has not been taken well by all of my early readers. there is this weird, crouching growl that keeps occurring with men-of-a-certain-age. why don't we hear his side of the story?
when i sat down to write everything that happened to me, i couldn't look at the frank brutality of my abuser's words on a page and think to myself: i actually let him speak like that. i had to redact his words from the manuscript. i then left it redacted. no victim is going to read this book and hear the person who hurt them. it is a book for the victims to speak. abusers shut up challenge, forever. for eternity.
my father once told me, chuckling, i should just have a page of redaction where i let the man just finally talk. it is funny to joke about how we should make a whole page in my book about a man that hurt me. this was not the only time someone commented - it feels like you're hiding things. how do i know you're actually a victim if he doesn't get to speak?
there are books where women aren't even present. i even genuinely like some of those books. like, who doesn't like the hobbit?
i keep running into people defending this imaginary man. the default narrative is so true to some people that they will defend any man, just by virtue of the assumption - "if he's acting like that, you had to push him." certain people need definitive proof that you didn't accidentally make your partner into an abuser. they need to decide if you deserved it, because they want to be able to judge you.
which makes sense, i guess, from a hind brain perspective. if you can figure out "why" someone was cruel, you can protect yourself against it. if you defend the bully, the bully might side with you. i don't really know their explanation for feeling this about a character in a book. trust me, i wrote the guy. he is not going to protect you.
i guess i just - there was a time in my life where i desperately wanted anyone to defend me. where i could have really used someone saying holy shit are you okay instead of what did you say to make him act like that to you.
instead, over dinner, a friend-of-a-friend i just met is pouring herself wine. i heard you wrote a book, she says. she gives me the kind of chilly smile i associate with knives. i heard it's unfair to men.
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hyunniesgirl · 9 months
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My cat likes you
Pairing: Lee Know x gn!reader
Genre: fluff
Summary: your cat is behaving strangely lately and a walk outside your apartment shows you exactly why.
Warnings: none
A/N: I saw a video on Instagram with a cat rubbing on the floor when they saw a cute guy and I was like "why is this so Lee Know coded?" And had to make something like that with him heheheh
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It's been a few days since your cat started behaving strangely, she'll wake you up early in the morning meowing at your room’s door. At first you thought she did that because she was hungry, but when you put food in her bowl she ignores it and keeps meowing.
You realized then, that she wanted you to follow her as she twirled and rubbed on the floor. She would wait for you at the door and would keep scratching it, waiting for you to open it.
“It's too early for a walk, Bo-mi”, you tell her, shaking your head and turning around, going back to your bed to try and sleep a little bit more before work.
She keeps insisting on the early morning walks, but you don't give in, you can't have her get used to going out when it's still time for you to be sleeping.
After a few days, Bo-mi starts having that same behavior late at night, when you are already in bed, ready to go to sleep. She meows for minutes straight until you get up and walk with her to the door.
“Bo-mi, we can't go out now, I'm already in my pjs”, you sigh, patting her. But she keeps scratching the door and meowing for you to go out. “Tomorrow is Friday, okay? So I can stay up late to take you out for a walk”, you tell her before going back to your room.
You spend the next day trying to figure out why she's acting this way. You think about the possibility of her being sick, but she's eating and drinking water normally and she's sleeping the same amount as she always did. Her last check up wasn't even two months ago, even so, you should definitely make an appointment with the veterinarian.
You arrive at home and Bo-mi comes running to you, purring and rubbing herself on you. After you pet her, she goes back to the couch, getting comfortable there again, she doesn't even try to go to the door. Why does she just want to go out when it's late? Or early in the morning? It’s just strange.
Thinking too much about it won't help you find out what's going on, so you give up on the thoughts and just go to the bathroom to take a shower and put on some comfortable clothes since you have to take the lady of the house for a walk in a few hours.
Everything kind of makes sense when you open the door and Bo-mi goes running to the corridor, however, she stops at your neighbor's door, sniffing a bit. The sound of the elevator takes you out of your thoughts and your cat walks in that direction finding a strange man coming out of the elevator.
He looks at her and smiles, trying to go past her but she throws herself in the ground, showing her belly to him and rubbing herself on the floor.
Before you can speak, the guy bends down, petting and making her meow. You look at your watch to see that he's arriving at the exact time that Bo-mi tries going out every night. The weirdest thing is that she hates strangers, especially men.
“I’m sorry”, you finally get out of your head to say something, “she has been acting strangely lately”
“It's okay”, he says, without looking at you. Hypnotized by your cat's little meows and cuteness. “I actually saw her on the balcony one of these days, but couldn't pet her because of the distance”, he chuckles. “What's her name?”
He finally looks at you when asking that and for a moment it seems like the world stops for the both of you. He's the most handsome man you have ever seen in your entire life, with cute boba eyes and an innocent look.
“It's Bo-mi”, you tell him, feeling your cheeks a bit warm.
He clears his throat, petting your cat for the last time before standing up again, fixing his clothes. He didn't look at you at first, but you are so pretty it actually left him speechless and that is a hard thing to achieve. He was even going to make a joke about cats, but couldn't even manage to get that out while looking at your face.
“I'm sorry to ask, but do you also go out around five a.m.?” You ask out of nowhere, making him look at you suspiciously.
“Yeah, why?”
“Because I think my cat is in love with you”, you tell him, pointing at Bo-mi, rubbing herself on his legs. “She always tries to go out around five in the morning or at this time of the night, I guess she wanted to see you again”
You really understand Bo-mi on that, you would also want to see him everyday if you had the chance.
“Oh”, he smiles, “I'm Minho by the way, I moved here two weeks ago”, he says pointing to his apartment.
“I'm y/n”, you give your hand for him to shake, “I know it's weird to ask this, but can I bring her out sometimes so she can see you?” You ask, shyly, making Minho chuckle.
“Yeah”, he nods, “maybe you can also meet my cats”, he says, feeling his ears warming up. “I mean, in a housewarming party, of course”, he completes.
“I would love that”, you smile and he feels like he could melt just with that, “I'll take her home now”, you catch Bo-mi in your arms even though she struggles to get out of your grasp and go back to Minho, “I'll wait excitedly to meet your cats”
Minho watches you go into your apartment, waving to him before closing the door. Now, how the hell does a housewarming party even work?
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zyafics · 13 days
Text
PLAY FAKE | part thirteen
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MASTERLIST (series) | Rafe Cameron x Female Reader .ᐟ
Summary — When Rafe needs to secure a girlfriend for his father to see him as a viable candidate for Cameron Development, he enlists the help of a bartender who wants nothing to do with him.
Content — 18+, smut, angst, depictions of jealousy + aggression, emotional turmoil, mild descriptions of violence, and usage of drugs. Reader is hyper-independent, a people-pleaser, a smart mouth, stands on business, and has a mysterious past. Rafe is insecure, possessive, an asshole, and has mood swings.
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"Are you busy?"
The phone call came at the stroke of midnight. Rafe had just gotten away from a lengthy discussion with his father regarding the open properties around Kildare and wanted nothing more than to crash out. But he answered without hesitation when your name flashed across the screen.
"No," he pauses. "Do you need me?"
You do, but you're reluctant to confirm that piece of information. Flattening your lips on the other line, you rub the back of your hand over your tired eyes as a prolonged silence engulfs the call.
But Rafe understands. With a firm I'm coming over, he disconnects the call to pick up his keys.
You've been home for a couple days now, having stayed at Tannyhill for a little over a week. However, with Sarah's return, you felt you'd overstayed your welcome and needed to part ways. Despite Rafe's protests, you insisted, needing to find your own space in the aftermath of everything.
He had hated the way you phrased it. That you needed a place without him.
When he reaches your driveway, Rafe discerns two silhouettes on your porch. Adrenaline spikes, assuming it was Aaron—and that was the reason for your distress call—but upon closer inspection, with the headlights of his car glaring in that direction, the clarity hits.
Maybank and Heyward.
His stomach twists at the realization that he wasn't your first recipient. That you went back to your roots before coming to him. Now, more than ever, Rafe has a bleeding need for some security, to be your first choice.
He doesn't like to be set in the backseat to a pair of Pogues.
Turning off the ignition, Rafe exits the vehicle just as Heyward and Maybank launch from your porch steps with rigid defense. Their eyes narrow at him in suspicion as he stalks up the long pebbled pavement.
"What are you doing here, Rafe?" Pope interrogates in lieu of a greeting.
Rafe scoffs, stuffing his hands into his pocket. "How is that any of your business, Pogue?"
JJ jumps in. "If you're here for Aaron—"
"I'm not," Rafe snaps, not liking any association with the loan shark, before admitting, "She called me."
A moment of suspense punctures the air before JJ disrupts it, shaking his head with disbelief. "Bullshit. Why the fuck would she contact a Kook?"
It's an insult, the way Maybank's lips curled with the title and Rafe huffs. He doesn't owe him any explanation and certainly won't give one. Stepping forward, Rafe attempts to enter your house, only for the two boys to block his path.
"Move," Rafe commands lowly.
Pope tries to meditate. "Look, I don't know what you're doing here, but she's been through some things and we don't want any more problems—"
Rafe doesn't bother listening to whatever else he has to say. He knows. He knows what you've been through and he's here because of it, not to add to it. But the accusation is thick on Pope's tongue, fueling his irritation. He attempts to shove past both of them, only for JJ to push back.
Shouting stirs you awake. That's a lie. You've been staring at the ceiling for the past hour, hoping it'll lull you to sleep, only for the act to be unproductive. When you start to hear sounds coming from outside, you know Rafe arrived.
Pushing past the screen door, you step out onto the porch to witness JJ and Rafe in the middle of a standoff.
Charged words thrown back and forth, you recognize the dark look behind Rafe's gaze as JJ keeps pushing Rafe's chest—one full of deep agitation, seconds away from snapping.
Your stomach flips with nausea.
"Back off, JJ," you announce sharply to the open yard, causing the trio to direct their attention to you. You briefly connect your gaze with Rafe before turning to the younger blond. "I called him."
JJ's hands drop from Rafe's chest, taking a step back, but there's a look of unsteadiness behind his gaze. Confusion spreads across his hard features while his mouth twists into an ugly scowl. "For what?"
"Does it matter?" You refute, avoiding his question. JJ cocks his head, only for you to add, "You can go home now."
JJ frowns, turning to Pope as they exchange a silent debate. When all Pope could give is a casual shrug, knowing it's your decision at the end of the day, JJ turns back to you.
"You could've let us stay," JJ reasons, throwing a harsh glance over his shoulder at Rafe. "What could a Kook do for you?"
"It's fine. He's my…" You trail off, unable to find the right words to label Rafe. Your initial ideas are too compromising. And Rafe doesn't want your relationship to be seen as complicated to the Kook public, since your interactions could circulate back to Ward. But here, in the sanction of The Cut, you know there's no intersection. No need for security. You shake your head with a tired yet reassuring smile. "It's okay. I appreciate you guys' help."
Rafe hates how you didn't say it.
With a heavy sigh, JJ nods. "Alright," he says, clapping his hands and signaling Pope to descend off the porch. They pair off as they head home and, sparing one last glance at Rafe—who's ascending up the short steps to approach you—JJ bids a final farewell. "Call us if you need anything."
Rafe's arm wraps protectively around your waist. "She won't."
You roll your eyes, shoulders relaxing from their rigid stance, as you watch their departing figures. Once they're no longer in view, you take his arm and tug him into your house.
The short stroll to your bedroom is mostly silent and Rafe takes inventory of your home for any disturbance. Since he ordered that cleaning service, your house is significantly cleaner. You had initially refused his charity but he refused to take no for an answer and you ended up with a grade-A cleaning company that polished your home from all the broken debris and dangerous hazards.
But that wasn't the problem.
When Rafe steps into your bedroom, it's an absolute mess. Pillows are skewed across the floor, your sheets wrinkled and tangled upon each other, and piles of your clothes are thrown together into a pile next to your closet. It greatly contrasts the environment outside your door.
"Shit," you mumble, embarrassment flooding through your body. You move from his touch to do some quick cleaning—throwing your pillows back on the bed, picking up dirty clothes, and tossing them into the hamper.
Abashment increases with each of your frantic steps, to the point that Rafe has to grab your elbow to stop you in place. "Hey," he says softly, lifting your gaze to his, "I don't mind."
You don't say anything. Fatigue pours into the very crevices of your bones. But despite the urge to be presentable, Rafe is a comfort. A clutch. And it's getting dangerous seeing how much you lean on him.
It's on the tip of your tongue to push him away. To tell him to go back home. But he beats you to it, glancing at the door.
"Where's your sister?" Rafe asks. "Are they okay?"
"They're fine," you answer, "They're sleeping."
You assumed Amara and Leilani would deal with the same troubles as you, but when you checked up on them, they were out like a light.
Rafe examines you carefully: the way you shift your weight from one leg to the next, the way your hands slightly tremble, and the clear indication of sleep deprivation from the darkened shades ringed around your eyes.
He understands now.
"And you're not?"
Your jaw locks before unwinding. "I'm sorry."
He wants to eradicate that phrase from your vocabulary.
"Why are you apologizing?"
"It's stupid."
"It's not stupid," he argues. "You have a problem and you called me. I'm here to help."
Rafe's words are adamant and warms your chest but guilt presses like glass against your heart. "Were you busy?"
"Doesn't matter."
You frown. But the look in his eyes is genuine and honest. You take a step back to separate from him, needing your own air. As of late, everything you own is his. "I…" You exhale a large breath, voice shaky. "I don't know. I don't know what's wrong."
"Is it because of Aaron?"
You hesitate before nodding once.
"Have you seen him?"
"No, and I think that's the problem." You expel another breath. "I'm on edge all the time. My chest feels heavy and tight and my head hurts." You pause, before choking out. "I'm just so exhausted."
Rafe closes the distance and wraps his strong arms around you as you sink into his chest. You inhale, taking in the faded smell of his cologne.
"I hate this," you mumble, balling the fabric of his shirt into fists. "I hate that I can't sleep. I hate that I'm always stressed. I hate that—" You cut yourself off, not wanting to reveal too much. Swallowing hard, you attempt to salvage your words. "I just hate that I'm like this."
Frustration oozes out of you and Rafe hates to see you in this state. However, he'll admit, having you vulnerable and open is a welcoming change. You're allowing him a chance to see a side of you no one else has the privilege to and he deeply treasures your trust.
He'll do anything to preserve it.
Rafe massages delicate circles into the small of your back, soothing the aches in your bones as you melt into his arms. "It's okay," he reassures with a sweet mumble, "I'm here. What do you need from me?"
"I just want to sleep."
"Then we'll sleep."
"No sex." You withdraw enough for him to meet your solemn gaze, "No touching. I don't want to do anything other than sleep."
"Okay." He agrees slowly, his voice is unsteady because of your accusatory tone.
"I'm serious, Rafe," you proclaim. "I know we like to mess around, but I'm too tired. I don't want to fuck tonight."
Rafe's expression is unreadable, stonewalling his emotions the moment those words slipped from your lips. Did you think he only sees you as a fuck buddy?
"I said okay," he snaps, a little sharper than intended, but you pretend not to acknowledge it. You misunderstand it as him being upset over the celibacy rule imposed tonight, but that wasn't the case.
You swallow hard, not wanting his aggression to roll over into bed. "Rafe," you begin, feeling guilty, "if you don't want to, it's fine—"
"I never said that," he cuts you off, not wanting the implication to be read that he doesn't want you here. He does. It hurts him that you think he sees you as nothing—when that's far from the truth. He just can't seem to say it. "I just..." His jaw tightens. "Let's just go to bed."
Your lips pull together into a thin line, wanting to address the issue, but deciding you cannot handle an argument tonight. Nodding, you separate from him and move to one side of the bed. Rafe does the same.
You thought Rafe would take some precaution to add distance between you but he doesn't. You can feel the overwhelming radiation of his body heat, the indication of his proximity in close range, and it causes your breath to be still.
You can't handle it. You need distance. You need space. It's too intimate otherwise, and you can't afford that.
Pulling yourself to the ledge, with your back facing Rafe, you inhale a deep set of breaths to soothe the tension in your body. To pretend you don't feel the heat of his gaze. "Goodnight."
He doesn't answer at first, before he reciprocates with a night and you close your eyes to sleep.
Rafe watches you. The first few minutes are normal, but as time passes, you can't seem to relax in your position. Twisting and turning, your eyes remain closed throughout. The only sound is the soft breaths escaping you to indicate your sleepy state—or, at least, the closest attempt at it.
His mind still lingers on your earlier words. Do you think he doesn't care about you? Beyond intimacy? Is that why you called Maybank and Heyward first?
Rafe never thought you had an issue with it. That you were perfectly content with the arrangement. But the accusation on your tongue gave a different interpretation. Do you want more? Or, is he driving himself insane with the idea of you being his and only his?
Lost in the spiral of his own thoughts, Rafe didn't even realize that you moved closer. Your back now facing the wall as one of your arms extends outward, draped across his chest.
He freezes. Rafe assumes it's an accident, something you'll retract in a matter of seconds. But when your arm reaches out again, seeking the curve of his neck, he realizes it isn't.
You want him.
Taking it as a sign, Rafe lowers himself to grab the underside of your thigh, pulling your weight onto him. The moment you're in his embrace, chest resting against his, you wrap your arms around his shoulders. And, in return, Rafe nuzzles into the open crook of your neck, inhaling your scent.
"No touching, huh?" He mumbles into the softness of your skin as a gentle taunt. But when there's nothing but the sound of shallow breaths and the emptiness of replies, Rafe realizes you truly fell asleep.
You reached for him unconsciously.
His heart races at the implication, before calming to a normal rate, matching the steady guided pace of your own breaths. His grip around your body tightens, squeezing the soft flesh because, at that moment, he doesn't ever want to let you go.
"You need me," Rafe murmurs the confirmation in the column of your throat, hoping the words would sink through. "And I need you too."
By morning, you're gone.
It shouldn't come as a surprise. Every time he spends the night, there's a brief hope that the outcome for the morning will be different. That you'll remain in his arms, sleeping soundly. It never happens. And despite the subtle ache in his bones from the weight of your body on top of his all night, it beats the ache in his heart.
Sighing, after washing up, Rafe exits your bedroom to discover you sitting on one of the stools. A leg propped on the flat seat, your chin rests on your kneecap while you're flipping through some old documents.
"Morning," Rafe says, falling into the space next to yours.
"Shit," you swear, nearly jumping out of your own skin, a hand covering your accelerated heart. You hadn't heard him coming. "You scared me."
"Sorry," he apologizes sincerely, his eyes scanning over your refreshed face. "You sleep okay?"
You nod, recalling the memory of this morning. Curled up on his arms, head buried in the curve of his neck, your body pressed against his. At first, you assumed Rafe had pulled you in, but that wasn't possible. He wouldn't go against your directive. It was all you.
The corner of his mouth rises at the recognition dawning on your face. Before he gets the chance to make some comment about your neediness, you cut him off. "Don't," you warn, feeling a rush of heat rising to your cheeks.
"I haven't said anything,"
"I see it on your face,"
He scoffs, but the smile remains. "You're right," he relents, leaning closer, shortening the distance between you until he's right before you. "I was thinking of it."
Your eyes catch him and the teasing glint behind his gaze, causing your breath to shorten. You expel a breath, trying to release some tension in your shoulders, before you clarify, "All we did was sleep."
"Yeah, but you slept on me," his voice drops a full octave, "Admit it, sweetheart, you want me. Why else would you want me here?"
You search his face, trying to figure out what he wants. What he's trying to get out of you. But you find nothing tangible. Refusing to put yourself in another position of vulnerability when Rafe has done nothing to balance the scale, you scale back, adding space. "I just—I needed someone I trust."
You don't acknowledge that his assertion is correct. That the one time you fell asleep peacefully was in his arms. Or, perhaps, it wasn't necessarily about trust but about him. Instead, you pretend it's something else, something vague and general, hoping one day it will.
"Someone," Rafe repeats. "Or me?"
You avoid the question.
And Rafe assumes the former.
Dropping your gaze to the files, the air stiffens into a palpable silence. Your fingers thread through the records, pretending to search for something, when all you can feel is the thumping of your heartbeat in your veins.
Rafe releases a sigh. The elation of his state quickly deflates after your rejection. Again. He doesn't know how much longer he can take before it truly destroys him. Deciding to shift the conversation elsewhere, he asks, "Do you want me to stay again?"
"No, it's fine," you shake your head, dismissing the proposition out of habit. Even though it would bring you peace, the rational side of your brain determines the distance necessary to protect yourself. Becoming too reliant on Rafe would add nothing but pain. "You can go home," you pause, considering how to lighten the mood, "I bet the mattress here sucks in comparison to your one-million thread counts, huh?"
There's a strain to your voice; a telltale sign. Rafe ignores your words and focuses on what he does best: reading your body language. With squared shoulders and an avoidant gaze, he knows your words are far from the truth. You just don't know how to ask for what you want.
So, he proposes a different question.
"But can you sleep?"
You don't answer.
"I'll stay then," he decides, as if he's reading an item off a menu. Before you get a chance to object, Rafe shifts closer, tugging the corner of a document. "What's this?"
Your mouth closes, shoulders slouching from how quickly he changes the topic. It almost makes you smile. Deciding it would be better than fighting it, you explain that you're reviewing your Sailor bank accounts to see what money you can spare without harming the business. However, the issue is that you can't seem to find any gaps.
Rafe's brows furrow together as he listens, asking permission to take a look at your statements himself. His eyes scan through the billing, before asking. "Why don't you sell the business and work elsewhere?"
"You're not funny," you declare, attempting to pull the document away, but his grip remains firm. His eyes are set on yours.
"I'm not joking," he declares. "It could help a lot. I mean, you'll earn more than what you're earning here."
He isn't wrong. At this point in time, you would profit more by working as a bartender than a business owner. But that's not the point.
"Sailor is my family's legacy," you explain, believing his question was not an attack on your qualification but rather from a strictly logical standpoint. "It and my sisters are the most important things in my life."
Rafe hums, and he doesn't add anything else. You don't know if he gets it. "Let me ask you something: why do you want Cameron Development so badly?"
He goes rigid. He's never been asked that question before. Never had to articulate his reasoning. It makes him uncomfortable to be interviewed—especially if it's to you of all people. "I don't know," he declares noncommittally, glancing at his lap, "I always assumed I would get it. I'm the oldest."
You shake your head. Not out of mistrust, but because you know him. Rafe isn't as simple-minded as the rest of Kildare likes to believe. There has to be more. "I don't believe that," you say gently, "Try again."
His expression morphs into a charming smile. A facade to hide. "Do I get something if I talk?"
You roll your eyes. "It's always sex with you, isn't it?"
His smile drops, but you don't pick it up. He shouldn't have said that, but it's too late. Your expression is easygoing and loose, a detachment to your words as if you truly believe and accept that perception of how he views you.
Instead of addressing his feelings, he tries to articulate what he meant before.
"I don't know," Rafe starts again, in a low mumble, his voice more vulnerable than it was moments prior. "Business was the one thing I got. I... I didn't excel in academics and I didn't like sports that much. But with Cameron Development, it was the one thing me and my dad could sit down and talk about and I didn't feel like a big disappointment to him."
He never said those words out loud before, and the confession sounds pathetic, but the way your eyes soften and your head nods along as you listen with no judgment, it gives him the confidence to continue forward.
"I... I get it, you know? The numbers don't scare me and the logic makes sense. It's the one thing I have going for me and to know that my dad is considering giving it to Sarah... It hurts. Like, she has everything and I can't even have the one thing I'm good at."
His voice cracks at the end, and his gaze has since dropped to the floor, hands messing and rubbing the calloused skin of the other.
You reach forward to cup the side of his face, and lift his head, meeting his sensitive gaze. "It isn't fair," you run the pad of your thumb over his cheekbone, trying to soothe the ache of his admission. "It truly isn't. I wish I could make it better for you."
Too gentle. Too loving. In the comfort of your touch, Rafe speaks before he can stop himself. "Sometimes I think if I have you, I'll be fine with the world."
Your breathing stills. Rafe did too. You don't know if you misheard him, or if he's implying something else, but before you can seek clarification, the doorbell rings.
"I'll get it." Rafe swiftly pulls away, moving to the exit. His hands clench by his side, teeth grinding, regret coursing through his veins at the mistake of letting his emotions overtake him back there.
He shouldn't have said that.
When he opens the door, without checking the peephole, JJ stands behind it.
"Oh, you're still here," JJ declares with a hint of bewilderment. "Didn't think she kept dogs past noon."
Rafe's already on edge from the previous conversation that he has little patience for the Pogue. Seconds away from slamming the door on Maybank's smug face, you appear by Rafe's side, stopping him and inviting JJ in. He steps into your living room, holding something in his hands.
"What's that?" You point to the crumpled note, before recognizing his nervous stance. JJ's bouncing on the heel of his feet, avoiding your gaze, and when you repeat your question, more firmly this time, he reluctantly holds the note out.
"Someone left this at your bar," JJ explains as you take it. Your eyes quickly scan the message, your heart sinking with every word you read. "It's a warning. If you don't... If you don't pay him back in full tomorrow, he'll do something to your bar."
Rafe's watching your reaction with a hardened look. His eyes keep sliding over to JJ, the Pogue being the messenger of the news—the one you sought help from before—and the blond feels the heat of his stare on him. Consequently, it forces JJ to grab your elbow and pull you off to the side, away from Rafe.
JJ begins. "Look, I know you don't wanna do it, but my dad knows a guy—"
"No."
"He's been through with Aaron before," he whispers back sharply, "It might be the only option you have."
"And get stuck in the same shit I had with Aaron? No," you declare firmly, reading the note again. It does nothing to soothe the heightened nerves in your body. The way panic is ricocheting inside your stomach like a ping-pong ball.
JJ says nothing, the absolute behind your tone quiets him. While you're preoccupied with another read-through, JJ glances back to where Rafe stands.
"I gotta ask," JJ starts again, lowering his voice so only you can hear. You lift your head from the note, meeting his curious gaze, with a raise of your brow. "Rafe? Seriously?"
While you're trying to figure out how to maintain your livelihood, JJ is concerned about your love life.
"Is this really the time and place?"
"I'm serious, what do you see in him?"
"Drop it, JJ."
"I just don't understand," he continues in a whisper, but his volume raises slightly, "I swear, you're a pretty girl. You can do 10x better than him—"
"JJ," you command sternly, all amusement vanishes. "Drop it."
"Fine," he stays, stepping back with both hands partially raised to his collar. He doesn't turn to catch another glimpse at Rafe, but instead, offers the same advice as he did before. "If you need my help, you know where to find me."
Rafe watches as the Pogue leaves, stepping out to your porch and closing the door behind him. But his breath remains ragged. He caught the last bit of JJ's hushed words, and as much as he wanted to be sensible, he didn't like it.
You're different than Rafe, he understands that. You have a support system, a list of other people, and sometimes—as much as he hates to admit—they are better than him. Less volatile. Less emotional.
But it feels like you're pushing him away. Placing him as a last line of defense for all your troubles. The insecure parts of him are roaring—louder than his rational thoughts can ever be—telling him that he's the last choice. The last option.
He can't help but wonder. If Leilani hadn't called him, would you have? Or would it be JJ or Pope?
Rafe rounds the couch to approach you, his hand circles your wrist holding the note. Your head lifts to meet his harsh gaze.
"You don't need his help," he declares gruffly, "I could've done it."
You blink. "What?"
"The note at the bar," he gestures to the crumpled paper in your hands, before dropping his to his side, clenching down to a fist. "I could've taken care of it."
"I... I didn't ask him. He did it himself."
Rafe isn't convinced. "And last night with Maybank and Heyward, that was all them too?"
His tone is sharp and accusatory, leaving you lightheaded as you stare at him. You're still wrapped up around the threatening note, but Rafe is somewhere else. A different topic. Another issue. You can't seem to gauge what type of response you need to have. And in turn, you give him silence.
His anger rises. "Am I just your second choice? Your fucking backup plan because those Pogues don't cut it?"
Your head is spinning, and you attempt to pull away from his grip but he tightens it. "Rafe," you start slowly, your breathing quickens, "What are you talking about?"
Are you being ignorant on purpose? Are you trying to drive him mad? His fury erupts, flooding all his senses.
"Them!" Rafe points to the door, where JJ left moments ago. "Last night. Everything. Did you ask them before you asked me?"
It's starting to catch up. "Are you serious?"
"I told you that we'll figure it out together."
"I—" Your throat burns. You can't believe he's letting his jealousy about your friends come at a perilous stage in your life. Exhaling a sharp breath, you meet his stare head-on. "They appointed themselves to that role. I never asked that of them."
After Pope discovered the break-in, JJ and him formed a pact to take it upon themselves to watch over you while you're home. They traded off shifts, entertaining themselves on the porch where they set up a makeshift couch and hammock to crash. You had tried to convince them you were fine, but they were stubborn. They wouldn't listen. And at the time, you appreciated the extra protection.
But it didn't work. You couldn't sleep. You still needed him.
Does he not get that?
Rafe scoffs, shaking his head with contempt, "You never ask for anything."
"Are you really trying to start a fight right now?"
"Are you making it a fight?"
"They're my friends, Rafe," you emphasize, "I told you that."
"I'm not talking about that."
"Then what is it?"
His jaw is set, resistance churning through his system to shut the fuck up, but he can't hold it in. He finds himself asking, half in plead, half in confession, "What am I?"
You weren't expecting that. Your lips part, but no words follow through. His hard gaze is on you, waiting for an explanation, but you don't answer fast enough. It's killing him. His next words are a shimmering calm, in a deadly whisper, "Do you think I only want you for sex?"
Your heart squeezes in your chest, taking all your air alongside it. You think you lost your ability to speak, but when you do, it comes out small. "Don't you?"
You're turning the question back onto him, and he hates it. He's trying to get the words out of you, to see where he stands, but neither of you is willing to take that step. It reduces him to silence.
You can't believe it. He can ask, but he can't answer. Frustration fills you, searing hot and explosive. You don't stop yourself from saying, "Because last I remember, whenever you had a problem, you came over to fuck." You snap, your emotions rising to a crescendo, "And when I asked you what we are..." You trail off, losing your voice. The sting of his label still hasn't passed.
But he knows what you're referring to.
"That's different."
"How?"
Rafe doesn't speak. All he knows is it's different. He has feelings for you. Before he refused to acknowledge it, now, it's bleeding into everything he touches. Everything he does. He just can't seem to say it.
"That was before."
Your brows pull together, your anger pulsating through your veins. "Before what? Before Aaron broke into my house?"
"No," he declares, his response is a knee-jerk reaction, but it wasn't the right one. Attempting to rectify, Rafe stammers, "Well, yes, but it's just... It's..."
Why can't he fucking tell you?
He's afraid of being first.
"It's pity?" You supply, not bothering to conceal the hurt in your tone. "Everything is just pity?"
"No!" He exclaims, but it isn't right. It still isn't good enough.
"Then what is it?" You demand, trying to get a hold of your emotions. But you're seconds away from screaming, or crying, or both. You rip your hand from Rafe's grip, taking a step back to conserve yourself.
His gaze falls to his empty hands, his emotions choking him. Every attempt at saying the right words causes him to shrink, feeling small, feeling like a child reaching for their parent's love, only to be pushed aside and dismissed. His walls are for protection, but it destroys as much as it save him.
Rafe decides to settle on something easy. "I'm your boyfriend."
"Fake," you correct.
"Does this feel fucking fake to you?"
You reel back. All your anger dissipates. All your resentment, hurt, and frustration disappear once those words leave his lips. And you're left with a burning clarity. Your chest constricts, your heart hammering. But you can't seem to answer him. You want him to say it first. "You tell me."
Rafe can't. It took all of him to admit such a thing.
You watch him with bated breath, but only to be disappointed again. His dark blue eyes are piercing, rich with emotions, but none of them are vocalized. None are honest. You can’t do this. You can’t go through another second of this uncertainty. You’re tunneling towards heartbreaking misery. So, you turn to leave.
But Rafe catches your wrist and pulls you back. His lips slam into yours, knocking the wind from your lungs.
He pours everything into this kiss; all his desperation, vulnerability, and truth. His action demonstrates everything his words can’t. And while you reciprocate with the same passion, reality grounds you, and you draw back, shaking your head. “Rafe—“
He kisses you again. Hoping it’s enough. Begging it to be. He can’t say it. He doesn’t know why he can’t fucking say it. He wants this to be enough.
You push back again, and this time, his arm wraps around your waist, trapping you in his embrace. You’re breathing hard as Rafe stares down at you while you’re looking at his chest.
He says your name. You refuse to look up.
He says it again. More firmly. You don’t acknowledge.
“Sweetheart,” he finally says, softening his words, and you find yourself crying. Tears crowd your waterline as you shake your head, refusing to be persuaded by the sweet sound of your endearment.
“No,” you choke out, slamming a weak fist against his chest. “Let me go. I can’t—I don’t—I’m not doing this.”
You finally tilt your head up to look at him. The way he stares at you with such tenderness. You can’t seem to discern it from pity. “I can’t.” You sob, “If this is how you’re playing me, I can’t keep doing this anymore. You’re breaking my heart.“
Then it finally hits him.
All your resistance. It was never rejection. It was the complete opposite. Coupled with the same fears he had; the same emotions he didn’t know how to express. He’s been so blind to it.
He should’ve known. He should’ve read it the same way he’s been reading everything else.
It finally gave him the confidence nothing else has.
“I fucking love you.”
You are completely still. You think you're hearing him wrong, that this is just a way of your brain deluding you and calming your irrational state of mind, but it's real. Your lips part, breathing shallow, all while you're staring back into Rafe's eyes.
He's afraid. Rafe doesn't trust his own instincts. Everything about you makes him question himself. And while he gained a fleeting moment of courage, he doesn't know if it will follow through. On the off-chance that, despite all this, all the signs he read, he was wrong and it will be rejection.
"Say it back," Rafe whispers in a plea. It's pathetic, but he no longer cares. "Say it back or I'm going to lose my fucking mind."
"You love me?" You breathe in a whisper, unable to move on from this moment. Rafe squeezes his eyes shut, swallowing thickly, before nodding once.
“I think I loved you since I first met you,” he confesses. “I just didn’t know it yet.”
“You’re not just saying that?”
Rafe bristles, “You think I go around telling people I love them?” He declares, studying your expression, trying to gauge your reaction, but it’s hard when he’s blinded by the crippling fear that you don’t feel the same. “You think I do this for anyone?”
“I don’t know,” you admit, “I just don’t want you to say something you don’t mean.”
“I do mean it,” he declares, his voice suddenly dry, as he finds your gaze. “I… I’m sorry for before when I said things I didn’t mean. I don’t want you just for sex, I don’t see you as just a fuck buddy. I’m… I’m in love with you, and it’s fucking difficult to tell you that.”
Your lips purse together, but you still don’t answer him. Don’t confess your own side. Instead, you ask in a meek voice, “Since the beginning?”
He huffs. He can’t believe he’s admitting so much today. Revealing things he swore he’d keep hidden behind a locked box. But when he finds the light returning in your eyes, trying to gauge more of his reaction, read his true meaning, finding comfort in his words, he’ll rip out his own soul to keep it there. “Since the beginning. When you called me out, when you patched me up, when you slapped me—“ That bit makes you let out a small laugh, “I don’t think I was going to meet anyone who challenges and accepts me the way you do.”
You don’t say anything for the next few moments. And they were the longest seconds of his life. Rafe had to speak, “And if it’s just me, if I’m the only person who feels this way, I’ll find a way to be okay with that—“
You cut him off with a kiss.
“I love you,” you breathe into his lips, wrapping your arms around his neck, “I love you,” you jump, curving your legs around his hips as Rafe catches you, steadying you with two hands tantalizing skimming the curve of your ass. “Fuck, Rafe, I love you so much.”
His heart fills with your words. Your desperation clinging to each puncture. He grins into the kiss, before he deepens it, tasting you, stealing your air. Everything feels right. Feels good. When Rafe separates to break the kiss, he catches the residue smile on your face and the little daze behind your eyes. He snaps a memory of it and saves it forever.
But, just as it came, it slowly faded away. Reality quickly dawns on you, and your arms tightens around Rafe’s neck, reminders and deadlines creeping up your skin. Your confession comes out small. “I… I’m scared. With Aaron and everything.”
“Sweetheart…”
“I don’t have the money, Rafe,” your eyes connect with his. “I don’t know what I’m going to do.”
Rafe pulls you in, flushed against his chest as your head lays on his shoulders and his hand strokes your hair. It takes a moment for him to process, to remember the world outside of you. But, when he does, he whispers, “I’m going to take care of it,” his voice so low, it almost comes out as a threat. “I’ll take care of you.”
And he will.
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821 notes · View notes
maplesyrupsainz · 7 months
Text
˖⁺。˚⋆˙MY girl | LN4˖⁺。˚⋆˙
pairing: lando norris x celeb interviewer!reader y/n (she/her)
genre: social media au, established relationship
warnings: a couple of innuendos/sexual references but mainly fluff
summary: in which your job has your boyfriend acting up every other week
a/n: this is kind of short but didnt think it was necessary to make it any longer!?! hope u luv it (i love jealous lando omg my heart cant take itttt)
request!!!: Lando’s gf is a celebrity interviewer like Amelia from chicken shop date and Lando is supportive but also playfully jealous?
fc: amelia dimdoldenburg
my masterlist
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instagram ->
yourusername 📍 london
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liked by aitch, landonorris, and 1,718,293 others
yourusername spent a day in london with my fav british rapper @.aitch !! episode out now hope u enjoy 👀
tagged: aitch
view all 18,284 comments
user1 OMG he was flirting with her so bad
user2 no fr she got a man
user3 yea and her man is LANDO NORRIS likeeee
user4 why are they lowkey cute together.....
user5 i love everything y/n does
user6 does anyone else only watch the series just for y/n idec about the celebrity guests 💀
user7 no coz this is actually so valid
user8 omg i've been waiting for this one
user9 queue lando marking his territory soon
user10 can u blame him
f1wags
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liked by user4, user5, user9, and 43,761 others
f1wags new episode of y/n y/l/n's celeb interview series with british rapper aitch out now 🫶 for anyone who doesn't know, y/n (wag of lando norris) is a celebrity interviewer for events & tv as well as having her own series online in which she “dates” someone for the day, usually in a random city of their choice, and interviews them at the same time in a comedic way !!! the series is super popular, who would you like to see her interview?
view all 5,174 comments
user11 we love her
user12 her interviews r sooo funny and unserious
user13 i want her to interview f1 drivers 😭
user14 omg rightttt imagine lando on there
user15 i want oscar or charles 😂
user16 i didnt even know she was a wag
user17 she's more relevant that her bf HE's the wag
user18 justice for my guy lando
aitch
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liked by yourusername, landonorris, and 853,903 others
aitch watch me on y/n y/l/n's series for real like that's my girl
tagged: yourusername
view all 12,284 comments
user19 damn
user20 his girl?!
user21 y/n looks so hot
user22 look like a couple fr
yourusername had the best time, thanks for coming on the show!!!
aitch anything 4 u
user23 🤭🤭🤭
user24 CUTIESSS
user25 one of my fav episodes so far
twitter ->
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instagram ->
landonorris posted a story
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liked by yourusername, yourbff, and 822,182 others
user30 omg i screamed
user31 SHE'S SOOO HOTTTT
carlossainz55 somebody's jealous
landonorris of what?
carlossainz55 😂
user32 lando norris you are one lucky man
yourusername omg hello mr protective
landonorris my girl
yourusername you are freaking sexy
landonorris where are you right now
yourusername 👀
landonorris
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liked by yourusername, carlossainz55, and 1,021,843 others
landonorris hey
view all 33,826 comments
user33 "HEY"????
user34 omg
user35 HOTTTTTT
carlossainz55 still not jealous?
landonorris not sure what you're talking about!
user36 you caused this @.aitch
aitch nah
landonorris no
yourusername 🙂
user37 posting this with this caption is criminal
user38 hahaha our jealous boy
user39 little lando norris is jealoussss
yourusername hahah i love you and only you
yourusername posted a story
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liked by landonorris, oscarpiastri, and 713,028 others
landonorris yup. that's MY girl
THE END 🧡
2K notes · View notes
luveline · 10 months
Note
Hi lovely!
Can you please do one where Hotch and Reader are in a fight and it gets heated and he maybe raises his hand just because he’s shouting and she flinches?
He would be prepared to FIGHT whoever made his honey feel that way 🗣️🗣️
💘
for you my sweetheart. fem, 1k
cw implied past domestic violence 
“It was right,” you're saying, on the defensive, your voice molten, “it was the thing to do!” 
“It wasn't.” Hotch closes the door. “It wasn't the right thing to do, it wasn't even close.” 
You realise, under everything, that he's right, but you couldn't help yourself, you had to try and save the day, had to swerve the SUV. Plus, he's done it himself, and you both know that. “If Monikie got out of that exit we never would've seen her again.” 
“There were roadblocks on the I–46, and I don't think I have to tell you that you could've gotten a lot of people seriously hurt–” 
“You've done worse,” you deny.
His expression, broadly furious, narrows into something sharper, “And that is my decision to make, but you report to me.” 
“You can't seriously want to act like a boss now,” you say. 
The room isn't overly large, and so you stand close to one another with no need for shouting, but your voices begin to overlap. Hotch is so angry. It isn't like him to yell at you, his voice strained. 
“You can't truly think that the decision you made today was the right one. You need to calm down, and you need to listen to me when I tell you that this was the wrong move. We'll talk about it more tomorrow.” 
“You're shrugging me off?” You could laugh. “You can't be serious. Every member of this team has done the same, or worse–” 
“But they're not you!” His voice peeks, his hand jolting out in front of his chest, flat-palmed in incredulity. 
You're really quite close to each other. 
It's not his fault. 
You step back, desperate to be away from the movement, the hand, because it doesn't register as his hand, only there's a chair behind you and a table behind that and you bump into the plastic with a creak and screech. You're righting yourself as quickly as you're tripping but Hotch is already moving away. Three steps that feel like a gorge. 
Your heartbeat soars. 
“Are you okay?” he asks quietly. 
“Of course.” You breathe out funny. It's not his fault, but there's something wired in your brain now, and it knows that the first strike isn't the last. Your hand shakes as you brush at an itch under your eyes. 
“I'm not mad,” he says. 
“You sounded pretty mad."
“I've changed my mind.” He gives you a long hard look, and then he moves to the office door to open it before returning to his initial position. He's given you an exit route. “I'm not going to hurt you,” he says. 
You put your hands on your hips and bend at the waist, breathing out hard. “Fuck, I know that."
“You thought I might.” 
“So profile me,” you say, panicking still, face hot and itchy all over. “Tell me why.” 
“Someone's hit you before. Enough to anticipate the second blow.” 
“But you knew that already, didn't you?” 
Your ears get cloudy like there's water in them and you can't stand the feeling of Hotch's gaze on the back of your head. You force yourself into a standing position and try to ignore what happened. 
“You're unfairly angry with me,” you say. 
Hotch just shakes his head at you. 
“It's… It's not a big deal,” you say, quieter. He already knew because of course he did, every member of the team gets checked. You have records, and he's in a position of power unlike most, he could've read them like the morning paper. 
“Why would you say that?” 
“I can still do my job.” 
“I wasn't going to suggest you couldn't.” 
Then why… why is he looking at you like that? You're humiliated enough, and his gaze is so… so soft. So sorry. Tears gather warm behind your eyes and your chest aches like you've been holding your breath. You frown, eyebrows lifting at the starts, not knowing if you should beg him to forget the whole thing or finally give in. 
“Come here,” he says gently. Completely optional, his fingertips twitching but stationery at his side. 
You stare resolutely at your shoes. 
“I'm sorry I scared you, it wasn't my intention. I can imagine how it feels. I'm not mad, honey,” he says. His voice drops to a murmur, “Come here,” he pleads. 
You take a clumsy handful of steps and he meets you in the middle, arms going carefully over your shoulders. You'd feel condescended by it if it weren't shockingly nice to be considered in such a way, or if the solid mass of his arms around you didn't soothe. You feel protected rather than boxed in, held, and not restrained. 
His hand slides open down the length of your back.
“I'm sorry I scared you,” he repeats, for your ears alone. 
“It's not like it was really you that scared me.” 
The memory scared you. The flinch was instinctive, less to do with Hotch and more to do with the connection between a moving hand and stinging pain. 
He hangs his head by your ear until his nose touches your shoulder, and for a few seconds, it's just you and him together, no fighting, and no fast-approaching hands. 
“You didn't scare me,” you mumble, hiding your face in his shoulder instead, forcing him to stand tall. 
Incoming footsteps cut your embrace short, but he doesn't pull away too swiftly. His hands grave the lengths of your arms, and he gives you a long, loaded look. Before you can calibrate the action to the man, he's chucking you under the chin, a stroke of his index knuckle, a promise of more to say. 
He catches Morgan before he can enter the room and directs him back out. “Take a minute,” he advises you. 
You sit in a chair and do as he's offered. Memory is a tricky thing. 
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