#but seriously these two i can't

[sternutaries]

Conan using both of his phones to navigate a call with both, Furuya and Akai is peak child of divorce feelings

[all-my-ocs-are-evil]

[insert poetic title here]

fun fact: this did not start out as isat fanart

(rambling in tags)

[mebis-art-dump]

mobile iterator based on @capricoopla 's amazing design

your design is so clever and cool it inspired me to draw my own take on it

while I gave mine similarly exposed flesh and inspector limbs as well, I wanted to go for a more "cobbled together" look (more details on my tags)

[extrasweetcoffee]

Still thinking about Idia's Masterchef voice line about Cater slipping him normie-ass anime stuff. Like dude that's so cute but it's a throwaway that people can very easily miss. ;_;

[peacockrulz]

An Well Made Excuse To Post My Specific Headcanons I've Had Since The Show Came Out

[vibinginthebg]

Still some doodles of them :DD

[claudia-lioncourt]

INTERVIEW WITH THE VAMPIRE, 1.02 ...After the Phantoms of Your Former Self | 1.03 Is My Very Nature That of the Devil

[iwasbored777]

I'm crying at how confused/offended Robotnik is when Sonic tells him he doesn't trust him enough to leave him and Stone alone. He was definitely planning something and didn't expect that Sonic will figure it out 😂

[valzhangism]

this is one of my favourite beastars scenes ever and i can't wait to see it animated in season 3... it's so cool to see how violent, almost sadistic legosi can be when it comes to protecting herbivores.

i think a lot of people characterize legosi as this shy sweet soft boy who never wants trouble, and while it's not completely inaccurate, i think it's missing on an important aspect of his character. how passionate he can get about herbivores, because he loves them, because he's attracted to them, because he longs for them but also wants to live alongside them.

as well as this scene in the hospital where seeing louis again makes legosi realise how he's not a picture-perfect hero who cares about "justice" and only fights because he has a fetish for herbivores. it just reiterates what kind of character and protagonist he is. and like louis says—it doesn't detract from his heroism or make him a worse person. it's still alright to call it justice, because your fetishes are still a part of who you are.

i love it so much. legosi is such a sweet and kind-hearted person but he can also be like this because of his own "pervertedness". and i can't wait to see how the show will animate it (and hope to god they don't ruin it >_<)

[positivelyqueer]

Because I agonised for an hour or more this morning on how i would get groceries before 'allowing' myself to order them to be delivered:

You don't have to push yourself to your absolute limit constantly as a disabled person to prove you are worthy of care and support and recovery/improvement/symptom management. (I know this is a broad spectrum that varies for each person).

Abled people do strictly unnecessary things to make their lives easier all the time. You're allowed to do that too.

[bibliophilesince2003]

Transformers One Incorrect Quotes (4)

Orion: So, you gave us the ability to transform. I'm sure you made some thoughtful adjustments, nothing too major. Alpha Trion: Bee has knife hands. Orion: He's a kid! Have you seen his energy? Alpha Trion: *shrugs* Orion: Well, I guess that's not the worst thing. Alpha Trion: Alpha Trion: D-16 is a tank. Orion: WHAT? You literally witnessed his mediocre anger management skills. Do you know how many ways that could go wrong?? Alpha Trion: *flinches* Orion: *groans* Orion: At least tell me you gave Elita and I the ability to defend ourselves, too. Alpha Trion: Well, you have guns, but they're really tiny, and they can only be used in vehicle form. Orion: I'm going to kill you. Alpha Trion: Oh, look at that... the enemy is breaking in! Better take care of it and I'm sure I'll probably die anyway haha... NOW GO!

[thefirstknife]

Some lore tabs that killed me dead and I'll never recover from them. Seasonal gauntlets are about Zavala realising and coming to terms with the fact that he is mortal and has mortal pains. Also, finally, the full confirmation that Guardians resume aging when they lose their Light:

He moved his chair back and considered his knee. What had he done to hurt it? He had not exercised yet, he had not gone on his usual patrol… he had done nothing. Why would a knee hurt from doing nothing? The riddle dissolved. He was starting to age.

But also:

He allows a hand to rest on his aching knee. To venerate it. He feels it solid under his palm. It is his, it is real, it is both portentous and precious. He is aging. He will age. An absurd and joyous thought warms in his chest: how fortunate, to have lived long enough to grow old. How invaluable, to make the space between himself and the horizon matter. How much time is left? And is it best spent with his knees under a desk?

Genuinely crying over this. How fortunate to live long enough to grow old. Man. Also at the end he asks for a break for one week and Ikora offers him two weeks.

The next one just... I have no words. It has to be read in full. It's about Saint going through it, having memories of his past and also dealing with the guilt with what's happening to Mithrax. Truly every sentence in this one is a gutpunch all the way to the end. Excerpts:

The hum of activity was overpowering yet reassuring to Saint-14 as he stopped to watch an older Eliksni expertly weave fabric on a well-worn loom. The woven symbols were unique and unfamiliar to the Exo, but he watched in awe as an iridescent glow emerged within the vibrant cerulean cloth. Fit for a Kell, Saint mused to himself— Breath caught in his throat; hands shook— Flashes of memory echoed in his mind. All he could feel in this moment… was shame.

Saint remembering his crimes against the Eliksni and feeling shame.

He hurried past the weaver and through the crowd, landing squarely in front of a tea stand, a sample placed in his hand before he could open his mouth to refuse. He looked down. The opaque liquid steamed in his cup, pungent and medicinal. Like distilled Darkness, Saint realized— Breath caught in his throat; hands shook— Flashes of memory filled his sight. All he could feel in this moment… was sadness.

Tea reminded him of all the stuff with Osiris and he is not processing it well. I say excerpts but I have to put the rest entirely because like. Okay.

Saint placed his favorite keepsake, a small stuffed bear, on the Kell's throne. Gently, he adjusted the lavender ribbon at its neck; the crisp satin sat in stark contrast to the bear's hazy black eyes, to its slightly worn ear and well-loved fur. A gift, once a comfort to a child of the City. A gift, once a comfort to Saint in the face of loss, in the face of— Breath caught in his throat; hands shook— Flashes of memory swelled in his heart. Osiris. His strong laugh. His deep, soulful eyes. The warmth of his smile. Of his touch. Memories of comfort, but all he could feel in this moment… was guilt. Intense and overwhelming, like daggers cutting through him, sharpness bleeding through sweetness. Saint breathed deeply and stared at the medical equipment around the empty throne before him. "The cost of my joy," Saint whispered, and he wept.

He has a teddy bear. He once gave it to a child, but someone returned it to him when he was grieving about Osiris, to comfort him, and he'd kept it. And he put it on Mithrax's throne because he feels guilt that Mithrax is suffering because he helped him and Osiris.

I'm ending it all.

[nevertheless-moving]

unable to stop dwelling on the discworld trouser leg of time where, in the penultimate fight scene in Nightwatch, Carcer manages to kill teenage Sam Vimes.

Which means that the future that Duke Vimes came from can no longer exist, which means he can’t go home. Meanwhile you’ve got a bunch of history monks with stored up temporal energy, a prepared space outside of time, and the need to do some desperate damage control before the Auditors get involved. Death shows up, reality is unweaving, Sam is reading Carcer his discworld miranda rights because what else is he supposed to do.

and finally, with little other option, the monks de-age Sam so he fits the time period and send him back out into the fray.

(they didn't call it deageing of course. His memory is hazy, splintered during that terrible in between moment, They....took the time out of him? Sanded away the edges of his self for a terrible, workable fit? It...wasn't a good feeling.)

Just—damn. Sam Vimes having to live his whole crapsack life over again, but this time as his disillusioned-reillusioned, unwillingly-character-developed, noir-epic, Duke of Ankh, Commander Sir Samuel Vimes self. 

Younger (Older? He's never felt so Old, His steps so Childlike, reality twisting in his gut like one of Dibbler's pies) Sam Vimes walking around in a haze after the revolution. Desperate to go home, knowing he can’t. Wanting to drink. Knowing he can’t.

The whole precinct feels pity, he really took Keel’s death hard, hardly speaks except to do his job. Eventually he has to grit his teeth and start being present, because what else is there to do?

Resists the urge to drink until Colon takes the whole watch out to celebrate because -he’s going to be a father!

Come on Sammy, one drink won’t kill you— and after the first drink he’s cracking jokes and after the second hes smiling and after the third hes honestly the life of the party and sometime after that he’s crying about how he was going to be a father and my wife would be ashamed if she saw me drinking like this and— 

Oh shit, Did anyone else know he had a wife?? A PREGNANT wife??? What—aren’t you like 12—no you're 17 now aren't you but when did—

You guys n’ver met ’er—oh gods none if you ev’n know ‘er, is jus’ me...

What—when did you lose—

I lost her the same damn day I los’ ev’rythin else, whadya think...bleeding Carcer...the fuckin revolution...

So! That! Sam only vaguely remembers the night, but rumors travel faster than light on the disc, so by the next day the whole damn city knows about poor Sam brung low by the loss of his poor, tragic, pregnant wife, so young to be a widower, and the Seamstresses nod because they already knew, don’t ask them how, somethings you just have to know in that trade.

And his mother—I don’t know, sue me, I’m a time travel fiend but there’s something deeply intriguing about a man meeting his dead parent, who is somewhat younger than him, and stepping into the old relationship like a badly fitting thing that's supposed to fit well. She would know, right? How would she deal with her son’s impossible grief? Maybe she wouldn’t know—he spent most of the time out of the house, running with different street gangs, maybe he avoids her until she dies and lives with the guilt twice over. God, we don’t even know her name. There’s just so much narrative and emotional potential that I don’t even know where to start.

When he’s on duty, which is most time - it’s agonizing because at first he remembers cases, saves lives that would have been lost. But the more time passes, the hazier his memory because in the original timeline he was becoming an alcoholic. Fuck! A kid dies and he could have saved her if he hadn’t been such a drunk, if he had just remembered where the asshole lived, but it’s all a haze, and he wants to drown out his guilt, but that’s what caused this in the first place.

Good young Sammy, who spends his rare off-time in dusty libraries (and yes, the irony that he’s apparently Carrot now is not lost on him) reading gods-only-know.

It’s not like he can ask the wizards for help, cutthroat and vicious as they are now in the not-so-distant-past.

Good young Sam, who...talks to the Broken Drum’s pet Bouncer like he’s a real person and not a dumb rock? That’s a bit weird, but he’s a bit of a funny guy.

Good old Sam, who believed the testimony of the dwarf who said the humans were trying to rob him and let the dwarf go??

the PROBLEMS this man would cause, good grief. Can you imagine a moderately progressive middle aged man with some degree of begrudging diversity and equity training that he did, for all his sins, pay attention to, suddenly going back to like, 1990, going back just 30 years, and going...oh damn this is kind of fucked up, no man you can’t say that, holy shit.

Except Sam’s lived through even more rapidly shifting social moroes! There’s no seamstress guild, there’s no women allowed inside the university, there’s no black ribboner’s society. People hunted trolls for their teeth! But Sam can’t just unlearn everything, and he can’t shut up, and he has no real luck and anyway he would absolutely get himself (temporarily) fired.

FUCK. Sam has no idea what to do with that. None. Zero clue. Wanders around in a haze until that dwarf he saved from police brutality finds him and insists on repaying the debt. No, he insists, do you have any idea what debt means to a dwarf?

“Sort-of?” he replies hesitantly, and that honest admission of incomplete knowledge shows a hell of a lot more respect and understanding than any self proclaimed dwarf-expert ever did.

Gets a job as a surface man, hauling rocks into the city. It’s backbreaking work, but, in true Discworld fashion, it’s also one hell of a workout (again the irony of being Carrot is not lost him. he freezes for a minute while hauling a rock cart, when he remembers he's technically Lost Nobility too, in a strict sense, but someone curses at him in the street and he's comfortingly grounded)

And here is where this au slides into a SPECTACULAR romantic comedy, BEAR WITH ME. Because in his time on the Watch he’s already done noir, action adventure, war story, detective who dunnit, psychological horror, but guards guards only allowed him to be a romance protagonist in an extremely limited context.

Give me righteous, twenty-something-looking, can’t-say-he-doesn’t-have-style, young Sam Vimes, not an alcoholic,  being fed three square meals a day by his dwarven forced found family, hauling rocks. He is startled to find him bumping his head on a low hanging bar that he doesn’t think used to be there, eventually realizing that he’s an inch or two taller than he remembers. Huh. Guess all that bearhuggers really did stunt his growth.

Still doesn’t get what some of the looks from women he’s getting are about, sure, he’s dirty but so is everyone else. Fine, he took his shirt off, but it’s hot out, there’s far wrinklier than him hauling heavy loads, get a life. 

Happens to glance in the Ankh one day when it’s particularly slow and shiny and is startled to realize that he might be turning heads for a different reason. Oh. Right, not that he was ever a heartbreaker, but he did alright for himself... when he was a younger and his face hadn’t been broken so many times. Which...it isn't now.

Is mildly disturbed by the revelation.

Especially once things blow over at the precinct and what with high mortality rates, he ends up with getting hired again. The boys are delighted to have him back, nevermind that he’s an odd one, noone is ever quite in your corner like Vimsey, absence makes the heart fonder, no one else works that hard, and he’s not even competition for promotion. All around great guy, we should set him up with somebody and just, no.

It just keeps getting worse! He’s literate! He’s a feminist! He believes abuse victims! He’s got a tragic backstory! He’s unreasonably good in a fistfight! He’s kind to animals! Word gets around that there’s a good man on the watch and he’s just waiting for a good woman to come snap him up. The widower excuse doesn’t hold people off completely, and for some it’s its own sort-of appeal. 

Things REALLY become stressful after he rescues that carriage full of noblewoman.

What’s he supposed to do? Let them get robbed? Or worse? Chasing down and beating up 10 goons is as easy as beating up one, when they’re that stupid, getting separated like that, drunk and distracted, and he knows these streets better than anyone, really it’s nothing. And oh lord he’s Modest too.

I mean, they were genuinely greatful, as genuine as people like that are capable of being, the skill having grown rusty. And then there is something...magnetic about the man. An air of command.

So, soon enough you get Lady Marigold of Marigrave calling on Treckle Road for that gallant young officer who rescued them, she really needs to thank him. And Viscountess Elanor Thitzferal specifically requesting that he guard her at her next soiree. And Baroness Julieta van Shoeholten insisting that he come to her home while her husband’s away, for... manly protection.

Aaaah just zero sympathy from the guys. None. 'It’s become a competition, they’re just trying to see who can get me into bed first, it’s like I’m a piece of meat, you can’t send me sir, the Marquess greeted me in a nightee last time you made me go to—' and 'small gods Vimes are you even listening to yourself, shut the hell up'.

Simultaneous to this, (again this is several years into the timeline) swamp dragon accessories come into style. Which means abandoned swamp dragons scrounging on the street. Vimes takes one back to his apartment, blows his paycheck on dragon medicine, and eventually, heart in his chest, brings it to the Ramkin estate. The sunshine orphanage doesn’t even exist yet and he’s just standing outside the gates like an idiot, what is he thinking. Turns around, but her carriage is pulling up and—

well. they meet. it's cute. he's never felt so young. he's never felt so old, too old for her, too poor—

and certainly her thoughts linger too long on the awkward, kindly, handsome young commoner, but is it any wonder she doesn't quite connect it to the stern, dangerous, sexy young guard the ladies seem to be in some quiet, cuthroat competition over?

i have this gorgeous, absurd scene in my head in which Vimes is strong armed into standing guard at some high society soiree and one of the pushiest ladies insists he dance with here, or, if he prefers, if he's not confident about his skills, he can dance with her in-private at her home and he’s like [grinding teeth, looking for a way out, seeinf one] “I would be honored to dance with you.”

Steps right into some ultra-complex dance with multiple partner swaps (she never thought he'd pick this one, devilishly intimidating to one not strictly trained, and you barely spend anytime with your first partner).

But he does alright. Better than alright, for a common man, sometimes misstepping but his hands and feet always end up where they need to be. Raises several eyebrows part way into the song because he's throuwing in some slightly scandalous, no innovative, extra lifts and twirls that wouldn't become fashionable for another decade or two. Who even is that guy? Some out of towner? No, no he's in a guards uniform...how very strange.

Gets to Sybll and she's used to embarrassment during these dances, she tries to get out of them when she can... but can't always. Men awkwardly skipping the lifts, or worse, trying and failing. But him — oh it's him, the one who helped little Erold, and looked at her like—like—well like she was someone beautiful. And he's doing it again, and he's strong and there's a quiet moment where she's in the air, they lock eyes, and the rest of the room melts away.

And then the partners change again, the moment ended.

Just...living throught it all again. To the left, a dance he almost knows the steps to, throwing others off balance with erratic moves , honest mistakes, and delibrate stepping on toes. Improvising. Ruining. Improving. Getting far, far too much attention.

Hes almost excited when the first assassains start coming after him. It's like a hobby.

Everyone tells him he should get a hobby.

Interactions with young vetinari...I don't have the energy to write it all down, the slow circling in on each other, both burning with the need to fix the city, save it, their city.

needless to say he ends up fired again, life under real threat after offending some high lord.

Conveniently enough he has an employment opportunity- bodyguard to fucking Vetinari on his 'grand sneer.' The bastard knows vimes isn't what he seems, though sam is pretty sure that he doesnt know the exacts.

Vetinari hypothesis:(the ghost of keel? Keels son, with some hereditary curse? Or a larger spirit of justice possessing a string of unrelated souls? He knows things he shouldn't- mind reader? Fortune teller? Havelock once arranged for a wizard to bump into him on the street, the magical fool gave an odd double look and then muttered something about destiny looping in on itself giving him a headache. Destiny? Lost noble? And hes far too familiar with sybyl, one of the few bearable noblewomen in this city. And his thoughts on guilds, when havelock can trip him into speaking... Most of all, if hes reading him at all correctly (for all the mystery hes not that hard to read, unless thats a very clever cover) then it seems that behind those dark haunted eyes is Respect. Loyalty. For vetinari. What an interesting man. A puzzling asset. An intriguing threat. )

Did I mention the timeline is changing, healing slowly around the place where it was torn? Healing enough around scars to perhaps get some flexibility back, with some painful stretches and...massaging of said scar tissue?

And hes heading to unresting uberwald, a place where a werewolf pack still hunts humans and, truely unrelated but perhaps equally exhausting, an eldritch spirit of vengeance just might be looking to stretch its legs in a hapless vessel?

Opening drabble Vimes Vetinari Meta (Unwell) Scene from the Uberwald Grand Sneer

[buckingham-ashtray]

john and sherlock bickering over the head of a very dead corpse might just be the most ridiculous thing in the entire show

[benevolenterrancy]

@hereticcryptid I appear to be slowly but surely developing an entire series about how Hensheng and Baxia apparently get fed up with their owners' inability to express their feelings and take matters into their own hands...

[soundleer]

Jevin and Tunner should give Sky a sibling fr

funny that you say that, i was just about to draw sky with a sibling... actually TWO SIBLINGS! now that i get to finish coloring their designs, here is sky with his older sisters!!

+ along with their references

meet the whistlehood fanchildren, peebii and jaylene!!