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#but people minimize it and make it so one dimensional just to prop up their own headcanons
mickeym4ndy · 18 days
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people love saying Ian/Mickey would kill you for talking shit about the other. But similarly, any of the Gallagher’s would kill you for talking shit about one of their siblings. It’s big “I’m the only one allowed to hurt them” energy. Like you can hate Fiona all you want but at you gotta know that Debbie “hung Fiona’s ex boyfriend from a sign naked in the middle of street” Gallagher would kill for her sister no matter how much Fiona pissed her off
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canichangemyblogname · 2 months
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Thank you for saying what you said about Athena and Hen. They are such good characters and Aisha and Angela play them so well and yet in fandom I often see people strip them of all their complexities and reduce them down to what's essentially the mammy stereotype which as a black fan is so disturbing and disheartening to see. Also thanks for saying that little bit about Maddie because y'all she suffered from parentification and I absolutely hate seeing the abuse she suffered being wrapped in a cute little bow by calling her Buck's real mom. Finally I know you didn't mention Eddie but wanted to talk about how I hate the whole Eddie's a bitch thing. Because yes Eddie is bitchy and I love that but fandom often runs with that one aspect of his personality to the point where it feels they're depicting him as the sassy/spicy Latino stereotype.
I don't think people are meaning any harm by doing this and I don't think they're intentionally being shitty but I don't like how fandom has this tendency to strip women and characters of colour of any ounce of complexity, minimize their other relationships and make them them into one dimensional figures often in an effort to prop up white characters.
I haven't been in this fandom for very long but it's just been really depressing. Like for a show that has a diverse roster of characters and shines the spotlight on each and every one of them it's maddening to see a fandom that is not normal about women, queer people and POC.
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stromuprisahat · 6 months
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i saw your evgeniy post and i totally agree that it wouldnt work out the same at all if genya was male, maybe he would work directly for the king but either way im willing to bet the fandom wouldnt be victimising him to that extent and the character probably would be allowed to stay morally grey instead of being forced to be "good".
as per your comments too: they probably gave ivan a love interest for "representation points" but if the show character was played more accurately to the book and looked more like book ivan people would probably ship him with the darkling a lot more and talk about him having unrequited love or whatever which is fine but certainly cheapens the characters motives.
also i dont think alina would have got on with genya if she was in a red kefta from the start as its like she saw genya in livery as "on the same level as her" as a servant and outsider, its my firm belief that if genya was introduced to alina as corporalki to start with her prejudice would kick in and she wouldnt trust her at all as she seems more prejudice against corporalki than any of the other orders (aside from the darkling)
(What if Genya were Evgeniy)
I don't think the King would require services of Tailor. The Queen remains the obvious choice for that, although there would be issues.
Regarding narrative-treatment... well, my guess is he wouldn't live long. Just look at Ivan- he wasn't easily brainwashed character, so he had to die to prop up brand new Good Guy™. Zhenya wouldn't be re-written into one-dimensional victim, because it would be easier to simply kill him off (preferably in a way emphasizing he picked the wrong side).
Fandom would simply ignore him, because he's a man in Aleksander's service. His backstory, missing sexual abuse "orchestrated" by the Darkling would also lose its appeal to antis. Loss of loved ones or torture just doesn't have the ring to it, when aimed at a man. Hell, if we'd make the King "fond" of teen boys, or came up with another molester, Evgeniy's story would include different variables. Women are easier to woobify, but then again, it could be "fixed" by making the boy gay, or better- headcanon gay. Everyone knows that makes you easier to exploit, so we can pretend lack of agency equals unfavourable circumstances etc. etc.
Since we know almost nothing about book!Ivan's personal life, I didn't mind his and Fedyor's romantic relationship, quite contrary- both actors used their minimal screentime to introduce the best romance in season 1 (in both, if I'm honest).
Ivan's in danger of simplification of his motivations no matter the looks. While book Ivan's described as good-looking, in show he's already canonically MLM. Both can work as a good enough reason to turn his loyalty into unrequired crush. Why delve into anything more complicated, if your view requires demonisation of the Darkling?
Absolutely agree on Genya's position and Alina's "friendship". Alina has been distrustful of other Grisha since the beginning. Sure, her belief she's a fraud played a part, but that would apply to Genya in red too. Grisha without colour didn't fit in. Useless Sun Summoner wouldn't either, once her incompetence becomes widely-known. Alina doesn't exactly believe in selfless unconditional friendship. Hell, she takes and takes from Genya, while offering little, with Malyen she assumes the opposite position.
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buckysrighthanddoll · 4 years
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Bad Guy
Pairing: Loki x enhanced!Reader
Warnings: swearing, drinking, fluff, a lil angst, and some of the team realizing that Loki isn’t as bad as they thought he was
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When you were left to babysit the God of Mischief, you weren’t phased in the slightest. Sure, there were some nerves involved; Loki was the self-proclaimed bad guy. He was the cause for countless deaths in the Battle of New York, he seemed to have minimal morals, and he had a particular distaste for humanity.
Thor brought him to earth--or Midgard, as they called it--so that Loki couldn’t wreak havoc on Asgard. He thought that his brother could use a fresh start. Loki claimed that he was sick of vying for more extraordinary things, which you believed was bullshit. This was Loki--his entire life was nothing but lies and tricks.
But, nevertheless, Tony agreed to keep him holed up in the tower. Loki was never to be alone, but that spelled bad news for anybody who wasn’t busy. More specifically, you; you weren’t the newest to the team, but you were the most humane Avenger who also had a lot of free time. You showed compassion beyond the other members, and therefore were a perfect fit for the job.
Loki mainly kept to himself. He was always in his room, but occasionally he snuck off to different areas of the compound. He always told someone beforehand, which made the team feel better, but the cameras were always kept trained on him.
The first time you were introduced to Loki, your enhanced eyes picked up on his aura. It was a dark indigo color, not too bright and not too dull. You sensed isolation and a looming sense of self-hatred. This was the first reason you took a liking to the prince. The indigo hue also meant that he was hyperaware of people’s intentions, especially the unspoken ones.
And the first time you watched over Loki, you sat in the living room with him and turned on some music while he read and you wrote. He hardly said a word, although you caught him staring at you occasionally. He would just smirk a little and look back down to his book, and you would furrow your eyebrows and continue writing.
You weren’t intimidated by Loki. No, you weren’t as powerful as him, but you could see things that others couldn’t. Auras were the easy part, but you also felt a person’s emotions (no matter how well they were hiding them), and you could sometimes hear a person’s thoughts and see their dreams.
At first, Loki saw you as weak and naive. How else could somebody be so open to dealing with him?
The next several times you watched over Loki, you found yourself getting more attached to him. The conversations weren’t deep, but they left your mind reeling. His head was hard to get into, but you still tried.
One night, Tony said to take over Sam’s shift while he went to a mission debriefing. You weren’t feeling well on a mental level, yet you agreed.
You got to Loki’s door and let Sam go, and then you knocked. Loki opened the door with a smug smirk, but it was quickly wiped away when he saw how you looked. Sweatpants and a hoodie weren’t exactly a rarity for you, but your eyes were red, and you had dark circles and messier-than-normal hair.
His eyebrows furrowed as he shifts his weight. “Can we just go lay outside or something?”
“Of course, love,” Loki responded. If you weren’t so preoccupied with dark thoughts, you’d have questioned the pet name. Loki snaps his fingers, and suddenly he’s out of his black suit and in a pair of grey sweatpants and a t-shirt.
He walked beside you to the roof, where the stars were shining as brightly as they could within New York’s light pollution. Loki remained silent as you laid your back against the cold concrete, and then he followed your actions.
“I’m sorry this isn’t our normal babysitting routine,” You said, laughing drily.
“Don’t apologize; this is quite relaxing,” He responded. You turned your head to face him, only to find that he was already looking at you. “Do you do this often? Look at the stars, I mean?”
“Only when I need perspective,” You shrugged.
“How so?”
You turned your head toward the sky, admiring the twinkling lights. “It’s easy to see the night sky as two-dimensional. It looks like someone covered the earth with a black piece of paper and poked holes in it to let the light through. But each one of those stars is millions of lightyears away. Billions, even. Humans could never even hope to travel to one of them or the solar systems that orbit.” You point out one of the stars--not that it mattered which one. “That star right there doesn’t give two shits about our problems. We are as indistinguishable to them as ants are to us. Sometimes I feel like the world is falling apart, but then I come up here, and I remember that the universe was fine without humans--and it will be fine without us once we go extinct.”
“You speak so beautifully,” Loki starts, sighing as he turns onto his side. “Your mind must be a terribly dark place.”
A scoff erupts from you, and then you’re looking at the god. “Am I that easy to read?”
“Not at all,” Loki says. “You’re always wearing a mask around the team--around me. But this is unadulterated emotion. It’s quite admirable.”
You didn’t notice it until now, but his aura has shifted. It was still a deep indigo blue, but it seemed as though his walls were let down. His emotions were more apparent than they had ever been, and his thoughts nearly screamed at you. He thought about your strength and resilience--how you’ve fought through more shit than many could handle. Yet, here you were, breathing and having philosophical conversations with a god from another world.
“You know,” You start, sitting up. “Everyone keeps telling me you’re the bad guy.”
“And you don’t see it?”
“I see what’s inside. I see so much self-hatred that you’ve turned yourself into the monster others believed you were.” A short pause ensues as you allow Loki to interpret what you’re saying. “You’re not a monster, Loki.”
“I’ve killed thousands of people. I’m the prophetical cause of Ragnarok. I’m--”
“A misunderstood being who found that his whole life was a lie, and therefore became what others said you were. That’s not a monster. That’s a mask.”
“You’ve been in my mind, haven’t you?” He smirked.
You laid back down, shoulder to shoulder with the man beside you. “Only just now. Your walls are damn near impenetrable.”
“Good,” He quips jokingly. Silence falls between you, and all you can hear is the traffic from the city that never sleeps. You both resume staring at the stars until you’ve fallen asleep, and Loki carries you inside.
As Loki exits the elevator, Steve is scared to see you limp in Loki’s arms. Nat is on the defense until she sees that you didn’t pass out or die--you were leaning into Loki, an arm propped against his chest and your head in the crook of his neck.
“Loki what the--”
“Shh,” Loki interjects, making Steve even more upset. Natasha places a hand on his shoulder as a warning to calm down, and the three of them witness you stir a bit in your slumber and bury yourself deeper into Loki’s grasp. “She fell asleep on the rooftop; I’m just putting her in her bed.”
Steve fails to find words as Loki quietly walks down the hallway to your room. Once he gets Friday to let him in, he sets you on the bed. You wake up momentarily, only to ask him to stay with you for a bit. He supposed twenty minutes wouldn’t hurt, so he crawled under the sheets and laid next to you.
The instant you felt Loki’s coolness, you cuddled right into him. Your head rested on his chest, and your arm went around his torso to hold him tighter. What Loki didn’t expect was how warm this made him feel. He rests his arm around you and brings you in even closer. The twenty minutes he had planned on spending with you turned into an overnight stay; he fell asleep with you in his arms.
From then on, you were the only one to watch Loki when the team needed it. You were kind of bummed out that you were taken off missions, but the serenity of watching him made it okay. You watched movies together, stayed in your rooms and talked for hours on end, cooked together, and took naps together.
You hated to say it, but you were falling for Loki. He was respectful, and he was slowly (but surely) growing to tolerate humans and treat them as if they weren’t beneath him.
Tony had announced he would be throwing a party for Natasha’s birthday. He was going all-out and using the entire party deck--four floors included. You showed up late due to a doctor’s appointment earlier on, so the party was lively, and everybody was intoxicated.
You had on a little black dress, and you put effort into your hair and makeup. This was Nat’s birthday, after all, and you respected her a lot. You stayed by the bar area when you arrived to catch up to everybody else’s level of inebriation.
Loki found you less than ten minutes later. There was a clear connection between the two of you, to the point that you had considered that he was listening for your thoughts. “You look amazing, love,” He said, taking a seat next to you.
“You don’t look too bad yourself,” You quipped, watching as the bartender placed five shots on the bar for you.
“Those for some friends?”
“No, they’re for me,” You responded, taking one after another. “I gotta catch up to the crowd.”
Loki chuckles, but then it drops when he sees the liquor cascading down your throat as if it’s water. “Dear, perhaps you should pace yourself.”
You shrugged and ordered a few more shots, and then a mixed drink to sip on. “I’ll be fine, Loki,” You started. You picked up the cup and chugged it back, going against the initial plan of taking it slow. Within minutes, you’re feeling the alcohol’s effects. Your mind goes fuzzy, as do your senses, and the world around you feels lighter. You decided to stop at this level for now since everything was pleasant. The loud music enticed you, and as you looked around, you saw Natasha dancing with Wanda. “And that is my cue,” You smiled, standing up. You wobbled slightly, but quickly caught yourself and briskly walked over to your teammates.
“Took you long enough,” Wanda laughed as you started dancing with them. Little conversation followed that, mostly dancing and singing to the songs.
A slower song came on, and the three of you groaned as you stepped away from the dancing crowd. Natasha and Wanda’s faces hardened as they looked just past you, which immediately told you that Loki was approaching. You turned around as he got next to you, holding out his hand.
“Would you do me the honor of sharing a dance with me?” He asked, his tone as elegant as ever. You smiled and nodded, grabbing on to his cold hand and letting him lead you a few feet over to the crowd’s edge. One of his hands settle at your waist, and yours goes to rest on his chest. He holds your other hand, and then the two of you are swaying to the beat. “They don’t like me, do they?” He asked.
You give a small smile. “It’s less that they don’t like you, and more that they don’t like you with me.”
“Well, I can’t say I blame them.”
“Why’s that?” You asked. Your eyebrows turn up slightly as you gaze up to him. Loki can’t help but think that you looked more beautiful than any goddess he had ever met.
“I’m the bad guy, remember?”
“That’s what people want you to be,” You remind him. He extends his arm to twirl you and then pull you close to him--chest to chest, face to face. “You aren’t a bad person. You put up a wall so that people can’t get close to you. When will you let them down, Loki?”
Loki looks like an angel with the aura surrounding him. It changed right in front of your eyes. Where it was once dark indigo, now it was a clear and bright red. It meant that he could overcome any obstacle and sincerely wanted to change his life for the better. It nearly took your breath away.
“Perhaps now would be a good time,” He whispered. His eyes danced from your eyes to your lips, giving a physical hint to something that you knew just from reading his thoughts. He leans down slightly to gauge your reaction; he finds you also leaning in slowly. Your lips meet somewhere in the middle, and you can just feel the energy that surrounded you both.
His lips, like the rest of his body, were cool to the touch. Yet, they welcomed the heat of your body, like two opposite ends of a magnet meeting. You slowed to a stop in your dance, focusing on the euphoria that a simple kiss brought you. Loki cups your cheek to pull you even closer. The kiss feels like it lasts years, but it was only a few seconds. Your eyes flutter open as you pull away, and a smile spreads across your face.
Nat and Wanda watch with dropped jaws from ten feet away. “I’m gonna kill him,” Wanda states.
“No, Wanda, look at her,” Nat says, directing her friend’s attention to you. “She’s smiling--she’s happy.”
“Maybe she’s faking it.”
“She isn’t faking it,” Natasha responds. “The look in her eyes gives it away. She loves him.” She adjusts her stance and focuses on Loki. “And look at Loki’s face. It has genuine emotion. It isn’t stoic; it isn’t sarcastic--he’s letting her in.”
“Well, I’ll be damned. Why didn’t she tell us?”
“She knows that nobody else trusts him.”
You could hear the conversation despite their hushed words. It was one of the perks of your enhancements. Loki could hear their thoughts, too, which caused him to smile even more. “Would you like to go to bed?” Loki asks you. You nod your head and let him lead you away from the party, into the elevator, and down to the residence levels.
You take off your makeup and change into comfortable clothes, and Loki does the same. It was routine now to hop into the bed together and immediately hold each other. This time, though, when the movie is turned on, neither of you focus on the plot. You’re too wrapped up in each other, kissing whenever one of you felt like it, talking here and there, and just being absorbed into each other’s consciousness.
Loki was the proverbial bad guy. He had done horrible things in his past, and he had turned himself into a monster because his father had told him he was one. But Loki wasn’t bad at all; he was misunderstood, yes, but not evil. This was a man that you could spend all of your days with, and who wouldn’t drain you. He was not a monster. He could never be a monster.
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silvokrent · 4 years
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Slings and Arrows
Some wrongs cannot be righted. It’s a lesson Pietro learns a lifetime too late.
[The rise and fall of Dr. Arthur Watts, M.D., PhD.]
“Phase-II trial of Auratic synthesis, test number—” The rustle of papers was followed by a sigh. “—test number sixty-four. Initiating.”
The monitor on his desk whirred to life. Pietro watched the numbers on the holographic screen climb as the program ran the simulation. Thirty seconds without anomalies. A minute. He knew better than to get his hopes up, but the longer the systems operated without rejection, the harder it was to suppress the mutinous optimism at the back of his head. Maybe, this time, he’d finally found the right—
The monitor let out a dejected-sounding beep, and the screen flashed.
Insufficient variables. Analysis results too unstable for implantation.
Only when he slumped back in his seat did Pietro realize how tightly he’d been gripping the arms of the chair. He tapped at his scroll and activated the audio function.
“Test number sixty-four was unsuccessful. The simulated Aura was deemed too structurally unstable to survive grafting to a biotechnic lattice. Recommend recalibrating the values for ω, λ, and ρ to increase viability. Describe what mistakes were made.” Pietro contemplated the scroll in his hand, before lifting it to his face and smacking it into his forehead. Repeatedly. “My mistake was deciding to pursue a degree in bioengineering, followed by the even bigger mistake of my alma mater handing me a diploma. All other setbacks are incidental. End recording.”
With a long-suffering sigh, Pietro called up the diagram from earlier. The hologram cast his office in various shades of blue light that, while it had a calming effect on him, unveiled the minefield of loose papers, folders, and post-it notes that had become his workspace.
For a moment, he considered setting aside a day in his schedule to reorganize his desk. Only when he couldn’t find his calendar did he remember why it had gotten so bad in the first place.
His calendar was buried somewhere underneath.
Brokenly, Pietro stared at the untamed bed of chaos before him. On one hand, he needed to clean his desk. On the other hand, incineration was faster, and the chemistry lab had a blowtorch.
“You look desperately in need of this,” said a voice from behind.
The unexpected drawl startled Pietro out of his thoughts. He swiveled around in his chair to the sight of Arthur Watts leaning against the doorframe, a steaming mug in each hand. Judging by the amused smirk, he’d been there for some time.
“Arthur!” Pietro minimized the program with a wave of his hand. “I didn’t even hear you come in.”
His friend stepped inside and carefully kicked the door shut with his heel. He strode across the room and reclined into the vacant chair opposite of him, ankle propped on his knee. He held out the second mug. “Kuo Kuana roast. Extra cream, and enough sugar to give you every cardiovascular disease known to man.”
Pietro accepted the offered drink, and for a moment simply held it to his face. The aromatic scent was blue water and white sand, and it never failed to make him nostalgic for the coast. He let out a long, quiet exhale that took some of the tension from his shoulders.
“Thank you,” he said, “but how did you—?”
“I saw the lights on under the door and took an educated guess,” Watts said. He took a draught from his own mug before continuing: “The janitors left at the end of the day, and no one else is unhinged enough to stay after hours.”
Pietro arched a brow. “Apart from you?”
Watts snorted. “I had a meeting that I couldn’t reschedule.”
“At ten o’clock at night?”
“I made the mistake of postponing one too many times. They couldn’t be dissuaded.”
They lapsed into companionable silence. Pietro indulged in his coffee while Watts picked up a folder and flipped through it at random.
The company was a welcome respite, and not just because it came bearing gifts.
Their office arrangement had started off rather unextraordinarily, all things considered. Handing off paperwork, returning a piece of equipment, passing along department memos—the sort of banal normalcy one would expect between colleagues. Pietro hadn’t begrudged the unexpected interruptions from Watts (quite the opposite, in fact), and Watts never protested when Pietro ventured into his space long enough to drop something off.
Only a few months after becoming acquainted did Pietro notice the shift in their interactions. It had been subtle at first: an animated conversation during a faculty meeting that led to Pietro following Watts back to his office to continue the topic. A request from Watts for a second opinion on a patient chart, which led to Watts loitering in Pietro’s office long after he’d humored him. A day where Watts had cleared his schedule to allow Pietro to vent about his latest experiment following an incident in the labs.
It hadn’t taken long for the intrusions to devolve from legitimate reasons to half-contrived pretenses. The reed that broke the Dromedon’s back had been a memorable afternoon where Pietro’s office door swung open, and Watts—bag strap slung around one arm, a stack of documents tucked under the other—announced that he needed somewhere to hide from his interns, and no one would think to look for him here.
There were, admittedly, more unconventional ways to start a friendship, though Pietro hardly minded. Especially not after Watts had treated him to dinner as an apology for the inconvenience.
It was an aspect of their relationship Pietro was both fond of and deeply appreciated, though he was tactful enough to not comment on it aloud. Watts wasn’t exactly the sentimental type. (Though the steaming mug in his hand begged to differ.)
He watched as the other man returned the folder to its original spot in exchange for a file.
“No luck, I take it?” The question was as much rhetorical as it was a tacit invitation to brainstorm. Pietro gladly accepted.
“I had a thought after yesterday’s meeting: ‘What if it’s quantitative rather than permutational? Maybe we only need to adjust the inputs rather than the sequence.’” He shot a rueful glance at the monitor. “You can imagine how that went. It feels like the answer’s staring right at me and I’m too stupid to see it.”
“If you were stupid”—Watts turned the page, not bothering to look up—“we wouldn’t be sitting here having this conversation.” He took another sip from his mug. “Sleep-deprived, on the other hand…”
“Can you blame me?” Pietro asked.
This time, Watts did look up.
“We’ve been at this for six months and have nothing to show for it. We’re running out of time.”
Watts set the file down. “James never stipulated a deadline,” he murmured.
“No,” Pietro agreed, “but he’s not the only person we have to justify ourselves to.”
“If this is about the lien, I wouldn’t fret. As long as our funding comes from the military, they’re not going to pull the plug.”
Pietro frowned at the drink in his hands, at the contemplative reflection that mirrored his own. “James may have greenlit the project, but that doesn’t change the fact that the military budget comes from tax revenue. The other councilors get a say in how that money is allocated. And if they think our research is a waste of public resources…”
An uneasy quiet fell between them, and it was telling that Watts didn’t immediately refute him or attempt to assuage his concerns.
For lack of anything constructive to say, Pietro sighed. “For thousands of years we consumed willow bark as an analgesic. When people learned that salicin was the culprit, a chemist learned how to make it from scratch. Pharmacies around the world now manufacture and distribute that medication to millions of people.” He leaned back into his seat. “How is it that we figured out how to make an artificial compound, but we can’t figure out how to make an artificial Aura?”
“Well—” Watts motioned with his drink in a vague sort of gesture. “That might have something to do with acetylsalicylic acid being a synthetic chemical, and Aura being the manifestation of the soul. They’re not exactly analogous.” He stroked his chin. “It would also be remiss of me not to point out that up until a few centuries ago, pneumatophysicists were regularly executed for heresy. It’s not as if we have the breakthroughs of our predecessors to build upon.”
A weak, self-deprecating laugh escaped him. Reflexively, Pietro combed through his hair.
“It’s frustrating, isn’t it?” Frustrating might have been putting it charitably. Pietro still had half a mind to fetch that blowtorch.
A knowing look crept across his handsome features, though Watts deigned only to shrug in response. Obstacles and setbacks were held in a similar estimation to success; they seldom bothered him. Nonetheless, he offered, perhaps by way of consolation, “Nothing worth doing is ever easy.”
“I’m not looking for easy. I’m looking for possible,” said Pietro, “and right now, we’ve hit a dead end.”
The holographic diagram from earlier rematerialized over his desk—a simulated Aura field superimposed atop the three-dimensional render of an android. He parsed through the accompanying schematics with a wave of his hand, calling forth and highlighting relevant segments of data.
“We know that Aura is related to the sum product of a person’s neurological pathways, because it’s the same system responsible for generating consciousness.” Pietro activated the synaptic filter. A branching web of neurons lit up the hologram in tandem with the Aura field. “Here’s the problem. Functionally and behaviorally they’re similar, so you’d think replicating one system would mean the simultaneous generation of the other, right? But it doesn’t work like that.” His brow furrowed. “Not only is Aura’s reliance on this system facultative, but it verges on metaphysical. It means that we’re missing something. You can break down the physiology of the CNS and PNS into all the various electrochemical signals, but the second you try to do the same thing with Aura—”
He dismissed the hologram with a flick of his wrist, and slumped in his chair.
“I’m starting to think James picked the wrong proposal,” he quietly admitted. “At least yours didn’t hinge on reconciling a decades-long conflict between pneumatophysical models and—”
“Self-pity doesn’t become you.”
The brusque statement startled Pietro out of his rambling. It only took a second of being subjected to Watts’ flat, unimpressed stare before Pietro ducked his head.
Watts snorted under his breath. “For better or worse, the general picked your proposal. You have an obligation to not fail, so I suggest you pull yourself together.”
Embarrassment quickly faded to mild annoyance. “You’re as sobering as a cold shower. Has anyone ever told you that?”
Watts’ expression softened. “Sometimes a little cold helps to clear the head.” There was thoughtful pause before he unhooked his ankle and leaned forward, elbows braced against his legs. “You know,” he began, “success isn’t always contingent on understanding.”
Coming from the man who actively condemned ignorance, that surprised him. Pietro stilled with the mug halfway to his lips. “True,” he conceded, lowering the coffee back to his lap. “But I don’t think we’re in a position to trip over the answer like it’s a sleeping cat.”
Another pause followed, longer than the one that preceded it.
“What if we had a way to circumvent it?”
“What do you mean?”
With a soft thunk Watts set his mug on the desk. “Your proposal requires grafting an Aura onto a mechanical vessel. It never specified where that Aura came from,” he said. “Whether it was artificially created…or acquired from somewhere else.”
He laced his fingers together.
“Someone else, perhaps.”
He’d been told more than once that he had a terrible poker face. Clearly that hadn’t changed, if the way Watts pursed his lips was anything to go by.
“Oh, don’t give me that look. I’m not suggesting we go abduct people and harvest their organs in a back alley.” He rolled his eyes. “I would hope you’d have a somewhat higher opinion of me.”
“You have a way with words, Arthur. A questionable and slightly terrifying way with them.” Pietro fidgeted with his tie. “Let’s, for the moment, ignore all of the potential obstacles involved. Like receiving an extension on our funding to cover any unanticipated costs. Or getting approval from the Atlesian Ethics Committee to perform an unregulated and untested surgery on a patient. Or even finding a candidate who would willingly consent to such a procedure. Even if we hypothetically resolved all of those issues, we’d still be left with a problem.”
“Only the one?” asked Watts. He arched a slender brow. “Very well, I’ll bite. Enlighten me.”
Another frown tugged at his lips. “Even if we found a way to perform such a surgery, removing even a fraction could be fatal. You can’t survive without Aura.”
“That’s not, strictly speaking, true.” The mug had made its way back into his hand. Watts idly traced the rim with a finger. “I’ve treated patients with Chronic Aura Degradation before. It’s not uncommon to see cases where up to 45% of the Aura was eroded. And in every one of those cases, the patient survived with weekly EMF-DS therapy.”
Pietro shook his head. “You, better than anyone, know that ‘survived’ isn’t the same thing as ‘cured.’”
“Of course not,” he agreed. “Forgive me if I insinuated otherwise. I only meant that regular treatments resulted in a negligible impact on their quality of life.”
“I’m not denying that.” Only when Watts stilled his hand, and began circling the rim in the opposite direction, did Pietro realize he was staring. He snapped his head up and cleared his throat. “But that’s an archotheronotic disease. You’re talking about using Auratic intercision to create a manmade version of CAD. There’s no telling what that would do to the donor, or if the amount of Aura donated would even be enough to sustain an entirely new person.”
Watts conceded with a sigh. “It’s just a thought.”
It wasn’t the most outlandish thing Pietro had heard—the staff breakroom regularly churned out weirder ideas on a weekly basis, and gods knew he’d contributed to quite a few of those himself.
Still…
“I’m not opposed to alternatives,” he replied at last, “but I can’t imagine anyone condoning a surgery that mimics a Grimm-based illness. The controversy alone would be a nightmare.” He rubbed at his eyes. “Though I’d be lying if I said I wasn’t tempted.”
Watts made a noncommittal noise as he stood.
“Scientific progress has always been controversial. What matters is how we deal with it.” He lightly clapped a hand on Pietro’s shoulder. The residual warmth from the mug lingered; it was oddly soothing. “Do me a favor, and try to get some rest?” He smirked, and the hand retreated. “Sleep on my suggestion. See if you’re not better disposed to it in the morning.”
Pietro sipped at his coffee, eyes crinkled in amusement. “I’ll pass on the sleep for now.” He motioned with the cup. “Keep these coming though and you might just persuade me.”
Watts let out a low chuckle. “I’ll see you in the morning.” He turned on his heel for the door, tossing a parting glance over his shoulder. “Good night, Pietro.”
Pietro smiled into his drink. “Good night, Arthur.”
“—has to be something we haven’t thought of yet.”
“We could give the pneumatograph another go. Run the Dust vortex generator with different configurations.”
“And waste more Dust in the process. Repeating the same tests isn’t going to get us any closer to generating an Aura.”
“Okay. Well, what about Grimm exposure trials? We could map out field fluctuations and look for any biopenumatic discrepancies.”
“After what happened last time? We’d be lucky if the Grimmoire loaned us a bloody paperclip, let alone a Boarbatusk. Try again.”
Will pulled a face as he crossed out a line on the clipboard, before tossing the pen back to Watts. He cast the cages lining the wall a glum look. “I guess we could go back to rodent models,” he said.
The mice Pietro was feeding began to squeakily protest. He lapsed into momentary silence before agreeing, though not without some reluctance. “It couldn’t hurt.” Not in the technical sense, anyway. But if the thought of their work regressing back to animal trials didn’t sting a little. Given the dwindling list of alternatives, however, he wasn’t about to object.
One of the mice nosed at his hand, and Pietro obligingly scratched it between the ears. “I’ll fill out the requisition forms. It shouldn’t take more than a day to get the approval.”
“As long as the technicians remember to give us an Aura-active batch,” Will added. “Last time they forgot.”
Their conversation petered out, replaced by the high-pitched din of the mice and the clink of the pellets in their food bowls. Pietro sealed the latch on the enclosure and placed the dispenser on the nearby counter, thinking.
“Even in a worst-case scenario, if the rodent models end up not working out, we could always repurpose our findings for later studies. Once the Penny Project is over”—though whether or not they succeeded, he chose not to theorize on—“if we can get the grant money for it, well, who knows? Apothymetics is relatively uncharted territory, and it’d be a shame to see all those mice go to waste…”
Watts slowly lowered the chart in his hands, and pinned him with the full intensity of his stare. “You want to run tests…on the mice…to see if you can unlock their Semblances,” he said. He broke apart his sentence as if he were running it through a translator.
Pietro shrugged. “It’s theoretically possible. If an animal can unlock an Aura, by extension it should be able to acquire a Semblance. Haven’t you ever wondered what that would look like?”
Sometimes, he liked asking questions because it was fun to speculate on the possibilities of the hypothetical. Sometimes, he liked asking questions because it was fun to see what sort of face his friend would make. Watts had yet to disappoint.
He watched with delight as Watts squinted his eyes, as if the mere idea were an affront to common decency. “No,” he said, “I haven’t wondered what that would look like. Perhaps my imagination isn’t as vivid as yours, but I’d rather not contemplate the horror of a 700-kilogram polar bear learning how to run at Mach 1, let alone a lab rat.”
“Oh, I don’t know, Arthur,” Will chimed in, in a voice far too casual to be anything but. “Think of all the possibilities. Telekinetic service dogs. Self-cloning chickens.”
“We could solve world hunger,” Pietro said. This time he was unable to suppress a grin.
It took a second for Watts to register the look on his face; his expression evened out, and he let out a loud sigh. “Stop enabling him, Will. He doesn’t need a co-conspirator.”
“I thought you were my co-conspirator,” said Pietro, feigning a look of wounded betrayal.
“No. I’m your impulse control. And I seem to doing a rather poor job as of late.” Watts jotted something on the chart in his hands, his brow momentarily furrowed in concentration. “Those mice are supposed to be euthanized anyway. I doubt they’d let you repurpose them for another project, even if you pitched it as a financial incentive.”
Pietro considered. “I can be persuasive.”
“That’s what concerns me.”
Will set the clipboard next to the dispenser and leaned back, his amusement tempered with intrigue. “I know you were kidding—mostly—but eventually, someone else is going to ask the same question, and they won’t be. Sooner or later, it’s going to be proven or disproven.”
“With any luck, they’ll disprove it,” Watts replied. “It’s already bad enough when people unlock their Semblances.”
“Correct me if I’m wrong, but I’m pretty sure Huntsmen need those.”
“Huntsmen, certainly. Their line of work requires it.” Watts glanced up from the chart. “The average person, on the other hand, would frankly be better off without.”
“Come off it, Arthur. I know we’re supposed be scientists and demystifying this stuff, but…” Will shrugged. “You can’t deny that it’s a little exciting for someone to try and imagine what their Semblance might be.”
“Oh, no, you’re absolutely right. It’s very exciting when someone with no training accidentally unlocks their Semblance, only to discover they now wield the power of fire, and proceed to give themselves a second-degree burn.” He clicked the pen, and pocketed it in the folds of his lab coat. “That was last Tuesday, by the way.”
Will crossed his arms. “I take it you wouldn’t want to find out what yours is?”
“If I was going to do something that permanent and that irrationally stupid, I’d get a tattoo on my left—”
A scroll dinged. Will jumped like a tasered cat, and fished through his pockets until he found it. “It’s Meg.” The sudden tension eased from his shoulders as his eyes darted over the screen. “She just wanted to let me know how the appointment went.”
Pietro’s eyes lit up. “How is she?”
“Good. She’s due in another nine weeks.” Reluctantly, he pulled himself away from his scroll. “Since I need to call her, now seems like as good a time as any to take a lunch break.” He started for the door. “I’m heading to the cafeteria. Do either of you want anything?”
“Pastrami on rye. Toasted,” Watts called after him.
“If they have any tuna salad left, I wouldn’t say no,” Pietro added.
Will gave a parting wave as he slipped out the door, the scroll already held to his face.
There was a brief silence, filled by the squeaks of tiny mice.
“So.” Pietro side-eyed the other man. “Where did you say you were putting that tattoo?”
Watts swatted him with the chart.
With nothing else to distract them for the time being, Pietro dug out his scroll and consulted his schedule.
“Busy this afternoon?” Watts prompted.
“Nothing too exciting. The hospital wants me to review some patient files and see if I’d be willing to consult on them. And around three I’ve got an appointment with a new client needing cybernetic optimal implants. The insurance company approved her for a fully-integrated interface, similar to the model James has.”
“Which reminds me…” Watts turned his attention to his own scroll. “I need to notify him about his follow-up. His prostheses are due for inspection.”
“Good luck getting him out of his office.” At his inquiring look, Pietro elaborated: “The Vytal Festival’s next month. He’s been busy overseeing the travel arrangements for his students.”
“Damn it. I forgot that was coming up.” Watts pinched the bridge of his nose, before skimming back over his calendar. “Well, at least I’ll have one appointment today that won’t be akin to pulling teeth.”
“Oh?”
“A new client by the name of Rainart. It seems he needs treatment for acute Dust poisoning.”
“Collier?”
“He didn’t say.”
Pietro tagged a file on his scroll and dismissed it from the queue. “We’ll need to meet with the rest of the team and make sure our schedules are coordinated,” he stated. “I think tomorrow would—”
“Hold on.” He hadn’t realized Watts was reading over his shoulder, and didn’t register the proximity until he felt a puff of air on the side of his neck. The sudden presence startled him. “Go back to the last tab.”
He shot him a puzzled look, but obliged him all the same. “This one?” He tapped the screen and enlarged it.
“Why did you pass on this case?” asked Watts.
Pietro peered at the text. “‘Name: Mia Atelier. Age: 19. Patient is in a hypothermia-induced coma and has been unresponsive to all attempts to resuscitate.’” He frowned. “There’s nothing I can do that the hospital staff haven’t already tried, I’m afraid.”
Watts took a step back, his eyes narrowed. After a moment he returned to his scroll. “I suppose you’re right.”
“Phase-II trial of Auratic synthesis, test number seventy-one. Initiating.”
The monitor gave a powerful thrum as the simulation booted up. Other than the pneumatic hiss of the internal fans, their silence was uninterrupted. A hand reassuringly squeezed his shoulder, though Pietro didn’t bother to find out whose it was. He didn’t dare look away.
As quickly as it began, the program aborted. An all-too familiar error message flashed counterpoint to the readouts on the screen.
The team let out a collective sigh.
Pietro willed himself through the motion of activating the audio function on his scroll.
“Test number seventy-one was unsuccessful. The recalibrations based on the gravid murine analysis didn’t provide the missing variable for the Aura simulation. It’s possible that the in-utero pneumatographic scans failed to identify the unknown factors necessary for generating and implanting an Aura. Recommendations for subsequent tests are…” It dawned on him midway through that he didn’t know where to go next. “…The team will reconvene to discuss further options. End recording,” he finished.
For lack of anything better to do, Pietro buried his face in his hand. Around him the voices of his colleagues stirred, their chatter sounding strangely far away.
“I really thought we had it that time.”
“It doesn’t make any sense. We modeled it after a gestating animal. What the hell could we have possibly missed?”
“Maybe the issue is what we’re modeling. What if we replicated the scans on a more complex organism?”
“Oh, yeah. I’m sure the guys in obstetrics would love that. ‘Can we borrow one of your patients for nine months? We just want to run some non-invasive tests.’”
“Hey, Will, how do you feel about offering up your firstborn child in the name of science?”
“You’re hilarious.”
“Well, what do you suggest we do?”
“I suggest we go down to the pub on Baker Street and put our funding to good use.”
“Pretty sure you’re supposed to do that after you succeed, not before.”
“What about you, Arthur? You’re being unusually quiet.”
Pietro peered up from between his fingers to where Watts stood, inspecting the hologram of the simulated Aura field. Light from the projection struck the side of his face, carving out the angles in shadows.
“I think,” he said, “we should consider alternatives.”
It wasn’t an opinion shared by the majority of the faculty, but Pietro liked the distance between the buildings.
Admittedly, there were drawbacks to the layout. For example, when back-to-back classes were scheduled on opposite sides of the campus, it was fairly common to see students and professors alike sprinting between lecture halls.
Personally, Pietro enjoyed the sweeping courtyards. The altitude of the city meant a steady supply of brisk air, along with an unobstructed view of the stars that no amount of light pollution could diminish. If nothing else, the long walk between buildings gave him a chance to declutter his thoughts after hours spent cooped up in his office. Given the excuse, he gladly jumped at any opportunity to walk the grounds.
Not that he really needed the excuse, he mused, as he approached Watts’ office.
Pietro went to knock, only to be stilled by a snippet of conversation that filtered through the door.
“—understand your concerns. Rest assured, the surgical theater is still reserved for then. I spoke with the administrator at the medical center this morning, and received confirmation for the private transport. Everything else has been taken care of.”
Pietro was careful not to cause too much of a disturbance as he slipped into the chair across from him. Watts greeted him with a nod, before turning his attention back to the call.
“Certainly. We can discuss your daughter’s treatment plan afterward. I’d rather not burden you with undue stress in the meanwhile. If you have any other questions, please don’t hesitate to contact me.”
He set aside the scroll on his desk. “You’re here earlier than usual,” he noted. “Either something went extremely well, or horribly wrong. Which was it?”
“Depends on how you look at it.” The joints in his shoulder popped as Pietro stretched. “Remember those parts I ordered? The shipment was delayed another week.”
“I’m sorry to hear that. I presume there’s a silver lining?”
“Well,” he said, “the original plan was to spend the next three days working on the rotary cannon for the Colossus prototype. But seeing as that’s no longer possible…” He leaned forward, hands clapped on his knees. “I know you’re not usually a fan of ‘that hideous blood sport,’ but the doubles rounds start tonight and the matches have been pretty good so far. Everyone’s getting together later in the staff breakroom to watch. The betting pool this year is pretty sizable, too.” He offered a sheepish grin. “Not that I would know anything about that.”
Watts smirked. “Of course not.”
“But—if you’re still opposed to watching the Tournament—” Pietro shrugged. “My weekend’s free. We could make plans to do something. If you’re interested.”
Watts inclined his head, green eyes half-lidded in thought. After a pause he averted his gaze to his hands, neatly folding them atop one another. “As much as I would love to take you up on that offer, I have a flight this evening. I’ll be out of the capital for a day or two.”
That caught him off-guard. “You didn’t tell me you were heading down to Mantle.”
“That’s because I’m not. I’m heading to Argus.”
“You’re leaving the country?”
“Hardly. With how much the city relies on trade with Atlas, it might as well be part of the kingdom.” He dismissively waved his hand. “But, yes. I’m overseeing a procedure there.”
It took Pietro a moment to conceal his disappointment behind a consolatory smile. “Well, what can you do.” He scoured his brain for any recent mention of traveling during the last few conversations, and surprisingly drew a blank. “I’m guessing this was last-second on your part. A new patient, I take it?”
“Something to that effect.”
“Well”—Pietro hopped to his feet—“if you’ve got an airship to catch then I won’t hold you up. I’m sure you want to get out of here and pack.” He quirked a brow. “Just so you know, I’ll be very upset if you don’t bring me back a souvenir.”
Watts rolled his eyes. “I’ll stop at the hospital gift shop on my way out,” he drawled, without a hint of sincerity.
Pietro laughed. “I’ll hold you to it.”
He made it as far as the threshold when a voice called him back: “Pietro.”
Watts was shuffling a stack of papers on his desk—a pointless gesture, with how meticulous his workspace already was. He spoke without meeting his gaze: “When I return, I’d like to discuss some ideas I had for your project. I might have found a solution.”
His pulse quickened. “Are you—are you sure?” Pietro asked.
The rearranged stack was pushed off to the side. “I will be after tomorrow.”
When he got the news a week later, Pietro stared out his office window, and didn’t move for a long time.
“That girl’s blood is on your hands.”
“Don’t you dare say I took a choice away from her.”
Pietro hesitated outside the imposing metal doors. Announcing his presence would have been the right thing to do—something he should have done ten minutes ago—but a sense of dread, morbid curiosity, and some other nameless instinct stayed the impulse. Instead he leaned closer, only just able to discern the pair of muffled voices on the other side.
“She was dying. What was I supposed to do? Sit around and wait for the hospital board to convene and debate the ethics? They would have wasted precious seconds wringing their hands and fretting over indemnification, while I had a chance to save her life.”
James’ voice was taut with the tension of a fraying rope. “And you failed.”
“People die from surgical complications every day,” Watts snapped. “We can’t save everyone. But we can try, and I did. She may be dead, but the contributions her death made have advanced our understanding of—”
“‘Contributions’? Do you hear yourself?”
Pietro nearly forgot to breathe in the deafening silence.
“You didn’t do this out of some misguided altruism,” James said. “You did it to satisfy your own curiosity.”
“I did it because she was running out of time and options. A transfer of consciousness by incising her Aura and siphoning it into a receptive vessel was the only way to ensure her survival. What other options were there?”
“Hospice.” The word was ground out through clenched teeth.
“If you’re waiting for me to grovel to you for clemency,” said Watts, “then you’ll be waiting for some time. I did nothing wrong.”
“Oh, really? Is that you why you had your patient shipped to a hospital in another kingdom so you could perform an illegal surgery?”
Pietro flinched.
“As I’ve explained to you numerous times, the procedure is illegal under Atlesian law. Mistral, on the other hand, has no such qualms when it comes to the implementation of pioneering medical research.”
“Hiding behind a loophole doesn’t change the fact that you manipulated her emotionally-compromised parents!” A fist slammed against the desk. “You knew they were desperate, and you knew they would say yes if there was even the slightest chance they could get their daughter back. Their consent was based solely on the premise that your theoretical procedure might work.”
“It’s not theoretical anymore.” The words saturated the air, like the ozone that preceded lightning. “I proved that it can be done. My efforts, while unsuccessful, weren’t a failure. We can take what I learned from her death and repurpose it—”
“That’s enough.”
Pietro recoiled from the shout. Then he realized what he’d done, and quickly repositioned himself next to the door.
“Did you know…” Shoes scuffed over the tiled floor, across the sunken dais. “During the height of the Great War, Mantle oversaw the detainment of captured soldiers. In time, their wardens saw little benefit in expending resources on them if there wasn’t some use for all of those people.” The pacing stopped. “Eventually, Mantle did find a use for them. They were experimented on. When the war came to a close, hundreds of people had perished. The textbooks never fail to recount that.”
Watts took a steadying breath. “What they often conveniently omit is that many of the technologies we have today were born from those experiments. Analgesics, psychotropic drugs, new surgical tools…and neuroprostheses.”
A pause.
“The metal grafted to your body exists because prisoners of war bled for it. You can’t ridicule my work and absolve yourself of hypocrisy.”
When James’ reply came, it was dangerously soft: “For better or worse, we have that technology.”
“For better or worse, we could have had one more,” Watts retorted. “How does condemning my choices justify yours?”
James exhaled through his nose, and his tone evened out into something approximating his regular speech. “Because I don’t condone the loss of lives, or the dehumanization of people. I didn’t participate in the atrocities that brought us those advancements.”
“No. You only benefited from them. Tell me, James. How many more people do you think will suffer needlessly in the future because you stymied my research? Inaction will deprive future generations.”
“Whereas action will slaughter the current one,” James shot back. “The ends don’t justify the means. You know that. Otherwise, you wouldn’t have gambled on asking for forgiveness over permission, had the girl actually lived.”
Neither man spoke into the yawning chasm that filled the space between them.
“…I didn’t want her to die, James.” An unfamiliar emotion crept into his voice.
James sighed. “I didn’t call you here to debate your motives. What’s done is done.”
When Watts spoke again, the question was accompanied by unease: “Then why did you arrange this meeting?”
“To discuss the consequences with you.”
“Am I being arrested?”
“Not presently, no,” James said. “The Council hasn’t formally issued any charges, and they won’t until they meet to discuss the matter in-depth.”
“If I’m not being arrested,” Watts ventured, “then what consequences are you talking about?”
The general’s reply was delayed. “I spoke with the Medical Board. Your license has been suspended.”
Pietro’s blood ran cold.
“On what grounds?” His voice was nearly inaudible.
“Malpractice.”
“You can’t place me on probation for a law I didn’t break—”
“Arthur.”
The interruption killed whatever momentum he’d gathered. When no more protests were forthcoming, James continued: “It wasn’t my call.”
Another gap in the conversation followed, shorter than the ones before it.
“If the Board’s intention was to simply strip me of my license, they could have easily done so without involving you. If the Council plans to do nothing yet, then this meeting is a waste of our time.” His confusion faded, replaced with wariness. “Why am I really here, James?”
“…I want you to understand,” James began, “that I arranged this meeting as a courtesy. I didn’t want you to be in the dark about events going forward—”
“Why am I here?”
Pietro could picture James steepling his hands, tightening his jaw.
“As you’re aware, the Penny Project is a classified military project. Your surgery appropriated that research, and you performed it on a civilian.”
“My research”—Watts bristled—“was based on an archotheronotic disease. Where I drew my inspiration is irrelevant.”
“The other councilors might not have letters after their names, but they’re not idiots. They saw the parallels. It’s not a coincidence that your procedure and the project both focus on Aura.”
“The difference,” Watts spat, “is in the intent. The project’s goal is to create an Aura from scratch. Mine was to separate and transfer an already-existing one. If we can separate a host’s Aura and place it within a new receptacle, then that proves we can also remove a portion of it and do the same.”
“Even if you’re right, that doesn’t change the fact that the girl’s parents went to the media and took their story public,” James said. “Soul-based research is already controversial. How long do you think it will take for people to start asking questions? That’s a scrutiny we can’t afford right now.”
The chair legs scraped over the ground as James stood.
“The reason why I called you here is because the Council believes that your actions jeopardized that secrecy. The unauthorized disclosure of classified military intelligence is a potential security breach. Which is why, until they conclude their investigation, your passport is being revoked and you will be confined to the Kingdom of Atlas.”
James sounded tired.
“The charge they intend to level against you is treason.”
Nervously, Pietro rapped his knuckles against the wooden frame.
“Arthur? May I come in?”
Watts stood with his back to the room, an outstretched hand removing several books from their shelves. At the sound of his name, he stiffened. “If you must,” he answered flatly.
“Thank you.” He was careful to avoid tripping over the boxes stacked by the entryway as he closed the door behind him.
The other man had never been particularly materialistic, but even so, his decorating was far from sparse. Awards and accreditations had hung from the walls, while shelves with medical tomes lined the perimeter of the office. Occasionally, projects from the lab migrated into the room, and had taken up tablespace by the windowsill where a lone bromeliad sat.
It was jarring to see those possessions packed away.
Watts didn’t immediately turn to face him. Instead, his head sunk between his shoulders. “…Are you here to yell at me as well?”
“Yes. No.” He ran a hand through his hair. A thousand different thoughts colored his mind like a fractured kaleidoscope. There were plenty of things he wanted to say, each worse than the last. Pietro ruthlessly shoved those thoughts aside. “Look, I’m upset, but right now you need a friend, not another detractor.”
“How considerate of you.” His words were devoid of inflection.
“I’m not going to pretend I know how you’re feeling right now, but I still think you should—” Pietro glanced at one of the cardboard boxes on his desk, only to do a double-take. “What are you doing?”
“Vacating the premises.” Watts resumed packing. “Seeing as I’m no longer tenured, the institute felt this room could be put to better use.”
“I already know that. That’s not what I meant.” Pietro gestured to the lacy scrawl on the side of the box—Free to whoever wants it. “Why are you getting rid of your things?”
“I have no reason to keep them. It’s not as if I’ll be able to use them again for another employer.”
“You don’t know that—” Pietro began to protest.
“No one in their right mind would hire me. And that’s assuming I won’t be spending the rest of my life behind bars.” He folded the box flaps with slightly more force than necessary. “Seeing as you’re already here, help yourself to whatever you like. I’ll be taking the rest of these downstairs to the breakroom, once I’m done. I know Will was always partial to my microscope.”
“I’m not taking your things!” Pietro let out a long, deep exhale, forcing himself to calm down. “I want to talk to you.”
“Very well.” Watts finally turned to face him, and Pietro was struck by how ill he looked. A gauntness clung to his features, though whether from a lack of food or a lack of sleep, he couldn’t say. Stubble had begun to creep in below his jaw, and his clothes were far more disheveled than he could ever recall them being. “Talk.”
It took him a moment to collect his thoughts. “You need to get a lawyer.”
“And what good will that do me?” His eyes were dull. “Even if the odds weren’t overwhelmingly stacked against me, what lawyer would touch my case?”
“I’m sure someone would, if you asked around.” Pietro hated the idea, but he willed himself to say it: “What about Jacques Schnee? You’re acquaintances, right? The SDC settles lawsuits all the time, so they’ve got to have legal experts on retainer. Maybe you could arrange something with him—”
“If you think I’ll let myself be indebted to that myopic narcissist—” As quickly as it flared, the fire in his eyes faded. Watts’ posture folded in on itself as the anger drained from him, leaving only fretful cinders behind. “I’m sorry,” he said, with a hard blink. “I was out of line.”
Pietro worried his lower lip. “What can I do to help?” he asked. “Do you want to go out? Get something to drink?”
“I—” Watts cut himself off with a sigh, and shook his head. “No. Thank you. I have plans to meet with one of my former patients later. He wants to discuss alternatives for his Dust poisoning, seeing as his treatments have been…discontinued.”
Pietro cast his gaze helplessly about the room, trying to think of something. With an unpleasant lurch in his chest, he realized that he couldn’t. “I’ll leave you to it, then?” he said.
“That would be for the best.”
Despite the overwhelming urge to protest, Pietro turned to leave. He stopped with his fingers on the door handle, and glanced back. “You’ll come and get me if you need anything, right?”
Watts opened another box, and began writing on the side. “Of course.”
Save for the occasional fleeting glimpse, Pietro saw little of his friend over the next two weeks.
While his presence on the campus was a necessity, Watts seemed to be doing what he could to minimize it. Only the administrators—who refused to speak about it—and his former clients—who spoke too much about it—spent any length of time with him. His public avoidance did little to deter the gossip, which varied in accuracy and failed to account for all the details, given the clandestine nature of his termination. It didn’t help that Pietro staunchly refused to contribute to it, and told off anyone bold enough to press the subject.
When their paths did cross, Watts didn’t linger long enough to chat. He had a faraway look on his face, and his appearance was unkempt.
It worried Pietro that he no longer seemed to care about himself.
It was early into the evening when Watts visited his office.
“Forgive me for the intrusion.” Pietro glanced up from his paperwork to see Watts hovering in the doorway. Strangely, he was carrying the bromeliad. “Might I steal a moment of your time?”
“Certainly!” Pietro pushed aside the document stack and gestured warmly to the chair. To his dismay, Watts remained standing. “What can I do for you?”
Watts adjusted the potted plant in his arms. “I was wondering,” he began, “if I could ask for a small favor.”
“Go ahead.”
Pietro didn’t know what to make of the unexpectedly calm expression on his face, so at odds with his recent emotional state.
“I need someone to look after this for me.” Watts took a step forward, and set the plant on the edge of the desk. “If it’s left unattended for a day or two it’s not an issue. Any longer, though, and it begins to dry out. The care required for it isn’t overly involved; the soil simply needs to be misted with distilled water every so—”
“Wait a second,” Pietro said. “Why does it sound like you’re going somewhere?”
Watts hesitated. “I’m travelling to Evadne for a few days.”
Pietro started to rise. “Arthur—”
He held up a hand. “I’m forbidden from international flights, not domestic. The southern coast of Solitas is under Atlesian jurisdiction, is it not?”
Slowly, Pietro sank back into his chair. “It is,” he agreed. “But why are you travelling now?”
Watts closed his eyes. “I want to see the coast one last time.”
He frowned. “You shouldn’t talk like that. You don’t know what’s going to happen.”
His friend didn’t comment. He merely stared at him.
“Fine,” Pietro relented, “I’ll watch it for you. But just so you know, I’ve killed plants before.”
His lips twitched in a faint smile. “That’s quite all right.”
Pietro reached forward to move the pot, only to be taken aback when his hand was intercepted by Watts’. The contact startled him, so much so that he didn’t react when Watts lightly squeezed.
He cleared his throat. “Thank you.”
Pietro forced his jaws to move. “For what?”
“For more than I care to admit.”
The hand retreated.
“Enjoy your trip, Arthur.” Pietro tried to sound cheerful. “I’ll see you when you get back.”
Watts opened his mouth to speak, then seemed to think better of it. He dipped his head in a polite nod, before turning on his heel.
He wasn’t sure why he was here.
It was the second day after Watts’ departure for Evadne. The office was unrecognizable without any of its usual décor—walls now stripped bare of his possessions, floorspace empty save for the generic chairs and desk pushed off to the corner. The open space was dissonant with Pietro’s memories of the many times he’d spent in this room, either with other members of the team, or by himself. Almost as soon as the thoughts formed, they were accompanied by a pang of nostalgia. His fingernails dug into his palm.
Adjusting to the new normal was a prospect he dreaded, not just for the uncertainties at play, but simply because he didn’t want things to change. In truth, Pietro didn’t know what the Council’s verdict would be.
And he would have been lying if he said the thought didn’t keep him up at night.
It was as he was looking around the room that he noticed something glint in the waste bin. Intrigued, he bent down and pushed aside the crumpled papers partially obscuring it. When he lifted it from the bin, Pietro was surprised to see his reflection staring back at him from the plaque’s glassy surface.
The Atlesian Institute of Technology is honored to present the Rigel Award to Arthur Watts in recognition of his contributions to the fields of archotherology and pneumatophysics.
“I know things are bad right now, Arthur, but you shouldn’t just throw things like this away…” He’d been at the reception where the award had been presented; it had been a milestone in Watts’ career.
Carefully, Pietro wiped away a smudge with the hem of his shirt. A stubborn resolve seized him.
“It’s not breaking and entering if you have the spare key,” Pietro told himself, as the lock clicked.
The first thing he noticed, as the apartment door shut behind him, was the immediate onset of cold. Ice cold. The sort of chill that settled in a person’s lungs, and caused their breath to fog as they gasped for air.
“Gods above.” Pietro wrapped his arms around himself. “I know you like it cold, but this is ridiculous. What’s the temperature in here?”
Not intending to trip his way through the room, Pietro reached for the light switch.
Nothing.
“The bulb must have blown out.” He resorted to the flashlight on his scroll. Mindful of where he stepped, Pietro moved into the hall where the thermostat was. The last thing his friend needed was to return to a drafty apartment.
Understandably, he was confused when he tapped the screen, only for the thermostat to not respond.
“Surely this isn’t broken too…?”
A nagging suspicion prompted him to reach for the next light switch in his path. The hall remained dark, even after Pietro flipped it several times.
Something wasn’t right.
The next three lights he tried remained unresponsive to his attempts. Pietro stopped in the kitchen, his scroll in one hand, the glass plaque grasped loosely in the other. What else wasn’t working?
His gaze fell to the sink. With a slither of incredulity, Pietro turned the handle on the faucet.
It was cold, granted, but not cold enough to freeze the pipes. And he refused to believe that all of the utilities simultaneously stopped working. Even if they did, Watts would never have knowingly allowed them to remain in disrepair.
His mind discarded one possibility after the next, trying to identify a pattern, an explanation.
Pietro lifted the plaque to eye level.
For the life of him, he couldn’t fathom why he’d want to get rid of something so important. It was a question he’d have to ask him when he came back—
His eyes widened.
Glass skated over the tiles as the plaque shattered against the floor. Pietro fumbled with his scroll, cursing, as he bolted back down the hall.
James answered on the second ring. “Pietro? What—”
“Where are you?” he gasped.
“The Academy,” he said. “Is something—”
“Meet me in your office!” The door slammed shut behind him. “We need to stop him!”
“And you’re sure about this?” James gravely looked on as Pietro paced.
“Why else would he have gotten rid of his things?” He gestured wildly. “He already believes his life is over. He had no reason to keep them.”
Those words had taken on an entirely new meaning, one that made Pietro feel sick.
“I understand, given the circumstances, how you would've arrived at that conclusion. But is it possible you’re wrong?” He spoke with the calm, patient authority of his rank, with a pragmatism meant to ease. All it did was agitate Pietro even more. “Arthur is a lot of things, but suicidal? It doesn’t seem—”
“You haven’t seen him the last few weeks!” His voice shot up an octave. “He’s hardly eating, barely sleeping, he isolated himself from nearly everyone. I knew he was depressed, but I didn’t think…” He trailed off, at a loss for words. “James, please. We need to do something.”
James leaned back into his desk, hands braced against the edge. “We should consider every possibility before we act.”
Pietro halted in his tracks. “What other possibilities?”
“Consider what you’ve just told me. He disposed of his personal belongings—things that would have encumbered him. He distanced himself from other people—social contacts that would have tied him to the kingdom. He canceled his utilities—lien he no longer has to waste.”
Pietro turned to face him. “What are you suggesting?”
“Given the pending criminal charges, it’s possible that he’s trying to flee the kingdom.”
Pietro tensed.
“Think carefully about your last conversation.” James watched him closely. “Did he indicate that he planned on coming back?”
Mutely, Pietro shook his head.
“If he wanted to leave without drawing attention to himself, Evadne would be the logical choice,” he said. “It’s a small town on the water frequently used as a stopover between the interior cities and Anima’s northern coast. It has a comparably smaller military presence, and most of its visitors are tourists. He won’t look out of place. And if he’s brought lien with him, it wouldn’t take much persuasion to stow away on an airship or a boat. Dust smugglers regularly make use of those tactics.”
Pietro started to shake.
“Both possibilities are upsetting in their own right, and I’d prefer for neither to be true. But the evidence isn’t something we can just ignore. Right now, the latter seems more likely. I didn’t notice—”
“Of course you didn’t notice!” Pietro shouted. “You were so busy trying to end his career that you didn’t realize you were ending his life!”
His words echoed around the room. In the stunned silence that followed, Pietro continued to yell.
“‘I want to see the coast one last time.’ That’s what he said to me when he left! He didn’t mean before he was arrested; he meant before he died. And why wouldn’t he? What did he have left? Either he was going to waste away in a cell, or he was going to spend the rest of his life unable to rebuild it. No one in the medical community will speak to him, no one on the team will look at him—” He doubled over with a strangled cough. “I know what he did was wrong. I think it’s wrong. But I don’t want him to die because of it! I don’t want to be right, but with everything I’ve seen we can’t wait around to find out if I’m wrong. James, please, we have to—”
A hand fell on his shoulder. Pietro wheezed.
“We’ll find him.” James’ grip tightened. “I can have an airship ready in ten minutes.”
The night was alive with the weaving bands of the auroras.
A distant part of his mind tried to find comfort in the emerald and indigo light, as it rippled through the sky amidst a backdrop of stars.
“We should be there in a few hours.” From the seat across from him, James consulted his scroll. “Our ETA will be about 6:00 AM.”
Pietro turned away from the window. “What are we going to do when we get there?”
“I have a special operative who’s currently stationed in the area. Her name’s Caroline. I radioed her as we were boarding. Her team’s going to meet us when we land and help with the search.”
He nodded.
“Before Arthur left”—James glanced up from the screen—“did he tell you where he was staying?”
“No, I’m sorry,” he replied. “He didn’t.”
“That’s all right.” James returned to his scroll. “If he checked into a hotel, the transaction will be on his bank statement. I should have access to his account history in a minute.”
“James.” Pietro steeled himself. “If I’m right…about…” He drew in a shuddering breath. “How are we going to handle this?”
“It depends on what we find, and what—condition he’s in.” James’ face was pinched. “The plan is to make sure he’s not a danger to himself or anyone else.”
“‘Anyone else’?”
James’ expression darkened. “I’ve seen situations like this before, with soldiers and Huntsmen. Sometimes they lash out.”
Suddenly, Pietro was grateful for his friend’s long military career, and the experience that came with it.
That went doubly so a second later when his scroll chimed, granting him clearance.
James read over the information as it poured in. “Well, this confirms what we already suspected—he canceled his utilities a few days ago.”
“Did you find out where he’s staying?”
“Let me see—got it. I have the name and address. It’s…” He scrolled through something on the screen. “This doesn’t make any sense.”
Pietro leaned forward, trying to get a better look. “What is it?”
“Right before he left, he emptied his account.”
“Why would he do that?”
“Hang on. I might be able to trace where it went—” James trailed off.
“What is it?”
“He—” James peered at the records. “A large percentage of it was made out as a check. To the Ateliers.”
Pietro didn’t speak. If he opened his mouth now, he’d vomit.
“The remainder appears to have been withdrawn, though I’m not sure why.”
The cabin was mercifully silent as James immersed himself in parsing through the records. With nothing to do and only his thoughts to preoccupy him, Pietro returned to the window. It was several minutes before James spoke again:
“It’s going to be a while before we land. Try to get some sleep.”
When he trusted himself to not be sick, Pietro answered. “I’m okay, James.”
It was a lie. And judging by James’ expression, he didn’t believe it either.
“General Ironwood.” A woman of remarkably short stature saluted them. “It’s good to see you, sir.”
“Likewise, Caroline.”
She fell in step beside him while her two subordinates took up positions at the rear. For every one step James took, Caroline had to take three.
“Anything to report?” he asked.
“We’ve been monitoring the building from afar for the last half hour. We haven’t seen Dr. Watts enter or leave.”
James didn’t comment. Rather, he quickened his pace.
“Do you have any orders for us?”
“The manager will be expecting us, although she wasn’t fully informed as to why. I want you and your team to start in his room, then sweep the premises while we interview the staff.” He stopped with his hand on the glass doors, and gave her a hard stare. “Do not, under any circumstances, harm him. If the situation becomes dangerous, you are to either deescalate it or wait for me to join you. Do I make myself clear?”
She grimaced. “Yes, sir.”
A woman with a sheet of long, violet hair stood waiting for them in the lobby. “Welcome, General Ironwood. Dr. Polendina.” She offered a shallow bow. As she rose, she registered the accompanying operatives, and her eyes flickered with unspoken questions. “How may I assist you?”
“We’d like to speak with you, along with any staff that may have interacted with one of your guests.”
The manager glanced at Caroline. “Are we in danger?”
“No. Not likely,” said James.
The manager didn’t look reassured, but she didn’t protest. “Very well. Please follow me.”
She guided the small group to the front desk where the receptionist sat, their eyes wide in bewilderment. “May I have the guest’s name?” she asked.
“Arthur Watts,” James said.
Without prompting, the receptionist keyed in the name. “Uh. He’s in room 3A.”
James turned to the manager. “May I have your permission to send my team upstairs?”
“Go ahead.”
He nodded. At once Coraline and her subordinates dispersed.
The manager waited until they’d filed into the elevator before she spoke: “You said you had questions for me?”
“Along with any staff that interacted with him,” James clarified.
“I’ve interacted with him.”
The receptionist seemed to regret that decision the moment three pairs of eyes turned on them. Nevertheless, they continued: “The guy with the mustache, right?”
Pietro’s pulse stuttered sharply. “When did you last see him?”
“This morning. He left over an hour ago. Said he was going for a walk.”
It took every shred of willpower Pietro had to not run out those doors.
“Did he leave with any belongings on his person? A bag, perhaps?” James asked.
The receptionist shook their head. “No, sir. Just his wallet and his room key, like he usually does.”
Pietro swapped a look with James, before turning back to the receptionist. “What do you mean by ‘usually’?”
“This is the time when he usually goes out. He stops to talk to the receptionist—well, me, I guess—and then heads out for a few hours. Comes back around noon, grabs lunch in the dining hall, heads back upstairs. Goes out again around five o’clock, and comes back some time after seven.” They gave a helpless shrug. “I—I guess he has a routine.”
Some of the tension left James’ shoulders. “It’s possible Arthur did in fact come here just to destress,” he said.
What should have been a reassuring thought made Pietro want to sink into the ground in mortification. He could only imagine what Watts’ face would look like when he returned to the hotel, to find that Pietro had brought along the entire cavalry. All because he assumed his friend had a death wish.
Pietro was dragged out of his pity party by James’ next question: “Do you remember anything specific about his behavior? Anything that might have looked or sounded strange?”
To his surprise, the receptionist looked guilty. “Well…” They glanced at the manager.
“Whatever it is, you’re not in trouble,” she said.
The receptionist hesitated a second longer, before heaving a reluctant sigh. “You get a lot of guests in a place like this, right? So you don’t always remember all of them. Not unless they stand out in some way. He…” They paused. “He’s been nothing but polite and friendly to all the staff.”
“That doesn’t sound particularly noteworthy,” James observed.
The receptionist fidgeted. “No, it’s not that. It’s not just that. He tipped us well.” They swallowed. “Like, really well.”
The lingering dread from earlier resurfaced. “How much did he tip you?” Pietro asked.
They averted their gaze. “Ten thousand lien. Each.”
The dread beat savage wings against his ribs.
Out of his periphery, James stepped off to the side with a finger pressed to his earpiece. A second later his face went unsettlingly blank. “Excuse me,” he said. “I need to speak with my team.”
Pietro dimly registered his departure. He looked between the two hotel staff, his mind frantically scrambling for an explanation other than the one he didn’t want to hear. “Did he say anything?” he asked. Begged. “Anything that you might remember could help."
They considered his words with renewed thoughtfulness. “When he’d come back from his walks, I’d ask him how he was—the regular sort of small talk you’d make with guests. He told me that he went down to the beach. When I asked him, ‘Did you do anything while you were there?’ he said, ‘Not today. Perhaps I will tomorrow.’”
“Pietro.”
James had returned.
Coraline and her team hurried through the lobby; he could just make out “mobilize search-and-rescue” being barked into her earpiece as they rushed past.
He regarded Pietro with pale, haunted eyes, before slowly holding out his hand. “I’m sorry.”
A note hung from his fingertips.
After four days of searching, Arthur Watts was declared dead.
James scrubbed at his face. “I already told you, Camilla,” he sighed, as the doors slid open, “I’ll have it resolved once I—oh, Pietro. I didn’t realize it was you.”
Pietro managed a weak smile. “Disappointed to see me?” he asked, as he strode into the room.
“Relieved, actually.” James set aside some manner of document he’d been working on. “I was half-expecting another lecture.” Pietro accepted the tacit invitation to join him, and eased into the chair. “What can I do for you?”
Pietro tapped his fingers against the armrest. “I need a favor. A big one.”
“Why do I get the impression I won’t like what you’re about to ask me?”
“Because you won’t.”
Predictably, James wasn’t amused, but he didn’t try to bodily throw him out of the room, so that was a good start. “All right,” he said. “I’m listening.”
This conversation had sounded so much easier in his head. Pietro contemplated which option to take, before deciding on the direct approach: “Did you ever look over the report Arthur wrote after the surgery?”
It was brief, but Pietro didn’t miss the flash of regret James very neatly concealed behind unwavering calm. He steepled his hands. “I did,” he answered.
“Did you see the post-op notes?”
“I did.”
“But did you read them?” he pressed.
There was a hint of humor in his reply: “I read them to the extent I could understand them.”
Pietro braced himself. “I took another look at his work on Auratic intercision. He did it, James.”
When the other man said nothing, he hurriedly launched into his speech. “Even though the initial attempt failed, he managed to deduce what went wrong during the procedure. I won’t waste your time with all the technical mumbo jumbo, but I did the math. Split-Aura transfer is possible.”
He held James’ gaze. “We can finally build Penny.”
For a moment that stretched into eternity, James remained silent. He closed his eyes, exhaled, and opened them again. “You want my permission, to use the same research that nearly got him arrested, to complete your project.”
It wasn’t a question.
“Yes,” Pietro said.
“I can certainly appreciate the irony, if nothing else.” He narrowed his eyes—thoughtfully, not in anger. “This wasn’t an idea you came up with overnight. It’s been nearly two months. Why did you wait this long to bring it up?”
“It’s as you said: it’s been two months. The last of the journalists have retired the story. People are no longer fixated on the proceedings. No more controversy, no more public backlash. The scandal died with him.” It hurt to say, but Pietro pushed onward: “Synthesizing an Aura has proven impossible, but now, we have a viable alternative. We can’t bring Mia Atelier back. But perhaps we can give someone else a chance at life.”
He waited.
At last, James nodded. A breath he hadn’t realized he’d been holding left him. “You have my permission.”
“Thank you,” Pietro said.
“There’s just one problem.”
James regarded him intently. “The procedure requires a donor, does it not? You need a volunteer.”
Pietro straightened. “You’re looking at him.”
It had been a while since he last had the chance to sit and diagram.
A combination of blueprints, tablets, and holographic projectors were scattered about the desk. Other than the sleepy hum of the generator, and the scratching of pen against paper, his office was silent. The ambiance gave Pietro a pleasant rhythm to work to as he alternated between mediums.
He was in the middle of diagramming the thrusters when a voice spoke up from behind: “Burning the midnight oil?”
Pietro gladly accepted the mug James offered him, as he occupied the empty seat. “Just getting a little more work done before I call it quits.” He grinned. “I just finished the template for her skeleton. It’s on the tablet to your right if you want to see it.”
“This one?” James picked up the tablet in question.
“Swipe left, it’s the first file.”
The device lit up in his hands. James made an appreciative noise in the back of his throat as his eyes darted across the screen.
“What do you think?” Pietro asked.
“I think”—he continued to skim through the files—“I picked the right proposal.”
He didn’t realize how much he needed to hear those words until he felt a hot, stinging sensation in the corner of his eyes. He tried to discreetly dab it away.
Not discreetly enough, it seemed. James shot him an inquiring look.
“Oh, don’t mind. I’m just a little sensitive right now.” Pietro ducked his head. “It’s not every day you get to become a father.”
James wore a knowing, if somewhat bemused smile, but he was considerate enough to not say anything. He turned his attention back to the files in his hand.
“A lot of those are aesthetic mock-ups. I haven’t finalized anything, so if you want to throw in your two cents on the design input, you’re more than welcome to.”
“Did he know?”
Pietro’s hand stilled over the parchment. When no elaboration was forthcoming, he lifted his head to deduce one for himself.
His pulse beat painfully beneath his skin.
The file on the screen was one of the earliest drafts for Penny’s design. It was also one of the only files to have received a color palette. Red hair hung in thick curls about her pale face. Her cheeks were flecked with freckles that contrasted just enough to be visible, just below her eyes.
Eyes that were a very familiar shade of green.
He didn’t say anything for several moments. He debated saying anything at all.
But there was no judgment on James’ face, no hint of contempt in his voice. Only sympathy.
“No,” Pietro answered. He let out a tired sigh, and set the pen down. “And he never suspected. I made sure of that.”
“You didn’t want to tell him?”
“I wanted to tell him for a long time." He closed his eyes. "I’ve spent the last four months regretting every day that I didn’t. And on every one of those days, I wondered if telling him would have made a difference.”
“It’s not your fault,” said James.
“I know.” Pietro reached for the photo on the edge of his desk, and gently lifted the frame into his hands. It was the last picture the team had taken together. “It doesn’t change the fact that he’s gone.”
He lifted his eyes to the file in James’ hands, to the image of the young girl staring back at him.
“But maybe, through someone else—someone new—he can still be here.”
“Dr. Watts?”
Watts lifted his head from the chart he'd been reviewing.
At the entrance of his lab stood Hazel, his expression as impassive as ever.
“We have a meeting to attend.”
“Ah, yes. Of course.” Watts smoothed down the front of his coat. “Tell Salem I’ll be right there.”
Guess I've got some explaining to do. For anyone curious about my RWBY worldbuilding and headcanons:
Pietro not being disabled prior to the start of the series - We have no confirmation of this in canon, but I think that donating a percentage of his Aura to Penny has slowly chipped away at his health. I based this partly on the fact that in the show, the areas on his body where his Aura has been excised most prominently are over his legs and lower torso. If donating too much of his Aura is fatal, then it stands to reason that there are intermediary complications between points A and D - loss of mobility in his legs, chronic respiratory illness, worsening vision, and so on.
Archotherology (Gr. archo-, ruler, + -thero-, beast, + -logy, study of) - The study of Grimm.
Pneumatophysics (Gr. pneûma, soul, + -physics) - The study of the soul and its physical manifestation, Aura.
Apothymetics (Gr. apo-, derived from, + -thym-, soul, + E. -ics, from [?] Gr. -ikós, pertaining to) - The study of Semblances; a subdiscipline of pneumatophysics.
Auratic disease - An adverse condition that typically affects a person’s Aura, and by extension, their Semblance. Auratic diseases are generated by plague-type Grimm, and then transmitted to people through proximity. Watts' research simulated an Auratic disease, which is why Pietro later acquires a manmade version of CAD. You can click here to read more about them.
Evadne - A coastal city in southern Solitas. Named after the Greek figure Evadne, the wife of King Argus.
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Art Director week
This week we were tasked to be art directors. we were paired up and one had to choose an article for the other and vice versa.
Illustrator’s POV
I was partnered with my friend Amara, and she gave me an article to create an editorial illustration for from The New Yorker Magazine titled “ Returning to Storm King”
The text went as follows:
“Few installations at the Hudson Valley sculpture park are new, but in this pandemic summer the park’s breeze, changing light, and theatre of clouds are novelty enough.
What’s with the metal-band-worthy name of Storm King, the marvellous sculpture park—or, better, landscape with sculptures in it—about fifty miles north of Manhattan, in Cornwall, New York? I’ve just spent some happy hours there, sprung from months of art deprivation, on the occasion of the Storm King Art Center’s reopening to visitors with timed tickets. The setting is thundery enough, under the mighty brow of one of the highest mountains of the Hudson Highlands, in a valley of variegated hills, lawns, meadows, forest, and waters, along with elegant alterations that include arboreal allées and plantings with deference to native flora—some five hundred acres hosting roughly a hundred art works. I hadn’t known, until I was told during my visit, that the park’s name owes its provenance to the Romantic exasperation of a writer who, in 1853, pressed locals to rebrand their principal mountain Storm King from—get ready—Butter Hill. That nineteenth-century embrace of the hyperbolic anticipated the moxie, in 1960, of two art-loving businessmen, Ralph E. Ogden and his son-in-law H. Peter Stern, who gradually acquired much of the valley. They founded the park as a nonprofit entity, made a museum of an existing château on a hilltop, and pondered the ambient possibilities of the terrain.
In 1967, Ogden bought thirteen works from the estate of America’s greatest sculptor, David Smith. Mostly made of welded steel, they deploy a repertoire of shapes, from the surreally animate to the nobly abstract, gracing dancerly postures with lyrical drawings in space. A suite of eight of them, currently installed under cathedralesque oak and black-walnut trees, is modestly scaled. Not so the vista-dominating, gestural arrays of mostly steel elements by a favorite of the collectors since 1968, Mark di Suvero, which at times suggest playground facilities for giants. Nine of those were supplemented last year by a three-year loan of “E=mc²” (1996-97)—a tower, more than ninety-two feet high, whose converging I-beam legs are topped by flaring forms in stainless steel that grab at the sky. Also monumental are two maximum-sized stabiles by art’s foremost bejeweller of air, indoors or out, Alexander Calder. There are major works, as well, by Richard Serra, Andy Goldsworthy, and, most recently, Maya Lin, whose earthwork “Storm King Wavefield” (2007-08) represents a vast expanse of mid-ocean waves, up to fifteen feet high, with grassy undulations.
Sculpture parks proliferated, worldwide, in the second half of the twentieth century, in the wake of an identity crisis for large three-dimensional art. Modernist austerity had stripped sculpture of its traditional architectural and civic functions: there were no more integrated niches and pedestals, few new formal gardens, and an epochal apathy regarding statues—until lately! (We are now practically neo-Victorian in our awakenings—rude, for the most part—to symbolism in statuary.) Never mind the odd plaza-plunked, vaguely humanist Henry Moore. Where could one put outsized works that were almost invariably abstract—modernism’s universalist ideals persisting—to give them a chance of seeming to mean something? In nature! Conjoining the made with the unmade, gratifying both. Sculpture parks emerged as game preserves and laboratories for big art. Storm King’s early concentration of works by relevant artists of the late nineteen-sixties and seventies includes some formulaic banalities, tending to presume a surefire magic in embowered angular geometry, but even there you may savor the zest of a moment when sculpture jumped into nature’s lap. The history is complicated and obscured, in the art world, by the contemporaneous development, in the sixties, of Minimalism, which, by engaging the physical presence of viewers, shrugs off its surroundings. (The park’s chastely white modular piece by Sol LeWitt doesn’t mind a bucolic site one way or another.) As a consequence, Minimalism sidelined poetic potencies that prove their lasting worth at Storm King.
Prior visitors won’t be kept away by learning that few installations in this pandemic summer are new. The park’s changing light, breezes, and theatre of clouds will do for novelty. The best recent addition, on view until November 9th, is “River Light” (2019), a ring of nine high-flying cyan-blue silk flags that Kiki Smith derived from a sun-sparkled film she made on a walk along the East River. Wind stirs the fabric to rippling, soft applause. The ensemble suggests a rallying point for angels. Also new is “A stone that thinks of Enceladus” (2020), a piece by a young New York-based artist, Martha Tuttle, which consists of a mowed field studded with boulders and cairns and rather hectically festooned with carved rocks and molded glass stones. Close by, propped on an island in a pond, is a startling curio, the hull of an America’s Cup-grade racing boat that, in 1994, was prettily decorated with a mermaid motif by Roy Lichtenstein. Its abrupt presence, which you may less look at than gawk at, invokes the metaphysical truth that everything has to be somewhere. Storm King’s prevalent rectitude might serve as a foil for other sorts of interesting shocks, within appropriate limits.”
The images needed to be 1980 x 2560 pixels and my art director wanted me to capture the hudson valley landscape in the image. 
I did some research of the sculpture park and sent my roughs in:
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The third image was approved. 
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I tried a new technique with this piece that I have been meaning to try for a while. I used Watercolour and coloured pencils to introduce some textures in my work and I drew the background and foreground seperately so that the image could have a collage-inspired feel to it. The collage style didn’t end up as I was hoping but I think that what it ended up looking like was just as interesting. 
I then used photoshop to merge them together (which was a lot more of a hassel than I was expecting as the drawings were bigger than my scanner at home so I had to scan the images in parts and photomerge them together on photoshop). I also added some extra details digitally (the clouds, leaves and ground) to create this final piece:
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The art director was very happy with the image and had no major changes. 
I was also incredibly happy with this piece. The new medium really worked for me and I really feel as though this piece could be a turning point in my artwork.
Art Directors POV
I found a good article on Country Living magazine that I thought Amara would enjoy illustrating, as I know from her previous work that she enjoys drawing people and animals. For this task I pretended to be an art director for Country Living magazine in an attempt to make my emails as realistic as possible. 
The first email was as follows.
Hello,
I am an art dierctor for Country living Magazine, I came across your work and I would like you to create an illustration to accompany an upcoming article for our magazine.
The image would need to be full colour and 1280x720 pixels at 300 dpi
The article is as follows:
​Country Living Magazine
Dogs are our oldest and closest companions, new DNA has confirmed
Pups were domesticated before any other known species
We know that dogs are man's best friend, but new DNA has confirmed that they are in fact our oldest and closest companions, too.
The study, which was conducted at London's Crick Institute, found that dogs were domesticated before any other known species. Interestingly, it discovered that humans have had pet dogs for around 11,000 years, showing just how far back our love for them really goes.
Shining light on the "inextricable bond between dogs and humans", the study is based on DNA from 27 ancient canine specimens from around Europe, Siberia and the Near East.
"Dogs are our oldest and closest animal partner. Using DNA from ancient dogs is showing us just how far back our shared history goes and will ultimately help us understand when and where this deep relationship began," Greger Larson, a co-author from the University of Oxford, told BBC News.
Elsewhere in the research, they also found that the genetic patterns of dogs were fairly similar to that of humans. This is because when humans adopted dogs, they took them with them wherever they moved and shifted, strengthening their bond.
Anders Bergström, lead author and post-doctoral researcher at the Crick, also added: "If we look back more than four or five thousand years ago, we can see that Europe was a very diverse place when it came to dogs. Although the European dogs we see today come in such an extraordinary array of shapes and forms, genetically they derive from only a very narrow subset of the diversity that used to exist."
Just another reason to adopt one of your own...
Many thanks,
Hannah Jones
Art director for Country Living Magazine.
The same day, I heard back from her with attatched roughs. 
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I liked the second one best as the concept was clever and the composition was very nice. 
After a short while she came back with two different options of the image. 
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One without hands and one with hands, I prefered the image with hands as it showed the human connection with dogs more, which is what the article is all about. 
Overall, I was happy with the finished image so I approved it. I think she did a really good job.
You can follow Amara’s fantastic work at https://www.instagram.com/apiple_art/
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blueimmersion-blog · 5 years
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TDI Advanced Trimix Diver
It was written off as a useless trade, significantly with the demise of tobacco promoting. It has been known as a blight on the American panorama. It even earned the nickname "air pollution on a stick." However issues have modified with out of doors promoting and we're not speaking about your father's billboards. TDI Advanced Trimix Diver
Right this moment, the out of doors billboard trade contains not simply the small Eight-sheet poster alongside your native rural highway; it contains mammoth indicators that tower above the tens of 1000's of people that cross via Instances Sq. every day. It contains rolling ads on the perimeters of vehicles and buses. It features a plethora of signage at speedways, and in sports activities stadiums. And it contains "out of doors furnishings" signage comprised of bus shelters, benches and nearly anyplace else the place individuals congregate.
Like them or not, out of doors billboards are right here to remain and the trade has by no means appeared brighter. Total spending on out of doors promoting is sort of $5 billion, a ten % development price and greater than double a decade earlier. Furthermore, billboards are the place to see among the most artistic work in promoting, despite the truth that you might have just a few seconds to seize the viewer's consideration. To these within the trade, out of doors is in.
A Cell Society
Modern social tendencies favor billboards. People are spending fewer hours at dwelling, the place TV, cable, magazines, newspapers, books, and the Web all clamor for consideration. Individuals are spending extra time than ever of their automobiles - day by day automobile journeys are up 110% since 1970, and the variety of automobiles on the highway is up by 147%. For most individuals caught in visitors, the one media choices are radio and billboards.
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Anybody who's sufficiently old to recollect the previous Burma Shave indicators alongside the freeway is aware of that out of doors billboards will be very participating and right now's out of doors billboard trade contributes tens of millions of of house to numerous public service causes.
The brand new computer-painting know-how utilized by the trade is making out of doors billboards brighter, extra thrilling, and upbeat. Their messages are sometimes extra intelligent, humorous and inventive - there's even a major awards packages known as the "Obie" to acknowledge excellent out of doors artistic, together with a class for PSAs.
The brand new single-column buildings have cleaner strains than the previous phone pole or I-beam buildings, and are supporting and complementing right now's crisp, new, shiny, architecturally-designed shops, buildings and malls.
Like different rising stars of the knowledge age, billboards have gone excessive tech. Digital know-how developed at MIT has reworked the way in which billboards are made. Till the 1990s, most billboards had been hand-painted on plywood. High quality was inconsistent and when paint pale and wooden chipped, billboards grew to become eyesores. Right this moment, computer-painting know-how has all however eradicated the old style signal painter, and plywood has given solution to sturdy vinyl that may be minimize to any dimension, then rolled into tubes for straightforward transport. Big graphics will be produced extra shortly and at decrease price, and digital printing ensures trustworthy reproduction--so that an advert for Levi's blue denims seems exactly the identical in every single place.
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Billionaire John W. Kluge, a significant drive within the billboard enterprise for 4 a long time, introduced laptop portray to the market by way of his firm, Metromedia Applied sciences. From 1959 to 1986, Kluge owned Foster & Kleiser, then the nation's largest billboard operator, and Metromedia is now the world chief in large-scale imaging. Different innovators are including three- dimensional buildings, digital tickers, and steady movement to out of doors adverts.
Regardless that out of doors is just two % of general advert spending, its impact is rising, significantly in one-of-a-kind places reminiscent of Instances Sq. and Sundown Boulevard, the place publicity is unattainable to calculate. Indicators there can pop up on the information, in motion pictures and in magazines, and that does not even consider the tens of millions who stroll via the areas weekly. "We will not even inform an advertiser what number of impressions they're getting," says Brian Turner, president of Sherwood Outside, which sells 60 website "spectaculars" at One and Two Instances Sq. and 1600 Broadway, making it the 12th largest out­door firm by way of income.
Outside Goes Inexperienced
This New 12 months's Eve revelers at Instances Sq. could have a close-up view of the nation's first environmentally pleasant billboard. Powered totally by wind and solar - 16 wind generators and 64 photo voltaic panels - the signal is anticipated to avoid wasting $12,000 to $15,000 per thirty days in electrical energy prices. Multiply this by all the opposite cities within the nation utilizing electrical energy for out of doors illumination, and it quantities to a signficant price financial savings and eco-friendly out of doors.
A variety of advertisers reminiscent of Normal Motors' Cadillac, Samsung, Prudential, NBC, Budweiser, New York State Lottery, even the New York Instances pay six-figure month-to-month charges to carry house for 10 years, a far cry from the times when the indicators used to show over each six months. Instances Sq. is a lot in demand that Inter Metropolis constructed a 50 story lodge and 300 foot tower at Broadway and 47th Avenue with a complete of 75,000 sq. toes of outside promoting. "The tower is the most important construction ever constructed solely for promoting," says Bob Nyland, president of Inter Metropolis Premiere. Advertisers embody American Categorical, Apple, AT&T, HBO, Hachette Filipacchi, Levi's, Morgan Stanley, Nokia and the U.S. Postal Service.
The Morphing of Outside
"Outside was once referred to as the beer, butts, and babes medium," says Andrea MacDonald, president of MacDonald Media, a New York company that focuses on out-of-home promoting. Now, she says, "every little thing's modified. New know-how has made us extra artistic, and advertisers are seeing billboards in a brand new gentle."
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To ensure they stand out within the crowd, trendy billboards are taking even new kinds. In Chicago, Transit Show Worldwide (TDI), wrapped a two automotive, 96 foot lengthy commuter practice with an advert. And in some areas, no house is left uncovered. For instance, in New York's World Commerce Middle, TDI helped Dodge take over each doable house of the rail station ­ flooring, partitions, posters, banners, escalators ­ to create a single exhibit. The World Financial institution draped its constructing in cloth to help World AIDS Day. Billboards, transit kiosks, posters and different types of out of doors will be strategically positioned round Washington, DC Metro stops on the Pentagon or an government department company such because the Division of Transportation to make an announcement a few marketing campaign or difficulty.
"We have had requests for shifting, smoking and smelling boards," says Pat Punch, who's a co-owner of Minneapolis-based Atomic Props, an organization that focuses on distinctive spectaculars. For Poland Springs, Atomic Props created a 30 foot water bottle and an outside poster for Jell-O in Instances Sq. serves up a large spoon with four,000 smaller spoons.
In Minneapolis, dwelling base for Goal, individuals sit up for a brand new three dimensional billboard object each month, reminiscent of Outdated Devoted, full with spray each 10 min­utes, which symbolizes Goal's donation to the nation's parks. Minneapolis retailer Dayton-Hudson as soon as had three dimensional bins of sweet that emanated a mint scent. Says Punch: "During the last 10 years, our enterprise has tripled as individuals see the chances."
Since 1996, the Large 4 of billboards--Outside Programs, Eller, Clear Channel and Lamar--have spent greater than $5 billion to gobble up dozens of mom-and-pop operators, in addition to the out of doors divisions of huge firms like Gannett and 3M. Collectively they management about 40% of the revenues generated by the 400,000 or so billboards throughout America. As trade giants, they will function effectively and supply one-stop buying to nationwide advertisers. Goodwill Communications's out of doors database has been decreased from over 600 out of doors firms two years in the past to only over 400 right now, attributable to consolidations and buy-outs.
PSA Communications Benefits
Outside is probably essentially the most ignored medium of all in the case of launching PSA campaigns. Admittedly, the price of printing billboard paper will be costly, however given the everyday outcomes we've skilled for shoppers, we consider that out of doors offers wonderful publicity alternatives.
When used to tell the general public about public causes, out of doors billboards present many various communications benefits, and the overall universe of outside alternatives is nearly limitless, as proven by the next desk supplied by the Outside Promoting Affiliation of America.
First, out of doors is usually out there even in cities which can be too small to have a radio station or an area newspaper.
Second, billboards can present communications attain proper all the way down to the neighborhood degree. This can be helpful in case your marketing campaign is concentrating on inside metropolis residents or highschool college students and you'll persuade the out of doors billboard firm to put up your PSA messages close by.
One media purchaser for a significant promoting company demonstrates the pliability of outside: "I am working Russian copy in a New York neighborhood, Filipino in San Francisco, Arabic in Detroit."
Third, when used along with different types of out of doors - sports activities stadium signage, transit and place-based media - they will present the communications effectiveness of an area community, supplying you with attain and frequency all through the neighborhood.
Fourth, public service messages on out of doors billboards are sometimes out there as a result of out of doors firms do not need to have an unpleasant signal with clean paper staring out at motorists for an prolonged time period.
The Basis for a Higher Life, (FBL) in partnership with the Outside Promoting Affiliation of America (OAAA), launched a nationwide PSA billboard marketing campaign with a dramatic kickoff on the NASDAQ digital billboard in Instances Sq.. With a theme of "Move It On," the billboards are a part of a seamless PSA marketing campaign to advertise optimistic values by way of viral methods. Over the course of a yr, OAAA member promoting firms across the nation donated house on greater than 10,000 shows for the Move It On marketing campaign, with an estimated advert worth of greater than $10 Million.
Created by Jay Schulberg, well-known for his well-known Milk Mustache adverts, every billboard within the Move It On marketing campaign is supposed to underscore a easy, but galvanizing message. In accordance with Gary Dixon, President of The Basis for a Higher Life, "The Move It On marketing campaign was created to advertise optimistic values and encourage individuals to cross them on to others. We're thrilled to launch it on the NASDAQ board within the very metropolis the place the resilience of the American spirit has proven so brightly for the whole world to see."
A few of the personalities featured in "Move It On" billboards embody: Wayne Gretzky, Muhammad Ali, the Tianamen Sq. Protester, Mom Teresa, Albert Einstein Winston Churchill and Abraham Lincoln..
Airport Dioramas & Mall Posters
Maybe the world the place out of doors has seen the best development is at airports. The entire variety of guests on the prime 44 airports within the U.S. tops 765 million passengers and over a half a billion individuals cross via simply the highest 10 airports. There are message alternatives now aboard the airways by way of in-flight movies, on the drop down tables in every seat, the napkins positioned on the tables, and even on the underside of the safety bins the place passengers place their objects earlier than going via safety screening. There are dioramas (backlit indicators) within the terminals and on video screens whilst you wait on your baggage. Prefer it or not, the messages are inescapable.
One of many main companies that fabricates the Duratrans materials utilized in airport dioramas is TKO Visible Communications. Manufactured by Kodak, Duratrans is designed for making good show transparencies from shade negatives or internegatives. It's out there in sheets and rolls that are fabricated to suit numerous sizes for posting in airports.
"Duratrans is mostly regarded within the massive format graphics show trade because the benchmark for high quality in translucent, backlit graphics," observes Tom Ortolano of TKO. "It's supposed for big format, full-color show of photographic content material in a managed, backlit atmosphere, in order that gentle passes via and illuminates the graphic show, offering most shade saturation and distinction."
TKO works intently with the 2 largest firms controlling signage at airports and buying malls - J.C. Decaux and Clear Channel Communications. "Since availabilities and sizes are continuously altering nearly day by day, one of the best ways to get PSA messages posted at these venues is to contact the 2 firms, share the artistic with them and they're going to order particular sizes to suit their out there places," Ortolano factors out.
In accordance with Ortolano, "the most typical dimension for the preliminary request must be 62" vast x 43" in top general, with 58"x38" viewing dimension, which is able to work with each firms controlling airport places. Usually they may order dioramas in 5 different bigger sizes which will likely be utilized in key airport places," he mentioned.
Purchasing Mall Shows
Mall shows are available quite a lot of totally different codecs and sizes starting from overhead banners, to exterior signage. Mall banners are massive format, double-sided 12'Wx 16'H and 9'W x 12'H frames hung within the atrium of a mall providing commanding publicity to nearly each mall shopper. Faces are printed digitally utilizing excessive decision copy that vividly recreates every bit of artistic. Banners are offered within the vertical "journal" format and are proportionately similar to magazines (12'x16', 9'x12') so just one piece of art work is required.
Mall posters, essentially the most dominant mall media, measure four' vast x 6' excessive, are backlit and situated at eye degree at main choice factors within the mall - often related to a listing unit. Specialty mall promoting consists of a variety of media codecs - trumpet banners, decals, escalator wraps - that allow entrepreneurs to dominate the mall atmosphere. Positioned in in main city malls, specialty media present a singular branding alternative to supply shoppers with a number of publicity alternatives.
Rail/Transit/Bus Cease Signage
Transit promoting - and corresponding PSA availabilities - are the confluence of a number of elements. More and more transit firms and municipalities that management the house, want extra income and promoting can present a hassle-free revenue stream. Additionally, attributable to rising fuel costs, the "go inexperienced" motion and freeway congestion, extra persons are utilizing mass transit. To succeed in busy commuters, transit promoting now takes many kinds. These vary from subway platform signage, adverts on the perimeters, again and interiors of passenger busses and subways. Even the columns and flooring of ready areas are being lined. Just like airport dioramas, the location of PSAs in these venues requires a personalized method, working with the assorted firms that management the house reminiscent of CBS Outside, after which offering personalized signage to suit the assorted availabilities.
In conclusion, a society continuously in movement, extra out there places, and the facility of outside to convey a compelling message, are all tendencies which have contributed to the success of outside. One factor that hasn't modified - those that management entry to out of doors signage don't need to see an empty signal or poster - and that's what creates nearly limitless alternatives for PSA placement.
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808randolph-blog · 7 years
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#808Randolph How to Be Photogenic: 25 Tricks That Make You Instantly More Gorgeous in Pictures: In today's social media-obsessed world, it's safe to say that knowing how to be photogenic is of utmost importance. What's the point of having an Instagram account if you don't look good in pictures, right? Getting caught looking horrible in photos can be a tad traumatizing—and it's enough to make us wonder exactly how all those models manage to look so damn good all of the time. Being photogenic is a fine art—it's a lot harder than it looks to make sure your in-the-flesh beauty translates on camera. MORE: The Hilarious Reason You Should NEVER Wear Highlighter For a Driver's License Photo The good news? Learning how to be photogenic is a skill you can totally master. Here are a few of our favorite tips. 1. If you tend to blink in photos, close your eyes just before the picture is taken and open them slowly before the camera clicks. No more half-closed eyes! 2. To avoid a double chin, elongate your neck and push your face forward a bit. Think of sticking out your forehead and tipping your chin slightly down. It might feel awkward, but it will look great—promise. 3. Make sure your makeup is a perfect match, says mark Celebrity Makeup Artist Fiona Stiles, who's prepped everyone from Halle Berry to Jessica Chastain and Elizabeth Banks for the red carpet. “When a foundation is too pale for your skin tone, it becomes very obvious when a flash hits the skin.” She advises, “Match your skin to your chest and add a thin layer to your neck if your neck is paler (as is the case for most people).” 4. Curled lashes and mascara are musts, Stiles insists. “Both open up your eyes, and the eyes are the focal point of a picture. You want to draw people into a picture, so you want to maximize the impact of the eyes. They more open they are, the more the light hits them and that's what makes them twinkle!” 5. Take a look at your favorite pictures of yourself and try to spot a pattern. Do you like the way you look from a certain angle? When you smile a specific way? Try to replicate your best poses next time you have your photo taken. 6. Try this old school red carpet trick: Put your tongue behind your teeth when you smile to avoid a goofy, too-wide grin. 7. Fill in your brows. Not only do your eyebrows convey character and emotion, they often mean all the difference between looking wide awake and washed out on camera. You may even consider using a slightly darker brow pencil if you know you'll be photographed, since features tend to look lighter in pictures. 8. Make sure your hair is shiny. “Spray-on shine is great for a last-minute add-on shine,” says hair stylist Serge Normant, who has worked with Julia Roberts, Reese Witherspoon, Julianne Moore and Sarah Jessica Parker throughout his years in the biz. 9. A photo can highlight flyaways, so make sure your style is sleek. “A good pomade or dry oil will help, but use lightly,” Normant advises. “If you are afraid to use too much, spray on your hands and then lightly try to control fizz.” 10. Look toward a light right before someone snaps your photo. Doing so will shrink your pupils and help you avoid red eye. 11. Surprise photo op? Try this five-second prep: Blot your face with a tissue or single-ply cocktail napkin, then pinch your cheeks to create a rosy glow (yep, it's old school, but it works). 12. A couple drops of Visine will help your eyes look brighter and more awake. 13. Blush is a must! Without some color on your cheeks, your face can look two-dimensional in photos. Use a medium pink shade on the apples of your cheeks to help shape your face. 14. Think about angles. Facing the camera straight on is rarely flattering; instead, turn your head to a three-quarter position to give your features depth. 15. Try the “red carpet” pose: put your hand on your hip, angle your body to the side and turn your head towards the camera. It's a cliché, but it really does work to help you look slimmer. 16. Avoid serious sparkle on your face. “Anything too shimmery on the skin can just be too much in a photo,” Stiles says. “A soft glow is nice, but if you have oily skin it can really exaggerate shimmer and make you look very shiny. If you are a shimmer addict and just can't help yourself, keep the face matte or semi-matte (a velvety finish). Add a little highlighter to just the tips of the cheekbones and the bridge of the nose with a powder highlighter that has a very soft sheen.” 17. On the other hand, a bit of sparkle below the neck can give your skin a pretty sheen. Dust your collarbone and shoulders with a shimmering powder such as Chanel Natural Finish Loose Powder in Moonlight ($52; at Chanel), which has the perfect finish for playing up assets. 18. Stand in front of a white wall. A light-colored backdrop will help brighten your face. Using a white background also helps a camera's automatic settings find the right color balance, so your skin tone doesn't end up looking too pink or yellow. 19. Wear bright lipstick. “Dark lipstick can have a minimizing effect on lips,” says Stiles. “Steer clear of a dark matte lip color. It can look aging and unflattering. Stick with brighter colors.” 20. Be in more pictures! People who think they're unphotogenic tend to pose for fewer photos overall, but photography is a game of averages. Even Kate Moss doesn't nail it on the first frame. The more shots you let your photographer take, the more likely you'll be happy with one or two of them. 21. A photo shot from just above you is way more flattering than one shot from below. If you're taller than the person holding the camera, grab a seat. 22. Avoid standing directly under a light, which can cast weird shadows on your face. Instead, stand facing a natural light source, such as a window, or in a spot where soft light hits your face from the side. 23. Grab a prop—preferably not a red Solo cup. Holding onto an object such as a flower or decoration can help you relax your posture and add personality to a picture. 24. To make your eyes sparkle, look at a light source. A lamp or brightly lit Christmas tree will create a flattering gleam in your pupils. 25. Forget saying “cheese,” and instead think of something funny. Better yet, joke with the photographer. A natural smile trumps a fake one every time. MORE: 12 Styling Tips That Will Slim You Down in a Snap Originally published December 2015. Updated May 2017. http://bit.ly/2pcnHG0
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