#but oh so relatable

[dis-astre]

gwizdo from dragon hunters is such a relatable character bc i too didn't choose to be small and poor and ugly and mean but here i am

and i also would scam rich people bc eat the rich they are not frequentable people and i also would adopt a kid and live in a farm with sheeps and my friend with whom i have a weirdly homoerotic relationship

[lesbianralzarek]

"life doesnt get better, you just get stronger" does NOT include ages 11-17. life does in fact just get better from there. those years are dogshit. like, you do get stronger but its mostly just a factor of not being 11-17 anymore. positive thinking helps but it doesnt fix whatevers going on at 15, you have to brute force through that one raw

[xxplastic-cubexx]

obligatory beach divorce doodling

bonus rough cover redraw of x-men #41 (1995) But Beach Divorce below cut

[unicornpopcorn14]

So we all know by now that Dazai is comfortable enough around Chuuya to show nervousness/worry.

Enough times for Chuuya to pick up on that pattern. The pattern, may I remind you, that doesn't have evident correlation to either nervousness or worry to most people. One that can even be interpreted as misplaced given the situation.

Which means that Dazai has done this in front of Chuuya so often, that Chuuya at first was hella confused, before he finally made a connection between when and why it happens. And still remembered that connection after four years of separation. Which gets us to my point:

What if this isn't the only emotion Dazai displays weirdly?

What if he has multiple unconventional patterns he displays for sadness, frustration, content, or disgust? The times he really feels them, and they become too strong for him to just deal with normally? What if these are the only times he's actually being genuine with his emotions?

And Chuuya is the only one who is familiar with them all?

Dazai would be jumping rope and Chuuya would be like, "quit sulking, let's get icecream"

Dazai hanging upside down on the couch and Chuuya going, "It's okay, mackerel. You can cry."

Dazai actually crying, full on heart-wrenching sobs, and Chuuya unironically going, "What, good news?"

It's just... comforting, for one person in Dazai's life to read him like a book. Everyone else would look at him like he's crazy, displaying wrong emotions/behaviors at the wrong time, but Chuuya knows that it's just how he processes feeling properly, and thus he's the only one Dazai can count on to put things into context and understand, which makes him display them even more openly.

Because Chuuya never shamed him for his quirks, as much as Dazai never did his.

[swordmaid]

“He will bring a rose for you,” her father had promised her, but a rose was no good, a rose would not keep her safe.

based from this post.

[egophiliac]

do skully have pokemon?

Pumpkaboo is the obvious one, but y'know, sometimes the obvious one is the right one! (we'll say SUPER SIZE Pumpkaboo, just for fun. big pumpkin for big skeleton boy.) and another person actually also suggested Greavard, which I somehow hadn't considered, but feels so perfect that I feel like I should have. dangit.

(they can also have little Nightmare Suit costumes :D)

[uncharted-constellations]

The Princess and Hero of the First Great Calamity

The orange snoot is very important to me….

[choccy-milky]

@foundthatoldzeppelinshirt what did u do to me...what in the wattpad is this... i only planned to do a few doodles but then i kept getting more brainrotted and things got out of hand LMAOO (and ofc i HAD to draw hockey player seb at SOME POINT bc its my duty as a canadian citizen🫡🍁🍁 O CANADA!!!)

[aethersea]

I do think Blazing Saddles handled its one depiction of native americans very poorly, and the full extent of its representation of chinese workers on the railroad is they were literally just there. not even one single speaking line. unclear if this is worse or better than the redface.

it's fucking phenomenal at lampooning antiblack racism though. extremely blatant, extremely funny satire, which is constantly and loudly saying "racism is the philosophy of the terminally stupid at best and morally depraved at worst, and we should all be pointing and laughing at them 24/7"

plus the main character is a heroic black man who has to navigate a whole lot of bullshit but is constantly smirking at the extraordinarily stupid racists and inviting the audience into the joke. the one heroic white character is a guy who was suicidally depressed until he met the protagonist and they just instantly became buds, and he's firmly in a supporting role the whole time and happy to be there. the protagonist saves the day with the help of his black friends from the railroad, and uses the position of power he was given to uplift not only those friends, but all the railroad workers of other minorities too, in an explicit show of solidarity.

anyone saying "Blazing Saddles is racist" had better be talking about its treatment of non-black minorities. it had better not be such superficial takes as "oh but they say the n-word all the time" or "they have nazis and the kkk in there!" because goddamn if that's the full extent of your critique I very seriously suggest you read up on media analysis. there is too much going over your head, you need to learn to recognize satire.

[is-this-even-relatable]

DC PROMPT #2:

When Captain Marvel gets hit in a fight that was a little too magical in origins for everyone’s comfort, he turns back into Billy Batson, scrawny homeless kid (actually a teen now, thank you very much), a clear difference from his healthy, strong adult form.

Billy knows that he is fine, he just needs to rest a bit and he’ll be back to being Cap. He is freaking out for a second about getting his cover blown. That is, until-

the rest of the Justice League, who on the other hand do NOT know that he is fine-

think that one of their founding and most senior members, their heavy hitter magical expert dude, is suddenly de-aged due to an attack of unknown origins.

Billy just decides to go along with it.

———

Billy, dragging himself out of the rubble of a building: “Aw shit.”

Wonder Woman, flying over after tying up the bad guy of the day: “Oh Zeus! Captain Marvel, are you still yourself? Do you feel alright?”

Billy: “Uh—”

Flash, dashing over: “What’s going on, what was that bright light— HOLY SHIT IS THAT CAP?!?”

Billy: “Ye—”

Batman from the Watchtower: “Wonder Woman, please report.”

WW: “It seems that Captain Marvel was hit by some sort of magical attack.”

Billy: “Well—”

Batman: “Is he compromised?”

Flash: “BATS HE’S A CHILD?!”

WW, sighing: “Yes, as Flash put it, he has been turned into a child.”

Batman:

Batman: “Bring him back to the watchtower and we’ll see if we can fix this.

Billy: “Shit, aiight I guess”

[i-cant-get-into-my-other-account]

Like idk but-- something about how Laios is never once portrayed as desirable in the traditional way really gets to me. The entire series is about every kind of desire and how people deal with it, but as for the main character?? Sexually?? Romantically?? Not one single person. (There was that one auxiliary character but she was after his favor as team leader/perceived birth status, though he actually ran away from it all.)

There are even several jokes about how undesirable he is from a sexual/romantic standpoint. And while yes that does have some aroace flavor to it, given that he (in the show/manga anyway) shows no interest in romance or sex himself, so of course he wouldn't try to be appealing that way, I find it comforting from just-- a general standpoint??

Like that an author sat down and wrote a main character that's just plain awkward and unattractive in-universe, noticed, joked about sometimes (after all it is a comedy series), but the character himself is never ever The Joke, Laios is always shown as worth it. Worth watching. Worth knowing.

He's socially inept, the only reason he even shaves and cuts his hair is because he doesn't want to look like his father, he doesn't even care about romance let alone have the skills to be a good partner, and just... so what?? The story never asks us why. He just is.

He's the main character, he's himself. His story is worth telling, screw the love interest sideplot. It's worth seeing through.

He's enough.

[merlins-strawberriesandroses]

POV you’ve informed the Queen and the Court’s Sorcerer of something and they very clearly know something that they’re not letting on

[swiggity-swexual-i-am-asexual]

As per usual, it’s DP crossover with (probably) DC, although you could probably adjust it for other fandoms

ANYWAYS

A little kid and his mother are trick or treating in another city, perhaps at some kind of event rather than knocking on doors, and the kid is dressed as Phantom. It’s very adorable, with his little ghost-shaped bucket and clearly homemade and already stained costume—listen, white only works if you can just fly over street grime or phase it out of your clothes—and his slightly I’ll fitting wig. The kid is SO happy to be out and about dressed as his favorite, and maybe even showed it off to Phantom back in Amity Park before his family left.

The hero, insert whoever you wish here, is probably in civvies and just enjoying the event. The kid, meanwhile, is so glad when people ask who he is so he can explain, and so- the hero gets to hear ALL ABOUT the local town hero who is probably pretty small time despite the kid’s clearly exaggerated stories. The hero certainly never heard of him, but the kid’s mom confirms that Phantom really was the town hero, despite some mixed reviews of the poor guy.

“Did you manage to show him your costume?” the hero asks.

“Yeah! We went down to the cemetery to leave flowers and I got to show him my costume.”

Wait. Cemetery? Maybe it was part of theme, because Phantom had to be named that for a reason, but… it sounded like…

The kid ignores the suddenly VERY still hero and instead turns to his mom. “Momma, do you think we should bring him candy? He doesn’t get to trick or treat like we do, and I can work super hard to get him a bunch!”

The kid’s mom just smiles. “We could, but maybe we should bring him something homemade. I bet he’d like something more filling, teen boys like him have a hollow leg.”

The kid wrinkles his nose. “Like Vernie with the pizza bagels?”

“Like your cousin, yes. We can make some cinnamon rolls and take them to his memorial, maybe bring some of the apples from your grandpa’s garden…”

The hero is pretty much forgotten as the two-part family wanders off, not quite intentionally forgetting the hero is there so much as the hero somewhat accidentally ended the conversation when they just froze and didn’t ask anything further.

Not that the hero didn’t want to. But they’d learn something very serious.

One—there was a small town hero they’d never heard of. Two—that hero was apparently a teen. Third—most pressingly, the teen hero was both beloved enough to have kids dressing up as him and dead enough to have a grave.

This… might require some phone calls.

[potatounicoorn]

It's a hereditary trait, nothing to be done😔

[belphegor1982]

Two things I love about this little moment:

Pike getting to be the monstah and the "little weirdo of the group" Ashley Johnson always meant her to be ✨

the sheer open affection on Scanlan's face :') Look at this guy!!

[defyingthefates]

Genuinely it is so funny that Laura and Marisha meant to have a completely platonic relationship and then they both tripped and faceplanted directly into romantic feelings. Roughly around the same time too. Well done ladies. Best failure I've ever seen.